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‫ﺟﻤﻌﻪ ‪ 6‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 12‬ﻧﻮﺍﻣﺒﺮ ‪2015‬‬

‫ﺧﻂ ﻧﻘﺎﺷﻰﻫﺎﻯ ﺑﺎﺑﻚ ﺭﺷﻮﻧﺪ‪ ،‬ﻧﻪ ﺑﺮﺍﻯ ﺧﻮﺍﻧﺪﻥ ﺑﻠﻜﻪ ﺑﺮﺍﻯ ﺣﺲ ﻛﺮﺩﻥ ‪...‬‬ ‫ﻛﻤﻰ ﺷﻤﺎﻟﻰ ﺑﺎﺵ!‬

‫ﺑﺰﺭﮔﺘﺮﻳﻦ ﻭﻳﮋﮔﻰ ﺁﺛﺎﺭ ﺍﻭ ﺑﺎﺯﻯ ﺑﺎ‬ ‫ﻭﺍﺭﺩ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﻪ ﻣﻰﺷﻮﻳﺪ ﺭﻗﺺ‬ ‫ﺭﺿﺎ ﻣﻘﺼﺪﻯ‬
‫ﺭﻧﮓ ﻭ ﻧﻮﺭ ﺍﺳﺖ؛ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺭﻧﮓﻫﺎﻯ‬ ‫ﻭﺍژﻩﻫﺎ ﺭﺍ ﺑﺮ ﺑﻮﻡﻫﺎﻯ ﻧﻘﺎﺷﻰ ﻣﻰﺑﻴﻨﻴﺪ؛‬ ‫ﺑﺮﻗﺺ !‬
‫ﮔﻮﻧﺎﮔﻮﻥ ﺩﺭ ﺍﻧﺘﻘﺎﻝ ﺣﺎﻻﺕ ﺩﺭﻭﻧﻰ ﻧﻘﺎﺵ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﺧﻂ ﻧﻘﺎﺷﻰﻫﺎﻯ ﺑﺎﺑﻚ ﺭﺷﻮﻧﺪ‬
‫ﻛﻪ ﺑﺮﺍﻯ ﻧﺨﺴﺘﻴﻦ ﺑﺎﺭ ﺩﺭ ﻟﻨﺪﻥ ﺑﺮ ﺳﻴﻨﻪ‬ ‫ﺑﺴﺎ ِﻥ ﻧﺮﻡﺗﺮﻳﻦ ﺧﻨﺪﻩﻯ ﺳﺘﺎﺭﻩ‪ ،‬ﺑﺮﻗﺺ !‬
‫ﺑﺎﺭ ﺍﺻﻠﻰ ﺭﺍ ﺑﻪ ﺩﻭﺵ ﻣﻰﻛﺸﻨﺪ‪.‬‬ ‫ﺩﻳﻮﺍﺭﻫﺎ ﺟﺎﻯ ﮔﺮﻓﺘﻪﺍﻧﺪ‪10.‬ﺍﺛﺮ ﺭﻭﻯ ﺑﻮﻡ‬ ‫ﺳﺨﻨﺴﺮﺍﻯ ﻧﻔﺲﻫﺎﻯ ﺳﺮ ِﺥ ﻗﺎﻟﻰ ﺑﺎﺵ!‬
‫ﺑﺎﺑﻚ ﺭﺷﻮﻧﺪ ﻣﺘﻮﻟﺪ ﺳﺎﻝ ‪1358‬‬ ‫ﺑﻪ ﺳﺎﻳﺰﻫﺎﻯ ﺑﺰﺭگ ﻭ ‪ 30‬ﺍﺛﺮ ﺩﺭ ﻗﻄﻊ‬
‫ﺍﺳﺖ‪ .‬ﺍﻭ ﺩﺭ ﺧﺎﻧﻮﺍﺩﻩﺍﻯ ﺍﻫﻞ ﻫﻨﺮ ﺑﻪ ﺩﻧﻴﺎ‬ ‫ﻛﻮﭼﻚ ﺍﺯ ﺍﻳﻦ ﻫﻨﺮﻣﻨﺪ ﺩﺭ ﺍﻭﺍﺧﺮ ﻣﺎﻩ‬ ‫ﺑﭙﻮﺵ ﭘﻴﺮﻫ ِﻦ ُﮔﻞ ُﮔﻠﻰﻯ ﺧﺎﻃﺮﻩ ﺭﺍ‬
‫ﺍﻣﺪ‪ .‬ﭘﺪﺭﺵ ﺍﺳﻤﺎﻋﻴﻞ ﺭﺷﻮﻧﺪ ﻳﻜﻰ ﺍﺯ‬ ‫ﺍﻛﺘﺒﺮ ﺩﺭ ﮔﺎﻟﺮﻯ ﻫﺸﺖ ﺑﻪ ﻣﻴﺰﺑﺎﻧﻰ‬ ‫ﻛﻤﻰ‪ ،‬ﺷﻤﺎﻟﻰ ﺑﺎﺵ!‬
‫ﻫﻨﺮﻣﻨﺪﺍﻥ ﻣﻄﺮﺡ ﺩﺭ ﺯﻣﻴﻨﻪ ﻧﻘﺎﺷﻰﺧﻂ‬ ‫ﺷﺮﻛﺖ »ﻛﺎﻟﺮﭼﺎﻝ ﺳﻴﮕﻨﭽﺮ« ﺩﺭ ﻣﻌﺮﺽ‬
‫ﺍﺳﺖ‪ .‬ﺑﻬﺮﻩﻣﻨﺪﻯ ﺍﺯ ﭼﻨﻴﻦ ﺷﺮﺍﻳﻄﻰ‬ ‫ﺩﻳﺪ ﻋﻼﻗﻤﻨﺪﺍﻥ ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪.‬ﻛﺎﺭﻫﺎﻯ‬ ‫ﻓﻴﺮﻭﺯﻓﺮﻣﺎﻧﻔﺮﻣﺎﻳﺎﻥ‪،‬ﻧﮕﺎﻩﻫﻨﺮﻣﻨﺪﺍﻧﻪ‬
‫ﺑﺎﻋﺚ ﺷﺪ ﻛﻪ ﺍﻭ ﺍﺯ ﻫﻤﺎﻥ ﻛﻮﺩﻛﻰ ﺑﺎ‬ ‫ﺑﺎﺑﻚ ﺭﺷﻮﻧﺪ ﺑﻪ ﻧﺤﻮﻯ ﻣﻰﺗﻮﺍﻧﻨﺪ‬ ‫ﺑﻪ ﺗﺎﺭﻳﺦ ﺍﻳﺮﺍﻥ‬
‫ﺧﻮﺵﻧﻮﻳﺴﻰ ﻭ ﻧﻘﺎﺷﻰ ﺁﺷﻨﺎ ﺷﻮﺩ‪.‬‬ ‫ﺗﺠﺴﻢ ﺻﻠﺢ‪ ،‬ﺁﺭﺍﻣﺶ ﻭ ﺟﻬﺎﻧﻰ ﺷﺪﻥ‬
‫ﺍﻳﻦ ﻋﻼﻗﻪ ﺩﺭ ﺍﻭ ﺭﺷﺪ ﻛﺮﺩ ﻭ ﺑﻌﺪﻫﺎ‬ ‫ﻫﻢ ﺗﻌﺒﻴﺮ ﺷﻮﻧﺪ‪.‬ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺳﻪ‬
‫ﺗﺤﺼﻴﻼﺕ ﺧﻮﺩ ﺭﺍ ﻫﻢ ﺩﺭ ﻫﻤﻴﻦ ﺯﻣﻴﻨﻪ‬ ‫ﻣﺠﻤﻮﻋﻪ ﻛﺎﺭ ﺍﺯ ﺑﺎﺑﻚ ﺭﺷﻮﻧﺪ ﺑﻪ ﻧﻤﺎﻳﺶ‬
‫ﺩﻧﺒﺎﻝ ﻛﺮﺩ‪.‬ﺭﺷﻮﻧﺪ ﻓﺎﺭﻍﺍﻟﺘﺤﺼﻴﻞ ﺭﺷﺘﻪ‬ ‫ﮔﺬﺍﺷﺘﻪ ﺷﺪﻩ ﻛﻪ ﺍﺯ ﻣﻴﺎﻥ ﺁﻧﻬﺎ ﭼﻬﺎﺭ‬
‫ﻛﺎﺭﺷﻨﺎﺳﻰ ﺍﺭﺷﺪ ﺍﺭﺗﺒﺎﻃﺎﺕ ﺗﺼﻮﻳﺮﻯ ﺍﺯ‬ ‫ﺗﺎﺑﻠﻮﻯ ﻳﺎﺩﮔﺎﺭﻧﻮﺷﺘﻪﻫﺎ ﺑﺮﺍﻯ ﻧﺨﺴﺘﻴﻦ‬
‫ﺩﺍﻧﺸﻜﺪﻩ ﻫﻨﺮﻫﺎﻯ ﺯﻳﺒﺎﻯ ﺩﺍﻧﺸﮕﺎﻩ ﺗﻬﺮﺍﻥ‬ ‫ﺑﺎﺭ ﺑﻪ ﻧﻤﺎﻳﺶ ﺩﺭ ﺁﻣﺪﻩ ﺍﺳﺖ‪».‬ﺷﺐ«‬
‫ﺍﺳﺖ ﻭ ﺗﺎﻛﻨﻮﻥ ﺩﺭ ﭼﻨﺪﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ‬ ‫ﺟﺰﻭ ﻧﺨﺴﺘﻴﻦ ﻣﺠﻤﻮﻋﻪﻫﺎﻯ ﺧﻠﻖ ﺷﺪﻩ‬
‫ﺩﺭ ﭘﺎﺭﻳﺲ‪ ،‬ﻭﻳﻦ‪ ،‬ﻣﺴﻜﻮ‪ ،‬ﺩﻭﺑﻰ ﻭ ﺁﻟﺒﺎﻧﻰ‬ ‫ﺗﻮﺳﻂ ﺑﺎﺑﻚ ﺭﺷﻮﻧﺪ ﺍﺳﺖ ﻛﻪ ﺩﺭ ﺁﻥ‬
‫ﻫﻨﺮﻣﻨﺪ ﺍﺯ ﺷﻌﺮ »ﻣﻬﺘﺎﺏ« ﻓﺮﻳﺪﻭﻥ‬
‫ﺣﻀﻮﺭ ﺩﺍﺷﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﺩﺭ ﺟﺎﻳﻰ ﮔﻔﺘﻪ ﺍﺳﺖ ﺍﺯ ﻫﻤﺎﻥ ﻛﻮﺩﻛﻰ‬ ‫ﻣﺸﻴﺮﻯ ﺍﻟﻬﺎﻡ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﺩﻭ ﭼﻴﺰ ﺩﺭ ﻟﺤﻈﻪ ﻟﺤﻈﻪ ﺯﻧﺪﮔﻰ‬ ‫ﻣﺠﻤﻮﻋﻪ ﺷﺐ ﺑﻪ ﻧﻤﺎﻳﻪﻫﺎﻯ ﻣﺨﺘﻠﻔﻰ‬
‫ﺍﻟﻬﺎﻡﺑﺨﺶ ﺍﻭ ﺑﻮﺩﻩﺍﻧﺪ‪ :‬ﺧﻮﺍﻧﺪﻥ ﻭ‬

‫ﻧﻮﺷﺘﻦ‪ .‬ﺩﻭ ﭘﺪﻳﺪﻩﺍﻯ ﻛﻪ ﺍﻭ ﺍﺯ ﻃﺮﻳﻖ‬ ‫ﺍﺳﺖ ﺗﺎ ﺍﺯ ﺁﻧﻬﺎ ﺑﻪ ﻋﻨﻮﺍﻥ ﻋﻨﺼﺮ ﺩﻳﺪﺍﺭﻯ‬ ‫ﻣﻰﺗﻮﺍﻧﺪ ﺁﻧﻬﺎ ﺭﺍ ﺑﺎ ﻋﺰﻳﺰﺗﺮﻳﻦ ﻓﺮﺩ ﺩﺭ‬ ‫ﺍﺯ ﺷﺐ ﺑﺮﻣﻰﮔﺮﺩﺩ ﻭ ﻫﻨﺮﻣﻨﺪ ﺑﻴﺸﺘﺮ‬ ‫ﺯﻧﺪﮔﻰ ﻣﻰﻛﻨﺪ‪ ،‬ﻓﺎﺭﺳﻰ ﺭﺍ ﺧﻮﺏ‬ ‫ﻛﺘﺎﻳﻮﻥ ﺣﻼﺟﺎﻥ ‪ -‬ﻣﻬﻢ ﻧﻴﺴﺖ ﺩﺭ‬
‫ﺁﻧﻬﺎ ﻣﻰﺗﻮﺍﻧﺪ ﺣﺎﻻﺕ ﺩﺭﻭﻧﻰ ﺧﻮﺩ ﺭﺍ‬ ‫ﺩﺭ ﺁﺛﺎﺭ ﺧﻮﺩ ﺍﺳﺘﻔﺎﺩﻩ ﻛﻨﺪ‪.‬‬ ‫ﺯﻧﺪﮔﻰﺍﺵ ﺩﺭ ﻣﻴﺎﻥ ﺑﮕﺬﺍﺭﺩ؛ ﻣﻔﺎﻫﻴﻤﻰ‬ ‫ﺑﺮ ﺟﻠﻮﻩﻫﺎﻯ ﺯﻳﺒﺎﺷﻨﺎﺧﺘﻰ ﺷﺐ ﺗﻤﺮﻛﺰ‬ ‫ﻣﻰﻓﻬﻤﺪ ﺍﻣﺎ ﺻﺤﺒﺖ ﻛﺮﺩﻥ ﺑﻪ ﺍﻳﻦ‬ ‫ﻛﺠﺎﻯ ﺍﻳﻦ ﺩﻧﻴﺎ ﻣﺘﻮﻟﺪ ﺷﺪﻩ ﺑﺎﺷﻴﺪ‪،‬‬
‫ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬ﺩﺭ ﻣﺠﻤﻮﻋﻪ »ﻳﺎﺩﮔﺎﺭﻯﻫﺎ«‬ ‫ﺍﮔﺮ ﭘﺪﺭ ﻳﺎ ﻣﺎﺩﺭﺗﺎﻥ ﺍﻳﺮﺍﻧﻰ ﺑﺎﺷﺪ‪ ،‬ﺑﺮ‬
‫ﻣﻨﻌﻜﺲ ﻛﻨﺪ‪.‬‬ ‫ﺣﺮﻭﻑ ﻧﻘﺶ ﺑﺴﺘﻪ ﺑﺮ ﺑﻮﻡﻫﺎﻯ ﺍﻭ‬ ‫ﻫﻤﭽﻮﻥ ﻋﺸﻖ ‪ ،‬ﺍﻋﺘﺮﺍﻑ ﻭ ﺩﻟﺘﻨﮕﻰ‪.‬‬ ‫ﻫﻨﺮﻣﻨﺪ ﺑﺎ ﺧﻂ ﻭ ﺣﺮﻭﻑ ﺑﺮﺧﻮﺭﺩ‬ ‫ﺯﺑﺎﻥ ﺑﺮﺍﻳﺶ ﻛﻤﻰ ﺩﺷﻮﺍﺭ ﺍﺳﺖ‪.‬‬ ‫ﻣﻰﮔﺮﺩﻳﺪ ﺑﻪ ﺟﺴﺘﺠﻮﻯ ﻓﺮﻫﻨﮓ ﺍﻳﺮﺍﻥ‪.‬‬
‫ﺷﺎﻳﺪ ﺑﻪ ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﺍﺳﺖ ﻛﻪ ﺑﻬﺘﺮ‬ ‫ﻃﻮﻻﻧﻰ ﻫﺴﺘﻨﺪ ﻭ ﺍﻧﺤﻨﺎ ﻭ ﭘﻴﭽﻴﺪﮔﻰ‬ ‫ﺑﺎﺑﻚ ﺭﺷﻮﻧﺪ ﺍﺻﺮﺍﺭﻯ ﺑﻪ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ‬ ‫ﺭﺍﺣﺘﻰ ﺩﺍﺷﺘﻪ ﻭ ﺩﺭ ﺁﻧﻬﺎ ﻻﻳﻪﻫﺎﻯ‬ ‫ﺍﻣﺎ ﺍﻫﻤﻴﺘﻰ ﻧﺪﺍﺭﺩ‪ .‬ﻣﻬﻢ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ‬ ‫ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﻧﻮﺟﻮﺍﻧﺎﻧﻰ ﺭﺍ ﻣﻰﺷﻨﺎﺳﻴﻢ ﻛﻪ‬
‫ﺍﺳﺖ ﻣﺨﺎﻃﺐ ﺩﺭ ﺩﻳﺪﻥ ﺗﺎﺑﻠﻮﻫﺎ ﺗﻼﺵ‬ ‫ﺯﻳﺎﺩﻯ ﺩﺍﺭﻧﺪ ﻭ ﺑﻪ ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﻧﺎﺧﻮﺍﻧﺎ‬ ‫ﻓﺮﻡﻫﺎﻯ ﻗﺮﺍﺭﺩﺍﺩﻯ ﻛﻼﺳﻴﻚ ﺣﺮﻭﻑ‬ ‫ﻣﺨﺘﻠﻔﻰ ﺍﺯ ﻳﺎﺩﮔﺎﺭﻯﻫﺎﻳﻰ ﺭﺍ ﻛﻪ ﻧﻮﺷﺘﻪ‬ ‫ﺍﻭ ﻳﻚ ﭼﻴﺰ ﺭﺍ ﻧﻤﻰﺗﻮﺍﻧﺪ ﻓﺮﺍﻣﻮﺵ ﻛﻨﺪ‪،‬‬ ‫ﺩﺭ ﺍﺭﻭﭘﺎ ﻳﺎ ﺁﻣﺮﻳﻜﺎ ﺑﻪ ﺩﻧﻴﺎ ﺁﻣﺪﻩﺍﻧﺪ ﻭ ﻳﺎ‬
‫ﻧﻜﻨﺪ ﻛﻪ ﺁﻧﻬﺎ ﺭﺍ ﻣﺎﻧﻨﺪ ﻛﺘﺎﺑﻰ ﻭﺭﻕ ﺑﺰﻧﺪ‬ ‫ﻫﺴﺘﻨﺪ ﺗﺎ ﺟﺎﻳﻰ ﻛﻪ ﻛﺎﺭﻫﺎﻯ ﺍﻭ ﺭﺍ ﺑﻪ‬ ‫ﻧﺪﺍﺭﺩ ﺍﻣﺎ ﺩﺭ ﻋﻴﻦ ﺣﺎﻝ ﻣﺘﺎﺛﺮ ﺍﺯ ﻓﺮﻡﻫﺎﻯ‬ ‫ﺷﺪﻩ ﻭ ﺣﺘﻰ ﺑﻪ ﻣﺮﻭﺭ ﺯﻣﺎﻥ ﭘﺎﻙ ﺷﺪﻩﺍﻧﺪ‬ ‫ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ ﺯﺑﺎﻥ ﻣﺎﺩﺭﻯﺷﺎﻥ ﻧﻴﺴﺖ ﻭ‬
‫ﻭ ﺑﺨﻮﺍﻧﺪ ﺑﻠﻜﻪ ﺑﻬﺘﺮ ﺍﺳﺖ ﺑﻪ ﻓﺮﻡﻫﺎ ﻭ‬ ‫ﺑﺮﮔﺮﻓﺘﻪﺍﺯﺧﻄﻮﻁﺍﻳﺮﺍﻧﻰﻭ ﺍﺳﻼﻣﻰﺍﺳﺖ‪.‬‬ ‫ﺳﺮﺯﻣﻴﻦﺍﺵ ﺭﺍ‪ ،‬ﺍﻳﺮﺍﻥ ﺭﺍ‪.‬‬ ‫ﮔﺎﻫﻰ ﻓﻘﻂ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺣﺮﻑ ﺑﺰﻧﻨﺪ ﺍﻣﺎ‬
‫ﻟﺤﻈﺎﺗﻰ ﺗﻮﺟﻪ ﻛﻨﺪ ﻛﻪ ﺩﺭ ﺁﻧﻬﺎ ﺑﺎﺯﺗﺎﺏ‬ ‫ﺳﺒﻚ ﺁﺑﺴﺘﺮﻩ ﻧﺰﺩﻳﻚ ﻣﻰﻛﻨﻨﺪ‪.‬‬ ‫ﺍﻭ ﺑﺎ ﺁﻓﺮﻳﻨﺶ ﻭ ﺍﺳﺘﺨﺮﺍﺝ ﻓﺮﻡﻫﺎﻯ‬ ‫ﺑﻪ ﺗﺼﻮﻳﺮ ﻛﺸﻴﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﻓﺮﻫﻨﮓ ﺍﻳﺮﺍﻥ ﺑﺮﺍﻯ ﺍﻭ ﻛﻪ ﻫﻨﺮﻣﻨﺪ‬ ‫ﻧﻤﻰﺗﻮﺍﻧﻨﺪ ﺑﻪ ﻓﺎﺭﺳﻰ ﺑﺨﻮﺍﻧﻨﺪ ﻭ ﻣﻐﻤﻮﻡ‬
‫ﻳﺎﻓﺘﻪ ﺍﺳﺖ؛ ﻟﺤﻈﺎﺕ ﺷﺎﺩﻯ‪ ،‬ﻋﺸﻖ‪ ،‬ﻏﻢ‬ ‫ﺑﻪ ﻧﻈﺮ ﻣﻰﺭﺳﺪ ﺑﺮﺍﻯ ﺑﺎﺑﻚ ﺭﺷﻮﻧﺪ‬ ‫ﺟﺪﻳﺪ ﺍﺯ ﺍﺷﻜﺎﻝ ﻗﺮﺍﺭﺩﺍﺩﻯ ﻭ ﺣﺮﻭﻑ ﺩﺭ‬ ‫ﻭ ﺩﺭ ﻧﻬﺎﻳﺖ »ﻧﺎﻣﻪﻫﺎ« ﻣﺠﻤﻮﻋﻪﺍﻯ ﺍﺯ‬ ‫ﺍﺳﺖ ﺟﺎﻳﮕﺎﻩ ﻭﻳﮋﻩﺍﻯ ﺩﺍﺭﺩ ﻭ ﻳﻜﻰ ﺍﺯ‬ ‫ﺍﺯ ﺍﻳﻨﻜﻪ ﻗﺎﺩﺭ ﻧﻴﺴﺘﻨﺪ ﺳﻌﺪﻯ ﻭ ﺣﺎﻓﻆ‬
‫ﺍﺭﺗﺒﺎﻁ ﺑﺼﺮﻯ ﻣﻬﻢﺗﺮ ﺍﺯ ﺍﻧﺘﻘﺎﻝ ﻭﺍژﻩﻫﺎ ﻭ‬ ‫ﺧﻮﺵﻧﻮﻳﺴﻰﻫﺎﻯ ﮔﻮﻧﺎﮔﻮﻥ ﺗﻼﺵ ﻛﺮﺩﻩ‬ ‫ﺍﺗﻔﺎﻗﺎﺗﻰ ﺭﺍ ﺷﻜﻞ ﻣﻰﺩﻫﺪ ﻛﻪ ﻫﺮ ﻛﺴﻰ‬ ‫ﺁﺭﺯﻭﻫﺎﻳﺶ ﺳﻔﺮ ﺑﻪ ﺍﻳﺮﺍﻥ ﺍﺳﺖ‪ ،‬ﺳﻔﺮ‬
‫ﻭ…‬ ‫ﺑﻪ ﺟﺎﻳﻰ ﻛﻪ ﺗﻨﻬﺎ ﺧﺎﻃﺮﺍﺕ ﻣﺒﻬﻤﻰ ﺍﺯ‬ ‫ﻭ ﻣﻮﻻﻧﺎ ﻭ ﺩﻳﮕﺮ ﺁﺛﺎﺭ ﺍﺩﺑﻰ ﺍﻳﺮﺍﻥ ﺭﺍ ﺑﻪ‬
‫ﻧﻮﺷﺘﻪﻫﺎ ﺍﺳﺖ‪.‬‬ ‫ﺁﻥ ﺩﺍﺭﺩ‪ .‬ﻓﻴﺮﻭﺯ ﻓﺮﻣﺎﻧﻔﺮﻣﺎﻳﺎﻥ ﺩﺍﻧﺸﮕﺎﻩ‬ ‫ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ ﺑﺨﻮﺍﻧﻨﺪ‪.‬‬
‫ﻫﻨﺮﻫﺎﻯ ﺯﻳﺒﺎ ﺩﺭ ﭘﺎﺭﻳﺲ ‪Beaux-Arts‬‬
‫ﭘﻴﺸﻨﻬﺎﺩ ﺭﺳﻤﻰ ﺷﺪﻥ »ﺭﻭﺯ ﻛﻮﺭﺵ ﺑﺰﺭگ« ﭘﺲ ﺍﺯ ﺩﻩ ﺳﺎﻝ ﺍﺯ ﻧﺨﺴﺘﻴﻦ‬ ‫‪ de Paris‬ﺭﺍ ﺑﻪ ﭘﺎﻳﺎﻥ ﺭﺳﺎﻧﺪﻩ‪ ،‬ﺳﺎﺑﻘﻪ‬ ‫ﻓﻴﺮﻭﺯ ﻓﺮﻣﺎﻧﻔﺮﻣﺎﻳﺎﻥ ﺍﺯ ﺍﻳﺮﺍﻥ ﺗﻨﻬﺎ‬
‫ﺑﺮﮔﺰﺍﺭﻯ ﺁﻥ‬ ‫ﻓﻴﻠﻢﺳﺎﺯﻯ ﺩﺍﺭﺩ ﻭ ﺩﺭ ﻛﺎﺭ ﻣﻮﺳﻴﻘﻰ‬ ‫ﺩﺍﻻﻥﻫﺎﻯ ﺍﺗﺎﻕ ﭘﺪﺭﺑﺰﺭگﺍﺵ ﺭﺍ ﺑﻪ‬
‫ﻧﻴﺰ ﭼﻨﺪ ﺁﻟﺒﻮﻡ ﻣﻨﺘﺸﺮ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﻳﺎﺩ ﺩﺍﺭﺩ‪ ،‬ﻋﻄﺮ ﺍﻗﺎﻗﻰﻫﺎ ﺭﺍ ﻭ ﺳﺨﺎﻭﺕ‬
‫ﺷﻜﻮﻩ ﻣﻴﺮﺯﺍﺩﮔﻰ‪ -‬ﺍﻣﺴﺎﻝ ﻧﻴﺰ ﻣﺮﺩﻣﺎﻥ‬ ‫ﺍﻭ ﺳﺎﻝﻫﺎ ﺩﺭ ﭘﺎﺭﻳﺲ ﮔﺮﻭﻩ ﻛﻮﭼﻜﻰ‬ ‫ﻭ ﺻﻤﻴﻤﻴﺖ ﺧﺎﻧﻮﺍﺩﻩ ﺭﺍ‪ .‬ﻓﻴﺮﻭﺯ ﺳﻰ‬
‫ﻓﺮﻫﻨﮓﺩﻭﺳﺖ ﺍﻳﺮﺍﻥ »ﺭﻭﺯ ﻛﻮﺭﺵ‬ ‫ﺩﺍﺷﺘﻪ ﻭ ﻣﻮﺳﻴﻘﻰ ﺭﺍﻙ ﻛﺎﺭ ﻣﻰﻛﺮﺩﻩ‪.‬‬ ‫ﻭ ﺍﻧﺪﻯ ﺳﺎﻝ ﺍﺳﺖ ﻛﻪ ﺧﺎﺭﺝ ﺍﺯ ﺍﻳﺮﺍﻥ‬
‫ﺑﺰﺭگ« ﺭﺍ‪ ،‬ﻫﻤﭽﻮﻥ ﺩﻩ ﺳﺎﻝ ﮔﺬﺷﺘﻪ‪،‬‬ ‫ﻛﻨﺴﺮﺕﻫﺎﻯ ﻣﺘﻌﺪﺩﻯ ﻧﻴﺰ ﺑﺮﮔﺰﺍﺭ ﻛﺮﺩﻩ‬
‫ﺩﺭ ﺣﺪ ﺍﻣﻜﺎﻧﺎﺗﻰ ﻛﻪ ﺩﺍﺭﻧﺪ ﻭ ﺩﺭ ﻣﻴﺎﻥ‬
‫ﺑﺴﻴﺎﺭ ﻣﻮﻓﻖ ﺑﻮﺩﻩﺍﻧﺪ‪.‬‬
‫ﻣﻤﻨﻮﻋﻴﺖﻫﺎﻯ ﻣﻮﺟﻮﺩ‪ ،‬ﺑﺮﮔﺰﺍﺭ ﻛﺮﺩﻧﺪ‪.‬‬ ‫ﺍﻣﺎ ﺍﻳﻦ ﺭﻭﺯﻫﺎ ﺑﻴﺸﺘﺮ ﻧﻘﺎﺷﻰ ﻣﻰﻛﻨﺪ‪،‬‬
‫ﺭﻭﺯ ﻛﻮﺭﻭﺵ ﺑﺰﺭﮔﺨﺒﺮﻫﺎﻳﻰ ﻧﻴﺰ ﺩﺭ‬ ‫ﺩﺭ ﭘﺎﺭﻳﺲ ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﺩﺭ ﮔﺎﻟﺮﻯ » ُﮔﻠﻦ‬
‫ﺍﺭﺗﺒﺎﻁ ﺑﺎ ﺍﻳﻦ ﺭﻭﺯ ﺍﺯ ﺍﻳﺮﺍﻥ ﻣﻰ ﺭﺳﺪ‬ ‫ﺭﻭﺯﺧﻮﺵ« ﺍﺯ ﺁﺛﺎﺭ ﺍﻭ ﺑﺮﭘﺎﺳﺖ‪ .‬ﻓﻴﺮﻭﺯ‬
‫ﻛﻪ ﮔﻮﻳﺎ ﻗﺮﺍﺭ ﺍﺳﺖ ﺍﻣﺴﺎﻝ ﺍﻳﻦ ﺭﻭﺯ ﺭﺍ ﺑﻪ‬ ‫ﺷﺶ ﻋﻜﺲ ﺍﺯ ﺁﺭﺷﻴﻮ ﻋﻜﺲﻫﺎﻯ‬
‫ﻋﻨﻮﺍﻥ ﻳﻚ ﺭﺧﺪﺍﺩ ﻣﻠﻰ ﺩﺭ ﺗﻘﻮﻳﻢ ﺭﺳﻤﻰ‬ ‫ﻗﺪﻳﻤﻰ ﻛﻪ ﺑﺎ ﺍﻭﻟﻴﻦ ﺩﻭﺭﺑﻴﻦ ﺑﻪ ﺩﺳﺘﻮﺭ‬
‫ﻛﺸﻮﺭ ﺛﺒﺖ ﻛﻨﻨﺪ‪ .‬ﻛﻪ ﻣﻬﻤﺘﺮﻳﻦ ﺁﻧﻬﺎ ﺍﺯ‬ ‫ﻧﺎﺻﺮ ﺍﻟﺪﻳﻦ ﺷﺎﻩ ﺍﺯ ﺍﻳﺮﺍﻥ ﮔﺮﻓﺘﻪ ﺷﺪﻩ ﺭﺍ‬
‫ﺑﺮﮔﺰﻳﺪﻩ‪ ،‬ﺭﻭﻯ ﺍﻳﻦ ﻋﻜﺲﻫﺎ ﻛﺎﺭ ﻛﺮﺩﻩ‬
‫ﺍﻳﻦ ﻗﺮﺍﺭﻧﺪ‪:‬‬ ‫ﻭ ﺑﻪ ﻧﻮﻋﻰ ﻳﻚ ﻧﮕﺎﻩ ﺩﻭﺑﺎﺭﻩ ﺑﻪ ﺗﺎﺭﻳﺦ ﻭ‬
‫‪1‬ـ ﺑﻨﺎ ﺑﺮ ﮔﺰﺍﺭﺵ »ﺁﻣﺪﻧﻴﻮﺯ« ﺟﻌﻔﺮ‬
‫ﭘﻨﺎﻫﻰ‪ ،‬ﻛﺎﺭﮔﺮﺩﺍﻥ ﻫﻨﺮﻣﻨﺪ ﻭ ﺑﺎ ﻓﺮﻫﻨﮓ‬ ‫ﮔﺬﺷﺘﻪ ﺍﻳﺮﺍﻥ ﺍﻧﺪﺍﺧﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﺍﻳﺮﺍﻧﻰ‪ ،‬ﺑﻪ ﻣﻨﺎﺳﺒﺖ »ﺭﻭﺯ ﻛﻮﺭﻭﺵ« ﻃﻰ‬ ‫ﺩﺭ ﻋﻜﺲﻫﺎﻯ ﺍﻭ ﺍﺯ ﭼﻬﺮﻩﻫﺎﻯ‬
‫ﻳﺎﺩﺩﺍﺷﺘﻰ ﻛﻪ ﺩﺭ ﻳﻜﻰ ﺍﺯ ﺷﺒﻜﻪﻫﺎﻯ‬ ‫ﻣﻌﺮﻭﻑ ﺷﺎﻫﺎﻥ ﻗﺎﺟﺎﺭ ﺗﺎ ﻣﺮﺩﻡ ﻛﻮﭼﻪ‬
‫ﺍﺟﺘﻤﺎﻋﻰ ﻣﻨﺘﺸﺮ ﺷﺪﻩ‪ ،‬ﺍﻋﻼﻣﻴﻪﻯ‬
‫ﺗﺎﺭﻳﺨﻰ ﻛﻮﺭﻭﺵ ﺑﺰﺭگ ﺩﺭ ﺯﻣﻴﻨﻪﻯ‬ ‫ﻭ ﺑﺎﺯﺍﺭ ﺭﺍ ﻣﻰﺗﻮﺍﻥ ﺩﻳﺪ‪.‬‬
‫ﺣﻘﻮﻕ ﺍﻓﺮﺍﺩ ﻭ ﻣﻠﻞ ﺭﺍ ﻧﺨﺴﺘﻴﻦ ﺳﻨﮓ‬
‫ﺑﻨﺎﻯ ﺣﻘﻮﻕ ﺑﺸﺮ ﺩﺭ ﺟﻬﺎﻥ ﺩﺍﻧﺴﺘﻪ ﻭ‬ ‫ﮔﺮﻩ »ﻛﻤﺮﺑﻨﺪ« ﭘﺲ ﺍﺯ‪ 9‬ﺳﺎﻝ ﺑﺎﺯ ﺷﺪ‬
‫ﺧﻮﺍﺳﺘﻪ ﺍﺳﺖ ﻛﻪ ﺍﻳﻦ ﺭﻭﺯ ﺑﻪ ﻋﻨﻮﺍﻥ‬
‫ﺑﺰﺭگ« ﺩﺭﻫﺎﻯ ﻣﻮﺯﻩﻯ ﺍﻳﺮﺍﻥ ﺑﺎﺳﺘﺎﻥ ﺭﺍ‬ ‫ﺁﻗﺎﻯ ﻛﻮﺭﺵ ﺯﻋﻴﻢ‪ ،‬ﻋﻀﻮ ﻫﻴﺌﺖ ﺍﻣﻨﺎﻯ‬ ‫ﺍﻳﺮﺍﻧﻰ ﻋﻼﻗﻤﻨﺪ ﺑﻪ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‪،‬‬ ‫ﺭﻭﺯ ﻣﻠﻰ ﻛﻮﺭﺵ ﺑﻪ ﺗﻘﻮﻳﻢ ﺭﺳﻤﻰ ﺍﻳﺮﺍﻥ‬ ‫ﺍﺯ ﺍﻳﻦ ﻛﺘﺎﺏﻫﺎ ﺍﺳﺖ ﻛﻪ ﻫﻨﻮﺯ ﻧﺸﺮ ﭼﺸﻤﻪ‬ ‫ﻛﺘﺎﺏ»ﻛﻤﺮﺑﻨﺪ«ﻧﻮﺷﺘﻪﺍﺣﻤﺪﺍﺑﻮﺩﻫﻤﺎﻥ‬
‫ﻧﻴﺰ ﺑﻪ ﺭﻭﻯ ﻣﺮﺩﻡ ﺑﺴﺘﻨﺪ‪.‬‬ ‫ﺑﻨﻴﺎﺩ ﻣﻴﺮﺍﺙ ﭘﺎﺳﺎﺭﮔﺎﺩ‪ ،‬ﺩﺭ ﺩﻭﻣﻴﻦ‬ ‫ﺧﻮﺷﺤﺎﻝ ﻣﻰﺷﻮﻡ ﻛﻪ »ﺭﻭﺯ ﻛﻮﺭﺵ‬ ‫ﺍﺿﺎﻓﻪ ﺷﻮﺩ‪ .‬ﺩﺭ ﻭﺍﻗﻊ ﺍﻭ ﺍﻭﻟﻴﻦ ﻫﻨﺮﻣﻨﺪ‬ ‫ﭘﻴﮕﻴﺮﺍﻧﺘﺸﺎﺭﺁﻥﻧﺸﺪﻩﺍﺳﺖ‪.‬‬ ‫ﻧﻮﻳﺴﻨﺪﻩﺍﻯ ﺍﺯ ﻋﺮﺑﺴﺘﺎﻥ ﺳﻌﻮﺩﻯ ﻭ ﺑﻪ‬
‫ﺳﺎﻟﮕﺸﺖ ﻧﺎﻡﮔﺬﺍﺭﻯ ﺭﻭﺯ ﻛﻮﺭﺵ ﺑﺰﺭگ‬ ‫ﺑﺰﺭگ« ﺩﺭ ﺗﻘﻮﻳﻢﻫﺎﻯ ﺭﺳﻤﻰ ﺍﻳﺮﺍﻥ‬ ‫ﺳﻴﻨﻤﺎﻯ ﺩﺍﺧﻞ ﺍﻳﺮﺍﻥ ﺍﺳﺖ ﻛﻪ ﺑﻪ ﺗﻮﺟﻪ‬ ‫ﺗﺮﺟﻤﻪ ﺣﺴﻴﻦ ﺳﻠﻴﻤﺎﻧﻰﻧﮋﺍﺩ ﭘﺲ ﺍﺯ ‪9‬‬
‫ﺩﺭ ﻋﻴﻦ ﺣﺎﻝ‪ ،‬ﺭﻭﺯ ﻛﻮﺭﺵ ﺑﺰﺭگ‬ ‫ﺩﺭ ﭘﺎﺳﺎﺭﮔﺎﺩ ﺣﻀﻮﺭ ﭘﻴﺪﺍ ﻛﺮﺩ ﻭ ﺍﺯ ﺍﻳﻦ‬ ‫ﺑﻴﺎﻳﺪ ﻭ ﻫﻤﻴﻦ ﻃﻮﺭ ﺩﺭ ﻓﻬﺮﺳﺖ ﻣﻴﺮﺍﺙ‬ ‫ﺑﻪ ﺧﻮﺍﺳﺖ ﻣﺮﺩﻣﺎﻥ ﭼﻨﻴﻦ ﻣﺴﺎﻟﻪﻯ‬ ‫ﻋﻠﻰ ﺟﻨﺘﻰ ﻭﺯﻳﺮ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ‬ ‫ﺳﺎﻝ ﺍﻧﺘﻈﺎﺭ ﻭ ﻣﻤﻨﻮﻋﻴﺖ ﺍﻧﺘﺸﺎﺭ ﺳﺮﺍﻧﺠﺎﻡ‬
‫ﺩﺭ ﻃﻰ ﺳﺎﻝﻫﺎﻯ ﮔﺬﺷﺘﻪ ﺍﺯ ﺳﻮﻯ‬ ‫ﺭﻭﺯ ﺑﻪ ﻋﻨﻮﺍﻥ ﺭﻭﺯ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﻧﺎﻡ ﺑﺮﺩ‪.‬‬ ‫ﻓﺮﻫﻨﮕﻰ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺟﺎﻯ ﮔﻴﺮﺩ؛ ﻭ ﺑﺪ‬ ‫ﺍﺳﻼﻣﻰ ﺑﺎ ﻭﻋﺪﻩ ﺑﻬﺒﻮﺩ ﺷﺮﺍﻳﻂ ﺩﺭ ﺣﻮﺯﻩ‬ ‫ﺍﺯ ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰ ﺍﺟﺎﺯﻩ‬
‫ﺷﺨﺼﻴﺖﻫﺎﻯ ﻓﺮﻫﻨﮕﻰ ﻭ ﺍﺟﺘﻤﺎﻋﻰ ﻭ‬ ‫ﺍﺯ ﺳﺎﻝ ‪ 2005‬ﺗﺎ ﻛﻨﻮﻥ ﺍﻳﻦ ﺭﻭﺯ ﺭﺍ‬ ‫ﻧﻴﺴﺖ‪ ،‬ﺑﻪ ﻋﻨﻮﺍﻥ ﻛﺴﻰ ﻛﻪ ﺩﻭﺍﺯﺩﻩ ﺳﺎﻝ‬ ‫ﻣﻬﻢ ﻭ ﻓﺮﻫﻨﮕﻰ ﺭﺍ ﻣﻄﺮﺡ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﻧﺸﺮ ﻭ ﺗﺴﻬﻴﻞ ﺭﻭﻧﺪ ﻣﻤﻴﺰﻯ ﻛﺘﺎﺏ ﺑﺮ‬
‫ﺳﻴﺎﺳﻰ ﺧﺎﺭﺝ ﻭ ﺩﺍﺧﻞ ﻣﻮﺭﺩ ﺗﺎﻳﻴﺪ ﻭ‬ ‫ﻣﺮﺩﻣﺎﻥ ﺯﻳﺎﺩﻯ ﺩﺭ ﺍﻳﺮﺍﻥ ﻭ ﺧﺎﺭﺝ ﻛﺸﻮﺭ‬ ‫ﺩﺭ ﺟﺮﻳﺎﻥ ﻣﺎﺟﺮﺍﻫﺎﻳﻰ ﻛﻪ ﺑﺮ ﭘﺎﺳﺎﺭﮔﺎﺩ‬ ‫‪2‬ـ ﻋﺪﻩﺍﻯ ﺍﺯ ﺍﻳﺮﺍﻧﻰﻫﺎﻯ ﻓﺮﻫﻨﮓ‬ ‫ﺻﻨﺪﻟﻰ ﻭﺯﺍﺭﺕ ﺍﺭﺷﺎﺩ ﺗﻜﻴﻪ ﺯﺩ ﻭ ﭼﻨﺪﻯ‬ ‫ﻧﺸﺮﮔﺮﻓﺖ‪.‬‬
‫ﮔﺮﺍﻣﻰﺩﺍﺷﺖ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﻭ ﺍﻳﻦ ﺑﺰﺭﮔﺎﻥ‪،‬‬ ‫ﮔﺮﺍﻣﻰ ﻣﻰﺩﺍﺭﻧﺪ ﻭ ﺑﺎﺭﻫﺎ ﺧﻮﺍﺳﺘﺎﺭ ﺭﺳﻤﻰ‬ ‫ﮔﺬﺷﺘﻪ ﺑﻮﺩﻩﺍﻡ‪ ،‬ﺩﺭ ﻣﻮﺭﺩ ﺷﻨﺎﺳﺎﺋﻰ »ﺭﻭﺯ‬ ‫ﺩﻭﺳﺖ ﻧﻴﺰ ﺩﺭ ﺭﻭﺯﻫﺎﻯ ﺍﺧﻴﺮ ﺍﺯ ﺁﻗﺎﻯ‬ ‫ﻫﻢ ﺍﺯ ﺳﭙﺮﺩﻥ ﻣﻤﻴﺰﻯ ﻛﺘﺎﺏ ﺑﻪ ﺍﻫﻞ‬ ‫ﺣﺴﻴﻦ ﺳﻠﻴﻤﺎﻧﻰﻧﮋﺍﺩ ﺩﺭ ﺍﻳﻦ ﺑﺎﺭﻩ ﺑﻪ‬
‫ﺑﻪ ﻭﺳﻴﻠﻪﻯ ﺳﺎﻳﺖ ﺑﻨﻴﺎﺩ ﭘﺎﺳﺎﺭﮔﺎﺩ‪،‬‬ ‫ﻛﺮﺩﻥ ﺁﻥ ﺑﻮﺩﻩﺍﻧﺪ‪.‬ﺑﻨﻴﺎﺩ ﻣﻴﺮﺍﺙ ﭘﺎﺳﺎﺭﮔﺎﺩ‬ ‫ﺭﻭﺣﺎﻧﻰ ﺗﻘﺎﺿﺎ ﻛﺮﺩﻩﺍﻧﺪ ﻛﻪ ‪ 29‬ﺍﻛﺘﺒﺮ‬ ‫ﻓﺮﻫﻨﮓ ﻭ ﻫﻨﺮ ﺳﺨﻦ ﮔﻔﺖ ﺗﺎ ﺑﺎﺭ ﺳﺎﻧﺴﻮﺭ‬ ‫ﺧﺒﺮﮔﺰﺍﺭﻯ ﻛﺎﺭ ﺍﻳﺮﺍﻥ‪ ،‬ﺍﻳﻠﻨﺎ ﮔﻔﺘﻪ ﺍﺳﺖ‬
‫ﭘﻴﺎﻡﻫﺎﻳﻰ ﺭﺍ ﺩﺭ ﺗﺎﻳﻴﺪ ﺍﻫﻤﻴﺖ ﺗﺎﺭﻳﺨﻰـ‬ ‫ﻫﻤﭽﻨﻴﻦ ﺩﺭ ﺍﻛﺘﺒﺮ ‪ 1387‬ﭘﻴﺸﻨﻬﺎﺩ‬ ‫ﻛﻮﺭﺵ ﺑﺰﺭگ« ﻧﻜﺎﺗﻰ ﺭﺍ ﻳﺎﺩﺁﻭﺭ ﺷﻮﻡ‪:‬‬ ‫ﺭﺍ ﺑﻪ ﻋﻨﻮﺍﻥ ﺭﻭﺯ ﻛﻮﺭﺵ ﻭ » ﺑﺎ ﺍﻧﮕﻴﺰﻩ‬ ‫ﺭﺍﺑﻪﺷﺎﻧﻪﻫﺎﻯﺁﻧﻬﺎﻣﻨﺘﻘﻞﻛﻨﺪ‪.‬ﻃﺮﺣﻰﻛﻪ‬ ‫ﻛﻪ ﺍﻳﻦ ﻛﺘﺎﺏ »ﺑﺎ ﺣﺬﻓﻴﺎﺗﻰ ﻛﻪ ﭼﻨﺪﺍﻥ‬
‫ﻓﺮﻫﻨﮕﻰ ﺭﻭﺯ ﻛﻮﺭﺵ ﻭ ﺭﻭﺯ ‪ 29‬ﺍﻛﺘﺒﺮ‬ ‫ﺛﺒﺖ ﺭﺳﻤﻰ ﻭ ﺟﻬﺎﻧﻰ ﺍﻳﻦ ﺭﻭﺯ ﺭﺍ‪ ،‬ﺩﺭ‬ ‫ﭘﻴﺸﻨﻬﺎﺩ ﺑﺮﮔﺰﺍﺭﻯ ﺳﺎﻻﻧﻪﻯ »ﺭﻭﺯ‬ ‫ﭘﺎﺱﺩﺍﺷﺖ ﻫﻤﺒﺴﺘﮕﻰ ﻣﻠﻰ ﻭ ﻧﻜﻮﺩﺍﺷﺖ‬ ‫ﺍﺯ ﺳﻮﻯ ﺍﻫﻞ ﻓﺮﻫﻨﮓ ﻭ ﻫﻨﺮ ﺍﺯ ﺁﻥ ﺍﺳﺘﻘﺒﺎﻝ‬ ‫ﺑﻪ ﻣﺘﻦ ﺿﺮﺑﻪ ﻧﺰﺩ ﻣﺠﻮﺯ ﮔﺮﻓﺖ ﻭ ﻣﻨﺘﺸﺮ‬
‫ﺧﻄﺎﺏ ﺑﻪ ﻣﺮﺩﻡ ﺍﻳﺮﺍﻥ ﻓﺮﺳﺘﺎﺩﻩﺍﻧﺪ‪.‬‬ ‫ﻛﻨﺸﻰ ﻧﻤﺎﺩﻳﻦ‪ ،‬ﺑﻪ ﻳﻮﻧﺴﻜﻮ ﺩﺍﺩﻩ ﺍﺳﺖ‬ ‫ﻛﻮﺭﺵ ﺑﺰﺭگ« ﺩﺭ ﺍﻛﺘﺒﺮ ﺳﺎﻝ ‪،2005‬‬ ‫ﺍﺭﺯﺵﻫﺎﻯ ﺑﺎﺯﻣﺎﻧﺪﻩ ﺍﺯ ﻛﻮﺭﺵ ﺑﺰﺭگ«‬ ‫ﻧﺸﺪ‪ .‬ﺑﻪ ﮔﻔﺘﻪ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﻓﻌﺎﻻﻥ ﺣﻮﺯﻩ‬ ‫ﺷﺪ‪«.‬ﻛﺘﺎﺏ »ﻛﻤﺮﺑﻨﺪ«ﺑﻪ ﮔﻔﺘﻪ ﻣﺘﺮﺟﻢ‬
‫ﻧﻤﻮﻧﻪﺍﻯ ﺍﺯ ﺁﻧﻬﺎ‪ ،‬ﭘﻴﺎﻡ ﺩﻩﻫﺎ ﺷﺨﺼﻴﺖ‬ ‫ﭼﺮﺍ ﻛﻪ ﺑﺮ ﺍﺳﺎﺱ ﻣﻘﺮﺭﺍﺕ ﺳﺎﺯﻣﺎﻥ ﻣﻠﻞ‪،‬‬ ‫)‪ (1384‬ﻭ ﺑﻪ ﺩﻧﺒﺎﻝ ﻗﻄﻌﻰ ﺷﺪﻥ‬ ‫ﺩﺭ ﺗﻘﻮﻳﻢ ﻫﺎﻯ ﺭﺳﻤﻰ ﺛﺒﺖ ﻛﻨﻨﺪ‪ .‬ﻭ ﺩﺭ‬ ‫ﻧﺸﺮ ﺷﺮﺍﻳﻂ ﺍﺧﺬ ﻣﺠﻮﺯ ﻭ ﺍﻧﺘﺸﺎﺭﺍﺕ ﺩﺭ‬ ‫»ﺍﻳﺮﺍﺩﺍﺗﻰ ﻛﻪ ﺍﺭﺷﺎﺩ ﺑﺮ ﺍﻳﻦ ﻛﺘﺎﺏ ﻭﺍﺭﺩ‬
‫ﺍﺳﺖ ﻛﻪ ﺑﺎ ﺻﺪﺍﻯ ﺧﻮﺩﺷﺎﻥ ﺿﺒﻂ ﺷﺪﻩ‬ ‫ﻳﻮﻧﺴﻜﻮ ﻓﻘﻂ ﻣﻰﺗﻮﺍﻧﺪ ﺭﻭﺯﻫﺎ ﻭ ﺁﺛﺎﺭ ﻣﻠﻰ‬ ‫ﺧﻄﺮ ﺁﺑﮕﻴﺮﻯ ﺳﺪ ﺳﻴﻮﻧﺪ )ﺑﻪ ﻭﺳﻴﻠﻪﻯ‬ ‫ﻭﺍﻗﻊ ﺍﻓﺘﺨﺎﺭ ﺭﺳﻤﻰ ﻛﺮﺩﻥ ﺍﻳﻦ ﺭﻭﺯ ﺭﺍ ﺍﺯ‬ ‫ﺩﻭﻟﺖ ﻳﺎﺯﺩﻫﻢ ﺗﺎ ﻛﻨﻮﻥ ﺑﻬﺒﻮﺩ ﻣﺤﺴﻮﺳﻰ‬ ‫ﻣﻰﻛﺮﺩ ﻭ ﺁﻥ ﺭﺍ ﻣﻤﻨﻮﻉ ﺍﻋﻼﻡ ﻣﻰﻛﺮﺩ‬
‫ﻭ ﻓﺮﻫﻨﮕﻰ ﻭ ﺗﺎﺭﻳﺨﻰ ﺭﺍ ﭘﺲ ﺍﺯ ﺛﺒﺖ‬ ‫ﺩﻭﻟﺖ ﺍﺣﻤﺪﻯ ﻧﮋﺍﺩ(‪ ،‬ﺍﺯ ﺳﻮﻯ »ﻛﻤﻴﺘﻪ‬ ‫ﻧﺪﺍﺷﺘﻪ ﺍﺳﺖ‪.‬ﺍﻳﻦ ﺩﺭ ﺣﺎﻟﻴﺴﺖ ﻛﻪ ﺁﻳﺖﺍﷲ‬ ‫ﻫﺮﮔﺰ ﻣﺸﺨﺺ ﻧﺸﺪ‪ ،‬ﻫﻴﭻ ﺍﺻﻼﺣﻴﻪﺍﻯ‬
‫ﺍﺳﺖ‪.‬‬ ‫ﺷﺪﻥ ﺁﻧﻬﺎ ﺩﺭ ﻓﻬﺮﺳﺖ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‬ ‫ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻧﺠﺎﺕ ﭘﺎﺳﺎﺭﮔﺎﺩ« ﻣﻄﺮﺡ ﺷﺪ‬ ‫ﺁﻥ ﺩﻭﻟﺖ ﺧﻮﺩ ﻛﻨﺪ‪.‬‬ ‫ﻋﻠﻰ ﺧﺎﻣﻨﻪﺍﻯ ﺭﻫﺒﺮ ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ‬ ‫ﻧﻤﻰﺧﻮﺭﺩﻭﻓﻘﻂﻣﻰﮔﻔﺘﻨﺪﻛﻪﺍﻳﻦﻛﺘﺎﺏ‬
‫ﺑﻪ ﻫﺮ ﺣﺎﻝ‪ ،‬ﺭﻭﺯ ﻛﻮﺭﺵ ﺑﺰﺭگ‬ ‫ﻳﻚ ﻛﺸﻮﺭ ﺑﺮﺍﻯ ﺟﻬﺎﻧﻰ ﺷﺪﻥ ﻣﻮﺭﺩ‬ ‫)ﺍﻳﻦ ﻛﻤﻴﺘﻪ ﺍﻛﻨﻮﻥ ﺯﻳﺮ ﭘﻮﺷﺶ »ﺑﻨﻴﺎﺩ‬ ‫‪3‬ـ ﺍﺯ ﺳﻮﻳﻰ ﺩﻳﮕﺮ ﭼﻨﺪ ﺗﻦ ﺍﺯ‬ ‫ﺩﺭ ﻧﺨﺴﺘﻴﻦ ﺳﺎﻝ ﺭﻭﻯ ﻛﺎﺭﺁﻣﺪﻥ ﺩﻭﻟﺖ‬
‫ﺍﻭﻟﻴﻦ ﺭﻭﺯ ﺩﺭ ﺗﺎﺭﻳﺦ ﻣﺎ ﺍﺳﺖ ﻛﻪ ﺑﺪﻭﻥ‬ ‫ﺑﺮﺭﺳﻰ ﻗﺮﺍﺭ ﺩﻫﺪ ﻭ ﺩﻭﻟﺖﻫﺎﻯ ﺍﻳﺮﺍﻥ‬ ‫ﻣﻴﺮﺍﺙ ﭘﺎﺳﺎﺭﮔﺎﺩ«‪ ،‬ﻛﻪ ﺍﻭﻟﻴﻦ ﺍﻥ‪ .‬ﺟﻰ‪.‬‬ ‫ﻃﺮﻓﺪﺍﺭﺍﻥ ﺍﺣﻤﺪﻯ ﻧﮋﺍﺩ‪ ،‬ﺭﻳﻴﺲ ﺟﻤﻬﻮﺭ‬ ‫ﺭﻭﺣﺎﻧﻰ ﻭ ﻫﻤﺰﻣﺎﻥ ﺑﺎ ﻭﻋﺪﻩﻫﺎﻳﻰ ﻛﻪ ﺩﺍﺩﻩ‬ ‫ﻣﻤﻨﻮﻉﺍﻻﻧﺘﺸﺎﺭﺍﺳﺖ‪«.‬‬
‫ﻫﻴﭻ ﭘﺸﺘﻮﺍﻧﻪﻯ ﺩﻭﻟﺘﻰ ﻭ ﻣﺬﻫﺒﻰ‪ ،‬ﻭ‬ ‫ﻫﻤﻴﺸﻪ ﺍﺯ ﺛﺒﺖ ﺍﻳﻦ ﺭﻭﺯ‪ ،‬ﻧﻪ ﺗﻨﻬﺎ ﺩﺭ‬ ‫ﺍﻭﻯ ﺟﻬﺎﻧﻰ ﺑﺮﺍﻯ ﺣﻔﻆ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‬ ‫ﭘﻴﺸﻴﻦ ﺣﻜﻮﻣﺖ ﺍﺳﻼﻣﻰ‪ ،‬ﻭ ﻛﺴﻰ ﻛﻪ‬ ‫ﻣﻰﺷﺪ‪ ،‬ﺑﺎ ﺍﻧﺘﻘﺎﺩ ﺍﺯ ﻣﺴﻮﻭﻻﻥ ﺣﻮﺯﻩ ﻛﺘﺎﺏ‬ ‫ﺳﻠﻴﻤﺎﻧﻰﻧﮋﺍﺩﺩﺭﺑﺎﺭﻩﻣﺤﺘﻮﺍﻯ»ﻛﻤﺮﺑﻨﺪ«‬
‫ﺗﻨﻬﺎ ﺑﺎ ﻧﻴﺮﻭﻯ ﻣﺮﺩﻣﻰ ﻣﻄﺮﺡ ﻭ ﺩﺭ‬ ‫ﻓﻬﺮﺳﺖ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‪ ،‬ﻛﻪ ﺩﺭ ﺗﻘﻮﻳﻢ‬ ‫ﺍﻳﺮﺍﻥ ﺍﺳﺖ ﻓﻌﺎﻟﻴﺖ ﻣﻰﻛﻨﺪ(‪ .‬ﺍﺳﻨﺎﺩ ﻭ‬ ‫ﻣﺴﺒﺐ ﺑﺰﺭﮔﺘﺮﻳﻦ ﻣﺸﻜﻼﺕ ﻭ ﻭﻳﺮﺍﻧﻰﻫﺎ‬ ‫ﺩﺭﺑﺎﺭﻩ ﺑﻰ ﻣﻼﺣﻈﮕﻰ ﻓﺮﻫﻨﮕﻰ ﻭ ﺧﺎﺭﺝ‬ ‫ﮔﻔﺘﻪ ﺍﺳﺖ ﻛﻪ ﺍﻳﻦ ﻛﺘﺎﺏ ﺑﺴﻴﺎﺭﻯ ﺍﺯ‬
‫ﻳﺎﺩﻫﺎ ﺛﺒﺖ ﻭ ﻣﺎﻧﺪﮔﺎﺭ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻭ‬ ‫ﻣﺪﺍﺭﻙ ﻣﺮﺑﻮﻁ ﺑﻪ ﺳﺎﺑﻘﻪﻯ ﺩﻩ ﺳﺎﻟﻪﻯ‬ ‫ﺑﺮﺍﻯ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﻏﻴﺮ ﻣﺬﻫﺒﻰ ﻭ‬ ‫ﺷﺪﻥ ﻣﺴﺎﺋﻞ ﺣﻜﻮﻣﺖ ﺍﺯ ﺣﻮﺯﻩ ﺍﺧﺘﻴﺎﺭ‬ ‫ﺳﻨﺖﻫﺎﻯ ﻋﺮﺑﺴﺘﺎﻥ ﻣﺎﻧﻨﺪ ﺍﻋﺘﻘﺎﺩ ﺑﻪ ﺟﻦ‬
‫ﺑﻨﻴﺎﺩ ﻣﻴﺮﺍﺙ ﭘﺎﺳﺎﺭﮔﺎﺩ ﻧﻴﺰ‪ ،‬ﺑﻪ ﻋﻨﻮﺍﻥ‬ ‫ﺭﺳﻤﻰ ﻧﻴﺰ ﺧﻮﺩﺩﺍﺭﻯ ﻛﺮﺩﻩﺍﻧﺪ‪.‬‬ ‫ﺍﻳﻦ ﭘﺮﻭﻧﺪﻩ ﺭﺍ ﻣﻰﺗﻮﺍﻧﻴﺪ ﺩﺭ ﺍﻳﻦ ﭘﻴﻮﻧﺪ‬ ‫ﻣﻠﻰ ﻣﺎ ﺑﻮﺩﻩ‪ ،‬ﻧﻮﺷﺘﻪﺍﻧﺪ ﻛﻪ »ﺑﺰﺭﮔﺪﺍﺷﺖ‬ ‫ﻭ ﭘﺮﻯ ﻭ ﻗﺮﺑﺎﻧﻰ ﻛﺮﺩﻥ ﺭﺍ ﻛﻪ ﺑﺎ ﺍﻳﺮﺍﻥ ﻫﻢ‬
‫ﻳﻚ ﻧﻬﺎﺩ ﻏﻴﺮﺩﻭﻟﺘﻰ ﻭ ﻋﻼﻗﻤﻨﺪ ﺑﻪ‬ ‫ﺍﻣﺎ ﺩﺭ ﭘﻰ ﺑﺮﮔﺰﺍﺭﻯ ﭼﻬﺎﺭﻣﻴﻦ ﻣﺮﺍﺳﻢ‬ ‫ﺍﻳﻦ ﺭﻭﺯ ﺭﺍ ﻭﻗﺘﻰ ﻣﻨﺸﻮﺭ ﻛﻮﺭﺵ ﺑﻪ ﺍﻳﺮﺍﻥ‬ ‫ﺣﻜﻮﻣﺖ ﻫﺸﺪﺍﺭ ﺩﺍﺩﻩ ﺑﻮﺩ‪.‬‬ ‫ﻣﺸﺘﺮﻙ ﺍﺳﺖ ﺑﺎﺯﺑﺎﻧﻰﻃﻨﺰﺁﻟﻮﺩﻭﺷﺎﻋﺮﺍﻧﻪ‬
‫ﺣﻔﻆ ﻣﻴﺮﺍﺙﻫﺎﻯ ﻓﺮﻫﻨﮕﻰ ﻭ ﺗﺎﺭﻳﺨﻰ‬ ‫ﺳﺎﻟﮕﺸﺖ‪ ،‬ﺩﻭﻟﺖﻫﺎﻯ ﻭﻗﺖ ﺍﻳﺮﺍﻥ ﺩﺭﻫﺎﻯ‬ ‫ﻣﻼﺣﻈﻪ ﻛﻨﻴﺪ‪.‬‬ ‫ﺁﻣﺪ ﺍﺣﻤﺪﻯ ﻧﮋﺍﺩ ﻣﻄﺮﺡ ﻛﺮﺩﻩ ﺍﺳﺖ«‪ .‬ﻭ‬ ‫ﺑﻪ ﺗﺼﻮﻳﺮ ﻛﺸﻴﺪﻩ ﺍﺳﺖ‪.‬ﺍﺣﻤﺪ ﺍﺑﻮﺩﻫﻤﺎﻥ‬
‫ﺍﻳﺮﺍﻥﺯﻣﻴﻦ‪ ،‬ﻫﻤﺎﻥﻃﻮﺭ ﻛﻪ ﺳﺎﻝﻫﺎﻯ‬ ‫ﭘﺎﺳﺎﺭﮔﺎﺩ ﺭﺍ ﺑﺎ ﺗﺎﻧﻚﻫﺎ ﻭ ﺳﺮﺑﺎﺯﺍﻥ ﻭ ﻟﺒﺎﺱ‬ ‫ﭘﻴﺸﻨﻬﺎﺩ ﺭﻭﺯ ﻛﻮﺭﺵ ﺑﺰﺭگ‬ ‫ﺧﻮﺍﻫﺎﻥ ﺛﺒﺖ ﺍﻳﻦ ﺭﻭﺯ ﺩﺭ ﺗﻘﻮﻳﻢ ﺭﺳﻤﻰ‬ ‫ﻧﻮﻳﺴﻨﺪﻩ »ﻛﻤﺮﺑﻨﺪ« ﺩﺭ ﺟﻨﻮﺏ ﻋﺮﺑﺴﺘﺎﻥ‬
‫ﮔﺬﺷﺘﻪ‪ ،‬ﺍﺯ ﺛﺒﺖ ﺭﺳﻤﻰ ﺍﻳﻦ ﺭﻭﺯ‪ ،‬ﭼﻪ ﺩﺭ‬ ‫ﺷﺨﺼﻰﻫﺎ ﺑﻪ ﺭﻭﻯ ﻣﺮﺩﻡ ﺑﺴﺘﻨﺪ‪ .‬ﺣﺘﻰ‬ ‫ﺑﻼﻓﺎﺻﻠﻪ ﺑﺎ ﻛﻤﻚ ﺭﺳﺎﻧﻪﻫﺎﻯ ﺩﻳﺪﺍﺭﻯ‬ ‫ﻣﺘﻮﻟﺪ ﺷﺪﻩ ﻭ ﻫﻢ ﺍﻛﻨﻮﻥ ﺩﺭ ﭘﺎﺭﻳﺲ ﺯﻧﺪﮔﻰ‬
‫ﺗﻘﻮﻳﻢ ﺭﺳﻤﻰ ﻛﺸﻮﺭ ﻭ ﭼﻪ ﺩﺭ ﻓﻬﺮﺳﺖ‬ ‫ﺩﺭ ﻫﻤﺎﻥ ﺯﻣﺎﻥ ﻛﻪ ﻣﻨﺸﻮﺭ ﻛﻮﺭﺵ‬ ‫ﻭ ﺷﻨﻴﺪﺍﺭﻯ ﺧﺎﺭﺝ ﻛﺸﻮﺭ ﻭ ﻧﻬﺎﺩﻫﺎﻯ‬ ‫ﺷﺪﻩﺍﻧﺪ‪.‬‬ ‫ﻣﻰﻛﻨﺪ‪ .‬ﺍﻭ ﻣﺪﻳﺮ ﺭﻭﺯﻧﺎﻣﻪ »ﺍﻟﺮﻳﺎﺽ« ﺩﺭ‬
‫ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﺍﻳﺮﺍﻥ ﻭ ﺟﻬﺎﻥ‪ ،‬ﺍﺳﺘﻘﺒﺎﻝ‬ ‫ﺑﻪ ﺍﻳﺮﺍﻥ ﺁﻭﺭﺩﻩ ﺷﺪ‪ ،‬ﺩﺭ »ﺭﻭﺯ ﻛﻮﺭﺵ‬ ‫ﻏﻴﺮ ﺩﻭﻟﺘﻰ ﻭ ﻣﺮﺩﻣﺎﻥ ﻓﺮﻫﻨﮓﺩﻭﺳﺖ‪،‬‬ ‫ﻛﺘﻴﺒﻪ ﻛﻮﺭﻭﺷﻤﻦ ﺍﻟﺒﺘﻪ‪ ،‬ﻣﺜﻞ ﻫﺮ‬ ‫ﭘﺎﺭﻳﺲﺍﺳﺖﻭ»ﻛﻤﺮﺑﻨﺪ«ﻧﺨﺴﺘﻴﻦﻛﺘﺎﺏ‬
‫ﻣﻮﺭﺩ ﺗﻮﺟﻪ ﮔﺴﺘﺮﺩﻩﺍﻯ ﻭﺍﻗﻊ ﺷﺪ ﻭ‬ ‫ﺍﻭ ﺍﺳﺖ‪ .‬ﺑﻴﺸﺘﺮ ﻓﻌﺎﻟﻴﺖﻫﺎﻯ ﺍﺑﻮﺩﻫﻤﺎﻥ‬
‫ﻭ ﭘﺸﺘﻴﺒﺎﻧﻰ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﺑﺮ ﺭﻭﺯﻧﺎﻣﻪﻧﮕﺎﺭﻯ ﻣﺘﻤﺮﻛﺰ ﺍﺳﺖ‪.‬ﺣﺴﻴﻦ‬
‫ﺳﻠﻴﻤﺎﻧﻰﻧﮋﺍﺩ ﻣﺘﺮﺟﻢ »ﻛﻤﺮﺑﻨﺪ« ﺩﺭ ﮔﻔﺖ‬
‫ﻭ ﮔﻮ ﺑﺎ ﺧﺒﺮﮔﺰﺍﺭﻯ ﺍﻳﻠﻨﺎ ﮔﻔﺘﻪ ﺍﺳﺖ ﻛﻪ‬
‫ﻫﻨﻮﺯ ﺩﻭ ﻛﺘﺎﺏ ﺗﺮﺟﻤﻪ ﺍﻭ ﻣﻤﻨﻮﻉﺍﻻﻧﺘﺸﺎﺭ‬

‫ﻫﺴﺘﻨ ‪.‬ﺪ‬
‫ﺑﻪ ﮔﻔﺘﻪ ﺳﻠﻴﻤﺎﻧﻰﻧﮋﺍﺩ »ﺩﺭﻭﺍﺯﻩﻫﺎﻯ‬
‫ﺩﻧﻴﺎﻯ ﻣﺮگ« ﻧﻮﺷﺘﻪ »ﻟﻮﺭﺍﻥ ﮔﻮﺩﻩ« ﻳﻜﻰ‬

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