Page 5 - (کیهان لندن - سال سى و دوم ـ شماره ۳۶ (دوره جديد

‫ﺻﻔﺤﻪ ‪ 5‬ـ ‪ Page 5‬ـ ﺷﻤﺎﺭﻩ ‪36‬‬
‫ﺟﻤﻌﻪ ‪ 27‬ﻧﻮﺍﻣﺒﺮ ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 3‬ﺩﺳﺎﻣﺒﺮ ‪2015‬‬

‫ﺍﻭﻟﻴﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺍﻳﺮﺍﻧﻰ ﺑﺎ ﻣﻀﻤﻮﻥ ﺧﻴﺎﻡ ﺯﻧﺪﮔﻰ ﺷﻬﺒﺎﻧﻮ ﻓﺮﺡ ﺩﺭ ﻓﺮﺍﻧﺴﻪ ﺿﺒﻂ ﻣﻰﺷﻮﺩ‬

‫ﺑﻪ ﺗﺎﺯﮔﻰ ﭘﺨﺶ ﺳﺮﻳﺎﻝ ﻣﻌﻤﺎﻯ ﺷﺎﻩ‬ ‫ﻫﻨﺮﻣﻨﺪﺍﻥ ﺳﻪ ﻧﺴﻞ ﻣﺨﺘﻠﻒ ﻫﻨﺮﻫﺎﻯ‬ ‫ﺧﻴﺎﻡ ﻛﻪ ﻫﻤﻮﺍﺭﻩ ﺷﺎﻋﺮ ﻭ ﺩﺍﻧﺸﻤﻨﺪﻯ‬
‫ﺗﺠﺴﻤﻰﺍﻳﺮﺍﻥ ﻭ ﺑﺎ ﻣﺤﻮﺭﻳﺖ ﻋﻤﺮ‬ ‫ﺩﺭ ﻣﺤﺪﻭﺩﻩ ﺧﻂ ﻗﺮﻣﺰ ﺑﺮﺍﻯ‬
‫ﺑﻪ ﻛﺎﺭ ﮔﺮﺩﺍﻧﻰ ﻣﺤﻤﺪﺭﺿﺎ ﻭﺭﺯﻯ ﺍﺯ‬ ‫ﺧﻴﺎﻡ ﻭ ﻫﻨﺮ ﻣﻌﺎﺻﺮ ﺍﻳﺮﺍﻥ ﺷﻜﻞ ﮔﺮﻓﺘﻪ‬ ‫ﻫﻨﺮﻣﻨﺪﺍﻥ ﺑﻪ ﺷﻤﺎﺭ ﻣﻰﺭﻓﺖ ﮔﻮﻳﺎ‬
‫ﺗﺎﺑﻮﻳﺶ ﺷﻜﺴﺘﻪ ﺷﺪﻩ ﻭ ﻫﻨﺮﻣﻨﺪﺍﻥ‬
‫ﺷﺒﻜﻪ ﺍﻭﻝ ﺳﻴﻤﺎﻯ ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ‬ ‫ﺍﺳﺖ‪.‬‬ ‫ﺍﻳﺮﺍﻧﻰ ﺑﺮﺍﻯ ﻧﺨﺴﺘﻴﻦ ﺑﺎﺭ ﺑﺎ ﭘﺮﺩﺍﺧﺘﻦ‬
‫ﻓﺮﺷﻴﺪ ﻣﺜﻘﺎﻟﻰ‪ ،‬ﻣﺤﻤﺪ ﺍﺣﺼﺎﻳﻰ‪،‬‬ ‫ﺑﻪ ﺷﻌﺮﻫﺎﻯ ﺍﻳﻦ ﺷﺎﻋﺮ ﻭﻓﻴﻠﺴﻮﻑ‬
‫ﺁﻏﺎﺯﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺩﺭ ﺍﻳﻦ ﺳﺮﻳﺎﻝ ﺑﻪ‬ ‫ﻋﺒﺎﺱ ﻛﻴﺎﺭﺳﺘﻤﻰ‪ ،‬ﭘﺮﻳﻮﺵ ﮔﻨﺠﻰ‪،‬‬ ‫ﺍﻳﺮﺍﻧﻰ ﺩﻭﺭﻩ ﺳﻠﺠﻮﻗﻴﺎﻥ ﻧﻤﺎﻳﺸﮕﺎﻫﻰ‬
‫ﺣﺴﻴﻦ ﻣﺤﺠﻮﺑﻰ‪ ،‬ﻓﺮﺡ ﺍﺻﻮﻟﻰ‪،‬‬
‫ﺯﻧﺪﮔﻰ ﺧﺎﻧﺪﺍﻥ ﭘﻬﻠﻮﻯ ﭘﺮﺩﺍﺧﺘﻪ‬ ‫ﻣﺼﻄﻔﻰ ﺩﺷﺘﻰ‪ ،‬ﺑﻬﺮﺍﻡ ﺩﺑﻴﺮﻯ‪،‬‬ ‫ﺑﺮﮔﺰﺍﺭ ﻣﻰﻛﻨﻨﺪ‪.‬‬
‫ﻣﺮﻳﻢ ﺯﻧﺪﻯ‪ ،‬ﺭﺿﺎ ﻟﻮﺍﺳﺎﻧﻰ‪ ،‬ﺍﺑﺮﺍﻫﻴﻢ‬ ‫ﺁﻧﺎﻫﻴﺘﺎ ﻗﺒﺎﺋﻴﺎﻥ‪ ،‬ﻣﺪﻳﺮ ﮔﺎﻟﺮﻯ ﺭﺍﻩ‬
‫ﻣﻰﺷﻮﺩ ﺍﺯ ﺗﻐﻴﻴﺮ ﭘﺎﺩﺷﺎﻫﻰ ﺭﺿﺎﺷﺎﻩ ﺑﻪ‬ ‫ﺣﻘﻴﻘﻰ‪ ،‬ﻫﺎﺩﻯ ﻫﺰﺍﻭﻩﺍﻯ‪ ،‬ﻧﻴﻜﺰﺍﺩ‬ ‫ﺍﺑﺮﻳﺸﻢ‪ ،‬ﺩﺭﺑﺎﺭﻩ ﺑﺮﭘﺎﻳﻰ ﻧﻤﺎﻳﺸﮕﺎﻩ‬
‫ﻧﺠﻮﻣﻰ‪ ،‬ﺭﻋﻨﺎ ﺟﻮﺍﺩﻯ‪ ،‬ﮔﻴﺰﻻ ﻭﺍﺭﮔﺎ‬ ‫»ﺍﺳﺮﺍﺭ ﺍﺯﻝ‪ ،‬ﺧﻴﺎﻡ ﻭ ﻫﻨﺮ ﺍﻣﺮﻭﺯ« ﺍﻇﻬﺎﺭ‬
‫ﻣﺤﻤﺪﺭﺿﺎ ﺷﺎﻩ ﺗﺎ ﻧﻤﺎﻳﺶ ﺭﺧﺪﺍﺩﻫﺎﻯ‬ ‫ﺳﻴﻨﺎﻳﻰ‪ ،‬ﺭﺿﺎ ﻛﻴﺎﻧﻴﺎﻥ‪ ،‬ﻣﻬﺴﺎ ﻭﺣﺪﺕ‪،‬‬ ‫ﻛﺮﺩ‪ :‬ﻣﻮﺿﻮﻉ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺍﺯ ﻃﺮﻑ‬
‫ﺑﺰﺭﮔﻤﻬﺮ ﺣﺴﻴﻦﭘﻮﺭ‪ ،‬ﺷﻬﺮﻩ ﻣﻬﺮﺍﻥ‪،‬‬ ‫ﻋﺒﺎﺱ ﻛﻴﺎﺭﺳﺘﻤﻰ ﺍﺭﺍﻳﻪ ﺷﺪ‪ .‬ﻭ ﻣﺎ ﺑﻪ‬
‫ﺧﺎﻧﻮﺍﺩﻩ ﺩﻛﺘﺮ ﻭﺯﻳﺮﻯ ﻛﻪ ﺧﻂ ﺍﺻﻠﻰ‬ ‫ﺑﻬﺮﺍﻡ ﺷﻴﺮﺩﻝ‪ ،‬ﺍﺣﻤﺪ ﻣﺮﺷﺪﻟﻮ‪،‬‬ ‫ﺍﻳﻦ ﻧﺘﻴﺠﻪ ﺭﺳﻴﺪﻳﻢ ﻛﻪ ﻣﻮﺿﻮﻉ ﺧﻴﺎﻡ‬
‫ﻣﺼﻄﻔﻰ ﺩﺭﻩﺑﺎﻏﻰ‪ ،‬ﺷﺎﺩﻯ ﻗﺪﻳﺮﻳﺎﻥ‪،‬‬ ‫ﺑﺮﺍﻯ ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﻛﻪ ﺑﺨﻮﺍﻫﻴﻢ ﺁﻥ ﺭﺍ‬
‫ﺩﺍﺳﺘﺎﻥ ﺳﺮﻳﺎﻝ ﻣﻌﻤﺎﻯ ﺷﺎﻩ ﺭﺍ ﺗﺸﻜﻴﻞ‬ ‫ﺳﻤﻴﺮﺍ ﻋﻠﻴﺨﺎﻥﺯﺍﺩﻩ‪ ،‬ﻣﺤﻤﻮﺩ ﺑﺨﺸﻰ‪،‬‬ ‫ﻋﻼﻭﻩ ﺑﺮ ﺍﻳﺮﺍﻥ ﺩﺭ ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ ﻫﻢ‬
‫ﻫﺎﻭﺍﺭ ﺍﻣﻴﻨﻰ‪ ،‬ﻧﺎﻫﻴﺪ ﺣﻘﻴﻘﺖ‪ ،‬ﻟﻴﻠﻰ‬
‫ﻣﻰﺩﻫﺪ‪.‬‬ ‫ﺩﺭﺧﺸﺎﻧﻰ‪ ،‬ﻣﺠﻴﺪ ﻛﻮﺭﻧﮓ ﺑﻬﺸﺘﻰ‪،‬‬ ‫ﺑﺮﭘﺎ ﻛﻨﻴﻢ‪ ،‬ﻣﻨﺎﺳﺐ ﺍﺳﺖ‪.‬‬
‫ﻣﻬﺪﻯ ﻭﺛﻮﻕ ﻧﻴﺎ‪ ،‬ﭘﻮﻳﺎ ﺁﺭﻳﺎﻥ ﭘﻮﺭ‪،‬‬ ‫ﻗﺒﺎﺋﻴﺎﻥ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﺟﺬﺍﺑﻴﺖ ﺍﻳﻦ‬
‫ﺳﺮﻳﺎﻝ ﺗﻠﻮﻳﺰﻳﻮﻧﻰ ﻣﻌﻤﺎﻯ ﺷﺎﻩ ﺩﺭ ‪80‬‬ ‫ﻣﻬﺮﺩﺍﺩ ﻣﺤﺒﻌﻠﻰ‪ ،‬ﺑﻬﻤﻦ ﻛﻴﺎﺭﺳﺘﻤﻰ‪،‬‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﺮﺍﻯ ﻣﺨﺎﻃﺒﺎﻥ ﺧﺎﺭﺝ ﺍﺯ‬
‫ﻣﻬﺸﻴﺪ ﻧﻮﺷﻴﺮﻭﺍﻧﻰ‪ ،‬ﻓﺮﺣﻨﺎﺯ ﺷﺮﻳﻔﻰ‪،‬‬ ‫ﻛﺸﻮﺭ ﮔﻔﺖ‪ :‬ﺍﺷﻌﺎﺭ ﺧﻴﺎﻡ ﺑﻪ ﺩﻟﻴﻞ‬
‫ﻗﺴﻤﺖ ﺷﺼﺖ ﺩﻗﻴﻘﻪﺍﻯ ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ‬ ‫ﺟﻼﻝ ﺳﭙﻬﺮ‪ ،‬ﺷﻬﺮﻳﺎﺭ ﺍﺣﻤﺪﻯ‪،‬‬ ‫ﻣﺤﺘﻮﺍ ﻭ ﻓﺮﻡ ﻛﻮﺗﺎﻫﻰ ﻛﻪ ﺩﺍﺭﻧﺪ‪ ،‬ﻗﺎﺑﻞ‬
‫ﺣﺎﻣﺪ ﺭﺷﺘﻴﺎﻥ‪ ،‬ﻓﺮﻧﺎﺯ ﺭﺑﻴﻌﻰ ﺟﺎﻩ‪،‬‬ ‫ﺩﺳﺘﺮﺳﻰﺍﻧﺪ ﻭ ﻣﻮﺿﻮﻋﺎﺗﻰ ﻛﻪ ﺩﺭ ﺍﻳﻦ‬
‫ﻣﺤﻤﺪﺭﺿﺎ ﻭﺭﺯﻯ ﻭ ﺗﻬﻴﻪﻛﻨﻨﺪﮔﻰ ﻋﻠﻰ‬ ‫ﻫﻮﻣﻦ ﻣﻬﺪﻯ ﺯﺍﺩﻩ ﺟﻌﻔﺮﻯ‪ ،‬ﺑﺎﺑﻚ‬ ‫ﺍﺷﻌﺎﺭ ﺑﻪ ﺁﻧﻬﺎ ﺍﺷﺎﺭﻩ ﺷﺪﻩ‪ ،‬ﺑﺮﺍﻯ ﻛﺴﺎﻧﻰ‬
‫ﻛﺎﻇﻤﻰ‪ ،‬ﺗﻬﻤﻴﻨﻪ ﻣﻨﺰﻭﻯ‪ ،‬ﮔﻠﻨﺎﺯ‬ ‫ﻛﻪ ﻓﺎﺭﺳﻰﺯﺑﺎﻥ ﻧﻴﺴﺘﻨﺪ ﻫﻢ ﻣﻰﺗﻮﺍﻧﺪ‬
‫ﻟﺪﻧﻰ ﺗﻮﻟﻴﺪﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﻃﺎﻫﺮﻯ ﻭ ﺷﺎﻫﺪ ﺻﻔﺎﺭﻯ ﻫﻨﺮﻣﻨﺪﺍﻥ‬ ‫ﺟﺎﻟﺐ ﺑﺎﺷﺪ‪ .‬ﻣﺤﺘﻮﺍﻯ ﺍﻳﻦ ﺷﻌﺮﻫﺎ‬
‫ﺣﺎﺿﺮ ﺩﺭ ﺍﻳﻦ ﺭﻭﻳﺪﺍﺩ ﻫﺴﺘﻨﺪ ﻛﻪ‬ ‫ﺟﻬﺎﻥ ﺷﻤﻮﻝ ﺍﺳﺖ ﻭ ﻣﺮﺩﻡ ﺩﻧﻴﺎ‬
‫ﻣﺮﺍﺣﻞ ﺗﺤﻘﻴﻖ ﻭ ﭘﮋﻭﻫﺶ ﺍﻳﻦ‬ ‫ﺁﺛﺎﺭ ﺧﻮﺩ ﺭﺍ ﺩﺭ ﻗﺎﻟﺐ ﻧﻘﺎﺷﻰ‪ ،‬ﻋﻜﺲ‪،‬‬ ‫ﻣﻌﺎﺻﺮ ﻭ ﺑﺎ ﻣﻮﺿﻮﻉ ﻭﺍﺣﺪ ﻭ ﻳﻜﺴﺎﻥ‬
‫ﺳﺮﻳﺎﻝ ﺗﺎﺭﻳﺨﻰ ﺍﺯ ﺍﻭﺍﺧﺮ ﺳﺎﻝ ‪ 1389‬ﺩﺭ ﺷﺮﺍﻳﻂ ﻛﻨﻮﻧﻰ ﺍﻳﺮﺍﻥ ﭼﻘﺪﺭ ﻣﻰﺗﻮﺍﻥ ﺑﻪ ﺗﺎﺭﻳﺦ ﻭ ﻭﺍﻗﻌﻴﺖ ﻭﻓﺎﺩﺍﺭ ﻣﺎﻧﺪ؟‬ ‫ﻃﺮﺍﺣﻰ‪ ،‬ﻣﺠﺴﻤﻪ ﻭ ﻭﻳﺪﻳﻮ ﺑﻪ ﺗﻤﺎﺷﺎ‬ ‫ﺑﺮﭘﺎ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﻣﻰﺗﻮﺍﻧﻨﺪ ﺑﺎ ﺁﻥ ﺍﺭﺗﺒﺎﻁ ﺑﺮﻗﺮﺍﺭ ﻛﻨﻨﺪ‪.‬‬
‫ﻭﻯ ﮔﻔﺖ‪ ،‬ﺍﮔﺮ ﻣﻮﻓﻖ ﺷﻮﻳﻢ ﺍﻳﻦ‬
‫ﺯﻳﺮ ﻧﻈﺮ ﻣﻮﺳﻰ ﺣﻘﺎﻧﻰ ﺑﻪﻋﻨﻮﺍﻥ ﻣﺸﺎﻭﺭ ﻣﺮگ ﻣﺤﻤﺪﺭﺿﺎﺷﺎﻩ ﺩﺭ ﻗﺎﻫﺮﻩ ﺑﻪ ﭘﺎﻳﺎﻥ ﭼﻬﺮﻩﭘﺮﺩﺍﺯﻯ‪ ،‬ﺑﻪ ﺗﺼﺎﻭﻳﺮ ﺗﺎﺭﻳﺨﻰ‬ ‫ﻣﻰﮔﺬﺍﺭﻧﺪ‪.‬‬ ‫ﺍﻭ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﻣﺘﻨﻮﻉ ﺑﻮﺩﻥ ﺁﺛﺎﺭ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﺭﺍ ﺩﺭ ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ ﻫﻢ‬
‫ﭘﮋﻭﻫﺸﻰ ﻭ ﺗﺎﺭﻳﺨﻰ ﺁﻏﺎﺯ ﺷﺪ‪ .‬ﺳﺮﻳﺎﻝ ﻣﻰﺭﺳﺪ‪ .‬ﺩﺭ ﺣﺪ ﻓﺎﺻﻞ ﺍﻳﻦ ﻣﻘﻄﻊ ﻧﺰﺩﻳﻚ ﺷﺪﻩﺍﻧﺪ‪ .‬ﻋﻜﺎﺱ ﺍﻳﻦ ﺳﺮﻳﺎﻝ‬ ‫ﮔﺎﻟﺮﻯ ﺭﺍﻩ ﺍﺑﺮﻳﺸﻢ ﺩﺭ ﺩﻭ ﺑﺨﺶ ﺑﻪ‬ ‫ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺍﺯ ﻧﻈﺮ ﻣﺪﻳﺎ ﻭ ﺷﻴﻮﻩﻯ‬ ‫ﺑﺮﮔﺰﺍﺭ ﻛﻨﻴﻢ‪ ،‬ﺍﺭﺍﻳﻪ ﻧﻤﻮﻧﻪ ﺧﻮﺑﻰ ﺍﺯ‬
‫ﺍﺯ ﺩﻯﻣﺎﻩ ‪ 1391‬ﻣﻘﺎﺑﻞ ﺩﻭﺭﺑﻴﻦ ﻓﺮﺷﺎﺩ ﺯﻣﺎﻧﻰ ﭼﻬﻞ ﺳﺎﻟﻪ‪ ،‬ﺭﻭﻳﺪﺍﺩﻫﺎﻯ ﻣﻬﻢ »ﻣﺴﻌﻮﺩ ﺭﺿﺎ ﻋﺠﻤﻰ« ﺍﺳﺖ‪.‬‬ ‫ﻧﻤﺎﻳﺶ ﺍﻳﻦ ﺁﺛﺎﺭ ﺧﻮﺍﻫﺪ ﭘﺮﺩﺍﺧﺖ ﻛﻪ‬ ‫ﻛﺎﺭﻯ‪ ،‬ﺍﻇﻬﺎﺭ ﻛﺮﺩ‪ :‬ﺭﻓﺖ ﻭ ﺑﺮﮔﺸﺖ‬ ‫ﻓﺮﻫﻨﮓ ﻫﺰﺍﺭ ﺳﺎﻟﻪﻯ ﺍﻳﺮﺍﻧﻰ ﺧﻮﺍﻫﺪ‬
‫ﺧﺎﻟﻘﻰ ﺭﻓﺘﻪ ﻭ ﺗﺼﻮﻳﺮﺑﺮﺩﺍﺭﻯ ﺁﻥ ﺍﺟﺘﻤﺎﻋﻰ‪ ،‬ﻓﺮﻫﻨﮕﻰ ﻭ ﺳﻴﺎﺳﻰ ﺟﺎﻣﻌﻪ ﺑﻪ ﮔﺰﺍﺭﺵ ﺍﻳﻠﻨﺎ‪ ،‬ﺗﻬﻴﻪﻛﻨﻨﺪﻩ ﻣﺠﻤﻮﻋﻪ‬ ‫ﺑﺨﺶ ﺍﻭﻝ ﺁﻥ ﺩﺭ ﺭﻭﺯ ﺟﻤﻌﻪ‪ ،‬ﺷﺸﻢ‬ ‫ﺑﻴﻦ ﺯﻣﺎﻥ ﺟﺪﻳﺪ ﻭ ﻗﺪﻳﻢ ﻭ ﺍﺭﺗﺒﺎﻁ ﺑﻴﻦ‬ ‫ﺑﻮﺩ ﻛﻪ ﻣﺨﺎﻃﺒﺎﻥ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺑﺎ ﺁﺛﺎﺭ‬
‫ﻫﻤﭽﻨﺎﻥ ﺍﺩﺍﻣﻪ ﺩﺍﺭﺩ‪ .‬ﻛﺎﺥ ﺳﻌﺪ ﺁﺑﺎﺩ‪ ،‬ﺍﻳﺮﺍﻥ ﻧﻴﺰ ﺑﻪ ﺗﺼﻮﻳﺮ ﻛﺸﻴﺪﻩ ﻣﻰﺷﻮﺩ‪ .‬ﺗﻠﻮﻳﺰﻳﻮﻧﻰ ﻣﻌﻤﺎﻯ ﺷﺎﻩ ﮔﻔﺘﻪ ﺍﺳﺖ‪:‬‬ ‫ﺁﺫﺭﻣﺎﻩ ﮔﺸﺎﻳﺶ ﻣﻰﻳﺎﺑﺪ ﻭ ﺑﺨﺶ ﺩﻭﻡ‬ ‫ﺍﺩﺑﻴﺎﺕ ﻭ ﻫﻨﺮ ﻣﻌﺎﺻﺮ ﻛﻪ ﻫﻨﺮ ﺗﺼﻮﻳﺮﻯ‬ ‫ﺍﻳﻦ ﺷﺎﻋﺮ‪ ،‬ﺭﻳﺸﻪﻫﺎﻯ ﺍﻳﻦ ﻓﺮﻫﻨﮓ ﺭﺍ‬
‫ﻛﺎﺥ ﻧﻴﺎﻭﺭﺍﻥ‪ ،‬ﺩﻛﻮﺭﻫﺎﻯ ﺍﺧﺘﺼﺎﺻﻰ ﺩﺭ ﺍﻳﻦ ﺳﺮﻳﺎﻝ ﺗﻠﻮﻳﺰﻳﻮﻧﻰ »ﺣﺴﻴﻦ ﻫﻢﺍﻛﻨﻮﻥ ﺗﺼﻮﻳﺮﺑﺮﺩﺍﺭﻯ ﺍﻳﻦ ﺳﺮﻳﺎﻝ‬ ‫ﭘﺲ ﺍﺯ ﻳﻚ ﻣﺎﻩ ﺑﻪ ﻧﻤﺎﻳﺶ ﮔﺬﺍﺷﺘﻪ‬ ‫ﺍﺳﺖ ﻣﻰﺗﻮﺍﻧﺪ ﺑﺮﺍﻯ ﻣﺨﺎﻃﺒﺎﻥ ﺟﺬﺍﺏ‬
‫ﺧﻮﺍﻫﺪ ﺷﺪ‪ .‬ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺩﺭ ﭘﺎﺭﻙ‬ ‫ﺟﺴﺖ ﻭﺟﻮ ﻛﻨﻨﺪ‪.‬‬
‫ﺩﺭ ﺷﻬﺮﻙ ﺳﻴﻨﻤﺎﻳﻰ ﻏﺰﺍﻟﻰ ﺑﺎ ﺣﻀﻮﺭ‬ ‫ﻻﻟﻪ‪ ،‬ﮔﺎﻟﺮﻯ ﺭﺍﻩ ﺍﺑﺮﻳﺸﻢ‪ ،‬ﺑﻪ ﻧﺸﺎﻧﻰ ﺑﻠﻮﺍﺭ‬ ‫ﺑﺎﺷﺪ‪.‬‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺍﻳﺴﻨﺎ‪ ،‬ﻣﺪﻳﺮ ﮔﺎﻟﺮﻯ ﺭﺍﻩ‬
‫ﻛﺸﺎﻭﺭﺯ‪ ،‬ﺑﻴﻦ ﺧﻴﺎﺑﺎﻥ ﻭﺻﺎﻝ ﻭ ﺧﻴﺎﺑﺎﻥ‬ ‫ﻗﺒﺎﺋﻴﺎﻥ ﻫﻤﭽﻨﻴﻦ ﮔﻔﺖ‪ :‬ﻧﮕﺎﻩ‬ ‫ﺍﺑﺮﻳﺸﻢ ﺍﺩﺍﻣﻪ ﺩﺍﺩ‪ :‬ﺑﺮﮔﺰﺍﺭﻯ ﭼﻨﻴﻦ‬
‫ﺑﺎﺯﻳﮕﺮﺍﻥ ﺩﺭ ﺣﺎﻝ ﺍﻧﺠﺎﻡ ﺍﺳﺖ‪.‬‬ ‫ﻗﺪﺱ‪ ،‬ﺷﻤﺎﺭﻩ ‪ ،210‬ﺳﺎﺧﺘﻤﺎﻥ ﺗﻜﻨﻮ‬ ‫ﻫﻨﺮﻣﻨﺪﺍﻥ ﺑﻪ ﻣﻮﺿﻮﻉ ﻭﺍﺣﺪ »ﺧﻴﺎﻡ«‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩﻫﺎﻳﻰ ﺑﺎ ﻣﻮﺿﻮﻉ ﻭﺍﺣﺪ‬
‫ﺁﻥ ﻗﺪﺭ ﻣﺘﻔﺎﻭﺕ ﺍﺳﺖ ﻛﻪ ﺍﺻﻼ ﻗﺎﺑﻞ‬ ‫ﺩﺭ ﺍﻳﺮﺍﻥ‪ ،‬ﺧﻴﻠﻰ ﻣﺘﺪﺍﻭﻝ ﻧﻴﺴﺖ ﻭ‬
‫ﻋﻠﻰ ﻟﺪﻧﻰ ﺍﻓﺰﻭﺩ‪ :‬ﺩﺭ ﺣﺎﻝ ﺣﺎﺿﺮ‬ ‫ﺁﺟﺮ ﺑﺮﮔﺰﺍﺭ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﮔﻔﺘﻦ ﻧﻴﺴﺖ‪ .‬ﻫﺮ ﻫﻨﺮﻣﻨﺪ ﺍﺯ ﺩﻳﺪﮔﺎﻩ‬ ‫ﺍﻳﻦ ﺍﻭﻟﻴﻦ ﺑﺎﺭ ﺍﺳﺖ ﻛﻪ ﺩﺭ ﺍﻳﺮﺍﻥ‬
‫ﺧﻮﺩ ﺑﻪ ﺍﻳﻦ ﻣﻮﺿﻮﻉ ﭘﺮﺩﺍﺧﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﺑﺎ ﺍﻳﻦ ﺍﺑﻌﺎﺩ ﺍﺯ ﻫﻨﺮﻣﻨﺪﺍﻥ‬
‫ﺳﻜﺎﻧﺲﻫﺎﻯ ﺯﻧﺪﮔﻰ ﺭﻭﺯﻣﺮﻩ ﻣﺮﺩﻡ‬ ‫ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺁﺛﺎﺭﻯ ﺍﺯ ﺭﺳﺎﻧﻪﻫﺎﻯ‬
‫ﻣﺨﺘﻠﻒ ﺍﺯ ﺟﻤﻠﻪ ﻧﻘﺎﺷﻰ‪ ،‬ﺣﺠﻢ‪ ،‬ﻭﻳﺪﺋﻮ‬
‫ﺩﺭ ﻛﻮﭼﻪ ﻭ ﺧﻴﺎﺑﺎﻥ ﺩﺭ ﺣﺎﻝ ﺿﺒﻂ‬ ‫ﻭ ﻏﻴﺮﻩ ﺩﺭ ﻣﻌﺮﺽ ﺩﻳﺪ ﻋﻼﻗﻤﻨﺪﺍﻥ‬

‫ﺍﺳﺖ ﻭ ﭘﻴﺶﺑﻴﻨﻰ ﻣﺎ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ‬ ‫ﻗﺮﺍﺭ ﺧﻮﺍﻫﺪ ﮔﺮﻓﺖ‪.‬‬
‫ﻣﺪﻳﺮ ﮔﺎﻟﺮﻯ ﺭﺍﻩ ﺍﺑﺮﻳﺸﻢ ﺩﺭﺑﺎﺭﻩ‬
‫ﻳﻚ ﺳﺎﻝ ﺩﻳﮕﺮ ﺗﺼﻮﻳﺮﺑﺮﺩﺍﺭﻯ ﺍﻳﻦ‬ ‫ﻧﻤﺎﻳﺶ ﺩﻭ ﻣﺮﺣﻠﻪﺍﻯ ﺁﺛﺎﺭ ﺍﻳﻦ‬
‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻧﻴﺰ ﺗﻮﺿﻴﺢ ﺩﺍﺩ‪ :‬ﺑﻪ ﺩﻟﻴﻞ‬
‫ﻣﺠﻤﻮﻋﻪ ﺑﻪ ﭘﺎﻳﺎﻥ ﻣﻰﺭﺳﺪ‪ .‬ﺍﻭ ﺍﺯ ﺍﻋﺰﺍﻡ‬ ‫ﺯﻳﺎﺩ ﺑﻮﺩﻥ ﺁﺛﺎﺭ‪ ،‬ﺁﻧﻬﺎ ﺭﺍ ﺩﺭ ﺩﻭ ﻣﺮﺣﻠﻪ ﺑﻪ‬
‫ﻧﻤﺎﻳﺶ ﻣﻰﮔﺬﺍﺭﻳﻢ ﺗﺎ ﻓﺸﺮﺩﻩ ﻧﺒﺎﺷﻨﺪ ﻭ‬
‫ﮔﺮﻭﻩ ﻣﻌﻤﺎﻯ ﺷﺎﻩ ﺑﻪ ﻛﺸﻮﺭ ﻓﺮﺍﻧﺴﻪ‬ ‫ﻣﺨﺎﻃﺒﺎﻥ ﺑﺘﻮﺍﻧﻨﺪ ﺭﻭﻯ ﻫﺮ ﻳﻚ ﺍﺯ ﺁﻧﻬﺎ‬

‫ﻧﻴﺰ ﺧﺒﺮ ﺩﺍﺩ ﻭ ﺗﺼﺮﻳﺢ ﻛﺮﺩ‪ :‬ﺑﻪ ﻣﻨﻈﻮﺭ‬ ‫ﺗﻤﺮﻛﺰ ﻻﺯﻡ ﺭﺍ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻨﺪ‪.‬‬
‫ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﺎ ﺁﺛﺎﺭﻯ ﺍﺯ‬
‫ﺿﺒﻂ ﺳﻜﺎﻧﺲﻫﺎﻯ ﻣﺮﺑﻮﻁ ﺑﻪ ﺣﻀﻮﺭ ﻭ‬

‫ﺯﻧﺪﮔﻰ ﻓﺮﺡ ﺩﻳﺒﺎ ﺩﺭ ﻛﺸﻮﺭ ﻓﺮﺍﻧﺴﻪ‪ ،‬ﺩﺭ‬

‫ﺁﻳﻨﺪﻩ ﮔﺮﻭﻩ ﺗﻮﻟﻴﺪﻯ ﺑﻪ ﻫﻤﺮﺍﻩ ﺑﺎﺯﻳﮕﺮﺍﻥ‬

‫ﺑﻪ ﺍﻳﻦ ﻛﺸﻮﺭ ﺳﻔﺮ ﺧﻮﺍﻫﻨﺪ ﻛﺮﺩ‪.‬‬

‫ﺑﻪ ﻧﻮﺷﺘﻪ ﺍﻳﻠﻨﺎ‪ ،‬ﻟﺪﻧﻰ ﮔﻔﺖ‪ :‬ﺑﺮﺍﻯ‬ ‫ﺑﺎ ﻭﺟﻮﺩ ﺗﺤﺮﻳﻒﻫﺎﻯ »ﺍﺟﺘﻨﺎﺏ ﻧﺎﭘﺬﻳﺮ« ﺑﻪ ﻧﻈﺮ ﻣﻰﺭﺳﻴﺪ ﺍﻳﻦ ﺳﺮﻳﺎﻝ ﺑﻪ‬
‫ﻓﻴﻠﻤﺒﺮﺩﺍﺭﻯ ﺑﺮﺧﻰ ﺩﻳﮕﺮ ﺍﺯ ﺳﻜﺎﻧﺲﻫﺎ‬ ‫ﺩﻟﻴﻞ ﻧﻤﺎﻳﺶ ﻏﻴﺮﻣﺴﺘﻘﻴﻢ ﮔﺬﺷﺘﻪﻯ ﻧﻪ ﭼﻨﺪﺍﻥ ﺩﻭﺭ ﺑﻴﻨﻨﺪﮔﺎﻥ ﺯﻳﺎﺩﻯ‬
‫ﺑﻪ ﺯﻭﺩﻯ ﺑﻪ ﺷﻬﺮﻫﺎﻯ ﻗﻢ ﻭ ﻗﺰﻭﻳﻦ‬
‫ﺭﺍ ﺑﻪ ﺧﻮﺩ ﺟﻠﺐ ﻛﻨﺪ‬
‫ﺧﻮﺍﻫﻴﻢ ﺭﻓﺖ‪.‬‬
‫ﺳﺎﺧﺘﻪﺷﺪﻩ ﺩﺭ ﺷﻬﺮﻙ ﻏﺰﺍﻟﻰ‪ ،‬ﻧﻮﺭﻋﻠﻰ« ﺩﺭ ﻧﻘﺶ ﺟﻮﺍﻧﻰ ﻣﺤﻤﺪﺭﺿﺎ ﺗﻬﻴﻪﻛﻨﻨﺪﻩ ﺳﺮﻳﺎﻝ ﻣﻌﻤﺎﻯ ﺷﺎﻩ ﺩﺭ‬
‫ﻛﺎﺥﻣﻮﺯﻩ ﮔﻠﺴﺘﺎﻥ‪ ،‬ﻣﻮﺯﻩ ﻋﺒﺮﺕ‪ ،‬ﺑﻨﺎﻫﺎﻯ ﺷﺎﻩ ﻭ »ﺍﻣﻴﺮﻣﻬﺪﻯ ﻛﻴﺎ« ﺩﺭ ﻧﻘﺶ ﭘﺎﻳﺎﻥ ﺍﻇﻬﺎﺭ ﺩﺍﺷﺖ‪ :‬ﻫﻢ ﺍﻛﻨﻮﻥ ﺗﻴﺘﺮﺍژ‬
‫ﺗﺎﺭﻳﺨﻰ ﺷﻬﺮ ﺗﻬﺮﺍﻥ ﻭﻏﻴﺮﻩ ﺑﺮﺧﻰ ﺍﺯ ﻣﻴﺎﻥﺳﺎﻟﻰ ﻭﻯ ﺣﻀﻮﺭ ﻳﺎﻓﺘﻪ ﺍﺑﺘﺪﺍﻳﻰ ﻭ ﭘﺎﻳﺎﻧﻰ ﺍﻳﻦ ﻣﺠﻤﻮﻋﻪ ﺑﺎ ﺻﺪﺍﻯ‬ ‫ﺍﻭﻟﻴﻦ ﺍﺟﺮﺍﻯ ﻣﺸﺘﺮﻙ ﺣﺴﻴﻦ ﻋﻠﻴﺰﺍﺩﻩ ﻭ ﻋﻠﻴﺮﺿﺎ‬
‫ﻟﻮﻛﻴﺸﻦﻫﺎﻯ ﺍﻳﻦ ﺳﺮﻳﺎﻝ ﺍﺳﺖ‪.‬‬ ‫ﻗﺮﺑﺎﻧﻰ ﺩﺭ ﺗﻬﺮﺍﻥ‬

‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺧﺒﺮﮔﺰﺍﺭﻯ ﺍﻳﻠﻨﺎ‪ ،‬ﻣﻌﻤﺎﻯ‬

‫ﺷﺎﻩ ﺑﺎ ﻫﻤﺮﺍﻫﻰ ﺑﻴﺶ ﺍﺯ ‪ 560‬ﻧﻔﺮ ﺍﺯ‬

‫ﻋﻮﺍﻣﻞ ﺳﻴﻨﻤﺎ‪ ،‬ﺗﺌﺎﺗﺮ ﻭ ﺗﻠﻮﻳﺰﻳﻮﻥ ﺩﺭ‬

‫ﻣﺴﻮﻭﻟﻴﺖﻫﺎﻯ ﭘﺸﺖ ﺻﺤﻨﻪ ﺗﻮﻟﻴﺪ‬ ‫ﺣﺴﻴﻦ ﻋﻠﻴﺰﺍﺩﻩ ﻭ ﻋﻠﻴﺮﺿﺎ ﻗﺮﺑﺎﻧﻰ‬
‫ﺍﻭﻟﻴﻦ ﻛﻨﺴﺮﺕ ﻣﺸﺘﺮﻙ ﺧﻮﺩ ﺭﺍ‬
‫ﺷﺪﻩ ﻭ ‪ 160‬ﺑﺎﺯﻳﮕﺮ ﺍﺻﻠﻰ ﻭ ‪254‬‬ ‫ﺑﻪ ﺯﻭﺩﻯ ﺩﺭ ﺗﻬﺮﺍﻥ ﺍﺟﺮﺍ ﻣﻰﻛﻨﻨﺪ‪.‬‬
‫ﺍﻳﻦ ﺩﻭ ﻣﻮﺯﻳﺴﻴﻦ ﻫﻨﺮﻣﻨﺪ ﺍﻳﺮﺍﻧﻰ ﺑﺎ‬
‫ﺑﺎﺯﻳﮕﺮ ﻧﻘﺶ ﻓﺮﻋﻰ ﺗﺎ ﻛﻨﻮﻥ ﺩﺭ ﺁﻥ‬ ‫ﻫﻤﺮﺍﻫﻰ ﮔﺮﻭﻩ ﻫﻢﺁﻭﺍﻳﺎﻥ ﻭ ﺿﺮﺑﺎﻧﮓ‪،‬‬
‫ﻃﻰ ﺭﻭﺯﻫﺎﻯ ﺷﺸﻢ ﺗﺎ ﻫﺸﺘﻢ ﺩﻯ‬
‫ﺣﻀﻮﺭ ﺩﺍﺷﺘﻪﺍﻧﺪ ﻛﻪ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺍﺩﺍﻣﻪ‬ ‫ﻣﺎﻩ ﺳﺎﻝ ﺟﺎﺭﻯ ﺩﺭ ﺳﺎﻟﻦ ﺑﺮﺝ ﻣﻴﻼﺩ‬

‫ﺗﺼﻮﻳﺮﺑﺮﺩﺍﺭﻯ ﺳﺮﻳﺎﻝ‪ ،‬ﺩﺭ ﻣﺮﺍﺣﻞ ﺑﻌﺪﻯ‬ ‫ﺍﺟﺮﺍﻯ ﺯﻧﺪﻩ ﺧﻮﺍﻫﻨﺪ ﺩﺍﺷﺖ‪.‬‬
‫ﻋﻠﻴﺰﺍﺩﻩ ﻭ ﻭ ﻗﺮﺑﺎﻧﻰ ﺩﺭ ﻳﻚ‬
‫ﻫﻨﺮﻣﻨﺪﺍﻥ ﺑﻴﺸﺘﺮﻯ ﺑﻪ ﺍﻳﻦ ﺗﺮﻛﻴﺐ‬ ‫ﺗﻮﺭ ﺍﺭﻭﭘﺎﻳﻰ ﻳﻚ ﻣﺎﻫﻪ‪ ،‬ﺍﺯ ﻫﺸﺘﻢ‬
‫ﺁﺑﺎﻥ ﺩﺭ ﻛﭙﻨﻬﺎگ ﺩﺍﻧﻤﺎﺭﻙ ﺍﺟﺮﺍﻯ‬
‫ﺍﺿﺎﻓﻪ ﺧﻮﺍﻫﻨﺪ ﺷﺪ‪.‬‬ ‫ﻛﻨﺴﺮﺕﻫﺎﻯ ﺧﻮﺩ ﺭﺍ ﺷﺮﻭﻉ ﻛﺮﺩﻩ ﻭ‬
‫ﺩﺭ ‪ 25‬ﺁﺑﺎﻥ ﺩﺭ ﺯﻭﺭﻳﺦ ﺳﻮﻳﻴﺲ ﺑﻪ‬
‫ﮔﺬﺷﺘﻪ ﺍﺯ ﺍﻳﻨﻜﻪ ﺩﺭ ﺷﺮﺍﻳﻂ ﻓﻌﻠﻰ‬
‫ﭘﺎﻳﺎﻥ ﺭﺳﺎﻧﺪﻧﺪ‪.‬‬
‫ﺍﻳﺮﺍﻥ ﻭ ﺧﺼﻮﻣﺖ ﻛﻴﻨﻪﻭﺭﺯﺍﻧﻪ ﺟﻤﻬﻮﺭﻯ‬ ‫ﺩﺭ ﻛﻨﺴﺮﺕ ﻣﺸﺘﺮﻙ ﻋﻠﻴﺰﺍﺩﻩ ﻭ‬
‫ﻗﺮﺑﺎﻧﻰ‪ ،‬ﭘﮋﻣﺎﻥ ﺣﺪﺍﺩﻯ‪ ،‬ﺑﻬﻨﺎﻡ ﺳﺎﻣﺎﻧﻰ‬
‫ﺍﺳﻼﻣﻰ ﺑﻪ ﺗﺎﺭﻳﺦ ﻣﻌﺎﺻﺮ ﺍﻳﺮﺍﻥ‪ ،‬ﻭﺍﻗﻌﺎ ﺗﺎ‬ ‫ﻭ ﺭﺿﺎ ﺳﺎﻣﺎﻧﻰ ﻧﻮﺍﺯﻧﺪﮔﻰ ﭘﺮﻛﺎﺷﻦ ﺭﺍ‬
‫ﺑﺮﻋﻬﺪﻩ ﺩﺍﺭﻧﺪ‪ .‬ﻫﻤﭽﻨﻴﻦ ﺟﻮﺍﺩ ﺍﻓﺸﺎﺭ‬
‫ﭼﻪ ﺍﻧﺪﺍﺯﻩ ﻣﻰﺗﻮﺍﻥ ﺩﺭ ﺍﻳﻦ ﺳﺮﻳﺎﻝ ﺑﺪﻭﻥ‬ ‫ﺑﺎ ﻧﻮﺍﺧﺘﻦ ﺳﻨﺘﻮﺭ‪ ،‬ﺳﻴﺎﻣﻚ ﺟﻬﺎﻧﮕﻴﺮﻯ‬
‫ﺑﺎ ﻧﻰ‪ ،‬ﻋﻠﻰ ﺑﻮﺳﺘﺎﻥ‪ ،‬ﺷﻮﺭﺍﻧﮕﻴﺰ ﻭ ﺻﺒﺎ‬
‫ﺩﺳﺖ ﺩﺭ ﻛﺎﺭﺍﻥ ﺍﻳﻦ ﺳﺮﻳﺎﻝ‪ ،‬ﻗﺮﺍﺭ ﺍﺳﺖ ﺑﺮﺍﻯ ﻧﻤﺎﻳﺶ ﺑﺨﺸﻰ ﺍﺯ ﺯﻧﺪﮔﻰ‬ ‫ﻏﺮﺽ ﻭ ﻣﺮﺽ ﺑﻪ ﻭﻗﺎﻳﻊ ﺩﻭﺭﺍﻥ ﭘﻬﻠﻮﻯ ﻭ‬ ‫ﻋﻠﻴﺰﺍﺩﻩ ﺑﺎ ﻛﻤﺎﻧﭽﻪ ﺍﻳﻦ ﺩﻭ ﻫﻨﺮﻣﻨﺪ ﺭﺍ‬
‫ﺷﻬﺒﺎﻧﻮ ﻓﺮﺡ ﺑﻪ ﻓﺮﺍﻧﺴﻪ ﺳﻔﺮ ﻛﻨﻨﺪ‬ ‫ﺯﻧﺪﮔﻰ ﺷﺎﻩ ﻓﻘﻴﺪ ﭘﺮﺩﺍﺧﺖ‪ ،‬ﺧﺒﺮﮔﺰﺍﺭﻯ‬
‫ﺍﻳﻠﻨﺎ ﻣﻰﻧﻮﻳﺴﺪ‪ ،‬ﻭﻗﺎﻳﻊ ﻭ ﺭﻭﻳﺪﺍﺩﻫﺎﻯ‬ ‫ﻫﻤﺮﺍﻫﻰ ﻣﻰﻛﻨﻨﺪ‪.‬‬
‫ﺣﺴﻴﻦ ﻋﻠﻴﺰﺍﺩﻩ‪ ،‬ﺭﺩﻳﻒ ﺩﺍﻥ‪،‬‬
‫ﺍﻳﻦ ﺳﺮﻳﺎﻝ ﺩﺭ ﻓﺎﺻﻠﻪ ﺳﺎﻝﻫﺎﻯ ‪ 1317‬ﺍﺳﺖ‪ .‬ﺑﺎﺯﻳﮕﺮﺍﻥ ﻣﺨﺘﻠﻔﻰ ﺩﺭ ﻧﻘﺶ ﺳﺎﻻﺭ ﻋﻘﻴﻠﻰ ﭘﺨﺶ ﻣﻰﺷﻮﺩ ﻛﻪ ﺩﺭ‬ ‫ﻣﻮﺳﻴﻘﻰ ﺍﻳﺮﺍﻥ ﺍﺳﺖ‪ .‬ﻭﻯ ﺑﺎ ﻛﺴﺐ‬ ‫ﺁﻟﺒﻮﻡ ﺳﻨﺘﻰ ﺟﻬﺎﻥ ﺍﺳﺖ‪ .‬ﺟﺎﻳﺰﻩ‬ ‫ﺁﻫﻨﮕﺴﺎﺯ‪ ،‬ﭘﮋﻭﻫﺸﮕﺮ ﻭ ﻧﻮﺍﺯﻧﺪﻩ ﺗﺎﺭ‬
‫ﺗﺎ ‪ 1357‬ﺭﺥ ﻣﻰﺩﻫﺪ‪ .‬ﺳﺮﻳﺎﻝ ﺑﺎ ﺍﺯﺩﻭﺍﺝ ﺷﺨﺼﻴﺖﻫﺎﻯ ﺗﺎﺭﻳﺨﻰ ﺩﺭ ﺍﻳﻦ ﺳﺮﻳﺎﻝ ﻗﺴﻤﺖﻫﺎﻯ ﺁﻳﻨﺪﻩ‪ ،‬ﺗﻴﺘﺮﺍژ ﺍﺑﺘﺪﺍﻳﻰ ﺍﻳﻦ‬ ‫‪ 4‬ﺳﻴﻤﺮﻍ ﺑﻠﻮﺭﻳﻦ ﺑﺮﺍﻯ ﻓﻴﻠﻢﻫﺎﻯ‬ ‫» ِﮔ ِﺮﻣﻰ« ﻣﻌﺘﺒﺮﺗﺮﻳﻦ ﺟﺎﻳﺰﻩ ﺻﻨﻌﺖ‬ ‫ﻭﺳﻪ ﺗﺎﺭﺍﻳﺮﺍﻧﻰ ﻭ ﻧﺎﻣﺰﺩ ﺩﺭﻳﺎﻓﺖ ‪3‬‬
‫ﻣﺤﻤﺪﺭﺿﺎ ﺷﺎﻩ ﭘﻬﻠﻮﻯ ﻭ ﻓﻮﺯﻳﻪ ﻭ ﻣﻘﺎﺑﻞ ﺩﻭﺭﺑﻴﻦ ﺭﻓﺘﻪﺍﻧﺪ ﻛﻪ ﺑﻪ ﻛﻤﻚ ﺳﺮﻳﺎﻝ ﺑﺎ ﺻﺪﺍﻯ ﺍﻣﻴﺮﻳﻞ ﺍﺭﺟﻤﻨﺪ ﺭﻭﻯ‬ ‫ﮔﺒﻪ‪ ،‬ﺯﺷﺖ ﻭ ﺯﻳﺒﺎ‪ ،‬ﺁﻭﺍﺯ ﮔﻨﺠﺸﻚﻫﺎ‬ ‫ﺿﺒﻂ ﻭ ﭘﺨﺶ ﻣﻮﺳﻴﻘﻰ ﺩﺭﺁﻣﺮﻳﻜﺎ‬ ‫ﺟﺎﻳﺰﻩ » ِﮔ ِﺮﻣﻰ« ﺩﺭ ﺑﺨﺶ ﺑﻬﺘﺮﻳﻦ‬
‫ﺑﺎﺯﮔﺸﺖ ﺁﻧﻬﺎ ﺑﻪ ﺍﻳﺮﺍﻥ ﺁﻏﺎﺯ ﻣﻰﺷﻮﺩ ﻭ ﺑﺎ ﮔﺮﻳﻢ ﺧﻼﻗﺎﻧﻪ »ﺷﻬﺮﺍﻡ ﺧﻠﺞ« ﻃﺮﺍﺡ ﺁﻧﺘﻦ ﺧﻮﺍﻫﺪ ﺭﻓﺖ‪.‬‬ ‫ﻭ ﻣﻠﻜﻪ‪ ،‬ﻣﺸﺘﺮﻛﺎً ﺑﻪ ﻫﻤﺮﺍﻩ ﻣﺠﻴﺪ‬
‫ﺍﻧﺘﻈﺎﻣﻰ ﺑﺮﻧﺪﻩ ﺑﻴﺶﺗﺮﻳﻦ ﺳﻴﻤﺮﻍ‬ ‫ﻣﺤﺴﻮﺏ ﻣﻰﺷﻮﺩ‪.‬‬
‫ﺭﻧﮓ ﺑﺮ‬ ‫ﺑﻠﻮﺭﻳﻦ ﺩﺭ ﺑﺨﺶ ﺑﻬﺘﺮﻳﻦ ﻣﻮﺳﻴﻘﻰ‬ ‫ﻋﻠﻴﺰﺍﺩﻩ ﺍﺯ ﻣﻮﺯﻳﺴﻴﻦﻫﺎﻯ ﻣﺤﺒﻮﺏ‬
‫ﻣﺘﻦ ﺍﺯ ﺟﺸﻨﻮﺍﺭﻩ ﻣﻮﺳﻴﻘﻰ ﻓﻴﻠﻢ‬ ‫ﻣﻮﺳﻴﻘﻰ ﻓﻴﻠﻢ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﻪ ﺷﻤﺎﺭ‬
‫»ﺻﺒﻐﻪ«‬ ‫ﻣﻰﺭﻭﺩ ﻭ ﺁﺛﺎﺭﻯ ﭼﻮﻥ ﺩﻟﺸﺪﮔﺎﻥ‪،‬‬
‫»ﻓﺠﺮ« ﺍﺳﺖ‪.‬‬ ‫ﮔﺒﻪ‪ ،‬ﺯﺷﺖ ﻭ ﺯﻳﺒﺎ‪ ،‬ﺯﻣﺎﻧﻰ ﺑﺮﺍﻯ‬
‫ﺑﻪ ﺯﻭﺩﻯ ﺁﺛﺎﺭﻯ ﺍﺯ ﻓﺘﻮﻣﺪﻳﺎ ﻭ ﻧﻘﺎﺷﻰ‬ ‫ﻋﻠﻴﺮﺿﺎ ﻗﺮﺑﺎﻧﻰ ﺧﻮﺍﻧﻨﺪﻩ ﻣﻮﺳﻴﻘﻰ‬ ‫ﻣﺴﺘﻰ ﺍﺳﺐﻫﺎ‪ ،‬ﻻﻙ ﭘﺸﺖﻫﺎ ﻫﻢ‬
‫ﺍﺯ ﺁﺗﻮﺳﺎ ﺩﺭﺧﺸﻨﺪﻩ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻧﻘﺶ‬ ‫ﺍﻳﺮﺍﻧﻰ ﻧﻴﺰ ﺩﺭ ﺍﺭﻛﺴﺘﺮ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺑﻪ‬ ‫ﭘﺮﻭﺍﺯ ﻣﻰﻛﻨﻨﺪ‪ ،‬ﺁﻭﺍﺯ ﮔﻨﺠﺸﻚﻫﺎ ﻭ‬
‫ﺟﻬﺎﻥ ﺑﻪ ﻧﻤﺎﻳﺶ ﮔﺬﺍﺷﺘﻪ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺭﻫﺒﺮﻯ ﻓﺮﻫﺎﺩ ﻓﺨﺮ ﺍﻟﺪﻳﻨﻰ ﺁﻭﺍﺯ ﻭ‬ ‫ﻣﻠﻜﻪ ﺍﺯ ﺳﺎﺧﺘﻪﻫﺎﻯ ﺍﻭﺳﺖ‪ .‬ﻋﻠﻴﺰﺍﺩﻩ‪،‬‬
‫ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ »ﺻﺒﻐﻪ« ﻧﺎﻡ ﺩﺍﺭﺩ؛‬ ‫ﺩﺑﻴﺮ ﻭ ﺳﺨﻨﮕﻮﻯ ﺷﻮﺭﺍﻯ ﻋﺎﻟﻰ ﺧﺎﻧﻪ‬
‫ﺻﺒﻐﻪ ﺑﻪ ﻣﻌﻨﺎﻯ ﻟﻮﺣﻰ ﺍﺳﺖ ﻛﻪ ﺭﻭﻯ‬ ‫ﺗﺼﻨﻴﻒ ﻣﻰﺧﻮﺍﻧﺪ‪.‬‬
‫ﺁﻥ ﺭﻧﮓﺁﻣﻴﺰﻯ ﻣﻰﺷﻮﺩ‪.‬ﭼﻬﺎﺭ ﺍﺛﺮﺍﺯ‬
‫ﻓﺘﻮﻣﺪﻳﺎ ﻗﺮﺍﺭ ﺍﺳﺖ ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ‬ ‫ﺍﻓﺘﺘﺎﺣﻴﻪ ‪22‬ﺍﻣﻴﻦ ﻓﺴﺘﻴﻮﺍﻝ ﺗﺂﺗﺮ ﺍﻳﺮﺍﻧﻰ ﺩﺭ ﻛﻠﻦ‬
‫ﺩﺭ ﻣﻌﺮﺽ ﺩﻳﺪ ﺑﺎﺯﺩﻳﺪﻛﻨﻨﺪﮔﺎﻥ ﻗﺮﺍﺭ‬
‫ﺁﺩﺭﺱ ﻧﻴﺎﻭﺭﺍﻥ‪ ،‬ﻣﻴﺪﺍﻥ ﻳﺎﺳﺮ ﺑﻪ ﺳﻤﺖ‬ ‫ﻭ ﭘﻴﺸﺮﻓﺖ ﻧﻴﺰ ﻣﻰﺷﻮﺩ‪.‬ﻧﻤﺎﻳﺸﮕﺎﻩ ﺻﺒﻐﻪ‬ ‫ﺑﮕﻴﺮﺩ ﻭ ﺑﻘﻴﻪ ﺁﺛﺎﺭ‪ ،‬ﻧﻘﺎﺷﻰ ﻫﺴﺘﻨﺪ‬ ‫ﺳﻨﮕﺴﺎﺭ ﺷﺪ( ﻃﺮﺣﻰ ﺍﺯ ﺳﻴﻤﺎ ﺳﻴﺪ‬ ‫ﺟﻬﺎﻥ ﺭﺍ ﺑﻪ ﺻﺤﻨﻪﻯ ﺍﺟﺮﺍﻯ ﻳﻚ ﺗﺂﺗﺮ‬ ‫ﺍﺧﺘﺮ ﻗﺎﺳﻤﻰ‪ -‬ﻣﺮﺍﺳﻢ ﺑﺎﺯﮔﺸﺎﻳﻰ‬
‫ﺗﺠﺮﻳﺶ‪ ،‬ﻛﻮﭼﻪ ﻫﻤﺎﻳﻮﻥﻓﺮ‪ ،‬ﻛﻮﭼﻪ‬ ‫ﺟﻤﻌﻪ ‪ 29‬ﺁﺑﺎﻥﻣﺎﻩ ﮔﺸﺎﻳﺶ ﻣﻰﻳﺎﺑﺪ‬ ‫ﻛﻪ ﻣﺤﻮﺭﻳﺖ ﺑﻴﺸﺘﺮ ﺁﻧﻬﺎ ﺯﻥ ﺍﺳﺖ‪ .‬ﺩﻭ‬ ‫ﻭ ﺑﺎﺯﻯ ﺑﻰﺑﻰ ﺁﻧﺎ ﺧﻤﻴﻨﺶ ﺑﻪ ﭘﺎﻳﺎﻥ‬ ‫ﻋﻈﻴﻢ ﺗﺸﺒﻴﻪ ﻛﺮﺩ ﻭ ﮔﻔﺖ ﻓﺴﺘﻴﻮﺍﻝ‬ ‫‪22‬ﺍﻣﻴﻦ ﻓﺴﺘﻴﻮﺍﻝ ﺗﺂﺗﺮ ﺍﻳﺮﺍﻧﻰ ﺩﺭ‬
‫ﺳﻌﺪﻯ‪ ،‬ﻛﻮﭼﻪ ﺣﺎﻓﻆ‪ ،‬ﺧﻴﺎﺑﺎﻥ ﻣﺤﻤﻮﺩﻯ‬ ‫ﻭ ﺗﺎ ‪ 4‬ﺁﺫﺭﻣﺎﻩ ﺍﺯ ﺳﺎﻋﺖ ‪ 16‬ﺗﺎ ‪ 19‬ﺩﺭ‬ ‫ﻧﻘﺎﺷﻰ ﺳﻨﺘﻰ ﺍﺯ ﻳﻚ ﺩﺭﻭﻳﺶ ﻭ ﻳﻚ‬ ‫ﺭﺳﻴﺪ‪ .‬ﺩﺭ ﺑﺨﺶ ﺑﻌﺪﻯ‪ ،‬ﮔﺮﻭﻩ ﺑﺎﻧﻮ‬ ‫ﻣﺎ ﻫﻤﭽﻮﻥ ﻗﻄﻌﻪﻯ ﻣﻮﺯﺍﻳﻴﻜﻰ ُﺧﺮﺩ‬ ‫ﺷﻬﺮ ﻛﻠﻦ ﺷﺐ ﮔﺬﺷﺘﻪ ﭼﻬﺎﺭﺷﻨﺒﻪ‬
‫‪ ،2‬ﺷﻤﺎﺭﻩ ‪ 9‬ﻣﻴﺰﺑﺎﻥ ﻋﻼﻗﻪﻣﻨﺪﺍﻥ ﺍﺳﺖ‪.‬‬ ‫ﻧﮕﺎﺭﺧﺎﻧﻪ ﻧﻘﺶ ﺟﻬﺎﻥ ﺩﺭ ﺗﻬﺮﺍﻥ ﺑﻪ‬ ‫ﺑﻪ ﺭﻫﺒﺮﻯ ﻣﺮﻳﻢ ﺁﺧﻮﻧﺪﻯ ﺑﺎ ﺍﺟﺮﺍﻯ‬ ‫ﺩﺭ ﺳﺎﺧﺘﺎﺭ ﺍﻳﻦ ﺻﺤﻨﻪﻯ ﻋﻈﻴﻢ‬ ‫‪ 25‬ﻧﻮﺍﻣﺒﺮ ﺑﺮﮔﺰﺍﺭ ﺷﺪ‪ .‬ﺍﺑﺘﺪﺍ ﻣﺮﻳﻢ‬
‫ﭘﺮﻧﺪﻩ ﻧﻴﺰ ﺩﺭ ﻣﻴﺎﻥ ﺍﻳﻦ ﺁﺛﺎﺭ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺗﺮﺍﻧﻪﻫﺎﻯ ﻣﺤﻠﻰ ﺯﻧﺎﻥ ﺍﻳﺮﺍﻥ ﺷﺎﺩﻯ‬ ‫ﻣﻰﻛﻮﺷﺪ ﻛﻪ ﺑﮕﻮﻳﺪ ﭘﻨﺎﻫﻨﺪﻩ ﻳﻚ‬ ‫ﺁﺧﻮﻧﺪﻯ ﺧﻮﺍﻧﻨﺪﻩ ﺍﻳﺮﺍﻧﻰ ﺳﺎﻛﻦ ﻛﻠﻦ‬
‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺍﻳﺴﻨﺎ‪ ،‬ﺩﺭ ﺁﺛﺎﺭ ﻓﺘﻮﻣﺪﻳﺎﻯ‬ ‫ﻭ ﺷﻮﺭ ﺧﺎﺻﻰ ﺑﻪ ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﺑﺨﺸﻴﺪ‪.‬‬ ‫ﺑﻪ ﻫﻤﺮﺍﻩ ﻳﻜﻰ ﺍﺯ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻛﺮﺩ‬
‫ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ‪ ،‬ﺍﺯ ﻋﻜﺲ ﭘﺮﺗﺮﻩ ﺍﺳﺘﻔﺎﺩﻩ‬ ‫‪22‬ﺍﻣﻴﻦ ﻓﺴﺘﻴﻮﺍﻝ ﺗﺎﺗﺮ ﺍﻳﺮﺍﻧﻰ ﻛﻠﻦ‬ ‫ﺍﻧﺴﺎﻥ ﺍﺳﺖ!‬ ‫ﺳﻮﺭﻯ ﺑﺮﻧﺎﻣﻪﻯ ﻛﻮﺗﺎﻫﻰ ﺍﺟﺮﺍ ﻛﺮﺩ ﻭ‬
‫ﺷﺪﻩ ﻛﻪ ﺗﺮﻛﻴﺒﻰ ﺍﺯ ﻛﺎﺭ ﺩﻳﺠﻴﺘﺎﻝ ﻭ‬ ‫ﺗﺎ ﺭﻭﺯ ﻳﻚﺷﻨﺒﻪ ‪ 29‬ﻧﻮﺍﻣﺒﺮ ﺍﺩﺍﻣﻪ‬ ‫ﺳﭙﺲ ﺑﺮﻧﺎﻣﻪ ﺑﺎ ﺭﻗﺺ‪ -‬ﻧﻤﺎﻳﺶ »ﻣﻦ‬ ‫ﺳﭙﺲ ﭘﻴﺎﻡ ﺍﺩﺍﺭﻩ ﻓﺮﻫﻨﮓ ﻭ ﻫﻨﺮ ﺷﻬﺮ‬
‫ﺩﺳﺘﻰ ﺍﺳﺖ ﻭ ﺭﻭﻯ ﺁﻧﻬﺎ ﺷﻤﺴﻪﻫﺎﻯ‬ ‫ﻓﺮﺧﻨﺪﻩ ﻫﺴﺘﻢ« )ﺑﺎ ﻳﺎﺩ ﺯﻥ ﺟﻮﺍﻧﻰ ﻛﻪ‬ ‫ﻛﻠﻦ ﺗﻮﺳﻂ ﻳﻜﻰ ﺍﺯ ﻣﺴﺌﻮﻟﻴﻦ ﺍﻳﻦ‬
‫ﻃﺮﺍﺣﻰﺷﺪﻩ ﺗﻮﺳﻂ ﻫﻨﺮﻣﻨﺪ ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪.‬‬ ‫ﺧﻮﺍﻫﺪ ﺩﺍﺷﺖ‪.‬‬ ‫ﺩﺭ ﺍﻓﻐﺎﻧﺴﺘﺎﻥ ﺑﻪ ﺍﺗﻬﺎﻡ ﺁﺗﺶ ﺯﺩﻥ ﻗﺮﺁﻥ‬
‫ﺩﺭﺧﺸﻨﺪﻩ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺧﻮﺩ ﺭﺍ ﺗﻠﻔﻴﻘﻰ‬ ‫ﺍﺩﺍﺭﻩ ﺧﻮﺍﻧﺪﻩ ﺷﺪ‪.‬‬
‫ﺍﺯ ﺳﻨﺖ ﻭ ﻣﺪﺭﻧﻴﺘﻪ ﻣﻰﺩﺍﻧﺪ ﻭ ﻫﺪﻑ ﺍﻭ‬ ‫ﺁﻧﮕﺎﻩ ﭘﺲ ﺍﺯ ﻧﻮﺍﻯ ﭘﻴﺎﻧﻮﻯ ﻫﻨﺮﻣﻨﺪ‬
‫ﺍﺯ ﺧﻠﻖ ﺁﺛﺎﺭﺵ‪ ،‬ﻧﺸﺎﻥ ﺩﺍﺩﻥ ﺧﻠﻮﺹ ﻭ‬ ‫ﺟﻮﺍﻥ ﻳﺎﺳﻤﻴﻦ ﺍﻳﻤﭙﺮﺗﺮﻭ‪ ،‬ﻣﺪﻳﺮ‬
‫ﺣﺮﻣﺘﻰ ﺍﺳﺖ ﻛﻪ ﺩﺭ ﺍﻧﺴﺎﻥﻫﺎﻯ ﮔﺬﺷﺘﻪ‬ ‫ﻓﺴﺘﻴﻮﺍﻝ ﻣﺠﻴﺪ ﻓﻼﺡ ﺯﺍﺩﻩ ﺳﺨﻨﺎﻧﻰ‬
‫ﻭ ﺩﺭ ﺿﻤﻴﺮ ﺍﻧﺴﺎﻥﻫﺎﻯ ﺍﻣﺮﻭﺯ ﻭﺟﻮﺩ‬
‫ﺩﺍﺭﺩ‪ ،‬ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺭﻧﮓﻫﺎﻯ ﻣﺘﻨﻮﻉ‪.‬‬ ‫ﺍﻳﺮﺍﺩ ﻛﺮﺩ‪.‬‬
‫ﺍﺯ ﺳﻮﻯ ﺩﻳﮕﺮ‪ ،‬ﺍﻭ ﺗﻼﺵ ﺩﺍﺭﺩ ﺑﻪ ﻭﺳﻴﻠﻪ‬ ‫ﻓﻼﺡ ﺯﺍﺩﻩ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﻭﺿﻌﻴﺖ‬
‫ﺭﻧﮓﻫﺎ ﺑﻴﺎﻥ ﻛﻨﺪ ﻛﻪ ﻧﻪ ﺗﻨﻬﺎ ﺩﻳﻦ ﺑﺎ‬ ‫ﭘﻴﭽﻴﺪﻩ ﺟﻬﺎﻥ ﺍﻣﺮﻭﺯ ﺑﻪ ﻣﺴﺌﻠﻪ‬
‫ﺭﻧﮓ ﻣﻨﺎﻓﺎﺗﻰ ﻧﺪﺍﺭﺩ‪ ،‬ﺑﻠﻜﻪ ﺑﺎﻋﺚ ﻧﺸﺎﻁ‬ ‫ﺁﻭﺍﺭﮔﻰ ﻭ ﭘﻨﺎﻫﻨﺪﮔﺎﻥ ﺩﺭ ﺟﺎﻣﻌﻪ‬
‫ﻏﺮﺏ ﻭ ﺑﻪ ﻭﻳﮋﻩ ﺁﻟﻤﺎﻥ ﺍﺷﺎﺭﻩ ﻛﺮﺩ ﻭ‬