Page 7 - (کیهان لندن - سال سى و سوم ـ شماره ۸ (دوره جديد

‫ﺻﻔﺤﻪ ‪7‬ـ ‪ Page 7‬ـ ﺷﻤﺎﺭﻩ ‪8‬‬
‫ﺟﻤﻌﻪ ‪ 15‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 21‬ﻣﻰ ‪2015‬‬
‫ﻣﺎﺟﺮﺍﻯ ﺣﻴﺮﺕ ﺍﻧﮕﻴﺰ ﺗﻮﻟﺪ ﺩﻭﻗﻠﻮﻫﺎ ﺍﺯ ﺩﻭ ﭘﺪﺭ‬
‫»ﺩﻭ ﭘﺪﺭﻯ« ﮔﻔﺘﻪ ﻣﻰﺷﻮﺩ‪.‬‬
‫ﺑﻪ ﻧﻮﺷﺘﻪ ﮔﺎﺭﺩﻳﻦ ﻣﺤﻘﻘﺎﻥ ﻣﻰﮔﻮﻳﻨﺪ‬
‫ﺍﻳﻦ ﻧﻮﻉ ﺗﻮﻟﺪ ﻋﺠﻴﺐ ﺩﺭ ﺣﺎﻝ ﺍﻓﺰﺍﻳﺶ‬
‫ﺍﺳﺖ‪ .‬ﺩﺭ ﻣﻘﺎﻟﻪﺍﻯ ﺩﺭ ﺳﺎﻝ ‪1997‬‬
‫ﺁﻣﺪﻩ ﺑﻮﺩ ﻛﻪ ﺗﻘﺮﻳﺒﺎ ﻳﻚ ﺗﻮﻟﺪ ﺍﺯ ﻫﺮ‬ ‫ﻣﺎﺩﺭ ﺑﭽﻪﻫﺎ ﺗﺎﻳﻴﺪ ﻛﺮﺩﻩ ﻛﻪ ﺑﺎ ﺩﻭ ﻣﺮﺩ‬
‫‪ 13‬ﻫﺰﺍﺭ ﺗﻮﻟﺪ ﺩﻭﻗﻠﻮﻫﺎ ﺑﻪ ﺍﻳﻦ ﺷﻜﻞ‬
‫ﺍﺳﺖ ﻭ ﺍﻏﻠﺐ ﺁﻧﻬﺎ ﺩﺭ ﺁﺯﻣﺎﻳﺶ ‪DNA‬‬
‫ﻣﻰﺷﻮﻧﺪ ﺩﻭﻗﻠﻮﻫﺎﻯ »ﺩﮔﺮﭘﺪﺭﻯ« ﻳﺎ‬
‫ﻣﺸﺨﺺ ﺷﺪﻩﺍﻧﺪ‪.‬‬
‫ﻛﺎﺭﻳﻜﺎﺗﻮﺭﻫﺎﻯ » ﺍ ‪ .‬ﺑﺎﺭﻛﻰ «‬
‫ﻟﺒﺨﻨﺪ‪ ،‬ﻧﻴﺶﺧﻨﺪ‪ ،‬ﺯﻫﺮﺧﻨﺪ‬
‫ﻣﺎ ﻫﻢ ﺁﺯﺍﺩﻯ ﺩﺍﺭﻳﻢ!‬
‫ﺁﺭﺍﻣﮕﺎﻩ‬ ‫ﮔﻔﺘﮕﻮﻯ ﺍﺧﺘﺼﺎﺻﻰ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺑﺎ ﻋﻬﺪﻳﻪ‪:‬‬
‫ﻋﻤﺮﺧﻴﺎﻡ‬ ‫ﺑﺎﻳﺪ ﺑﻪ ﺳﻠﻴﻘﻪ ﻣﺮﺩﻡ ﻛﻮﭼﻪ ﻭ ﺑﺎﺯﺍﺭ ﻫﻢ ﺗﻮﺟﻪ ﺩﺍﺷﺖ‬
‫ﺁﺭﺍﻣﮕﺎﻩ ﺧﻴﺎﻡ ﺩﺭ ﻣﺤﻠﻪ ﻛﻬﻦ ﺷﺎﺩﻳﺎﺥ‬ ‫ﻣﺮﺩﻡ ﻛﻪ ﺑﻪ ﺍﻳﻦ ﻧﻮﻉ ﻛﺎﺭﻫﺎ ﻋﻼﻗﻪ‬ ‫ﻣﻰﮔﻮﻳﻢ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺟﻨﺲ ﺻﺪﺍﻯ‬ ‫ﻋﻬﺪﻳﻪ‪ ،‬ﺧﻮﺍﻧﻨﺪﻩ ﺗﺮﺍﻧﻪﻫﺎﻯ ﭘﺮﺍﺣﺴﺎﺱ‬
‫ﺩﺭ ﻧﻴﺸﺎﺑﻮﺭ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﺑﻨﺎﻯ ﻳﺎﺩﺑﻮﺩ‬ ‫ﺷﻤﺎ ﻛﻪ ﭘﺮ ﺍﺯ ﺍﺣﺴﺎﺳﺎﺕ ﻋﺎﻃﻔﻰ ﺍﺳﺖ‬ ‫ﺑﺮﻧﺎﻣﻪ ﮔﻞﻫﺎﻯ ﺭﺍﺩﻳﻮ ﺍﻳﺮﺍﻥ ﻭ ﺳﻴﻨﻤﺎ‬
‫ﺍﺯ ﻧﻘﺎﻁ ﺩﻳﺪﻧﻰ ﻭ ﮔﺮﺩﺷﮕﺮﻯ ﺷﻬﺮ‬ ‫ﺩﺍﺭﻧﺪ ﻫﻢ ﺟﺰﺋﻰ ﻗﺎﺑﻞ ﺗﻮﺟﻪ ﺍﺯ ﻛﻞ‬ ‫ﻭ ﺍﺧﻼﻕ ﻧﻴﺰﺩﺭ ﺭﻓﺘﺎﺭ ﻭ ﺳﻜﻨﺎﺕ ﺷﻤﺎ‬ ‫ﭘﻴﺶ ﺍﺯ ﺍﻧﻘﻼﺏ ﻛﻪ ﺑﺎ ﺁﻥ ﺻﺪﺍﻯ‬
‫ﻧﻴﺸﺎﺑﻮﺭ ﻭ ﺍﺳﺘﺎﻥ ﺧﺮﺍﺳﺎﻥ ﺭﺿﻮﻯ‬ ‫ﻣﺸﻬﻮﺩ ﺍﺳﺖ‪ ،‬ﺑﺮﺧﻰ ﻫﻢﻛﻴﺸﺎﻥ ﺑﻬﺎﺋﻰ‬ ‫ﻣﺨﻤﻠﻴﻦﺍﺵ ﮔﺎﻩ ﺍﺷﻚ ﺑﻪ ﭼﺸﻢ‬
‫ﺍﺳﺖ ﻛﻪ ﻫﻤﻪ ﺳﺎﻟﻪ ﻣﻮﺭﺩ ﺑﺎﺯﺩﻳﺪ‬ ‫ﻣﺮﺩﻡ ﻣﺎ ﻫﺴﺘﻨﺪ‪ ،‬ﻣﺮﺩﻣﻰ ﻛﻪ ﺣﻀﻮﺭ‬ ‫ﺷﻤﺎ ﺩﺭ ﻣﻮﺭﺩ ﺧﻮﺍﻧﺪﻥﺗﺎﻥ ﺩﺭ ﭘﺎﺭﻩﺍﻯ‬ ‫ﺻﺎﺣﺐﺩﻻﻥ ﻣﻰﻧﺸﺎﻧﺪ ﻭ ﻫﻤﺎﻥ ﺻﺪﺍﻯ‬
‫ﺷﻤﺎﺭ ﺯﻳﺎﺩﻯ ﺍﺯ ﮔﺮﺩﺷﮕﺮﺍﻥ ﺧﺎﺭﺟﻰ‬ ‫ﻓﻴﻠﻢﻫﺎﻯ ﺳﻴﻨﻤﺎﺋﻰ ﺍﺯ ﺟﻤﻠﻪ ﺑﻪ ﺟﺎﻯ‬ ‫ﺁﺳﻤﺎﻧﻰ ﺑﺎ ﺍﺟﺮﺍﻯ ﺁﻫﻨﮓﻫﺎﻯ ﺷﺎﺩ ﻭ‬
‫ﻭ ﺩﻭﺳﺘﺪﺍﺭﺍﻥ ﺍﻳﻦ ﺷﺎﻋﺮ‪ ،‬ﺭﻳﺎﺿﻰﺩﺍﻥ‬ ‫ﻣﻴﻠﻴﻮﻧﻰﺷﺎﻥ ﺩﺭ ﺧﻴﺎﺑﺎﻥﻫﺎ ﺳﺮﻧﻮﺷﺖ‬ ‫ﺑﺎﺯﻳﮕﺮﺍﻧﻰ ﻣﺎﻧﻨﺪ ﻛﺘﺎﻳﻮﻥ‪ ،‬ﺁﺫﺭ ﺷﻴﻮﺍ‪،‬‬ ‫ﻧﺸﺎﻁﺁﻭﺭ ﺩﺭ ﻓﻴﻠﻢﻫﺎﻯ ﺳﻴﻨﻤﺎﺋﻰ ﻫﻤﺮﺍﻩ‬
‫ﻭ ﺳﺘﺎﺭﻩﺷﻨﺎﺱ ﺑﺰﺭگ ﻗﺮﺍﺭ ﻣﻰﮔﻴﺮﺩ‪.‬‬ ‫ﭘﻮﺭﻯ ﺑﻨﺎﺋﻰ ﺑﺨﺼﻮﺹ ﻓﺮﻭﺯﺍﻥ‪ ،‬ﻫﻤﺮﺍﻩ ﺑﺎ‬ ‫ﺑﺎ ﺭﻗﺺ ﻫﻨﺮﭘﻴﺸﮕﺎﻥ ﻭﻃﻦ‪ ،‬ﺑﻴﻨﻨﺪﻩ ﺭﺍ‬
‫ﺁﺭﺍﻣﮕﺎﻩ ﻛﻨﻮﻧﻰ ﻋﻤﺮ ﺧﻴﺎﻡ ﺩﺭ ﺷﻬﺮ‬ ‫ﻛﺸﻮﺭ ﻣﺎ ﺭﺍ ﺗﻐﻴﻴﺮ ﺩﺍﺩ‪ .‬ﺑﻨﺎ ﺑﺮ ﺍﻳﻦ ﻛﺴﻰ‬ ‫ﺭﻗﺺ ﻭ ﻋﺸﻮﻩ‪ ،‬ﺍﺑﺮﺍﺯ ﻧﺎﺧﺮﺳﻨﺪﻯ ﻛﺮﺩﻩ ﻭ‬ ‫ﺑﻪ ﺷﻮﺭ ﻭ ﺳﺮﻭﺭ ﻣﻰﻛﺸﺎﻧﺪ ﭼﻨﺪ ﺭﻭﺯﻯ‬
‫ﻧﻴﺸﺎﺑﻮﺭ‪ ،‬ﺩﺭ ﺑﺎﻏﻰ ﻛﻪ ﻣﻘﺒﺮﻩ ﺍﻣﺎﻣﺰﺍﺩﻩ‬ ‫ﻣﻰﮔﻮﻳﻨﺪ ﻋﻬﺪﻳﻪ ﺑﻬﺘﺮ ﺑﻮﺩ ﺁﻥ ﺁﻫﻨﮓﻫﺎ‬ ‫ﻣﻴﻬﻤﺎﻥ ﺍﻳﺮﺍﻧﻴﺎﻥ ﻟﺲ ﺁﻧﺠﻠﺲ ﺩﺭ‬
‫ﻣﺤﺮﻭﻕ‪ ،‬ﺍﺯ ﻧﻮﺍﺩﮔﺎﻥ ﺍﻣﺎﻡ ﺳﺠﺎﺩ ﺩﺭ ﺁﻥ‬ ‫ﻛﻪ ﺍﺩﻋﺎﻯ ﻫﻨﺮ ﻭ ﻫﻨﺮﻣﻨﺪﻯ ﻣﻰﻛﻨﺪ‬ ‫ﻛﺎﻟﻴﻔﺮﻧﻴﺎﻯ ﺟﻨﻮﺑﻰ‪ ،‬ﺍﻳﺮﺍﻧﻰﻧﺸﻴﻦﺗﺮﻳﻦ‬
‫ﻭﺍﻗﻊ ﺍﺳﺖ‪ ،‬ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﺑﺎﻍ‬ ‫ﺭﺍ ﺩﺭ ﺁﻥ ﻓﻴﻠﻢﻫﺎ ﻧﻤﻰﺧﻮﺍﻧﺪ…‬
‫ﺩﺭ ﺯﻣﺎﻥ ﺣﻴﺎﺕ ﺧﻴﺎﻡ ﺩﺭ ﻣﺤﻠﻪ ﺷﺎﺩﻳﺎﺥ‬ ‫ﺑﺎﻳﺪ ﺧﻮﺍﺳﺖ ﻣﺮﺩﻡ ﺭﺍ ﻫﻢ ﺑﺴﻨﺠﺪ‬ ‫ﺧﻮﺍﻧﻨﺪﻩ »ﻧﺨﺎﻟﻪ ﻗﻬﺮﻣﺎﻥ« ﺑﺎﻛﻤﻰ‬ ‫ﺷﻬﺮ ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ ﺑﻮﺩ‪.‬‬
‫ﻧﻴﺸﺎﺑﻮﺭ ﺑﻮﺩﻩ ﻭ ﺁﺭﺍﻣﮕﺎﻩ ﺍﻭ ﺍﻛﻨﻮﻥ‬ ‫ﻣﻜﺚ ﻣﻰﮔﻮﻳﺪ‪ :‬ﺍﺗﻔﺎﻗﺎﻣﻦ ﻣﻮﻓﻘﻴﺖ ﻭ‬ ‫ﺣﻀﻮﺭ ﻋﻬﺪﻳﻪ ﺩﺭ »ﺷﻬﺮ ﻓﺮﺷﺘﮕﺎﻥ«‬
‫ﻫﻤﺎﻥ ﺟﺎﻳﻰ ﺍﺳﺖ ﻛﻪ ﺑﻪ ﻗﻮﻝ ﻧﻈﺎﻣﻰ‬ ‫ﻭﮔﺮﻧﻪ ﻣﺤﺼﻮﻟﻰ ﻛﻪ ﺍﺭﺍﺋﻪ ﻣﻰﺩﻫﺪ‬
‫ﻋﺮﻭﺿﻰ ﻫﺮ ﺑﻬﺎﺭ ﺩﺭ ﺁﻥ ﮔﻞﺍﻓﺸﺎﻧﻰ‬
‫ﻳﻚﻧﻮﺍﺧﺖ ﻣﻰﺷﻮﺩ‪ .‬ﺑﺎﻳﺪ ﻓﺮﻫﻨﮓ ﺁﻧﻬﺎ‬
‫ﻣﻰﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺑﺎﻍ ﺁﺭﺍﻣﮕﺎﻩ ﺧﻴﺎﻡ ﺍﺯ ﺑﺎﻍﻫﺎﻯ‬ ‫ﺭﺍ ﺷﻨﺎﺧﺖ ﻭ ﻣﻮﺳﻴﻘﻰ ﺩﻟﺨﻮﺍﻩﺷﺎﻥ ﺭﺍ‬
‫ﺩﻳﺪﻧﻰ ﺩﺭ ﺍﻳﺮﺍﻥ ﺍﺳﺖ ﻭ ﻣﺠﻤﻮﻋﻪﺍﻯ‬
‫ﺍﺯ ﻛﺘﺎﺑﺨﺎﻧﻪ‪ ،‬ﻣﻮﺯﻩ ﻭ ﻣﻬﻤﺎﻧﺨﺎﻧﻪ ﺭﺍ‬ ‫ﺑﻪ ﺁﻧﺎﻥ ﺍﺭﺍﺋﻪ ﺩﺍﺩ‪ .‬ﺍﻳﻦ ﻗﺎﻋﺪﻩ ﺣﺘﻰ ﺩﺭ‬
‫ﺩﺍﺭﺍﺳﺖ‪.‬‬ ‫ﻛﺸﻮﺭﻫﺎﻯ ﭘﻴﺸﺮﻓﺘﻪ ﻫﻢ ﻭﺟﻮﺩ ﺩﺍﺭﺩ‪ .‬ﺍﺯ‬
‫ﺗﻨﺪﻳﺴﻰ ﺍﺯ ﺣﻜﻴﻢ ﻋﻤﺮ ﺧﻴﺎﻡ ﺩﺭ‬
‫ﻣﺤﻮﻃﻪ ﻭﺭﻭﺩﻯ ﺑﺎﻍ ﻧﺼﺐ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﺷﻤﺎ ﻣﻰﭘﺮﺳﻢ ﺁﻳﺎ ﺍﻳﻦ ﻧﻮﻉ ﻣﻮﺳﻴﻘﻰ ﻛﻪ‬
‫ﻣﺴﺎﺣﺖ ﺑﺎﻍ ﺧﻴﺎﻡ ﺑﻴﺴﺖ ﻫﺰﺍﺭ‬
‫ﻣﺘﺮﻣﺮﺑﻊ ﻭ ﻃﻮﻝ ﺑﻨﺎﻯ ﻳﺎﺩﺑﻮﺩ ﻣﺸﺒﻚ‬ ‫ﻣﺘﻌﻠﻖ ﺑﻪ ﺗﻮﺩﻩ ﻣﺮﺩﻡ ﺍﺳﺖ ﺩﺭ ﺍﺭﻭﭘﺎ ﻭ‬
‫ﺁﻥ ‪ 18‬ﻣﺘﺮ ﺍﺳﺖ ﻭ ﺍﻃﺮﺍﻑ ﺁﻥ ﺭﺍ‬
‫ﺍﻣﺮﻳﻜﺎ ﺍﺟﺮﺍ ﻧﻤﻰﺷﻮﺩ؟‬
‫ﺩﺭﺧﺘﺎﻥ ﻛﺎﺝ ﺍﺣﺎﻃﻪ ﻛﺮﺩﻩﺍﻧﺪ‪.‬‬
‫ﺁﺭﺍﻣﮕﺎﻩ ﻳﺎ ﺑﻨﺎﻯ ﻳﺎﺩﺑﻮﺩ ﺧﻴﺎﻡ ﺍﺯ‬ ‫ﻋﻬﺪﻳﻪ ﺩﺭ ﺍﺩﺍﻣﻪ ﺗﻮﺿﻴﺤﺎﺕ ﺧﻮﺩ‬
‫ﺳﺎﺧﺘﻤﺎﻥﻫﺎﻯ ﺷﺎﺧﺺ ﻃﺮﺍﺣﻰ ﺷﺪﻩ‬
‫ﺩﺭ ﺍﻳﺮﺍﻥ ﺍﺳﺖ ﻛﻪ ﺗﻠﻔﻴﻘﻰ ﻣﻮﻓﻖ ﺍﺯ‬ ‫ﻣﻰﺍﻓﺰﺍﻳﺪ‪ :‬ﺩﺭﺳﺖ ﺍﺳﺖ ﻛﻪ ﺍﺧﻼﻕ ﻭ‬
‫ﻋﻨﺎﺻﺮ ﺳﻨﺘﻰ ﻭ ﻣﺪﺭﻥ ﺭﺍ ﺑﻪ ﻧﻤﺎﻳﺶ‬
‫ﻓﺮﻫﻨﮓ ﺑﻪ ﻋﻨﻮﺍﻥ ﺩﻭ ﻓﺎﻛﺘﻮﺭ ﻣﻬﻢ ﺩﺭ‬
‫ﮔﺬﺍﺷﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﻃﺮﺍﺡ ﻭ ﻣﻌﻤﺎﺭ ﺍﻳﻦ ﺁﺭﺍﻣﮕﺎﻩ ﻭ‬ ‫ﺯﻧﺪﮔﻰ ﺍﺟﺘﻤﺎﻋﻰ ﻣﺮﺩﻡ ﺑﺎ ﻓﺮﻫﻨﮓ ﻣﺎ‬
‫ﻣﺤﻮﻃﻪ ﭘﻴﺮﺍﻣﻮﻧﻰ ﺁﻥ ﻣﻬﻨﺪﺱ‬
‫ﺑﺎ ﺿﺮﻳﺐ ﺑﺎﻻ ﻣﻄﺮﺡ ﺍﺳﺖ‪ ،‬ﺍﻣﺎ ﺑﺎﻳﺪ‬
‫ﻫﻮﺷﻨﮓ ﺳﻴﺤﻮﻥ ﺑﻮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺩﺭ ﻧﻈﺮ ﺩﺍﺷﺖ ﻛﻪ ﻫﻤﺎﻥ ﺁﻫﻨﮓﻫﺎ‬
‫ﺭﺍ ﺁﻫﻨﮕﺴﺎﺯﺍﻥ ﺑﺮﺟﺴﺘﻪﺍﻯ ﭼﻮﻥ‬
‫ﺷﺎﺩﺭﻭﺍﻥ ﻣﻬﻨﺪﺱ ﻫﻤﺎﻳﻮﻥ ﺧﺮﻡ ﻭ‬
‫ﺁﻗﺎﻯ ﺍﻧﻮﺷﻴﺮﻭﺍﻥ ﺭﻭﺣﺎﻧﻰ ﺁﻓﺮﻳﺪﻧﺪ ﻛﻪ‬
‫ﺁﻥ ﻫﻤﻪ ﻣﻠﻮﺩﻯﻫﺎﻯ ﺯﻳﺒﺎ ﺳﺎﺧﺘﻪﺍﻧﺪ‬
‫ﻳﺎ ﺁﻫﻨﮕﺴﺎﺯﺍﻥ ﺩﻳﮕﺮ ﺑﻪ ﺍﻗﺘﻀﺎﻯ ﺳﻮژﺓ‬
‫ﻓﻴﻠﻢ ﺁﻧﻬﺎ ﺭﺍ ﺳﺎﺧﺘﻪﺍﻧﺪ‪.‬ﻣﺜﻞ ﻣﺮﺣﻮﻡ‬
‫ﺣﺴﻴﻦ ﻭﺍﺛﻘﻰ ﻛﻪ ﺁﻥ ﺁﻫﻨﮓﻫﺎ ﺭﺍﺑﺮ‬
‫ﺍﺳﺎﺱ ﺧﻮﺍﺳﺖ ﺗﻮﺩﻩ ﻣﺮﺩﻡ ﭘﺎﺋﻴﻦ‬ ‫ﻋﻬﺪﻳﻪ‬
‫ﺷﻬﺮ ﻳﺎ ﻛﻢﺳﻮﺍﺩ ﻭ ﺑﻰ ﺭﺗﻮﺵ ﺟﺎﻣﻌﻪ‬
‫ﻣﻰﺳﺎﺧﺖ‪ .‬ﻣﻼﺣﻈﻪ ﻛﻨﻴﺪ ﻫﻤﺎﻥ‬ ‫ﺍﺷﺘﻬﺎﺭﻡ ﺭﺍ ﺩﺭ ﻫﻨﺮ‪ ،‬ﻣﺪﻳﻮﻥ ﻣﻮﺳﻴﻘﻰ‬ ‫ﺑﺎ ﺁﻥ ﻫﻤﻪ ﺁﻫﻨﮓﻫﺎ ﻭ ﺗﺮﺍﻧﻪﻫﺎﻯ‬
‫ﻓﻴﻠﻢ ﻫﺴﺘﻢ‪ .‬ﭼﻮﻥ ﺁﻥ ﺁﻫﻨﮓﻫﺎﻯ‬ ‫ﺷﻨﻴﺪﻧﻰ ﻓﺮﺻﺖ ﻳﻚ ﮔﭗ ﻭ ﮔﻔﺖ ﺗﺎﺯﻩ‬
‫ﻣﺮﺩﻣﻰ ﻛﻪ ﺁﻫﻨﮓﻫﺎﻯ ﺷﺎﺩ ﻭ ﺑﻪ‬ ‫ﺷﺎﺩ ﻣﺘﻨﺎﺳﺐ ﺑﺎﺧﻮﺍﺳﺖ ﺗﻮﺩﻩ ﻣﺮﺩﻡ ﻭ‬ ‫ﺑﺎ ﺧﻮﺍﻧﻨﺪﻩ ﮔﻠﻬﺎ ﻭ ﺁﻫﻨﮓﻫﺎﻯ ﻛﻮﭼﻪ‪-‬‬
‫ﻧﻘﺶ ﻫﻨﺮﭘﻴﺸﻪ ﻓﻴﻠﻢ ﺳﺎﺧﺘﻪ ﻣﻰﺷﺪﻧﺪ‬ ‫ﺑﺎﻏﻰ ﻓﻴﻠﻢﻫﺎﻯ ﺳﻴﻨﻤﺎﺋﻰ ﺭﺍ ﭘﻴﺶ ﺁﻭﺭﺩ‬
‫ﺍﺻﻄﻼﺡ ﺭﻭﺣﻮﺿﻰ ﺭﺍ ﺩﻭﺳﺖ ﺩﺍﺷﺘﻨﺪ‬ ‫ﻧﻪ ﺑﺮﺍﻯ ﻛﺎ ِﺳﺖ‪ .‬ﺣﺘﻰ ﻗﺒﻞ ﺍﺯ ﺍﺟﺮﺍ ﺍﺯ‬ ‫ﺗﺎ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﻧﻴﺰ ﺑﺪﺍﻧﻨﺪ‬
‫ﻛﺎﺭﮔﺮﺩﺍﻥ ﻭ ﺗﻬﻴﻪ ﻛﻨﻨﺪﻩ ﻓﻴﻠﻢ ﻗﻮﻝ‬ ‫ﻋﻬﺪﻳﻪ ﻛﻪ ﺑﺎ ‪ 1600‬ﺗﺮﺍﻧﻪ ﻭ ‪ 143‬ﺁﻫﻨﮓ‬
‫ﺧﻮﺍﻧﻨﺪﮔﺎﻧﻰ ﻫﻢ ﺩﺭ ﺳﺒﻚ ﻭ ﻋﻼﻗﻪ ﺁﻧﻬﺎ‬ ‫ﻣﻰﮔﺮﻓﺘﻢ ﻛﻪ ﺁﻧﻬﺎ ﺭﺍ ﻓﻘﻂ ﺑﺮﺍﻯ ﻓﻴﻠﻢ‬ ‫ﺩﺭ ﻓﻴﻠﻢﻫﺎﻯ ﺳﻴﻨﻤﺎﺋﻰ ﺭﻛﻮﺭﺩﺩﺍﺭ ﻫﻤﻪ‬
‫ﺍﺟﺮﺍ ﻣﻰﻛﻨﻢ ﻭ ﻧﺒﺎﻳﺪ ﺑﻪ ﺻﻮﺭﺕ ﻛﺎﺳﺖ‬ ‫ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﻫﻢﻋﺼﺮ ﺧﻮﺩ ﺍﺳﺖ ﻧﺴﺒﺖ‬
‫ﻣﻮﺳﻴﻘﻰ ﺍﺟﺮﺍ ﻣﻰﻛﺮﺩﻧﺪ‪ .‬ﻧﻌﻤﺖﺍﷲ‬ ‫ﻣﻮﺭﺩ ﺍﺳﺘﻔﺎﺩﻩ ﻗﺮﺍﺭ ﮔﻴﺮﻧﺪ‪ .‬ﺍﻣﺎ ﭼﻪ ﻛﻨﻢ‬ ‫ﺑﻪ ﺁﻧﭽﻪ ﺗﺎ ﻛﻨﻮﻥ ﺍﺟﺮﺍ ﻛﺮﺩﻩ ﭼﮕﻮﻧﻪ‬
‫ﻛﻪ ﺑﻪ ﻗﻮﻝﺷﺎﻥ ﻭﻓﺎ ﻧﻤﻰﻛﺮﺩﻧﺪ ﻭ ﺑﻌﺪ‬ ‫ﻣﻰﺍﻧﺪﻳﺸﺪ ﻭ ﺑﻪ ﻋﻨﻮﺍﻥ ﻳﻚ ﻫﻨﺮﻣﻨﺪ‬
‫ﺁﻏﺎﺳﻰ‪ ،‬ﺁﻓﺖ‪ ،‬ﻭ ﻧﻈﻴﺮ ﺁﻧﻬﺎ‪ ،‬ﻣﮕﺮ‬ ‫ﺍﺯ ﺩﻭ ﺳﻪ ﺳﺎﻝ ﺑﻪ ﺻﻮﺭﺕ ﻛﺎﺳﺖ ﺩﺭ‬ ‫ﻣﻮﺳﻴﻘﻰ ﻫﻢﭼﻨﺎﻥ ﻣﻄﺮﺡ‪ ،‬ﺑﺎﺗﻮﺟﻪ‬
‫ﺧﻮﺍﻧﻨﺪﻩ ﺁﻥ ﺩﺳﺘﻪ ﻣﺮﺩﻡ ﭘﺎﺋﻴﻦ ﺷﻬﺮ‬
‫ﻧﺒﻮﺩﻧﺪ ﻛﻪ ﺳﺮﺍﻧﺠﺎﻡ ﺭﺍﺩﻳﻮ ﺑﻪ ﺳﺮﺍﻍ ﺁﻧﺎﻥ‬
‫ﻫﻢ ﺭﻓﺖ ﻭ ﻳﻚ ﺭﻭﺯ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻧﻮﺭﻭﺯﻯ‬
‫ﺧﻮﺩ ﺭﺍ ﺑﻪ ﺍﻳﻦ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﻛﻮﭼﻪ ﻭ ﺑﺎﺯﺍﺭ‬
‫»ﺳﻬﻴﻞ ﻣﺤﻤﺪ« ﻗﺎﺿﻰ ﺩﺍﺩﮔﺎﻩ‬ ‫ﺍﺧﺘﺼﺎﺹ ﺩﺍﺩ؟ ﺗﺎﺯﻩ ﺍﮔﺮ ﻫﻨﺮﻣﻨﺪﻯ ﺍﺯ‬
‫ﻋﺎﻟﻰ ﭘﺎﺳﺎﻳﻚ ﻛﺎﻧﺘﻰ ﺩﺭ ﺁﻣﺮﻳﻜﺎ ﺍﺧﻴﺮﺍً‬
‫ﭘﺮﻭﻧﺪﻩﺍﻯ ﺭﺍ ﻭﺭﻕ ﻣﻰﺯﺩ ﻛﻪ ﻣﺎﺩﺭ ﺩﻭ‬ ‫ﻋﻬﺪﻩ ﻫﺮ ﺩﻭ ﺟﻨﺒﻪ ﻣﻮﺳﻴﻘﻰ ﻳﻌﻨﻰ ﮔﻠﻬﺎ‬
‫ﻛﻮﺩﻙ ﺩﻭﻗﻠﻮ ﺍﺯ ﺩﺍﺩﮔﺎﻩ ﺩﺭﺧﻮﺍﺳﺖ‬
‫ﺣﻤﺎﻳﺖ ﻛﺮﺩﻩ ﺑﻮﺩ‪ .‬ﺩﺭ ﺍﻳﻦ ﭘﺮﻭﻧﺪﻩ‬ ‫ﻭ ﺁﻫﻨﮓﻫﺎﻯ ﺷﺎﺩ ﻭ ﻣﺮﺩﻣﻰ ﺑﺮ ﺁﻳﺪ‪،‬‬
‫ﺁﻣﺪﻩ ﺍﺳﺖ ﻛﻪ ﭘﺪﺭ ﺩﻭﻗﻠﻮﻫﺎ ﺗﻨﻬﺎ ﭘﺪﺭ‬
‫ﺗﻮﺍﻧﺎﺋﻰﺍﺵ ﺭﺍ ﺩﺭ ﻛﺎﺭ ﺧﻮﺍﻧﻨﺪﮔﻰ ﺛﺎﺑﺖ‬
‫ﻳﻜﻰ ﺍﺯ ﺁﻧﻬﺎﺳﺖ‪.‬‬
‫ﻗﺎﺿﻰ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﻧﻈﺮ ﻛﺎﺭﺷﻨﺎﺳﺎﻥ‬ ‫ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺣﻜﻢ ﺧﻮﺩ ﺭﺍ ﺩﺭ ‪ 22‬ﺻﻔﺤﻪ ﻣﻨﺘﺸﺮ‬
‫ﻛﺮﺩﻩ ﺑﻪ ﺍﻳﻦ ﺷﻜﻞ‪» :‬ﺍﮔﺮ ﺯﻧﻰ ﺑﺎ‬ ‫ﻋﻬﺪﻳﻪ ﺍﻓﺰﻭﺩ‪ :‬ﺑﺠﺎﺳﺖ ﺩﺭ ﺍﻳﻨﺠﺎ ﺍﺯ‬
‫ﻳﻚ ﻣﺮﺩ ﻳﺎ ﭼﻨﺪ ﻣﺮﺩ ﺩﺭ ﻳﻚ ﺩﻭﺭﻩ‬
‫»ﺗﺨﻤﻚﮔﺬﺍﺭﻯ ﭼﻨﺪﺑﺎﺭﻩ« ﺭﺍﺑﻄﻪ‬ ‫ﺭﺷﻴﺪﺑﻬﺒﻮﺩﺍﻭﻑ ﺧﻮﺍﻧﻨﺪﻩ ﺑﺰﺭگ ﻭ‬
‫ﺟﻨﺴﻰ ﺩﺍﺷﺘﻪ ﺑﺎﺷﺪ‪ ،‬ﻣﻤﻜﻦ ﺍﺳﺖ‬
‫ﺑﺎﺭﻭﺭﻯ ﻫﻤﺰﻣﺎﻥ ﺩﻭ ﺗﺨﻤﻚ ﺍﻧﺠﺎﻡ‬ ‫ﻣﺘﻮﻓﺎﻯ ﺟﻤﻬﻮﺭﻯ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ ﻳﺎﺩ ﻛﻨﻴﻢ‬
‫ﺷﻮﺩ ﻭ ﺩﻭﻗﻠﻮﻫﺎ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺍﺯ ﻳﻚ ﭘﺪﺭ‬
‫ﻳﺎ ﺩﻭ ﭘﺪﺭ ﺑﺎﺷﻨﺪ‪ «.‬ﺍﻳﻦ ﺩﻭ ﺩﺧﺘﺮ ﺩﻭﻗﻠﻮ‬ ‫ﻛﻪ ﺯﻣﺎﻧﻰ ﺑﻪ ﺍﻳﺮﺍﻥ ﺁﻣﺪ ﻭ ﺩﺭ ﺗﺎﺗﺮ ﻧﺼﺮ‬
‫ﺩﺭ ژﺍﻧﻮﻳﻪ ‪ 2013‬ﺑﻪ ﺩﻧﻴﺎ ﺁﻣﺪﻧﺪ‪.‬‬ ‫ﻛﻨﺴﺮﺕ ﮔﺬﺍﺷﺖ ﻭ ﺩﺭ ﻳﻚ ﺗﺮﺍﻧﻪ ﻫﻤﻪ‬
‫ﺍﮔﺮ ﺗﺨﻤﺪﺍﻥ ﻳﻚ ﺯﻥ ﺩﻭ ﺗﺨﻤﻚ ﺩﺭ‬
‫ﻳﻚ ﺳﻴﻜﻞ ﺭﻫﺎ ﻛﻨﺪ‪ ،‬ﻣﻤﻜﻦ ﺍﺳﺖ ﻛﻪ‬ ‫ﺣﺎﺿﺮﺍﻥ ﺑﺎ ﺁﻫﻨﮓ ﭘﺮ ﺍﺣﺴﺎﺱﺍﺵ ﺍﺷﻚ‬
‫ﻫﺮ ﺩﻭ ﺗﺨﻤﻚ ﺑﺎﺭﻭﺭ ﺷﻮﻧﺪ‪ .‬ﺩﺭ ﻧﺘﻴﺠﻪ‬
‫ﺍﻳﻦ ﻋﻤﻞ ﺑﺎﻳﺪ ﻣﻨﺘﻈﺮ »ﺩﻭﻗﻠﻮﻫﺎﻯ‬ ‫ﻣﻰﺭﻳﺨﺘﻨﺪ ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﻟﺤﻈﺎﺗﻰ ﺑﻌﺪ ﺑﺎ‬
‫ﺩﻳﺰﺍﻳﮕﻮﺗﻴﻚ ﻳﺎ ﻏﻴﺮ ﻫﻤﺴﺎﻥ« ﺑﻮﺩ‪.‬‬
‫ﭘﺪﻳﺪﻩﺍﻯ ﻛﻪ ﺍﺯ ﻧﻮﻉ »ﺩﻭﻗﻠﻮﻫﺎﻯ ﺩﻭ‬ ‫ﺍﺟﺮﺍﻯ ﺁﻫﻨﮕﻰ ﺷﺎﺩ ﺑﺎﭼﺸﻤﺎﻥ ﻣﺮﻃﻮﺏ‬
‫ﻭ ﺩﺭ ﺣﺎﻝ ﻧﺸﺴﺘﻪ ﺑﻪ ﺭﻗﺺ ﻭ ﺗﻜﺎﻥ‬
‫ﺗﺨﻤﻜﻰ« ﺍﺳﺖ‪ ،‬ﺑﺪﻳﻦ ﺗﺮﺗﻴﺐ ﻛﻪ‬ ‫ﺩﺍﺩﻥ ﺩﺳﺖ ﭘﺮﺩﺍﺧﺘﻨﺪ!‬
‫ﻫﺮ ﺩﻭ ﻧﻮﺯﺍﺩ ﺑﺎ ﻇﺎﻫﺮﻯ ﻣﺘﻔﺎﻭﺕ ﻭﻟﻰ‬
‫ﻫﻢﺯﻣﺎﻥ ﻣﺘﻮﻟﺪ ﻣﻰﺷﻮﻧﺪ‪ .‬ﺩﺭ ﺍﻳﻦ‬ ‫ﺍﺯ ﻋﻬﺪﻳﻪ ﻣﻰﭘﺮﺳﻢ‪ :‬ﺁﻳﺎ ﭘﺮﺩﺍﺧﺘﻦ ﺑﻪ‬
‫ﻣﻮﺭﺩ ﻧﻴﺰ ﭼﻨﻴﻦ ﺍﺗﻔﺎﻗﻰ ﺍﻓﺘﺎﺩﻩ ﺍﺳﺖ ﻭ‬
‫ﻣﻮﺳﻴﻘﻰ ﺷﻤﺎ ﺭﺍ ﺍﺯ ﺭﺳﻴﺪﮔﻰ ﺑﻪ ﺧﺎﻧﻪ ﻭ‬
‫ﻧﺰﺩﻳﻜﻰ ﺩﺍﺷﺘﻪ ﺍﺳﺖ‪ .‬ﺑﻪ ﺩﻭﻗﻠﻮﻫﺎﻯ‬
‫ﺍﻳﻦ ﭼﻨﻴﻨﻰ ﻛﻪ ﺍﺯ ﺩﻭ ﭘﺪﺭ ﻣﺘﻮﻟﺪ‬ ‫ﺯﻧﺪﮔﻰ ﺧﺼﻮﺻﻰ ﺩﻭﺭ ﻧﺪﺍﺷﺖ؟‬
‫ﺧﻮﺍﻧﻨﺪﻩ ﺗﺮﺍﻧﻪ »ﻋﺎﺷﻖﭘﻴﺸﻪ« ﺩﺭ‬
‫ﭘﺎﺳﺦ ﮔﻔﺖ‪ :‬ﺍﺗﻔﺎﻗﺎ ﺑﺮﻋﻜﺲ ﺑﻮﺩ ﻭ ﻫﻤﻴﻦ‬
‫ﻣﺴﺌﻮﻟﻴﺖﻫﺎ ﺗﻘﺮﻳﺒﺎ ﻣﺮﺍ ﺍﺯ ﻣﻮﺳﻴﻘﻰ‬
‫ﺩﻭﺭﻛﺮﺩ ﺗﺎ ﺁﻧﻜﻪ ﭘﺲ ﺍﺯ ﺭﺷﺪ ﻓﺮﺯﻧﺪﺍﻧﻢ‬
‫ﺩﻭﺑﺎﺭﻩ ﻓﺮﺻﺘﻰ ﭘﻴﺪﺍ ﻛﺮﺩﻡ ﺑﻪ ﺩﻧﻴﺎﻯ‬
‫ﺯﻳﺒﺎﻯ ﻣﻮﺳﻴﻘﻰ ﺑﺎﺯ ﮔﺮﺩﻡ‪.‬‬
‫ﻣﻰﭘﺮﺳﻢ‪ :‬ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺍﻳﻦ ﻛﻪ‬
‫ﻣﻮﺳﻴﻘﻰ ﺍﻣﺮﻭﺯ ﻣﺎ ﺑﺎ ﺟﻔﺎﻫﺎ ﻭ ﺩﺷﻮﺍﺭﻯﻫﺎ‬
‫ﻣﻮﺍﺟﻪ ﺷﺪﻩ ﻭ ﺑﻪ ﺩﺳﺖﺍﻧﺪﺍﺯﻫﺎ ﻭ‬
‫ﺳﺨﺖﮔﻴﺮﻯﻫﺎﻯ ﺑﻰ ﻣﻮﺭﺩ ﺍﻓﺘﺎﺩﻩ‪ ،‬ﺍﺯ ﻧﻈﺮ‬
‫ﺷﻤﺎ ﻣﻮﺳﻴﻘﻰ ﻣﺎ ﺩﺭ ﭼﻪ ﻭﺿﻌﻰ ﺍﺳﺖ؟‬
‫ﻋﻬﺪﻳﻪ ﭘﺎﺳﺦ ﻣﻰﺩﻫﺪ‪ :‬ﻣﻮﺳﻴﻘﻰ‬
‫ﺩﺭ ﻫﺮ ﺷﺮﺍﻳﻄﻰ ﺑﻪ ﭘﻴﺸﺮﻓﺖ ﺧﻮﺩ‬
‫ﺍﺩﺍﻣﻪ ﻣﻰﺩﻫﺪ ﻭ ﻧﻤﻰﺗﻮﺍﻥ ﺁﻥ ﺭﺍ ﺍﺯ‬ ‫ﻓﺮﻭﺯﺍﻥ‬
‫ﺭﻭﻧﺪ ﻃﺒﻴﻌﻰ ﺧﻮﺩ ﺑﺎﺯ ﺩﺍﺷﺖ‪ .‬ﺣﺘﻰ‬ ‫ﻋﻬﺪﻳﻪ ﺩﺭ ﺑﻴﺸﺘﺮ ﻓﻴﻠﻢ ﻫﺎﻯ ﻓﺮﻭﺯﺍﻥ ﺑﻪ ﺟﺎﻯ ﺍﻭ ﺧﻮﺍﻧﺪﻩ ﺍﺳﺖ‬
‫ﻣﻰﺗﻮﺍﻧﻢ ﺑﮕﻮﻳﻢ ﭘﻴﺸﺮﻓﺖ ﻫﻢ ﻛﺮﺩﻩ‬
‫ﺍﺳﺖ‪ .‬ﺑﺎ ﻭﺟﻮﺩ ﻣﺤﺪﻭﺩﻳﺖﻫﺎﺋﻰ ﻛﻪ‬ ‫ﺩﺳﺘﺮﺱ ﻫﻤﮕﺎﻥ ﻗﺮﺍﺭ ﻣﻰﮔﺮﻓﺖ!‬ ‫ﺑﻪ ﺟﻔﺎﻫﺎﻯ ﺣﻜﻮﻣﺖ ﺍﺳﻼﻣﻰ ﺑﻪ ﻫﻨﺮ‬
‫ﻋﻬﺪﻳﻪ ﺍﺩﺍﻣﻪ ﻣﻰﺩﻫﺪ‪ :‬ﻗﺎﻧﻮﻧﻰ ﻫﻢ‬ ‫ﻭ ﻫﻨﺮﻣﻨﺪﺍﻥ‪ ،‬ﻧﻈﺮﺵ ﺩﺭﺑﺎﺭﻩ ﺟﺎﻳﮕﺎﻩ‬
‫ﺍﻣﺮﻭﺯ ﺩﺭ ﺍﻳﺮﺍﻥ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻣﻰﺑﻴﻨﻴﻢ ﻛﻪ‬ ‫ﻭﺟﻮﺩ ﻧﺪﺍﺷﺖ ﻛﻪ ﺑﺸﻮﺩ ﺑﺎ ﺍﺳﺘﻨﺎﺩ ﺑﻪ‬
‫ﺁﻥ ﺟﻠﻮ ﺍﻳﻦ ﻛﺎﺭ ﺭﺍ ﮔﺮﻓﺖ‪ .‬ﺗﺎﺯﻩ ﺑﺎﻳﺪ‬ ‫ﻣﻮﺳﻴﻘﻰ ﺍﻳﺮﺍﻧﻰ ﭼﻴﺴﺖ‪.‬‬
‫ﻣﺨﺼﻮﺻﺎ ﺟﻮﺍﻥﻫﺎ ﭼﻘﺪﺭ ﺑﻪ ﻣﻮﺳﻴﻘﻰ‬ ‫ﺗﻮﺟﻪ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﺪ ﺑﺮﺧﻰ ﺁﻫﻨﮓﻫﺎ‬ ‫ﻋﻬﺪﻳﻪ ﺑﺪﻳﻌﻰ ﻛﻪ ﺧﻮﺍﻧﻨﺪﮔﻰ ﺭﺍ ﺍﺯ‬
‫ﺍﮔﺮ ﺑﻪ ﺻﻮﺭﺕ ﻛﺎﺳﺖ ﻋﺮﺿﻪ ﻣﻰﺷﺪﻧﺪ‬ ‫ﺷﺶ ﺳﺎﻟﮕﻰ ﺩﺭ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﺑﺎﻣﺪﺍﺩﻯ‬
‫ﻋﻼﻗﻤﻨﺪﻧﺪ‪ .‬ﺩﺭﺳﺖ ﺍﺳﺖ ﻛﻪ ﺗﺠﻮﻳﺪﻯ‪،‬‬ ‫ﭼﻨﺎﻥ ﻛﻪ ﺑﺎﻳﺪ ﺑﺎ ﺍﺳﺘﻘﺒﺎﻝ ﻣﺮﺩﻡ ﺭﻭﺑﺮﻭ‬ ‫ﻛﻮﺩﻙ ﺭﺍﺩﻳﻮ ﺍﻳﺮﺍﻥ ﺁﻏﺎﺯ ﻛﺮﺩ ﺩﺭ ﭘﺎﺳﺦ‬
‫ﻧﻤﻰﺷﺪﻧﺪ‪ ،‬ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﺑﻪ ﺻﻮﺭﺕ‬ ‫ﺑﻪ ﺍﻳﻦ ﭘﺮﺳﺶ ﻣﻦ ﻛﻪ ﺍﺯ ﭘﺮﺩﺍﺧﺘﻦ ﺑﻪ‬
‫ﭘﺮﻭﻳﺰ ﻳﺎﺣﻘﻰ‪ ،‬ﺣﺒﻴﺐﺍﷲ ﺑﺪﻳﻌﻰ‪،‬‬ ‫ﻓﻴﻠﻢ ﻋﻼﻗﻤﻨﺪﺍﻥ ﻓﺮﺍﻭﺍﻥ ﺩﺍﺷﺖ‪ .‬ﺩﺭ‬ ‫ﻣﻮﺳﻴﻘﻰ‪ ،‬ﻋﻼﻭﻩ ﺑﺮ ﻣﻌﺮﻭﻓﻴﺖ ﻭ ﺟﻨﺒﻪ‬
‫ﺯﻣﻴﻨﻪ ﻧﺤﻮﻩ ﺍﺟﺮﺍﻯ ﺁﻥ ﺁﻫﻨﮓﻫﺎ ﻫﻢ‬ ‫ﻣﺎﺩﻯ ﺁﻥ ﭼﻪ ﭼﻴﺰﻯ ﻋﺎﻳﺪﺗﺎﻥ ﺷﺪ‪ ،‬ﺩﺭ‬
‫ﻣﻬﻨﺪﺱ ﻫﻤﺎﻳﻮﻥ ﺧﺮﻡ ﻭ ﺍﺳﺪﺍﷲ‬ ‫ﺑﮕﺬﺍﺭﻳﺪ ﺻﺮﻳﺤﺎ ﺑﮕﻮﻳﻢ ﺣﺘﻰ ﺳﻌﻰ‬
‫ﻣﻰﻛﺮﺩﻡ ﻧﻘﺶ ﻫﻨﺮﭘﻴﺸﻪ ﺭﺍ ﺩﺭ ﺁﻫﻨﮓ‬ ‫ﻳﻚ ﻛﻼﻡ ﻣﻰﮔﻮﻳﺪ‪ :‬ﻋﺸﻖ…‬
‫ﻣﻠﻚ ﻭ ﺍﻣﺜﺎﻝ ﺁﻧﻬﺎ ﻧﻴﺴﺘﻨﺪ ﻭ ﺍﻣﻜﺎﻧﺎﺕ‬ ‫ﭘﻴﺎﺩﻩ ﻛﻨﻢ ﭼﻮﻥ ﺁﻥ ﻧﻮﻉ ﻣﻮﺳﻴﻘﻰ ﺑﺎ‬ ‫ﻭ ﺍﺩﺍﻣﻪ ﻣﻰﺩﻫﺪ ﻛﻪ ﺩﺭ ﺳﺮﺍﺳﺮ‬
‫ﺁﻥ ﺭﻗﺺﻫﺎ ﻣﻜﻤﻞ ﻫﻢ ﺑﻮﺩﻧﺪ‪ .‬ﻣﺜﻼ‬ ‫ﺳﺎﻝﻫﺎﺋﻰ ﻛﻪ ﺩﺭ ﻛﺎﺭ ﻣﻮﺳﻴﻘﻰ ﻓﻌﺎﻟﻴﺖ‬
‫ﺯﻣﺎﻥ ﻓﻌﺎﻟﻴﺖﻫﺎﻯ ﺁﻧﻬﺎ ﻫﻢ ﻭﺟﻮﺩ‬ ‫ﺍﮔﺮ ﺁﻫﻨﮓ »ﺷﻬﺰﺍﺩﻩ« ﺭﺍ ﺩﺭ ﻓﻴﻠﻢ‬ ‫ﺩﺍﺷﺘﻪ ﻭ ﺩﺍﺭﺩ ﺁﻧﭽﻪ ﻫﻤﺮﺍﻩ ﺑﺎ ﻣﺎﺩﻳﺎﺕ ﻳﺎ‬
‫»ﺩﺍﻻﻫﻮ« ﻫﻤﺮﺍﻩ ﺑﺎ ﻟﺐﺧﻮﺍﻧﻰ ﻭ ﺭﻗﺺ‬ ‫ﺍﺷﺘﻬﺎﺭ ﻭ ﻣﻌﺮﻭﻓﻴﺖ‪،‬ﺧﻮﺷﺤﺎﻟﺶ ﻛﺮﺩﻩ‬
‫ﻧﺪﺍﺭﺩ ﺯﻳﺮﺍ ﻫﻤﻪ ﺁﻧﻬﺎ ﻭ ﻣﺎ ﻭ ﺩﻳﮕﺮﺍﻥ‬ ‫ﺧﺎﻧﻢ ﻓﺮﻭﺯﺍﻥ ﺧﻮﺍﻧﺪﻡ ﺣﺎﻟﺖ ﻫﻨﺮﭘﻴﺸﻪ‬ ‫ﻋﺸﻖ ﺑﻪ ﻣﻮﺳﻴﻘﻰ ﻭ ﻣﺮﺩﻡ ﺑﺎ ﺍﺣﺴﺎﺱ‬
‫ﺩﺭ ﺁﻥ ﺳﻜﺎﻧﺲ ﻓﻴﻠﻢ ﺍﻗﺘﻀﺎ ﻣﻰﻛﺮﺩ‪.‬‬ ‫ﻭﻣﻮﺳﻴﻘﻰﺩﻭﺳﺖ ﺍﻳﺮﺍﻥ ﺑﻮﺩﻩ ﺍﺳﺖ‪:‬‬
‫ﺑﺎ ﺣﻤﺎﻳﺖﻫﺎﻯ ﺩﻭﻟﺘﻰ ﻓﻌﺎﻟﻴﺖ ﺩﺭ ﺁﻥ‬ ‫ﻫﻤﻴﻦ ﻃﻮﺭ ﻫﺮ ﻳﻚ ﺍﺯ ﺁﻫﻨﮓﻫﺎﻳﻢ‪ ،‬ﻭﻟﻰ‬ ‫»ﺧﻮﺷﺤﺎﻝ ﺍﺯﺍﻳﻨﻜﻪ ﻣﺮﺩﻡ ﻣﻴﻬﻨﻢ ﺍﺯ‬
‫ﺧﺐ ﺑﺮﺍﻯ ﺍﻳﻦ ﺩﺳﺘﻪ ﻫﻤﻮﻃﻨﺎﻥ ﻋﺰﻳﺰﻡ‬ ‫ﻣﻦ ﻭ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻣﻮﺳﻴﻘﻰﺍﻡ ﺗﺎ ﻛﻨﻮﻥ‬
‫ﺩﻭﺭﺍﻥ ﻣﻰﻛﺮﺩﻳﻢ ﻭ ﺁﺛﺎﺭ ﺧﻮﺏ ﻭ ﺑﺮﺟﺎﻯ‬ ‫ﺿﻤﻦ ﺍﻳﻨﻜﻪ ﻣﺜﻞ ﻫﻤﻴﺸﻪ ﺍﺣﺘﺮﺍﻡ ﻗﺎﺋﻠﻢ‬ ‫ﺍﺳﺘﻘﺒﺎﻝ ﻛﺮﺩﻩﺍﻧﺪ ﻭ ﺍﻳﻦ ﺭﺿﺎﻳﺖ ﻟﺬﺕ‬
‫ﺑﻪ ﻳﺎﺩﺷﺎﻥ ﻣﻰﺁﻭﺭﻡ ﻛﻪ ﺍﻳﻦ ﺩﺳﺘﻪ‬ ‫ﻓﺮﺍﻭﺍﻥ ﺑﻪ ﻣﻦ ﻣﻰﺩﻫﺪ ﻛﻪ ﻫﺮ ﺟﺎ‬
‫ﻣﺎﻧﺪﻧﻰ ﺳﺎﺧﺘﻪ ﻭ ﻋﺮﺿﻪ ﻣﻰﺷﺪ‪ ،‬ﻭﻟﻰ‬ ‫ﻣﻰﺭﻭﻡ ﻣﻮﺭﺩ ﻟﻄﻒ ﻭ ﻣﺤﺒﺖﺷﺎﻥ ﻗﺮﺍﺭ‬
‫ﺩﺭ ﻫﻤﻴﻦ ﺷﺮﺍﻳﻂ ﺗﻨﮓ ﻭ ﺗﻀﻴﻴﻘﺎﺕ‬ ‫ﻣﻰﮔﻴﺮﻡ‪«.‬‬
‫ﻓﺮﺍﻭﺍﻥ ﻧﻴﺰ ﻣﻮﺳﻴﻘﻴﺪﺍﻧﺎﻧﻰ ﻫﺴﺘﻨﺪ ﻛﻪ‬
‫ﺑﻪ ﻓﻌﺎﻟﻴﺖ ﺍﺩﺍﻣﻪ ﻣﻰﺩﻫﻨﺪ ﻭ ﺷﺎﻳﺪ ﻫﻢ‬
‫ﺑﻪ ﺗﻌﺒﻴﺮﻯ ﺁﺗﺶ ﺯﻳﺮ ﺧﺎﻛﺴﺘﺮ ﺑﺎﺷﻨﺪ‬
‫ﻭ ﺍﮔﺮ ﻓﺮﺻﺖ ﻭ ﻣﺠﺎﻝ ﺑﻪ ﺁﻧﺎﻥ ﺩﺍﺩﻩ‬
‫ﺷﻮﺩ ﻣﺤﺼﻮﻝ ﺧﻼﻗﻴﺖﻫﺎﻯ ﻫﻨﺮﻯﺷﺎﻥ‬
‫ﺑﺎﻋﺚ ﺷﮕﻔﺘﻰ ﺷﻮﺩ‪ .‬ﻣﻦ ﻓﻜﺮ ﻣﻰﻛﻨﻢ‬
‫ﻫﻤﻪ ﺍﻳﻦ ﻭﺍﻗﻌﻴﺖﻫﺎ ﺩﺭﺁﻳﻨﺪﻩ ﺍﻳﺮﺍﻥ ﻭ‬
‫ﺑﺎﺯﮔﺸﺖ ﺁﺯﺍﺩﻯ ﺑﻪ ﻣﻴﻬﻦ‪ ،‬ﺧﻮﺩ ﺭﺍ ﻧﺸﺎﻥ‬
‫ﺳﻴﺎﻭﺵ ﺁﺫﺭﻯ‬ ‫ﺧﻮﺍﻫﻨﺪ ﺩﺍﺩ‪.‬‬