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‫و ه ﻮروز‬ ‫ﺻﻔﺤﻪ ‪ - Page 8 - 8‬ﺷﻤﺎﺭﻩ ‪1‬‬
‫ﺷﻨﺒﻪ ‪ 1‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ‪ 13‬ﻓﺮﻭﺭﺩﻳﻦ ﻣﺎﻩ ‪1394‬ﺧﻮﺭﺷﻴﺪﻯ‬

‫ﺳﻪﺗﺎﺭ ﻭ ﻧﻴﺰ ﺩﺍﻳﻰ ﺍﻭ ﻣﺮﺣﻮﻡ ﺍﺣﻤﺪ ﻋﺒﺎﺩﻯ‪،‬‬ ‫ﻫﻮﺷﻨﮓ ﺳﻴﺤﻮﻥ‬ ‫ﺑﻪﻳﺎﺩ ﻣﺎﻧﺪﮔﺎﻥ‬ ‫ﻛﻪ ﻧﺜﺮﻯ ﺳﺮﺩ ﻭ ﺳﻨﮕﻴﻦ ﺩﺍﺭﻧﺪ‪ ،‬ﺑﻴﺸﺘﺮ‬ ‫ﻣﺤﻤﺪﺍﺑﺮﺍﻫﻴﻢ ﺑﺎﺳﺘﺎﻧﻰ ﭘﺎﺭﻳﺰﻯ‬
‫ﺍﺳﺘﺎﺩ ﺑﺰﺭگ ﺳﻪﺗﺎﺭ ﺑﻮﺩ‪.‬ﻫﻮﺷﻨﮓ ﺳﻴﺤﻮﻥ‬ ‫ﻧﻮﺷﺘﻪﻫﺎﻯ ﺗﺎﺭﻳﺨﻰ ﺑﺎﺳﺘﺎﻧﻰ ﭘﺎﺭﻳﺰﻯ ﭘﺮ‬
‫ﺑﻴﺶ ﺍﺯ ﺩﻭ ﺩﻫﻪ ﺩﺭ ﻭﻧﻜﻮﻭﺭ ﻛﺎﻧﺎﺩﺍ ﺯﻧﺪﮔﻰ‬ ‫)ﺷﻬﺮﻳﻮﺭ ‪ 1299‬ﺗﻬﺮﺍﻥ ‪ -‬ﺧﺮﺩﺍﺩ‬ ‫ﺩﺭ ﺳﺎﻝ‪ 1393‬ﻧﻴﺰ ﺷﻤﺎﺭﻯ ﺍﺯ ﺷﺨﺼﻴﺖﻫﺎﻯ ﭘﻴﺸﻴﻦ ﻛﺸﻮﺭﻯ‬ ‫ﺍﺯ ﺩﺍﺳﺘﺎﻥﻫﺎ ﻭ ﺿﺮﺏﺍﻟﻤﺜﻞﻫﺎ ﻭ ﺣﻜﺎﻳﺎﺕ‬ ‫)‪ 3‬ﺩﻯ ‪ 5 – 1304‬ﻓﺮﻭﺭﺩﻳﻦ ‪(1393‬‬
‫ﻛﺮﺩ‪ .‬ﻭﻯ ﺷﻬﺮﻭﻧﺪ ﺍﻓﺘﺨﺎﺭﻯ ﻓﺮﺍﻧﺴﻪ ﻧﻴﺰ ﺑﻮﺩ‪.‬‬ ‫‪ 1393‬ﻭﻧﻜﻮﻭﺭ ﻛﺎﻧﺎﺩﺍ(‬ ‫ﻭ ﻟﺸﻜﺮﻯ‪ ،‬ﻓﻌﺎﻻﻥ ﺑﺨﺶ ﺻﻨﻌﺖ ﻭ ﺗﺠﺎﺭﺕ‪ ،‬ﺍﺳﺘﺎﺩﺍﻥ ﺍﻳﺮﺍﻧﻰ‬ ‫ﻭ ﺍﺷﻌﺎﺭﻯ ﺍﺳﺖ ﻛﻪ ﺧﻮﺍﻧﺪﻥ ﻣﺘﻦ ﺭﺍ ﺑﺮﺍﻯ‬ ‫ﺗﺎﺭﻳﺦﺩﺍﻥ‪ ،‬ﻧﻮﻳﺴﻨﺪﻩ‪ ،‬ﭘﮋﻭﻫﺸﮕﺮ‪ ،‬ﺷﺎﻋﺮ‪،‬‬
‫ﺩﺍﻧﺸﮕﺎﻩﻫﺎﻯ ﺩﺍﺧﻞ ﻭ ﺧﺎﺭﺝ ﻛﺸﻮﺭ‪ ،‬ﭼﻬﺮﻩﻫﺎﻯ ﺳﺮﺷﻨﺎﺱ ﻋﺮﺻﺔ‬ ‫ﺧﻮﺍﻧﻨﺪﻩ ﺁﺳﺎﻥﺗﺮ ﻭ ﻟﺬﺕﺑﺨﺶﺗﺮ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﻣﻮﺳﻴﻘﻰﭘﮋﻭﻩ ﻭ ﺍﺳﺘﺎﺩ ﺑﺎﺯﻧﺸﺴﺘ ٔﻪ ﺩﺍﻧﺸﮕﺎﻩ‬
‫ﻣﻌﻤﺎﺭ‪ ،‬ﻃﺮﺍﺡ‪ ،‬ﻧﻘﺎﺵ ﻭ ﻣﺠﺴﻤﻪﺳﺎﺯ‬ ‫ﻫﻨﺮ‪ ،‬ﺍﺩﺑﻴﺎﺕ‪ ،‬ﺳﻴﻨﻤﺎ ﻭ ﺗﺂﺗﺮ ﺩﺭ ﺍﻳﺮﺍﻥ ﻭ ﺩﻳﮕﺮ ﻧﻘﺎﻁ ﺟﻬﺎﻥ‪ ،‬ﺭﻭﻯ ﺩﺭ‬ ‫ﺑﻪ ﻋﻼﻭﻩ ﻛﺘﺎﺏﻫﺎﻯ ﺑﺎﺳﺘﺎﻧﻰ ﭘﺎﺭﻳﺰﻯ‬ ‫ﺗﻬﺮﺍﻥ ﺑﻮﺩ‪ .‬ﺷﻮﻕ ﻧﻮﻳﺴﻨﺪﮔﻰ ﻭﻯ ﺩﺭ ﺩﻭﺭﺍﻥ‬
‫ﺳﺮﺷﻨﺎﺱ ﻭ ﻧﺎﻣﺪﺍﺭ ﺍﻫﻞ ﺍﻳﺮﺍﻥ ﺑﻮﺩ‪ .‬ﻭﻯ‬ ‫ﻧﻘﺎﺏ ﺧﺎﻙ ﻛﺸﻴﺪﻧﺪ‪.‬ﺍﮔﺮ ﭼﻪ ﺫﻛﺮ ﻧﺎﻡ ﻫﻤﻪ ﺁﻧﺎﻥ ﻣﻘﺪﻭﺭ ﻧﻴﺴﺖ ﻭﻟﻴﻜﻦ‬ ‫ﻣﻌﻤﻮﻻً ﭘﺎﻭﺭﻗﻰﻫﺎﻯ ﺑﺴﻴﺎﺭ ﻣﻔﺼﻠﻰ ﺩﺍﺭﻧﺪ‬ ‫ﻛﻮﺩﻛﻰ ﻭ ﻧﻮﺟﻮﺍﻧﻰ ﺩﺭ ﭘﺎﺭﻳﺰ ﻭ ﺑﺎ ﺧﻮﺍﻧﺪﻥ‬
‫ﺍﺳﺘﺎﺩ ﻣﻌﻤﺎﺭﻯ ﻭ ﺭﻳﻴﺲ ﺳﺎﺑﻖ ﺩﺍﻧﺸﻜﺪﻩ‬ ‫ﻛﻴﻬـﺎﻥ ﻟﻨﺪﻥ ﺑﻪ ﻫﻤﺎﻥ ﻣﻴﺰﺍﻥ ﻛﻪ ﻣﻘﺪﻭﺭ ﺍﺳﺖ ﺑﻪﺭﺳﻢ ﺩﻳﺮﻳﻦ‪ ،‬ﻳﺎﺩ ﺍﻳﻦ‬ ‫ﻛﻪ ﮔﺎﻫﻰ ﺍﺯ ﺧﻮﺩ ﻣﺘﻦ ﻫﻢ ﻣﻔﺼﻞﺗﺮ ﺍﺳﺖ‪.‬‬ ‫ﻧﺸﺮﻳﺎﺗﻰ ﻣﺎﻧﻨﺪ ﺣﺒﻞﺍﻟﻤﺘﻴﻦ‪ ،‬ﺁﻳﻨﺪﻩ ﻭ ﻣﻬﺮ‬
‫ﻫﻨﺮﻫﺎﻯ ﺯﻳﺒﺎﻯ ﺩﺍﻧﺸﮕﺎﻩ ﺗﻬﺮﺍﻥ ﺑﻮﺩ‪.‬‬ ‫ﺍﻧﺴﺎﻥﻫﺎﻯ ﺳﺨﺘﻜﻮﺵ‪ ،‬ﻓﺮﻫﻴﺨﺘﻪ‪ ،‬ﻭﻃﻦﭘﺮﺳﺖ ﺭﺍ ﮔﺮﺍﻣﻰ ﻣﻰﺩﺍﺭﺩ ﻭ‬
‫ﺳﻴﺤﻮﻥ‪ ،‬ﻃﺮﺍﺡ ﺑﻨﺎﻯ ﻳﺎﺩﺑﻮﺩﻯ ﺁﺭﺍﻣﮕﺎﻩ‬ ‫ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻓﺮﺻﺖ‪ ،‬ﺑﻪ ﺑﺴﺘﮕﺎﻥ ﻭ ﺩﻭﺳﺘﺎﻥ ﺁﻧﺎﻥ ﺗﺴﻠﻴﺖ ﻣﻰﮔﻮﻳﺪ‪.‬‬ ‫ﺑﺮﺍﻧﮕﻴﺨﺘﻪ ﺷﺪ‪.‬‬
‫ﺑﻮﻋﻠﻰﺳﻴﻨﺎ ﻭ ﻃﺮﺍﺡ ﺁﺭﺍﻣﮕﺎﻩﻫﺎﻯ ﺧﻴﺎﻡ‪،‬‬ ‫ﺑﺎﺳﺘﺎﻧﻰ‪ ،‬ﺍﻭﻟﻴﻦ ﻧﻮﺷﺘﻪﻫﺎﻯ ﺧﻮﺩ ﺭﺍ ﺩﺭ‬
‫ﻧﺎﺩﺭﺷﺎﻩ ﺍﻓﺸﺎﺭ‪ ،‬ﻓﺮﺩﻭﺳﻰ ﻭ ﻛﻤﺎﻝﺍﻟﻤﻠﻚ‬ ‫ﺳﻴﻤﻴﻦ ﺧﻠﻴﻠﻰ ﻣﻌﺮﻭﻑ ﺑﻪ ﺳﻴﻤﻴﻦ ﺑﻬﺒﻬﺎﻧﻰ‬ ‫ﺳﺎﻝﻫﺎﻯ ﺗﺮﻙ ﺗﺤﺼﻴﻞ ﺍﺟﺒﺎﺭﻯ )‪ 1318‬ﻭ‬
‫)‪ 28‬ﺗﻴﺮ ‪ 28 - 1306‬ﻣﺮﺩﺍﺩ ‪(1393‬‬ ‫‪ (1319‬ﺩﺭ ﻗﺎﻟﺐ ﺭﻭﺯﻧﺎﻣﻪﺍﻯ ﺑﻪ ﻧﺎﻡ ﺑﺎﺳﺘﺎﻥ‬
‫ﺑﻮﺩﻩﺍﺳﺖ‪.‬‬ ‫ﻭ ﻣﺠﻠﻪﺍﻯ ﺑﻪ ﻧﺎﻡ ﻧﺪﺍﻯ ﭘﺎﺭﻳﺰ ﻧﻮﺷﺖ‪ ،‬ﻛﻪ‬
‫ﺳﻴﺤﻮﻥ ﺩﺭ ﺧﺎﻧﻮﺍﺩﻩﺍﻯ ﺁﺷﻨﺎ ﺑﺎ ﻣﻮﺳﻴﻘﻰ‬ ‫ﺧﻮﺩ ﺩﺭ ﭘﺎﺭﻳﺰ ﻣﻨﺘﺸﺮ ﻣﻰﻛﺮﺩ ﻭ ﺩﻭ ﻳﺎ ﺳﻪ‬
‫ﺑﻪ ﺩﻧﻴﺎ ﺁﻣﺪ‪ .‬ﭘﺪﺭﺑﺰﺭگ ﺍﻭ ﻣﻴﺮﺯﺍ ﻋﺒﺪﺍﷲ‬ ‫ﻣﺸﺘﺮﻙ ﺩﺍﺷﺖ‪ .‬ﺑﺎﺳﺘﺎﻧﻰ ﭘﺎﺭﻳﺰﻯ ﺑﻪ ﮔﻮﺍﻩ‬
‫ﻓﺮﺍﻫﺎﻧﻰ ﺍﺯ ﭘﻴﺸﮕﺎﻣﺎﻥ ﻣﻮﺳﻴﻘﻰ ﺳﻨﺘﻰ ﻭ‬ ‫ﺧﺎﻃﺮﺍﺗﺶ ﺍﺯ ﻧﺨﺴﺘﻴﻦ ﺳﺎﻛﻨﺎﻥ ﻛﻮﻯ‬
‫ﻣﻌﺮﻭﻑ ﺑﻪ ﭘﺪﺭ ﻣﻮﺳﻴﻘﻰ ﺳﻨﺘﻰ ﺍﻳﺮﺍﻥ ﺑﻮﺩ‪.‬‬ ‫ﺩﺍﻧﺸﮕﺎﻩ ﺗﻬﺮﺍﻥ )ﻭﺍﻗﻊ ﺩﺭ ﺍﻣﻴﺮﺁﺑﺎﺩ ﺷﻤﺎﻟﻰ(‬
‫ﻣﺎﺩﺭ ﻭﻯ‪ ،‬ﻣﻮﻟﻮﺩ ﺧﺎﻧﻢ‪ ،‬ﺍﺯ ﻧﻮﺍﺯﻧﺪﮔﺎﻥ ﺗﺎﺭ ﻭ‬ ‫ﺍﺳﺖ‪ .‬ﺷﻌﺮﻯ ﻧﻴﺰ ﺩﺭ ﺍﻳﻦ ﺑﺎﺭﻩ ﺩﺍﺭﺩ ﻛﻪ ﻳﻚ‬

‫ﻣﺤﻤﺪﺭﺿﺎ ﻟﻄﻔﻰ‬ ‫ﺑﻴﺖ ﺁﻥ ﺍﻳﻦ ﺍﺳﺖ‪:‬‬

‫)ﺩﻯ ‪ – 1325‬ﺍﺭﺩﻳﺒﻬﺸﺖ ‪(1393‬‬ ‫ﻓﺎﺵ ﻣﻰﮔﻮﻳﻢ ﻭ ﺍﺯ ﮔﻔﺘﻪ ﺧﻮﺩ ﺩﻟﺸﺎﺩﻡ‬
‫ﻧﻮﺍﺯﻧﺪ ٔﻩ ﺑﺮﺟﺴﺘﻪ ﻭﺳﻨﺖ ﮔﺮﺍ ﻭ ﺳﺮﺷﻨﺎﺱ ﺗﺎﺭ‪ ،‬ﺳﻪﺗﺎﺭ‬ ‫ﺳﺎﻛﻦ ﺳﺎﺩﻩﺩﻝ ﻛﻮﻯ ﺍﻣﻴﺮ ﺁﺑﺎﺩﻡ‬
‫ﻭ ﺭﺩﻳﻒﺩﺍﻥ‪ ،‬ﻣﻮﺳﻴﻘﻰﺩﺍﻥ ﻭ ﺁﻫﻨﮓ ﺳﺎﺯ‪،‬ﻭ ﻫﻤﭽﻨﻴﻦ‬
‫ﭘﮋﻭﻫﺸﮕﺮ ﻭ ﻣﺪﺭﺱ ﻣﻮﺳﻴﻘﻰ ﺳﻨﺘﻰ ﺍﻳﺮﺍﻧﻰ ﺑﻮﺩ‪ .‬ﻭﻯ‬ ‫ﺑﺮ ﺧﻼﻑ ﻋﻤﺪﻩٔ ﻛﺘﺎﺏﻫﺎﻯ ﺗﺎﺭﻳﺨﻰ‬
‫ﺩﺭ ﺑﺪﺍﻫﻪﻧﻮﺍﺯﻯ ﺑﺴﻴﺎﺭ ﭼﻴﺮﻩﺩﺳﺖ ﺑﻮﺩ‪ .‬ﻟﻄﻔﻰ ﺩﺭ ﻛﻨﺎﺭ‬
‫ﺗﺎﺭ ﻭ ﺳﻪﺗﺎﺭ‪،‬ﻛﻤﺎﻧﭽﻪ‪ ،‬ﺩﻑ ﻭ ﻧﻰ ﻭ ﻧﻴﺰ ﭘﻴﺎﻧﻮ ﻣﻰﻧﻮﺍﺧﺖ‪.‬‬ ‫ﻧﻮﻳﺴﻨﺪﻩ ﻭ ﻏﺰﻝﺳﺮﺍﻯ ﻣﻌﺎﺻﺮ ﺍﻳﺮﺍﻧﻰ ﻭ ﺍﺯ ﺑﻨﻴﺎﻥﮔﺬﺍﺭﺍﻥ ﻛﺎﻧﻮﻥ ﻧﻮﻳﺴﻨﺪﮔﺎﻥ ﺍﻳﺮﺍﻥ‬ ‫ﺍﺧﺒﺎﺭﻯ ﺍﺯ ﺯﺑﺎﻥ ﺩﻭﺳﺘﺎﻥ )ﺍﻓﺸﻴﻦ ﺯﻧﺪ(‬ ‫ﺭﻳﭽﺎﺭﺩ ﻧﻠﺴﻮﻥ ﻓﺮﺍﻯ‬
‫ﻣﺤﻤﺪﺭﺿﺎ ﻟﻄﻔﻰ ﺻﺒﺢ ﺭﻭﺯ ﺟﻤﻌﻪ‪ 12 ،‬ﺍﺭﺩﻳﺒﻬﺸﺖ‬ ‫ﺑﻮﺩ‪ .‬ﺳﻴﻤﻴﻦ ﺑﻬﺒﻬﺎﻧﻰ ﺩﺭ ﻃﻮﻝ ﺯﻧﺪﮔﻰﺍﺵ ﺑﻴﺶ ﺍﺯ ‪ 600‬ﻏﺰﻝ ﺳﺮﻭﺩ ﻛﻪ ﺩﺭ ‪ 20‬ﻛﺘﺎﺏ‬ ‫ﺍﻳﻦ ﺍﻳﺮﺍﻧﺸﻨﺎﺱ ﺁﻣﺮﻳﻜﺎﻳﻰ ﻣﻨﺘﺸﺮ ﺷﺪ‬
‫ﻣﺎﻩ ‪ 1393‬ﺑﺮ ﺍﺛﺮ ﺑﻴﻤﺎﺭﻯ ﺳﺮﻃﺎﻥ ﺩﺭ ‪ 67‬ﺳﺎﻟﮕﻰ ﺩﺭ‬ ‫ﻣﻨﺘﺸﺮ ﺷﺪﻩﺍﻧﺪ‪.‬ﺷﻌﺮﻫﺎﻯ ﺳﻴﻤﻴﻦ ﺑﻬﺒﻬﺎﻧﻰ ﻣﻮﺿﻮﻋﺎﺗﻰ ﻫﻢﭼﻮﻥ ﻋﺸﻖ ﺑﻪ ﻭﻃﻦ‪ ،‬ﺯﻟﺰﻟﻪ‪،‬‬ ‫ﻛﻪ ﻣﻰﮔﻔﺖ‪ ،‬ﺍﻭ ﺩﺭ ﺳﻪ ﻫﻔﺘﻪ ﺁﺧﺮ ﻋﻤﺮ‬ ‫)ژﺍﻧﻮﻳﻪ ‪ -1920‬ﻣﺎﺭﺱ ‪(2014‬‬
‫ﺍﻧﻘﻼﺏ‪ ،‬ﺟﻨﮓ‪ ،‬ﻓﻘﺮ‪ ،‬ﺗﻦﻓﺮﻭﺷﻰ‪ ،‬ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ ﻭ ﺣﻘﻮﻕ ﺑﺮﺍﺑﺮ ﺑﺮﺍﻯ ﺯﻧﺎﻥ ﺭﺍ ﺩﺭ ﺑﺮ ﻣﻰﮔﻴﺮﻧﺪ‪.‬‬ ‫ﺗﺮﺟﻴﺢ ﻣﻰ ﺩﺍﺩﻩ ﺗﺎ ﺩﺭ ﻳﺰﺩ ﻳﺎ ﺷﻴﺮﺍﺯ ﻫﻢ‬ ‫ﭘﺮﻓﺴﻮﺭ ﺭﻳﭽﺎﺭﺩ ﻧﻠﺴﻮﻥ ﻓﺮﺍﻯ )ﺑﻪ‬
‫ﺑﻴﻤﺎﺭﺳﺘﺎﻥ ﭘﺎﺭﺱ ﺗﻬﺮﺍﻥ ﺩﺭﮔﺬﺷﺖ‪.‬‬ ‫ﺍﻭ ﺑﻪ ﺧﺎﻃﺮ ﺳﺮﻭﺩﻥ ﻏﺰﻝ ﻓﺎﺭﺳﻰ ﺩﺭ ﻭﺯﻥﻫﺎﻯ ﺑﻰﺳﺎﺑﻘﻪ ﺑﻪ »ﻧﻴﻤﺎﻯ ﻏﺰﻝ« ﻣﻌﺮﻭﻑ ﺍﺳﺖ‪.‬‬ ‫ﺩﻓﻦ ﺷﻮﺩ‪.‬ﺧﺎﻧﻮﺍﺩﻩ ﺭﻳﭽﺎﺭﺩ ﻧﻠﺴﻮﻥ ﻓﺮﺍﻯ‪،‬‬ ‫ﺍﻧﮕﻠﻴﺴﻰ‪(Richard Nelson Frye :‬‬
‫ﺍﻭ ﺳﺎﻝﻫﺎ ﺩﺭ ﺁﻣﻮﺯﺵ ﻭ ﭘﺮﻭﺭﺵ ﺑﺎ ﺳﻤﺖ ﺩﺑﻴﺮﻯ ﻛﺎﺭ ﻛﺮﺩ‪ .‬ﺳﻴﻤﻴﻦ ﺑﻬﺒﻬﺎﻧﻰ ﺳﻰ‬ ‫ﺍﻳﺮﺍﻧﺸﻨﺎﺱ ﺑﺮﺟﺴﺘﻪ‪ ،‬ﺳﺮﺍﻧﺠﺎﻡ ﭘﺲ ﺍﺯ‬ ‫ﻣﺘﺨﺼﺺ ﺑﺮ ﺟﺴﺘ ٔﻪ ﺍ ﻳﺮ ﺍ ﻥ ﺷﻨﺎ ﺳﻰ ‪،‬‬
‫ﻋﻄﺎﷲ ﺧﺮﻡ‬ ‫ﺳﺎﻝ‪-‬ﺍﺯ ﺳﺎﻝ ‪ 1330‬ﺗﺎ ﺳﺎﻝ ‪ -1360‬ﺗﻨﻬﺎ ﺑﻪ ﺗﺪﺭﻳﺲ ﺍﺷﺘﻐﺎﻝ ﺩﺍﺷﺖ ﻭ ﺷﻐﻠﻰ ﻣﺮﺗﺒﻂ‬ ‫‪ 73‬ﺭﻭﺯ ﺑﻼﺗﻜﻠﻴﻔﻰ ﺟﻨﺎﺯﻩ ﺍﻭ ﺭﺍ ﺳﻮﺯﺍﻧﻨﺪ‪.‬‬ ‫ﺷﺮﻕﺷﻨﺎﺱ ﻭ ﺍﺳﺘﺎﺩ ﺑﺎﺯﻧﺸﺴﺘ ٔﻪ ﺩﺍﻧﺸﮕﺎﻩ‬
‫ﺑﺎ ﻭﺟﻮﺩ ﻣﻮﺍﻓﻘﺖ ﺩﻭ ﺭﻳﻴﺲﺟﻤﻬﻮﺭ ﻭﻗﺖ‬ ‫ﻫﺎﺭﻭﺍﺭﺩ ﺑﻮﺩ‪ .‬ﺍﻭ ﺑﻪ ﺯﺑﺎﻥﻫﺎﻯ ﻓﺎﺭﺳﻰ‪ ،‬ﻋﺮﺑﻰ‪،‬‬
‫)‪-1305‬ﺍﺭﺩﻳﺒﻬﺸﺖ ‪(1393‬‬ ‫ﺑﺎ ﺭﺷﺘ ٔﻪ ﺣﻘﻮﻕ ﺭﺍ ﻗﺒﻮﻝ ﻧﻜﺮﺩ‪.‬‬ ‫ﺍﻳﺮﺍﻥ ﺑﺎ ﺍﻳﻦ ﭘﻴﺸﻨﻬﺎﺩ )ﺩﻓﻦ ﺩﺭ ﺍﺻﻔﻬﺎﻥ(‬ ‫ﺭﻭﺳﻰ‪ ،‬ﺁﻟﻤﺎﻧﻰ‪ ،‬ﻓﺮﺍﻧﺴﻮﻯ‪ ،‬ﭘﺸﺘﻮ‪ ،‬ﺍﺯﺑﻚ ﻭ‬
‫ﻋﻄﺎﺍﷲ ﺧﺮﻡ ﻧﻮﺍﺯﻧﺪﻩ ﻭﻳﻮﻟﻦ ﻭ ﺁﻫﻨﮕﺴﺎﺯ‬ ‫ﻭﻯ ﭘﻴﺶ ﺍﺯ ﺍﻧﻘﻼﺏ ﺑﺮﺍﻯ ﺭﺍﺩﻳﻮ ﺗﺮﺍﻧﻪ ﻫﻢ ﻣﻰﺳﺮﻭﺩ ﻭ ﺧﻮﺍﻧﻨﺪﮔﺎﻧﻰ ﭼﻮﻥ ﺷﺠﺮﻳﺎﻥ‪،‬‬ ‫ﭘﺮﻭﻧﺪﻩ ﺩﻓﻦ ﻓﺮﺍﻯ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﺎ ﺳﻮﺯﺍﻧﺪﻥ‬ ‫ﺗﺮﻛﻰ ﻣﺴﻠﻂ ﺑﻮﺩ ﻭ ﺑﺎ ﺯﺑﺎﻥﻫﺎﻯ ﺍﻭﺳﺘﺎﻳﻰ‪،‬‬
‫ﭘﺮﻛﺎﺭ ﻭ ﺧﻼﻕ ﻭ ﺁﻓﺮﻳﻨﻨﺪﻩ ﻣﻠﻮﺩﻳﻬﺎﻯ ﺯﻳﺒﺎ‬ ‫ﺍﻟﻬﻪ‪ ،‬ﮔﻠﭙﺎﻳﮕﺎﻧﻰ‪ ،‬ﺩﺍﺭﻳﻮﺵ‪ ،‬ﺍﻳﺮﺝ‪ ،‬ﻋﺎﺭﻑ‪ ،‬ﺳﭙﻴﺪﻩ‪ ،‬ﻛﻮﺭﺱ ﺳﺮﻫﻨﮓ ﺯﺍﺩﻩ‪ ،‬ﺭﺍﻣﺶ‪ ،‬ﻋﻬﺪﻳﻪ‪،‬‬
‫ﻭ ﺟﺎﻭﺩﺍﻧﻪ ﺍﻳﺮﺍﻧﻰ ﺍﺯ ﺟﻮﺍﻧﻰ ﺑﻪ ﺭﺍﻫﻨﻤﺎﻳﻰ‬ ‫ﺳﻴﻤﺎ ﺑﻴﻨﺎ‪ ،‬ﭘﻮﺭﺍﻥ‪ ،‬ﺩﻟﻜﺶ ﻭ ﻣﺮﺿﻴﻪ‪ ...‬ﺳﺮﻭﺩﻩﻫﺎﻯ ﻭﻯ ﺭﺍ ﺧﻮﺍﻧﺪﻩﺍﻧﺪ‪ .‬ﺳﻴﻤﻴﻦ ﺑﻬﺒﻬﺎﻧﻰ‬ ‫ﭘﻴﻜﺮ ﺍﻭ ﺑﺴﺘﻪ ﺷﺪ‪.‬‬ ‫ﭘﻬﻠﻮﻯ ﻭ ﺳﻐﺪﻯ ﺁﺷﻨﺎﻳﻰ ﻛﺎﻣﻞ ﺩﺍﺷﺖ‪.‬‬
‫ﺩﺍﻳﻰ ﺧﻮﺩ ﺑﺎ ﻣﻮﺳﻴﻘﻰ ﺁﺷﻨﺎ ﺷﺪ ﻭ ﻣﺪﺗﻰ ﺑﺎ‬ ‫ﻓﺮﺍﻯ ﺑﻴﺶ ﺍﺯ ‪ 70‬ﺳﺎﻝ ﺍﺯ ﺯﻧﺪﮔﻰﺍﺵ‬
‫ﺭﻭﺑﻴﻚ ﮔﺮﻳﮕﻮﺭﻳﺎﻥ ﻭ ﻧﻴﺰ ﺍﺑﻮﺍﻟﺤﺴﻦ ﺻﺒﺎ ﻛﺎﺭ‬ ‫ﻣﺪﺗﻰ ﻫﻢ ﻋﻀﻮ ﺷﻮﺭﺍﻯ ﻣﻮﺳﻴﻘﻰ ﺭﺍﺩﻳﻮ ﻭ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺑﻮﺩ‪.‬‬ ‫ﺭﺍ ﺻﺮﻑ ﻣﻄﺎﻟﻌﻪ ﻭ ﭘﮋﻭﻫﺶ ﺩﺭﺑﺎﺭﻩ ﺗﺎﺭﻳﺦ‬
‫ﻛﺮﺩ‪ .‬ﻭﻯ ﻳﻜﻰ ﺍﺯ ﺑﺮﺟﺴﺘﻪ ﺗﺮﻳﻦ ﺁﻫﻨﻜﺴﺎﺯﺍﻥ‬ ‫ﺩﺭ ‪ 1378‬ﺳﺎﺯﻣﺎﻥ ﺟﻬﺎﻧﻰ ﺣﻘﻮﻕ ﺑﺸﺮ ﺩﺭ ﺑﺮﻟﻴﻦ ﻣﺪﺍﻝ ﻛﺎﺭﻝ ﻓﻮﻥ ﺍﻭﺳﻰ ﻳﺘﺴﻜﻰ‪،‬ﺩﺭ‬ ‫ﻭ ﻓﺮﻫﻨﮓ ﻓﻼﺕ ﺍﻳﺮﺍﻥ ﻛﺮﺩ ﻭ ﻳﻜﻰ ﺍﺯ‬
‫ﻫﻤﻴﻦ ﺳﺎﻝ ﺟﺎﻳﺰﻩ ﻟﻴﻠﻴﺎﻥ ﻫﻴﻠﻤﻦ ‪ /‬ﺩﺍﺷﻴﻞ ﻫﺎﻣﺖ ﺍﺯ ﺟﺎﻧﺐ ﺳﺎﺯﻣﺎﻥ ﺩﻳﺪﺑﺎﻥ ﺣﻘﻮﻕ ﺑﺸﺮ‬ ‫ﺁﺧﺮﻳﻦ ﺑﺎﺯﻣﺎﻧﺪﮔﺎﻥ ﻧﺴﻞ ﺍﻳﺮﺍﻥﺷﻨﺎﺳﺎﻥ ﻭ‬
‫ﭘﻴﺸﺘﺎﺭ ﺩﺭ ﺯﻣﻴﻨﻪ ﻣﻮﺳﻴﻘﻰ ﻣﺪﺭﻥ ﺑﻮﺩ‪.‬‬ ‫ﻭ ﺩﺭ ﻫﻔﺘﻢ ﺷﻬﺮﻳﻮﺭ ﺳﺎﻝ ‪ 29) 1392‬ﺍﻭﺕ ‪ (2013‬ﺟﺎﻳﺰﻩ ﻳﺎﻧﻮﺵ ﭘﺎﻧﻮﻧﻴﻮﺵ ﺍﺯ ﺳﻮﻯ‬ ‫ﺷﺮﻕﺷﻨﺎﺳﺎﻧﻰ ﭼﻮﻥ ﺁﺭﺗﻮﺭ ﻛﺮﻳﺴﺘﻴﻦﺳﻦ‬
‫ﺗﺮﺍﻧﻪﻫﺎﻯ ﺑﺴﻴﺎﺭﻯ ﺑﺮﺍﻯ ﺧﻮﺍﻧﻨﺪﮔﺎﻧﻰ‬ ‫ﺍﻧﺠﻤﻦ ﻗﻠﻢ ﻣﺠﺎﺭﺳﺘﺎﻥ‪ ،‬ﺩﺭ ﺷﻬﺮ ﭘﭻ ﻛﺸﻮﺭ ﻣﺠﺎﺭﺳﺘﺎﻥ ﺑﺎ ﺣﻀﻮﺭ ﺳﻴﻤﻴﻦ ﺑﻪ ﻭﻯ ﺍﻫﺪﺍ‬ ‫ﻭ ﺁﺭﺗﻮﺭ ﭘﻮپ‪ ،‬ﺭﻭﻣﻦ ﮔﻴﺮﺷﻤﻦ ﻭ ﭘﺮﻭﻓﺴﻮﺭ‬
‫ﻣﺎﻧﻨﺪ ﺩﻟﻜﺶ‪ ،‬ﻭﻳﮕﻦ‪ ،‬ﺍﻳﺮﺝ‪ ،‬ﺭﺍﻣﺶ‪ ،‬ﻋﺎﺭﻑ‪،‬‬ ‫ﺁﻟﺒﺮﺕ ﺍﻣﺴﺘﺪ ﺑﻮﺩ ﻛﻪ ﺷﺮﻕﺷﻨﺎﺳﻰ ﺭﺍ ﺩﺭ‬
‫ﺭﺍﺷﻴﻦ ﻭ ﻣﺤﻤﺪﺭﺿﺎ ﺷﺠﺮﻳﺎﻥ ﺁﻫﻨﮓ ﺳﺎﺧﺖ‬ ‫ﺷﺪ‪ .‬ﺍﻳﻦ ﺟﺎﻳﺰﻩ ﺷﺎﻣﻞ ﺗﻨﺪﻳﺲ ﻭ ﭘﻨﺠﺎﻩ ﻫﺰﺍﺭ ﭘﻮﻧﺪ ﺑﻮﺩ‪.‬‬ ‫ﺩﺍﻧﺸﮕﺎﻩﻫﺎﻯ ﺟﻬﺎﻥ ﺑﻨﻴﺎﻥ ﮔﺬﺍﺷﺘﻨﺪ ﻭ‬
‫ﻛﻪ ﺩﺭ ﺯﻣﺎﻥ ﺧﻮﺩ ﺑﺴﻴﺎﺭ ﻣﻮﺭﺩ ﺍﺳﺘﻘﺒﺎﻝ ﻗﺮﺍﺭ‬ ‫ﺳﻴﻤﻴﻦ ﺷﻌﺮ ﻣﻌﺮﻭﻑ »ﺩﻭﺑﺎﺭﻩ ﻣﻰﺳﺎﺯﻣﺖ ﻭﻃﻦ« ﺭﺍ ﺩﺭ ﺳﺎﻝ ‪ 1359‬ﺳﺮﻭﺩ‪ .‬ﺍﻳﻦ ﺗﺮﺍﻧﻪ‬ ‫ﺗﺄﻟﻴﻔﺎﺕ ﺑﺴﻴﺎﺭﻯ ﺩﺭﺑﺎﺭﻩ ﻓﺮﻫﻨﮓ ﻭ ﻫﻨﺮ ﻭ‬
‫ﮔﺮﻓﺘﻨﺪ ﻭ ﺍﺯ ﻣﻴﺎﻥ ﺁﻧﻬﺎ ﭼﻨﺪﻳﻦ ﺗﺮﺍﻧﻪ ﺟﺎﻭﺩﺍﻧﻪ‬ ‫ﺗﻮﺳﻂ ﺩﺍﺭﻳﻮﺵ ﺍﻗﺒﺎﻟﻰ ﺧﻮﺍﻧﻨﺪﻩ ﺍﻳﺮﺍﻧﻰ ﺍﺟﺮﺍ ﺷﺪ ﻭ ﺑﺎﺭﺍﻙ ﺍﻭﺑﺎﻣﺎ ﺭﺋﻴﺲﺟﻤﻬﻮﺭ ﺍﻳﺎﻻﺕ‬
‫ﺷﺪﻧﺪ ﻭ ﺑﻴﺎﺩﮔﺎﺭ ﻣﺎﻧﺪﻩ ﺍﺳﺖ‪ .‬ﺩﺭ ﺯﻣﺮﻩ ﺻﺪﻫﺎ ﺍﺛﺮ ﺍﻭ ﻣﻰﺗﻮﺍﻥ ﺍﺯ ﺑﺎﺭﻭﻥ ﺑﺎﺭﻭﻧﻪ‪ ،‬ﻻﻟﻪ ﻭ ﮔﻞ‪،‬‬ ‫ﻣﺘﺤﺪﻩ ﺁﻣﺮﻳﻜﺎ ﺩﺭ ﭘﻴﺎﻣﻰ ﺗﻠﻮﻳﺰﻳﻮﻧﻰ ﺑﻪ ﺍﻳﺮﺍﻧﻴﺎﻥ ﺑﻪ ﻣﻨﺎﺳﺒﺖ ﻓﺮﺍﺭﺳﻴﺪﻥ ﻧﻮﺭﻭﺯ ‪،1390‬‬ ‫ﺗﺎﺭﻳﺦ ﺍﻳﺮﺍﻥ ﺩﺍﺷﺘﻨﺪ‪.‬‬
‫ﻣﻬﺘﺎﺏ‪ ،‬ﺩﻭ ﻛﺒﻮﺗﺮ‪ ،‬ﻛﺠﺎﻭﻩ ﻭ ﻧﻴﺰ ﺗﺮﺍﻧﻪ ﭘﺮﺳﺘﻮ ﺑﺎ ﺻﺪﺍﻯ ﻣﻨﻮﺟﻬﺮ ﺳﺨﺎﻳﻰ ﻳﺎﺩ ﻛﺮﺩ‪ .‬ﻭﻯ‬ ‫ﻣﺮگ ﻭﻯ ﺑﻪ ﺩﻟﻴﻞ ﻭﺻﻴﺘﺶ ﻣﺒﻨﻰ‬
‫ﻣﺪﺗﻬﺎ ﺭﻫﺒﺮ ﺍﺭﻛﺴﺘﺮ ﺟﺎﺯ ﺭﺍﺩﻳﻮ ﺍﻳﺮﺍﻥ ﺑﻮﺩ‪.‬ﺩﺭ ﺳﺎﻝﻫﺎﻯ ﭘﻴﺶ ﺍﺯ ﻣﺮگ ﺩﺭ ﻟﺲ ﺁﻧﺠﻠﺲ‬ ‫ﺗﺮﺟﻤﻪﺍﻯ ﺍﻧﮕﻠﻴﺴﻰ ﺍﺯ ﻏﺰﻝ ﺩﻭﺑﺎﺭﻩ ﻣﻰﺳﺎﺯﻣﺖ ﻭﻃﻦ ﺳﻴﻤﻴﻦ ﺑﻬﺒﻬﺎﻧﻰ ﺭﺍ ﺧﻮﺍﻧﺪ‪.‬‬ ‫ﺑﺮ ﺩﻓﻦ ﻛﺮﺩﻧﺶ ﺩﺭ ﺣﺎﺷﻴﻪ ﺯﺍﻳﻨﺪﻩﺭﻭﺩ‬
‫ﺯﻧﺪﮔﻰ ﻣﻰﻛﺮﺩ ﻭ ﻧﻴﺰ ﭼﻨﺪ ﺟﻠﺪ ﻛﺘﺎﺏ )ﮔﻠﺴﺘﺎﻥ ﻣﻮﺳﻴﻘﻰ ﻭ ﻫﻤﭽﻨﻴﻦ ﺭﺩﻳﻔﻬﺎﻯ ﻣﻮﺳﻴﻘﻰ‬ ‫ﺳﻴﻤﻴﻦ ﺑﻬﺒﻬﺎﻧﻰ ﻛﻪ ﺑﻪ ﻋﻠﺖ ﻣﺸﻜﻼﺕ ﺗﻨﻔﺴﻰ ﻭ ﻗﻠﺒﻰ ﺩﺭ ﺑﻴﻤﺎﺭﺳﺘﺎﻥ ﭘﺎﺭﺱ ﺗﻬﺮﺍﻥ‬ ‫ﺍﺻﻔﻬﺎﻥ ﺟﻨﺠﺎﻝﻫﺎﻳﻰ ﺭﺍ ﺩﺭ ﺍﻳﺮﺍﻥ ﺍﺯ ﺳﻮﻯ‬
‫ﺑﺴﺘﺮﻯ ﺑﻮﺩ ﺳﺮﺍﻧﺠﺎﻡ ﺳﺎﻋﺖ ﻳﻚ ﺑﺎﻣﺪﺍﺩ ﺭﻭﺯ ﺳﻪ ﺷﻨﺒﻪ‪ 28 ،‬ﻣﺮﺩﺍﺩ ‪ 1393‬ﺧﻮﺭﺷﻴﺪﻯ‪،‬‬ ‫ﺍﺻﻮﻟﮕﺮﺍﻳﺎﻥ ﺑﻪ ﻫﻤﺮﺍﻩ ﺩﺍﺷﺖ‪.‬ﺍﻟﺒﺘﻪ ﺑﻌﺪﻫﺎ‬
‫ﺍﻳﺮﺍﻧﻰ( ﺩﺭ ﻣﻮﺭﺩ ﺗﺎﺭﻳﺦ ﻣﻮﺳﻴﻘﻰ ﺍﻳﺮﺍﻥ ﻣﻨﺘﺸﺮ ﻛﺮﺩ‪.‬‬ ‫ﺩﺭ ﺳﻦ ‪ 87‬ﺳﺎﻟﮕﻰ ﺩﺭﮔﺬﺷﺖ‪.‬ﭘﻴﻜﺮ ﺍﻭ ﺑﺎ ﺣﻀﻮﺭ ﻣﺮﺩﻡ ﻭ ﺍﺩﻳﺒﺎﻥ ﻭ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺍﺯ ﻣﻘﺎﺑﻞ‬

‫ﻣﻄﻠﻊ »ﻣﺮگ ﺗﻮ ﺭﺍ ﺑﺎﻭﺭ ﻧﺪﺍﺭﻡ« ﺧﻮﺍﻧﺪ‬ ‫ﺁﻧﺪﺭﺍﻧﻴﻚ ﺁﺳﺎﺗﻮﺭﻳﺎﻥ‬ ‫ﺗﺎﻻﺭ ﻭﺣﺪﺕ ﺗﺸﻴﻴﻊ ﺷﺪ ﻭ ﺩﺭ ﻣﻘﺒﺮﻩ ﺧﺎﻧﻮﺍﺩﮔﻰ ﻭ ﻛﻨﺎﺭ ﭘﺪﺭﺵ ﺑﻪ ﺧﺎﻙ ﺳﭙﺮﺩﻩ ﺷﺪ‪.‬‬ ‫ﻋﻠﻰﺭﺿﺎ ﺳﻠﻴﻤﺎﻧﻰ ﺩﺭ ﺻﺒﺤﮕﺎﻩ ‪31‬‬ ‫ﻋﻠﻰﺭﺿﺎ ﺳﻠﻴﻤﺎﻧﻰ‬
‫ﻛﻪ ﮔﻔﺘﻪ ﻣﻰﺷﺪ‪ ،‬ﺑﻪ ﻣﻨﺎﺳﺒﺖ ﻣﺮگ‬ ‫ﺍﺭﺩﻳﺒﻬﺸﺖ ‪ 1393‬ﺩﺭ ‪ 58‬ﺳﺎﻟﮕﻰ ﺑﺮ ﺍﺛﺮ‬
‫ﺷﺎﻩ ﺧﻮﺍﻧﺪﻩ ﺍﺳﺖ‪.‬ﺁﻧﺪﺭﺍﻧﻴﻚ ﺍﻳﻦ ﺍﻭﺍﺧﺮ‬ ‫)‪ 5‬ﺷﻬﺮﻳﻮﺭ ‪ 3 - 1320‬ﺍﺳﻔﻨﺪ ‪(1393‬‬ ‫ﻋﻠﻰ ﻣﺪﻧﻰ‬ ‫)ﺑﻬﻤﻦ ‪ - 1335‬ﺍﺭﺩﻳﺒﻬﺸﺖ ‪(1393‬‬
‫ﺑﺮ ﺍﺛﺮ ﺍﺑﺘﻼء ﺑﻪ ﺳﺮﻃﺎﻥ ﭘﺮﻭﺳﺘﺎﺕ ﺩﺭ‬ ‫ﺁﻧﺪﺭﺍﻧﻴﻚ ﺁﺳﺎﺗﻮﺭﻳﺎﻥ ﺁﻫﻨﮕﺴﺎﺯ ﻭ‬ ‫ﺳﻜﺘﻪ ﻗﻠﺒﻰ ﺩﺭﮔﺬﺷﺖ‪.‬‬ ‫ﺳﻠﻴﻤﺎﻧﻰ ﺗﻨﻬﺎ ﻛﺸﺘﻰﮔﻴﺮ ﺍﻳﺮﺍﻧﻰ ﺍﺳﺖ‬
‫ﺑﻴﻤﺎﺭﺳﺘﺎﻥ ﺑﺴﺘﺮﻯ ﺷﺪ ﻭ ﺗﺤﺖ ﺩﺭﻣﺎﻥ‬ ‫ﺗﻨﻈﻴﻢﻛﻨﻨﺪﻩ ﻣﻌﺮﻭﻑ ﺑﻪ ”ﺁﻧﺪﻭ“ ﺩﺭ‬ ‫)‪ 1298‬ﺑﺎﻛﻮ ‪ ،1393 -‬ﺗﻬﺮﺍﻥ(‬ ‫ﻛﻪ ﻗﻬﺮﻣﺎﻧﻰ ﺟﻬﺎﻥ ﺩﺭ ﺩﺳﺘ ٔﻪ ﻓﻮﻕ ﺳﻨﮕﻴﻦ‬
‫ﻗﺮﺍﺭﮔﺮﻓﺖ ﺍﻣﺎ ﻣﻌﺎﻟﺠﺎﺕ ﻣﺆﺛﺮ ﻧﺸﺪ ﻭ ﺩﺭ‬ ‫ﺭﺍ ﺑﻪ ﺩﺳﺖ ﺁﻭﺭﺩﻩ ﻭ ﺍﻭﻟﻴﻦ ﻗﻬﺮﻣﺎﻥ ﺟﻬﺎﻥ‬
‫ﻟﺲﺁﻧﺠﻠﺲ ﺩﺭﮔﺬﺷﺖ‪.‬‬ ‫ﻭﻯ ﺍﺳﺘﺎﺩ ﻋﻠﻢ ﺁﻣﺎﺭ ﺩﺭ ﺩﺍﻧﺸﮕﺎﻩﻫﺎﻯ ﻣﺨﺘﻠﻒ‬ ‫ﻛﺸﺘﻰ ﺍﻳﺮﺍﻥ ﭘﺲ ﺍﺯ ﺍﻧﻘﻼﺏ ‪ 1357‬ﺍﺳﺖ‬
‫ﺳﻦ ‪ 73‬ﺳﺎﻟﮕﻰ ﺩﺭﮔﺬﺷﺖ‪.‬‬ ‫ﺩﺭ ﺁﺳﺘﺎﻧﻪ ﺭﻭﻯ ﻛﺎﺭ ﺁﻣﺪﻥ ﺟﻤﻬﻮﺭﻯ‬ ‫ﺗﻬﺮﺍﻥ ﺑﻮﺩ ﺑﻪ ﻭﻯ ﻟﻘﺐ ﭘﺪﺭ ﻋﻠﻢ ﺁﻣﺎﺭ ﺍﻳﺮﺍﻥ‬ ‫ﻛﻪ ﻗﻬﺮﻣﺎﻧﻰ ﺍﻭ ﺩﺭ ﺳﺎﻝ ‪ 1989‬ﺩﺭ ﻣﺎﺭﺗﻴﻨﻰ‬
‫ﺍﺳﻼﻣﻰ ﺩﺭ ﺍﻳﺮﺍﻥ‪ ،‬ﺁﻧﺪﻭ ﺩﺭ ﺳﺎﻝ ‪1978‬‬ ‫ﺳﻮﺋﻴﺲ ﺑﻪ ﺩﺳﺖ ﺁﻣﺪ‪ .‬ﻭﻯ ﺩﺭ ﻓﻴﻨﺎﻝ ﺁﻥ‬
‫ﺑﻪ ﺍﺗﻔﺎﻕ ﺧﺎﻧﻮﺍﺩﻩﺍﺵ ﺑﻪ ﺁﻣﺮﻳﻜﺎ ﻛﻮچ‬ ‫ﺩﺍﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﻣﺴﺎﺑﻘﺎﺕ ﺑﺮﻭﺱ ﺑﻮﻣﮕﺎﺭﺗﻨﺮ ﻛﺸﺘﻰﮔﻴﺮ‬
‫ﻛﺮﺩ ﻭ ﺑﻪ ﺍﺩﺍﻣﻪ ﺁﻫﻨﮕﺴﺎﺯﻯ ﻭ ﺗﻨﻈﻴﻢ ﺁﻥ‬ ‫ﺍﻭ ﭘﺲ ﺍﺯ ﻃﻰ ﻣﺪﺍﺭﺝ ﺗﺤﺼﻴﻠﻰ ﺩﺭ‬ ‫ﺁﻣﺮﻳﻜﺎﻳﻰ ﺭﺍ ‪ 5-4‬ﺷﻜﺴﺖ ﺩﺍﺩ‪ .‬ﺍﻭﺝ ﺩﻭﺭﺍﻥ‬
‫ﺑﺮﺍﻯ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﺑﻴﺸﺘﺮ ﭘﺎپ ﭘﺮﺩﺍﺧﺖ‪.‬‬ ‫ﺩﺍﻧﺸﮕﺎﻩﻫﺎﻯ ﺍﺗﺤﺎﺩ ﺟﻤﺎﻫﻴﺮ ﺷﻮﺭﻭﻯ ﺑﻪ ﺍﻳﺮﺍﻥ‬ ‫ﻭﺭﺯﺵ ﻗﻬﺮﻣﺎﻧﻰ ﺳﻠﻴﻤﺎﻧﻰ ﺩﺭ ﺩﻫﻪ ‪ 60‬ﺑﻮﺩ‬
‫ﺩﺍﺭﻳﻮﺵ‪ ،‬ﺍﺑﻰ‪ ،‬ﮔﻮﮔﻮﺵ‪ ،‬ﻣﻌﻴﻦ‪،‬ﻫﺎﻳﺪﻩ ﻭ‬ ‫ﺑﺎﺯﮔﺸﺖ ﻭ ﺩﺭ ﺩﺍﻧﺸﮕﺎﻩ ﺗﻬﺮﺍﻥ ﻣﺸﻐﻮﻝ ﺑﻪ ﻛﺎﺭ‬ ‫ﻛﻪ ﺍﻳﺮﺍﻥ ﻛﻤﺘﺮ ﺩﺭ ﺭﻗﺎﺑﺖﻫﺎﻯ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ‬
‫ﺳﻴﺎﻭﺵ ﻗﻤﻴﺸﻰ ﺍﺯ ﺧﻮﺍﻧﻨﺪﮔﺎﻧﻰ ﻫﺴﺘﻨﺪ‬ ‫ﺷﺪ‪ .‬ﻭﻯ ﺩﺭ ﺳﺎﺯﻣﺎﻥﻫﺎﻯ ﺍﻗﺘﺼﺎﺩﻯ ﻧﻈﻴﺮ‬ ‫ﺣﺎﺿﺮ ﻣﻰﺷﺪ‪ ،‬ﺑﻪ ﻫﻤﻴﻦ ﺟﻬﺖ ﺳﻠﻴﻤﺎﻧﻰ‬
‫ﻛﻪ ﺁﻧﺪﻭ ﺑﺎ ﺁﻧﻬﺎ ﻫﻤﻜﺎﺭﻯ ﺩﺍﺋﻤﻰ ﺩﺍﺷﺖ‪.‬‬ ‫ﺳﺎﺯﻣﺎﻥ ﺑﺮﻧﺎﻣﻪ ﻭ ﺑﻮﺩﺟﻪ ﻭ ﻭﺯﺍﺭﺕ ﺍﻗﺘﺼﺎﺩ‬ ‫ﺩﺭ ﺩﻭ ﺍﻟﻤﭙﻴﻚ ‪ 1980‬ﻭ ‪ 1984‬ﺑﻪ ﺩﻟﻴﻞ‬
‫»ﺍﻓﺴﺎﻧﻪ ﻫﺴﺘﻰ« ﺑﺎ ﺷﻌﺮ ﻫﻤﺎ ﻣﻴﺮﺍﻓﺸﺎﺭ‬ ‫ﻭ ﺩﺍﺭﺍﻳﻰ ﻧﻴﺰ ﺩﺍﺭﺍﻯ ﺳﻤﺖﻫﺎﻳﻰ ﺑﻮﺩﻩﺍﺳﺖ‪.‬‬ ‫ﻋﺪﻡ ﺷﺮﻛﺖ ﺍﻳﺮﺍﻥ ﻭ ﺩﺭ ﺍﻟﻤﭙﻴﻚ ‪ 1988‬ﺑﻪ‬
‫ﻭ ﺻﺪﺍﻯ ﺯﻧﺪﻩﻳﺎﺩ ﻫﺎﻳﺪﻩ ﻭ ﺁﻟﺒﻮﻡ‬
‫»ﺣﻜﺎﻳﺖ« ﺑﺎ ﺻﺪﺍﻯ ﺳﻴﺎﻭﺵ ﻗﻤﻴﺸﻰ‬ ‫ﺩﻟﻴﻞ ﻣﺸﻜﻞ ﻭﻳﺰﺍ ﺣﻀﻮﺭ ﻧﺪﺍﺷﺖ‪.‬‬
‫ﺍﺯ ﻛﺎﺭﻫﺎﻯ ﺑﺮﺟﺴﺘﻪ ﺍﻭ ﺩﺭ ﺧﺎﺭﺝ ﻛﺸﻮﺭ‬
‫ﺍﺳﺖ‪ .‬ﺁﻧﺪﻭ ﺩﺭ ﻳﻜﻰ ﺍﺯ ﻛﻨﺴﺮﺕﻫﺎﻯ‬ ‫ﻏﻼﻣﺤﺴﻴﻦ ﻣﻈﻠﻮﻣﻰ‬
‫ﻣﻌﻴﻦ‪ ،‬ﺭﻫﺒﺮﻯ ﺍﺭﻛﺴﺘﺮ ﻭﻯ ﺭﺍ ﺑﻪ ﻋﻬﺪﻩ‬ ‫)‪ 23‬ﺩﻯ ‪ 28 -1328‬ﺁﺑﺎﻥ ‪(1393‬‬
‫ﺩﺍﺷﺖ‪.‬ﺁﻧﺪﻭ ﻫﻢﭼﻨﻴﻦ ﺁﻫﻨﮕﻰ ﻧﻴﺰ ﺑﺎ‬

‫ﻧﺨﺴﺘﻴﻦ ﺣﻀﻮﺭ ﺍﻭ ﺩﺭ ﺳﻴﻨﻤﺎ ﺩﺭ ﻧﻘﺶ‬ ‫ﺑﺎﻗﺮ ﺻﺤﺮﺍﺭﻭﺩﻯ‬ ‫ﺧﻠﻴﻞ ﺧﻄﻴﺐ ﺭﻫﺒﺮ‬
‫ﻣﻌﻠﻢ ﺻﻤﺪ ﺑﻮﺩ‪.‬‬
‫)ﺧﺮﺩﺍﺩ ‪ -1321‬ﺗﻴﺮ ‪(1393‬‬ ‫)‪ 1302‬ـ ‪(1393‬‬
‫ﻫﻨﺮﻣﻨﺪ ﻭ ﺑﺎﺯﻳﮕﺮ ﺍﻳﺮﺍﻧﻰ ﻛﻪ ﺗﺤﺼﻴﻼﺕ‬ ‫ﻧﻮﻳﺴﻨﺪﻩ‪ ،‬ﺍﺩﻳﺐ‪ ،‬ﺷﺎﻋﺮ‪ ،‬ﻣﺤﻘﻖ ﻭ ﺍﺳﺘﺎﺩ‬
‫ﺧﻮﺩ ﺭﺍ ﺩﺭ ﺩﺍﻧﺸﻜﺪﻩ ﺍﺩﺑﻴﺎﺕ ﻓﺴﺎ ﻭ ﺷﻴﺮﺍﺯ‬ ‫ﺩﺍﻧﺸﮕﺎﻩ ﺗﻬﺮﺍﻥ ﻛﻪ ﺗﻌﺪﺍﺩﻯ ﺍﺯ ﮔﻨﺠﻴﻨﻪﻫﺎﻯ‬
‫ﻭ ﺩﺍﻧﺸﻜﺪﻩ ﺍﺩﺑﻴﺎﺕ ﻭ ﺩﺍﻧﺸﻜﺪﻩٔ ﻫﻨﺮﻫﺎﻯ‬ ‫ﺍﺩﺏ ﭘﺎﺭﺳﻰ ﺍﻋﻢ ﺍﺯ ﻧﻈﻢ ﻭ ﻧﺜﺮ ﺭﺍ ﺗﺼﺤﻴﺢ ﻭ‬
‫ﺯﻳﺒﺎﻯ ﺗﻬﺮﺍﻥ ﺑﻪ ﺍﻧﺠﺎﻡ ﺭﺳﺎﻧﻴﺪ‪ .‬ﻭﻯ ﺍﺯ ﺳﺎﻝ‬ ‫ﺗﺤﺸﻴﻪ ﻛﺮﺩﻩ ﻭ ﺑﻪ ﭼﺎپ ﺭﺳﺎﻧﺪﻩ ﻭ ﺁﺛﺎﺭ ﺍﻭ‬
‫‪ 1334‬ﻓﻌﺎﻟﻴﺖ ﻫﻨﺮﻯ ﺧﻮﺩ ﺭﺍ ﺁﻏﺎﺯ ﻛﺮﺩ‬ ‫ﺩﺭ ﺯﻣﻴﻨﺔ ﺩﺳﺘﻮﺭ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ‪ ،‬ﻭ ﻣﻨﺘﺨﺐ‬
‫ﻭ ﺍﺯ ﺁﻥ ﻫﻨﮕﺎﻡ ﺩﺭ ﺣﺮﻓﻪ ﻫﻨﺮﻯ ﺧﻮﺩ ﻛﻪ‬ ‫ﺷﺎﻫﻜﺎﺭﻫﺎﻯ ﺷﺎﻋﺮﺍﻥ ﻭ ﻧﻮﻳﺴﻨﺪﮔﺎﻥ‬
‫ﺑﺨﺶ ﺍﻋﻈﻢ ﺁﻥ ﺷﺎﻣﻞ ﻛﺎﺭﻫﺎﻯ ﺗﻠﻮﻳﺰﻳﻮﻧﻰ‬ ‫ﭘﺎﺭﺳﻰﮔﻮﻯ ﻫﻤﭽﻮﻥ ﺳﻌﺪﻯ‪ ،‬ﺣﺎﻓﻆ‪،‬‬
‫ﺑﻮﺩ ﺩﺭ ﻣﻘﺎﻡ ﺑﺎﺯﻳﮕﺮ‪ ،‬ﺗﻬﻴﻪ ﻛﻨﻨﺪﻩ‪ ،‬ﻧﻮﻳﺴﻨﺪﻩ‬ ‫ﺑﻴﻬﻘﻰ‪ ،‬ﺳﻨﺎﻳﻰ‪ ،‬ﺭﻭﺩﻛﻰ‪ ،‬ﻣﻮﻟﻮﻯ‪ ،‬ﺟﺎﻣﻰ ﻭ‬
‫ﻭ ﻛﺎﺭﮔﺮﺩﺍﻥ ﺑﻪ ﺍﻳﻔﺎﻯ ﻧﻘﺶ ﭘﺮﺩﺍﺧﺖ‪.‬‬ ‫ﺩﻳﮕﺮ ﺷﺎﻋﺮﺍﻥ ﺗﺤﺖ ﻋﻨﻮﺍﻥ »ﮔﺰﻳﻨﻪ ﺳﺨﻦ‬

‫ﻣﺮﺗﻀﻰ ﺍﺣﻤﺪﻯ‬ ‫ﭘﺎﺭﺳﻰ« ﻣﻨﺸﺮ ﺷﺪﻩﺍﺳﺖ‪.‬‬ ‫ﻏﻼﻣﺤﺴﻴﻦ ﻣﻈﻠﻮﻣﻰ‪،‬ﺑﺎﺯﻳﻜﻦ ﺳﺎﻟﻬﺎﻯ ﺩﻭﺭ ﺍﺳﺘﻘﻼﻟﻰ ﻫﺎ ﻛﻪ ﻟﻘﺐ ﺳﺮﻃﻼﻳﻰ ﺭﺍ ﺑﻪ‬
‫ﺧﻮﺩﺵ ﺍﺧﺘﺼﺎﺹ ﺩﺍﺩﻩ ﺑﻮﺩ‪ ،‬ﺑﻌﺪ ﺍﺯ ﻇﻬﺮ ﺭﻭﺯ ﭼﻬﺎﺭﺷﻨﺒﻪ ‪ 28‬ﺁﺑﺎﻥ ‪ 1393‬ﺑﻪ ﺩﻟﻴﻞ‬
‫)ﺁﺑﺎﻥ ‪ ،1303‬ﺁﺫﺭ ‪(1393‬‬ ‫ﻣﺮﺗﻀﻰ ﭘﺎﺷﺎﻳﻰ‬ ‫ﺑﻴﻤﺎﺭﻯ ﺳﺮﻃﺎﻥ ﻭ ﺩﺭ ‪ 64‬ﺳﺎﻟﮕﻰ ﺩﺭﮔﺬﺷﺖ‪.‬ﻭﻯ ﺳﺎﺑﻘﻪ ﺑﺎﺯﻯ ﻛﺮﺩﻥ ﺩﺭ ﺗﻴﻢ ﺗﺎﺝ ﺁﺑﺎﺩﺍﻥ‪،‬‬
‫ﻭﻯ ﺑﺎﺯﻳﮕﺮ ﺳﻴﻨﻤﺎ ﻭ ﺗﻠﻮﻳﺰﻳﻮﻥ‪،‬ﺧﻮﺍﻧﻨﺪﻩ ﻭ ﺻﺪﺍﭘﻴﺸﻪ ﺑﻮﺩ‪ .‬ﺍﻭ ﺩﺭ ﭼﻬﺎﺭ ﻋﺮﺻ ٔﻪ »ﺳﻴﻨﻤﺎ‪،‬‬
‫ﺗﻠﻮﻳﺰﻳﻮﻥ‪ ،‬ﺭﺍﺩﻳﻮ ﻭ ﺗﺌﺎﺗﺮ« ﺑﺎﺯﻳﮕﺮﻯ ﺻﺎﺣﺐ ﺳﺒﻚ‪ ،‬ﺩﺭ ﻫﻨﺮ ﺩﻭﺑﻼژ ﮔﻮﻳﻨﺪﻩﺍﻯ ﺑﺎ ﻳﻚ‬ ‫)‪ 20‬ﻣﺮﺩﺍﺩ ‪ 23 - 1363‬ﺁﺑﺎﻥ ‪(1393‬‬ ‫ﺷﻬﺒﺎﺯ ﻭ ﺍﺳﺘﻘﻼﻝ ﺗﻬﺮﺍﻥ ﺭﺍ ﺩﺭ ﻛﺎﺭﻧﺎﻣﻪ ﺩﺍﺷﺖ‪.‬‬
‫ﻣﺮﺗﻀﻰ ﭘﺎﺷﺎﻳﻰ ﺧﻮﺍﻧﻨﺪﻩ‪ ،‬ﻧﻮﺍﺯﻧﺪﻩ‪،‬‬ ‫ﺩﺭ ﻛﺎﺭﻧﺎﻣﻪ ﻣﻠﻰ ﻣﻈﻠﻮﻣﻰ ‪ 48‬ﺑﺎﺯﻯ ﺩﻳﺪﻩ ﻣﻰ ﺷﻮﺩ‪.‬ﺍﻭ ﺩﺭ ﺍﻳﻦ ‪ 48‬ﺑﺎﺯﻯ ﺗﻮﺍﻧﺴﺘﻪ ﺑﻮﺩ‬
‫ﺻﺪﺍﻯ ﺧﺎﺹ ﻭ ﻣﻨﺤﺼﺮﺑﻪﻓﺮﺩ )ﻭ ﺑﻪﻭﺍﻗﻊ‬ ‫ﺁﻫﻨﮕﺴﺎﺯ ﭘﺎپ ﻓﺎﺭﺳﻰ ﺍﺳﺖ‪ .‬ﺍﻭ ﺩﺍﻧﺸﺠﻮﻯ‬
‫ﺑﻰﺟﺎﻯﮔﺰﻳﻦ( ﻭ ﻧﻴﺰ ﻳﺎﺩﺁﻭﺭ ﻋﺼﺮ ﻃﻼﻳﻰ‬ ‫ﺭﺷﺘﻪ ﮔﺮﺍﻓﻴﻚ ﺑﻮﺩﻩ ﻭ ﺍﺯ ﻛﻮﺩﻛﻰ ﺑﻪ‬ ‫‪ 37‬ﺑﺎﺭ ﺩﺭﻭﺍﺯﻩ ﺭﻗﻴﺒﺎﻥ ﺭﺍ ﺑﺎﺯ ﻛﻨﺪ‪.‬‬
‫ﺩﻭﺑﻠﻪ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﻮﺩ‪ .‬ﺩﺭ ﻧﮕﺎﺭﺵ ﻛﺘﺎﺏﻫﺎﻳﺶ‬ ‫ﻣﻮﺳﻴﻘﻰ ﻋﻼﻗﻪ ﺩﺍﺷﺘﻪ ﺍﺳﺖ‪ .‬ﻣﻮﺳﻴﻘﻰ ﺭﺍ‬
‫ﻧﻴﺰ ﻧﻮﻳﺴﻨﺪﻩﺍﻯ ﻳ ّﻜﻪ‪ ،‬ﺧﻮﺵﻗﻠﻢ ﻭ ﺗﻮﺍﻧﺎ‬ ‫ﺑﻪ ﺳﺮﻃﺎﻥ ﻣﻌﺪﻩ ﻣﺒﺘﻼ ﺷﺪ ﻭ ﺩﺭ ‪ 23‬ﺁﺑﺎﻥ‬ ‫ﺍﺯ ﺳﻦ ﭼﻬﺎﺭﺩﻩ ﺳﺎﻟﮕﻰ ﺑﺎ ﻧﻮﺍﺧﺘﻦ ﮔﻴﺘﺎﺭ‬ ‫»ﺩﻭﺋﻞ«‪» ،‬ﻗﺎﻋﺪﻩ ﺑﺎﺯﻯ« ﻭ »ﻣﺤﻴﺎ« ﺩﻳﺪﻩ‬ ‫ﺍﻧﻮﺷﻴﺮﻭﺍﻥ ﺍﺭﺟﻤﻨﺪ‬
‫ﻧﺸﺎﻥ ﻣﻰﺩﺍﺩ‪ .‬ﻛﺘﺎﺏﻫﺎﻳﻰ ﻛﻪ ﻫﺮ ﻳﻚ‬ ‫‪ 1393‬ﺩﺭ ‪30‬ﺳﺎﻟﮕﻰ ﺩﺭﮔﺬﺷﺖ‪.‬‬ ‫ﻣﻰﺷﻮﺩ‪ .‬ﻭﻯ ﺁﺫﺭ ‪ 1393‬ﺩﺭ ﺳﻦ ‪73‬‬
‫ﺑﺮﺁﻣﺪﻩ ﻭ ﭼﻜﻴﺪﻩﺍﻯ ﺍﺯ ﺳﺎﻝﻫﺎ ﭘﺮﺳﻪ ﺯﺩﻥ ﻭ‬ ‫ﺁﻏﺎﺯ ﻛﺮﺩ‪.‬‬ ‫)ﻣﻬﺮ ‪ - 1320‬ﺁﺫﺭ ‪(1393‬‬
‫ﺟﺪﻳﺖ ﺩﺭ ﻳﻜﻰ ﺍﺯ ﻋﺮﺻﻪﻫﺎﻯ ﻣﻮﺭﺩ ﻋﻼﻗﻪ‬ ‫ﺍﻭ ﻧﺨﺴﺘﻴﻦ ﺁﻟﺒﻮﻡ ﺭﺳﻤﻰ ﺧﻮﺩ‪» ،‬ﻳﻜﻰ‬ ‫ﺳﺎﻟﮕﻰ ﺩﺭﮔﺬﺷﺖ‪.‬‬ ‫ﺍﻧﻮﺷﻴﺮﻭﺍﻥ ﺍﺭﺟﻤﻨﺪ ﺑﺎﺯﻳﮕﺮ ﺳﻴﻨﻤﺎ ﻭ‬
‫ﻭ ﻓﻌﺎﻟﻴﺘﺶ ﺑﻮﺩﻧﺪ‪ .‬ﺩﺭ ﻫﻨﺮ ﺁﻭﺍﺯ ﻭ ﻣﻮﺳﻴﻘﻰ‬ ‫ﻫﺴﺖ« ﺭﺍ ﺩﺭ ﺳﺎﻝ ‪ 1391‬ﻣﻨﺘﺸﺮ ﻛﺮﺩ‪.‬‬ ‫ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﺘﻮﻟﺪ ‪ 1320‬ﺩﺭ ﺯﺍﻫﺪﺍﻥ ﻭ ﺑﺮﺍﺩﺭ‬
‫ﻧﻴﺰ ﻳﻜﻰ ﺍﺯ ﻣﻌﺪﻭﺩ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﺳﺒﻚ ﺑﻴﺎﺕ‬ ‫ﺁﻟﺒﻮﻡﻫﺎﻯ »ﮔﻞ ﺑﻴﺘﺎ« ﻭ »ﺍﺳﻤﺶ ﻋﺸﻘﻪ«‬ ‫ﺑﺰﺭﮔﺘﺮ ﺩﺍﺭﻳﻮﺵ ﺍﺭﺟﻤﻨﺪ ﺍﺳﺖ‪ .‬ﻫﻤﭽﻨﻴﻦ‬
‫ﺗﻬﺮﺍﻥ ﺑﻮﺩ‪ ،‬ﺑﻪ ﻋﻼﻭﻩ ﺍﻳﻦﻛﻪ ﻧﺎﻡ ﻭ ﺻﺪﺍﻳﺶ‬ ‫ﺩﻭ ﺁﻟﺒﻮﻡ ﺩﻳﮕ ِﺮ ﺍﻭ ﻫﺴﺘﻨﺪ ﻛﻪ ﺗﺎ ﭘﻴﺶ‬ ‫ﻭﻯ‪ ،‬ﭘﺪﺭ ﺑﺮﺯﻭ ﺍﺭﺟﻤﻨﺪ ﻭ ﺑﻬﺎﺭ ﺍﺭﺟﻤﻨﺪ‬
‫ﺩﺭ ﺯﻣﺮﻩٔ ﺍﻧﮕﺸﺖﺷﻤﺎﺭ ﭘﻴﺶﭘﺮﺩﻩﺧﻮﺍﻧﺎﻥ‬ ‫ﺍﺯ ﺩﺭﮔﺬﺷﺘﺶ ﺑﻪﺻﻮﺭﺕ ﺭﺳﻤﻰ ﻣﻨﺘﺸﺮ‬ ‫ﺑﺎﺯﻳﮕﺮﺍﻥ ﺳﻴﻨﻤﺎ ﻭ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻧﻴﺰ ﻣﻰ ﺑﺎﺷﺪ‪.‬‬
‫ﻭﻯ ﺍﺯ ﺍﻭﺍﺧﺮ ﺩﻫﻪ ‪ 40‬ﺑﻪ ﻋﻨﻮﺍﻥ ﺑﺎﺯﻳﮕﺮ ﻭ‬
‫ﻗﺪﻳﻢ ﺑﺮﺩﻩ ﻣﻰﺷﺪ‪.‬‬ ‫ﻧﺸﺪﻩﺑﻮﺩﻧﺪ‪.‬‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻥ ﺗﺌﺎﺗﺮ ﺩﺭ ﻣﺸﻬﺪ ﻓﻌﺎﻟﻴﺖ ﺧﻮﺩ ﺭﺍ‬
‫ﺍﺯ ﺟﻤﻠﻪ ﻓﻌﺎﻟﻴﺖﻫﺎﻯ ﺩﻳﮕﺮ ﻣﺮﺗﻀﻰ ﺍﺣﻤﺪﻯ ﮔﺮﺩﺁﻭﺭﻯ ﻭ ﻧﮕﺎﺭﺵ ﻓﺮﻫﻨﮓ ﻋﺎﻣﻴﺎﻧﻪ‬ ‫ﻭﻯ ﺍﺯ ﺁﺫﺭ ‪ 1392‬ﺑﻪ ﺗﺸﺨﻴﺺ ﭘﺰﺷﻜﺎﻥ‬ ‫ﺁﻏﺎﺯ ﻛﺮﺩ‪ .‬ﺩﺭ ﻛﺎﺭﻧﺎﻣﻪ ﺍﻳﻦ ﺑﺎﺯﻳﮕﺮ‪ ،‬ﺑﺎﺯﻯ ﺩﺭ‬
‫)ﻓﻮﻟﻜﻠﻮﺭ( ﺗﻬﺮﺍﻥ ﺍﺳﺖ‪ .‬ﺍﻭ ﺩﺭ ﺍﻳﻦ ﺯﻣﻴﻨﻪ ﻛﺘﺎﺏﻫﺎﻯ‪) :‬ﻛﻬﻨﻪﻫﺎﻯ ﻫﻤﻴﺸﻪ ﻧﻮ(‪) ،‬ﻓﺮﻫﻨﮓ‬ ‫ﻣﺠﻤﻮﻋﻪﻫﺎﻯ »ﻣﺨﺘﺎﺭﻧﺎﻣﻪ«‪» ،‬ﺍﻣﺎﻡ ﻋﻠﻰ«‪،‬‬
‫ﺑﺮ ﻭ ﺑﭽﻪﻫﺎﻯ ﺗِﺮﻭﻥ(‪ ،‬ﻭ )ﭘﺮﺳﻪ ﺩﺭ ﺍﺣﻮﺍﻻﺕ ﺗِﺮﻭﻥ ﻭ ﺗِﺮﻭﻧﻴﺎ( ﺭﺍ ﺗﺄﻟﻴﻒ ﻛﺮﺩﻩ ﺍﺳﺖ‪ .‬ﻋﻼﻭﻩ‬ ‫»ﺭﻭﺯﻯ ﺭﻭﺯﮔﺎﺭﻯ« ﻭ ﻓﻴﻠﻢﻫﺎﻯ ﺳﻴﻨﻤﺎﻳﻰ‬
‫ﺑﺮ ﺗﺄﻟﻴﻔﺎﺗﺶ ﺩﺭ ﺣﻮﺯﻩ ﻓﺮﻫﻨﮓ ﻧﻮﻳﺴﻰ‪ ،‬ﺍﻭ ﺑﺮﺧﻰ ﺍﺯ ﻗﺪﻳﻤﻰﺗﺮﻳﻦ ﺗﺮﺍﻧﻪﻫﺎﻯ ﻛﻮﭼﻪﺑﺎﺯﺍﺭﻯ‬

‫ﺗﻬﺮﺍﻥ ﺭﺍ ﺑﻪ ﺻﻮﺭﺕ )ﺿﺮﺑﻰ ﺧﻮﺍﻧﻰ( ﺑﺎﺯﺧﻮﺍﻧﻰ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬

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