Page 7 - (کیهان لندن - سال سى و سوم ـ شماره ۶ (دوره جديد
P. 7

‫ﺻﻔﺤﻪ ‪7‬ـ ‪ Page 7‬ـ ﺷﻤﺎﺭﻩ ‪6‬‬                                                                                                         ‫ﭘﻨﺠﺮﻩﺍﻯ ﺑﻪ ﺳﻮﻯ ﺣﻨﺠﺮﻩ!‬
‫ﺟﻤﻌﻪ ‪ 1‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 7‬ﻣﻰ ‪2015‬‬
                                                                                                        ‫ﻧﮕﺎﻫﻰ ﺑﻪ ﺍﻧﺪﺍﻡ ﺻﻮﺗﻰ ﺍﻧﺴﺎﻥ ﻭ ﺷﮕﻔﺘﻰﻫﺎﻯ ﺁﻥ‬
        ‫ﻋﺮﻭﺳﻰ ﻫﻢﺯﻣﺎﻥ ﺧﻮﺍﻫﺮﺍﻥ ﺳﻪ ﻗﻠﻮ‬

‫ﺧﻮﺍﻫﺮﺍﻥ ﺳﻪ ﻗﻠﻮ ﻛﻪ ﺭﺍﻓﺎﺋﻼ‪ ،‬ﺭﻭﭼﻞ ﻭ ﺗﺎﺟﻴﺎﻥ ﺑﺎﻳﻨﻰ ﻧﺎﻡ ﺩﺍﺭﻧﺪ ﻋﻼﻭﻩ ﺑﺮ ﺁﻧﻜﻪ ﭼﻬﺮﻩﻫﺎﻯ ﻫﻢﺳﺎﻧﻰ ﺩﺍﺭﻧﺪ‪،‬‬                ‫ﺩﻛﺘﺮ ﺍﺑﺮﺍﻫﻴﻢ ﻣﺤﺠﻮﺑﻰ‬                 ‫ﻣﺮﺗﻌﺶ ﺷﻮﻧﺪ‪ .‬ﺗﻮﻟﻴﺪ ﺻﺪﺍ‪ ،‬ﺍﺯ ﻃﺮﻳﻖ ﺷﻞ‬      ‫ﺍﻧﺴﺎﻥ‪ ،‬ﺗﻨﻬﺎ ﻣﻮﺟﻮﺩﻯ ﻧﻴﺴﺖ ﻛﻪ‬
‫ﺳﻼﻳﻖﺷﺎﻥ ﻧﻴﺰ ﻳﻚﺳﺎﻥ ﺍﺳﺖ‪.‬ﺧﻮﺍﻫﺮﺍﻥ ‪ 29‬ﺳﺎﻟﻪ ﺑﺎﻳﻨﻰ ﺍﻫﻞ ﭘﺎﺳﻮﻓﻮﻧﺪﺍ ﺩﺭ ﺟﻨﻮﺏ ﺑﺮﺯﻳﻠﻨﺪ ﻭ ﺩﺭ ﻣﺮﺍﺳﻢ‬                                                          ‫ﻭ ﺳﻔﺖ ﺷﺪﻥ ﻭ ﺩﻭﺭ ﻭ ﻧﺰﺩﻳﻚ ﮔﺸﺘﻦ‬           ‫ﻗﺎﺩﺭ ﺑﻪ ﺗﻮﻟﻴﺪ ﺻﺪﺍ ﺍﺳﺖ‪ ،‬ﺍﻣﺎ ﻳﮕﺎﻧﻪ‬
                                                                                                        ‫ﮔﻔﺘﻴﻢ ﻛﻪ ﺗﻮﻟﻴﺪ ﺻﺪﺍ‪ ،‬ﺍﺳﺎﺳﺎً‬            ‫ﻃﻨﺎﺏﻫﺎ ﺻﻮﺭﺕ ﻣﻰﮔﻴﺮﺩ‪ .‬ﺻﻮﺕ ﺗﻮﻟﻴﺪ‬          ‫ﻣﻮﺟﻮﺩﻯ ﺍﺳﺖ ﻛﻪ ﺑﺎ ﺻﺪﺍﻳﺶ‪ ،‬ﺑﻪ‬
                                     ‫ﺍﺯﺩﻭﺍﺝ ﺧﻮﺩ ﺍﺯ ﻳﻚ ﻣﺪﻝ ﻟﺒﺎﺱ ﻋﺮﻭﺱ‪ ،‬ﻣﻮ ﻭ ﺁﺭﺍﻳﺶ ﺍﺳﺘﻔﺎﺩﻩ ﻛﺮﺩﻧﺪ‪.‬‬          ‫ﻣﺤﺼﻮﻝ ﺍﺭﺗﻌﺎﺵ ﻃﻨﺎﺏﻫﺎﻯ ﺻﻮﺗﻰ‬             ‫ﺷﺪﻩ‪ ،‬ﺍﺯ ﻳﻚ ﺁﻭﺍﻯ ﺍﺻﻠﻰ ﻳﺎ ﺯﻣﻴﻨﻪﺍﻯ‬        ‫ﺗﻮﺍﻧﺎﻳﻰ ﺣﻴﺮﺕﺍﻧﮕﻴﺰﻯ ﺑﻪ ﻧﺎﻡ »ﺗﻜﻠﻢ«‬
                                                                                                        ‫ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻃﻨﺎﺏﻫﺎ ﻭ ﭼﮕﻮﻧﮕﻰ ﻓﻌﺎﻟﻴﺖ‬       ‫ﻭ ﺷﻤﺎﺭﻯ ﺁﻭﺍﻫﺎﻯ ﻓﺮﻋﻰ ﺗﺸﻜﻴﻞ‬              ‫ﺩﺳﺖ ﻳﺎﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺍﻳﻦ‪ ،‬ﺍﻧﺴﺎﻥ ﺍﺳﺖ ﻛﻪ‬
   ‫»ﭘﻞ ﻃﺒﻴﻌﺖ« ﺷﺎﻫﻜﺎﺭ ﻳﻚ ﺩﺧﺘﺮ ﻣﻌﻤﺎﺭ ﺍﻳﺮﺍﻧﻰ‬                                                               ‫ﺁﻧﻬﺎ‪ ،‬ﻗﺎﺑﻞ ﭘﺮﻭﺭﺵ ﺍﺳﺖ‪ .‬ﻭ ﺍﺯ ﻫﻤﻴﻦ‬       ‫ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺣﻠﻖ‪ ،‬ﺩﻫﺎﻥ ﻭ ﺑﻴﻨﻰ ﻭ ﻧﻴﺰ‬        ‫ﺁﻭﺍ ﺭﺍ ﺑﻪ ﻭﺍژﻩ‪ ،‬ﻭﺍژﻩ ﺭﺍ ﺑﻪ ﺯﺑﺎﻥ ﻭ ﺯﺑﺎﻥ‬
                                                                                                        ‫ﺟﺎ ﺍﺳﺖ ﻛﻪ ﺻﺪﺍﻯ ﺧﻮﺵ ﻭ ﻫﻨﺮ‬              ‫ﺳﻴﻨﻮﺱﻫﺎﻯ ﻣﻮﺟﻮﺩ ﺩﺭ ﺍﻃﺮﺍﻑ ﺑﻴﻨﻰ‪،‬‬          ‫ﺭﺍ ﺑﻪ ﻓﺮﻫﻨﮓ ﻭ ﺍﺩﺏ ﻓﺮﺍ ﺭﻭﻳﺎﻧﺪﻩ ﺍﺳﺖ‪.‬‬
                                                                                                        ‫ﺁﻭﺍﺯﺧﻮﺍﻧﺪﻥ ﺩﺭ ﻫﻤﺔ ﺍﻧﻮﺍﻉ ﻭ ﮔﻮﻧﻪﻫﺎﻳﺶ‬    ‫ﻣﺠﻤﻮﻋﻪﺍﻯ ﺑﻪ ﻭﺟﻮﺩ ﻣﻰﺁﻭﺭﻧﺪ ﻛﻪ ﻧﻘﺶ‬        ‫ﻣﮕﺮ ﻧﻪ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ »ﺗﻜﻠﻢ«‪ ،‬ﭘﻴﺶ ﺍﺯ‬
                                                                                                        ‫ﭘﺪﻳﺪ ﻣﻰﺁﻳﺪ ﻭ ﺍﻓﺮﺍﺩﻯ ﺭﺍ ﺑﻪ ﺻﻔﺖﻫﺎﻳﻰ‬     ‫ﭘﮋﻭﺍﻙﺩﻫﻨﺪﻩ ﻭ ﻧﻴﺰ ﺗﻘﻮﻳﺖ ﻛﻨﻨﺪﺓ ﺻﺪﺍ‬
                                                                                                        ‫ﭼﻮﻥ »ﺣﻨﺠﺮﻩ ﻃﻼﻳﻰ«‪ ،‬ﻳﺎ ﺻﺎﺣﺐ‬             ‫ﺭﺍ ﺑﺮ ﻋﻬﺪﻩ ﺩﺍﺭﺩ‪ .‬ﺩﺭﺳﺖ ﻣﺎﻧﻨﺪ ﻳﻚ‬                 ‫»ﻛﺘﺎﺑﺖ« ﭘﺪﻳﺪ ﺁﻣﺪﻩ ﺍﺳﺖ؟‬
                                                                                                        ‫»ﺻﻮﺕ ﺩﺍﻭﺩﻯ« ﻭ ﻳﺎ »ﺻﺪﺍﻯ ﻣﻠﻜﻮﺗﻰ«‬        ‫ﺩﺳﺘﮕﺎﻩ »ﺁﻣﭙﻠﻰ ﻓﺎﻳﺮ«! ﺍﻳﻦ ﺣﻔﺮﻩﻫﺎ‪ ،‬ﺩﺭ‬    ‫ﻫﻤﺔ ﺍﻳﻦ ﺗﻮﺍﻧﺎﻳﻰﻫﺎ ﺩﺭ ﺳﺎﻳﺔ ﻭﺟﻮﺩ‬
                                                                                                        ‫ﻭ ﺍﻣﺜﺎﻝ ﺁﻥ ﻣﺘﺼﻒ ﻣﻰﮔﺮﺩﺍﻧﺪ‪ .‬ﺍﺯ ﻫﻤﻴﻦ‬     ‫ﻋﻤﻞ ﺣﻨﺠﺮﻩ‪ ،‬ﻃﻮﺭﻯ ﺷﺮﻛﺖ ﻣﻰﻛﻨﻨﺪ‬            ‫ﻭ ﺗﻜﺎﻣﻞ ﺍﻧﺪﺍﻣﻰ ﺷﺮﻳﻒ ﻣﻘﺪﻭﺭ ﺷﺪﻩ‬
                                                                                                        ‫ﺟﺎ‪ ،‬ﺻﺎﺣﺒﺎﻥ ﺻﺪﺍﻫﺎﻯ ﺍﺳﺘﺜﻨﺎﻳﻰ‬            ‫ﻛﻪ ﺑﻪ ﺻﺪﺍﻯ ﺍﻳﺠﺎﺩ ﺷﺪﻩ‪ ،‬ﺣﺪﺍﻛﺜﺮ‬           ‫ﻛﻪ ﺣﻨﺠﺮﻩ ﻳﺎ ﺧﺸﻜﻨﺎﻯ ﻧﺎﻡ ﺩﺍﺭﺩ‪ .‬ﺍﻳﻦ‬
                                                                                                        ‫ﻭ ﺍﺯ ﻧﻈﺮ ﻫﻨﺮﻯ ﮔﺮﺍﻧﺒﻬﺎ‪ ،‬ﻣﻰﺗﻮﺍﻧﻨﺪ‬                                              ‫ﻧﻮﺷﺘﻪ‪ ،‬ﭘﻨﺠﺮﻩﺍﻯ ﺑﻪ ﺳﻮﻯ ﺣﻨﺠﺮﻩ‬
                                                                                                        ‫ﻃﻨﺎﺏﻫﺎﻯ ﺻﻮﺗﻰ ﺧﻮﺩ ﺭﺍ ﺑﻴﻤﻪ ﻛﻨﻨﺪ!‬        ‫ﺷﺒﺎﻫﺖ ﻭ ﻗﺮﺍﺑﺖ ﺑﺎ ﺻﺪﺍﻯ ﻃﺒﻴﻌﻰ ﻭ‬
                                                                                                        ‫ﭼﻪ ﻛﺎﺭﻫﺎ ﻛﻪ ﺍﺯ ﺍﻳﻦ ﺟﻌﺒﺔ ﺻﻮﺗﻰ‬          ‫ﺍﻭﺭﻳﮋﻳﻨﺎﻝ ﺷﺨﺺ ﺭﺍ ﺑﺪﻫﻨﺪ‪ .‬ﺑﻪ ﺯﺑﺎﻥ‬        ‫ﻣﻰﮔﺸﺎﻳﺪ ﺗﺎ ﺷﻤﺎ ﺭﺍ ﺑﺎ ﭼﮕﻮﻧﮕﻰ ﻛﺎﺭﻛﺮﺩ‬
                                                                                                                                              ‫ﻓﻨﻰ‪ ،‬ﺑﺮﺍﻯ ﺻﺪﺍ‪ ،‬ﻛﻴﻔﻴﺖ ‪Hi-Fi‬‬                       ‫ﺟﺎﺩﻭﻳﻰ ﺁﻥ ﺁﺷﻨﺎ ﮔﺮﺩﺍﻧﺪ‪.‬‬
                                                                                                                   ‫ﺟﻠﻮﻯ ﮔﺮﺩﻥ ﺑﺮ ﻧﻤﻰﺁﻳﺪ!‬       ‫ﻓﺮﺍﻫﻢ ﻣﻰﻛﻨﻨﺪ! ﻣﻰﺑﻴﻨﻴﺪ ﻛﻪ ﺩﺭ ﺍﻳﻨﺠﺎ‬
                                                                                                        ‫ﺻﺪﺍﻯ ﻫﺮ ﻛﺴﻰ‪ ،‬ﻣﻨﺤﺼﺮ ﺑﻪ ﻓﺮﺩ ﻭ ﺑﻪ‬        ‫ﻫﻢ‪ ،‬ﻃﺒﻴﻌﺖ ﺑﺴﻴﺎﺭ ﺟﻠﻮﺗﺮ ﺍﺯ ﺗﻜﻨﻴﻚ‬         ‫ﺣﻨﺠﺮﻩ ﺩﺭ ﺍﺻﻞ ﻳﻚ ﻣﺤﻔﻈﺔ‬
                                                                                                        ‫ﺍﺻﻄﻼﺡ ﺑﻰﺗﺎ ﺍﺳﺖ‪ .‬ﺗﻐﻴﻴﺮ ﺩﺍﺋﻤﻰ ﺻﺪﺍ‬       ‫ﺑﻮﺩﻩ ﻭ ﭘﻴﺸﺎﭘﻴﺶ ‪Disc Jockey‬‬             ‫ﻛﻮﭼﻚ ﺑﺎ ﺩﺍﺭﺑﺴﺖ ﻏﻀﺮﻭﻓﻰ ﻛﻪ ﻫﻢ‬
                                                                                                        ‫ﺑﻪ ﻫﺮ ﺩﻟﻴﻞ ﻛﻪ ﺑﺎﺷﺪ ﻭ ﻳﺎ ﺍﺯ ﻣﻴﺎﻥ ﺭﻓﺘﻦ‬  ‫ﻣﺮﺑﻮﻃﻪ ﺭﺍ ﻫﻢ ﺍﺳﺘﺨﺪﺍﻡ ﻛﺮﺩﻩ ﺍﺳﺖ!‬         ‫ﻭﺭﻭﺩﻯ ﻣﺠﺎﺭﻯ ﺗﻨﻔﺴﻰ ﭘﺎﺋﻴﻨﻰ )ﻧﺎﻯ‬
                                                                                                        ‫ﺩﺍﺋﻤﻰ ﻭ ﻛﺎﻣﻞ ﺁﻥ‪ ،‬ﺑﺮﺍﻯ ﻓﺮﺩ ﻣﺒﺘﻼ‪،‬‬       ‫ﻭ ﺍﻣﺎ ﺩﺭ ﺑﺎﻻﻯ ﺣﻨﺠﺮﻩ‪ ،‬ﺍﻧﺪﺍﻣﻰ‬            ‫ﻭ ﺭﻳﻪﻫﺎ( ﺍﺳﺖ ﻭ ﻫﻢ ﺩﺳﺘﮕﺎﻩ ﺗﻮﻟﻴﺪ‬
                                                                                                        ‫ﺑﻪ ﻣﻌﻨﺎﻯ ﺍﺯ ﺩﺳﺖ ﺩﺍﺩﻥ ﺑﺨﺸﻰ ﺍﺯ‬          ‫ﺯﺍﺋﺪﻩﻭﺍﺭ‪ ،‬ﺷﺒﻴﻪ ﺩﺭ ﻗﺎﺑﻠﻤﻪ ﻭﺟﻮﺩ ﺩﺍﺭﺩ‬     ‫ﺻﻮﺕ )‪ .(Voice Box‬ﺍﻳﻦ ﻣﺤﻔﻈﺔ‬
                                                                                                        ‫ﺷﺨﺼﻴﺖ ﻭ ﻫﻮﻳﺖ ﺍﻭﺳﺖ‪ .‬ﭼﺮﺍ ﻛﻪ ﺍﻓﺮﺍﺩ‬       ‫ﻛﻪ »ﺍﭘﻰ ﮔﻠﻮﺕ« )ﺑﻪ ﻓﺎﺭﺳﻰ؟( ﻧﺎﻡ ﺩﺍﺭﺩ‪.‬‬    ‫ﻏﻀﺮﻭﻓﻰ‪ ،‬ﺑﺴﻴﺎﺭ ﻣﺘﺤﺮﻙ ﺍﺳﺖ ﻭ‬
                                                                                                        ‫ﺍﻧﺴﺎﻧﻰ‪ ،‬ﻧﻪ ﻓﻘﻂ ﺑﺎ ﺍﻟﮕﻮﻫﺎﻯ ﺭﻓﺘﺎﺭﻯ ـ‬    ‫ﻭﻇﻴﻔﺔ ﺁﻥ‪ ،‬ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﻣﻮﻗﻊ ﺑﻠﻊ ﻭ‬        ‫ﻫﻤﻴﻦ ﺧﺎﺻﻴﺖ‪ ،‬ﺍﻣﻜﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻪ‬
                                                                                                        ‫ﺷﺨﺼﻴﺘﻰ ﺧﻮﻳﺶ‪ ،‬ﺑﻠﻜﻪ ﺑﺎ ﺻﺪﺍﻯ ﺧﻮﺩ‬         ‫ﺧﻮﺭﺩﻥ ﻏﺬﺍ‪ ،‬ﺳﻮﺭﺍﺥ ﻓﻮﻗﺎﻧﻰ ﺣﻨﺠﺮﻩ ﺭﺍ‬       ‫ﺍﻧﺴﺎﻥ ﺿﻤﻦ ﮔﺮﺩﺍﻧﺪﻥ ﺳﺮﻭ ﮔﺮﺩﻥ ﺑﻪ‬
                                                                                                        ‫ﻧﻴﺰ ﺍﺯ ﺩﻳﮕﺮﺍﻥ ﺑﺎﺯ ﺷﻨﺎﺧﺘﻪ ﻣﻰﺷﻮﻧﺪ‪.‬‬      ‫ﺑﺒﻨﺪﺩ ﺗﺎ ﻣﺎﻧﻊ ﻭﺭﻭﺩ ﻣﻮﺍﺩ ﻏﺬﺍﻳﻰ ﺑﻪ ﺍﺗﺎﻕ‬  ‫ﺟﻬﺎﺕ ﻣﺨﺘﻠﻒ‪ ،‬ﻫﻤﺰﻣﺎﻥ ﺻﺪﺍ ﺗﻮﻟﻴﺪ‬
                                                                                                        ‫ﺩﺭ ﺍﻳﻦ ﺭﺍﺳﺘﺎ ﻛﺎﻓﻰ ﺍﺳﺖ ﺍﺷﺎﺭﻩ ﻛﻨﻴﻢ‬      ‫ﺻﺪﺍ ﮔﺮﺩﺩ‪ .‬ﺍﮔﺮ »ﺍﭘﻰ ﮔﻠﻮﺕ« ﺑﻪ ﻣﻮﻗﻊ ﻭ‬     ‫ﻛﻨﺪ ﻭ ﺳﺨﻦ ﺑﮕﻮﻳﺪ‪ .‬ﺩﺭ ﺩﺭﻭﻥ ﺍﻳﻦ‬
                                                                                                        ‫ﻛﻪ ﻭﺍژﺓ ﺍﻧﮕﻠﻴﺴﻰ ‪ Vocation‬ﺑﻪ‬           ‫ﺑﻪ ﻃﻮﺭ ﻛﺎﻣﻞ ﺑﺴﺘﻪ ﻧﺸﻮﺩ‪» ،‬ﻏﺬﺍ ﺑﻪ ﮔﻠﻮ‬     ‫ﺟﻌﺒﺔ ﺟﺎﺩﻭﺋﻰ‪ ،‬ﺩﻭ ﺟﻔﺖ ﭼﻴﻦ ﻣﺨﺎﻃﻰ‬
                                                                                                        ‫ﻣﻌﻨﺎﻯ ﺷﻐﻞ ﻭ ﻧﻴﺰ ﻧﻘﺸﻰ ﻛﻪ ﻓﺮﺩ ﺩﺭ‬        ‫ﻣﻰﭘﺮﺩ« ﻛﻪ ﻫﻤﻪ ﺁﻥ ﺭﺍ ﻣﻰﺷﻨﺎﺳﻨﺪ‪:‬‬          ‫ﻭﻳﮋﻩ ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪ .‬ﻳﻜﻰ ﭼﻴﻦﻫﺎﻯ ﻛﻴﺴﻪﺍﻯ‬
                                                                                                        ‫ﺯﻧﺪﮔﻰ ﺑﻪ ﺁﻥ »ﻧﺎﻣﻴﺪﻩ« ﻣﻰﺷﻮﺩ )ﺑﻪ‬                                               ‫ﻭ ﺩﻳﮕﺮﻯ ﻃﻨﺎﺏﻫﺎﻯ ﺻﻮﺗﻰ‪ .‬ﺻﺪﺍ‪،‬‬
                                                                                                        ‫ﺁﻟﻤﺎﻧﻰ ‪ (Berufung‬ﻭ ﻫﻤﭽﻨﻴﻦ‬                                ‫)‪.(Choking‬‬          ‫ﻣﺤﺼﻮﻝ ﺍﺭﺗﻌﺎﺵ ﺍﻳﻦ ﻃﻨﺎﺏﻫﺎ ﺍﺳﺖ‬
                                                                                                        ‫ﻟﻐﺖ ‪ Vocabulary‬ﻳﻌﻨﻰ ﻭﺍژﮔﺎﻥ‬                                                   ‫ﻛﻪ ﻗﺎﺩﺭﻧﺪ ﺩﺭ ﻫﺮ ﺛﺎﻧﻴﻪ ﺑﻴﺶ ﺍﺯ ﻫﺰﺍﺭ ﺑﺎﺭ‬
                                                                                                        ‫ﺷﺨﺼﻰ‪ ،‬ﺑﺎ ﻛﻠﻤﺔ ﻻﺗﻴﻦ ‪ Vox‬ﻳﻌﻨﻰ‬

                                                                                                                   ‫ﺻﺪﺍ ﺧﻮﻳﺸﺎﻭﻧﺪﻯ ﺩﺍﺭﻧﺪ‪.‬‬
                                                                                                        ‫ﻣﻰﺑﻴﻨﻴﺪ ﻛﻪ ﺣﻨﺠﺮﻩ‪ ،‬ﺍﻳﻦ ﺍﻧﺪﺍﻡ‬
                                                                                                        ‫ﻛﻮﭼﻚ ﻧﻬﻔﺘﻪ ﺩﺭ ﭘﺸﺖ »ﺳﻴﺐ ﺁﺩﻡ«‪،‬‬
                                                                                                        ‫ﻭﻇﺎﻳﻔﻰ ﻓﺮﺍﺗﺮ ﺍﺯ ﻋﺮﺻﺔ ﺑﻴﻮﻟﻮژﻯ ﺑﺮﻋﻬﺪﻩ‬
                                                                                                        ‫ﺩﺍﺭﺩ ﻭ ﺍﺯ ﺭﺍﻩﻫﺎﻯ ﮔﻮﻧﺎﮔﻮﻥ ﺑﻪ ﻋﺮﺻﻪﻫﺎﻯ‬
                                                                                                        ‫ﺍﺟﺘﻤﺎﻋﻰ ﻧﻴﺰ ﻭﺍﺭﺩ ﻣﻰﮔﺮﺩﺩ‪ .‬ﺣﺘﻰ‬
                                                                                                        ‫ﺩﺭ ﻣﺒﺎﺭﺯﺍﺕ ﺳﻴﺎﺳﻰ ﻧﻈﻴﺮ ﺗﻈﺎﻫﺮﺍﺕ‬
                                                                                                        ‫ﺧﻴﺎﺑﺎﻧﻰ ﻭ ﺷﻌﺎﺭ ﺩﺍﺩﻥ ﺑﺮﺍﻯ ﺍﻳﻦ ﻳﺎ ﺁﻥ‬
                                                                                                        ‫ﺧﻮﺍﺳﺘﻪ ﻫﻢ‪ ،‬ﺑﻪ ﺣﻨﺠﺮﻩ ﻧﻴﺎﺯ ﺍﺳﺖ! ﺍﻳﻦ‬
                                                                                                        ‫ﺍﺳﺖ ﻛﻪ ﻣﺤﺎﻓﻈﺖ ﻭ ﻣﺮﺍﻗﺒﺖ ﺑﻬﺪﺍﺷﺘﻰ‬
                                                                                                        ‫ﺍﺯ ﺁﻥ ﻛﻤﺎﻝ ﺍﻫﻤﻴﺖ ﺭﺍ ﺩﺍﺭﺩ‪ .‬ﭼﺮﺍ ﻛﻪ ﺩﺭ‬

                                                                                                          ‫ﻧﻬﺎﻳﺖ‪» ،‬ﺍﻳﻦ ﺻﺪﺍﺳﺖ ﻛﻪ ﻣﻰﻣﺎﻧﺪ!«‬

                            ‫ﻛﻨﺪ‪.‬‬   ‫ﻟﻴﻼ ﻃﺮﺍﺡ ﺟﻮﺍﻥ ﺍﻳﻦ ﭘﻞ ﻣﻰﮔﻮﻳﺪ‬       ‫ﻟﻴﻼ ﻋﺮﺍﻗﻴﺎﻥ ﺩﺭ ﺳﺎﻝ ‪ 1389‬ﻭﻗﺘﻰ‬       ‫ﻛﺸﻒ ﻏﺎﺭﻯ ﺯﻳﺒﺎ ﺩﺭ ﺟﻬﺮﻡ‬
‫ﻟﻴﻼ ﺑﻪ ﺭﻭﺯﻧﺎﻣﻪ ﮔﺎﺭﺩﻳﻦ ﮔﻔﺖ‪» :‬ﻣﻦ‬     ‫ﺩﺭ ﻃﺮﺍﺣﻰ ﺍﻳﻦ ﺍﺛﺮ ﺍﺯ ﭘﻞﻫﺎﻯ ﺗﺎﺭﻳﺨﻰ‬  ‫ﺗﻨﻬﺎ ‪ 26‬ﺳﺎﻝ ﺩﺍﺷﺖ ﻃﺮﺍﺣﻰ ﭘﻞ ‪270‬‬
‫ﻳﻚ ﻣﻌﻤﺎﺭ ﻫﺴﺘﻢ ﻭ ﺍﻳﻦ ﻣﺴﺎﺑﻘﻪ ﻳﻚ‬      ‫ﺍﺯ ﺟﻤﻠﻪ ﭘﻞ ﺧﻮﺍﺟﻮ ﺩﺭ ﺍﺻﻔﻬﺎﻥ ﺍﻟﻬﺎﻡ‬  ‫ﻣﺘﺮﻯ ﻃﺒﻴﻌﺖ ﺭﺍ ﻛﻪ ﺍﺧﻴﺮﺍً ﺩﺭ ﺗﻬﺮﺍﻥ‬
‫ﺭﻭﻳﺪﺍﺩ ﻓﺮﻫﻨﮕﻰ ﺍﺳﺖ ﻭ ﻫﻴﺞ ﺍﺭﺗﺒﺎﻃﻰ‬    ‫ﮔﺮﻓﺘﻪ ﺍﺳﺖ ﻭ ﺳﺎﺧﺘﻤﺎﻥ ﺍﻳﻦ ﭘﻞ‬        ‫ﺍﻓﺘﺘﺎﺡ ﺷﺪﻩ ﺁﻏﺎﺯ ﻛﺮﺩ‪ .‬ﺍﻳﻦ ﭘﻞ ﺍﻛﻨﻮﻥ‬
‫ﺑﻪ ﺳﻴﺎﺳﺖ ﻧﺪﺍﺭﺩ‪ .‬ﻣﺴﺨﺮﻩ ﺍﺳﺖ ﻛﻪ‬       ‫ﺗﻠﻔﻴﻘﻰ ﺍﺯ ﻣﻌﻤﺎﺭﻯ ﻣﺪﺭﻥ ﺟﻬﺎﻧﻰ ﻭ‬     ‫ﻳﻜﻰ ﺍﺯ ﺯﻳﺒﺎﺗﺮﻳﻦ ﺁﺛﺎﺭ ﻣﻌﻤﺎﺭﻯ ﻣﺪﺭﻥ‬

  ‫ﻧﺘﻮﺍﻧﻢ ﺩﺭ ﺍﻳﻦ ﻣﺮﺍﺳﻢ ﺷﺮﻛﺖ ﻛﻨﻢ‪«.‬‬           ‫ﻣﻌﻤﺎﺭﻯ ﺳﻨﺘﻰ ﺍﻳﺮﺍﻧﻰ ﺍﺳﺖ‪.‬‬             ‫ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﻪ ﺷﻤﺎﺭ ﻣﻰﺭﻭﺩ‪.‬‬
‫ﻟﻴﻼ ﻓﺎﺭﻍﺍﻟﺘﺤﺼﻴﻞ ﺭﺷﺘﻪ ﻣﻌﻤﺎﺭﻯ ﺍﺯ‬     ‫ﻧﻜﺘﻪ ﺩﻳﮕﺮ ﺍﻳﻨﻜﻪ ﺍﻳﻦ ﭘﻞ ﺟﺰء ‪5‬‬      ‫ﭘﻞ ﻃﺒﻴﻌﺖ ﺩﺭ ﺳﻪ ﻃﺒﻘﻪ ﺑﺎ ﻃﺮﺍﺣﻰ‬
                                   ‫ﺍﻧﺘﺨﺎﺏ ﺑﺮﺗﺮ ‪ 300‬ﻣﻌﻤﺎﺭ ﺑﺮﺟﺴﺘﻪ‬      ‫ﺗﺤﺴﻴﻦﺑﺮﺍﻧﮕﻴﺰ‪ ،‬ﻧﺨﺴﺘﻴﻦ ﭘﻞ ﭘﻴﺎﺩﻩﺭﻭ‬
          ‫ﺩﺍﻧﺸﮕﺎﻩ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺍﺳﺖ‪.‬‬   ‫ﺟﻬﺎﻥ ﺩﺭ ﻣﺴﺎﺑﻘﻪ ﻣﻌﺘﺒﺮ ﻣﻌﻤﺎﺭﻯ‬       ‫ﺩﺭ ﺍﻳﺮﺍﻥ ﺍﺳﺖ ﻛﻪ ﺑﻮﺳﺘﺎﻥ ﺁﺏ ﻭ ﺁﺗﺶ‬
‫ﺍﻭ ﻫﻢﭼﻨﻴﻦ ﺑﻪ ﮔﺎﺭﺩﻳﻦ ﮔﻔﺖ‪» :‬ﺯﻣﺎﻧﻰ‬    ‫ﺷﻬﺮﻯ ﺟﻮﺍﻳﺰ ﻣﻌﻤﺎﺭﻯ )‪A+‬‬             ‫ﺭﺍ ﺑﻪ ﭘﺎﺭﻙ ﺟﻨﮕﻠﻰ ﻃﺎﻟﻘﺎﻧﻰ ﻭﺻﻞ‬
‫ﻛﻪ ﻃﺮﺡ ﺍﻳﻦ ﭘﻞ ﺗﻨﻬﺎ ﺑﺮ ﺭﻭﻯ ﻛﺎﻏﺬ‬     ‫‪ (architizer awards‬ﺩﺭ ﺳﺎﻝ‬
‫ﺑﻮﺩ‪ ،‬ﻓﻜﺮ ﻧﻤﻰﻛﺮﺩﻡ ﺭﻭﺯﻯ ﺍﺟﺮﺍﻳﻰ ﺷﻮﺩ‪.‬‬  ‫‪ 2015‬ﺍﺳﺖ ﻛﻪ ﻣﻘﺮ ﺁﻥ ﺩﺭ ﻧﻴﻮﻳﻮﺭﻙ‬                              ‫ﻣﻰﻛﻨﺪ‪.‬‬
‫ﺍﻳﻦ ﺍﺣﺴﺎﺱ ﺧﻮﺑﻰ ﺍﺳﺖ ﻛﻪ ﻣﻰﺑﻴﻨﻢ‬       ‫ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪.‬ﻣﺘﺎﺳﻔﺎﻧﻪ ﻃﺮﺍﺡ ﺟﻮﺍﻥ »ﭘﻞ‬  ‫ﺍﻳﻦ ﭘﻞ ﺩﺭ ﻣﺤﻞ ﺍﺗﺼﺎﻝ ﺑﺰﺭﮔﺮﺍﻩﻫﺎﻯ‬
‫ﻣﺮﺩﻡ ﺍﺯ ﺗﻤﺎﺷﺎ ﻭ ﺭﺍﻩ ﺭﻓﺘﻦ ﺭﻭﻯ ﺍﻳﻦ‬   ‫ﻃﺒﻴﻌﺖ« ﺑﻪ ﺩﻟﻴﻞ ﺍﻳﺮﺍﻧﻰ ﺑﻮﺩﻥ ﻭ‬      ‫ﻣﺪﺭﺱ‪ ،‬ﺣﻘﺎﻧﻰ‪ ،‬ﻫﻤﺖ ﻭ ﺭﺳﺎﻟﺖ ﻗﺮﺍﺭ‬
‫ﭘﻞ ﻟﺬﺕ ﻣﻰﺑﺮﻧﺪ‪ .‬ﺍﻳﻦ ﻣﻮﺿﻮﻉ ﺑﻪ ﻣﻦ‬     ‫ﺗﺤﺮﻳﻢﻫﺎ ﻧﺘﻮﺍﻧﺴﺘﻪ ﺍﺳﺖ ﺩﺭ ﻣﺴﺎﺑﻘﺎﺕ‬   ‫ﺩﺍﺭﺩ ﻭ ﺟﺎﻯ ﻣﻨﺎﺳﺒﻰ ﺑﺮﺍﻯ ﻭﺭﺯﺵﻫﺎﻯ‬
‫ﺍﻋﺘﻤﺎﺩ ﺑﻪ ﻧﻔﺲ ﺑﻴﺸﺘﺮﻯ ﺑﺮﺍﻯ ﺍﻧﺠﺎﻡ‬    ‫ﺑﻴﻦ ﺍﻟﻤﻠﻠﻰ ﻣﻌﻤﺎﺭﻯ ﺑﺮﻳﺘﺎﻧﻴﺎ ﺷﺮﻛﺖ‬   ‫ﺻﺒﺤﮕﺎﻫﻰ‪ ،‬ﭘﻴﺎﺩﻩﺭﻭﻯ ﻭ ﺣﺘﻰ‬

          ‫ﻃﺮﺡﻫﺎﻯ ﺁﻳﻨﺪﻩ ﻣﻰﺩﻫﺪ‪«.‬‬                                                  ‫ﺍﺳﺘﺮﺍﺣﺖ ﻭ ﺗﻔﺮﻳﺢ ﺍﺳﺖ‪.‬‬

                                                                                                                  ‫ﻏﺎﺭﻧﻮﺭﺩﺍﻥ ﺑﺎﺷﮕﺎﻩ ﺟﻮﺍﻥ ﺷﻴﺮﺍﺯ ﺍﻳﻦ ﻫﻔﺘﻪ ﻳﻚ ﻏﺎﺭ ﺑﺴﻴﺎﺭ ﺯﻳﺒﺎ ﺭﺍ ﺩﺭ ﻧﺰﺩﻳﻜﻰ ﺟﻬﺮﻡ ﻛﺸﻒ ﻛﺮﺩﻧﺪ‪.‬‬
                                                                                                        ‫ﻃﻮﻝ ﺍﻳﻦ ﻏﺎﺭ ﺣﺪﻭﺩ ‪ 400‬ﻣﺘﺮ ﺍﺳﺖ ﻭ ﺩﺍﺭﺍﻯ ﺍﻧﻮﺍﻉ ﺍﺳﺘﺎﻻﮔﻤﻴﺖ ﻭ ﺍﺳﺘﺎﻻﮔﺘﻴﺖ )ﭼﻜﻴﺪﻩ ﻭ ﭼﻜﻨﺪﻩ( ﺁﻫﻜﻰ ﺍﺳﺖ‬

                                                                                                                                                                ‫ﻭ ﭼﻨﺪﻳﻦ ﺍﺳﻜﻠﺖ ﻧﻴﺰ ﺩﺭ ﺁﻥ ﻣﺸﺎﻫﺪﻩ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
                                                                                                           ‫ﺩﺭ ﺍﻳﻦ ﻏﺎﺭ ﻳﻚ ﺣﻮﺿﭽﻪ ﺁﺏ ﺑﺎ ﻣﺠﺮﺍﻯ ﺳﻴﻔﻮﻧﻰ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻛﻪ ﺍﺣﺘﻤﺎﻻ ﺗﺎ ﭘﺸﺖ ﻏﺎﺭ ﺍﺩﺍﻣﻪ ﺧﻮﺍﻫﺪ ﺩﺍﺷﺖ‪.‬‬

                                                                                                        ‫ﻃﺎﻕ ﺷﻴﺮﻳﻦ ﻭ ﻓﺮﻫﺎﺩ‬

                                                                                                                                               ‫ﻃﺎﻕ ﺷﻴﺮﻳﻦ ﻭ ﻓﺮﻫﺎﺩ ﺩﺭ ﺷﻬﺮﺳﺘﺎﻥ‬
                                                                                                                                               ‫ﺍﻳﻮﺍﻥ ﺩﺭ ﻣﻨﻄﻘﻪ ﻛﻮﺷﻚ ﺩﺭ ﻣﺴﻴﺮ‬
                                                                                                                                               ‫ﺍﻳﻮﺍﻥ ﺑﻪ ﺳﻮﻣﺎﺭ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺍﻳﻦ‬
                                                                                                                                               ‫ﺍﺛﺮ ﻣﻬﻢ ﺗﺎﺭﻳﺨﻰ ﺍﺯ ﺳﻨﮓﻫﺎﻯ ﺑﺴﻴﺎﺭ‬
                                                                                                                                               ‫ﺗﺸﻜﻴﻞ ﺷﺪﻩ ﻭ ﭼﻴﺪﻥ ﻭ ﺷﻜﻞ ﮔﺮﻓﺘﻦ‬
                                                                                                                                               ‫ﺳﻨﮓﻫﺎ ﻣﻮﺟﺐ ﻳﻚ ﻃﺎﻕ ﺷﺪﻩ ﻛﻪ ﺍﺯ‬
                                                                                                                                               ‫ﻇﺮﺍﻓﺖ ﻭ ﻧﻜﺎﺕ ﺑﺴﻴﺎﺭ ﺭﻳﺰﻯ ﺑﺮﺧﻮﺭﺩﺍﺭ‬

                                                                                                                                                                           ‫ﺍﺳﺖ‪.‬‬

                                   ‫ﻛﺎﺭﻳﻜﺎﺗﻮﺭﻫﺎﻯ » ﺍ ‪ .‬ﺑﺎﺭﻛﻰ «‬                                                                                                                        ‫ﻃﺎﻕ ﺷﻴﺮﻳﻦ ﻭ ﻓﺮﻫﺎﺩ ﻛﻪ ﻣﺘﻌﻠﻖ ﺑﻪ‬
                                     ‫ﻟﺒﺨﻨﺪ‪ ،‬ﻧﻴﺶﺧﻨﺪ‪ ،‬ﺯﻫﺮﺧﻨﺪ‬                                                                                                                           ‫ﺩﻭﺭﻩ ﺳﺎﺳﺎﻧﻰ ﺍﺳﺖ‪ ،‬ﺩﺍﺭﺍﻯ ﻣﻌﻤﺎﺭﻯ‬
                                                                                                                                                                                     ‫ﺧﺎﺹ ﺍﺳﺖ‪ .‬ﺳﻨﮓﻫﺎﻯ ﺍﻳﻦ ﺑﻨﺎ ﺩﺭ‬
                                                                                                        ‫ﻭ ﻫﻢ ﻋﺼﺮ ﻭ ﻧﺎﺷﻨﺎﺧﺘﻪ ﺑﻮﺩﻥ ﺍﺛﺮ‪ ،‬ﺍﺯ‬      ‫ﻛﺮﻣﺎﻧﺸﺎﻩ ﻭ ﺍﺯ ﻫﻤﻪ ﻣﻬﻢﺗﺮ ﺗﻔﺎﻭﺕ ﺩﺭ‬       ‫ﻃﻮﻝ ﺯﻣﺎﻥ ﺑﻪ ﺩﻟﻴﻞ ﺿﺨﺎﻣﺖ ﻫﻨﻮﺯ ﺍﺯ‬
                                                                                                            ‫ﺧﺼﻮﺻﻴﺎﺕ ﺁﻥ ﺑﻪ ﺷﻤﺎﺭ ﻣﻰﺁﻳﻨﺪ‪.‬‬        ‫ﺷﻴﻮﻩ ﺳﺎﺧﺖ ﺍﻳﻦ ﺍﺛﺮ ﺑﺎ ﺑﻨﺎﻫﺎﻯ ﻣﺸﺎﺑﻪ‬
                                                                                                                                                                                                          ‫ﺑﻴﻦ ﻧﺮﻓﺘﻪﺍﻧﺪ‪.‬‬
                                                                                                                                                                                     ‫ﻧﻮﻉ ﻣﻌﻤﺎﺭﻯ ﺑﻨﺎ‪ ،‬ﻣﺼﺎﻟﺢ ﺑﻪ ﻛﺎﺭﺭﻓﺘﻪ‬
                                                                                                                                                                                     ‫ﺩﺭ ﺁﻥ ﻭ ﺷﻤﺎﺭ ﺍﻧﺪﻙ ﺍﻳﻦ ﻧﻮﻉ ﺑﻨﺎﻫﺎ‬
                                                                                                                                                                                     ‫ﺩﺭ ﻛﺸﻮﺭ‪ ،‬ﻗﺮﺍﺭ ﮔﺮﻓﺘﻦ ﺑﺮ ﺳﺮ ﻳﻜﻰ ﺍﺯ‬
                                                                                                                                                                                     ‫ﺭﺍﻩﻫﺎﻯ ﻓﺮﻋﻰ ﻭ ﻣﻴﺎﻥﺑُﺮ ﺍﺯ ﻋﺮﺍﻕ ﺑﻪ‬
   2   3   4   5   6   7   8   9   10   11   12