Page 13 - (کیهان لندن - سال سى و سوم ـ شماره ۲ (دوره جديد
P. 13

‫ﺻﻔﺤﻪ ‪11‬ـ ‪ Page 11‬ـ ﺷﻤﺎﺭﻩ ‪2‬‬
‫ﺟﻤﻌﻪ ‪ 3‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 9‬ﺁﻭﺭﻳﻞ ‪2015‬‬

‫ﺩﺍﻭﺭﻯ ﺑﮕﻴﺮﺩ ﻭ ﺁﻥ ﺭﺍ ﺑﺎﺯ ﺷﻨﺎﺳﺪ ﻭ ﺑﺎﺯ‬    ‫ﺗﺤﻘﻴﻖ ﺑﻪ ﻣﻔﻬﻮﻡ ﻛﻼﺳﻴﻚ ﻧﻴﺴﺖ‪«.‬‬                ‫ﺩﺭ ﺳﻮگ ﺷﺎﻫﺮﺥ‬                                                             ‫ﻭ ﺍﺧﻼﻕ ﺳﺨﻦ ﺭﺍﻧﺪ‪ .‬ﺑﺎﻭﺭ ﺑﻪ ﻋﺪﺍﻟﺘﻰ‬      ‫ﭼﻨﺪ ﻫﻔﺘﻪﺍﻯ ﺑﻮﺩ ﻛﻪ ﺍﻳﺮﺍﻧﻴﺎ ِﻥ‬
‫ﺷﻨﺎﺳﺎﻧﺪ‪ .‬ﻧﻘﺪ ﻫﻢ ﻳﻌﻨﻰ ﻫﻤﻴﻦ ﻛﻪ ﺷﻤﺎ‬      ‫ﺩﺭ ﭘﺎﻳﺎﻥ ﺣﺴﻦ ﻛﺎﻣﺸﺎﺩ ﺁﺧﺮﻳﻦ‬                       ‫ﻣﺴﻜﻮﺏ‬                                                                ‫ﻛﻪ ﺍﻭ ﺍﺯ ﺍﻭﺍﻥ ﺟﻮﺍﻧﻰ ﺑﻪ ﻣﺒﺎﺭﺯﺓ ﺳﻴﺎﺳﻰ‬  ‫ﻓﺮﻫﻨﮓﺩﻭﺳﺖ ﻟﻨﺪﻥ ﺩﺭ ﺍﻧﺘﻈﺎﺭ ﺑﺮﻧﺎﻣﺔ‬
‫ﺍﻧﺪﻳﺸﻪﺍﻯ ﺭﺍ ﻣﺘﺤﻮﻝ ﻛﻨﻴﺪ ﻭ ﺑﺎ ﻫﻤﺎﻥ‬      ‫ﻧﺎﻣﻪﺍﺵ ﺭﺍ ﺑﻪ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ ﻛﻪ ﺑﻨﺎ‬                                                                                      ‫ﻛﺸﺎﻧﺪ ﻭ ﺗﻌﻬﺪ ﺑﻪ ﺍﺧﻼﻗﻰ ﻛﻪ ﺍﻭ ﺭﺍ ﺑﻪ‬    ‫ﺑﺰﺭﮔﺪﺍﺷﺖ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ ﺑﻮﺩﻧﺪ ﻛﻪ‬
                                      ‫ﺑﻪ ﺧﻮﺍﺳﺖ ﻧﺎﺷﺮﻯ ﻓﺮﻫﻴﺨﺘﻪ ﻧﻮﺷﺘﻪ‬                ‫ﺩﺍﺭﺩ ﺑﭙﺬﻳﺮﻡ‪» «.‬ﺍﮔﺮ ﻓﺮﺩﻭﺳﻰ ﻧﺒﻮﺩ ﻛﻪ ﺣﺘﻰ ﺩﺭ ﺑﺴﺘﺮ ﻣﺮگ ﻫﻢ ﺧﻨﺪﻩ ﻭ‬              ‫ﺁﻧﺠﺎ ﻛﺸﺎﻧﺪ ﻛﻪ ﺑﻨﻮﻳﺴﺪ‪» :‬ﺭﺍﻩ ﺩﺍﺩ ﺍﺯ‬    ‫ﺑﻪ ﭘﻴﺸﻨﻬﺎﺩ ﻭ ﺍﺑﺘﻜﺎﺭ ﺑﻴﮋﻥ ﭘﻮﺭﺑﻬﻨﺎﻡ ﻭ‬
               ‫ﺍﻧﺪﻳﺸﻪ ﭘﻴﺶ ﺑﺮﻭﻳﺪ‪.‬‬      ‫ﺑﻮﺩ ﺑﺮﺍﻯ ﺣﺎﺿﺮﺍﻥ ﺧﻮﺍﻧﺪ ﻛﻪ ﺣﺎﻭﻯ‬                                                                                                                             ‫ﻫﺎﺩﻯ ﺧﻮﺷﻜﺒﺎﺭﻯ ﻭ ﺑﺎ ﻫﻤﻜﺎﺭﻯ ﻛﺎﻧﻮﻥ‬
‫ﺩﻛﺘﺮ ﺁﺟﻮﺩﺍﻧﻰ ﮔﻔﺖ ﻛﻪ ﻛﺎﺭ‬               ‫ﺍﺣﺴﺎﺳﺎﺕ ﺯﻳﺒﺎﻯ ﺍﻳﻦ ﺩﻭﺳﺖ ﻗﺪﻳﻤﻰ‬                ‫ﺯﻧﺪﮔﻰ ﻣﻦ ﭼﻘﺪﺭ ﻓﻘﻴﺮﺗﺮ ﺑﻮﺩ‪ .‬ﻳﺎﺩﺵ ﻃﻨﺰ ﺯﻳﺒﺎﻯ ﺧﻮﺩ ﺭﺍ ﺣﻔﻆ ﻛﺮﺩﻩ ﺑﻮﺩ‪.‬‬                             ‫ﺑﻴﺪﺍﺩ ﻧﻤﻰﮔﺬﺭﺩ‪«.‬‬     ‫ﺍﻳﺮﺍﻥ ﻗﺮﺍﺭ ﺑﻮﺩ ﺑﺮﮔﺰﺍﺭ ﺷﻮﺩ‪ .‬ﺍﻳﻦ ﺍﻧﺘﻈﺎﺭ‬
‫ﻣﺴﻜﻮﺏ ﺩﺭ ﺷﺎﻫﻨﺎﻣﻪﺷﻨﺎﺳﻰ ﺩﺭ‬                                                                                                                                   ‫ﭘﻮﺭﺑﻬﻨﺎﻡ ﺧﻮﺍﻧﺪ‪» :‬ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ‬         ‫ﺳﺮﺍﻧﺠﺎﻡ ﻋﺼﺮ ﺷﻨﺒﻪ ‪ 28‬ﻣﺎﺭﺱ ﺑﻪ‬
‫ﺣﻘﻴﻘﺖ ﻛﺎﺭ ﺟﺴﻮﺭﺍﻧﻪﺍﻯ ﺑﻮﺩ ﺑﺮﺍﻯ‬                 ‫ﻣﺴﻜﻮﺏ ﺑﻌﺪ ﺍﺯ ﺭﻓﺘ ِﻦ ﺍﻭ ﺑﻮﺩ‪.‬‬          ‫ﻳﺎﺭ ﻗﺪﻳﻤﻰ ﻣﺴﻜﻮﺏ ﺍﺯ ﺷﻮﺥﻃﺒﻌﻰ‬           ‫ﺭﻭﺷﻨﺎﻳﻰ ﻭ ﺑﻠﻨﺪﻯ ﺍﺳﺖ«‪.‬‬               ‫ﺍﺯ ﻧﻮﺍﺩﺭﻯ ﺍﺳﺖ ﻛﻪ ﺑﺎ ﺩﺍﻧﺎﻳﻰ ﺗﻤﺎﻡ‬      ‫ﭘﺎﻳﺎﻥ ﺭﺳﻴﺪ ﻭ ﻣﻬﻤﺎﻧﺎﻥ ﺳﺎﻟﻦ ﻛﺘﺎﺑﺨﺎﻧﺔ‬
‫ﺷﻨﺎﺧﺖ ﺍﻳﺮﺍﻥ ﻭ ﻓﺮﻫﻨﮓ ﺍﻳﺮﺍﻥ‪ .‬ﺩﺭ‬         ‫ﭘﺲ ﺍﺯ ﺳﺨﻨﺎﻥ ﺩﻛﺘﺮ ﻛﺎﻣﺸﺎﺩ ﭘﻴﺎﻡ‬                                                                                         ‫ﻭﺍﺭﺙ ﺩﻧﻴﺎﻯ ﻓﺮﻫﻨﮕﻰ ﺍﻳﺮﺍﻥ ﺑﻮﺩ‪ .‬ﻣﻰ‬      ‫ﻣﺮﻛﺰﻯ ﺷﻬﺮﺩﺍﺭﻯ ﻛﻨﺰﻳﻨﮕﺘﻮﻥ ﺭﺍ ﭘﺮ‬
‫ﻛﺘﺎﺏ »ﺍﺭﻣﻐﺎﻥ ﻣﻮﺭ« ﻛﻪ ﺑﺎ ﺗﻮﺍﺿﻊ ﺑﻪ‬      ‫ﺩﻛﺘﺮ ﺟﻠﻴﻞ ﺩﻭﺳﺘﺨﻮﺍﻩ ﺧﻮﺍﻧﺪﻩ ﺷﺪ‪.‬‬               ‫ﺣﺴﻦ ﻛﺎﻣﺸﺎﺩ ﺍﺩﺍﻣﻪ ﺩﺍﺩ ﻛﻪ ﺁﺷﻨﺎﻳﻰ ﺍﻭ ﮔﻔﺖ ﻛﻪ ﺑﻪ ﺧﻮﺩﺵ ﺑﻴﺶ ﺍﺯ ﻫﺮ‬               ‫ﮔﻔﺖ ﻛﻪ ﻓﺮﻫﻨﮓ ﺍﻳﺮﺍﻥ ﻭﻃﻦ ﻣﻦ ﺍﺳﺖ‬
‫ﻓﺮﺩﻭﺳﻰ ﺗﻘﺪﻳﻢ ﺷﺪﻩ ﺍﺳﺖ‪ ،‬ﺩﻏﺪﻏﺔ‬           ‫ﺩﻛﺘﺮ ﺩﻭﺳﺘﺨﻮﺍﻩ ﻫﻢ ﺍﺯ ﺁﺳﺎﻧ ِﻰ ﺳﺨﻦ‬                                                                                      ‫ﻭ ﺩﺭ ﻭﺟﻮﺩ ﺧﻮﺩ ﻭ ﺁﺛﺎﺭﺵ ﺍﻳﻦ ﻓﺮﻫﻨﮓ‬                                ‫ﻛﺮﺩﻧﺪ‪.‬‬
‫ﺍﺻﻠﻰ ﺍﻭ‪ ،‬ﺍﻳﺮﺍ ِﻥ ﺗﺎﺭﻳﺨﻰ ﻭ ﻓﺮﻫﻨﮓ‬       ‫ﮔﻔﺘﻦ ﺩﺭﺑﺎﺭﺓ ﻛﺎﺭﻧﺎﻣﺔ ﻓﺮﻫﻨﮕﻰ ﻭ ﺍﺩﺑﻰ‬                                                                                    ‫ﺭﺍ ﺯﻧﺪﻩ ﻧﮕﺎﻩ ﻣﻰﺩﺍﺷﺖ‪ .‬ﺳﻴﺮﻭﺱ ﻋﻠﻰ‬       ‫ﺩﻛﺘﺮ ﺭﺿﺎ ﻗﺎﺳﻤﻰ ﺩﺑﻴﺮ ﻛﺎﻧﻮﻥ‬
‫ﺗﺎﺭﻳﺨ ِﻰ ﺍﻳﺮﺍﻥ ﺍﺳﺖ‪ .‬ﺍﻣﺎ ﺳﺨﻨﺮﺍﻥ ﺗﺎﻛﻴﺪ‬  ‫ﻭ ﻣﻨﺶ ﻭﺳﻠﻮﻙ ﺍﺟﺘﻤﺎﻋﻰ ﻣﺴﻜﻮﺏ‬                                                                                            ‫ﻧﮋﺍﺩ ﺩﺭ ﻳﺎﺩﻧﺎﻣﻪ ﺍﻯ ﺑﻪ ﻛﻮﺷﺶ ﻋﻠﻰ‬       ‫ﺍﻳﺮﺍﻥ ﺑﺎ ﺳﺨﻨﺎﻥ ﻛﻮﺗﺎﻫﺶ ﺑﺮﻧﺎﻣﻪ ﺭﺍ‬
‫ﺩﺍﺷﺖ ﻛﻪ ﺩﺭ ﻧﻮﺷﺘﻪﻫﺎﻯ ﻣﺴﻜﻮﺏ‬             ‫ﻧﻮﺷﺘﻪ ﺑﻮﺩ ﻭ ﻫﻢ ﺩﺭ ﻋﻴﻦ ﺣﺎﻝ ﺩﺭﺑﺎﺭﻩ‬                                                                                     ‫ﺩﻫﺒﺎﺷﻰ ﺍﺯ ﻣﺴﻜﻮﺏ ﻧﻘﻞ ﻗﻮﻝ ﻣﻰﺁﻭﺭﺩ‪:‬‬      ‫ﮔﺸﻮﺩ‪ .‬ﺍﻭ ﺑﺎ ﺍﻓﺘﺎﺩﮔﻰ ﺍﻋﻼﻡ ﻛﺮﺩ ﻛﻪ‬
‫ﺍﺳﺎﻃﻴﺮ ﺍﻳﺮﺍﻧﻰ ﻭ ﺣﻤﺎﺳﺔ ﻣﻠﻰ ﭼﻬﺮﺓ‬        ‫ﭘﻴﭽﻴﺪﮔﻰ‪ ،‬ﭼﻨﺪ ﺑُﻌﺪﻯ ﻭ ژﺭﻑ ﺑﻮﺩﻥ‬                                                                                        ‫»ﻣﻦ ﻣﻄﻠﻘﺎً ﺩﻳﮕﺮ ﺑﻪ ﺻﺪﺍﻗﺖ ﺑﻪ‬          ‫ﻛﺎﻧﻮﻥ ﺍﻳﺮﺍﻥ ﺳﻬﻤﻰ ﺑﺴﻴﺎﺭ ﻛﻮﭼﻚ ﺩﺭ‬
‫ﻏﻢﺍﻧﮕﻴﺰ ﻭ ﻳﺄﺱﺁﻓﺮﻳﻨﻰ ﺑﻪ ﺧﻮﺩﺵ‬                                                                                                                                ‫ﻋﻨﻮﺍﻥ ﺍﺭﺯﺵ ﻓﻰ ﻧﻔﺴﻪ ﺍﻋﺘﻘﺎﺩ ﻧﺪﺍﺭﻡ‪.‬‬     ‫ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﺩﺍﺷﺘﻪ ﺍﺳﺖ ﻭ ﺍﺯ ﺯﺣﻤﺎﺕ‬
‫ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺩﻛﺘﺮ ﺁﺟﻮﺩﺍﻧﻰ ﭼﻨﻴﻦ‬              ‫ﺷﺨﺼﻴﺖ ﺍﻧﺴﺎﻧﻰ ﻭ ﻓﺮﻫﻨﮕﻰ ﻭﻯ‪.‬‬                                                                                        ‫ﻣﺒﺎﺭﺯﻩﺍﻯ ﻛﻪ ﻧﺴﻞ ﺍﻧﻘﻼﺏ ﺩﺭ ﺳﺎﻝﻫﺎﻯ‬      ‫ﺑﻴﮋﻥ ﭘﻮﺭﺑﻬﻨﺎﻡ ﺩﺭ ﺗﺪﺍﺭﻙ ﻭ ﺟﻠﺐ‬
‫ﻧﺘﻴﺠﻪ ﮔﺮﻓﺖ ﻛﻪ ﺣﻜﻤﺖ ﺧﺴﺮﻭﺍﻧﻰ‬            ‫ﺩﻛﺘﺮ ﻛﺮﻳﻤﻰ ﺣﻜﺎﻙ ﺳﺨﻨﺮﺍﻥ‬                                                                                               ‫‪ 40‬ﺩﺭ ﭘﻴﺶ ﮔﺮﻓﺖ ﻓﺎﻗﺪ ﺷﻌﻮﺭ‬             ‫ﻋﻼﻗﻤﻨﺪﺍﻥ ﺑﻪ ﺍﻳﻦ ﻳﺎﺩﺑﻮﺩ ﺗﻘﺪﻳﺮﻛﺮﺩ‪.‬‬
‫ﺑﺨ ِﺶ ﺗﻮﺍﻧﻤﻨﺪ ﻓﺮﻫﻨﮓ ﻋﺮﻓﺎﻧﻰ‬            ‫ﺑﻌﺪﻯ ﺑﺮﻧﺎﻣﻪ ﺑﻮﺩ ﻛﻪ ﺩﺭ ﺳﺨﻨﺎﻥ ﺧﻮﺩ‬                                                                                      ‫ﺳﻴﺎﺳﻰ ﻭ ﺍﺟﺘﻤﺎﻋﻰ ﺑﻮﺩ ﻛﻪ ﺑﻪ ﺭﺍﻩ‬        ‫ﺩﻛﺘﺮ ﻗﺎﺳﻤﻰ ﺍﺯ ﺷﺮﻛﺖ ﺁﻗﺎﻳﺎﻥ ﺩﻛﺘﺮ‬
‫ﻣﺎﺳﺖ ﻛﻪ ﺩﺭ ﻛﻨﺎﺭ ﻓﺮﻫﻨﮓ ﺧﺮﺩﮔﺮﺍﻯ‬         ‫ﺑﺮ ﺩﻝﻣﺸﻐﻮﻟ ِﻰ ﻣﺸﺘﺮﻙ ﺑﻴﻦ ﺧﻮﺩ‬                                                                                          ‫ﺧﻄﺎ ﺭﻓﺖ ﻭ ﺍﺯ ﺗ َﺠﺪﺩ ﺩﻭﺭ ﺍﻓﺘﺎﺩ‪ .‬ﺧﻴﺎﻝ‬  ‫ﺍﺣﻤﺪ ﻛﺮﻳﻤﻰ ﺣﻜﺎﻙ‪ ،‬ﺩﻛﺘﺮ ﻣﺎﺷﺎءﺍﷲ‬
‫ﻣﺎ ﺭﺷﺪ ﻛﺮﺩﻩ ﻭ ﻫﻤﺔ ﺍﻳﻦ ﺷﺎﺧﻪﻫﺎ ﻭ‬        ‫ﻭ ﺯﻧﺪﻩﻳﺎﺩ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ ﺗﻤﺮﻛﺰ‬                                                                                          ‫ﻣﻰﻛﻨﻢ ﻛﻪ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﻭﻗﺖﻫﺎ ﺩﺳﺖ‬         ‫ﺁﺟﻮﺩﺍﻧﻰ ﻭ ﺩﻛﺘﺮ ﺣﺴﻦ ﻛﺎﻣﺸﺎﺩ‪،‬‬
‫ﺳﺮﭼﺸﻤﻪﻫﺎ ﺭﺍ ﺑﺎﻳﺪ ﺑﻪ ﮔﻔﺘﺔ ﻣﺴﻜﻮﺏ‬        ‫ﻛﺮﺩ‪ .‬ﻛﺮﻳﻤﻰ ﺣﻜﺎﻙ ﮔﻔﺖ‪» :‬ﭼﮕﻮﻧﻪ‬                                                                                          ‫ﻧﺰﺩﻥ ﺑﻪ ﻛﺎﺭﻯ ﺩﺭ ﺳﻴﺎﺳﺖ‪ ،‬ﻓﻌﺎﻝ‬          ‫ﺩﻭﺳﺖ ﻗﺪﻳﻤﻰ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ‪ ،‬ﺩﺭ‬
                                      ‫ﻣﻰﺗﻮﺍﻥ ﺑﺮ ﻏﻢ ﻏﺮﺑﺖ ﻓﺎﺋﻖ ﺁﻣﺪ ﻭ‬                                                                                         ‫ﻧﺒﻮﺩﻥ‪ ،‬ﻣﺒﺎﺭﺯﻩ ﻧﻜﺮﺩﻥ ﺑﻬﺘﺮ ﺍﺯ ﻣﺒﺎﺭﺯﻩ‬   ‫ﺑﺮﻧﺎﻣﻪ ﺗﺸﻜﺮ ﻛﺮﺩ‪ .‬ﺍﻭ ﮔﻔﺖ ﻛﺎﻣﺸﺎﺩ ﺑﺎ‬
        ‫ﺩﺭ ﺷﺎﻫﻨﺎﻣﺔ ﻓﺮﺩﻭﺳﻰ ﺑﻴﺎﺑﻴﻢ‪.‬‬     ‫ﭼﮕﻮﻧﻪ ﻣﻰﺗﻮﺍﻥ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ ﺭﺍ ﻛﻪ ﺩﺭ‬                                                                                     ‫ﻛﺮﺩ ِﻥ ﻧﺎﺩﺍﻧﺴﺘﻪ ﺍﺳﺖ‪ .‬ﻧﻔﺲ ﻣﺒﺎﺭﺯﻩ ﻳﺎ‬   ‫ﻛﺘﺎﺏ ﺩﻭ ﺟﻠﺪﻯﺍﺵ ﺑﻪ ﻧﺎﻡ »ﺣﺪﻳﺚ‬
‫ﺩﺭ ﺑﺨﺶﻫﺎﻯ ﭘﺎﻳﺎﻧﻰ ﺑﺮﻧﺎﻣﻪ ﺍﺑﺘﺪﺍ ﭘﻴﺎﻡ‬    ‫ﻧﻬﺎﻳﺖ ﻣﻴﺮﺍﺙ ﻣﻨﻘﻮﻝ ﻫﻮﻳﺖ ﻣﺎﺳﺖ‬                                                                                          ‫ﻓﺪﺍﻛﺎﺭﻯ ﺑﻪ ﺧﻮﺩﻯ ﺧﻮﺩ ﺩﺍﺭﺍﻯ ﺍﺭﺯﺵ‬       ‫ﻧﻔﺲ« ﺳﻬﻢ ﺍﺭﺯﻧﺪﻩﺍﻯ ﺩﺭ ﺷﻨﺎﺳﺎﻧﺪﻥ‬
‫ﺧﺎﻧﻢ ﭘﻮﺭﻯ ﺳﻠﻄﺎﻧﻰ‪ ،‬ﻫﻤﺴﺮ ﻣﺮﺗﻀﻰ‬          ‫ﺍﺯ ﺳﺮﺯﻣﻴﻨﻰ ﻛﻪ ﻣﺎ ﺍﺯ ﺩﺳﺖ ﺩﺍﺩﻩﺍﻳﻢ‬                                                                                      ‫ﻧﻴﺴﺖ‪ .‬ﭼﻴﺰﻯ ﻛﻪ ﻛﻢ ﺩﺍﺷﺘﻴﻢ ﻭ ﺩﺍﺭﻳﻢ‬      ‫ﺯﻧﺪﻩﻳﺎﺩ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ ﺩﺍﺷﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﻛﻴﻮﺍﻥ‪ ،‬ﺧﻮﺍﻧﺪﻩ ﺷﺪ‪ .‬ﺩﺭ ﺍﻳﻦ ﭘﻴﺎﻡ‬         ‫ﺟﺪﺍ ﻛﺮﺩ… ﻣﻰﺗﻮﺍﻧﻴﻢ ﻫﻢﭼﻨﺎﻥ ﺑﻪ ﺁﻥ‬                                                                                                                            ‫ﺑﻪ ﮔﻔﺘﺔ ﺩﻛﺘﺮ ﻗﺎﺳﻤﻰ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ‬
‫ﺧﺎﻧﻢ ﺳﻠﻄﺎﻧﻰ ﺍﺯ ﻋﻼﻗﺔ ﻭﺍﻓﺮ ﻣﺴﻜﻮﺏ‬        ‫ﺳﺮﺯﻣﻴﻦ ﻋﺸﻖ ﺑﻮﺭﺯﻳﻢ ﻭﻟﻰ ﺍﻳﻦ ﻫﺠﺮﺍﻥ‬                                                                                                  ‫ﺷﻌﻮﺭ ﺍﺟﺘﻤﺎﻋﻰ ﺍﺳﺖ‪«.‬‬       ‫ﻗﺒﻼ ﺑﺮﺍﻯ ﻋﻤﻮﻡ ﺷﺎﻳﺪ ﺑﻴﺸﺘﺮ ﺑﻪ ﻋﻨﻮﺍﻥ‬
‫ﺑﻪ ﻣﺮﺗﻀﻰ ﻛﻴﻮﺍﻥ ﻧﻮﺷﺘﻪ ﺑﻮﺩ ﻭ ﺍﻳﻨﻜﻪ‬      ‫ﺭﺍ ﻧﻴﺰ ﺑﺎﻳﺪ ﺑﻴﺎﻣﻮﺯﻳﻢ«‪ .‬ﻛﺮﻳﻤﻰ ﺣﻜﺎﻙ‬                                                                                    ‫ﭘﻮﺭﺑﻬﻨﺎﻡ ﻫﻢﭼﻨﻴﻦ ﺧﻮﺍﻧﺪ‪» :‬ﻣﺴﻌﻮﺩ‬        ‫ﻳﻜﻰ ﺍﺯ ﻣﺘﺮﺟﻤﺎﻥ »ﺧﻮﺷﻪ ﻫﺎﻯ ﺧﺸﻢ«‬
‫ﻣﺴﻜﻮﺏ ﺧﻮﺩ ﻭ ﻫﻢﻧﺴﻼﻥ ﺧﻮﺩﺵ ﺭﺍ‬            ‫ﺍﺩﺍﻣﻪ ﺩﺍﺩ‪ :‬ﻣﺎ ﺗﺎ ﺍﺑﺪ ﮔﺮﻓﺘﺎﺭ ﻓِﺮﺍﻕ ﺍﺯ ﺍﻳﺮﺍﻥ‬                                                                           ‫ﺑﻬﻨﻮﺩ ﺩﺭﺑﺎﺭﺓ ﻧﺜﺮ ﻣﺴﻜﻮﺏ ﭼﻨﻴﻦ‬          ‫ﺍﺛﺮ ﻣﻌﺮﻭﻑ »ﺟﺎﻥ ﺍﺷﺘﺎﻳﻦ ﺑﻚ«‬
‫ﻣﺪﻳﻮﻥ ﻣﺮﺗﻀﻰ ﻛﻴﻮﺍﻥ ﻣﻰﺩﺍﻧﺴﺖ ﻭ‬           ‫ﺧﻮﺍﻫﻴﻢ ﺑﻮﺩ‪ .‬ﺍﮔﺮ ﭘﺮﺳﺶ ﺍﻳﻦ ﺑﺎﺷﺪ ﻛﻪ‬                                                                                     ‫ﻗﻀﺎﻭﺗﻰ ﺩﺍﺭﺩ‪» :‬ﺩﺭ ﻧﻮﺷﺘﺔ ﻫﻴﭻ‬           ‫ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩ ﺑﻮﺩ ﻭ ﺍﺯ ﺁﺛﺎﺭ ﭘﮋﻭﻫﺸﻰ‬
‫ﺍﻳﻦ ﺩﻳﻦ ﺭﺍ ﺑﺎ ﮔﺮﺩﺁﻭﺭﻯ ﻛﺘﺎﺏ ﻣﺮﺗﻀﻰ‬      ‫ﭼﮕﻮﻧﻪ ﻣﻰﺗﻮﺍﻥ ﺑﻪ ﺍﻳﻦ ﻓِﺮﺍﻕ ﻓﺎﺋﻖ ﺁﻣﺪ‪،‬‬                                                                                  ‫ﻗﻠﻤﺪﺍﺭﻯ ﺑﻪ ﺍﻧﺪﺍﺯﺓ ﻧﺜﺮ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ‬    ‫ﺍﻭ ﺷﻨﺎﺧﺖ ﻛﺎﻓﻰ ﻭﺟﻮﺩ ﻧﺪﺍﺷﺖ‪ .‬ﺩﻛﺘﺮ‬
‫ﻛﻴﻮﺍﻥ ﺍﺩﺍ ﻛﺮﺩ ﻭ ﺑﺎ ﺍﻳﻦ ﻛﺎﺭ ﺍﻳﻨﻚ ﺍﻭ‬    ‫ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ ﺑﻪ ﻣﺎ ﺭﺍﻩ ﺭﺍ ﻧﺸﺎﻥ ﺩﺍﺩﻩ‬                                                                                   ‫ﺟﺎﻥ ﻧﺪﻳﺪﻩﺍﻡ‪ .‬ﺍﻳﻦ ﺭﺍ ﺑﻪ ِﺟ ّﺪ ﻣﻰﮔﻮﻳﻢ‬  ‫ﻛﺎﻣﺸﺎﺩ ﺑﺎ ﺍﻳﻦ ﻛﺘﺎﺏ ﮔﺎﻣﻰ ﻣﻬﻢ ﺩﺭ‬
‫ﻣﺪﻳﻮﻥ ﻣﺴﻜﻮﺏ ﺍﺳﺖ‪ .‬ﺳﻠﻄﺎﻧﻰ ﺍﺯ ﻃﺒﻊ‬                                                                                                                             ‫ﻛﻪ ﺍﮔﺮ ﻛﺴﻰ ﺟﺎ ِﻥ ﻧﺜﺮ ﻓﺎﺭﺳﻰ ﺭﺍ‬        ‫ﺭﻓﻊ ﺍﻳﻦ ﻛﻤﺒﻮﺩ ﺑﺮﺩﺍﺷﺖ‪ .‬ﺩﻛﺘﺮ ﻗﺎﺳﻤﻰ‬
‫ﺑﺴﻴﺎﺭ ﻟﻄﻴﻒ ﻭ ﺣﺴﺎﺱ ﻣﺴﻜﻮﺏ ﻧﻮﺷﺘﻪ‬                                    ‫ﺍﺳﺖ‪.‬‬                                                                                      ‫ﻣﻰﺷﻨﺎﺧﺖ ﻫﻤﻮ ﺑﻮﺩ ﻭ ﻣﮕﺮ ﻣﻤﻜﻦ‬           ‫ﺳﺨﻨﺎﻥﺍﺵ ﺭﺍ ﺍﻳﻦ ﮔﻮﻧﻪ ﺑﻪ ﭘﺎﻳﺎﻥ ﺭﺳﺎﻧﺪ‪:‬‬
‫ﺑﻮﺩ ﻛﻪ ﻳﺎﺩ ﻣﺎﺩﺭﺵ ﻫﻤﻴﺸﻪ ﺍﺷﻚ ﺑﻪ‬         ‫ﺳﭙﺲ ﺳﺨﻨﺮﺍﻥ ﺍﺯ ﻛﺎﺭ ﺍﺭﺯﻧﺪﻩﺍﻯ ﻛﻪ‬                                                                                        ‫ﺍﺳﺖ ﻛﻪ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ ﺭﺍ ﺷﻨﺎﺧﺖ ﻭ‬
                                      ‫ﻣﺴﻜﻮﺏ ﺩﺭ ﺯﻣﻴﻨﺔ ﺑﺮﺭﺳﻰ ﻓﺮﻫﻨﮓ‬

‫ﭼﺸﻢﻫﺎﻳﺶ ﺟﺎﺭﻯ ﻣﻰ ﺳﺎﺧﺖ‪.‬‬                 ‫ﻭ ﺍﺩﺏ ﺍﻳﺮﺍﻥ ﺩﺭ ﺳﺎﻝﻫﺎﻯ ﺍﻗﺎﻣﺖﺍﺵ‬               ‫ﻛﺲ ﻣﻰﺧﻨﺪﻳﺪ‪ .‬ﺩﺭ ﺣﺎﺿﺮﺟﻮﺍﺑﻰ ﻧﻴﺰ‬         ‫ﺍﻭ ﺑﺎ ﻣﺴﻜﻮﺏ ﺑﻪ ‪ 73‬ﺳﺎﻝ ﭘﻴﺶ ﺑﺮ‬                     ‫ﻣﺴﻜﻮﺏ ﺭﺍ ﻧﺸﻨﺎﺧﺖ«‪.‬‬       ‫»ﻣﺴﻜﻮﺏ‪ ،‬ﻛﻪ ﺟﺎﻥ ﺷﻴﻔﺘﻪﺍﺵ ﻫﻤﻮﺍﺭﻩ‬
‫ﺳﻠﻄﺎﻧﻰ ﺍﺯ ﭘﺎﻯﺑﻨﺪﻯ ﻋﻤﻴﻖ ﺍﻭ ﺑﻪ‬          ‫ﺩﺭ ﺧﺎﺭﺝ ﺍﺯ ﺍﻳﺮﺍﻥ ﺍﻧﺠﺎﻡ ﺩﺍﺩﻩ ﺑﻮﺩ‬             ‫ﻛﻢﻧﻈﻴﺮ ﺑﻮﺩ ﻛﻪ ﻫﻤﻴﻦ ﺍﺳﺘﻌﺪﺍﺩ ﺭﺍ‬        ‫ﻣﻰﮔﺮﺩﺩ‪ ،‬ﺍﺯ ﺩﻭﺭﺍﻥ ﺟﻮﺍﻧﻰ ﺩﺭ ﺍﺻﻔﻬﺎﻥ‬    ‫ﭘﻮﺭﺑﻬﻨﺎﻡ ﺳﭙﺲ ﺍﺯﺩﻭﺳﺘﻰ ﻋﻤﻴﻖ‬            ‫ﻣﺘﻮﺟﻪ ﺍﻳﺮﺍﻥ ﺑﻮﺩ‪ ،‬ﺷﻮﺭﺑﺨﺘﺎﻧﻪ ﺩﺭ‬
‫ﺍﺧﻼﻕ ﻭ ﺗﻌﻬﺪ ﺑﻪ ﺧﻮﺍﻧﻨﺪﮔﺎﻧﺶ ﻧﻮﺷﺘﻪ‬       ‫ﺳﺨﻦ ﮔﻔﺖ ﻭ ﻫﻢﭼﻨﻴﻦ ﻧﻤﻮﻧﻪﻫﺎﻳﻰ‬                  ‫ﺣﺘﻰ ﺩﺭ ﺑﺴﺘﺮ ﻣﺮگ ﻧﻴﺰ ﻧﮕﻪ ﺩﺍﺷﺘﻪ ﺑﻮﺩ‪.‬‬   ‫ﻭ ﺩﺍﻧﺸﻜﺪﻩ ﺣﻘﻮﻕ ﻭ »ﻻﺳﻴﺪﻥ« ﺑﺎ‬         ‫ﻣﺴﻜﻮﺏ ﺑﺎ ﺩﻛﺘﺮ ﺣﺴﻦ ﻛﺎﻣﺸﺎﺩ ﮔﻔﺖ‪.‬‬        ‫ﺷﺮﺍﻳﻂ ﻧﻪ ﭼﻨﺪﺍﻥ ﻣﺴﺎﻋﺪ ﺩﺭ ﭘَﺴﺘﻮﻯ‬
‫ﺑﻮﺩ‪ .‬ﺩﺭ ﺍﻳﻦ ﺭﺍﺑﻄﻪ ﻣﺴﻜﻮﺏ ﮔﻔﺘﻪ ﺑﻮﺩ‬      ‫ﺍﺯ ﻧﻮﺷﺘﻪﻫﺎﻯ ﻣﺴﻜﻮﺏ ﺭﺍ ﻛﻪ ﺑﻴﺸﺘﺮ‬               ‫ﺩﺭ ﺍﺷﺎﺭﻩ ﺑﻪ ِﻇﺮﺍﻓﺖ ﺍﻧﺴﺎﻧﻰ ﻣﺴﻜﻮﺏ‬      ‫ﺣﺰﺏ ﺗﻮﺩﻩ‪ .‬ﺍﻭ ﮔﻔﺖ ﻛﻪ ﻣﺴﻜﻮﺏ ﺯﻭﺩﺗﺮ‬     ‫ﺩﻭﺳﺘﻰ ﻛﻪ ﻭﻗﺘﻰ ﺑﻪ ﻟﻨﺪﻥ ﻣﻰﺁﻣﺪ ﻭ‬        ‫ﻳﻚ ﻣﻐﺎﺯﺓ ﻋﻜﺎﺳﻰ ﺩﺭ ﺳﺮﺯﻣﻴﻨﻰ ﺩﻭﺭ ﺍﺯ‬
‫ﻛﻪ »ﻛﺴﻰ ﻛﻪ ﻗﻠﻢ ﺑﻪ ﺩﺳﺖ ﻣﻰﮔﻴﺮﺩ‬          ‫ﻟﺤﻦ ﺷﺨﺼﻰ ﺩﺍﺭﻧﺪ ﺧﻮﺍﻧﺪ ﻛﻪ ﻧﺸﺎﻥ‬                ‫ﺳﺨﻨﺮﺍﻥ ﭼﻪ ﺯﻳﺒﺎ ﮔﻔﺖ ﻛﻪ ﺑﻴﻤﺎﺭ‬          ‫ﺍﺯ ﻫﻤﻪ ﺩﻭﺳﺘﺎﻥ ﺑﻪ ﺣﺰﺏ ﺗﻮﺩﻩ ﭘﻴﻮﺳﺖ‬     ‫ﭼﻨﺪ ﺻﺒﺎﺣﻰ ﺑﺎ ﺍﻭ ﻭ ﻫﻤﺴﺮﺵ‪ ،‬ﻧﺎﻫﻴﺪ‪،‬‬      ‫ﺍﻳﺮﺍﻥ ﺯﻧﺪﮔﻰﺍﺵ ﺑﻪ ﺳﺮﺍﻧﺠﺎﻡ ﺭﺳﻴﺪ‪«.‬‬
‫ﺑﺎﻳﺪ ﺩﺭ ﻗﺒﺎﻝ ﺟﻬﺎﻥ‪ ،‬ﻫﺴﺘﻰ ﻭ ﺩﺭ ﻗﺒﺎﻝ‬     ‫ﺍﺯ ﺩﻗﺖ‪ ،‬ژﺭﻓﺎ ﻭ ﻇﺮﺍﻓﺖ ﺩﻳﺪ ﻣﺴﻜﻮﺏ‬              ‫ﻣﺎﻧﻨﺪ ﺑﺴﺘﮕﺎﻧﺶ ﺍﺯ ﻭﺿ ِﻊ ﺧﻮﺩ ﺁﮔﺎﻩ ﺑﻮﺩ‬  ‫ﻭ ﺍﺯ ﺁﻥ ﭘﺲ ﻛﺘﺎﺏﻫﺎ ِﻯ ﻣﺎﺭﻛﺴﻴﺴﺘﻰ‬      ‫ﻣﻰﮔﺬﺭﺍﻧﺪ ﻭ ﺍﻭ ﺭﺍ ﺍﺯ ﻧﺎﻣﻼﻳﻤﺘﻰﻫﺎﻯ‬      ‫ﺁﻧﮕﺎﻩ ﺑﻴﮋﻥ ﭘﻮﺭﺑﻬﻨﺎﻡ ﭘﺸﺖ ﻣﻴﻜﺮﻭﻓﻦ‬
‫ﺧﻮﺩﺵ ﻣﺘﻌﻬﺪ ﺑﺎﺷﺪ«‪ .‬ﺳﻠﻄﺎﻧﻰ ﻧﻮﺷﺘﻪ‬        ‫ﺩﺭ ﻣﺸﺎﻫﺪﺓ ﺩﻧﻴﺎﻯ ﭘﻴﺮﺍﻣﻮﻥﺍﺵ ﺩﺍﺭﻧﺪ‪.‬‬            ‫ﻭﻟﻰ ﺩﻭ ﻃﺮﻑ ﻧﻤﻰﺧﻮﺍﺳﺘﻨﺪ ﻫﻤﺪﻳﮕﺮ‬         ‫ﻣﻰﺧﻮﺍﻧﺪ ﻭ ﺑﺤﺚ ﻭ ﻣﺠﺎﺩﻟﻪ ﻣﻰﻛﺮﺩ‪.‬‬       ‫ﺯﻧﺪﮔﻰ ﺩﺭ ﭘﺎﺭﻳﺲ ﺩﻭﺭ ﻣﻰﺳﺎﺧﺖ‪.‬‬           ‫ﻗﺮﺍﺭ ﮔﺮﻓﺖ ﻭ ﻧﺨﺴﺖ ﺍﺯ ﻫﻤﻴﺎﺭﻯ ﺑﻰ‬
‫ﺑﻮﺩ ﻛﻪ ﻣﺴﻜﻮﺏ ﻫﺮﮔﺰ ﻧﺎﻥ ﺭﺍ ﺑﻪ ﻧﺮﺥ‬       ‫ﻫﻤﻴﻦ ﭘﻮﻳﺎﻳﻰ ﺍﻧﺪﻳﺸﻪ ﻧﻴﺰ ﺳﺒﺐ ﺷﺪ ﺍﻭ‬            ‫ﺭﺍ ﻧﺎﺭﺍﺣﺖ ﻛﻨﻨﺪ؛ »ﻧﮕﺮﺍ ِﻥ ﻧﮕﺮﺍﻧﻰ‬      ‫ﻣﺴﻜﻮﺏ ﻛﻤﻰ ﭘﺲ ﺍﺯ ﻭﻗﺎﻳﻊ ‪ 28‬ﻣﺮﺩﺍﺩ‬      ‫ﻭ ﺑﺎﻻﺧﺮﻩ ﭘﻮﺭﺑﻬﻨﺎﻡ ﺍﺯﻋﻼﻗﺔ ﻋﻤﻴﻖ‬        ‫ﺩﺭﻳﻎ ﻛﺎﻧﻮﻥ ﺍﻳﺮﺍﻥ ﻭ ﺩﻛﺘﺮ ﺭﺿﺎ ﻗﺎﺳﻤﻰ‬
‫ﺭﻭﺯ ﻧﺨﻮﺭﺩ ﻭ ﺑﺎ ﻛﺴﻰ ﺭﻭ ﺩﺭ ﺑﺎﻳﺴﺘﻰ‬       ‫ﺑﻪ ﻏﻢﺯﺩﮔﻰ ﻭ ﺩﻝ ُﻣﺮﺩﮔﻰ ﺩﭼﺎﺭ ﻧﺸﻮﺩ ﻭ‬           ‫ﻳﻜﺪﻳﮕﺮ ﺑﻮﺩﻧﺪ«‪ .‬ﻳﺎﺭ ﻗﺪﻳﻤﻰ ﻣﺴﻜﻮﺏ‬       ‫ﺑﻪ ﺯﻧﺪﺍﻥ ﺍﻓﺘﺎﺩ ﻭ ﺣﺪﻭﺩ ﺩﻭ ﺳﺎﻝ ﻭ ﺩﻭ‬   ‫ﻣﺴﻜﻮﺏ ﺑﻪ ﻣﺮﺗﻀﻰ ﻛﻴﻮﺍﻥ )ﻛﻪ ﺑﻪ‬          ‫ﺩﺭ ﺑﺮﮔﺰﺍﺭﻯ ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﺗﺸﻜﺮ ﻛﺮﺩ‪.‬‬
‫ﻧﺪﺍﺷﺖ ﻭ ﻋﻮﺍﻡﻓﺮﻳﺐ ﻧﺒﻮﺩ‪ .‬ﺑﺎ ﻭﺳﻮﺍﺱ‬                                                   ‫ﺍﺯ ﻧﮕﺮﺍﻧﻰﻫﺎﻯ ﺍﻭ ﺑﺮﺍﻯ ﺩﺧﺘﺮﺵ ﻭ ﺑﻪ‬                                          ‫ﺩﻧﺒﺎﻝ ﻭﻗﺎﻳﻊ ‪ 28‬ﻣﺮﺩﺍﺩ ﺯﻧﺪﺍﻧﻰ ﻭ ﺍﻋﺪﺍﻡ‬  ‫ﭘﻮﺭﺑﻬﻨﺎﻡ ﺳﭙﺲ ﻣﺘﻨﻰ ﺭﺍ ﺯﻳﺮ ﻋﻨﻮﺍﻥ‬
‫ﻧﮕﺮﺍﻥ ﻫﺮ ﻛﻠﻤﻪﺍﻯ ﺑﻮﺩ ﻛﻪ ﻣﻰﻧﻮﺷﺖ‬                      ‫ﺑﺮ ﻏﻢ ﻏﺮﺑﺖ ﻓﺎﺋﻖ ﺁﻳﺪ‪.‬‬           ‫ﻳﺎﺩ ﺁﻭﺭﺩﻥ ﻣﺎﺩﺭﺵ ﺩﺭ ﺭﻭﺯﻫﺎﻯ ﺁﺧﺮ‬                           ‫ﻣﺎﻩ ﺩﺭ ﺑﻨﺪ ﺑﻮﺩ‪.‬‬  ‫ﺷﺪ( ﺳﺨﻦ ﮔﻔﺖ ﻛﻪ ﻧﻘﺶ ﻣﻬﻤﻰ‬              ‫»ﺩﺭ ﺳﻮگ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ« ﺑﺎ‬
‫ﻭ ﻣﻰﮔﻔﺖ ﻛﻪ ﻛﻠﻤﻪ ﺑﺎﻳﺪ ﺗﺎ ﺟﺎﻳﻰ ﻛﻪ‬       ‫ﭘﺲ ﺍﺯ ﺳﺨﻨﺎﻥ ﺩﻛﺘﺮ ﻛﺮﻳﻤﻰ‬                      ‫ﺯﻧﺪﮔﻰ ﮔﻔﺖ‪ .‬ﺍﺯ ﻭﺍﭘﺴﻴﻦ ﺩﻟﻮﺍﭘﺴﻰﻫﺎﻯ‬      ‫ﺩﺭﺑﺎﺭﺓ ﺯﻧﺪﮔﻰ ﺷﺨﺼﻰ ﻣﺴﻜﻮﺏ‬             ‫ﺩﺭ ﺷﻜﻞ ﮔﺮﻓﺘﻦ ﺷﺨﺼﻴﺖ ﻓﺮﻫﻨﮕﻰ‬
                                      ‫ﺣﻜﺎﻙ‪ ،‬ﺍﺩﻳﺐ ﺭﺳﺘﻤﻰ ﻧﻮﺍﺯﻧﺪﻩ ﻛﻤﺎﻧﭽﻪ‬             ‫ﺍﻭ ﺩﺭ ﻣﻮﺭﺩ ﻭﺿﻌﻴﺖ ﻧﻮﺷﺘﻪﻫﺎﻳﺶ ﻭ‬         ‫ﻛﺎﻣﺸﺎﺩ ﮔﻔﺖ ﻛﻪ ﻫﻴﭻ ﻭﻗﺖ ﺯﻧﺪﮔﻰ‬         ‫ﺍﻭ ﺩﺍﺷﺖ‪ .‬ﭘﻮﺭﺑﻬﻨﺎﻡ ﻣﺘﻦ ﺧﻮﺩ ﺭﺍ ﺑﺎ‬               ‫ﺻﺪﺍﻳﻰ ﮔﺮﻡ ﻭ ﻣﺘﻴﻦ ﺧﻮﺍﻧﺪ‪.‬‬
    ‫ﻣﻤﻜﻦ ﺍﺳﺖ ﺑﻪ ﻓﻜﺮ ﻧﺰﺩﻳﻚ ﺑﺎﺷﺪ‪.‬‬       ‫ﺭﻭﻯ ﺻﺤﻨﻪ ﺭﻓﺖ ﻭ ﺯﻧﮓ ﺗﻨﻔﺴﻰ ﺑﺮﺍﻯ‬               ‫ﺑﺨﺼﻮﺹ ﺍﺯ ﺁﺧﺮﻳﻦ ﻧﻮﺷﺘﻪﺍﺵ ﮔﻔﺖ‬           ‫ﺑﺴﺎﻣﺎﻧﻰ ﻧﺪﺍﺷﺖ ﻭ ﺍﻭﻟﻴﻦ ﺍﺯﺩﻭﺍﺝ ﺍﻭ‬     ‫ﻳﺎﺩﺁﻭﺭ ِﻯ ﻋﺸﻖ ﻭﺻﻒ ﻧﺸﺪﻧﻰ ﻣﺴﻜﻮﺏ‬        ‫ﺩﺭ ﺍﻳﻦ ﻣﺘﻦ ﻛﻪ ﺑﺎ ﺍﺗﻜﺎ ﺑﻪ ﮔﻔﺘﺎﻭﺭﺩﻫﺎﻳﻰ‬
‫ﺁﺧﺮﻳﻦ ﺑﺨﺶ ﺑﺮﻧﺎﻣﻪ‪ ،‬ﭘﻴﺎﻡ ﻛﻮﺗﺎﻩ‬                                                                                           ‫ﺑﻪ ﺗﻮﺻﻴﻪ ﺣﺰﺏ ﺗﻮﺩﻩ ﺍﻧﺠﺎﻡ ﮔﺮﻓﺖ‬                                             ‫ﺍﺯﺧﻮﺩ ﻣﺴﻜﻮﺏ ﻭ ﻧﻮﻳﺴﻨﺪﮔﺎﻥ ﺩﻳﮕﺮ ﺩﺭ‬
                                                  ‫ﺣﺎﺿﺮﺍﻥ ﺑﻪ ﻭﺟﻮﺩ ﺁﻭﺭﺩ‪.‬‬

        ‫دﮐﱰ ﮐﺮﯾﻤﯽ ﺣﮑﺎک‬                      ‫دﮐﱰ ﻣﺎﺷﺎءاﻟﻠﻪ آﺟﻮداﻧﯽ‬                 ‫دﮐﱰ ﺣﺴﻦ ﮐﺎﻣﺸﺎد و ﻫﻤﴪ اﯾﺸﺎن‬                                                       ‫دﮐﱰ ﺑﯿﮋن ﭘﻮرﺑﻬﻨﺎم‬                    ‫دﮐﱰ رﺿﺎ ﻗﺎﺳﻤﯽ‬

‫ﺭﺍﻣﻴﻦ ﺟﻬﺎﻧﺒﮕﻠﻮ ﺑﻮﺩ ﻛﻪ ﺩﺭ ﺑﺨﺸﻰ‬         ‫ﺁﺧﺮﻳﻦ ﺳﺨﻨﺮﺍ ِﻥ ﺑﺮﻧﺎﻣﺔ ﭘﺮ ﻭ‬                  ‫ﻛﻪ ﻧﺰﺩ ﻧﺎﺷﺮ ﺩﺭ ﺗﻬﺮﺍﻥ ﺑﻮﺩ ﻭ ﻗﺒﻞ ﺍﺯ‬    ‫ﻭ ﭼﻨﺪﺍﻥ ﻫﻢ ﺩﻭﺍﻡ ﻧﻴﺎﻓﺖ‪ .‬ﺛﻤﺮﺓ ﺁﻥ‬                ‫ﺑﻪ ﻣﺎﺩﺭﺵ ﺑﻪ ﭘﺎﻳﺎﻥ ﺭﺳﺎﻧﺪ‪.‬‬   ‫ﺗﻼﺵ ﺑﺮﺍﻯ ﺗﺮﺳﻴﻢ ﺳﻴﻤﺎﻳﻰ ﺍﺯ ﻭﻯ‬
‫ﺍﺯ ﺁﻥ ﻧﻮﺷﺘﻪ ﺑﻮﺩ ﻣﺴﻜﻮﺏ ﻫﻤﻮﺍﺭﻩ‬          ‫ﭘﻴﻤﺎﻧﺔ ﻳﺎﺩﺑﻮﺩ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ‪ ،‬ﺩﻛﺘﺮ‬             ‫ﭼﺎپ‪ ،‬ﻧﺴﺨﺔ ﺣﺮﻭﻑﭼﻴﻨﻰ ﺷﺪﻩ ﺑﺎﻳﺪ‬          ‫ﺍﺯﺩﻭﺍﺝ ﭘﺴﺮﺵ ﺍﺭﺩﺷﻴﺮ ﺑﻮﺩ ﻛﻪ ﺷﺎﻫﺮﺥ‬     ‫ﺳﺨﻨﺎﻥ ﭘﻮﺭﺑﻬﻨﺎﻡ ﭼﻬﺮﻩﺍﻯ ﺍﺯ‬             ‫ﺗﻬﻴﻪ ﺷﺪ ﺍﺯ ﺟﻤﻠﻪ ﺁﻣﺪﻩ ﺑﻮﺩ‪» :‬ﻋﻠﺖ‬
‫ﺩﺭ ﻓﻀﺎﻯ ﻫﺴﺘﻰﺷﻨﺎﺳﻰ ﺍﻳﺮﺍﻥ ﭘﺮﺳﻪ‬          ‫ﻣﺎﺷﺎءﺍﷲ ﺁﺟﻮﺩﺍﻧﻰ ﺑﻮﺩ ﻛﻪ ﺳﺨﻨﺎﻧﺶ‬               ‫ﺗﺼﺤﻴﺢ ﻣﻰﺷﺪ ﻛﻪ ﺍﻳﻦ ﻛﺎﺭ ﺭﺍ ﺑﻪ ﻋﻬﺪﻩ‬     ‫ﺗﺎ ﺩ ِﻡ ﻣﺮگ ﺩﺭ ﺷﻮﺭ ﻭ ﺍﺷﺘﻴﺎﻕ ﺍﻭ‬      ‫ﺳﻴﻤﺎﻯ ﻓﺮﻫﻨﮕﻰ ﻭ ﺍﺩﺑﻰ ﻭ ﺍﺧﻼﻗﻰ‬          ‫ﺍﻧﺘﺨﺎﺏ ﺍﻳﻦ ﻋﻨﻮﺍﻥ ﭘﺲ ﺍﺯ ‪ 10‬ﺳﺎﻝ‬
‫ﻓﻜﺮﻯ ﻣﻰﺯﺩ‪ .‬ﺍﻧﮕﺎﺭ ﻛﻪ ﻫﺮ ﻟﺤﻈﻪ ﺍﺯ‬        ‫ﺩﺭﺑﺎﺭﺓ ﺷﺎﻫﻨﺎﻣﻪﭘﮋﻭﻫﻰ ﻣﺴﻜﻮﺏ ﻭ‬                                                      ‫ﺳﻮﺧﺖ‪ .‬ﺩﺭ ‪ 42‬ﺳﺎﻟﮕﻰ ﻣﺠﺪﺩﺍً ﺍﺯﺩﻭﺍﺝ‬     ‫ﻣﺴﻜﻮﺏ ﺑﺮﺍﻯ ﺣﺎﺿﺮﺍﻥ ﺗﺮﺳﻴﻢ ﻛﺮﺩ‪.‬‬         ‫ﻛﻪ ﺍﺯ ﺩﺭﮔﺬﺷﺖ ﻣﺴﻜﻮﺏ ﻣﻰﮔﺬﺭﺩ‬
‫ﺯﻧﺪﮔﻰﺍﺵ ﺩﺭ ﺍﻳﺮﺍﻥ ﻭ ﺑﺎ ﺍﻳﺮﺍﻥ ﻣﻰﮔﺬﺭﺩ‪.‬‬   ‫ﺩﺳﺖﺁﻭﺭﺩﻫﺎﻯ ﻧﻈﺮﻯ ﺍﻭ ﺩﺭ ﺍﻳﻦ ﺯﻣﻴﻨﻪ‬                     ‫ﺩﻭﺳﺖﺍﺵ‪،‬ﻛﺎﻣﺸﺎﺩ‪ ،‬ﮔﺬﺍﺷﺖ‪.‬‬        ‫ﻛﺮﺩ ﻭ ﺩﺧﺘﺮﺵ ﻏﺰﺍﻟﻪ ﺛﻤﺮﺓ ﺍﺯﺩﻭﺍﺝ‬       ‫ﺳﺨﻨﺮﺍﻧﺎﻥ ﺑﻌﺪﻯ ﺍﻳﻦ ﺗﺼﻮﻳﺮ ﺭﺍ ﻛﺎﻣﻞ‬      ‫ﺁﻥ ﺍﺳﺖ ﻛﻪ ﺍﻭ ﻫﻨﻮﺯ ﺩﺭ ﺻﺤﻨﺔ ﺍﺩﺏ‬
‫ﺟﻬﺎﻧﺒﮕﻠﻮ ﺩﺭ ﭘﺎﻳﺎﻥ ﻧﻮﺷﺘﻪ ﺑﻮﺩ‪ ،‬ﺁﻧﭽﻪ ﺍﺯ‬  ‫ﺑﻮﺩ‪ .‬ﺳﺨﻨﺮﺍﻥ ﮔﻔﺖ ﻛﻪ ﺍﺭﺍﺩﺕ ﺧﻮﺩ ﺭﺍ‬             ‫‪ 23‬ﻓﺮﻭﺭﺩﻳﻦ ‪ 1384‬ﺷﺎﻫﺮﺥ‬                ‫ﺩﻭﻡ ﺍﺳﺖ‪ .‬ﻳﻚ ﺳﺎﻝ ﺑﻌﺪ ﺍﺯ ﺍﻧﻘﻼﺏ‬                                             ‫ﻭ ﻓﺮﻫﻨﮓ ﺍﻳﺮﺍﻥ ﺣﻀﻮﺭﻯ ﺟﺪﻯ ﻭ‬
‫ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ ﺑﻪ ﻳﺎﺩ ﺧﻮﺍﻫﺪ ﻣﺎﻧﺪ‬         ‫ﺑﻪ ﻣﺴﻜﻮﺏ ‪ 27‬ﺳﺎﻝ ﭘﻴﺶ ﺩﺭ ﻣﺠﻠﻪ‬                 ‫ﻣﺴﻜﻮﺏ ﺟﺎﻥ ﺑﺎﺧﺖ‪ .‬ﻛﺎﻣﺸﺎﺩ ﺍﺯ‬            ‫ﺑﺎ ﺧﺎﻧﻮﺍﺩﻩ ﺭﺍﻫﻰ ﻓﺮﺍﻧﺴﻪ ﻭ ﻣﺴﻜﻮﺏ‬                                ‫ﻛﺮﺩﻧﺪ‪.‬‬     ‫ﻓﺮﺍﻣﻮﺵ ﻧﺸﺪﻧﻰ ﺩﺍﺭﺩ‪ .‬ﺧﻮ ِﺩ ﻣﺴﻜﻮﺏ‬
‫ﺍﻧﺪﻳﺸﻪﺍﻯ ﺍﺳﺖ ﻛﻪ ﺷﺠﺎﻋﺖ ﺍﺧﻼﻗﻰ‬           ‫»ﻓﺼﻞ ﻛﺘﺎﺏ«‪ -‬ﻣﻨﺘﺸﺮﻩ ﺩﺭ ﻟﻨﺪﻥ‪-‬‬                 ‫ﺭﻓﺘﻦﺍﺵ ﺑﺮ ﭘﻴﻜﺮ ﺩﻭﺳﺖ ﻣﻰﮔﻮﻳﺪ‪:‬‬          ‫ﻫﻤﻜﺎﺭ ﺩﺍﺭﻳﻮﺵ ﺷﺎﻳﮕﺎﻥ ﺷﺪ ﻛﻪ ﻗﺮﺍﺭ‬      ‫ﺩﻛﺘﺮ ﺣﺴﻦ ﻛﺎﻣﺸﺎﺩ ﺩﺭ ﺍﺩﺍﻣﺔ ﺑﺮﻧﺎﻣﻪ‬      ‫ﺩﺭ ﭘﺎﻳﺎﻥ ﻛﺘﺎﺏ »ﻣﻘﺪﻣﻪﺍﻯ ﺑﺮ ﺭﺳﺘﻢ‬
‫ﺭﻭﻳﺎﺭﻭﻳﻰ ﺑﺎ ﺑﻰ ﺍﻧﺪﻳﺸﮕ ِﻰ ﻭﻳﺮﺍﻧﮕﺮ ﻭ‬    ‫ﺑﻴﺎﻥ ﻛﺮﺩﻩ ﺍﺳﺖ‪ .‬ﺩﺭ ﺁﻧﺠﺎ ﻧﻮﺷﺘﻪ ﺍﺳﺖ‬            ‫»ﺩﺭﻭﻥ ﺗﺎﺑﻮﺕ ﻫﻢ ﺗﺒﺴﻤﻰ ﺁﺳﻮﺩﻩ‬           ‫ﺑﻮﺩ ﺷﻌﺒﻪ ﺩﺍﻧﺸﮕﺎﻩ ﺍﺳﻤﺎﻋﻴﻠﻴﻪ ﺭﺍ ﺩﺭ‬    ‫ﻳﺎﺩﺁﻭﺭﻯ ﻛﺮﺩ ﻛﻪ ﺧﺎﻃﺮﺍﺕ ﺧﻮﺩﺵ ﺭﺍ‬        ‫ﻭ ﺍﺳﻔﻨﺪﻳﺎﺭ« ﺩﺭ ﺳﻄﻮﺭﻯ ﻛﻪ ﮔﻮﻳﺎﻯ‬
‫ﻓﺮﺍﻣﻮﺷﻰ ﺗﻤﺪﻧﻰ ﺭﺍ ﺩﺍﺭﺩ ﻭ ﺯﻳﺒﺎﻳ ِﻰ‬      ‫ﻛﻪ‪» :‬ﺑﺎ ﻭﺟﻮﺩ ﺗﻤﺎﻣﻰ ﭘﮋﻭﻫﺶﻫﺎﻯ‬                 ‫ﺑﺮ ﮔﻮﺷﺔ ﻟﺒﺶ ﻧﻘﺶ ﺑﺴﺘﻪ ﺑﻮﺩ ﻭ ﺑﻪ‬        ‫ﭘﺎﺭﻳﺲ ﺭﺍﻩ ﺑﻴﺎﻧﺪﺍﺯﺩ‪ .‬ﻫﻤﻴﻦ ﺍﻣﺮ ﺑﺎﻋﺚ‬   ‫ﺑﺎ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ ﺩﺭ ﻛﺘﺎﺏ »ﺣﺪﻳﺚ‬         ‫ﻣﺎﻧﺪﮔﺎﺭﻯ ﻧﺎﻡ ﺧﻮﺩ ﺍﻭﺳﺖ ﻣﻰ ﻧﻮﻳﺴﺪ‪:‬‬
‫ﺍﻧﺪﻳﺸﻪﺍﺵ ﻫﻤﻴﺸﻪ ﺑﻪ ﻳﺎﺩ ﺧﻮﺍﻫﺪ ﻣﺎﻧﺪ‪.‬‬     ‫ﺯﻳﺎﺩﻯ ﻛﻪ ﺩﺭ ﻣﻮﺭﺩ ﺷﺎﻫﻨﺎﻣﻪ ﺷﺪﻩ‬                ‫ﻣﺮﺩﻯ ‪ 50‬ﺳﺎﻟﻪ ﻣﻰﻣﺎﻧﺪ«‪ .‬ﻛﺎﻣﺸﺎﺩ‬         ‫ﺳﻔﺮﻫﺎﻯ ﺯﻳﺎﺩﺗﺮ ﻣﺴﻜﻮﺏ ﺑﻪ ﻟﻨﺪﻥ ﻭ‬       ‫ﻧﻔﺲ« ﻣﻔﺼﻞ ﻧﻮﺷﺘﻪ ﺍﺳﺖ ﻛﻪ ﺍﺯ‬            ‫»ﺯﻣﺎﻧﻪ ﺑﺮ ﺁﺩﻣﻰ ﭘﻴﺮﻭﺯ ﺍﺳﺖ‪ .‬ﺍﻣﺎ ﺍﻧﺴﺎﻥ‬
‫ﺩﺭ ﭘﺎﻳﺎﻥ‪ ،‬ﺑﺎ ﻳﻚ ﺍﺳﻼﻳﺪ ﺷﻮ ﻭ ﻧﻴﺰ‬        ‫ﺍﺳﺖ ﺳﻬﻢ ﻫﻤﺎﻥ ﻛﺘﺎﺏ ﻛﻢ ﺣﺠﻢ‬                    ‫ﮔﻔﺖ‪» :‬ﻭﻗﺘﻰ »ﺭﺍﺳﺘﻰ« ُﻣﺮﺩ‬              ‫ﺩﻳﺪﺍﺭ ﺩﻭ ﺩﻭﺳﺖ ﻗﺪﻳﻤﻰ ﺷﺪ‪ .‬ﻛﺎﻣﺸﺎﺩ‬      ‫ﻻﺑﻼﻯ ﺳﻄﻮﺭ ﺁﻥ ﻣﻰﺗﻮﺍﻥ ﺑﻪ ﺷﺨﺼﻴﺖ‬         ‫ﻣﻰﺗﻮﺍﻧﺪ ﺑﻪ ﺑﻬﺎﻯ ﻧﻔﻰ ﺧﻮﺩ ﺑﺮ ﺁﻥ ﭼﻴﺮﻩ‬
‫ﻭﻳﺪﺋﻮﻯ ﻛﻮﺗﺎﻩ ﺳﺨﻨﺮﺍﻧﻰ ﻣﺴﻜﻮﺏ‬            ‫ﻣﺴﻜﻮﺏ ﺑﺎ ﻋﻨﻮﺍﻥ »ﻣﻘﺪﻣﻪﺍﻯ ﺑﺮ ﺭﺳﺘﻢ‬             ‫]ﻣﺎﺭﺳﻞ[ ﭘﺮﻭﺳﺖ ﮔﻔﺖ ﻛﻪ ﺍﻳﻦ ﻣﺮگ‬         ‫ﮔﻔﺖ ﻛﻪ ﻫﺮ ﺑﺎﺭ ﻫﻢ ﻛﻪ ﺑﻪ ﻟﻨﺪﻥ ﻣﻰﺁﻣﺪ‬   ‫ﻭ ﺧﻠﻖ ﻭ ﺧﻮﻯ ﻭ ﺍﺧﻼﻕ ﻭ ﺳﺠﺎﻳﺎﻯ‬          ‫ﮔﺮﺩﺩ ﺗﺎ ﺩﺭ ﻣﺮگ ﺗﻮﺍﻧﺎﺗﺮ ﺍﺯ ﺯﻧﺪﮔﻰ‬
‫ﺩﺭ ﻭﺍﺷﻴﻨﮕﺘﻦ ﺩﺭ ﻣﺎﻩ ﻣﻪ ‪ 2000‬ﺩﺭ‬         ‫ﻭ ﺍﺳﻔﻨﺪﻳﺎﺭ« ﺩﺭ ﺑﺎﺯﺷﻨﺎﺳﻰ ﻓﺮﺩﻭﺳﻰ ﻭ‬            ‫ﭼﻪ ﻧﺎﭼﻴﺰ ﻣﻰﻧﻤﺎﻳﺪ ﭼﻮﻥ ﻣﻰﺑﻴﻨﻴﻢ ﻛﻪ‬      ‫ﺣﺘﻤﺎً ﻣﻰ ﮔﻔﺖ ﻛﻪ »ﺑﺮﻭﻳﻢ ﺑﻪ ﺯﻳﺎﺭﺕ«‪.‬‬   ‫ﻣﺴﻜﻮﺏ ﭘﻰ ﺑﺮﺩ‪ .‬ﻛﺎﻣﺸﺎﺩ ﺁﻧﮕﺎﻩ‬           ‫ﺑﺎﺷﺪ‪ «.‬ﻛﻪ ﺍﻭ ﭼﻨﻴﻦ ﺍﺳﺖ ﻭ ﻫﻨﻮﺯ ﺯﻧﺪﻩ‬
‫ﻛﻨﻔﺮﺍﻧﺲ ﺩﻭﺳﺎﻻﻧﺔ ﺍﻧﺠﻤﻦ ﻣﻄﺎﻟﻌﺎﺕ‬         ‫ﺑﺨﺸﻰ ﺍﺯ ﺷﺎﻫﻜﺎﺭ ﺍﻭ ﺍﺯ ﺩﻩﻫﺎ ﻛﺘﺎﺏ ﻭ‬            ‫ﭼﻪ ﻧﻴﺮﻭﻣﻨﺪ ﺯﻧﺪﻩ ﻣﻰﻣﺎﻧﺪ‪ .‬ﻭ ﻳﺎ ﻧﻴﭽﻪ‬    ‫ﻣﻘﺼﻮﺩﺵ ﺑﺎﺯﺩﻳﺪ ﺗﺎﺑﻠﻮﻯ »ﺗﻌﻤﻴﺪ‬         ‫ﺳﺨﻨﺎﻥﺍﺵ ﺭﺍ ﺑﺎ ﭼﻨﺪ ﮔﻔﺘﺎﻭﺭﺩ ﺍﺯ ﺧﻮ ِﺩ‬
‫ﺍﻳﺮﺍﻥ ﺷﻨﺎﺳﻰ ﺳﻴﻤﺎ ِﻯ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ‬                                                   ‫ﻣﻰﮔﻮﻳﺪ‪» :‬ﺑﻌﻀﻰ ﺍﺯ ﺍﻓﺮﺍﺩ ﺑﻌﺪ ﺍﺯ ﻣﺮگ‬    ‫ﻣﺴﻴﺢ« ﺍﺛﺮ ﭘﻴﺮﻭ ﺩﻻ ﻓﺮﺍﻧﭽﺴﻜﺎ‪ ،‬ﻧﻘﺎﺵ‬    ‫ﻣﺴﻜﻮﺏ ﺁﻏﺎﺯ ﻛﺮﺩ‪» :‬ﺟﻮﺍﻥ ﻛﻪ ﺑﻮﺩﻡ‬                                  ‫ﺍﺳﺖ‪«.‬‬
‫ﺩﺭ ﺍﻳﻦ ﺷﺐ ﻛﺎﻣﻞﺗﺮ ﺷﺪ ﻭ ﺷﻨﺎﺧﺖ‬                  ‫ﺭﺳﺎﻟﺔ ﺗﺤﻘﻴﻘﻰ ﺑﻴﺸﺘﺮ ﺍﺳﺖ«‪.‬‬             ‫ﺑﻪ ﺩﻧﻴﺎ ﻣﻰﺁﻳﻨﺪ‪ «.‬ﭼﻘﺪﺭ ﺍﻳﻦ ﺣﺮﻑ ﺩﺭ‬     ‫ﺍﻳﺘﺎﻟﻴﺎﻳﻰ ﻋﺼﺮ ﺭﻧﺴﺎﻧﺲ ﺑﻮﺩ‪ .‬ﺑﻪ ﺍﻳﻦ‬    ‫ﻣﻰﺧﻮﺍﺳﺘﻢ ﺩﻧﻴﺎ ﺭﺍ ﻏﻮﺽ ﻛﻨﻢ‪ .‬ﻧﺸﺪ‪.‬‬       ‫ﭘﻮﺭﺑﻬﻨﺎﻡ ﻣﺘﻦ ﺭﺍ ﭼﻨﻴﻦ ﺍﺩﺍﻣﻪ‬
‫ﺣﺎﺿﺮﺍﻥ ﺍﺯ ﺍﻳﻦ ﺍﻧﺪﻳﺸﻤﻨﺪ ﻓﺮﻫﻴﺨﺘﻪ‬        ‫ﺁﺟﻮﺩﺍﻧﻰ ﮔﻔﺖ ﻛﻪ ﻣﺴﻜﻮﺏ ﺩﺭ ﺍﺛﺮ‬                                                      ‫ﺗﺎﺑﻠﻮ ﺗﻌﻠﻖ ﺧﺎﻃﺮ ﺭﻭﺣﺎﻧﻰ ﭘﻴﺪﺍ ﻛﺮﺩﻩ‬    ‫ﺩﻧﻴﺎ ﻣﺮﺍ ﻋﻮﺽ ﻛﺮﺩ«‪» .‬ﻣﻦ ﺩﺭ ﺯﻧﺪﮔﻰ‬      ‫ﺩﺍﺩ‪» :‬ﺍﻓﺰﻭﻥ ﺑﺮ ﻭﻳﮋﮔﻰﻫﺎ ِﻯ ﺑﺮﺟﺴﺘﺔ‬
‫ﺭﺍ ﺑﻴﺸﺘﺮ ﻛﺮﺩ‪ .‬ﺑﺮﮔﺰﺍﺭﻛﻨﻨﺪﮔﺎ ِﻥ ﺍﻳﻦ‬     ‫ﺩﻳﮕﺮﺵ »ﺳﻮگ ﺳﻴﺎﻭﺵ« ﻫﻢ ﻣﻨﺰﻟﺖ‬                           ‫ﻣﻮﺭﺩ ﺷﺎﻫﺮﺥ ﺻﺎﺩﻕ ﺍﺳﺖ«‪.‬‬       ‫ﺑﻮﺩ ﻭ ﻋﻠﺖ ﺍﻳﻦ ﺩﻟﺒﺴﺘﮕﻰ ﺭﺍ ﺧﻮﺩﺵ‬       ‫ﻫﺮﮔﺰ ﺩﻧﺒﺎﻝ ﺁﺳﺎﻧﻰ ﻧﺒﻮﺩﻡ ﭼﻮﻥ ﻫﻴﭻ‬       ‫ﺍﻧﺴﺎﻧﻰ ﺍﻭ ﻣﺎ ﺑﺎ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮ ِﺏ‬
‫ﺑﺮﻧﺎﻣﻪ ﻧﻬﺎﻳﺖ ﺗﻼﺵ ﺧﻮﺩ ﺭﺍ ﺑﺮﺍﻯ ﭘُﺮﺑﺎﺭ‬   ‫ﻓﺮﺩﻭﺳﻰ ﻭ ﻫﻢ ﻣﻨﺮﻟ ِﺖ ﺷﺎﻫﻜﺎ ِﺭ ﺍﻭ ﺩﺭ‬          ‫ﺑﻪ ﮔﻔﺘﺔ ﺳﺨﻨﺮﺍﻥ‪ ،‬ﻣﺴﻜﻮﺏ ﻳﻜﻰ‬                                                ‫ﭼﻴﺰ ﺯﻳﺒﺎﻯ ﺍﺭﺯﻳﺪﻧﻰ ﺁﺳﺎﻥ ﺑﻪ ﺩﺳﺖ‬        ‫ﻧﻈﺮﻳﻪﭘﺮﺩﺍﺯ ﺍﺩﺑﻰ ﻭ ﺷﺎﻫﻨﺎﻣﻪﭘﮋﻭﻩ ﻭ‬
‫ﺳﺎﺧﺘﻦ »ﺩﺭ ﺳﻮگ ﺷﺎﻫﺮﺥ ﻣﺴﻜﻮﺏ«‬            ‫ﺗﺎﺭﻳﺦ ﻓﺮﻫﻨ ِﮓ ﺍﻳﺮﺍﻥ ﺭﺍ ﺑﻪ ﺑﺨﺸﻰ‬              ‫ﺍﺯ ﺑﻬﺘﺮﻳﻦ ﻧﺜﺮﻧﻮﻳﺲﻫﺎﻯ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ‬                         ‫ﻧﻴﺰ ﻧﻤﻰﺩﺍﻧﺴﺖ‪.‬‬    ‫ﻧﻴﺴﺖ«‪» .‬ﺁﺩﻡ ﺑﺎﻳﺪ ﻛﺎﺭ ﺭﺍ ﺟﺪﻯ ﺑﮕﻴﺮﺩ‬    ‫ﺣﺎﻓﻆﭘﮋﻭﻩ ﻭ ژﺭﻑﺍﻧﺪﻳﺶ ﻳﮕﺎﻧﻪ ﺭﻭﺑﺮﻭ‬
‫ﺑﻪ ﻋﻤﻞ ﺁﻭﺭﺩﻩ ﻭ ﺑﻪ ﻗﻮﻝ ﻣﻌﺮﻭﻑ ﺳﻨﮓ‬       ‫ﺍﺯ ﺟﺎﻣﻌﻪ ﺷﻨﺎﺳﺎﻧﺪ ﻭ ﺍﺯ ﺍﻳﻦ ﻃﺮﻳﻖ‬              ‫ﺑﻮﺩ‪ .‬ﺍﻭ ﺧﻮﺩ ﺭﺍ ﺑﻴﺶ ﻭ ﭘﻴﺶ ﺍﺯ ﻫﺮ‬       ‫ﻛﺎﻣﺸﺎﺩ ﺍﺯ ﺳﺮﺍﺳﻴﻤﻪ ﺭﺳﺎﻧﺪﻥ‬            ‫ﻭ ﺧﻮﺩﺵ ﺭﺍ ﺑﺮﻋﻜﺲ ﺑﻪ ﺟ ّﺪ ﻧﮕﻴﺮﺩ«‪.‬‬      ‫ﻫﺴﺘﻴﻢ‪ «.‬ﭘﻮﺭﺑﻬﻨﺎﻡ ﺍﺯ ﻋﺸﻖ ﻋﻤﻴﻖ‬
                                      ‫ﺗﻮﺍﻧﺴﺖ ﺑﺨﺸﻰ ﺍﺯ ﻣﻴﺮﺍﺙ ﺍﺭﺯﺷﻤﻨﺪ‬                ‫ﭼﻴﺰ ﺟﺴﺘﺎﺭﻧﻮﻳﺲ* ﻣﻰﺩﺍﻧﺴﺖ ﻛﻪ ﺍﺯ‬         ‫ﺧﻮﻳﺶ ﺑﻪ ﭘﺎﺭﻳﺲ ﺩﺭ ﻭﺍﭘﺴﻴﻦ ﺭﻭﺯﻫﺎﻯ‬      ‫»ﻣﺸﻜﻞ ﻣﻦ ﺁﻥ ﺍﺳﺖ ﻛﻪ ﻧﻪ ﻣﻰﺗﻮﺍﻧﻢ‬        ‫ﻣﺴﻜﻮﺏ ﺑﻪ ﺗﺎﺭﻳﺦ ﻭ ﺟﻐﺮﺍﻓﻴﺎﻯ ﺍﻳﺮﺍﻥ‬
                   ‫ﺗﻤﺎﻡ ﮔﺬﺍﺷﺘﻨﺪ‪.‬‬      ‫ﻓﺮﻫﻨﮕﻰ ﻣﺎ ﺭﺍ ﺩﺭ ﺑﻮﺗﺔ ﺗﺤﻠﻴﻞ ﺑﻪ‬               ‫ﻛﺎﺭ ﭘﮋﻭﻫﺶ ﻣﺘﻔﺎﻭﺕ ﺍﺳﺖ‪ .‬ﻣﺴﻜﻮﺏ‬          ‫ﺯﻧﺪﮔﻰ ﻣﺴﻜﻮﺏ ﮔﻔﺖ ﻭ ﺍﺿﺎﻓﻪ ﻛﺮﺩ‬         ‫ﺩﻧﻴﺎ ﺭﺍ ﻋﻮﺽ ﻛﻨﻢ ﻭ ﻧﻪ ﺍﻳﻦ ﺭﺍ ﻛﻪ ﻭﺟﻮﺩ‬  ‫ﻭ ﺍﺯ ﺑﺎﻭﺭﻋﻤﻴﻖﺍﺵ ﺑﻪ ﻋﺪﺍﻟﺖ‪ ،‬ﺣﻘﻴﻘﺖ‬
                                                                                  ‫ﻣﻰﮔﻔﺖ‪» :‬ﭼﻴﺰﻫﺎﻳﻰ ﻛﻪ ﻣﻦ ﻣﻰﻧﻮﻳﺴﻢ‬
   8   9   10   11   12   13   14   15   16   17   18