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‫ﺟﻤﻌﻪ ‪ 22‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 28‬آورﯾﻞ ‪2016‬‬

‫ﻳﻚ ﻧﻈﺮﺳﻨﺠﻰ‪ :‬ﻣﺤﺒﻮﺑﻴﺖ ﻭﻳﻠﻴﺎﻡ ﺷﻜﺴﭙﻴﺮ ﺩﺭ ﺧﺎﺭﺝ‬ ‫ﺁﻏﺎﺯ ﻫﻤﻜﺎﺭﻯ ﺍﻳﺮﺍﻥ ﻭ ﻣﻮﺯﻩ ﻟﻮﻭﺭ‬

‫ﺍﺯ ﺑﺮﻳﺘﺎﻧﻴﺎ ﺑﻴﺶ ﺍﺯ ﺯﺍﺩﮔﺎﻫﺶ ﺍﺳﺖ‬ ‫ﺑﻨﺎﺑﺮﺍﻳﻦ ﻣﺎ ﺍﺯ ﺑﺨﺶ ﺍﺳﻼﻡﺷﻨﺎﺳﻰ ﻭ‬ ‫ﺩﺍﺷﺖ؛ ﻧﻤﺎﻳﻨﺪﮔﺎﻧﻰ ﺭﺍ ﺭﺍ ﺑﻪ ﺷﺮﻕ ﺑﻪ‬ ‫ﻣﻮﺯﻩ ﻟﻮﻭﺭ ﺑﺎ ﺍﻳﺮﺍﻥ ﻫﻤﻜﺎﺭﻯﻫﺎﻳﻰ‬
‫ﻫﻨﺮﻫﺎﻯ ﺍﺳﻼﻣﻰ ﻣﻮﺯﻩ ﺷﺮﻭﻉ ﻛﺮﺩﻳﻢ ﻭ‬ ‫ﻣﻨﻄﻮﺭ ﺩﺳﺘﻴﺎﺑﻰ ﺑﻪ ﺷﻨﺎﺧﺖ ﺑﻬﺘﺮ ﺍﺯ‬ ‫ﺭﺍ ﺁﻏﺎﺯ ﻣﻰﻛﻨﺪ‪ .‬ﻣﺎﺭﻳﻞ ﭘﻴﻚ‪ ،‬ﻣﺪﻳﺮ‬
‫ﺩﻧﻴﺎ ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ ﺭﻓﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﺑﺎ ‪ 57‬ﺩﺭﺻﺪ ﺍﺯ ﺍﻳﻦ ﻧﻈﺮ ﭘﻴﺸﺘﺎﺯ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﻧﻈﺮﺳﻨﺠﻰ ﻣﻮﺳﺴﻪ ﺑﺮﻳﺘﺎﻧﻴﺎﻳﻰ »ﻳﻮ‬ ‫ﮔﺮﻭﻩ ﻋﻬﺪ ﺑﺎﺳﺘﺎﻥ ﺷﺮﻕ ﻣﻮﺯﻩ ﻟﻮﻭﺭﺩﺭ‬
‫ﺯﻧﺪﮔﻰ ﻭ ﻣﺮگ ﺍﻳﻦ ﻧﻤﺎﻳﺶﻧﺎﻣﻪ ﻧﻮﻳﺲ‬ ‫ﻣﻮﺳﺴﻪ »ﻳﻮ ﮔﺎﻭ« ﻣﻰﮔﻮﻳﺪ ﻛﻪ‬ ‫ﮔﺎﻭ« ﻛﻪ ﻫﻤﺰﻣﺎﻥ ﺑﺎ ﭼﻬﺎﺭﺻﺪﻣﻴﻦ‬ ‫ﻣﻮﺯﻩ ﻟﻮﻭﺭ ﺩﺭ ﭘﺎﺭﻳﺲ‬ ‫ﺗﻤﺪﻥ ﻣﺸﺮﻕ ﺯﻣﻴﻦ ﺍﻋﺰﺍﻡ ﻛﺮﺩ‪ .‬ﺍﻭﻟﻴﻦ‬ ‫ﻛﻨﻔﺮﺍﻧﺲ »ﻣﺠﻤﻮﻋﻪﻫﺎﻯ ﻋﻬﺪ ﺑﺎﺳﺘﺎﻥ‬
‫ﭘﺮﺍﺑﻬﺎﻡ ﺍﺳﺖ‪ .‬ﺑﻪ ﮔﻔﺘﻪ ﻣﻮﺭﺧﺎﻥ ﺍﻭ ﺑﻪ‬ ‫ﻣﺤﺒﻮﺑﻴﺖ ﺷﻜﺴﭙﻴﺮ ﺑﺮ ﺍﻗﺘﺼﺎﺩ ﺑﺮﻳﺘﺎﻧﻴﺎ‬ ‫ﺳﺎﻟﮕﺮﺩ ﺩﺭﮔﺬﺷﺖ ﻭﻳﻠﻴﺎﻡ ﺷﻜﺴﭙﻴﺮ‬ ‫ﺗﻮﺿﻴﺤﺎﺕ ﺁﻧﺠﺎ ﺭﺍ ﺑﻪ ﺯﺑﺎﻥﻫﺎﻯ ﻓﺎﺭﺳﻰ ﻭ‬ ‫ﺍﺷﻴﺎﻯ ﺗﺎﺭﻳﺨﻰ ﻣﻮﺯﻩ ﻟﻮﻭﺭ ﺩﺭ ﻫﻤﺎﻥ ﺯﻣﺎﻥ‬ ‫ﺷﺮﻕ ﺩﺭ ﻣﻮﺯﻩ ﻟﻮﻭﺭ« ﻛﻪ ﺩﺭ ﻣﺤﻞ ﺍﻧﺠﻤﻦ‬
‫ﺍﺣﺘﻤﺎﻝ ﺯﻳﺎﺩ ﺩﺭ ﺁﻭﺭﻳﻞ ﺳﺎﻝ ‪ 1546‬ﺩﺭ‬ ‫ﻧﻴﺰ ﺗﺎﺛﻴﺮ ﺩﺍﺷﺘﻪ ﺍﺳﺖ؛ ﺗﺎﺛﻴﺮﻯ ﻛﻪ‬ ‫ﻣﻨﺘﺸﺮ ﺷﺪﻩ ﺍﺳﺖ ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻪ‬ ‫ﺩﺭ ﻣﻴﺎﻧﻪ ﻗﺮﻥ ‪ 18‬ﺑﻪ ﻣﻮﺯﻩ ﺁﻭﺭﺩﻩ ﺷﺪﻧﺪ‬ ‫ﺍﻳﺮﺍﻥ ﺷﻨﺎﺳﻰ ﻓﺮﺍﻧﺴﻪ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﺮﮔﺰﺍﺭ‬
‫ﺑﻪ ﮔﻔﺘﻪ ﺍﻳﻦ ﮔﺰﺍﺭﺵ ﻫﻢ ﺑﻪ ﺻﻮﺭﺕ‬ ‫ﻣﺤﺒﻮﺑﻴﺖ ﺍﻳﻦ ﻧﻤﺎﻳﺶﻧﺎﻣﻪﻧﻮﻳﺲ ﻣﺸﻬﻮﺭ‬ ‫ﺍﻧﮕﻠﻴﺴﻰ ﻧﻮﺷﺘﻴﻢ‪.‬‬ ‫ﺷﺪ؛ ﺿﻤﻦ ﺍﻋﻼﻡ ﺍﻳﻦ ﺧﺒﺮ ﮔﻔﺖ‪ » :‬ﻣﺎ‬
‫ﺍﺳﺘﺮﺍﺗﻔﻮﺭﺩ ﺩﺭ ﺷﺮﻕ ﻟﻨﺪﻥ ﻣﺘﻮﻟﺪ ﺷﺪ‪.‬‬ ‫ﻣﺴﺘﻘﻴﻢ ﻭ ﺍﺯ ﻃﺮﻳﻖ ﺟﺬﺏ ﺗﻮﺭﻳﺴﺖ ﺑﻪ‬ ‫ﺍﻧﮕﻠﻴﺴﻰ ﺩﺭ ﺧﺎﺭﺝ ﺍﺯ ﺑﺮﻳﺘﺎﻧﻴﺎ ﺑﻴﺶ ﺍﺯ‬ ‫ﻭﻯ ﻫﻤﭽﻨﻴﻦ ﮔﻔﺖ‪ :‬ﺩﺭ ﺣﺎﻝ ﺣﺎﺿﺮ‪،‬‬ ‫ﻛﻪ ﻣﻬﺮﻩﻫﺎﻯ ﺍﺳﺘﻮﺍﻧﻪﺍﻯ ﺑﻮﺩﻧﺪ‪.‬‬ ‫ﻫﻤﻜﺎﺭﻯﻫﺎﻯ ﺧﻮﺑﻰ ﺭﺍ ﺑﺎ ﺍﻳﺮﺍﻥ ﺷﺮﻭﻉ‬
‫ﻭﻳﻠﻴﺎﻡ ﺷﻜﺴﭙﻴﺮ ﺩﺭ ﻛﻮﺩﻛﻰ ﺩﺭ ﻣﺪﺭﺳﻪ‬ ‫ﺗﺌﺎﺗﺮﻫﺎﻯ ﺭﻭﻯ ﺻﺤﻨﻪ ﻣﺮﺑﻮﻁ ﺑﻪ ﺁﺛﺎﺭ ﺍﻭ‬ ‫ﻣﺸﻐﻮﻝ ﻃﺮﺍﺣﻰ ﻳﻚ ﺑﺎﺯﺩﻳﺪ ﻣﺠﺎﺯﻯ ﺍﺯ‬ ‫ﺧﺎﻧﻢ ﭘﻴﻚ ﺿﻤﻦ ﺍﺷﺎﺭﻩ ﺑﻪ ﺗﻌﺪﺍﺩ‬ ‫ﻛﺮﺩﻩﺍﻳﻢ ﻭﭼﻨﺪﻳﻦ ﺳﺎﻝ ﺍﺳﺖ ﻛﻪ ﻣﻄﺎﻟﻌﺎﺕ‬
‫»ﺍﺩﻭﺍﺭﺩ ﺷﺸﻢ« ﺩﺭﺱ ﺧﻮﺍﻧﺪ ﻭ ﻣﻨﻄﻖ‬ ‫ﺍﺳﺖ ﻭ ﻫﻢ ﺍﺯ ﻧﻈﺮ ﺟﺎﻳﮕﺎﻩ ﺟﻬﺎﻧﻰ ﺍﻭ ﻭ‬ ‫ﺯﺍﺩﮔﺎﻫﺶ ﺍﺳﺖ‪.‬‬ ‫ﻣﻮﺯﻩ ﻫﺴﺘﻴﻢ ﻛﻪ ﺩﺭﻭﺍﻗﻊ ﺑﺎﺯﺩﻳﺪﻛﻨﻨﺪﻩﻫﺎ‬ ‫ﺑﺎﺯﺩﻳﺪ ﻛﻨﻨﺪﻩﻫﺎﻯ ﺍﻳﻦ ﻣﻮﺯﻩ ﺗﺼﺮﻳﺢ ﻛﺮﺩ‪:‬‬ ‫ﺗﺨﺼﺼﻰ ﺩﺭ ﺯﻣﻴﻨﻪ ﺍﻳﺮﺍﻥ ﺷﻨﺎﺳﻰ ﺭﺍ ﺁﻏﺎﺯ‬
‫ﻭﻻﺗﻴﻦ ﺭﺍ ﻓﺮﺍ ﮔﺮﻓﺖ ﻭ ﺑﺎ ﺁﺛﺎﺭ ﻛﻼﺳﻴﻚ‬ ‫ﺗﺸﻮﻳﻖ ﻣﺮﺩﻡ ﺑﺮﺍﻯ ﺳﻔﺮ ﺑﻪ ﺯﺍﺩﮔﺎﻩ ﺍﻳﻦ‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺧﺒﺮﮔﺰﺍﺭﻯ ﺭﻭﻳﺘﺮﺯ‪ ،‬ﺍﻳﻦ‬ ‫ﺑﺘﻮﺍﻧﻨﺪ ﺧﻮﺩﺷﺎﻥ ﺭﺍ ﺩﺭ ﻭﺍﻗﻌﻴﺖ ﺗﺼﻮﺭ‬ ‫ﻛﺮﺩﻩﺍﻳﻢ ﻛﻪ ﺍﻣﻴﺪﻭﺍﺭﻳﻢ ﺑﺎ ﺣﻀﻮﺭ ﺩﺭ ﺍﻳﺮﺍﻥ‬
‫ﺍﺩﺑ ِﻰ ﺯﺑﺎﻥﻫﺎﻯ ﻻﺗﻴﻦ ﻭ ﻳﻮﻧﺎﻧﻰ ﺁﺷﻨﺎ ﺷﺪ‬ ‫ﻧﻈﺮﺳﻨﺠﻰ ﻛﻪ ‪ 18‬ﻫﺰﺍﺭ ﻧﻔﺮ ﺍﺯ ‪ 15‬ﻛﺸﻮﺭ‬ ‫ﺑﺘﻮﺍﻧﻴﻢ ﺍﻳﻦ ﺷﻨﺎﺧﺖ ﺭﺍ ﺑﻴﺸﺘﺮ ﺑﻜﻨﻴﻢ‪.‬‬
‫ﻧﻤﺎﻳﺶﻧﺎﻣﻪﻧﻮﻳﺲ‪.‬‬ ‫ﺩﻧﻴﺎ ﺩﺭ ﺁﻥ ﻣﻮﺭﺩ ﭘﺮﺳﺶ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪﺍﻧﺪ‬ ‫ﻭﻯ ﺍﺯ ﺭﻭﻯ ﺗﺼﺎﻭﻳﺮ‪ ،‬ﺑﺨﺶﻫﺎﻯ ﻣﺨﺘﻠﻒ‬
‫ﺍﻣﺎ ﻫﺮﮔﺰ ﺑﻪ ﺩﺍﻧﺸﮕﺎﻩ ﻧﺮﻓﺖ‪.‬‬ ‫ﺁﺛﺎﺭ ﺷﻜﺴﭙﻴﺮ ﻛﻪ ﺩﺭﺑﺮﮔﻴﺮﻧﺪﻩ ‪38‬‬ ‫ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻪ ﻣﺤﺒﻮﺑﻴﺖ ﺷﻜﺴﭙﻴﺮ ﺑﺎ‬ ‫ﺍﻳﻦ ﻣﻮﺯﻩ‪ ،‬ﺍﺯ ﺟﻤﻠﻪ؛ ﺍﻳﺮﺍﻥ‪ ،‬ﻣﺼﺮ‪ ،‬ﺗﻤﺪﻥ‬
‫ﺯﻣﺎﻥ ﺩﻗﻴﻖ ﻣﺮگ ﺷﻜﺴﭙﻴﺮ ﻧﻴﺰ‬ ‫ﻧﻤﺎﻳﺶﻧﺎﻣﻪ ﻭ ‪ 154‬ﻏﺰﻝ ﺍﺳﺖ ﺑﻪ ﺑﻴﺶ ﺍﺯ‬ ‫‪ 62‬ﺩﺭﺻﺪ ﺩﺭ ﺧﺎﺭﺝ ﺍﺯ ﺑﺮﻳﺘﺎﻧﻴﺎ ﻧﺴﺒﺖ‬ ‫ﻳﻮﻧﺎﻧﻰ‪ ،‬ﺗﻤﺪﻥ ﺭﻭﻣﻰ‪ ،‬ﺗﻤﺪﻥ ﺑﻴﻦﺍﻟﻨﻬﺮﻳﻦ‪،‬‬
‫ﻣﺸﺨﺺ ﻧﻴﺴﺖ ﺍﻣﺎ ﻣﺮﺍﺳﻢ ﺧﺎﻛﺴﭙﺎﺭﻯ‬ ‫‪ 80‬ﺯﺑﺎﻥ ﺩﻧﻴﺎ ﺗﺮﺟﻤﻪ ﺷﺪﻩ ﻭ ﺩﺭ ﺳﺮﺍﺳﺮ‬ ‫ﺑﻪ ‪ 59‬ﺩﺭﺻﺪ ﺩﺭ ﺩﺍﺧﻞ ﺍﻳﻦ ﻛﺸﻮﺭ ﭘﻴﺸﻰ‬ ‫ﺗﻤﺪﻥ ﺷﺎﻡ‪ ،‬ﻟﺒﻨﺎﻥ ﻭ ﻳﻤﻦ‪ ،‬ﻋﺮﺍﻕ‪ ،‬ﺗﻤﺪﻥ‬
‫ﻣﺎﻭﺭﺍء ﺍﻟﻨﻬﺮ ﺭﺍ ﺗﺸﺮﻳﺢ ﻛﺮﺩ ﻭ ﮔﻔﺖ‪:‬‬
‫ﺍﻭ ﺩﺭ ‪ 25‬ﺁﻭﺭﻳﻞ ‪ 1616‬ﺑﺮﮔﺰﺍﺭ ﺷﺪ‪.‬‬ ‫ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﻟﻮﻭﺭ ﻫﻤﻮﺍﺭﻩ ﺑﻪ ﻋﻨﻮﺍﻥ ﻛﺎﺥ ﺷﺎﻫﻨﺸﺎﻫﻰ‬
‫ﻧﻈﺮﺳﻨﺠﻰ »ﻳﻮ ﮔﺎﻭ« ﻫﻤﭽﻨﻴﻦ ﻧﺸﺎﻥ‬ ‫ﻓﺮﺍﻧﺴﻪ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩ ﻭ ﺍﺯ ﻗﺮﻥ ﺩﻭﺍﺯﺩﻫﻢ‬
‫ﻣﻰﺩﻫﺪ ﻛﻪ ﻣﺤﺒﻮﺑﻴﺖ ﻧﻤﺎﻳﺶﻧﺎﻣﻪ ﻧﻮﻳﺲ‬ ‫ﻣﻴﻼﺩﻯ ﭘﺎﺩﺷﺎﻫﺎﻥ ﻣﺨﺘﻠﻒ ﺩﺭ ﺁﻧﺠﺎ‬
‫ﺷﻬﻴﺮ ﺍﻧﮕﻠﻴﺴﻰ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﺍﻧﮕﻠﻴﺴﻰ‬ ‫ﺳﻠﻄﻨﺖ ﻛﺮﺩﻩ ﻭ ﺭﻓﺘﻪ ﺭﻓﺘﻪ ﭘﺎﺩﺷﺎﻫﺎﻥ ﺩﺭ‬
‫ﺯﺑﺎﻥ ﻣﺜﻞ ﺍﺳﺘﺮﺍﻟﻴﺎ ﻭ ﺁﻣﺮﻳﻜﺎ ﺑﻪ ﻣﺮﺍﺗﺐ‬ ‫ﺍﻳﻦ ﻣﺪﺕ ﺑﺮ ﻏﻨﺎﻯ ﺍﻳﻦ ﻣﻮﺯﻩ ﺍﻓﺰﻭﺩﻩﺍﻧﺪ‬
‫ﻛﻤﺘﺮ ﺍﺯ ﻛﺸﻮﺭﻫﺎﻯ ﻏﻴﺮﺍﻧﮕﻠﻴﺴﻰ ﺯﺑﺎﻥ ﺍﺯ‬ ‫‪».‬ﻓﺮﺍﻧﺴﻮﺍ ﻣﻴﺘﺮﺍﻥ« ﺩﺭ ﺍﻭﺍﺧﺮ ﺳﺎﻝ ‪1389‬‬
‫ﺩﺳﺘﻮﺭ ﺳﺎﺧﺖ ﻫﺮﻡ ﺷﻴﺸﻪﺍﻯ ﺭﺍ ﺩﺍﺩ‪ .‬ﺩﺭ‬
‫ﺟﻤﻠﻪ ﭼﻴﻦ‪ ،‬ﻣﻜﺰﻳﻚ ﻭ ﺗﺮﻛﻴﻪ ﺍﺳﺖ‪.‬‬
‫ﺍﻳﻦ ﮔﺰﺍﺭﺵ ﻫﻤﭽﻨﻴﻦ ﻣﻰﮔﻮﻳﺪ ﻛﻪ‬
‫ﻣﺤﺒﻮﺑﻴﺖ ﺟﻬﺎﻧﻰ ﺷﻜﺴﭙﻴﺮ ﺑﺮ ﺍﻳﺠﺎﺩ‬
‫ﻧﮕﺮﺵ ﻣﺜﺒﺖ ﻧﺴﺒﺖ ﺑﻪ ﺑﺮﻳﺘﺎﻧﻴﺎ ﻧﻘﺶ‬
‫ﺩﺍﺷﺘﻪ ﺍﺳﺖ؛ ﺑﻴﺶ ﺍﺯ ﻳﻚ ﺳﻮﻡ ﺍﻓﺮﺍﺩﻯ‬
‫ﻛﻪ ﺩﺭ ﺍﻳﻦ ﻧﻈﺮﺳﻨﺠﻰ ﻣﺸﺎﺭﻛﺖ ﻛﺮﺩﻩﺍﻧﺪ‬
‫ﭘﺎﺳﺦ ﺩﺍﺩﻩﺍﻧﺪ ﻛﻪ ﺷﻜﺴﭙﻴﺮ ﺑﻪ ﺁﻧﻬﺎ ﻛﻤﻚ‬
‫ﻛﺮﺩﻩ ﺍﺳﺖ ﺩﺭ ﻣﺠﻤﻮﻉ ﺍﺣﺴﺎﺱ ﺑﻬﺘﺮﻯ‬
‫ﻧﺴﺒﺖ ﺑﻪ ﺑﺮﻳﺘﺎﻧﻴﺎ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻨﺪ‪ .‬ﻣﺮﺩﻡ‬
‫ﻫﻨﺪ ﺑﺎ ‪ 62‬ﺩﺭﺻﺪ ﻭ ﭘﺲ ﺍﺯ ﺁﻥ ﺑﺮﺯﻳﻞ‬

‫ﺍﺻﻐﺮ ﺧﻤﺴﻪ ﺑﺎ ﻋﻜﺲﻫﺎﻳﻰ ﺍﺯ ﻗﺮﺑﺎﻧﻴﺎﻥ ﺍﺳﻴﺪﭘﺎﺷﻰ‬

‫ﺑﺮﻧﺪﻩ ﺟﺎﻳﺰﻩ ﺟﻬﺎﻧﻰ ﺳﻮﻧﻰ ‪2016‬‬ ‫ﺩﻳﺪﺍﺭ ﺭﻳﻴﺲ ﻣﻮﺯﻩ ﻟﻮﻭﺭ ﺍﺯ ﻣﻮﺯﻩ ﻣﻠﻚ‬

‫ﺍﺻﻐﺮ ﺧﻤﺴﻪ ﻋﻜﺎﺱ ﺍﻳﺮﺍﻧﻰ ﺑﺎ‬ ‫ﻛﻨﻨﺪ ﻛﻪ ﺩﺭ ﺣﺎﻝ ﺭﺍﻩ ﺭﻓﺘﻦ ﻭ ﺑﺎﺯﺩﻳﺪ‬ ‫ﺩﺭ ﻣﺪﺕ ﺍﻳﻦ ﺑﻴﺴﺖ ﺳﺎﻝ‪ ،‬ﻣﻮﺯﻩ ﻟﻮﻭﺭ ﺭﺍ‬ ‫ﺯﻣﺎﻥ ﺍﻳﺸﺎﻥ‪ ،‬ﺗﻤﺎﻡ ﺳﺎﻟﻦﻫﺎ‪ ،‬ﻣﺠﻤﻮﻋﻪﻫﺎ‬
‫ﻣﺠﻤﻮﻋﻪ »ﺁﺗﺶ ﻧﻔﺮﺕ« ﺟﺎﻳﺰﻩ ﻣﻌﺘﺒﺮ‬ ‫ﻫﺴﺘﻨﺪ‪ .‬ﻫﻤﭽﻨﻴﻦ ﺳﻌﻰ ﻣﻰﻛﻨﻴﻢ ﺗﻤﺎﻡ‬ ‫ﮔﺴﺘﺮﺵ ﺩﺍﺩﻳﻢ ﻭ ﭘﻴﺶﺑﻴﻨﻰ ﻣﺎ ﺍﻳﻦ ﺑﻮﺩ‬ ‫ﻭ ﺑﺨﺶﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺁﻥ ﺭﺍ ﺑﺎﺯﺳﺎﺯﻯ‬
‫ﻣﺴﺎﺑﻘﻪ ﻋﻜﺎﺳﻰ ﺟﻬﺎﻧﻰ ﺳﻮﻧﻰ ﺩﺭ‬ ‫ﮔﻨﺠﻴﻨﻪﻫﺎﻳﻤﺎﻥ ﺭﺍ ﺩﻳﺠﻴﺘﺎﻟﻰ ﺑﻜﻨﻴﻢ ﻭ‬ ‫ﻛﻪ ﺩﺭ ﺳﺎﻝ‪ ،‬ﺳﻪ ﻣﻴﻠﻴﻮﻥ ﺑﺎﺯﺩﻳﺪﻛﻨﻨﺪﻩ‬ ‫ﻛﺮﺩﻳﻢ ﻛﻪ ﺑﺎ ﺳﺎﺧﺖ ﺍﻳﻦ ﻫﺮﻡ‪ ،‬ﻧﻮﻉ ﻭﺭﻭﺩ‬
‫ﻳﻚ ﺩﻳﺘﺎ ﺑﻴﺲ ﺑﻮﺟﻮﺩ ﺑﻴﺎﻭﺭﻳﻢ؛ ﺷﺎﻳﺪ ﺩﺭ‬ ‫ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﻢ ﻭﻟﻰ ﺩﺭ ﺣﺎﻝ ﺣﺎﺿﺮ‪ ،‬ﺣﺪﻭﺩ‬ ‫ﺁﻥ ﺭﺍ ﺗﻐﻴﻴﺮ ﺩﺍﺩﻳﻢ ﻛﻪ ﺑﺎﺯﺩﻳﺪﻛﻨﻨﺪﻩﻫﺎ ﺍﺯ‬
‫ﺳﺎﻝ ‪ 2016‬ﺭﺍ ﺍﺯ ﺁﻥ ﺧﻮﺩ ﻛﺮﺩ‪.‬‬ ‫ﭼﻨﺪﻳﻦ ﺳﺎﻝ ﺁﻳﻨﺪﻩ ﻋﻼﻗﻤﻨﺪﺍﻥ ﺑﺘﻮﺍﻧﻨﺪ‬ ‫‪ 9‬ﻣﻴﻠﻴﻮﻥ ﺑﺎﺯﺩﻳﺪﻛﻨﻨﺪﻩ ﺩﺭ ﺳﺎﻝ ﺩﺍﺭﻳﻢ‪.‬‬
‫ﻣﺠﻤﻮﻋﻪ »ﺁﺗﺶ ﻧﻔﺮﺕ« ﺷﻤﺎﻝ‬ ‫ﻫﻤﻪ ﺍﺷﻴﺎء ﺭﺍ ﺍﺯ ﻃﺮﻳﻖ ﺍﻳﻨﺘﺮﻧﺖ ﺑﺒﻴﻨﻨﺪ‪.‬‬ ‫ﻭﻯ ﭘﮋﻭﻫﺶ ﻭ ﺗﺤﻘﻴﻖ ﻭ ﻣﻌﺮﻓﻰ ﻣﻮﺯﻩ‬ ‫ﺁﻧﺠﺎ ﻭﺍﺭﺩ ﻣﻮﺯﻩ ﻣﻰﺷﻮﻧﺪ‪.‬‬
‫‪ 8‬ﻓﺮﻳﻢ ﻋﻜﺲ ﺍﺯ ﭘﺮﺗﺮﻩ ﻗﺮﺑﺎﻧﻴﺎﻥ‬ ‫ژﺍﻥ ﻟﻮﻙ ﻣﺎﺭﺗﻴﻨﺰ‪ ،‬ﺭﻳﻴﺲ ﺍﻳﻦ ﻣﻮﺯﻩ ﻧﻴﺰ‬ ‫ﻟﻮﻭﺭ ﺭﺍ ﺑﺴﻴﺎﺭ ﺑﺎ ﺍﻫﻤﻴﺖ ﻗﻠﻤﺪﺍﺩ ﻛﺮﺩ‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﻣﻬﺮ؛ ﺍﻳﻦ ﻛﺎﺭﺷﻨﺎﺱ ﻣﻮﺯﻩ‬
‫ﺩﺭﺑﺎﺭﻩ ﺣﻔﻆ ﺁﺛﺎﺭﺑﺨﺶ ﺷﺮﻕﺷﻨﺎﺳﻰ ﻭ‬ ‫ﻭ ﮔﻔﺖ‪ :‬ﺑﺮﺍﻯ ﺍﻳﻨﻜﻪ ﺑﻪ ﮔﺮﺩﺷﮕﺮﺍﻥ ﻭ‬ ‫ﻟﻮﻭﺭ ﺩﺭ ﺍﺩﺍﻣﻪ ﺍﻓﺰﻭﺩ‪ :‬ﻟﻮﻭﺭ‪ ،‬ﻫﻤﻴﺸﻪ ﻣﻮﺯﻩ‬
‫ﺍﺳﻴﺪﭘﺎﺷﻰ ﺍﺳﺖ‪.‬‬ ‫»ﻫﻨﺮﻫﺎﻯ ﺍﺳﻼﻣﻰ« ﺑﻪ ﺩﻟﻴﻞ ﺟﻨﮓﻫﺎﻳﻰ‬ ‫ﺑﺎﺯﺩﻳﺪﻛﻨﻨﺪﮔﺎﻥ‪ ،‬ﻣﻮﺯﻩ ﺭﺍ ﺑﻪ ﺩﺭﺳﺘﻰ‬ ‫ﻧﺒﻮﺩﻩ ﺍﺳﺖ ﻭ ﺩﺭﻭﺍﻗﻊ ﺩﺭ ﺳﺎﻝ ‪1793‬‬
‫ﭘﺮﺗﺮﻩﻫﺎﻯ ﺍﻳﻦ ﻋﻜﺎﺱ ﺗﺼﺎﻭﻳﺮ‬ ‫ﻛﻪ ﺩﺭ ﺍﻳﻦ ﭼﻨﺪ ﺳﺎﻟﻪ ﺩﺭ ﻣﻨﻄﻘﻪ‬ ‫ﻣﻌﺮﻓﻰ ﻛﻨﻴﻢ ﺑﺮﭼﺴﺐﻫﺎﻳﻰ ﻛﻪ ﺑﺮ ﺭﻭﻯ‬ ‫ﻳﻌﻨﻰ ﺑﻌﺪ ﺍﺯ ﺍﻧﻘﻼﺏ ﻓﺮﺍﻧﺴﻪ ﺑﻪ ﺻﻮﺭﺕ‬
‫ﻗﺮﺑﺎﻧﻴﺎﻥ ﺣﻤﻼﺕ ﺍﺳﻴﺪﭘﺎﺷﻰ ﺭﺍ ﺛﺒﺖ‬ ‫ﺧﺎﻭﺭﻣﻴﺎﻧﻪ ﺍﺗﻔﺎﻕ ﺍﻓﺘﺎﺩﻩ ﺍﺳﺖ؛ ﺗﺎﻛﻴﺪ ﺑﻪ‬ ‫ﻗﻔﺴﻪﻫﺎ ﺑﻪ ﺯﺑﺎﻥ ﻓﺮﺍﻧﺴﻪ ﻧﻮﺷﺘﻪ ﺷﺪﻩ‬ ‫ﻳﻚ ﻣﻮﺯﻩ ﺩﺭﺁﻣﺪ‪ .‬ﻗﺒﻞ ﺍﺯ ﻣﻮﺯﻩ‪ ،‬ﺁﻧﺠﺎ‬
‫ﻛﺮ ﺩﻩ ﺍﺳﺖ ﻛﻪ ﺑﻪ ﺩﻻﻳﻞ ﻣﺨﺘﻠﻒ‬ ‫ﺑﻮﺩﻧﺪ ﺭﺍ ﺑﻪ ﺯﺑﺎﻥﻫﺎﻯ ﺩﻳﮕﺮ ﻧﻴﺰ ﻧﻮﺷﺘﻴﻢ‪.‬‬ ‫ﻛﺘﺎﺑﺨﺎﻧﻪ ﺳﻠﻄﻨﺘﻰ ﺑﻮﺩ‪ .‬ﻟﻮﻳﻰ ﭼﻬﺎﺭﺩﻫﻢ‬
‫ﻫﺪﻑ ﺣﻤﻠﻪ ﺍﺳﻴﺪﻯ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪﺍﻧﺪ ﺍﺯ‬ ‫ﺳﺰﺍﻳﻰ ﻛﺮﺩ‪.‬‬ ‫ﻛﻪ ﻋﻼﻗﻪ ﺯﻳﺎﺩﻯ ﺑﻪ ﺗﻤﺪﻥﻫﺎﻯ ﺷﺮﻗﻰ‬
‫ﺟﻤﻠﻪ ﺑﻪ ﺩﻟﻴﻞ ﭘﺎﺳﺦ ﺭﺩ ﺑﻪ ﺩﺭﺧﻮﺍﺳﺖ‬
‫ﺧﻮﺍﺳﺘﮕﺎﺭﻯ‪ ،‬ﺩﺭﺧﻮﺍﺳﺖ ﻃﻼﻕ‪ ،‬ﻓﻘﺮ‬ ‫ﻛﺎﺥ ﺳﺎﺑﻖ ﺻﺪﺍﻡ ﺣﺴﻴﻦ ﺗﺒﺪﻳﻞ ﺑﻪ ﻣﻮﺯﻩ ﻣﻰﺷﻮﺩ‬

‫ﻓﺮﻫﻨﮕﻰ ﻭ ﻣﺸﻜﻼﺕ ﺧﺎﻧﻮﺍﺩﮔﻰ‪.‬‬

‫ﻣﺴﺎﺑﻘﻪ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻋﻜﺎﺳﻰ ﺳﻮﻧﻰ‬ ‫ﻛﺎﺥ ﺻﺪﺍﻡ ﺣﺴﻴﻦ ﺭﻳﻴﺲﺟﻤﻬﻮﺭ‬
‫ﺩﺭ ﺳﻪ ﺑﺨﺶ ﺟﻮﺍﻧﺎﻥ‪ ،‬ﺁﺯﺍﺩ ﻭ ﺣﺮﻓﻪﺍﻯ‬
‫ﺑﺎ ﺭﻗﺎﺑﺖ ﺑﻴﺶ ﺍﺯ ‪ 230‬ﻫﺰﺍﺭ ﻋﻜﺲ ﺍﺯ‬ ‫ﺳﺎﺑﻖ ﻋﺮﺍﻕ ﺍﺯ ﺳﭙﺘﺎﻣﺒﺮ ‪ 2016‬ﻭ ﺣﺪﻭﺩ‬
‫‪ 184‬ﻛﺸﻮﺭ ﺟﻬﺎﻥ ﺑﻪ ﻣﻴﺰﺑﺎﻧﻰ ﻟﻨﺪﻥ‬
‫ﻳﻚ ﺩﻫﻪ ﭘﺲ ﺍﺯ ﺍﻋﺪﺍﻡ ﺍﻭ ﺑﻪ ﻣﻮﺯﻩ‬
‫ﺑﺮﮔﺰﺍﺭ ﺷﺪ‪.‬‬
‫ﺗﺒﺪﻳﻞ ﻣﻰ ﺷﻮﺩ‪.‬‬
‫ﻣﺠﻤﻮﻋﻪ ﻋﻜﺲﻫﺎﻯ ﺑﺮﮔﺰﻳﺪﻩ ﺑﺨﺶ‬
‫ﺣﺮﻓﻪﺍﻯ ﺍﻳﻦ ﻣﺴﺎﺑﻘﻪ ﺑﻪ ﻫﻤﺮﺍﻩ ﺗﻚ‬ ‫ﺧﺒﺮ ﺗﺒﺪﻳﻞ ﻛﺎﺥ ﺑﺼﺮﻩ ﺑﻪ ﻣﻮﺯﻩ ﺩﺭ‬
‫ﻋﻜﺲﻫﺎﻯ ﺑﺮﮔﺰﻳﺪﻩ ﺩﺭ ﺑﺨﺶﻫﺎﻯ‬
‫ﺁﺯﺍﺩ ﻭ ﺟﻮﺍﻧﺎﻥ ﺍﺯ ‪ 22‬ﺁﻭﺭﻳﻞ ﺗﺎ ﻫﺸﺘﻢ‬ ‫ﺣﺎﻟﻰ ﻣﻨﺘﺸﺮ ﻣﻰﺷﻮﺩ ﻛﻪ ﺑﺮ ﺍﺳﺎﺱ‬
‫ﻣﺎﻩ ﻣﻪ ﺩﺭ »ﺳﺎﻣﺮﺳﺖ ﻫﺎﻭﺱ« ﻟﻨﺪﻥ‬
‫ﺩﺭ ﻣﻌﺮﺽ ﺩﻳﺪ ﺑﺎﺯﺩﻳﺪﻛﻨﻨﺪﮔﺎﻥ ﻗﺮﺍﺭ‬ ‫ﮔﺰﺍﺭﺵﻫﺎﻯ ﻣﻨﺘﺸﺮ ﺷﺪﻩ ﺑﺎ ﻭﺟﻮﺩ‬

‫ﺩﺍﺭﺩ‪.‬‬ ‫ﻋﻘﺐﻧﺸﻴﻨﻰﻫﺎﻯ ﺍﺧﻴﺮ ﮔﺮﻭﻩ ﺩﻭﻟﺖ‬

‫ﻣﺎﺷﻴﻦ ﭘﺮﻧﺪﻩﻯ ﻋﺠﻴﺐ ﺑﺎ ‪ 18‬ﻣﻠﺦ‬ ‫ﺍﺳﻼﻣﻰ ﺍﺯ ﺑﺮﺧﻰ ﻣﻨﺎﻃﻖ ﺗﺤﺖ ﺗﺼﺮﻑ‬

‫ﺩﺭ ﻋﺮﺍﻕ‪ ،‬ﻫﻨﻮﺯ ﺣﺪﻭﺩ ﻳﻚ ﭼﻬﺎﺭﻡ ﺧﺎﻙ‬

‫ﺍﻳﻦ ﻛﺸﻮﺭ ﺩﺭ ﺍﺧﺘﻴﺎﺭ ﺩﺍﻋﺶ ﺍﺳﺖ‪.‬‬

‫ﮔﺮﻭﻩ ﺩﻭﻟﺖ ﺍﺳﻼﻣﻰ ﭘﺲ ﺍﺯ ﺗﺼﺮﻑ‬

‫ﺷﻬﺮﺍﻯ ﻣﺨﺘﻠﻒ ﻋﺮﺍﻕ ﻫﻤﭽﻮﻥ ﻣﻮﺻﻞ‪،‬‬

‫ﭘﺎﻟﻤﻴﺮﺍ ﻭ ﻧﻤﺮﻭﺩ ﺑﺎ ﺑﻮﻟﺪﻭﺯﺭ‪ ،‬ﭘﺘﻚ ﻭ ﻣﺘﻪ‬

‫ﺑﻪ ﺟﺎﻥ ﺁﺛﺎﺭ ﺑﺎﺳﺘﺎﻧﻰ ﺍﻳﻦ ﺷﻬﺮﻫﺎ ﺍﻓﺘﺎﺩ‬

‫ﻭ ﺁﻧﻬﺎ ﺭﺍ ﺗﺨﺮﻳﺐ ﻛﺮﺩ‪.‬‬

‫ﻗﺼﺮ ﺻﺪﺍﻡ‬ ‫ﻋﻤﺎﺭﺕ ﺑﺰﺭگ ﺑﺼﺮﻩ ﺩﺭ ﺟﻨﻮﺏ ﻋﺮﺍﻕ‬
‫ﻧﺨﺴﺘﻴﻦ ﻣﻮﺯﻩﺍﻯ ﺧﻮﺍﻫﺪ ﺑﻮﺩ ﻛﻪ ﺩﺭ ﺍﻳﻦ‬

‫ﻛﺸﻮﺭ ﭘﺲ ﺍﺯ ﺩﺭﮔﻴﺮﻯﻫﺎﻯ ﺳﺎﻝﻫﺎﻯ ﺩﺳﺖﻛﻢ ‪ 3‬ﻫﺰﺍﺭ ﻭ ‪ 500‬ﻣﺠﻤﻮﻋﻪ ﻣﻘﺎﻡﻫﺎﻯ ﺑﺼﺮﻩ ﻫﻢ ﺗﻌﻬﺪ ﻛﺮﺩﻩﺍﻧﺪ ﻛﻪ‬
‫ﺍﺧﻴﺮﺍﻓﺘﺘﺎﺡ ﻣﻰﺷﻮﺩ‪.‬ﻛﺎﺥ ﺑﺼﺮﻩ ﻣﺤﻞ ﺍﺷﻴﺎء ﺍﺯ ﺩﻭﺭﻩﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺍﺯ ﺟﻤﻠﻪ ﺳﻪ ﻣﻴﻠﻴﻮﻥ ﺩﻻﺭ ﺩﺭ ﺍﻳﻦ ﺯﻣﻴﻨﻪ ﻫﺰﻳﻨﻪ‬
‫ﺍﺳﺘﻘﺮﺍﺭ ﻧﻴﺮﻭﻫﺎﻯ ﺍﺭﺗﺶ ﺑﺮﻳﺘﺎﻧﻴﺎ ﭘﺲ ﺳﻮﻣﺮ ﺑﺎﺳﺘﺎﻥ‪ ،‬ﺑﺎﺑﻞ ﻭ ﺁﺷﻮﺭ ﺩﺭ ﺍﻳﻦ ﻛﻨﻨﺪ؛ ﺑﺮ ﺍﺳﺎﺱ ﮔﺰﺍﺭﺵﻫﺎ ﻣﻘﺎﻡﻫﺎﻯ‬
‫ﺍﺯ ﺟﻨﮓ ﻋﺮﺍﻕ ﺑﻮﺩ ﻭ ﺑﻴﺸﺘﺮ ﺑﻪ ﻋﻨﻮﺍﻥ ﻣﻮﺯﻩ ﺩﺭ ﻣﻌﺮﺽ ﻧﻤﺎﻳﺶ ﻗﺮﺍﺭ ﺑﮕﻴﺮﺩ‪ .‬ﻋﺮﺍﻗﻰ ﻫﻨﻮﺯ ﺍﻳﻦ ﺳﻬﻢ ﺭﺍ ﭘﺮﺩﺍﺧﺖ‬
‫ﺳﺎﻟﻦ ﻏﺬﺍﺧﻮﺭﻯ ﺍﺭﺗﺶ ﺍﻳﻦ ﻛﺸﻮﺭ ﺍﺯ ﺗﺒﺪﻳﻞ ﻛﺎﺥ ﺻﺪﺍﻡ ﺣﺴﻴﻦ ﺑﻪ ﻣﻮﺯﻩ ﺩﺭ ﻧﻜﺮﺩﻩﺍﻧﺪ‪.‬‬
‫ﺁﻥ ﺍﺳﺘﻔﺎﺩﻩ ﻣﻰﺷﺪ‪ .‬ﺍﺭﺗﺶ ﺑﺮﻳﺘﺎﻧﻴﺎ ﺩﺭ ﻣﺠﻤﻮﻉ ﺳﻪ ﻣﻴﻠﻴﻮﻥ ﻭ ‪ 500‬ﻫﺰﺍﺭ ﺩﻻﺭ ﺑﻪ ﮔﺰﺍﺭﺵ ﻭﺑﺴﺎﻳﺖ ﻧﺸﻨﺎﻝ‬
‫ﺳﭙﺘﺎﻣﺒﺮ ‪ 2007‬ﺍﺯ ﺑﺼﺮﻩ ﺧﺎﺭﺝ ﺷﺪ‪ .‬ﻫﺰﻳﻨﻪ ﺩﺭ ﺑﺮﺩﺍﺷﺘﻪ ﺍﺳﺖ ﻛﻪ ﺑﺨﺸﻰ ﺟﺌﻮﮔﺮﺍﻓﻴﻚ‪ ،‬ﻣﻮﺯﻩ ﺑﺮﻳﺘﺎﻳﻨﺎ ﻫﻢ‬
‫ﺭﻭﺯﻧﺎﻣﻪ ﺑﺮﻳﺘﺎﻧﻴﺎﻳﻰ ﺗﻠﮕﺮﺍﻑ ﻧﻮﺷﺘﻪ ﺍﺯ ﺍﻳﻦ ﻫﺰﻳﻨﻪ ﺍﺯ ﺳﻮﻯ ﻳﻚ ﻣﻮﺳﺴﻪ ﭘﻴﺸﻨﻬﺎﺩ ﻛﺮﺩﻩ ﺍﺳﺖ ﻛﻤﻚﻫﺎﻯ‬
‫ﺍﺳﺖ ﻛﻪ ﺩﺭ ﺍﻳﻦ ﻣﻮﺯﻩ ﻗﺮﺍﺭ ﺍﺳﺖ ﺧﻴﺮﻳﻪ ﺑﺮﻳﺘﺎﻧﻴﺎﻳﻰ ﺗﺎﻣﻴﻦ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﭘﺸﺘﻴﺒﺎﻧﻰ ﻣﺮﺑﻮﻁ ﺑﻪ ﺍﻳﻦ ﻣﻮﺯﻩ ﺭﺍ ﺑﻪ‬

‫ﺻﻮﺭﺕ ﺭﺍﻳﮕﺎﻥ ﺍﻧﺠﺎﻡ ﺩﻫﺪ‪.‬‬

‫ﺑﺼﺮﻩ ﺩﻭﻣﻴﻦ ﺷﻬﺮ ﺑﺰﺭگ ﻋﺮﺍﻕ ﺍﺳﺖ‬

‫ﻭ ﻳﻜﻰ ﺍﺯ ﻣﺮﻛﺰ ﻣﻬﻢ ﺗﺠﺎﺭﻯ ﺍﻳﻦ ﻛﺸﻮﺭ‬

‫ﻣﺤﺴﻮﺏ ﻣﻰﺷﻮﺩ‪.‬‬

‫ﻣﺪﻳﺮ ﺷﻮﺭﺍﻯ ﺩﻭﻟﺘﻰ ﺁﺛﺎﺭ ﺑﺎﺳﺘﺎﻧﻰ‬

‫ﻭ ﻣﻴﺮﺍﺙ ﻋﺮﺍﻕ ﺩﺭ ﺑﺼﺮﻩ ﺑﻪ ﻧﺸﻨﺎﻝ‬

‫»ﺑﺮﺍﻯﺩﻳﺪﻥﻭﻳﺪﺋﻮ‪،‬ﺭﻭﻯﻋﻜﺲﻛﻠﻴﻚﻧﻤﻮﺩﻩﻭﻳﺎﺑﻪﺳﺎﻳﺖﻛﻴﻬﺎﻥﻟﻨﺪﻥﻣﺮﺍﺟﻌﻪﻧﻤﺎﻳﻴﺪ‪«.‬‬ ‫ﻭﻳﺪﺋﻮ‬ ‫ﺟﺌﻮﮔﺮﺍﻓﻴﻚ ﮔﻔﺘﻪ ﺍﺳﺖ ﻛﻪ ﺁﻧﻬﺎ‬

‫ﻓﺮﻳﺪ ﺧﻠﻴﻔﻰ ‪ -‬ﺁﻳﺎ ﺁﻳﻨﺪﻩ ﻭﺳﺎﻳﻞ‬ ‫ﻣﻰﺧﻮﺍﻫﻨﺪ ﻣﻮﺯﻩ ﻣﺤﻠﻰ ﻓﺮﺍﺗﺮ ﺍﺯ ﻣﻜﺎﻧﻰ‬
‫ﭘﺮﻧﺪﻩ ﺩﺭ ﺣﺎﻝ ﺗﻐﻴﻴﺮ ﺍﺳﺖ؟ ﻗﻄﻌﺎً‬
‫ﻛﻮﭼﻚﺗﺮ ﺍﺯ ﺁﻧﻨﺪ ﻛﻪ ﺑﺘﻮﺍﻥ ﺑﺮﺍﻯ‬ ‫ﺁﻧﻜﻪ ﻭﺳﺎﻳﻠﻰ ﺩﺭ ﺭﺍﻫﻨﺪ ﺗﺎ ﻫﻢ ﭘﺮﻧﺪﻩ‬ ‫ﭼﻨﻴﻦ ﺧﻮﺍﻫﺪ ﺑﻮﺩ‪ ،‬ﻛﺪﺍﻡ ﺁﻳﻨﺪﻩ ﺭﺍ‬ ‫ﺑﺮﺍﻯ ﻧﻤﺎﻳﺶ ﺍﺷﻴﺎء ﻣﺨﺘﻠﻒ ﺑﺎﺷﺪ‪.‬‬
‫ﺣﻤﻞ ﻭ ﻧﻘﻞ ﺍﻧﺴﺎﻥ ﺍﺯ ﺁﻧﻬﺎ ﺍﺳﺘﻔﺎﺩﻩ‬ ‫ﺑﺎﺷﻨﺪ ﻭ ﻫﻢ ﺭﻭﻧﺪﻩ!‬ ‫ﺳﺮﺍﻍ ﺩﺍﺭﻳﺪ ﻛﻪ ﺩﺳﺘﺨﻮﺵ ﺗﻐﻴﻴﺮ‬
‫ﻛﺮﺩ‪ .‬ﺩﺭ ﺗﺎﺯﻩﺗﺮﻳﻦ ﻣﺎﺟﺮﺍﺟﻮﻳﻰ‬ ‫ﻧﺸﺪﻩ ﺑﺎﺷﺪ؟ ﺁﻥ ﻫﻢ ﺩﺭ ﻋﺼﺮ‬ ‫ﺍﻭ ﮔﻔﺘﻪ ﺍﺳﺖ ‪» :‬ﻣﺎ ﻗﺼﺪ ﺩﺍﺭﻳﻢ ﻛﺎﺥ‬
‫ﭘﺮﻭﺍﺯﻯ ﺑﺸﺮ‪ ،‬ﻣﺎﺷﻴﻦ ﻋﺠﻴﺒﻰ ﺳﺎﺧﺘﻪ‬ ‫ﻛﻮﺍﺩﻛﻮﭘﺘﺮﻫﺎ‪ ،‬ﻭﺳﺎﻳﻠﻰ ﻫﺴﺘﻨﺪ ﻛﻪ ﺍﻳﻦ‬ ‫ﺗﻜﻨﻮﻟﻮژﻯ ﺩﻳﺠﻴﺘﺎﻝ! ﻳﻜﻰ ﺍﺯ ﺍﺗﻔﺎﻗﺎﺕ‬
‫ﺷﺪﻩ ﻛﻪ ﻧﻮﻳﺪ ﺁﻳﻨﺪﻩﺍﻯ ﻋﺠﻴﺐ ﺭﺍ ﺑﻪ‬ ‫ﺭﻭﺯﻫﺎ‪ ،‬ﺍﺯ ﺍﺩﺍﺭﺍﺕ ﭘﺴﺖ ﺗﺎ ﻛﻤﭙﺎﻧﻰﻫﺎﻯ‬ ‫ﻫﻴﺠﺎﻥﺍﻧﮕﻴﺰ ﺩﺭ ﺁﻳﻨﺪﻩ‪ ،‬ﺗﻐﻴﻴﺮ ﭼﻬﺮﻩ‬ ‫ﺑﺼﺮﻩ ﺭﺍ ﺗﺒﺪﻳﻞ ﺑﻪ ﻳﻚ ﻣﻮﺯﻩ ﺑﺴﻴﺎﺭ‬
‫ﻣﺎ ﻣﻰﺩﻫﺪ‪ ،‬ﻣﺎﺷﻴﻨﻰ ﻛﻪ ﺷﺎﻳﺪ ﺑﺘﻮﺍﻧﺪ‬ ‫ﻓﻴﻠﻢﺳﺎﺯﻯ ﻭ ﺍﺷﺨﺎﺹ ﺣﻘﻴﻘﻰ‪ ،‬ﺁﻧﻬﺎ‬ ‫ﻭﺳﺎﻳﻞ ﺭﻓﺖ ﻭ ﺁﻣﺪ ﺍﺳﺖ ﻭ ﺟﺎﻟﺐﺗﺮ‬
‫ﺑﻪ ﻧﻮﻋﻰ‪ ،‬ﺁﻳﻨﺪﻩ ﺗﺎﻛﺴﻰﻫﺎﻯ ﭘﺮﻧﺪﻩ‬ ‫ﺭﺍ ﺑﻪ ﻛﺎﺭ ﻣﻰﮔﻴﺮﻧﺪ‪ .‬ﺍﻣﺎ ﺩﺭﺳﺖ ﺍﺳﺖ‬ ‫ﻣﺪﺭﻥ ﻛﻨﻴﻢ ﺗﺎ ﺑﺘﻮﺍﻧﻴﻢ ﻋﻼﻗﻤﻨﺪﺍﻥ ﺑﻪ‬
‫ﻛﻪ ﺁﻧﻬﺎ ﻣﻌﻤﻮﻻ ﭼﻬﺎﺭ ﻣﻠﺦ ﺩﺍﺭﻧﺪ ﻭ‬
‫ﺷﻬﺮﻯ ﺑﺎﺷﺪ!‬ ‫ﻋﻤﻮﺩﻯ ﺍﺯ ﺯﻣﻴﻦ ﺑﺮﻣﻰﺧﻴﺰﻧﺪ‪ ،‬ﻭﻟﻰ‬ ‫ﺣﻮﺯﻩﻫﺎﻯ ﻣﺨﺘﻠﻒ ﻫﻨﺮﻯ ﻭ ﻓﺮﻫﻨﮕﻰ ﺍﺯ‬

‫ﺟﻤﻠﻪ ﺩﺍﻧﺸﺠﻮﻳﺎﻥ ﺩﻭﺭﻩﻫﺎﻯ ﺁﻣﻮﺯﺷﻰ‬

‫ﻣﺨﺘﻠﻒ ﻭ ﻳﺎ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺣﺮﻓﻪﺍﻯ ﺭﺍ‬

‫ﺟﺬﺏ ﻣﻮﺯﻩ ﻛﻨﻴﻢ«‪.‬‬ ‫ﻗﺼﺮ ﺻﺪﺍﻡ‬

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