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‫ﺟﻤﻌﻪ ‪ 25‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ‪ 31‬ﺍﺭﺩﻳﺒﻬﺸﺖ ﻣﺎﻩ ‪1394‬ﺧﻮﺭﺷﻴﺪﻯ‬

‫ﺳﺎﻧﺴﻮﺭ ﻣﺤﺘﺮﻣﺎﻧﻪ‬ ‫»ﻛﺎﺷﻒ ﺍﺯ ﻳﺎﺩﺭﻓﺘﻪﻫﺎ« ﺩﻕﻣﺮ ِگ ﺳﺎﻧﺴﻮﺭ ﺷﺪ‬ ‫ﻣﺤﻤﺪﻋﻠﻰ ﺳﭙﺎﻧﻠﻮ‪ ،‬ﺷﺎﻋﺮ‪ ،‬ﻧﻮﻳﺴﻨﺪﻩ‬
‫ﻭ ﻣﺘﺮﺟﻢ ﻭ ﺍﺯ ﺍﻋﻀﺎﻯ ﻛﺎﻧﻮﻥ‬
‫ﺍﻳﻦ ﺍﺗﻔﺎﻗﺎﺕ ﺩﺭ ﺣﺎﻟﻰ ﺭﺥ ﻣﻰﺩﻫﺪ‬ ‫ﻫﻤﻪ ﺁﻣﺪﻧﺘﺎﻥ ﺭﺍ ﺑﻪ ﻣﺎ ﻣﻐﻀﻮﺑﻴﻦ‬ ‫ﻳﺎﺩﮔﺎﺭﻯ« ﺳﺮﻭﺩﻩ ﻓﺎﻃﻤﻪ ﺍﺧﺘﺼﺎﺭﻯ‬ ‫ﺍﺷﺨﺎﺹ‪ ،‬ﮔﺮﻭﻩﻫﺎ ﻭ ﺍﺣﺰﺍﺏ‪ ،‬ﻣﺪ ﻧﻈﺮ‬ ‫ﺗﻮﻓﺎﻥ‪ /‬ﺗﻮﻓﺎﻥ ﺳﺮﺩ ﻭ ﺳﻨﮕﻴﻦ‪/‬‬ ‫ﻧﻮﻳﺴﻨﺪﮔﺎﻥ ﺍﻳﺮﺍﻥ ﺷﺎﻣﮕﺎﻩ ﺩﻭﺷﻨﺒﻪ‬
‫ﻛﻪ ﻋﻠﻰ ﺟﻨﺘﻰ ﻭﺯﻳﺮ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ‬ ‫ﺳﺎﺑﻖ ﺗﺒﺮﻳﻚ ﮔﻔﺘﻨﺪ ﻛﻪ ﻓﻀﺎ ﺑﺎﺯﺗﺮ ﻭ‬ ‫)ﺑﻪ ﺩﻟﻴﻞ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺍﺷﻌﺎﺭ ﺍﻳﻦ ﺷﺎﻋﺮ‬ ‫ﻗﺮﺍﺭ ﮔﻴﺮﺩ«‪.‬‬ ‫ﺑﻬﺮ ﺗﻮ ﻣﻰﺳﺮﺍﻳﻢ‪ /‬ﺍﺯ ﺧﻮﺩ ﺑﺮﻭﻥ‬ ‫‪ 21‬ﺍﺭﺩﻳﺒﻬﺸﺖﻣﺎﻩ ﺩﺭ ﺳﻦ ‪ 75‬ﺳﺎﻟﮕﻰ‬
‫ﺍﺳﻼﻣﻰ ﺩﺭ ﺍﻭﻟﻴﻦ ﺭﻭﺯﻫﺎﻯ ﻭﺯﺍﺭﺗﺶ‬ ‫ﻣﻤﻨﻮﻋﻴﺖﻫﺎ ﺗﻤﺎﻡ ﺧﻮﺍﻫﺪ ﺷﺪ ﻭ ﻣﮋﺩﻩ‬ ‫ﺍﺯ ﺳﻮﻯ ﺷﺎﻫﻴﻦ ﻧﺠﻔﻰ(‪» ،‬ﺩﺭﺁﻣﺪﻯ‬ ‫ﻣﻰﺁﻳﻢ‪ /‬ﻟﺐﻫﺎﻯ ﺧﺴﺘﻪﺍﻡ ﺭﺍ‪ /‬ﻳﻚ‬
‫ﮔﻔﺘﻪ ﺑﻮﺩ‪» :‬ﻣﺎ ﺍﺳﻢ ﺳﺎﻧﺴﻮﺭ ﺭﺍ ﺍﺻﻼ‬ ‫ﺩﺍﺩﻧﺪﻣﺎﻥ ﻛﻪ ﺑﻪ ﺯﻭﺩﻯ ﺛﻤﺮﻩﻯ ﻣﺎﻩﻫﺎ‬ ‫ﺍﻧﺘﻘﺎﺩﻯ ﺩﺭﺑﺎﺭﻩ ﺧﻤﻴﻨﻰ« ﻧﻮﺷﺘﻪ ﺁﺭﺷﻴﻦ‬ ‫ﺍﻣﺎ ﺩﺭﺳﺖ ﺩﺭ ﻫﻤﺎﻥ ﺭﻭﺯ ﻫﻤﺎﻳﻮﻥ‬ ‫ﻟﺤﻈﻪ ﻣﻰ ﮔﺸﺎﻳﻢ‪ /‬ﺍﻯ ﺳﺮﺯﻣﻴﻦ‬ ‫ﺩﺭﮔﺬﺷﺖ‪.‬‬
‫ﻗﺒﻮﻝ ﻧﺪﺍﺭﻳﻢ‪ .‬ﺯﻣﺎﻧﻰ ﮔﻔﺘﻴﻢ ﺳﺎﻧﺴﻮﺭ‬ ‫ﭘﺸ ِﺖ ﻣﻴﺰ ﻧﺸﺴﺘﻦ ﻭ ﺑﺮ ﺩﻛﻤﻪﻫﺎﻯ‬ ‫ﺍﺩﻳﺐ ﻣﻘﺪﻡ‪» ،‬ﻣﻦ ﻭ ﺳﻴﻤﻴﻦ ﻭ ﻣﺼﻄﻔﻰ«‬ ‫ﺍﻣﻴﺮﺯﺍﺩﻩ ﺭﻳﻴﺲ ﻫﻴﺎﺕ ﺭﺳﻴﺪﮔﻰ ﺑﻪ‬ ‫ﺷﻬﺮﺯﺍﺩ ﺳﭙﺎﻧﻠﻮ ﻓﺮﺯﻧﺪ ﺍﻭ ﻛﻪ ﺧﻮﺩ‬
‫ﺍﺳﻢ ﻏﻴﺮﻣﺤﺘﺮﻣﺎﻧﻪ ﻣﻤﻴﺰﻯ ﺍﺳﺖ«‪.‬‬ ‫ﺭﺍﻳﺎﻧﻪ ﺯﺩﻥ ﻭ ﻓﺮﻫﻨﮓﺳﺎﺯﻯ ﻭ ﺗﻼﺵ‬ ‫ﻧﻮﺷﺘﻪ ﺷﻴﻮﺍ ﺍﺭﺳﻄﻮﻳﻰ‪» ،‬ﻣﻠﺖﻫﺎ ﭼﮕﻮﻧﻪ‬ ‫ﺗﺨﻠﻔﺎﺕ ﻧﺎﺷﺮﺍﻥ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﺩﺭ‬ ‫ﺩﻳﺮﻳﻦ‪/‬‬ ‫ﻫﻨﺮﻣﻨﺪﻯ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩ ﺍﺳﺖ ﺩﺭ‬
‫ﺑﻌﺪ ﺍﺯ ﺍﻳﻦ ﺑﻮﺩ ﻛﻪ ﻣﺴﺎﻟﻪ ﻭﺍﮔﺬﺍﺭﻯ‬ ‫ﺩﺭ ﺑﺎﻻ ﺑﺮﺩﻥ ﺳﻄﺢ ﻓﺮﻫﻨﮓ ﺟﺎﻣﻌﻪﻣﺎﻥ‬ ‫ﺷﻜﺴﺖ ﻣﻰﺧﻮﺭﻧﺪ« ﻧﻮﺷﺘﻪ ﺩﺍﺭﻭﻥ ﻋﺠﻢ‬ ‫ﮔﻔﺘﮕﻮﻳﻰ ﻟﻴﺴﺘﻰ ﺍﺯ »ﺗﺨﻠﻔﺎﺕ« ﺣﻮﺯﻩ‬ ‫ﻳﻚ ﺷﺎﻋﺮ ﭘﻴﺎﺩﻩ‪ /‬ﻫﻤﺮﺍﻩ ﺟﻮﻳﺒﺎﺭﺕ‪/‬‬
‫ﻣﻤﻴﺰﻯ ﻛﺘﺎﺏ ﺑﻪ ﺧﻮﺩ ﻧﺎﺷﺮﺍﻥ ﻣﻄﺮﺡ‬ ‫ﺭﺍ ﺩﺭ ﻛﺴﻮﺕ ﻛﺘﺎﺑﻰ ﺑﺎ ﺗﻴﺮﺍژ ﻣﻀﺤ ِﻚ‬ ‫ﺍﻭﻏﻠﻮ ﻭ ﺟﻴﻤﺰ ﺭﺍﺑﻴﻨﺴﻮﻥ ﻭ ﺑﺎ ﺗﺮﺟﻤﻪ‬ ‫ﻧﺸﺮ ﺭﺍ ﻣﻄﺮﺡ ﻛﺮﺩ ﻛﻪ ﺗﻨﻬﺎ ﺑﺨﺸﻰ ﺍﺯ‬ ‫ﺑﺎ ﻳﻚ ﭘﻴﺎﻡ ﺳﺎﺩﻩ‪ :‬ﺧﻮﺵ ﺑﺎﺩ ﺭﻭﺯﮔﺎﺭﺕ‪/‬‬ ‫ﻓﻴﺲﺑﻮﻙﺍﺵ ﭼﻨﻴﻦ ﻧﻮﺷﺘﻪ ﺍﺳﺖ‪:‬‬
‫ﺷﺪ‪ ،‬ﻃﺮﺣﻰ ﻛﻪ ﺑﺎ ﻣﺨﺎﻟﻔﺖ ﺍﻛﺜﺮﻳﺖ‬ ‫ﺳﻪ‪ ،‬ﺗﺎ ﭘﻨﺞ ﻫﺰﺍﺭ ﻧﺴﺨﻪ ﻣﻰﺑﻴﻨﻢ ﻭ‬ ‫ﻣﺤﺴﻦ ﻣﻴﺮﺩﺍﻣﺎﺩﻯ ﻭ ﻣﺤﻤﺪﺣﺴﻴﻦ‬ ‫ﺁﻧﻬﺎ ﻋﺒﺎﺭﺗﻨﺪ ﺍﺯ‪» :‬ﺗﺮﻭﻳﺞ ﻭ ﺗﺒﻠﻴﻎ ﺍﻟﺤﺎﺩ‬
‫ﻧﺎﺷﺮﺍﻥ ﺭﻭﺑﺮﻭ ﺷﺪ‪ .‬ﻋﻠﻰ ﺟﻨﺘﻰ ﺑﻌﺪﻫﺎ‬ ‫ﺩﻭﺑﺎﺭﻩ ﻳﺎﺩﻣﺎﻥ ﻣﻰﺍﻓﺘﺪ ﻛﻪ ﻧﻮﻳﺴﻨﺪﻩﺍﻳﻢ‪...‬‬ ‫ﻧﻌﻴﻤﻰﭘﻮﺭ )ﺩﻭ ﺯﻧﺪﺍﻧﻰ ﺳﻴﺎﺳﻰ(‪» ،‬ﻛﻮﺩﺗﺎ«‬ ‫ﻭ ﺍﺑﺎﺣﻪﮔﺮﻯ‪ ،‬ﺗﺤﺮﻳﻒ ﻳﺎ ﺍﻧﻜﺎﺭ ﻣﺒﺎﻧﻰ‬ ‫ﻧﻪ ﺍﻳﻦ ﺯﻣﺎﻥ ﻏﻤﮕﻴﻦ‪/‬‬ ‫»ﺧﺪﺍﺣﺎﻓﻆ ﺑﺎﺑﺎ ﺟﺎﻥ‪ ،‬ﺷﺎﻋﺮ‬
‫ﺑﺪﻭﻥ ﺁﻧﻜﻪ ﺩﻟﻴﻞ ﻣﺨﺎﻟﻔﺖ ﻧﺎﺷﺮﺍﻥ ﺭﺍ‬ ‫ﺑﺨﺶﻫﺎﻳﻰ ﺍﺯ ﺳﺨﻨﺮﺍﻧﻰ ﺍﺧﻴﺮ ﺷﻤﺎ ﺩﺭ‬ ‫ﺍﺛﺮ ﭘﮋﻭﻫﺸﻰ ﻳﺮﻭﺍﻧﺪ ﺁﺑﺮﺍﻫﺎﻣﻴﺎﻥ‪» ،‬ﺯﻧﺎﻥ‬ ‫ﻧﻈﺎﻡ ﺍﺳﻼﻣﻰ‪ ،‬ﺗﺮﻭﻳﺞ ﻭ ﺗﺒﻠﻴﻎ ﻓﺮﻗﻪﻫﺎﻯ‬ ‫ﺍﺯ ﺑﻴﺸﻪﻫﺎﻯ ﮔﻴﻼﻥ‪ /‬ﮔﻨﺒﺪﻫﺎﻯ‬
‫ﻣﻄﺮﺡ ﻛﻨﺪ‪ ،‬ﮔﻔﺘﻪ ﺑﻮﺩ‪ » :‬ﺍﻟﺒﺘﻪ ﻣﺎ ﺩﺭ‬ ‫ﺟﻤﻊ ﺍﻫﺎﻟ ِﻰ ﻫﻨﺮ ﺳﺒ ِﺐ ﻧﻮﺷﺘﻦ ﺍﻳﻦ ﻧﺎﻣﻪ‬ ‫ﻓﺮﺍﻣﻮﺵ ﺷﺪﻩ« ﻧﻮﺷﺘﻪ ﻣﻨﺼﻮﺭ ﻛﻮﺷﺎﻥ‪،‬‬ ‫ﻣﺨﺘﻠﻒ ﻣﺜﻞ ﻭﻫﺎﺑﻴﺖ ﻭ ﺑﻬﺎﻳﻴﺖ‪ ،‬ﺗﺮﻭﻳﺞ‬ ‫ﺳﭙﺎﻫﺎﻥ‪ /‬ﭘﺲﻛﻮﭼﻪﻫﺎﻯ ﺷﻴﺮﺍﺯ‪ /‬ﺗﺎ‬ ‫ﺗﻬﺮﺍﻥ‪ .‬ﻳﻚ ﺷﺎﻋﺮ ﭘﻴﺎﺩﻩ‪ /‬ﻫﻤﺮﺍﻩ‬
‫ﺍﺑﺘﺪﺍﻯ ﻭﺭﻭﺩ ﺑﻪ ﻭﺯﺍﺭﺕ ﺍﺭﺷﺎﺩ ﺗﻼﺵ‬ ‫ﺷﺪ ﭼﺮﺍﻛﻪ ﺩﺭ ﺳﺨﻨﺎﻧﺘﺎﻥ ﺟﻤﻠﻪﻫﺎﻳﻰ‬ ‫»ﻣﺎ ﺍﮔﺮ ﺍﻧﺘﺨﺎﺏ ﻣﻰ ﻛﺮﺩﻳﻢ« ﺳﺮﻭﺩﻩ‬ ‫ﺍﻧﺪﻳﺸﻪﻫﺎﻯ ﭘﻮچ ﮔﺮﺍﻳﺎﻧﻪ‪ ،‬ﺳﻜﻮﻻﺭﻳﺴﻢ‪،‬‬ ‫ﺁﺗﺶﻫﺎﻯ ﺍﻫﻮﺍﺯ‪ /‬ﻟﺒﺨﻨﺪﻫﺎﻯ ﺷﻴﺮﻳﻦ‪/‬‬
‫ﻣﻰ ﻛﺮﺩﻳﻢ ﻣﻤﻴﺰﻯ ﻗﺒﻞ ﺍﺯ ﭼﺎپ ﺭﺍ ﺑﻪ‬ ‫ﻭﺟﻮﺩ ﺩﺍﺷﺖ ﻛﻪ ﺩﺭ ﻋﻴﻦ ﺧﻮﺵﺁﻫﻨﮕﻰ‪،‬‬ ‫ﺻﻨﻢ ﻧﺎﻓﻊ‪،‬ﻣﺠﻤﻮﻋﻪ »ﻧﻮﻥ ﻭ ﻳﺎء« ﺳﺮﻭﺩﻩ‬ ‫ﺍﻭﻣﺎﻧﻴﺴﻢ ﺍﻓﺮﺍﻃﻰ‪ ،‬ﺗﺮﻭﻳﺞ ﺁﺭﺍﻯ ﮔﺮﻭﻩ‬ ‫ﺑﻮﻟﻮﺍﺭ ﻣﻴﺮﺩﺍﻣﺎﺩ‪ /‬ﺑﺎ ﻟﺤﻈﻪﻫﺎﻯ ﺁﺯﺍﺩ‪/‬‬ ‫ﺟﻮﻳﺒﺎﺭﺕ‪ /‬ﺑﺎ ﻳﻚ ﭘﻴﺎﻡ ﺳﺎﺩﻩ‪/‬‬
‫ﻧﺎﺷﺮﺍﻥ ﻭﺍﮔﺬﺍﺭ ﻛﻨﻴﻢ ﺗﺎ ﺩﻳﮕﺮ ﻣﻌﻄﻞ‬ ‫ﻣﺘﻨﺎﻗﺾ ﺑﻮﺩ ﻭ ﺧﺒﺮ ﺍﺯ ﻧﮕﺎ ِﻩ ﻫﻢﺳﻮﻯ‬ ‫ﺣﺴﻴﻦ ﺟﻨﺘﻰ ﻭ »ﺻﺒﺢ ﻓﺮﺩﺍ« ﻧﻮﺷﺘﻪ‬ ‫ﻣﺤﺎﺭﺏ ﻭ ﻏﻴﺮﻗﺎﻧﻮﻧﻰ ﻭ ﺿﺪ ﺍﻧﻘﻼﺏ ﻭ‬ ‫ﭘﻨﺠﺎﻩ ﺳﺎﻝ ﺩﻳﮕﺮ‪ /‬ﺍﺯ ﻣﺎ ﻣﻰﺁﻭﺭﺩ ﻳﺎﺩ‪/‬‬
‫ﻧﺸﻮﻧﺪ ﻭ ﻛﺘﺎﺏﻫﺎﻳﺸﺎﻥ ﺭﺍﻫﻰ ﺑﺎﺯﺍﺭ‬ ‫ﺷﻤﺎ ﺑﺎ ﻓﻀﺎﻯ ﺑﺴﺘﻪ ﻓﺮﻫﻨﮕﻰ ﺗﻤﺎﻡ‬ ‫ﺁﻳﺖﺍﷲ ﻣﺤﻤﺪﺭﺿﺎ ﻧﻜﻮﻧﺎﻡ ﺍﺯ ﺟﻤﻠﻪ‬ ‫ﺩﻓﺎﻉ ﺍﺯ ﻧﻈﺎﻡﻫﺎﻯ ﺳﻠﻄﻨﺘﻰ ﻭ ﺍﺳﺘﺒﺪﺍﺩﻯ‬ ‫ﺧﻮﺵ ﺑﺎﺩ ﺭﻭﺯﮔﺎﺭﺕ‪ /‬ﻧﻪ ﺍﻳﻦ ﺯﻣﺎﻥ‬
‫ﺷﻮﺩ ﺍﻣﺎ ﺍﻳﻦ ﺧﻮﺩ ﻧﺎﺷﺮﺍﻥ ﺑﻮﺩﻧﺪ ﻛﻪ ﺑﺎ‬ ‫ﺍﻳﻦ ﺳﺎﻝﻫﺎ ﻣﻰﺩﺍﺩ ﻛﻪ ﺷﺎﻳﺪ ﺁﻧﻬﺎ ﺭﺍ ﺑﻪ‬ ‫ﻛﺘﺎﺏﻫﺎﻯ ﺟﻤﻊﺁﻭﺭﻯ ﺷﺪﻩ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ‬ ‫ﻭ ﺗﻄﻬﻴﺮ ﭼﻬﺮﻩ ﻣﻨﻔﻰ ﺁﻧﻬﺎ‪ ،‬ﺍﻫﺎﻧﺖ ﺑﻪ‬ ‫ﺩﺭ ﺭﻭﺯﻫﺎﻯ ﺭﻧﮕﻴﻦ‪/‬‬
‫ﺍﻳﻦ ﭘﻴﺸﻨﻬﺎﺩ ﻣﺨﺎﻟﻒ ﺑﻮﻧﺪ ﻭ ﮔﻔﺘﻨﺪ ﻣﺎ‬ ‫ﻧﺎﮔﺰﻳﺮ ﻭ ﺑﺮﺍﻯ ﺑﺮﻗﺮﺍﺭﻯ ﺗﻌﺎﺩﻝ ﺩﺭ ﺑﻴﻦ‬ ‫ﻛﺘﺎﺏ ﺍﻣﺴﺎﻝ ﺗﻬﺮﺍﻥ ﺍﺳﺖ‪) .‬ﮔﺰﺍﺭﺵ‬ ‫ﺣﻀﺮﺕ ﺍﻣﺎﻡ‪ ،‬ﻣﻘﺎﻡ ﻣﻌﻈﻢ ﺭﻫﺒﺮﻯ ﻭ‬ ‫ﻳﻚ ﺭﻭﺯ ﺁﻓﺘﺎﺑﻰ‪ /‬ﺑﺎ ﺁﺳﻤﺎﻥ ﺁﺑﻰ‪/‬‬ ‫ﻏﻤﮕﻴﻦ«‪.‬‬
‫ﻧﻤﻰﺗﻮﺍﻧﻴﻢ ﺍﻳﻦ ﻛﺎﺭ ﺭﺍ ﺍﻧﺠﺎﻡ ﺩﻫﻴﻢ«‪.‬‬ ‫ﻣﺮﺍﺟﻊ ﺗﻘﻠﻴﺪ‪ ،‬ﺗﺒﻠﻴﻎ ﻋﻠﻴﻪ ﻗﺎﻧﻮﻥ ﺍﺳﺎﺳﻰ ﻭ‬ ‫ﺁﻥ ﺳﻮﻯ ﻋﺼﺮ ﻏﺮﺑﺖ‪ /‬ﺗﺼﻮﻳﺮﻯ ﺍﺯ‬ ‫ﺳﭙﺎﻧﻠﻮ ﻓﺎﺭﻍﺍﻟﺘﺤﺼﻴﻞ ﺩﺍﻧﺸﻜﺪﻩ‬
‫ﺩﺭ ﻭﺍﻗﻊ ﻧﺎﺷﺮﺍﻥ ﻧﮕﺮﺍﻥ ﺍﺯ ﺧﻤﻴﺮ ﺷﺪﻥ‬ ‫ﺣﻘﻮﻕ ﺩﺍﻧﺸﮕﺎﻩ ﺗﻬﺮﺍﻥ ﺑﻮﺩ ﻭ ﺍﺯ ﺍﻋﻀﺎﻯ‬
‫ﻛﺘﺎﺏﻫﺎﻯ ﭼﺎپ ﺷﺪﻩ ﺣﺎﺿﺮ ﻧﺸﺪﻩ‬ ‫ﺭﻓﺎﻗﺖ‪ /‬ﭘﻴﻮﻧﺪﻫﺎﻯ ﭘﻴﺸﻴﻦ«‬ ‫ﻓﻌﺎﻝ ﻛﺎﻧﻮﻥ ﻧﻮﻳﺴﻨﺪﮔﺎﻥ ﺍﻳﺮﺍﻥ ﺑﻪﺷﻤﺎﺭ‬
‫ﺑﻮﺩﻧﺪ ﻛﻪ ﺗﻴﻎ ﺳﺎﻧﺴﻮﺭ ﺭﺍ ﺩﺭ ﺑﺎﻻﻯ ﺳﺮ‬ ‫ﺍﻳﻦ ﺷﻌﺮ‪ ،‬ﺗﺮﺍﻧﻪ »ﺑﻠﻮﺍﺭ ﻣﻴﺮﺩﺍﻣﺎﺩ« ﺭﺍ‬ ‫ﻣﻰﺭﻓﺖ‪ .‬ﺍﻭ ﺗﻨﻬﺎ ﺑﻪ ﺳﺮﻭﺩﻥ ﺷﻌﺮ‪ ،‬ﺁﻥ‬
‫ﺧﻮﺩ ﭼﻪ ﭘﻴﺶ ﻭ ﭼﻪ ﭘﺲ ﺍﺯ ﺍﻧﺘﺸﺎﺭ‬ ‫ﻫﻢ ﺩﺭ ﺳﺒﻜﻰ ﺧﺎﺹ ﻣﺤﺪﻭﺩ ﻧﻤﺎﻧﺪ ﻭ‬
‫ﺑﺒﻴﻨﻴﺪ ﻭ ﺩﺭ ﻋﻤﻞ ﺧﻮﺩ ﺑﻪ ﻋﺎﻣﻞ‬ ‫ﺩﺳﺖ ﺑﻪ ﺗﺮﺟﻤﻪ ﻭ ﭘﮋﻭﻫﺶ ﻧﻴﺰ ﺯﺩ‪.‬‬
‫ﺳﺎﻧﺴﻮﺭ ﺧﻮﻳﺶ ﺗﺒﺪﻳﻞ ﺷﻮﻧﺪ! ﺗﺮﻓﻨﺪﻯ‬ ‫ﻛﺎﺭﻫﺎﻳﻰ ﻛﻪ ﺑﻪ ﺯﺑﺎﻥﻫﺎﻯ ﺩﻳﮕﺮ ﺍﺯ‬
‫ﺟﻤﻠﻪ ﻋﺮﺑﻰ ﻭ ﻓﺮﺍﻧﺴﻪ ﺗﺮﺟﻤﻪ ﺷﺪ ﻭ‬
‫ﺩﺍﻫﻴﺎﻧﻪ ﺍﺯ ﺳﻮﻯ ﺳﺎﻧﺴﻮﺭﭼﻴﺎﻥ!‬ ‫ﺑﻪ ﭘﺎﺱ ﻓﻌﺎﻟﻴﺖﻫﺎﻳﺶ ﻧﺸﺎﻥ ﺷﻮﺍﻟﻴﻪ‬
‫ﺍﻳﻦ ﺩﺭ ﺣﺎﻟﻴﺴﺖ ﻛﻪ ﺳﻴﺪ ﻋﻠﻰ‬ ‫ﻧﺨﻞ ﺁﻛﺎﺩﻣﻰ ﻓﺮﺍﻧﺴﻪ ‪ -‬ﻟِﮋﻳﻮﻥ ﺩﻭﻧﻮﺭ‬
‫ﺧﺎﻣﻨﻪﺍﻯ ﺑﺎ ﺍﺑﻘﺎﻯ ﺗﻤﺎﻡ ﺍﻋﻀﺎﻯ ﺣﻘﻴﻘﻰ‬ ‫)ﺑﺰﺭگﺗﺮﻳﻦ ﻧﺸﺎﻥ ﻓﺮﻫﻨﮕﻰ ﺍﻳﻦ ﻛﺸﻮﺭ(‬
‫ﺷﻮﺭﺍﻯ ﻋﺎﻟﻰ ﺍﻧﻘﻼﺏ ﻓﺮﻫﻨﮕﻰ‪ُ ،‬ﻣﻬﺮ‬ ‫ﻭ ﻫﻢﭼﻨﻴﻦ ﺟﺎﻳﺰﻩ ﻣﺎﻛﺲ ژﺍﻛﻮﺏ‬
‫ﺗﺎﻳﻴﺪﻯ ﺑﻪ ﺗﻤﺎﻡ ﺳﻴﺎﺳﺖﻫﺎﻯ ﻓﺮﻫﻨﮕﻰ‬
‫ﺳﺎﻝﻫﺎﻯ ﮔﺬﺷﺘﻪ ﺯﺩ ﻭ ﺩﺭ ﺩﻳﺪﺍﺭ ﺑﺎ‬ ‫ﻓﺮﺍﻧﺴﻪ ﺭﺍ ﻧﻴﺰ ﺩﺭﻳﺎﻓﺖ ﻛﺮﺩ‪.‬‬
‫ﺍﻋﻀﺎﻯ ﺍﻳﻦ ﺷﻮﺭﺍ ﺩﻭﻟﺖ ﺭﺍ ﻣﻮﻇﻒ ﺑﻪ‬ ‫ﺍﻭ ﺩﺭ ﻣﻘﺪﻣﻪ ﮔﺰﻳﻨﻪ ﺍﺷﻌﺎﺭﺵ‬
‫ﺩﺧﺎﻟﺖ ﺩﺭ ﺍﻣﻮﺭ ﻓﺮﻫﻨﮕﻰ ﻛﻪ ﺑﻪ ﺗﻌﺒﻴﺮ‬ ‫ﻧﻮﺷﺘﻪ ﺍﺳﺖ‪» :‬ﻣﻦ ﺩﺭ ﺁﺑﺎﻥ ﺑﻪ ﺩﻧﻴﺎ‬
‫ﺍﻭ »ﺩﺍﺭﺍﻯ ﺁﺳﻴﺐﻫﺎﻯ ﺍﺟﺘﻤﺎﻋﻰ«‬ ‫ﺁﻣﺪﻡ‪ -‬ﻧﻮﺯﺩﻩ ﺳﺎﻝ ﭘﺲ ﺍﺯ ﺁﻏﺎﺯ ﻗﺮﻥ‬
‫ﺍﺳﺖ ﻛﺮﺩ ﻭ ﮔﻔﺖ‪» :‬ﺍﻳﻦ ﻫﻤﻪ ﻛﺎﺭﻫﺎﻯ‬ ‫ﺧﻮﺭﺷﻴﺪﻯ ﻣﺎ‪ -‬ﺁﺑﺎﻥ‪ ،‬ﻓﺮﺷﺘﻪ ﺁﺏ ﻭ‬
‫ﮔﻮﻧﺎﮔﻮﻥ ﻓﺮﻫﻨﮕﻰ ﻛﻪ ﺩﺭ ﺳﻄﺢ ﻛﺸﻮﺭ‬ ‫ﻓﺮﺍﻭﺍﻧﻰ‪ ،‬ﺍﻣﺎ ﺣﺪﺍﻗﻞ ﺩﻭ ﻛﺘﺎﺏ ﺍﺯ ﭘﺎﻧﺰﺩﻩ‬
‫ﺍﻧﺠﺎﻡ ﻣﻰﮔﻴﺮﺩ‪ ،‬ﺍﮔﺮ ﻓﺮﺽ ﻛﻨﻴﻢ‬ ‫ﻛﺘﺎﺏ ﺷﻌﺮ‪ ،‬ﻭ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﺳﻄﺮﻫﺎﻯ‬
‫ﺩﻭﻟﺖﻫﺎ ﺑﺨﻮﺍﻫﻨﺪ ﻫﻢ ﺍﻳﻦ ﻛﺎﺭﻫﺎ ﺭﺍ ﺍﻧﺠﺎﻡ‬ ‫ﻣﻦ‪ ،‬ﺍﺯ ﻧﺎﻡ ﻭ ﻓﻀﺎﻯ ﺑﻴﺎﺑﺎﻥ ﻏﺒﺎﺭﺁﻟﻮﺩ‬
‫ﺑﺪﻫﻨﺪ‪ ،‬ﻧﻤﻰﺗﻮﺍﻧﻨﺪ ﺍﻧﺠﺎﻡ ﺑﺪﻫﻨﺪ؛ ﻛﺎﺭ‬ ‫ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺩﺭ ﺟﺴﺖﻭﺟﻮﻯ ﺭﺍﺑﻄﻪﺍﻯ‬
‫ﻣﺮﺩﻡ ﺍﺳﺖ‪ .‬ﺍﻣﺎ ﺍﻳﻦ ﻣﻮﺟﺐ ﻧﻤﻰﺷﻮﺩ‬ ‫ﻣﻴﺎﻥ ﺭﻭﺡ ﻭ ﺧﺎﻙ‪ ،‬ﺗﺎ ﺷﺎﻳﺪ ﺷﻮﺭﻩﺯﺍﺭ‬
‫ﻛﻪ ﺍﮔﺮ ﺷﻤﺎ ﻳﻚ ﺟﺎ ﺩﻳﺪﻳﺪ ﻛﻪ ﻓﺮﺽ‬ ‫ﺷﻜﻮﻓﺎ ﺷﻮﺩ‪ ،‬ﺍﺯ ﻛﻮﻳﺮ ﺳﺘﺎﻳﺶﻫﺎ ﻧﻮﺷﺘﻢ‬
‫ﺑﻔﺮﻣﺎﻳﻴﺪ ﻳﻚ ﺣﺮﻛﺘﻰ ﺩﺍﺭﺩ ﺩﺭ ﻫﻤﻴﻦ‬ ‫ﻭ ﺑﺎﺭﻫﺎ ﺍﺯ ﺧﻮﺩ ﭘﺮﺳﻴﺪﻡ‪ :‬ﺁﻳﺎ ﻛﺴﻰ ﻛﻪ‬
‫ﻛﺎﺭﻫﺎﻯ ﻣﺮﺩﻣﻰ ﺍﻧﺠﺎﻡ ﻣﻰﮔﻴﺮﺩ ﻛﻪ‬ ‫ﺯﺍﺩﻩ ﺁﺑﺎﻥ ﺍﺳﺖ‪ /‬ﺁﻳﻴﻨﻪﺩﺍﺭ ﻋﻜﺲ ﺑﻴﺎﺑﺎﻥ‬
‫ﺩﺍﺭﺍﻯ ﺁﺳﻴﺐ ﺍﺟﺘﻤﺎﻋﻰ ﺍﺳﺖ‪ ،‬ﺩﺍﺧﻞ‬
‫ﻧﺸﻮﻳﺪ ﻭ ﺑﮕﻮﻳﻴﺪ ﻣﻦ ﺩﺧﺎﻟﺖ ﻧﻤﻰﻛﻨﻢ؛‬ ‫ﺍﺳﺖ؟«‬
‫ﻧﻪ‪ ،‬ﺍﻳﻨﺠﺎ ﻻﺯﻡ ﺍﺳﺖ ﺩﺧﺎﻟﺖ ﺑﺸﻮﺩ‪،‬‬ ‫ﺍﻭ ﻛﻪ ﺯﺍﺩﺓ ﺗﻬﺮﺍﻥ ﺑﻮﺩ ﺩﻟﺒﺴﺘﮕﻰ‬
‫ﻫﺪﺍﻳﺖ ﺑﺸﻮﺩ‪ ،‬ﻛﺎﺭ ﺑﺸﻮﺩ«‪ .‬ﺭﻫﺒﺮ ﺟﻤﻬﻮﺭ‬ ‫ﺧﺎﺻﻰ ﺑﻪ ﺍﻳﻦ ﺷﻬﺮ ﺩﺍﺷﺖ‪ .‬ﺍﺯ ﺳﭙﺎﻧﻠﻮ‬
‫ﺑﻴﺶ ﺍﺯ ‪ 60‬ﺍﺛﺮ ﺩﺭ ﻋﺮﺻﻪ ﺷﻌﺮ‪ ،‬ﻧﻘﺪ‬
‫ﺩﺍﺳﺘﺎﻥ‪ ،‬ﭘﮋﻭﻫﺶ ﺍﺩﺑﻰ ﻭ ﺗﺮﺟﻤﻪ‬

‫ﻣﻨﺘﺸﺮ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻓﺮﺝ ﺳﺮﻛﻮﻫﻰ ﺩﺭ ﻣﻮﺭﺩ ﺍﻭ ﻣﻰﮔﻮﻳﺪ‪:‬‬
‫»ﺩﺭ ﺷﻌﺮ ﻣﻌﺎﺻﺮ ﻓﺎﺭﺳﻰ ﺍﻧﺪﻙ ﺷﻤﺎﺭﻧﺪ‬
‫ﺷﺎﻋﺮﺍﻧﻰ ﭼﻮﻥ ﺳﭙﺎﻧﻠﻮ ﻛﻪ ﺑﻪ ﺩﻭﺭﺍﻥ‬
‫ﺣﻴﺎﺕ ﺧﻮﺩ ﺍﺯ ﻏﺮﺑﺎﻝ ﻧﻘﺪ ﺑﻰ ﺭﺣﻢ‬

‫ﻧﺸﺴﺘﻪ ﺍﺯ ﭼﭗ )ﺭﺩﻳﻒ ﺍﻭﻝ(‪ :‬ﺳﻴﻤﻴﻦ ﺑﻬﺒﻬﺎﻧﻰ‪ ،‬ﻣﻬﺪﻯ ﺍﺧﻮﺍﻥ‬
‫ﺛﺎﻟﺚ‪ ،‬ﺍﺑﻮﺍﻟﺤﺴﻦ ﻧﺠﻔﻰ‪ ،‬ﻣﺤﻤﺪﻋﻠﻰ ﺳﭙﺎﻧﻠﻮ ﻭ ﺷﻬﺮﺯﺍﺩ ﺳﭙﺎﻧﻠﻮ؛‬
‫ﺍﻳﺴﺘﺎﺩﻩ‪ :‬ﺍﺳﻤﺎﻋﻴﻞ ﻧﻮﺭﻯﻋﻼء؛ ﻧﺸﺴﺘﻪ ﺍﺯ ﭼﭗ )ﺭﺩﻳﻒ ﺩﻭﻡ(‪ :‬ﻧﻌﻤﺖ‬

‫ﺁﺯﺭﻡ‪،‬ﺣﺴﻦ ﭘﺴﺘﺎ‪ ،‬ﻣﺤﻤﻮﺩ ﻣﺸﺮﻑ ﺁﺯﺍﺩ ﺗﻬﺮﺍﻧﻰ‪1359 ،‬‬

‫ﺍﺳﻼﻣﻰ ﺑﻌﺪ ﺍﺯ ﺍﻳﻦ ﻫﻢ ﺩﺭ ﺩﻳﺪﺍﺭ ﺑﺎ‬ ‫ﺟﻨﺎﺡﻫﺎﻯ ﺳﻴﺎﺳﻰ ﻛﻪ ﻫﻤﻴﺸﻪ ﺷﻌﺎﺭﺗﺎﻥ‬ ‫ﺗﺼﻮﻳﺮﻯ ﺍﺧﺘﺼﺎﺻﻰ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺍﺯ‬ ‫ﺍﻧﻘﻼﺏ ﺍﺳﻼﻣﻰ‪ ،‬ﺗﻤﺴﺨﺮ ﻭ ﺗﻀﻌﻴﻒ ﻏﺮﻭﺭ‬ ‫ﺩﺧﺘﺮ ﺳﭙﺎﻧﻠﻮ‪ ،‬ﺷﻬﺮﺯﺍﺩ‪ ،‬ﺧﻮﺍﻧﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﺗﺎﺭﻳﺦ ﮔﺬﺷﺘﻪ‪ ،‬ﺩﺭ ﺧﺎﻃﺮﻩ ﻓﺮﻫﻨﮕﻰ‬
‫ﺍﻋﻀﺎﻯﻣﺠﻠﺲﺧﺒﺮﮔﺎﻥﺭﻫﺒﺮﻯﻧﺴﺒﺖ‬ ‫ﺑﻮﺩﻩ ﻓﺮﻣﻮﺩﻩ ﺑﺎﺷﻴﺪ‪ ...‬ﺳﺎﻝﻫﺎﺳﺖ ﺩﻭﺭﺍﻥ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﺭﺍ ﺑﺎ ﻋﻨﻮﺍﻥ »ﺟﻤﻊ‬ ‫ﻣﻠﻰ ﻭ ﺩﺭ ﺣﻮﺯﻩ ﺭﻭﺍﻧﺸﻨﺎﺳﻰ‪ ،‬ﺗﺮﻭﻳﺞ ﺁﻣﻮﺯﻩ‬ ‫ﺯﺑﺎﻥ ﻭ ﺩﺭ ﺣﺎﻓﻈﻪ ﺍﺩﺑﻰ ﺍﻳﺮﺍﻥ ﺛﺒﺖ‬
‫ﺑﻪ ﺳﻴﺎﺳﺖﻫﺎﻯ ﻓﺮﻫﻨﮕﻰ ﻫﺸﺪﺍﺭ ﺩﺍﺩﻩ‬ ‫ﻛﺘﺎﺏﺳﻮﺯﻯ ﺩﺭ ﺟﻬﺎﻥ ﺑﻪ ﺳﺮﺁﻣﺪﻩ‪.‬‬ ‫ﺁﻭﺭﻯ ﻛﺘﺎﺏﻫﺎﻯ ﻣﻤﻨﻮﻋﻪ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ‬ ‫ﻫﺎﻯ ﻣﻐﺎﻳﺮ ﺑﺎ ﻓﺮﻫﻨﮓ ﺍﺳﻼﻣﻰ ﻭ ﺭﻭﺍﺝ‬ ‫ﺳﺎﻧﺴﻮﺭ ﺑﺎ ﻃﻌﻢ ﺗﺪﺑﻴﺮ ﻭ ﺍﻣﻴﺪ‬ ‫ﻭ ﺛﺒﻴﺖ ﺷﺪﻩ‪ ،‬ﻧﺤﻠﻪﺍﻯ ﻭ ﺻﺪﺍﺋﻰ‬
‫ﻭ ﮔﻔﺘﻪ ﺍﺳﺖ‪» :‬ﻳﻚ ﻣﺴﺌﻠﻪ ﻫﻢ ﻣﺴﺌﻠﻪ‬ ‫ﺩﺭ ﻋﺼ ِﺮ ﺍﺭﺗﺒﺎﻃﺎﺕ ﻧﻤﻰﺷﻮﺩ ﻣﻘﺎﺑﻞ‬ ‫ﻛﺘﺎﺏ ﺗﻬﺮﺍﻥ ﻭ ﻛﺴﺎﺩﻯ ﺑﺎﺯﺍﺭ ﺍﻧﺘﺸﺎﺭﺍﺕ‬ ‫ﺳﺒﻚﻫﺎﻯ ﺯﻧﺪﮔﻰ ﻏﻴﺮ ﺩﻳﻨﻰ‪ ،‬ﺩﺭ ﺣﻮﺯﻩ‬ ‫ﻣﺴﺘﻘﻞ ﻭ ﻣﺎﻧﺪﮔﺎﺭ ﺩﺭ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ ﻭ‬
‫ﻓﺮﻫﻨﮓ ﺍﺳﺖ؛ ﻛﻪ ﺁﻗﺎﻳﺎﻥ ﻫﻢ ﺣﺎﻻ‬ ‫ﺍﻧﺘﺸﺎﺭ ﺁﺛﺎﺭ ﺍﺩﺑﻰ ﺍﻳﺴﺘﺎﺩ‪ .‬ﻫﺮ ﻛﺘﺎﺏ‬ ‫ﺣﻜﻮﻣﺘﻰ« ﺩﺭ ﻛﻴﻬﺎﻥ ﺁﻧﻼﻳﻦ ﻣﻰﺗﻮﺍﻧﻴﺪ‬ ‫ﻫﻨﺮ ﻫﻢ ﻋﺮﺻﻪ ﻣﻀﺎﻣﻴﻦ ﻏﻴﺮ ﺍﺧﻼﻗﻰ ﻭ‬ ‫ﺣﺴﻦ ﺭﻭﺣﺎﻧﻰ ﺳﺎﻝ ﮔﺬﺷﺘﻪ ﻭ ﺩﺭ‬ ‫ﻓﺮﻫﻨﮓ ﺍﻳﺮﺍﻧﻰ ﺧﻠﻖ ﻛﺮﺩﻩ ﻭ ﺑﻪ ﻣﺮﺗﺒﺖ‬
‫ﻣﻌﻠﻮﻡ ﺷﺪ ﻛﻪ ﻧﮕﺮﺍﻧﻰ ﺩﺍﺭﻳﺪ‪ ،‬ﺑﻨﺪﻩ ﻫﻢ‬ ‫ﻣﻤﻨﻮﻋﻰ ﺭﻭﺯﻯ ﻣﻨﺘﺸﺮ ﺧﻮﺍﻫﺪ ﺷﺪ ﻭ‬ ‫ﺗﺒﻠﻴﻎ ﺍﻓﺮﺍﺩ ﻭ ﺟﺮﻳﺎﻥﻫﺎﻯ ﻫﻨﺮﻯ ﻓﺎﺳﺪ«‪.‬‬ ‫ﻣﺮﺍﺳﻢ ﻛﺘﺎﺏ ﺳﺎﻝ ﮔﻔﺘﻪ ﺑﻮﺩ‪» :‬ﺑﻪ ﻫﻤﻪ‬ ‫ﻛﻼﺳﻴﻚﻫﺎﻯ ﻛﻬﻦ ﺩﺳﺖ ﻳﺎﻓﺘﻪﺍﻧﺪ«‪.‬‬
‫ﻧﮕﺮﺍﻧﻢ‪ .‬ﻣﺴﺌﻠﻪ ﻓﺮﻫﻨﮓ‪ ،‬ﻣﺴﺌﻠﻪ ﻣﻬﻤﻰ‬ ‫ﺍﻳﻦ ﻣﺤﺪﻭﺩﻳﺖﻫﺎ ﺗﻨﻬﺎ ﺑﺎﻋﺚ ﻣﻰﺷﻮﻧﺪ‬ ‫ﻣﺸﺎﻫﺪﻩ ﻛﻨﻴﺪ(‬ ‫ﺩﺭ ﻫﻤﻴﻦ ﺣﺎﻝ ﺑﺮ ﺍﺳﺎﺱ ﮔﺰﺍﺭﺵﻫﺎﻯ‬ ‫ﺍﻓﻜﺎﺭ ﺟﻬﺎﻥ ﺑﺮﺳﺎﻧﻴﻢ ﻭ ﺍﺑﻼﻍ ﻛﻨﻴﻢ ﻛﻪ‬ ‫»ﮔﺰﻳﺪﻩ ﻣﻨﻈﻮﻣﻪ ﺍﻓﺴﺎﻧﻪ ﺷﺎﻋﺮ‬
‫ﺍﺳﺖ‪ ...‬ﻣﺎ ﺣﺘﻤ ًﺎ ﺩﺭ ﻣﺴﺌﻠﻪ ﻓﺮﻫﻨﮓ‬ ‫ﺷﺎﻋﺮﺍﻥ ﻭ ﻧﻮﻳﺴﻨﺪﮔﺎﻥ ﺍﺯ ﺗﻤﺎﺷﺎﻯ‬ ‫ﺩﺭ ﻫﻤﻴﻦ ﺣﺎﻝ ﻳﻐﻤﺎ ﮔﻠﺮﻭﻳﻰ ﺗﺮﺍﻧﻪ‬ ‫ﭘﺮﺍﻛﻨﺪﻩ ﺩﺭ ﺭﻭﺯﻫﺎﻯ ﻧﺨﺴﺖ ﻧﻤﺎﻳﺸﮕﺎﻩ‬ ‫ﺩﺭ ﺍﻧﻘﻼﺏ ﻣﺎ ﺧﺮﺩﺳﻮﺯﻯ ﻭﺟﻮﺩ ﻧﺪﺍﺭﺩ‪،‬‬ ‫ﮔﻤﻨﺎﻡ« ﺁﺧﺮﻳﻦ ﻣﺠﻤﻮﻋﻪ ﺍﺯ ﺍﺷﻌﺎﺭ‬
‫]ﺑﺎﻳﺪ ﺗﻮﺟﻪ ﻛﻨﻴﻢ[‪ ،‬ﺩﻭﻟﺖ ﻣﺤﺘﺮﻡ ﻫﻢ‬ ‫ﺑﺎﻟﻴﺪ ِﻥ ﻓﺮﺯﻧﺪﺍﻧﺸﺎﻥ ﻣﺤﺮﻭﻡ ﺷﻮﻧﺪ‪ ...‬ﻛﺎﺭ‬ ‫ﺳﺮﺍ ﻭ ﻣﺘﺮﺟﻢ ﺩﺭ ﻧﺎﻣﻪﺍﻯ ﺧﻄﺎﺏ‬ ‫ﺳﺎﻟﻴﺎﻧﻪ ﻛﺘﺎﺏ ﺗﻬﺮﺍﻥ ﻧﺰﺩﻳﻚ ﺑﻪ ‪13‬‬ ‫ﻛﺘﺎﺏﺳﻮﺯﻯ ﻭﺟﻮﺩ ﻧﺪﺍﺭﺩ« ﻭ »ﻣﻰﺷﻮﺩ‬ ‫ﺳﭙﺎﻧﻠﻮ ﺑﻮﺩ ﻛﻪ ﺩﺭ ﺳﺎﻝ ‪ 1391‬ﻣﻨﺘﺸﺮ‬
‫ﺑﺎﻳﺪ ﺗﻮﺟﻪ ﻛﻨﺪ‪ ،‬ﺩﻳﮕﺮﺍﻥ ﻫﻢ ﺗﻮﺟﻪ‬ ‫ﺭﺍ ﺑﻪ ﺧﻮﺩ ﺍﻫﺎﻟﻰ ﻓﺮﻫﻨﮓ ﻭ ﻫﻨﺮ ﺑﺴﭙﺎﺭﻳﺪ‬ ‫ﺑﻪ ﺣﺴﻦ ﺭﻭﺣﺎﻧﻰ ﻭ ﺩﺭ ﺍﻋﺘﺮﺍﺽ‬ ‫ﻋﻨﻮﺍﻥ ﻛﺘﺎﺏ ﺍﺯ ﻏﺮﻓﻪﻫﺎﻯ ﮔﻮﻧﺎﮔﻮﻥ‬ ‫ﺻﺪ ﺍﺻﻞ ﺩﺭﺳﺖ ﻛﻨﻴﻢ ﺑﺮﺍﻯ ﻣﻤﻴﺰﻯ‪2 .‬‬ ‫ﺷﺪ‪ .‬ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰ‬
‫ﻛﻨﻨﺪ‪ .‬ﺑﻨﺪﻩ ﻫﻢ ﺩﺭ ﺍﻳﻦ ﻧﮕﺮﺍﻧﻰ ﺑﺎ ﺷﻤﺎ‬ ‫ﻭ ﺑﻪ ﻋﻨﻮﺍﻥ ﺭﻳﻴﺲ ﺩﻭﻟﺖ‪ ،‬ﺍﻣﻨﻴ ِﺖ‬ ‫ﺑﻪ ﺟﻤﻊﺁﻭﺭﻯ ﻛﺘﺎﺑﺶ ﺑﺎ ﻋﻨﻮﺍﻥ‬ ‫ﺟﻤﻊﺁﻭﺭﻯ ﺷﺪﻩ ﺍﺳﺖ‪» .‬ﻣﻨﺘﺨﺒﻰ ﺍﺯ‬ ‫ﺍﻟﻰ ‪ 4‬ﺍﺻﻞ ﻗﺮﺍﺭ ﺩﻫﻴﺪ ﺍﺧﻼﻕ‪ ،‬ﻣﻘﺪﺳﺎﺕ‪،‬‬ ‫‪ 30‬ﺻﻔﺤﻪ ﺍﺯ ﺍﻳﻦ ﻛﺘﺎﺏ ﺭﺍ ﺣﺬﻑ‬
‫ﺳﻬﻴﻢ ﻫﺴﺘﻢ ﻭ ﺍﻣﻴﺪﻭﺍﺭﻡ ﻛﻪ ﻣﺴﺌﻮﻟﻴﻦ‬ ‫ﻓﻌﺎﻟﻴﺖ ﺁﺯﺍﺩﺷﺎﻥ ﺭﺍ ﺗﻀﻤﻴﻦ ﻛﻨﻴﺪ‪ .‬ﻣﺎ ﺍﺯ‬ ‫»ﻣﻦ ﺭﻭﻳﺎﻳﻰ ﺩﺍﺭﻡ« ﻧﻮﺷﺘﻪ ﺍﺳﺖ‪:‬‬ ‫ﺷﻌﺮﻫﺎﻯ ﺷﺎﺩ ﺑﻪ ﻫﻤﺮﺍﻩ ﭼﻨﺪ ﻋﻜﺲ‬ ‫ﺍﻣﻨﻴﺖ ﻣﻠﻰ ﻭ ﻣﺼﺎﻟﺢ ﻣﻠﻰ ﺑﻪ ﻋﻨﻮﺍﻥ ﺍﺻﻞ‬ ‫ﻛﺮﺩ‪ .‬ﺍﻭ ﺩﺭ ﻣﻮﺭﺩ ﺳﺎﻧﺴﻮﺭ ﻛﺘﺎﺑﺶ‬
‫ﻓﺮﻫﻨﮕﻰ ﺗﻮﺟﻪ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻨﺪ ﻛﻪ ﭼﻪ‬ ‫ﺷﻤﺎ ﭼﻴﺰ ﺩﻳﮕﺮﻯ ﻧﻤﻰﺧﻮﺍﻫﻴﻢ‪ .‬ﺣﻜﺎﻳﺖ‬ ‫»ﻭﻗﺘﻰ ﺩﻭﻟ ِﺖ ﺷﻤﺎ ﺑﺮ ﺳ ِﺮ ﻛﺎﺭ ﺁﻣﺪ‪،‬‬ ‫ﺑﺎﺷﺪ ﺻﺪ ﺗﺎ ﻧﻤﻰﺷﻮﺩ ﺍﻳﻦ ﺧﻂ ﻗﺮﻣﺰ ﻛﻪ‬ ‫ﮔﻔﺘﻪ ﺑﻮﺩ‪» :‬ﺑﺮﺍﻯ ﺍﻧﺘﺸﺎﺭ ﻛﺘﺎﺏ‪ ،‬ﻧﺎﭼﺎﺭ‬
‫ﻣﻰﻛﻨﻨﺪ‪ .‬ﺑﺎ ﻣﺴﺎﺋﻞ ﻓﺮﻫﻨﮕﻰ ﺷﻮﺧﻰ‬ ‫ﻫﻨﺮﻣﻨﺪﺍﻥ ﻭ ﺩﻭﻟﺖﻫﺎ ﺣﻜﺎﻳﺖ ﺩﻳﻮژﻥ‬ ‫ﻣﻰﮔﻮﻳﻨﺪ ﻳﺎ ﻣﺜﻠﺚ ﻭ ﻳﺎ ﻣﺮﺑﻊ ﺍﺳﺖ ﻭ ﺧﻴﻠﻰ‬ ‫ﺑﻪ ﺣﺬﻑ ﺑﺨﺶﻫﺎﻯ ﻣﻮﺭﺩ ﻧﻈﺮ ﺷﺪﻡ‬
‫ﺑﺸﻜﻪﻧﺸﻴﻦ ﻭ ﺍﺳﻜﻨﺪﺭ ﺍﺳﺖ‪ .‬ﻛﻨﺎﺭ‬ ‫ﺑﺸﻮﺩ ‪ 7‬ﺿﻠﻌﻰ ﺍﺳﺖ‪ ،‬ﻫﺰﺍﺭ ﺿﻠﻊ ﻧﺪﺍﺭﻳﻢ«‪.‬‬ ‫ﺗﺎ ﺍﮔﺮ ﺑﻌﺪﻫﺎ ﺗﻤﺎﻣﻰ ﺑﺨﺶﻫﺎﻯ ﻛﺘﺎﺏ‬
‫ﻧﻤﻰﺷﻮﺩ ﻛﺮﺩ«‪.‬‬ ‫ﺑﺎﻳﺴﺘﻴﺪ ﺗﺎ ﺁﻓﺘﺎ ِﺏ ﻣﺨﺎﻃﺐ ﺑﺮ ﻣﺎ ﺑﺘﺎﺑﺪ«‪.‬‬ ‫ﺍﻭ ﺍﻣﺴﺎﻝ ﻧﻴﺰ ﺩﺭ ﻣﺮﺍﺳﻢ ﺍﻓﺘﺘﺎﺣﻴﻪ‬ ‫ﻣﻨﺘﺸﺮ ﺷﺪ‪ ،‬ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﻣﺘﻮﺟﻪ ﻓﺸﺎﺭﻫﺎ‬
‫ﺁﻧﭽﻪ ﻣﺸﺨﺺ ﺍﺳﺖ ﺍﻳﻨﻜﻪ ﺍﮔﺮ‬ ‫ﺩﺭ ﭘﺎﺳﺦ ﺑﻪ ﺍﻳﻦ ﻧﺎﻣﻪ‪ ،‬ﻣﺠﻤﻮﻋﻪ ﺗﺮﺍﻧﻪ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﺗﻬﺮﺍﻥ ﮔﻔﺖ‪» :‬ﺍﮔﺮ‬ ‫ﻭ ﺳﺨﺖﮔﻴﺮﻯﻫﺎﻯ ﺍﻳﻦ ﺩﻭﺭﻩ ﺑﺸﻮﻧﺪ«‪.‬‬
‫ﻣﺒﻨﺎ ﺑﺮ ﺳﻴﺎﺳﺖﻫﺎﻳﻰ ﺍﺳﺖ ﻛﻪ ﺭﻫﺒﺮ‬ ‫»ﺗﺼﻮﺭ ﻛﻦ«‪ ،‬ﻣﺠﻤﻮﻋﻪ ﺷﻌﺮ »ﺑﺎﺭﺍﻥ ﺑﺮﺍﻯ‬ ‫ﻧﻈﺎﺭﺕﻫﺎ ﺳﻠﻴﻘﻪﺍﻯ ﺷﻮﺩ‪ ،‬ﻧﺘﻴﺠﻪ ﺍﻳﻦ‬
‫ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ ﻣﻰﮔﻮﻳﺪ‪ ،‬ﭘﺲ ﻧﻈﺎﻡ‬ ‫ﺗﻮ ﻣﻰﺑﺎﺭﺩ«‪ ،‬ﺗﺮﺟﻤﻪ ﻛﺘﺎﺏ »ﺩﻳﻮﺍﺭﻫﺎ‬ ‫ﮔﻮﻧﻪ ﺧﻮﺍﻫﺪ ﺷﺪ‪ ،‬ﻛﻪ ﻛﺘﺎﺑﻰ ﺑﺮﺍﻯ‬ ‫»ﺍﻯ ﺭﻭﺯﻫﺎﻯ ﻓﺮﺩﺍ‪ /‬ﺍﻯ ﻓﻜﺮﻫﺎﻯ‬
‫ﺑﺎ ﻣﻘﻮﻟﻪ ﻓﺮﻫﻨﮓ »ﺷﻮﺧﻰ« ﻧﺪﺍﺭﺩ ﻭ ﭼﻪ‬ ‫ﺳﺨﻦ ﻣﻰﮔﻮﻳﻨﺪ« ﺍﺯ ﺍﺣﻤﺪ ﻛﺎﻳﺎ ﻭ ﺳﺎﻳﺮ‬ ‫ﭼﺎپ ﺍﻭﻝ ﻣﺠﺎﺯ‪ ،‬ﺩﺭ ﭼﺎپ ﺩﻭﻡ ﻣﻤﻨﻮﻉ‬
‫ﻣﺤﺘﺮﻣﺎﻧﻪ ﻭ ﭼﻪ ﻏﻴﺮﻣﺤﺘﺮﻣﺎﻧﻪ ﺁﻧﭽﻪ ﺩﺭ‬ ‫ﺗﺮﺟﻤﻪﻫﺎﻯ ﮔﻠﺮﻭﻳﻰ ﺩﺭ ﻧﺸﺮ ﻧﮕﺎﻩ ﺍﺯ‬ ‫ﻭ ﺩﺭ ﭼﺎپ ﺑﻌﺪﻯ ﻣﺴﺘﺤﺐ ﺧﻮﺍﻫﺪ ﺷﺪ‪،‬‬ ‫ﺯﻳﺒﺎ‪ /‬ﺍﻯ ﺑﺮگﻫﺎﻯ ﭘﺎﻳﻴﺰ‪ /‬ﺍﻯ‬
‫ﺟﺮﻳﺎﻥ ﺍﺳﺖ‪ ،‬ﺳﺎﻧﺴﻮﺭﻯ ﺍﺳﺖ ﻛﻪ ﺍﻫﻞ‬ ‫ﭼﻮﻥ ﺳﻠﻴﻘﻪﺍﻯ ﺍﺳﺖ ﻭ ﺧﺪﺍ ﻧﻜﻨﺪ ﺭﻭﺯﻯ‬
‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﺟﻤﻊﺁﻭﺭﻯ ﻣﻰﺷﻮﻧﺪ‪.‬‬ ‫ﺍﻳﻦ ﻣﻮﺿﻮﻋﺎﺕ ﺟﻨﺎﺣﻰ ﺷﻮﺩ ﻭ ﻣﻨﺎﻓﻊ‬ ‫ﭘﻨﺠﻪﻫﺎﻯ ﺭﻭﻳﺎ‪ /‬ﺍﻯ ﻭﺍژﻩﻫﺎﻯ ﺯﺭﻳﻦ‪/‬‬
‫ﻗﻠﻢ ﺭﺍ »ﺩﻕ ﻣﺮگ« ﻣﻰﻛﻨﺪ‪.‬‬
‫ﺍﻯ ﺁﺳﻤﺎﻥ ﻟﺮﺯﺍﻥ‪ /‬ﺩﺭﻳﺎﻯ ﺑﺎﺩ ﻭ‬

‫ﺑﺎﺭﺍﻥ‪ /‬ﺑﺎﻻﻯ ﺷﻬﺮ ﺗﻬﺮﺍﻥ‪ /‬ﺩﺭ ﺍﻧﺘﻈﺎﺭ‬

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