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‫و ه ﻮروز‬ ‫ﺻﻔﺤﻪ ‪ - Page 6 - 6‬ﺷﻤﺎﺭﻩ ‪1‬‬
‫ﺷﻨﺒﻪ ‪ 1‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ‪ 13‬ﻓﺮﻭﺭﺩﻳﻦ ﻣﺎﻩ ‪1394‬ﺧﻮﺭﺷﻴﺪﻯ‬

‫ﺍﺧﺘﺼﺎﺻﻰ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‬ ‫ﺍﺯ ﺁﻣﺮﻳﻜﺎ‪ ،‬ﺩﺭ ﺁﻣﺮﻳﻜﺎ‪ ،‬ﺑﺎ ﺳﻴﺎﻭﺵ ﺁﺫﺭﻯ‪:‬‬

‫ﺣﻤﻴﺮﺍ‪ :‬ﻧﻤﻰﺧﻮﺍﻧﻢ‪ ،‬ﺑﻪ ﺍﻳﻦ ﺩﻟﻴﻞ!‬ ‫ﺍﻳﺮﺍﻧﻴﺎﻥ ﻟﺲ ﺁﻧﺠﻠﺲ ﺩﺭ ﻛﺮﺩﺍﺭﻯ ﻧﻴﻚ ﺑﻪ ﻣﻨﺎﺳﺒﺖ ﻧﻮﺭﻭﺯ‪،‬‬

‫ﻣﻦ ﺗﺎ ﺯﻧﺪﻩﺍﻡ ﺑﺮﺍﻯ ﻣﺮﺩﻡ ﺑﺎ ﺍﺣﺴﺎﺳﻢ ﻣﻰﺧﻮﺍﻧﻢ‬ ‫ﺑﺎ ﺟﺸﻦ ﻭ ﺳﺮﻭﺭ ﺍﺯ ﺩﻩﻫﺎ ﺑﻰﺧﺎﻧﻤﺎﻥ ﭘﺬﻳﺮﺍﻳﻰ ﻛﺮﺩﻧﺪ‬

‫‪‬ﻛﺠﺎﺳﺖ ﺷﻌﺮ ﻭ ﺁﻫﻨﮕﻰ ﻛﻪ‬ ‫ﻭﻣﻬﻨﺪﺱ ﻭﺣﺮﻓﻪﻫﺎﻯ ﺩﻳﮕﺮ ﻫﻤﺮﺍﻩ‬ ‫ﺷﻴﺮﻳﻨﻰ ﻭ ﺗﺨﻢ ﻣﺮﻍﻫﺎﻯ ﺭﻧﮕﻰ‬ ‫ﺑﺎ ﻧﺰﺩﻳﻚ ﺷﺪﻥ ﺭﻭﺯﻫﺎﻯ ﻋﻴﺪ ﻭ ﻓﺮﺍ‬
‫ﺑﺎ ﻫﻨﺮﻣﻨﺪﺍﻧﻰ ﻣﺎﻧﻨﺪ ﺷﻬﺮﻩ‪ ،‬ﻣﺮﺗﻀﻰ‪،‬‬ ‫ﺩﺭ ﻛﻨﺎﺭ ﺳﻔﺮﻩ ﻫﻔﺖﺳﻴﻦ ﺯﻳﺒﺎﺋﻰ‬ ‫ﺭﺳﻴﺪﻥ ﻧﻮﺭﻭﺯ ﻭ ﺑﻬﺎﺭ‪ ،‬ﺍﻳﺮﺍﻧﻴﺎﻥ ﻟﺲ‬
‫ﺁﻧﺠﻠﺲ ﺑﺮﺍﻯ ﭼﻬﺎﺭﻣﻴﻦ ﺳﺎﻝ ﻣﺘﻮﺍﻟﻰ ﺧﺎﺻﻰ ﺑﻪ ﻭﺟﻮﺩ ﺁﻭﺭﺩﻩ ﺑﻮﺩ‪ .‬ﺑﺮﺧﻰ ﺍﺯ ﻫﺎﺗﻒ‪ ،‬ﻋﻠﻰ ﭘﻮﺭﺗﺎﺵ‪ ،‬ﻭ ﺳﻌﻴﺪ ﺩﻳﻬﻴﻤﻰ ﺩﻝ ﻭ ﺟﺎﻧﻢ ﺭﺍ ﺑﻠﺮﺯﺍﻧﺪ؟‬
‫ﭘﻴﺎﻧﻴﺴﺖ ﺭﻭﺷﻨﺪﻝ ﻛﻪ ﺗﻰﺷﺮﺕﻫﺎﻯ‬ ‫ﺳﻴﺎﻩﭘﻮﺳﺘﺎﻥ ﺍﺯ ﺍﻳﺮﺍﻧﻴﺎﻧﻰ ﻛﻪ ﺩﺍﻭﻃﻠﺒﺎﻧﻪ‬ ‫ﺍﺯ ﺑﻰﺧﺎﻧﻤﺎﻥﻫﺎ ﻭ ﻛﺎﺭﺗﻦﺧﻮﺍﺏﻫﺎﻯ‬
‫ﻣﻮﺳﻴﻘﻰ‬ ‫ﺑﻪ ﻧﺎﻡ‬ ‫‪‬ﺍﻣﺮﻭﺯ‪،‬‬ ‫»ﺩﺍﻭﻥ ﺗﺎﻭﻥ« ﻟﺲ ﺁﻧﺠﻠﺲ ﺑﺎ ﻏﺬﺍﻯ ﮔﺮﻡ‬

‫ﮔﻮﺵ ﻣﺮﺩﻡ ﺭﺍ ﻣﺴﻤﻮﻡ‬ ‫ﻭ ﻧﻮﺷﻴﺪﻧﻰ ﭘﺬﻳﺮﺍﻳﻰ ﻛﺮﺩﻩ ﻭ ﺩﻝﻫﺎﻯ‬

‫ﻛﺮﺩﻩﺍﻧﺪ‬ ‫ﺁﻧﺎﻥ ﺭﺍ ﺑﺎ ﺳﻔﺮﻩ ﻫﻔﺖﺳﻴﻦ ﻭ ﺍﺟﺮﺍﻯ‬
‫ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻣﻮﺳﻴﻘﻰ ﻭ ﺭﻗﺺ ﺍﻳﺮﺍﻧﻰ ﺷﺎﺩ‬

‫ﺑﺪﺍﻧﻢ ﺍﺟﺮﺍﻛﻨﻢ‪ .‬ﺍﻟﺒﺘﻪ ﺁﺛﺎﺭﻯ ﻛﻪ ﺩﻟﻢ ﺭﺍ‬ ‫ﻋﻠﻰ ﺩﺷﺘﻰ‪ ،‬ﺭﻭﺡﺍﷲ ﺧﺎﻟﻘﻰ ﻭ ﺷﻤﺎﺭﻯ‬ ‫ﺣﻤﻴﺮﺍ ﻳﻜﻰ ﺍﺯ ﺑﺮﺟﺴﺘﻪﺗﺮﻳﻦ ﻫﻨﺮﻣﻨﺪﺍﻥ‬ ‫ﻧﻮﺭﻭﺯﻯ ﺑﺎ ﭘﻴﺎﻣﻰ ﺑﻪ ﺯﺑﺎﻥ ﺍﻧﮕﻠﻴﺴﻰ‬ ‫ﺑﻪ ﭘﺬﻳﺮﺍﺋﻰ ﭘﺮﺩﺍﺧﺘﻪ ﺑﻮﺩﻧﺪ ﺑﺎ ﻧﻮﻋﻰ‬ ‫ﺳﺎﺧﺘﻨﺪ‪.‬‬
‫ﺑﻠﺮﺯﺍﻧﺪ‪ ،‬ﺷﻮﺭ ﻭ ﺍﺷﺘﻴﺎﻕ ﺩﺭ ﻣﻦ ﺑﻪ ﭘﺎ ﻛﻨﺪ‬ ‫ﺩﻳﮕﺮ ﺍﺯ ﺑﺰﺭﮔﺎﻥ ﺍﺩﺏ ﻭ ﻫﻨﺮ ﺁﻥ ﺩﻭﺭﺍﻥ‬ ‫ﻣﻮﺳﻴﻘﻰ ﺁﻭﺍﺯﻯ ﺍﻳﺮﺍﻥ ﭘﺲ ﺍﺯ ‪ 9‬ﺳﺎﻝ‬ ‫ﺑﻪ ﺗﻦ ﻭ ﻛﻼﻩﻫﺎﻯ ﭘﻼﺳﺘﻴﻜﻰ ﺑﻪ ﺳﺮ‬ ‫ﻭﺳﻮﺍﺱ ﻣﻰﭘﺮﺳﻴﺪﻧﺪ‪ :‬ﺷﻤﺎ ﻣﺴﻠﻤﺎﻥ‬ ‫ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﻇﻬﺮ ﺭﻭﺯ ﺟﻤﻌﻪ ‪ 13‬ﻣﺎﺭﺱ‬
‫ﻭﮔﺮﻧﻪ ﻧﻤﻮﻧﻪﻫﺎﺋﻰ ﺑﻪ ﻣﻦ ﺍﺭﺍﺋﻪ ﺷﺪﻩ ﻛﻪ‬ ‫ﻣﻄﺮﺡ ﺳﺎﺧﺖ ﻛﻪ ﻫﻤﮕﻰ ﺯﻳﺒﺎﺋﻰ ﺻﺪﺍ ﻭ‬ ‫ﺳﻜﻮﺕ ﺑﻪ ﺷﺎﻳﻌﺎﺕ ﻭ ﭘﺮﺳﺶﻫﺎﻯ‬ ‫ﻭ ﺩﺳﺘﻜﺶﻫﺎﻯ ﺳﻔﻴﺪ ﻛﺎﺭ ﺑﻪ ﺩﺳﺖ‬ ‫ﻫﺴﺘﻴﺪ؟ ﺍﻳﺮﺍﻧﻰﻫﺎ ﻫﻢ ﺑﺎ ﻣﺘﺎﻧﺖ ﭘﺎﺳﺦ‬ ‫ﺩﺭ ﺧﻴﺎﺑﺎﻥﻫﺎﻯ ﭘﺮ ﺭﻓﺖ ﻭ ﺁﻣﺪ ﻭ ﺷﻠﻮﻍ‬
‫ﻫﻴﭻ ﻛﺪﺍﻡ ﻛﻤﺘﺮﻳﻦ ﺗﺎﺛﻴﺮﻯ ﺭﻭﻯ ﻣﻦ‬ ‫ﻧﺤﻮﻩ ﺍﺟﺮﺍﻯ ﺑﺎ ﺷﻜﻮﻩ ﺗﺮﺍﻧﻪﻫﺎ ﺭﺍ ﺗﺤﺴﻴﻦ‬ ‫ﺩﻭﺳﺘﺪﺍﺭﺍﻥ ﺻﺪﺍﻯ ﺑﻰﻧﻈﻴﺮﺵ ﺍﺯ ﺩﺭﻭﻥ‬ ‫ﺩﺍﺷﺘﻨﺪ ﺩﺭ ﻳﻚ ﺭﺩﻳﻒ ﻏﺬﺍﻫﺎ ﺭﺍ ﺩﺭ‬ ‫ﻣﻰﺩﺍﺩﻧﺪ‪ :‬ﻣﺎ ﻫﻢ ﻣﺴﻠﻤﺎﻥ ﻭ ﻫﻢ ﺍﺯ‬ ‫»ﺳﻦ ﭘﺪﺭﻭ« ﻭ ﺷﺸﻢ ﺩﺭ ﺑﺮﺍﺑﺮ ﺳﺎﺧﺘﻤﺎﻥ‬
‫ﻧﮕﺬﺍﺷﺘﻪ ﺍﺳﺖ‪ .‬ﺍﻟﺒﺘﻪ ﺩﺭ ﺩﻭﺭﺍﻥ ﺍﻗﺎﻣﺖ‬ ‫ﻭ ﺑﻴﺮﻭﻥ ﺍﻳﺮﺍﻥ‪ ،‬ﺍﺯ ﻃﺮﻳﻖ ﻛﻴﻬﺎﻥ ﺁﻧﻼﻳﻦ‪-‬‬ ‫ﺑﺸﻘﺎﺏﻫﺎﻯ ﻳﻚ ﺑﺎﺭ ﻣﺼﺮﻑ ﻫﻤﺮﺍﻩ ﺑﺎ‬ ‫ﺍﺩﻳﺎﻥ ﺩﻳﮕﺮ ﻫﺴﺘﻴﻢ‪ .‬ﻣﺎ ﻣﻠﺘﻰ ﻫﺴﺘﻴﻢ‬
‫ﺩﺭ ﺧﺎﺭﺝ‪ ،‬ﺁﻫﻨﮓﻫﺎﺋﻰ ﺍﺯ ﺳﺎﺧﺘﻪﻫﺎﻯ‬ ‫ﻣﻰﻛﺮﺩﻧﺪ‪.‬‬ ‫ﻟﻨﺪﻥ‪ ،‬ﭘﺎﺳﺦ ﻣﻰﺩﻫﺪ ﻭ ﻣﻰﮔﻮﻳﺪ ﭼﺮﺍ‬ ‫ﻧﻮﺷﺎﺑﻪ ﺁﻣﺎﺩﻩ ﻣﻰﻛﺮﺩﻧﺪ ﻭ ﮔﺮﻭﻫﻰ ﺍﺯ‬ ‫ﻛﻪ ﺑﺮﺍﻯ ﻫﺮﺍﻧﺴﺎﻧﻰ ﺑﺎ ﻫﺮ ﺩﻳﻦ ﻭ ﺁﺋﻴﻨﻰ‬ ‫‪ Midnight mission‬ﺑﺮﮔﺰﺍﺭﺷﺪ‪.‬‬
‫ﺁﻗﺎﻳﺎﻥ ﺟﻬﺎﻧﺒﺨﺶ ﭘﺎﺯﻭﻛﻰ‪ ،‬ﻣﺤﻤﺪ‬ ‫ﺣﻤﻴﺮﺍ ﺩﺭ ﺍﺩﺍﻣﻪ ﮔﻔﺘﮕﻮﻯ ﺑﺎ ﻛﻴﻬﺎﻥ‬ ‫ﺳﺎﻝﻫﺎﺳﺖ ﺳﻜﻮﺕ ﻛﺮﺩﻩ ﻭ ﻧﻤﻰﺧﻮﺍﻧﺪ‪.‬‬ ‫ﺟﻮﺍﻧﺎﻥ ﺁﻧﻬﺎ ﺭﺍ ﺑﻪ ﻣﻴﻬﻤﺎﻧﺎﻥ ﻣﻰﺭﺳﺎﻧﺪﻧﺪ‪.‬‬ ‫ﻭ ﻫﺮ ﻧﮋﺍﺩﻯ ﺍﺣﺘﺮﺍﻡ ﻗﺎﺋﻠﻴﻢ‪ .‬ﺑﺮﺍﻯ ﻣﺎ‬ ‫‪ 101‬ﺳﺎﻝ ﭘﻴﺶ ﺍﻧﺴﺎﻥ ﻧﻴﻜﻮﻛﺎﺭﻯ ﺑﻪ ﻧﺎﻡ‬
‫ﺣﻴﺪﺭﻯ‪ ،‬ﻛﺎﻇﻢ ﺭﺯﺍﺯﺍﻥ‪ ،‬ﻣﻨﻮﭼﻬﺮ ﭼﺸﻢ‬ ‫ﺁﻧﻼﻳﻦ ﺩﺭ ﺗﻮﺿﻴﺢ ﺳﻜﻮﺕ ﻃﻮﻻﻧﻰﺍﺵ‬ ‫ﻏﻴﺒﺖ ﻃﻮﻻﻧﻰ ﻭ ﻋﺪﻡ ﺷﺮﻛﺖ ﺩﺭ ﻫﺮ ﮔﻮﻧﻪ‬ ‫ﺩﺭ ﻃﻮﻝ ﺧﻴﺎﺑﺎﻥ ﺷﺸﻢ ﻛﻪ ﺑﻪ ﺳﻦ‬ ‫ﺍﻧﺴﺎﻥﻫﺎ ﻫﻤﻪ ﻳﻚﺳﺎﻥ ﺁﻓﺮﻳﺪﻩ ﺷﺪﻩﺍﻧﺪ‬ ‫ﺗﺎﻡ ﻻﻳﺪ ُﻛﺖ ﺑﺮﺍﻯ ﻛﻤﻚ ﺑﻪ ﻧﻴﺎﺯﻣﻨﺪﺍﻥ‬
‫ﺁﺫﺭ‪ ،‬ﺑﺎﺑﻚ ﺭﺍﺩﻣﻨﺶ ﻭ ﺩﻛﺘﺮ ﻣﺴﻌﻮﺩ‬ ‫ﻣﻰﺍﻓﺰﺍﻳﺪ‪» :‬ﭘﺎﺳﺦ ﺳﺌﻮﺍﻝ ﺷﻤﺎ ﻛﻪ ﭼﺮﺍ‬ ‫ﻛﻨﺴﺮﺕ ﻳﺎ ﺑﺮﻧﺎﻣﻪ ﻣﻮﺳﻴﻘﻰ ﭘﺮﺳﺶﻫﺎ ﻭ‬ ‫ﭘﺪﺭﻭ ﻣﻰﭘﻴﻮﻧﺪﺩ ﭼﻨﺪﻳﻦ ﺭﺩﻳﻒ ﻣﻴﺰ‬ ‫ﻭ ﻫﻴﭻ ﻛﺲ ﺑﺮﺗﺮ ﺍﺯ ﺩﻳﮕﺮﻯ ﻧﻴﺴﺖ‪.‬‬ ‫ﺍﻳﻦ ﺳﺎﺧﺘﻤﺎﻥ ﺭﺍ ﺍﺣﺪﺍﺙ ﻭ ﻭﻗﻒ ﻛﺴﺎﻧﻰ‬
‫ﻋﻄﺎﺋﻰ ﺭﺍ ﺍﺟﺮﺍ ﻛﺮﺩﻩﺍﻡ‪ .‬ﭼﻨﺪﺁﻫﻨﮓ ﺍﺯ‬ ‫ﻧﻤﻰﺧﻮﺍﻧﻢ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﺯﻣﺎﻧﻰ ﺩﺭ‬ ‫ﺷﺎﻳﻌﺎﺗﻰ ﺭﺍ ﺑﻴﻦ ﻣﺮﺩﻡ ﺩﺍﺧﻞ ﻭﺧﺎﺭﺝ‬ ‫ﻭ ﺻﻨﺪﻟﻰ ﭼﻴﺪﻩ ﺷﺪﻩ ﺑﻮﺩ ﻭ ﺻﺪﻫﺎ‬ ‫ﺑﺮﺧﻰ ﺍﺯ ﺷﺮﻛﺖﻛﻨﻨﺪﮔﺎﻥ ﺍﻳﺮﺍﻧﻰ ﻧﻴﺰ‬ ‫ﻛﺮﺩ ﻛﻪ ﺟﺎﻳﻰ ﺑﺮﺍﻯ ﺳﻜﻮﻧﺖ ﻧﺪﺍﺷﺘﻨﺪ‪.‬‬
‫ﻣﺮﺣﻮﻡ ﺍﺳﺘﺎﺩ ﺗﺠﻮﻳﺪﻯ ﻫﻢ ﺩﺍﺭﻡ ﻛﻪ‬ ‫ﺍﻃﺮﺍﻓﻢ ﺍﺳﺘﺎﺩﺍﻥ ﺷﻌﺮ ﻭ ﻣﻮﺳﻴﻘﻰ ﻧﻈﻴﺮ‬ ‫ﺑﺮﺍﻧﮕﻴﺨﺘﻪ ﺑﻮﺩ ﺗﺎ ﺁﻧﺠﺎ ﻛﻪ ﺣﺘﻰ ﺑﺮﺧﻰ‬ ‫ﺗﻦ ﺍﺯ ﺗﻬﻴﺪﺳﺘﺎﻥ ﺩﺭ ﺁﻧﺠﺎ ﻧﺸﺴﺘﻪ ﻭ‬ ‫ﻳﺎﺩﺁﻭﺭ ﻣﻰﺷﺪﻧﺪ ﻛﻪ ﺍﻭﻟﻴﻦ ﺍﻋﻼﻣﻴﻪ‬ ‫ﺍﻳﻦ ﻣﺤﻞ ﻫﻢﭼﻨﻴﻦ ﻣﺮﻛﺰﻯ ﺷﺪ ﺗﺎ ﺍﻓﺮﺍﺩ‬
‫ﺗﺠﻮﻳﺪﻯ‪ ،‬ﻳﺎﺣﻘﻰ‪ ،‬ﺑﻴﮋﻥ ﺗﺮﻗﻰ ﺍﻧﻮﺷﻴﺮﻭﺍﻥ‬ ‫ﻣﻮﺳﻴﻘﻰﭘﺮﺩﺍﺯﺍﻥ ﺑﻰ ﻣﺴﺌﻮﻟﻴﺖ ﺑﻴﺦ‬ ‫ﺑﻰﺧﺎﻧﻤﺎﻥ ﻃﻰ ﺍﻗﺎﻣﺖ ﺩﺭ ﺁﻥ ﺣﺮﻓﻪ‬
‫ﻫﻨﻮﺯ ﺁﻧﻬﺎ ﺭﺍ ﻧﺨﻮﺍﻧﺪﻩﺍﻡ‪«.‬‬ ‫ﺭﻭﺣﺎﻧﻰ‪ ،‬ﺣﺴﻦ ﺷﻤﺎﻋﻰﺯﺍﺩﻩ ﻭ ﺻﺎﺩﻕ‬ ‫ﮔﻮﺵﻫﺎ ﻣﻰﮔﻔﺘﻨﺪ ﻛﻪ ﺣﻤﻴﺮﺍ ﺻﺪﺍﻳﺶ‬ ‫ﻳﺎ ﻣﻬﺎﺭﺗﻰ ﺑﻴﺎﻣﻮﺯﻧﺪ ﻛﻪ ﺩﺭ ﺯﻧﺪﮔﻰ ﺑﻪ‬
‫ﺳﻴﺎﻭﺵ ﺁﺫﺭﻯ ﮔﺰﺍﺭﺷﮕﺮ ﻛﻴﻬﺎﻥ ﺁﻧﻼﻳﻦ‬ ‫ﻧﻮﺟﻮﻛﻰ ﺑﻮﺩﻧﺪ ﻭ ﺑﻬﺘﺮﻳﻦ ﺁﺛﺎﺭ ﺭﺍ ﻛﻪ ﻫﺮ‬ ‫ﺭﺍ ﺍﺯﺩﺳﺖ ﺩﺍﺩﻩ ﺍﺳﺖ! ”ﻣﻐﺮﺿﺎﻥ ﻫﻤﻴﺸﻪ‬ ‫ﻛﺎﺭﺷﺎﻥ ﺑﻴﺎﻳﺪ ﻭ ﺑﺘﻮﺍﻧﻨﺪ ﺍﺯ ﻟﺤﺎﻅ ﻣﺎﻟﻰ‬
‫ﻛﻪ ﺍﻳﻦ ﮔﻔﺘﮕﻮ ﺭﺍ ﺍﻧﺠﺎﻡ ﺩﺍﺩﻩ ﺍﺳﺖ ﺑﻪ‬ ‫ﻳﻚ ﻣﺘﺮﺟﻢ ﺣﺎﻻﺕ ﻭ ﺭﻭﺣﻴﺎﺕ ﻣﻦ ﺑﻮﺩ‬ ‫ﺩﺭﺻﺤﻨﻪ“ ﺣﺘﻰ ﺷﺎﻳﻌﻪ ﭘﺮﺩﺍﺧﺘﻨﺪ ﻛﻪ‬ ‫ﺧﻮﺩ ﺭﺍ ﺗﺎﻣﻴﻦ ﻛﺮﺩﻩ ﻭ ﺍﺯ ﺑﻰﺧﺎﻧﻤﺎﻧﻰ ﺑﻪ‬
‫ﻳﺎﺩ ﻣﻰﺁﻭﺭﺩ ﻛﻪ ﭼﻨﺪ ﺳﺎﻝ ﻗﺒﻞ ﺯﻧﺪﻩﻳﺎﺩ‬ ‫ﻣﻰﺳﺎﺧﺘﻨﺪ ﻭ ﻣﻦ ﺑﺎ ﻫﻤﻪ ﺷﻮﺭ ﻭ ﺍﻟﺘﻬﺎﺑﻰ‬
‫ﻋﻤﺎﺩ ﺭﺍﻡ ﺑﻪ ﺍﺗﻔﺎﻕ ﻫﻤﺴﺮﺵ ﻓﻠﻮﺭ ﻛﻪ‬ ‫ﻛﻪ ﺩﺭ ﺩﺭﻭﻧﻢ ﻣﻮﺝ ﻣﻰﺯﺩ ﺍﺟﺮﺍ ﻣﻰﻛﺮﺩﻡ‪.‬‬ ‫ﺣﻤﻴﺮﺍ ﺩﺭﮔﺬﺷﺘﻪ ﺍﺳﺖ!‬ ‫ﺩﺭ ﺁﻳﻨﺪ‪.‬‬
‫ﺑﺮﺍﻯ ﺑﺎﺯﺩﻳﺪ ﻛﻮﺗﺎﻫﻰ ﺑﻪ ﻟﺲ ﺁﻧﺠﻠﺲ‬ ‫ﻣﺜﻼ ﺍﮔﺮ ﻣﻰﺧﻮﺍﻧﺪﻡ ﻣﺮﺍ ﻧﻔﺮﻳﺒﻰ‪ ،‬ﻓﺮﻳﺎﺩﻯ‬ ‫ﺍﻣﺎ ﻛﻴﻬﺎﻥ ﺁﻧﻼﻳﻦ ﺩﺭ ﻳﻚ ﮔﻔﺘﮕﻮﻯ‬ ‫ﺳﺎﺧﺘﻤﺎﻥ »ﻣﻴﺪﻧﺎﻳﺖ ﻣﻴﺴﻴﻮﻥ« ﺩﺭ‬
‫ﺁﻣﺪﻩ ﺑﻮﺩﻧﺪ ﺁﻫﻨﮕﻰ ﺭﺍ ﺑﺮﺍﻯ ﺍﺟﺮﺍ ﺑﻪ‬ ‫ﺑﻮﺩ ﻛﻪ ﺍﺯ ﺗﻪ ﺩﻟﻢ ﺑﻴﺮﻭﻥ ﻣﻰﺁﻣﺪ‪ ،‬ﻭﻗﺘﻰ‬ ‫ﻛﺎﻣﻼ ﺑﻪﺭﻭﺯ ﺍﻋﻼﻡ ﻣﻰﻛﻨﺪ ﻛﻪ ﺣﻤﻴﺮﺍ ﻧﻪ‬ ‫ﻧﺰﺩﻳﻜﻰ ﺑﻨﺎﻯ ﻋﻈﻴﻢ ﺷﻬﺮﺩﺍﺭﻯ ﻟﺲ‬
‫ﺣﻤﻴﺮﺍ ﺍﺭﺍﺋﻪ ﻛﺮﺩ‪ .‬ﻭﻟﻰ ﺧﻮﺍﻧﻨﺪﻩ »ﺻﺒﺮﻡ‬ ‫ﺍﺯ ﺑﻴﻮﻓﺎﺋﻰ ﻓﺮﻳﺎﺩ ﻣﻰﻛﺮﺩﻡ ﻭ ﻣﻰﺧﻮﺍﻧﺪﻡ‬ ‫ﺻﺪﺍﻯﺍﺵ ﺭﺍ ﺍﺯ ﺩﺳﺖ ﺩﺍﺩﻩ ﻭ ﻧﻪ ﺟﺎﻧﺶ‬ ‫ﺍﻧﺠﻠﺲ ﻭﺍﻗﻊ ﺷﺪﻩ ﻭ ﺷﺒﺎﻧﻪﺭﻭﺯ ﺷﻤﺎﺭ‬
‫ﻋﻄﺎ ﻛﻦ« ﭘﺲ ﺍﺯ ﺷﻨﻴﺪﻥ ﺁﻫﻨﮓ ﻭ ﺷﻌﺮ‬ ‫»ﺁﻩ‪ ،‬ﻧﮕﻮ ﻧﮕﻮ‪ ،‬ﺩﻳﮕﻪ ﺍﺯ ﮔﺬﺷﺘﻪ‪ ،‬ﺩﻳﮕﻪ‬ ‫ﺭﺍ! ﺍﺩﺍﻣﻪ ﺳﻜﻮﺕ ﻭﻯ ﺍﺯ ﻣﻘﻮﻟﻪ ﺩﻳﮕﺮﻯ‬ ‫ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﺑﻰﺧﺎﻧﻤﺎﻥﻫﺎ ﺑﻪ ﻭﻳﮋﻩ‬
‫ﺑﺎ ﭼﻬﺮﻩﺍﻯ ﺑﻰﺗﻔﺎﻭﺕ ﺷﺎﻧﻪﻫﺎﻳﺶ ﺭﺍ ﺑﺎﻻ‬ ‫ﻧﻤﻴﺨﻮﺍﻡ ﺑﺪﻭﻧﻢ ﭼﻰ ﺑﻪ ﻣﻦ ﮔﺬﺷﺘﻪ« ﺭﻧﺞ‬ ‫ﺳﻴﺎﻩﭘﻮﺳﺘﺎﻥ ﺩﺭ ﭘﻴﺎﺩﻩﺭﻭﻫﺎﻯ ﺧﻴﺎﺑﺎﻥ‬
‫ﺍﻧﺪﺍﺧﺖ ﻭ ﮔﻔﺖ‪ :‬ﺁﻗﺎﻯ ﺭﺍﻡ ”ﺍﻳﻦ ﺁﻫﻨﮓ‬ ‫ﻭ ﺣﺮﻣﺎﻧﻰ ﺑﻮﺩ ﻛﻪ ﺍﺯ ﺗﻠﺨﻰ ﺳﺮﻧﻮﺷﺖ ﺍﺯ‬
‫ﻣﺮﺍ ﻧﮕﺮﻓﺖ!“ ﻭ ﺩﻗﺎﻳﻘﻰ ﺑﻌﺪ ﺍﺿﺎﻓﻪ ﻛﺮﺩ‬ ‫ﺣﻨﺠﺮﻩ ﻣﻦ ﺑﻴﺮﻭﻥ ﻣﻰﺁﻣﺪ‪ .‬ﺑﻨﺎ ﺑﺮ ﺍﻳﻦ‬ ‫ﺍﺳﺖ ﻛﻪ ﺩﺭ ﭘﻰ ﻣﻰﺧﻮﺍﻧﻴﺪ‪.‬‬
‫ﺍﻳﻦ ﺷﻌﺮ ﺍﻳﻦ ﺁﻫﻨﮓ ﺭﺍ ﻣﻰﻃﻠﺒﺪ ﻭ ﺷﺮﻭﻉ‬ ‫ﻫﻤﻪ ﺁﻧﭽﻪ ﺭﺍ ﻛﻪ ﺧﻮﺍﻧﺪﻡ ﮔﻮﻳﺎﻯ ﺣﺎﻻﺕ‬
‫ﺑﻪ ﺧﻮﺍﻧﺪﻥ ﻛﺮﺩ ﻭ ﺑﻪ ﻋﻤﺎﺩ ﺭﺍﻡ ﮔﻔﺖ‪ :‬ﻧﺖ‬ ‫ﻭ ﺷﺮﺍﻳﻂ ﭘﺮ ﺍﺣﺴﺎﺳﻰ ﺑﻮﺩ ﻛﻪ ﺩﺭ ﺁﻥ ﻗﺮﺍﺭ‬ ‫ﺣﻤﻴﺮﺍ ﻣﻰﮔﻮﻳﺪ‪» :‬ﻭﻗﺘﻰ ﺷﺮﺍﻳﻂ ﻻﺯﻡ‬
‫ﺁﻫﻨﮓ ﺭﺍ ﺑﻨﻮﻳﺴﻴﺪ ﻭ ﺭﻭﻯ ﺷﻌﺮ ﺑﮕﺬﺍﺭﻳﺪ‬ ‫ﺩﺍﺷﺘﻢ ﻭ ﺑﻨﺎ ﺑﻪ ﺗﻤﺜﻴﻞ ﻣﻌﺮﻭﻑ ﺳﺨﻦ‬
‫ﻭ ﺑﻪ ﻧﺎﻡ ﺧﻮﺩ ﭘﺨﺶ ﻛﻨﻴﺪ‪ .‬ﺁﻫﻨﮓ ﺑﺎ ﺍﻳﻦ‬ ‫ﻛﺰ ﺩﻝ ﺑﺮ ﺁﻳﺪ ﻻﺟﺮﻡ ﺑﺮ ﺩﻝ ﻧﺸﻴﻨﺪ‪ ،‬ﺑﻪ‬ ‫ﺑﺮﺍﻯ ﺧﻮﺍﻧﺪﻥ ﻓﺮﺍﻫﻢ ﻧﻴﺴﺖ ﺑﻬﺘﺮ ﺍﺳﺖ‬
‫ﺩﻝ ﻣﺮﺩﻡ ﻧﺸﺴﺖ‪ .‬ﺍﻣﺎ ﺣﺎﻻ ﻛﻮ؟ ﻛﺠﺎﺳﺖ‬
‫ﻣﻄﻠﻊ ﺁﻏﺎﺯﻣﻰﺷﻮﺩ‪:‬‬ ‫ﺷﻌﺮ ﻭﺁﻫﻨﮕﻰ ﻛﻪ ﺩﻝ ﻭ ﺟﺎﻧﻢ ﺭﺍ ﺑﻠﺮﺯﺍﻧﺪ؟‬ ‫ﻧﻈﺎﺭﻩﮔﺮ ﺷﺪ ﻭ ﺩﻳﺪ ﺩﺭ ﺍﻳﻦ ﺁﺷﻔﺘﻪﺑﺎﺯﺍﺭﻯ‬
‫ﺭ ّﺩ ﭘﺎﻳﻢ ﺭﺍ ﺑﮕﻴﺮ ﺗﺎ ﺑﺪﺍﻧﻰ ﺧﺎﻧﻪ ﻋﺎﺷﻖ‬ ‫ﺍﮔﺮ ﻣﻰﺑﻴﻨﻴﺪ ﺍﻳﻦ ﻫﻤﻪ ﻫﻢﻭﻃﻨﺎﻥ ﻧﺎﺯﻧﻴﻦ‬
‫ﻭ ﭘﺮﺍﺣﺴﺎﺳﻢ ﺍﺯ ﺩﺭﻭﻥ ﻭ ﺑﺮﻭﻥ ﻭﻃﻦ ﺑﺎ‬ ‫ﻛﻪ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﭼﻪ ﺑﺮ ﺳﺮﻣﻮﺳﻴﻘﻰ‬
‫ﻛﺠﺎﺳﺖ…‬ ‫ﻣﻦ ﺗﻤﺎﺱ ﻣﻰﮔﻴﺮﻧﺪ ﻟﻄﻒ ﻭ ﻣﻬﺮﺑﺎﻧﻰ‬
‫ﺣﻤﻴﺮﺍ ﺩﺭ ﺍﺩﺍﻣﻪ ﮔﻔﺘﮕﻮ ﻣﻰﺍﻓﺰﺍﻳﺪ‪:‬‬ ‫ﺑﻪ ﺳﺮﺍﭘﺎﻳﻢ ﻣﻰﭘﺎﺷﻨﺪ ﺩﻟﻴﻞﺍﺵ ﺗﻨﻬﺎ‬ ‫ﻣﻰﺁﻭﺭﻧﺪ؛ ﺁﻫﻨﮓﻫﺎﻯ ﻣﻬ ّﻮﻉ ﻭ ﺷﻌﺮﻫﺎﻯ‬
‫»ﻣﻰﺩﺍﻧﻢ ﻛﻪ ﺍﻻﻥ ﻫﻤﻪ ﭼﻴﺰ ﻓﺮﻕ ﻛﺮﺩﻩ‬ ‫ﺭﺍﺑﻄﻪﻫﺎﻯ ﻋﺎﻃﻔﻰ ﻭ ﺍﺣﺴﺎﺳﻰ ﺩﻭﺟﺎﻧﺒﻪ‬ ‫ﺑﻰ ﺳﺮ ﻭ ﺗﻪ ﻭ ﺑﻰﺻﺪﺍﺋﻰ ﺍﺳﺖ ﻛﻪ ﺑﻪ ﻧﺎﻡ‬
‫ﻭ ﺯﻣﺎﻥ ﺧﻮﺍﻧﺪﻥ ﺁﻫﻨﮓ »ﻣﺮﺍ ﻧﻔﺮﻳﺒﻰ«‬ ‫ﺳﺎﻝﻫﺎﺋﻰ ﺑﻮﺩﻩ ﻛﻪ ﺑﺎ ﻣﻦ ﺩﺍﺷﺘﻪ ﻭ ﻫﻨﻮﺯ‬
‫ﻧﻴﺴﺖ ﺯﻳﺮﺍ ﺁﻥ ﻗﺪﺭ ﺩﺭﻭﻍ ﻭ ﻓﺮﻳﺐ‬ ‫ﻣﻮﺳﻴﻘﻰ ﺑﻪ ﺧﻮﺭﺩ ﻣﺮﺩﻡ ﻣﻰﺩﻫﻨﺪ‪ .‬ﺑﻨﺎ‬
‫ﺭﻭﺍﺝ ﭘﻴﺪﺍﻛﺮﺩﻩ ﻭ ﺳﻴﺎﺳﺖﺑﺎﺯﺍﻥ ﺟﻬﺎﻥ‬ ‫ﺑﻪ ﺷﺪﺕ ﺩﺍﺭﻧﺪ‪.‬‬
‫ﭼﻨﺎﻥ ﺑﻪ ﻃﺮﺡ ﻭ ﻧﻘﺸﻪ ﻋﻠﻴﻪ ﻛﺸﻮﺭﻫﺎﻯ‬ ‫ﻣﺜﻼ ﻧﻮﺟﻮﺍﻥ ‪17‬ﺳﺎﻟﻪﺍﻯ ﻛﻪ ﻣﺎﺩﺭﺵ‬ ‫ﺑﺮ ﺍﻳﻦ ﺗﺮﺟﻴﺢ ﺩﺍﺩﻡ ﻓﻌﻼ ﺳﻜﻮﺕ ﻛﻨﻢ‪.‬‬
‫ﺛﺮﻭﺗﻤﻨﺪ ﺩﺳﺖ ﺯﺩﻩﺍﻧﺪ ﻛﻪ ﺑﺎﻳﺪ ﺩﻧﺒﺎﻝ‬ ‫ﺍﺯ ﺩﺭﻭﻥ ﺍﻳﺮﺍﻥ ﺍﻟﺘﻤﺎﺱ ﻣﻰﻛﻨﺪ ﺑﭽﻪﺍﻡ‬
‫ﻣﻀﺎﻣﻴﻦ ﺷﻌﺮﻯ ﺭﻭﺯ ﺑﻮﺩ؛ ﺑﻪ ﻫﻤﻴﻦ‬ ‫ﻣﺪﺍﻡ ﺩﺭ ﺗﻨﻬﺎﺋﻰ ﺁﻫﻨﮓﻫﺎﻯ ﺷﻤﺎ ﺭﺍ‬ ‫ﺑﺨﺼﻮﺹ ﻛﻪ ﺣﺎﺿﺮ ﻧﻴﺴﺘﻢ ﺁﻧﻰ ﺍﺯ ﻧﻮﻩ‬
‫ﺟﻬﺖ ﻧﻴﺰ ﻣﻦ ﺗﺮﺍﻧﻪ ”ﺟﻬﺎﻥﺧﻮﺍﺭﺍﻥ“ ﺭﺍ‬ ‫ﮔﻮﺵ ﻣﻰﻛﻨﺪ‪ ،‬ﻏﺬﺍ ﻧﻤﻰﺧﻮﺭﺩ‪ ،‬ﺩﺭﺱ‬
‫ﺧﻮﺍﻧﺪﻡ ﻛﻪ ﭘﻴﺎﻡ ﮔﻮﻳﺎﺋﻰ ﺍﺯ ﺍﻭﺿﺎﻉ ﺍﻣﺮﻭﺯ‬ ‫ﻧﻤﻰﺧﻮﺍﻧﺪ ﺍﻣﺎ ﺍﮔﺮ ﺷﻤﺎ ﺩﻭ ﻛﻠﻤﻪ ﺑﺎ ﺍﻭ‬ ‫ﺩﻟﺒﻨﺪﻡ ﺩﻭﺭﺑﺎﺷﻢ ﻭ ﺍﻭ ﺭﺍ ﺑﻪ ﺩﺳﺖ ”ﺑِﻰ‬
‫ﺻﺤﺒﺖ ﻛﻨﻴﺪ ﺍﺷﻜﺎﻻﺗﺶ ﺭﻓﻊ ﻣﻰﺷﻮﺩ‪،‬‬
‫ﺩﺭ ﺧﻮﺩ ﺩﺍﺷﺖ«‪.‬‬ ‫ﺷﻤﺎ ﻭﺍﻗﻌﺎ ﺍﻳﻦ ﺣﺎﻟﺖ ﺭﺍ ﭼﮕﻮﻧﻪ ﺗﻮﺻﻴﻒ‬ ‫ﺑِﻰ ﺳﻴﺘﺮ“ ﺑﺴﭙﺎﺭﻡ‪ .‬ﺍﻳﻦ ﺭﺳﻢ ﺧﺎﻧﻮﺍﺩﮔﻰ‬
‫ﮔﻔﺘﮕﻮ ﺑﻪ ﭘﺎﻳﺎﻥ ﻧﺰﺩﻳﻚ ﻣﻰﺷﻮﺩ‬ ‫ﻣﻰﻛﻨﻴﺪ؟ ﭘﺲ ﺑﺎ ﺍﻭ ﺣﺮﻑ ﻣﻰﺯﻧﻢ ﻭ‬
‫ﻭ ﺣﻤﻴﺮﺍ ﺩﺭ ﭘﺎﻳﺎﻥ ﻣﻰﮔﻮﻳﺪ‪» :‬ﻣﻦ‬ ‫ﺑﻪ ﺍﻭ ﻣﻰﮔﻮﻳﻢ ﭘﺴﺮﻡ ﺩﺭﺱ ﺑﺨﻮﺍﻥ‪،‬‬ ‫ﻣﺎﺳﺖ ﻛﻪ ﺑﭽﻪ ﺭﺍ ﺩﺭﺁﻏﻮﺵ ﺧﻮﺩ ﺑﺰﺭگ‬
‫ﺗﺎ ﺯﻧﺪﻩﺍﻡ ﺑﺮﺍﻯ ﻣﺮﺩﻡ ﺑﺎﺍﺣﺴﺎﺳﻢ‬ ‫ﻏﺬﺍ ﺑﺨﻮﺭ‪ ،‬ﺭﻭﺯﻯ ﻛﻪ ﺑﻪ ﺍﻳﺮﺍﻥ ﺑﺮﮔﺸﺘﻢ‬
‫ﻣﻰﺧﻮﺍﻧﻢ« ﻭ ﺩﺭ ﺍﻳﻨﺠﺎ ﺑﺎ ﺗﺎﻛﻴﺪ ﺍﺿﺎﻓﻪ‬ ‫ﺣﺘﻤﺎ ﺍﺧﺘﺼﺎﺻﻰ ﺑﺮﺍﻳﺖ ﻣﻰﺧﻮﺍﻧﻢ ﻭ ﺍﻭ‬ ‫ﻛﻨﻴﻢ‪«.‬‬ ‫ﻣﻬﻮﺵ ﻳﺰﺩﻯ‬ ‫ﺟﻬﺎﻧﻰ ﺣﻘﻮﻕ ﺑﺸﺮ ﻭ ﺗﺴﺎﻭﻯ ﺍﻧﺴﺎﻥﻫﺎ ﺍﺯ‬ ‫ﻧﺰﺩﻳﻚ ﺁﻥ ﺑﻴﺘﻮﺗﻪ ﻣﻰﻛﻨﻨﺪ‪ .‬ﻛﻤﻚﻫﺎﻯ‬
‫ﻣﻰﻛﻨﺪ‪» :‬ﻣﺎﻳﻠﻢ ﺍﺯ ﻫﻤﻪ ﻓﺮﺯﻧﺪﺍﻥ‬ ‫ﺑﺎ ﻫﻴﺠﺎﻥ ﻣﻰﮔﻮﻳﺪ‪ :‬ﺣﺘﻤﺎ‪ ،‬ﺑﭽﺸﻢ! ﻭ‬ ‫ﺣﻤﻴﺮﺍ ﺍﺩﺍﻣﻪ ﻣﻰﺩﻫﺪ‪» :‬ﺑﮕﺬﺍﺭﻳﺪ‬ ‫ﺳﻮﻯ ﻛﻮﺭﻭﺵ ﺑﺰﺭگ‪ ،‬ﭘﺎﺩﺷﺎﻩ ﺍﻳﺮﺍﻧﻴﺎﻥ‪،‬‬ ‫ﺩﻭﻟﺘﻰ ﻧﻴﺰ ﻧﺘﻮﺍﻧﺴﺘﻪ ﺍﺳﺖ ﺑﻪ ﺍﻳﻦ‬
‫ﻧﺎﺯﻧﻴﻦﺍﻡ ﺩﺭ ﺳﺮﺍﺳﺮ ﺍﻳﺮﺍﻥ ﻫﻤﻴﻦ ﻃﻮﺭ‬ ‫ﺑﺴﻴﺎﺭ ﺍﺯ ﺍﻳﻦ ﺍﺭﺗﺒﺎﻃﺎﺕ ﻋﺎﻃﻔﻰ ﺑﺎ ﻣﻦ‬ ‫ﺻﺮﻳﺤﺎ ﺑﮕﻮﻳﻢ‪ ،‬ﺑﻠﻪ ﻋﺰﻳﺰﺍﻧﻢ‪ ،‬ﺍﻣﺮﻭﺯ ﺑﻪ‬ ‫ﻣﻰﺧﻮﺭﺩﻧﺪ ﻭ ﻣﻰﻧﻮﺷﻴﺪﻧﺪ ﻭ ﺳﺎﻋﺘﻰ ﺭﺍ‬ ‫ﺑﺮﺍﻯ ﻣﻠﻞ ﺻﺎﺩﺭ ﺷﺪﻩ‪ .‬ﻫﻨﮕﺎﻡ ﺑﻴﺎﻥ ﺍﻳﻦ‬ ‫ﻛﺎﺭﺗﻦﺧﻮﺍﺏﻫﺎ ﻛﻪ ﺩﺭ ﻋﻴﻦ ﺣﺎﻝ ﻣﻨﻈﺮﻩ‬
‫ﺩﺭ ﺍﺭﻭﭘﺎ ﻛﻪ ﺁﻥ ﻫﻤﻪ ﺷﻌﺮ ﺩﺭﺑﺎﺭﻩﺍﻡ‬ ‫ﺑﺮﻗﺮﺍﺭﻣﻰﺷﻮﺩ ﻛﻪ ﻗﺎﺑﻞ ﺗﻮﺻﻴﻒ ﻧﻴﺴﺖ‪«.‬‬ ‫ﻧﺎﻡ ﻣﻮﺳﻴﻘﻰ ﮔﻮﺵ ﻣﺮﺩﻡ ﺭﺍ ﻣﺴﻤﻮﻡ‬ ‫ﺷﺎﺩ ﻣﻰﮔﺬﺭﺍﻧﺪﻧﺪ‪ .‬ﭘﺲ ﺍﺯ ﺻﺮﻑ ﻏﺬﺍ‪،‬‬ ‫ﺗﻮﺿﻴﺤﺎﺕ ﺑﻪ ﺭﻭﺷﻨﻰ ﻣﻰﺷﺪ ﺩﺭﻳﺎﻓﺖ‬ ‫ﺣﺰﻥﺍﻧﮕﻴﺰﻯ ﺩﺭ ﻣﺮﻛﺰ ﺗﺠﺎﺭﻯ ﻭ ﻣﺤﻞ‬
‫ﻣﻰﻧﻮﻳﺴﻨﺪ ﺑﺨﺼﻮﺹ ﻛﺎﻣﺒﻴﺰ ﻋﺰﻳﺰﻡ‬ ‫ﺑﻪ ﻋﻘﻴﺪﻩ ﺣﻤﻴﺮﺍ ﺑﻴﻦ ﺧﻮﺍﻧﻨﺪﻩ ﻭ ﻣﺮﺩﻡ‬ ‫ﻛﺮﺩﻩﺍﻧﺪ ﻭ ﺍﻳﻦ ﺩﺭﺩﻧﺎﻙﺗﺮﻳﻦ ﻭﺿﻌﻴﺘﻰ‬ ‫ﻛﻴﻚ ﻫﻢ ﺑﻪ ﻋﻨﻮﺍﻥ ﺩﺳﺮ ﺧﻮﺭﺩﻧﺪ ﻭ‬ ‫ﻛﻪ ﺗﻮﺿﻴﺢﺩﻫﻨﺪﮔﺎﻥ ﺳﻌﻰ ﺩﺍﺭﻧﺪ‬ ‫ﺗﻤﺮﻛﺰ ﺍﺩﺍﺭﺍﺕ ﻋﻤﺪﻩ ﺩﻭﻟﺘﻰ ﺑﻪ ﻭﺟﻮﺩ‬
‫ﻛﻪ ﺩﺭ ﻓﻴﺴﺒﻮﻙ ﺑﺮﺍﻳﻢ ﺯﺣﻤﺖ ﺑﺴﻴﺎﺭ‬ ‫ﺑﺎﻳﺪ ﻧﻮﻋﻰ ﺭﺍﺑﻄﻪ ﻋﺎﻃﻔﻰ ﺑﺮﻗﺮﺍﺭﺑﺎﺷﺪ ﺗﺎ‬ ‫ﺍﺳﺖ ﻛﻪ ﻣﻮﺳﻴﻘﻰ ﻳﻚ ﺳﺮﺯﻣﻴﻦ ﺑﺎ ﺁﻥ‬ ‫ﺑﺮﻧﺎﻣﻪ ﻧﻮﺭﻭﺯﻯ ‪ 1394‬ﺩﺭ ﻫﻮﺍﻯ ﺩﻟﻨﺸﻴﻦ‬ ‫ﺗﺎﻛﻴﺪ ﻛﻨﻨﺪ ﺍﻳﺮﺍﻧﻰﻫﺎ ﺑﺮ ﺧﻼﻑ ﺁﻧﭽﻪ‬
‫ﻣﻰﻛﺸﺪ ﺗﺸﻜﺮ ﻛﻨﻢ ﻭ ﺍﻣﻴﺪﻭﺍﺭﻡ ﺭﻭﺯﻯ‬ ‫ﭼﻨﻴﻦ ﺭﻭﻳﺪﺍﺩﻫﺎﻯ ﭘﺮﺍﺣﺴﺎﺳﻰ ﺑﻪ ﻭﺟﻮﺩ‬ ‫ﻫﻤﻪ ﺩﺳﺘﺎﻭﺭﺩﻫﺎﻯ ﻫﻨﺮﻯ ﻣﻤﻜﻦ ﺍﺳﺖ‬ ‫ﻭ ﮔﺮﻡ ﻟﺲﺍﻧﺠﻠﺲ ﺑﻪ ﺑﻬﺘﺮﻳﻦ ﺷﻜﻞ ﺑﻪ‬ ‫ﺣﻜﻮﻣﺖ ﺍﺳﻼﻣﻰ ﺩﺭ ﺍﻳﺮﺍﻥ ﻧﺸﺎﻥ ﺩﺍﺩﻩ‪،‬‬ ‫ﺁﻭﺭﺩﻩ‪ ،‬ﺳﺮ ﻭ ﺳﺎﻣﺎﻧﻰ ﺑﺒﺨﺸﺪ‪.‬‬
‫ﭘﺲ ﺍﺯ ﺳﺎﻝﻫﺎ ﺍﻧﺘﻈﺎﺭ ﻭ ﻓﺮﺍﻕ ﺟﺎﻥﺳﻮﺯ‬ ‫ﺍﺳﻼﻣﻴﺴﺖ ﻭ ﺗﺮﻭﺭﻳﺴﺖ ﻧﻴﺴﺘﻨﺪ ﺑﻠﻜﻪ‬ ‫ﺍﺯ‪ 4‬ﺳﺎﻝ ﭘﻴﺶ ﮔﺮﻭﻫﻰ ﺍﺯ ﺍﻳﺮﺍﻧﻴﺎﻥ‬
‫ﺑﻪ ﺍﻳﺮﺍﻥ ﺑﺮﮔﺮﺩﻡ ﻭ ﻫﻤﻪﺷﺎﻥ ﺭﺍ ﺩﺭ‬ ‫ﺑﻴﺎﻳﺪ‪.‬‬ ‫ﺑﻪ ﺁﻥ ﺩﭼﺎﺭ ﺷﻮﺩ‪«.‬‬ ‫ﭘﺎﻳﺎﻥ ﺭﺳﻴﺪ‪.‬‬ ‫ﻋﺪﺍﻟﺖﺧﻮﺍﻩ ﻭ ﺑﺸﺮﺩﻭﺳﺖ ﻫﺴﺘﻨﺪ‪ .‬ﺑﻪ‬ ‫ﻧﻴﻜﻮﻛﺎﺭ ﻭ ﺍﻧﺴﺎﻥﺩﻭﺳﺖ ﺑﻪ ﻃﻮﺭ‬
‫ﺁﻏﻮﺵ ﺑﻜﺸﻢ ﻭ ﺑﺒﻮﺳﻢ‪ .‬ﺩﺭ ﻧﻬﺎﻳﺖ ﺁﺭﺯﻭ‬ ‫ﺣﻤﻴﺮﺍ ﺍﺩﺍﻣﻪ ﻣﻰﺩﻫﺪ‪» :‬ﺑﻪ ﻫﺮ ﺭﻭﻯ‪ ،‬ﻣﻦ‬ ‫ﺑﺎﻳﺪ ﮔﻔﺖ ﺣﻤﻴﺮﺍ ﺟﺰﻭ ﺧﻮﺍﻧﻨﺪﮔﺎﻧﻰ ﺍﺳﺖ‬ ‫ﺍﻋﻀﺎﻯ ﻛﻤﻴﺘﻪ ﺑﺮﮔﺰﺍﺭﻯ ﺍﻳﻦ ﺟﺸﻦ‬ ‫ﻭﻳﮋﻩ ﻫﻨﮕﺎﻣﻰ ﻛﻪ ﺍﺭﺩﻭﺍﻥ ﻣﻔﻴﺪ ﮔﺮﺩﺍﻧﻨﺪﻩ‬ ‫ﺩﺍﻭﻃﻠﺒﺎﻧﻪ ﻛﻤﻴﺘﻪﺍﻯ ﺗﺸﻜﻴﻞ ﺩﺍﺩﻧﺪ ﺗﺎ ﻫﺮ‬
‫ﺩﺍﺭﻡ ﺭﻭﺯﻯ ﺑﻪ ﻣﻴﻬﻨﻢ ﺑﺎﺯ ﮔﺮﺩﻡ ﻭ ﻓﺮﻳﺎﺩ‬ ‫ﻫﻢ ﺍﻳﻨﻚ ﺑﺎ ﻧﻬﺎﻳﺖ ﻇﺮﻓﻴﺖ ﺻﺪﺍ ﺁﻣﺎﺩﻩﺍﻡ‬ ‫ﻛﻪ ﺗﻘﺮﻳﺒﺎ ﺑﻴﺶ ﺍﺯ ﻫﺮ ﺧﻮﺍﻧﻨﺪﻩ ﺯﻥ ﺩﻳﮕﺮ‬ ‫ﻧﻴﻜﻮﻛﺎﺭﻯ ﻋﺒﺎﺭﺕ ﺑﻮﺩﻧﺪ ﺍﺯ‪ :‬ﻣﺮﻳﻢ‬ ‫ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻫﻨﺮﻯ ﺑﺎ ﺷﺎﻝ ﺳﻪ ﺭﻧﮓ ﺑﺮ‬ ‫ﺳﺎﻝ ﺑﺎ ﻓﺮﺍ ﺭﺳﻴﺪﻥ ﻋﻴﺪ ﻭ ﻧﻮﺭﻭﺯ ﺍﻳﺮﺍﻧﻴﺎﻥ‪،‬‬
‫ﭘﺮﺍﺣﺴﺎﺳﻢ ﺭﺍ ﺑﻪ ﮔﻮﺵ ﻣﻴﻠﻴﻮﻥﻫﺎ‬ ‫ﺁﻫﻨﮓ ﻳﺎ ﺁﻫﻨﮓﻫﺎﺋﻰ ﺭﺍ ﻛﻪ ﻣﻨﺎﺳﺐ‬ ‫ﺩﺭﺑﺎﺭﻩﺍﺵ ﺳﺨﻦ ﺭﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺻﺪﺍﻯ ﺑﻰ‬ ‫ﺁﺫﺭﺑﺎﻳﺠﺎﻧﻰ‪ ،‬ﺷﻴﺮﻳﻦ ﻫﺰﺍﺭ‪ ،‬ﺷﻮﺭﻳﻦ‬ ‫ﺩﻭﺵ ﺩﺭ ﻣﻴﺎﻥ ﺟﻤﻌﻴﺖ ﺣﺮﻛﺖ ﻣﻰﻛﺮﺩ‬ ‫ﺩﺭ ﺍﻳﻦ ﻣﺤﻞ ﺟﺸﻨﻰ ﺑﺮ ﭘﺎ ﺩﺍﺭﺩ‪ ،‬ﺳﻔﺮﻩ‬
‫ﻫﻤﻮﻃﻦ ﭘﺮﻋﺎﻃﻔﻪ ﻭﻋﺰﻳﺰﻡ ﺑﭙﺎﺷﻢ…«‬ ‫ﻧﻈﻴﺮ ﻭﺁﺳﻤﺎﻧﻰ ﺍﻭ ﺑﺎ ﺍﺟﺮﺍﻯ ﺁﻫﻨﮓﻫﺎ‪،‬‬ ‫ﻣﻘﺎﻣﻪ‪ ،‬ﻣﺴﻌﻮﺩﻧﺒﻮﻯ‪ ،‬ﻋﻠﻰ ﺭﺍﺯﻯ‪ ،‬ﻋﺒﺎﺱ‬ ‫ﻭ ﺍﻳﻦ ﺑﻴﺖ ﻣﻌﺮﻭﻑ ﺳﻌﺪﻯ ﺭﺍ ﻣﻰﺧﻮﺍﻧﺪ‬ ‫ﻫﻔﺖﺳﻴﻦ ﺑﭽﻴﻨﺪ ﻭ ﺑﺎ ﺍﺟﺮﺍﻯ ﻣﻮﺯﻳﻚ ﻭ‬
‫ﺁﻣﻮﺯﺷﮕﺎﻩ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ‬ ‫ﺗﺮﺍﻧﻪﻫﺎ ﻭ ﺁﻭﺍﺯﻫﺎﻯ ﺩﻟﻨﺸﻴﻦ ﻭ ﻣﺎﻧﺪﮔﺎﺭ‬ ‫ﺳﺎﺗﺮﺍﺏ‪ ،‬ﺍﻣﻴﺮﻳﺰﺩﻯ‪ ،‬ﺍﺭﺩﺷﻴﺮﺣﺎﺋﺮﻯ ﺯﺍﺩﻩ‪،‬‬ ‫ﺭﻗﺺﻫﺎﻯ ﺯﻳﺒﺎﻯ ﺍﻳﺮﺍﻧﻰ ﻫﻤﺮﺍﻩ ﺑﺎ ﻏﺬﺍﻯ‬
‫ﻣﺪﺭﺳﻪ ﺭﺳﺘـﻢ‬ ‫ﺍﺯ ﺍﺳﺘﺎﺩﺍﻥ ﺷﻌﺮ ﻭ ﻣﻮﺳﻴﻘﻰ ﺣﻤﻴﺮﺍ ﺭﺍ‬ ‫ﮔﻴﺘﻰ ﺟﺎﻭﻳﺪ‪ ،‬ﻓﺮﺷﺎﺩ ﻣﻼﻣﺪ‪ ،‬ﻣﻬﺮﺩﺍﺩ‬ ‫ﻛﻪ‪:‬‬ ‫ﮔﺮﻡ ﻭ ﻧﻮﺷﻴﺪﻧﻰ‪ ،‬ﻳﻚ ﺭﻭﺯ ﺧﻮﺏ ﻭ ﺷﺎﺩ‬
‫ﻛﺎﻧﻮﻥ ﺍﻳﺮﺍﻥ‬ ‫ﺳﺮﺁﻣﺪ ﻫﻤﻪ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﺯﻥ ﻛﺮﺩ ﺗﺎ‬ ‫ﺭﺍﺳﺦ‪ ،‬ﺍﻧﻮﺵ ﺭﺍﺯﻯ‪ ،‬ﻓﺎﻃﻤﻪ ﺳﺎﺗﺮﺍﺏ‪،‬‬
‫ﺩﺍﺭﻧﺪﻩ ﮔﻮﺍﻫﻴﻨﺎﻣﻪ ﻣﻤﺘﺎﺯ ﺁﻣﻮﺯﺵ ﻭ ﻧﺸﺎﻥ ﻃﻼ‬ ‫ﺟﺎﻳﻰ ﻛﻪ ﺍﺳﺘﺎﺩﺍﻥ ﻣﻮﺳﻴﻘﻰ ﺻﺪﺍﻯ‬ ‫ﻓﺮﻫﺎﺩﻳﺰﺩﻯ‪ ،‬ﺷﻬﺮﺍﻡ ﻣﻘﺎﻣﻪ‪ ،‬ﺭﺿﺎ ﻣﻌﻴﻨﻰ‪،‬‬ ‫ﺗﻮ ﻛﺰ ﻣﺤﻨﺖ ﺩﻳﮕﺮﺍﻥ ﺑﻰ ﻏﻤﻰ‬ ‫ﺑﺮﺍﻯ ﺁﻧﺎﻥ ﻓﺮﺍﻫﻢ ﺁﻭﺭﺩ‪.‬‬
‫ﺍﺯﺳﻄﺢﻣﺒﺘﺪﻯﺗﺎﺩﻭﺭﻩ‬ ‫ﺑﻰﻫﻤﺘﺎﻯ ﺍﻭ ﺭﺍ ﻭﺳﻴﻊﺗﺮ ﻭ ﻗﻮﻯﺗﺮ ﺍﺯ‬ ‫ﻣﻴﻨﺎ ﺭﺍﺳﺦ‪ ،‬ﺗﻤﻴﻼ ﺭﺧﺸﻴﺪﻩ‪ ،‬ﺟﻮﺯﻑ‬ ‫ﺍﻣﺴﺎﻝ ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﺩﺭ ﺭﻭﺯ ‪ 13‬ﻣﺎﺭﺱ ﺩﺭ‬
‫‪RUSTAM SCHOOL‬‬ ‫ﭘﻴﺶﺩﺍﻧﺸﮕﺎﻫﻰﻭﻛﻼﺳﻬﺎﻯﻭﻳﮋﻩ‬ ‫ﺻﺪﺍﻯ ﻗﻤﺮ ﻭ ﺭﻭﺡﺍﻧﮕﻴﺰ ﺗﻮﺻﻴﻒ ﻛﺮﺩﻧﺪ‪.‬‬ ‫ﻧﺸﺎﻳﺪ ﻛﻪ ﻧﺎﻣﺖ ﻧﻬﻨﺪ ﺁﺩﻣﻰ‬ ‫ﭼﻬﺎﺭﻣﻴﻦ ﺳﺎﻝ ﺑﺮﮔﺰﺍﺭﻯ ﺧﻮﺩ ﺑﻪ ﻧﺤﻮ‬
‫ﻧﺸﺮﻳﻪ »ﮔﺮﺩﻭﻥ« ﺑﻪ ﻣﺪﻳﺮﻳﺖ ﻋﺒﺎﺱ‬ ‫ﺳﻌﺪﻳﺎﻥ ﻭ ﻫﻮﻣﻦ ﻳﺰﺩﻯ‪.‬‬ ‫ﺯﻳﺒﺎﺋﻰ ﻭ ﺑﺎ ﺷﺮﻛﺖ ﺷﻤﺎﺭ ﺑﺴﻴﺎﺭﻯ ﺍﺯ‬
‫‪Parliament Hill School‬‬ ‫ﺑﺰﺭﮔﺴﺎﻻﻥﻭﺧﺎﺭﺟﻴﺎﻥ‬ ‫ﻣﻌﺮﻭﻓﻰ ﺩﺭ ﺷﻤﺎﺭﻩ ﺩﻫﻢ ﻭ ﻳﺎﺯﺩﻫﻢ ﺧﻮﺩ‬ ‫ﺧﺎﻧﻢ ﻣﻬﻮﺵ ﻳﺰﺩﻯ ﻛﻪ ﻣﺪﻳﺮ ﭼﻨﺪ‬ ‫ﺩﺭ ﻋﻴﻦ ﺣﺎﻝ ﺍﻳﻦ ﭘﺮﺳﺶ ﻭ ﭘﺎﺳﺦﻫﺎ‬ ‫ﺑﻰﺧﺎﻧﻤﺎﻥﻫﺎ ﺑﻪ ﺧﻮﺑﻰ ﻭ ﺧﻮﺷﻰ ﺑﺮﮔﺰﺍﺭ‬
‫ﺩﺭ ﺳﺎﻝ ‪ 1370‬ﺩﺭ ﺑﺮﺭﺳﻰ ﻣﻮﻗﻌﻴﺖ‬ ‫ﻛﻤﭙﺎﻧﻰ ﺍﺳﺖ ﺑﻪ ﻧﻤﺎﻳﻨﺪﻩ ﻛﻴﻬﺎﻥ ﺁﻧﻼﻳﻦ‬ ‫ﺗﻼﺷﻰ ﺑﻮﺩ ﻛﻪ ﺍﻳﺮﺍﻧﻴﺎﻥ ﺑﻪ ﻧﻮﻋﻰ ﺑﺮﺍﻯ‬ ‫ﺷﺪ‪ .‬ﭼﻬﺮﻩ ﺑﻰﺍﻣﻴﺪ ﺍﻳﻦ ﺑﻴﻨﻮﺍﻳﺎﻥ ﺩﺭ ﺍﻳﻦ‬
‫‪Highgate Road,London‬‬ ‫‪AL MUNTADA SECONDARY‬‬ ‫ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﻧﺎﻣﺪﺍﺭ ﺯﻥ ﺍﻳﺮﺍﻧﻰ ﺑﺎ ﻋﻨﻮﺍﻥ‬ ‫)ﻟﻨﺪﻥ( ﺩﺭ ﺁﻣﺮﻳﻜﺎ ﮔﻔﺖ‪ :‬ﺍﻳﻦ ﭘﺬﻳﺮﺍﺋﻰ‬ ‫ﺍﻋﺎﺩﻩ ﺣﻴﺜﻴﺖ ﺧﻮﺩ ﻭ ﺩﺭ ﺑﺮﺍﺑﺮ ﺗﺼﻮﻳﺮﻯ‬ ‫ﺟﺸﻦ ﺳﺎﻋﺘﻰ ﺍﺯ ﻫﻢ ﺑﺎﺯ ﺷﺪ ﺗﺎ ﺟﺎﻳﻰ‬
‫‪SCHOOL‬‬ ‫ﺍﺯ ”ﻗﻤﺮ ﺗﺎ ﻗﺸﻨﮓ“ ﺑﺎﻫﻤﻪ ﺳﺎﻧﺴﻮﺭ ﻭ‬ ‫ﻣﻨﺤﺼﺮ ﺑﻪ ﺍﻣﺮﻭﺯ ﻧﻴﺴﺖ ﻭ ﺗﺎ ﭼﻨﺪ ﺭﻭﺯ‬ ‫ﺍﻧﺠﺎﻡ ﻣﻰﺩﺍﺩﻧﺪ ﻛﻪ ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ ﺍﺯ‬ ‫ﻛﻪ ﺑﺮﺧﻰ ﺍﺯ ﺁﻧﺎﻥ ﺑﺎ ﺭﻗﺼﻨﺪﮔﺎﻥ ﺍﻳﺮﺍﻧﻰ‬
‫‪NW5 1RL‬‬ ‫ﺍﺣﺘﻴﺎﻁ ﺍﺟﺒﺎﺭﻯ ﺯﻣﺎﻥ ﻭ ﻣﻜﺎﻥ ﺩﺭﻣﻮﺭﺩ‬ ‫ﺁﻳﻨﺪﻩ ﺻﺒﺤﺎﻧﻪ‪ ،‬ﻧﺎﻫﺎﺭ ﻭ ﺷﺎﻡ ﺩﺭ ﺍﺧﺘﻴﺎﺭ‬ ‫ﺍﻳﺮﺍﻥ ﻭ ﺍﻳﺮﺍﻧﻰ ﺩﺭ ﺑﺮﺍﺑﺮ ﺟﻬﺎﻥ ﺑﻪ ﻧﻤﺎﻳﺶ‬ ‫ﻛﻪ ﺑﺎ ﻟﺒﺎﺱﻫﺎﻯ ﻣﺤﻠﻰ ﺭﻧﮕﺎﺭﻧﮓ ﻫﻤﺮﺍﻩ‬
‫‪23-31 BEAVOR LANE‬‬ ‫ﺣﻤﻴﺮﺍ ﻧﻮﺷﺖ ﻭﻯ ﺑﺎ ﺗﺮﺍﻧﻪ ”ﺻﺒﺮﻡ ﻋﻄﺎ‬ ‫ﮔﺬﺍﺷﺘﻪ ﺍﺳﺖ‪ .‬ﺁﻧﻬﺎ ﻣﻰﺧﻮﺍﺳﺘﻨﺪ ﺩﺭ‬ ‫ﺑﺎ ﺩﻫﻞ ﻭ ﻧﻘﺎﺭﻩ ﻭ ﺁﻛﻮﺭﺩﺋﻮﻥ ﺩﺭ ﻻﺑﻼﻯ‬
‫‪020 7482 9826‬‬ ‫)‪(OFF KING STREET‬‬ ‫ﻛﻦ“ ﭼﻨﺎﻥ ﮔﻞ ﻛﺮﺩ ﻛﻪ ﺍﺳﺘﺎﺩ ﺑﻨﺎﻥ‬ ‫ﻧﻴﺎﺯﻣﻨﺪﺍﻥ ﻗﺮﺍﺭﺩﺍﺩﻩ ﺧﻮﺍﻫﺪﺷﺪ‪.‬‬ ‫ﺳﺎﺩﻩﺗﺮﻳﻦ ﭘﺎﺳﺦﻫﺎ ﻭ ﺗﻮﺿﻴﺤﺎﺕ ﺑﮕﻮﻳﻨﺪ‬ ‫ﻣﻴﺰﻫﺎ ﻭ ﺭﻭﻯ ﺳﻦ ﻣﻰﺭﻗﺼﻴﺪﻧﺪ ﻫﻤﺮﺍﻩ‬
‫‪HAMMERSMITH‬‬ ‫ﺩﺭ ﭘﺸﺖ ﻧﻮﺍﺭ ﺍﻭ ﻧﻮﺷﺖ‪ :‬ﺻﺪ ﺳﺎﻝ‬ ‫ﮔﻔﺘﻨﻰ ﺍﺳﺖ ﻛﻪ ﺷﺒﻜﻪﻫﺎﻯ ﺧﺒﺮﻯ‬ ‫ﻛﻪ ﺭژﻳﻢ ﺩﻳﻨﻰ ﺍﻳﺮﺍﻥ ﻧﻤﺎﻳﻨﺪﻩ ﻭﺍﻗﻌﻰ‬
‫)ﻟﻨﺪﻥ( ‪020 8361 9251‬‬ ‫‪LONDON W6 9AR‬‬ ‫ﺩﻳﮕﺮ ﭼﻨﻴﻦ ﺻﺪﺍﺋﻰ ﺩﺭ ﻣﻮﺳﻴﻘﻰ ﺍﻳﺮﺍﻥ‬ ‫ﺁﻣﺮﻳﻜﺎﻳﻰ ﻣﺎﻧﻨﺪ ﺳﻰ ﺑﻰ ﺍﺱ‪ ،‬ﺍﻥ ﺑﻰ ﺳﻰ‬ ‫ﺍﻳﺮﺍﻧﻴﺎﻥ ﻭ ﻓﺮﻫﻨﮓ ﻭ ﺗﻤﺪﻥ ﺁﻧﻬﺎ ﻧﻴﺴﺖ‪.‬‬ ‫ﺷﺪﻧﺪ ﻭ ﺑﻪ ﺷﺎﺩﻣﺎﻧﻰ ﭘﺮﺩﺍﺧﺘﻨﺪ‪.‬‬
‫‪www.rustamschool.org.uk‬‬ ‫‪Tel:020 - 8749 2989‬‬ ‫ﻭ ﺍﻯ ﺑﻰ ﺳﻰ ﺍﺯ ﺍﻳﻦ ﺟﺸﻦ ﻧﻮﺭﻭﺯﻯ ﻭ‬ ‫ﻳﻚ ﺩﺳﺘﻪ ﭘﻨﺠﺎﻩ ﺷﺼﺖ ﻧﻔﺮﻯ ﺍﺯ‬ ‫ﺩﺭ ﺯﻳﺮ ﻳﻚ ﭼﺎﺩﺭ ﺧﻮﺷﺮﻧﮓ ﺳﻔﺮﻩ‬
‫‪Fax:020 - 8749 7687‬‬ ‫ﻧﺨﻮﺍﻫﺪﺁﻣﺪ‪.‬‬ ‫ﻧﻴﻜﻮﻛﺎﺭﻯ ﻓﻴﻠﻢ ﻭ ﻋﻜﺲ ﺗﻬﻴﻪ ﻛﺮﺩﻩ ﻭ ﺩﺭ‬ ‫ﺯﻧﺎﻥ ﻭﻣﺮﺩﺍﻥ ﺩﺍﻭﻃﻠﺐ ﺍﻳﺮﺍﻧﻰ‪ ،‬ﺻﺎﺣﺒﺎﻥ‬ ‫ﻫﻔﺖﺳﻴﻦ ﭼﻴﺪﻩ ﺷﺪﻩ ﺑﻮﺩ‪ .‬ﺳﺒﺰﻩ‪،‬‬
‫‪Mob:07956 333 296‬‬ ‫ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﺧﺒﺮﻯ ﺧﻮﺩ ﭘﺨﺶ ﻧﻤﻮﺩﻧﺪ‪.‬‬ ‫ﻣﺸﺎﻏﻞ ﮔﻮﻧﺎﮔﻮﻥ ﺍﺯ ﭘﺰﺷﻚ ﻭ ﺣﻘﻮﻗﺪﺍﻥ‬

‫ﻟﻨـﺪﻥ‬ ‫ﺣﻤﻴﺮﺍ ﻛﻪ ﻗﺮﺍﺭ ﺑﻮﺩ ﺑﺮﺍﻯ ﻃﻰ ﺩﻭﺭﻩ‬

‫ﻣﻮﺳﻴﻘﻰ ﻋﺎﻟﻰ ﻭ ﺍﺟﺮﺍﻯ ﺑﺮﻧﺎﻣﻪ ﺩﺭ‬ ‫ﺍﻓﺴﺎﻧﺔ ﻭﻳﻨﺴﺒﺮگ‬
‫ﺍﭘﺮﺍﻫﺎﻯ ﺑﺰﺭگ ﺑﻪ ﻭﻳﻦ‪ ،‬ﭘﺎﻳﺘﺨﺖ ﺍﭘﺮﺍﻫﺎﻯ‬

‫ﺟﻬﺎﻥ‪ ،‬ﺍﻋﺰﺍﻡ ﺷﻮﺩ ﻧﺨﺴﺘﻴﻦ ﺑﺎﺭ ﺗﺮﺍﻧﻪ‬

‫»ﺻﺒﺮﻡ ﻋﻄﺎ ﻛﻦ« ﺳﺎﺧﺘﻪ ﺍﺳﺘﺎﺩﻋﻠﻰ‬ ‫ﺑﺮ ﺑﺎﻻﻯ ﺗﭙﻪﺍﻯ ﺩﺭ ﺷﻬﺮ ﻭﻳﻨﺴﺒﺮگ‬

‫ﺗﺠﻮﻳﺪﻯ ﻭ ﺑﺎ ﻛﻼﻡ ﺑﻴﮋﻥ ﺗﺮﻗﻰ ﺭﺍ ﺑﻪ‬ ‫ﺁﻟﻤﺎﻥ‪ ،‬ﻗﻠﻌﻪﺍﻯ ﻗﺪﻳﻤﻰ ﻭ ﺑﻠﻨﺪ ﻭﺟﻮﺩ‬

‫ﻃﻮﺭ ﺯﻧﺪﻩ ﺩﺭ ﺭﺍﺩﻳﻮ ﺍﻳﺮﺍﻥ ﺍﺟﺮﺍ ﻛﺮﺩ‪.‬‬ ‫ﺩﺍﺭﺩ ﻛﻪ ﻣﺸﺮﻑ ﺑﺮ ﺷﻬﺮ ﺍﺳﺖ‪ .‬ﺍﻫﺎﻟﻰ‬

‫ﻫﻤﺎﻥ ﺁﻫﻨﮓ ﺍﻭﻝ ﻋﺎﺷﻘﺎﻥ ﻣﻮﺳﻴﻘﻰ‬ ‫ﻭﻳﻨﺴﺒﺮگ‪ ،‬ﺍﻓﺴﺎﻧﻪﺍﻯ ﺟﺎﻟﺐ ﺩﺭ ﻣﻮﺭﺩ ﺍﻳﻦ‬

‫ﺍﻳﺮﺍﻧﻰ ﺭﺍ ﺑﻪ ﺷﺪﺕ ﺗﺤﺖ ﺗﺎﺛﻴﺮ ﺻﺪﺍﻯ‬ ‫ﻗﻠﻌﻪ ﺩﺍﺭﻧﺪ ﻛﻪ ﺑﺎﺯﮔﻮﻳﻰ ﺁﻥ ﻣﺎﻳﺔ ﻣﺒﺎﻫﺎﺕ‬

‫ﺍﺳﺘﺜﻨﺎﺋﻰ ﺍﻭ ﻗﺮﺍﺭ ﺩﺍﺩ‪.‬‬ ‫ﻭ ﺍﻓﺘﺨﺎﺭﺷﺎﻥ ﺍﺳﺖ‪:‬‬

‫ﻫﻢﺯﻣﺎﻥ ﺩﺍﻭﺩ ﭘﻴﺮﻧﻴﺎ ﺑﻨﻴﺎﻧﮕﺬﺍﺭ ﺑﺮﻧﺎﻣﻪ‬ ‫ﺍﻓﺴﺎﻧﻪ ﺣﺎﻛﻰ ﺍﺯ ﺁﻥ ﺍﺳﺖ ﻛﻪ ﺩﺭ ﻗﺮﻥ‬

‫»ﮔﻠﻬﺎ« ﺩﺭ ﺭﺍﺩﻳﻮ‪ ،‬ﺁﻫﻨﮓﻫﺎﻯ ﺣﻤﻴﺮﺍ‬ ‫‪ ،15‬ﻟﺸﻜﺮ ﺩﺷﻤﻦ ﺍﻳﻦ ﺷﻬﺮ ﺭﺍ ﺗﺼﺮﻑ ﻭ‬

‫ﺭﺍ ﺩﺭ ﺟﻤﻊ ﺍﺩﻳﺒﺎﻧﻰ ﭼﻮﻥ ﺍﺳﺘﺎﺩﺍﻥ‬ ‫ﻗﻠﻌﻪ ﺭﺍ ﻣﺤﺎﺻﺮﻩ ﻣﻰﻛﻨﺪ‪ .‬ﺍﻫﺎﻟﻰ ﺷﻬﺮ ﺍﺯ‬

‫ﻟﻄﻔﻌﻠﻰ ﺻﻮﺭﺗﮕﺮ‪ ،‬ﺩﻛﺘﺮ ﺭﺿﺎﺯﺍﺩﻩ ﺷﻔﻖ‪،‬‬ ‫ﺯﻥ ﻭ ﻣﺮﺩ ﻭ ﭘﻴﺮ ﻭ ﺟﻮﺍﻥ‪ ،‬ﺑﺮﺍﻯ ﺭﻫﺎﻳﻰ ﺍﺯ‬

‫ﻣﺮگ ﺑﻪ ﺩﺍﺧﻞ ﻗﻠﻌﻪ ﭘﻨﺎﻩ ﻣﻰﺑﺮﻧﺪ‪.‬ﻓﺮﻣﺎﻧﺪﻩ‬

‫ﭘﺎﺳﺦ ﻭﺟﻪ ﺍﺷﺘﺮﺍﻙ‬ ‫ﺩﺷﻤﻦ ﭘﻴﺎﻡ ﻣﻰﻓﺮﺳﺘﺪ ﻛﻪ ﻗﺒﻞ ﺍﺯ ﺣﻤﻠﻪ‬
‫ﻭﻳﺮﺍﻥﻛﻨﻨﺪﺓ ﺧﻮﺩ ﺣﺎﺿﺮ ﺍﺳﺖ ﺑﻪ ﺯﻧﺎﻥ ﻭ‬

‫ﺍﺯ ﺻﻔﺤﻪ ‪23‬‬ ‫ﻛﻮﺩﻛﺎﻥ ﺍﺟﺎﺯﻩ ﺩﻫﺪ ﺗﺎ ﺻﺤﻴﺢ ﻭ ﺳﺎﻟﻢ ﺍﺯ‬

‫ﺍﻳﻨﺎﻥ ﻫﻤﮕﻰ ﺩﺭ ﻓﻴﻠﻢﻫﺎ‬ ‫ﻗﻠﻌﻪ ﺧﺎﺭﺝ ﺷﺪﻩ ﻭ ﭘﻰ ﻛﺎﺭ ﺧﻮﺩ ﺭﻭﻧﺪ‪.‬‬
‫ﭘﺲ ﺍﺯ ﻛﻤﻰ ﻣﺬﺍﻛﺮﻩ‪ ،‬ﻓﺮﻣﺎﻧﺪﻩ ﺩﺷﻤﻦ‬

‫ﺩﺭ ﻧﻘﺶ ﺩﺭﺍﻛﻮﻻﻯ‬ ‫ﺑﻪﺧﺎﻃﺮ ﺭﻋﺎﻳﺖ ﺁﻳﻴﻦ ﺟﻮﺍﻧﻤﺮﺩﻯ ﻭ ﺑﺮ‬
‫ﺍﺳﺎﺱ ﻗﻮﻝ ﺷﺮﻑ‪ ،‬ﻣﻮﺍﻓﻘﺖ ﻣﻰﻛﻨﺪ ﻛﻪ‬
‫ﻫﺮ ﻳﻚ ﺍﺯ ﺯﻧﺎﻥ ﺩﺭ ﺑﻨﺪ‪ ،‬ﮔﺮﺍﻧﺒﻬﺎﺗﺮﻳﻦ ﺁﻥ ﺑﺎﺷﻨﺪ‪.‬ﻗﻴﺎﻓﻪ ﺣﻴﺮﺕﺯﺩﻩ ﻭ ﺳﺮﺷﺎﺭ ﺍﺯ ﻗﻠﻌﻪ ﺧﺎﺭﺝ ﻣﻰﺷﺪﻧﺪ ﺑﺴﻴﺎﺭ ﺗﻤﺎﺷﺎﻳﻰ ﺑﻮﺩ‪.‬‬
‫ﺧﻮﻧﺨﻮﺍﺭ ﺯﻥ ﺑﺎﺯﻯ‬ ‫ﺩﺍﺭﺍﻳﻰ ﺧﻮﺩ ﺭﺍ ﻧﻴﺰ ﺍﺯ ﻗﻠﻌﻪ ﺧﺎﺭﺝ ﻛﻨﻨﺪ ﺷﮕﻔﺘﻰ ﻓﺮﻣﺎﻧﺪﻩ ﺩﺷﻤﻦ ﺑﻪ ﻫﻨﮕﺎﻣﻰ ﻛﻪ ﻫﺮ ﺑﻪ ﻧﻈﺮﺷﻤﺎ ﺍﮔﺮ ﻗﻀﻴﻪ ﺑﺮ ﻋﻜﺲ ﺑﻮﺩ‬
‫ﻛﺮﺩﻧﺪ‪.‬‬
‫ﺑﻪ ﺷﺮﻃﻰ ﻛﻪ ﺑﻪﺗﻨﻬﺎﻳﻰ ﻗﺎﺩﺭ ﺑﻪ ﺣﻤﻞ ﻳﻚ ﺍﺯ ﺯﻧﺎﻥ ﺷﻮﻫﺮ ﺧﻮﺩ ﺭﺍ ﻛﻮﻝ ﮔﺮﻓﺘﻪ ﻭ ﺍﺯ ﺁﻗﺎﻳﺎﻥ ﭼﻜﺎﺭ ﻣﻴﻜﺮﺩﻧﺪ؟!‬

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