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‫ﺟﻤﻌﻪ ‪ 2‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 8‬ﺍﻛﺘﺒﺮ ‪2015‬‬

‫ﺷﺮﻛﺖ ﻧﺎﺷﺮﺍﻥ ﺍﻳﺮﺍﻧﻰ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﻓﺮﺍﻧﻜﻔﻮﺭﺕ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻣﺼﻰ ﻧﺎﺻﺮﻗﻨﺪﻯ‪:‬‬

‫ﺷﺼﺖ ﻭ ﻫﻔﺘﻤﻴﻦ ﺩﻭﺭﻩ ﻧﻤﺎﻳﺸﮕﺎﻩ‬ ‫ﻧﻘﺶ ﺟﺎﻭﻳﺪ ﺯﻧﺪﮔﻰ ﺑﺮ ﺷﻜﻨﻨﺪﮔﻰ ﭼﻴﻨﻰ‬
‫ﻛﺘﺎﺏ ﻓﺮﺍﻧﻜﻔﻮﺭﺕ ﺑﺎ ﺣﻀﻮﺭﻧﺎﺷﺮﺍﻥ‬
‫ﻛﺮﺩﻩﺍﻳﻢ ﻛﻪ ﻫﻨﻮﺯ ﺯﻣﺎﻥ ﺁﻥ ﻗﻄﻌﻰ‬ ‫ﺩﺭ ﻛﺸﻮﺭ ﻣﻘﺼﺪ‪ ،‬ﺳﻬﻞﺗﺮ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﺍﻳﺮﺍﻧﻰ ﺩﺭ ﻧﻴﻤﻪ ﺳﻮﻡ ﻣﻬﺮﻣﺎﻩ ﺟﺎﺭﻯ‬ ‫ﻋﺒﺪﺍﷲ ﻗﺮﺍﮔﺰﻟﻮ ﻫﻤﻜﺎﺭ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﻭ ﻣﺼﻰ ﻧﺎﺻﺮﻗﻨﺪ‬ ‫ﻋﺒﺪﺍﷲ ﻗﺮﺍﮔﺰﻟﻮ ‪ -‬ﻧﻤﺎﻳﺸﮕﺎﻩ ﻧﻘﺎﺷﻰ‬
‫ﻧﺸﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﺷﻬﺮﺍﻡﻧﻴﺎ ﻫﻤﭽﻨﻴﻦ ﺍﺯ ﺑﺮﻧﺎﻣﻪﺭﻳﺰﻯ‬ ‫ﺧﺎﻧﻢ ﻣﺼﻰ ﻧﺎﺻﺮﻗﻨﺪﻯ ﺍﺯ ‪ 23‬ﺗﺎ ‪27‬‬
‫ﺑﺮﺍﻯ ﺩﻳﺪﺍﺭ ﻣﺴﻮﻭﻻﻥ ﻏﺮﻓﻪ ﺍﻳﺮﺍﻥ ﺑﺎ‬ ‫ﺑﺮﮔﺰﺍﺭ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺭﺍ ﺑﺎﻳﺪ ﺩﺭ ﺗﻨﻮﻉ ﻧﻘﻮﺵ ﻭ ﺭﻧﮓﻫﺎ ﻭ‬ ‫ﻣﺨﺼﻮﺹ ﺩﺍﺭﺩ ﻛﻪ ﻫﻨﺮﻣﻨﺪ ﺑﺎﻳﺪ ﺑﺮ ﺁﻥ‬ ‫ﺳﭙﺘﺎﻣﺒﺮ ﺩﺭ ﺍﺩﻯﺗﻮﺭﻳﻢ ﻣﻮﻧﺎﻛﻮ ﺑﺮﮔﺬﺍﺭ‬
‫ﺑﻪ ﮔﺰﺍﺭﺵ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﻧﻤﺎﻳﺸﮕﺎﻩ‬ ‫ﺭﻭﺳﺎﻯ ‪ 5‬ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﺧﺎﺭﺟﻰ‬ ‫ﺍﻣﻴﺮﻣﺴﻌﻮﺩ ﺷﻬﺮﺍﻡﻧﻴﺎ ﻣﺪﻳﺮﻋﺎﻣﻞ‬ ‫ﻃﻼﺍﻧﺪﺍﺯﻯ ﻭ ﻛﻴﻔﻴﺎﺕ ﻣﻨﺎﺳﺐ ﭘﺨﺖ‬ ‫ﺁﮔﺎﻫﻰ ﻛﺎﻣﻞ ﺩﺍﺷﺘﻪ ﺑﺎﺷﺪ‪ .‬ﻣﺜﻼ ﺭﻭﻯ‬ ‫ﺷﺪ‪ .‬ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﺎ ﺍﺳﺘﻘﺒﺎﻝ ﻓﺮﺍﻭﺍﻥ‬
‫ﻛﺘﺎﺏ ﻓﺮﺍﻧﻜﻔﻮﺭﺕ )‪Frankfurter‬‬ ‫ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﻓﺮﺍﻧﻜﻔﻮﺭﺕ ﺧﺒﺮ‬ ‫ﻣﻮﺳﺴﻪ ﻧﻤﺎﻳﺸﮕﺎﻩﻫﺎﻯ ﻓﺮﻫﻨﮕﻰ ﺍﻳﺮﺍﻥ‬ ‫ﻳﻚ ﺗﺨﻢ ﻣﺮﻍ ﭼﻴﻨﻰ ﻛﻪ ﺗﺼﻮﻳﺮﻯ‬ ‫ﻋﻼﻗﻤﻨﺪﺍﻥ ﺑﻪ ﻧﻘﺎﺷﻰ ﺑﺮ ﺭﻭﻯ ﭼﻴﻨﻰ‬
‫‪ (Buchmesse‬ﺍﺯ ﺗﺎﺭﻳﺦ ‪ 14‬ﺗﺎ ‪18‬‬ ‫ﺩﺍﺩ ﻭ ﮔﻔﺖ‪ :‬ﺩﻳﺪﺍﺭ ﺑﺎ ﺁﻗﺎﻯ ﻣﻮﺭﻳﺴﻪ‬ ‫ﮔﻔﺖ‪ :‬ﺍﻣﺴﺎﻝ ﺑﺮﺍﻯ ﺩﻭﻣﻴﻦ ﺳﺎﻝ ﭘﻴﺎﭘﻰ‪،‬‬ ‫ﭼﻴﻨﻰ ﺁﻥ ﺟﺴﺘﺠﻮ ﻛﺮﺩ‪.‬‬ ‫ﻛﺸﻴﺪﻩﺍﻡ ﻫﺸﺖ ﺑﺎﺭ ﺁﻥ ﺭﺍ ﺩﺭ ﻛﻮﺭﻩ‬
‫ﺍﻛﺘﺒﺮ ‪ 2015‬ﺑﺮﺍﺑﺮ ﺑﺎ ‪ 22‬ﺗﺎ ‪ 26‬ﻣﻬﺮﻣﺎﻩ‬ ‫ﺭﺋﻴﺲ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﭘﺎﺭﻳﺲ‪ ،‬ﺩﻳﺪﺍﺭ‬ ‫ﺍﻳﺮﺍﻥ ﺑﺎ ﺑﺮﭘﺎﻳﻰ ﻏﺮﻓﻪ ﻣﻠﻰ ﻭ ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ‬ ‫ﺍﺭﺯﺵ ﻛﺎﺭﻫﺎﻯ ﺧﺎﻧﻢ ﻣﺼﻰ‬ ‫ﺑﺎ ﺣﺮﺍﺭﺕﻫﺎﻯ ﻣﺨﺘﻠﻒ ﮔﺬﺍﺷﺘﻪﺍﻡ‪ .‬ﻳﺎ‬ ‫ﺭﻭﺑﺮﻭ ﮔﺮﺩﻳﺪ‪.‬‬
‫‪ 1394‬ﺩﺭ ﺷﻬﺮ ﻓﺮﺍﻧﻜﻔﻮﺭﺕ ﺑﺮﮔﺰﺍﺭ‬ ‫ﺑﺎ ﺧﺎﻧﻢ ﻛﻴﻨﻰ ﺭﺋﻴﺲ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ‬ ‫ﺍﺯ ﺗﻮﺍﻥ ﺑﺨﺶ ﺧﺼﻮﺻﻰ ﻭ ﺗﺸﻜﻞﻫﺎﻯ‬ ‫ﻧﺎﺻﺮﻗﻨﺪﻯ ﺑﻴﺸﺘﺮ ﺑﺪﻳﻦ ﺧﺎﻃﺮ ﺍﺳﺖ‬ ‫ﺑﺮﺍﻯ ﺗﻤﺎﻡ ﻛﺮﺩﻥ ﻳﻚ ﻛﺎﺭ‪ ،‬ﺑﻴﻦ ﺩﻩ‬ ‫ﺧﺎﻧﻢ ﻣﺼﻰ ﻧﺎﺻﺮﻗﻨﺪﻯ ﻛﻪ ﺍﺯ‬
‫ﺑﻮﻟﻮﻧﻴﺎ‪ ،‬ﺩﻳﺪﺍﺭ ﺑﺎ ﺭﺋﻴﺲ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ‬ ‫ﻣﺮﺑﻮﻃﻪ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﻓﺮﺍﻧﻜﻔﻮﺭﺕ‬ ‫ﻛﻪ ﻭﻯ ﺑﺎ ُﻛﭙﻰﺑﺮﺩﺍﺭﻯ ﺑﻪ ﺷﺪﺕ ﻣﺨﺎﻟﻒ‬ ‫ﺭﻭﺯ ﺗﺎ ﺩﻭ ﻣﺎﻩ ﺑﺎﻳﺪ ﻭﻗﺖ ﺻﺮﻑ ﻛﺮﺩ‬ ‫ﻧﻮﺟﻮﺍﻧﻰ ﺩﺭ ﺳﻮﻳﺲ ﻭ ﻓﺮﺍﻧﺴﻪ ﺗﺤﺼﻴﻞ‬
‫ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺣﻀﻮﺭ ﭘﻴﺪﺍ ﻣﻰﻛﻨﺪ‪ .‬ﻏﺮﻓﻪ ﺍﺻﻠﻰ ﺍﻳﺮﺍﻥ‬ ‫ﺍﺳﺖ ﻭ ﻃﺮﺡﻫﺎ ﻫﻤﻪ ﺍﺯ ﺧﻮﺩ ﺍﻭ ﻭ ﺍﺑﺘﻜﺎﺭ‬ ‫ﻭ ﺩﺭ ﻫﻤﻴﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﻪ ﺟﻠﻮﻩﺍﻯ ﺍﺯ‬ ‫ﻛﺮﺩﻩ ﻭ ﺑﻪ ﻫﻨﺮ ﻧﻘﺎﺷﻰ ﻧﻴﺰ ﻋﻼﻗﻪ‬
‫ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺳﺎﻻﻧﻪ ﺑﻮﺩﻩ ﻭﺩﺭ ﺩﻭﺭﻩ‬ ‫ﺩﻭﺣﻪ ﻭ ﺩﻳﺪﺍﺭ ﺑﺎ ﺭﺋﻴﺲ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ‬ ‫ﺑﺎ ‪ 200‬ﻣﺘﺮﻣﺮﺑﻊ ﺩﺭ ﺳﺎﻟﻦ ﭼﻬﺎ ِﺭ ﺻﻔﺮ ﻭ‬ ‫ﺍﻭﺳﺖ ﻛﻪ ﻫﻤﻴﻦ ﺍﻣﺮ‪ ،‬ﺻﺪﭼﻨﺪﺍﻥ‬ ‫ﻧﮕﺎﺭﮔﺮﻯ ﭼﻴﻨﻰ ﺍﺳﺖ‪ ،‬ﺗﺼﺎﻭﻳﺮ ﺑﺮﺧﻼﻑ‬ ‫ﻓﺮﺍﻭﺍﻥ ﺩﺍﺭﺩ‪ ،‬ﺩﺭ ﺭﺷﺘﺔ ﺭﻧﮓ ﺭﻭﻏﻦ ﻭ‬
‫ﭘﻜﻦ ﺍﺯ ﺟﻤﻠﻪ ﺩﻳﺪﺍﺭﻫﺎﻯ ﺗﻨﻈﻴﻢ ﺷﺪﻩ‬ ‫ﻏﺮﻓﻪ ﺑﺨﺶ ﻛﻮﺩﻙ ﻭ ﻧﻮﺟﻮﺍﻥ ﻛﺸﻮﺭﻣﺎﻥ‬ ‫ﺑﺮ ﺍﺭﺯﺵ ﺁﺛﺎﺭ ﺍﻭ ﺍﻓﺰﻭﺩﻩ ﺍﺳﺖ‪ .‬ﺧﺎﻧﻢ‬ ‫ﻛﺎﺭﺧﺎﻧﻪﻫﺎﻯ ﻣﺘﺪﺍﻭﻝ ﭼﻴﻨﻰﺳﺎﺯﻯ ﺑﺮ‬ ‫ﺁﺏ ﺭﻧﮓ ﺳﺎﻝﻫﺎ ﻛﺎﺭ ﻭ ﻛﺴﺐ ﺗﺠﺮﺑﻪ‬
‫ﻗﺒﻠﻰ ﺁﻥ ﻳﻌﻨﻰ ﺳﺎﻝ ﮔﺬﺷﺘﻪ‪7103 ،‬‬ ‫ﻭ ﻗﻄﻌﻰ ﻣﺎ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺍﻣﺴﺎﻝ ﻛﺘﺎﺏ‬ ‫ﻫﻢ ﺑﺎ ‪ 40‬ﻣﺘﺮﻣﺮﺑﻊ ﺩﺭ ﺳﺎﻟﻦ ﻛﻮﺩﻙ ﺍﻳﻦ‬ ‫ﻣﺼﻰ ﻧﺎﺻﺮﻗﻨﺪﻯ ﻣﻰ ﮔﻮﻳﺪ‪ ،‬ﺑﺴﻴﺎﺭﻧﺪ‬ ‫ﺭﻭﻯ ﭼﻴﻨﻰ ﻟﻌﺎﺏﺯﺩﻩ ﺗﺮﺳﻴﻢ ﺷﺪﻩ‬ ‫ﻛﺮﺩﻩ ﺍﺳﺖ‪ .‬ﺍﻣﺎ ‪ 25‬ﺳﺎﻝ ﺍﺳﺖ ﻛﻪ‬
‫ﻏﺮﻓﻪﮔﺬﺍﺭ ﺩﺭ ﻓﻀﺎﻳﻰ ﺑﻪ ﻭﺳﻌﺖ ‪192‬‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﺮ ﭘﺎ ﻭﻣﺠﻤﻮﻋﺎً ﺣﺪﻭﺩ ‪500‬‬ ‫ﻛﺴﺎﻧﻰ ﻛﻪ ﺑﺎ ﻛﭙﻰﺑﺮﺩﺍﺭﻯ ﻭ ﺗﻘﻠﻴﺪ‬ ‫ﺍﺳﺖ ﻛﻪ ﺑﻪ ﻭﺳﻴﻠﺔ ﭘﻮﺩﺭﻫﺎﻯ ﺭﻧﮕﺎﺭﻧﮓ‬ ‫ﺑﻪ ﻧﻘﺎﺷﻰ ﺑﺮ ﺭﻭﻯ ﭼﻴﻨﻰ )ﭘُﺮﺳﻠﻦ(‬
‫ﻫﺰﺍﺭ ﻣﺘﺮﻣﺮﺑﻊ ﭘﺬﻳﺮﺍﻯ ‪ 269‬ﻫﺰﺍﺭﻭ ‪534‬‬ ‫ﻓﺮﺍﻧﻜﻔﻮﺭﺕ ﺍﺳﺖ‪.‬‬ ‫ﻣﻰﻛﻮﺷﻨﺪ ﺩﺭ ﺍﻳﻦ ﺭﺷﺘﻪ ﻧﺎﻣﻰ ﺍﺯ ﺧﻮﺩ‬ ‫ﺩﺭ ﺭﻭﻏﻨﻰ ﻣﺨﺼﻮﺹ ﺑﺎﺯ ﺷﺪﻩ ﻭ ﺑﻪ‬ ‫ﭘﺮﺩﺍﺧﺘﻪ ﻭ ﻧﺰﺩ ﺍﺳﺘﺎﺩﺍﻥ ﺑﻨﺎﻣﻰ ﭼﻮﻥ‬
‫ﺑﺎﺯﺭﮔﺎﻥ ﻭ ﺑﺎﺯﺩﻳﺪ ﻛﻨﻨﺪﻩ ﻣﺘﺨﺼﺺ ﺍﺯ‬ ‫ﻭﻯ ﺍﻓﺰﻭﺩ‪ :‬ﺩﺭﺧﻮﺍﺳﺘﻰ ﺭﺍ ﻫﻢ ﺑﺮﺍﻯ‬ ‫ﻋﻨﻮﺍﻥ ﻛﺘﺎﺏ ﻋﺮﺿﻪ ﺧﻮﺍﻫﺪ ﺷﺪ‪.‬‬ ‫ﺑﻪ ﺟﺎ ﺑﮕﺬﺍﺭﻧﺪ ﻭﻟﻰ ﺩﺭ ﺍﻳﻦ ﺭﺷﺘﻪ ﺑﺎﻳﺪ‬ ‫ﺻﻮﺭﺕ ﺭﻧﮓ ﺩﺭﺁﻣﺪﻩ ﻭ ﺑﺮﺣﺴﺐ ﻧﻮﻉ‬ ‫ﻫﻠﻦ ﻛﺎﭘﻮﺗﻮ ﺍﺯ ﻓﺮﺍﻧﺴﻪ‪ ،‬ژﻯژﻯ ﺑﺮﺍﻧﺶ‬
‫ﺳﺮﺍﺳﺮ ﺩﻧﻴﺎ ﺑﻮﺩﻩﺍﻧﺪ‪ .‬ﻣﻬﻤﺎﻥ ﺍﻓﺘﺨﺎﺭﻯ‬ ‫ﺩﻳﺪﺍﺭ ﺑﺎ ﺁﻗﺎﻯ ﻳﻮﺭﮔﻦ ﺑﺎﺱ ﺭﺋﻴﺲ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﻓﺮﺍﻧﻜﻔﻮﺭﺗﺒﻪ ﮔﺰﺍﺭﺵ‬ ‫ﺑﻪ ﺍﺻﺎﻟﺖ ﻛﺎﺭ ﺗﻮﺟﻪ ﺩﺍﺷﺖ ﻭ ﺑﻰﻭﻗﻔﻪ‬ ‫ﻧﻘﺶ‪ ،‬ﺭﻧﮓﺁﻣﻴﺰﻯ‪ ،‬ﻃﻼﺍﻧﺪﺍﺯﻯ ﻭ‬ ‫ﺍﺯ ﺍﻧﮕﻠﻴﺲ‪ ،‬ﭘﺎﺗﺮﻳﺴﻴﺎ ﺁﺭﻯﻳﺮﻯ ﺍﺯ ﺍﻳﺘﺎﻟﻴﺎ‪،‬‬
‫ﺍﻣﺴﺎﻝ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺸﻮﺭ ﺍﻧﺪﻭﻧﺰﻯ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﻓﺮﺍﻧﻜﻔﻮﺭﺕ ﺍﺭﺍﺋﻪ‬ ‫ﻣﻬﺮ‪ ،‬ﻣﺪﻳﺮﻋﺎﻣﻞ ﻣﻮﺳﺴﻪ ﻧﻤﺎﻳﺸﮕﺎﻩﻫﺎﻯ‬ ‫ﺑﺮﺟﺴﺘﻪﻛﺎﺭﻯ ﺑﻪ ﺩﻓﻌﺎﺕ ﻭ ﺑﺎ ﺩﺭﺟﺔ‬ ‫ﺗﺎﺗﻴﺎﻧﺎ ﺩﺍﻟﺴﺖ ﺍﺯ ﺳﻮﻳﺲ‪ ،‬ﭘﻴﺘﺮ ﻓﺎﻭﺳﺖ‬
‫ﻓﺮﻫﻨﮕﻰ ﺍﻳﺮﺍﻥ ﺍﻓﺰﻭﺩ‪ :‬ﻓﻀﺎﻳﻰ ﻫﻢ ﺩﺭ‬ ‫ﺁﻣﻮﺧﺖ ﻭ ﻛﺴﺐ ﺗﺠﺮﺑﻪ ﻛﺮﺩ‪.‬‬ ‫ﺣﺮﺍﺭﺕﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺩﺭ ﻛﻮﺭﻩ ﭘﺨﺘﻪ‬ ‫ﺍﺯ ﺳﻮﻳﺲ‪ ،‬ﺍﺳﺘﻔﺎﻥ ﻫﺎﻧﺲ ﺍﺯ ﺁﻣﺮﻳﻜﺎ ﻭ‬
‫ﺍﺳﺖ‪.‬‬ ‫ﺍﺧﺘﻴﺎﺭ ﺑﻴﺶ ﺍﺯ ‪ 10‬ﻧﺎﺷﺮ ﻗﺮﺍﺭ ﺧﻮﺍﻫﺪ‬ ‫ﺧﺎﻧﻢ ﻧﺎﺻﺮﻗﻨﺪﻯ ﺑﻪ ﺧﺎﻃﺮ ﺷﺮﻛﺖ ﺩﺭ‬ ‫ﺷﺪﻩ ﻭ ﺑﻪ ﺷﻜﻞ ﺣﺎﺿﺮ ﻋﺮﺿﻪ ﺷﺪﻩ‬ ‫ﻣﺎﻧﻮﺋﻞ ﻓﻴﻠﻴﭗ ﭘﺮﻯﻳﺮﺍ ﺍﺯ ﭘﺮﺗﻐﺎﻝ‪ ،‬ﻓﻮﺕ‬
‫ﮔﺮﻓﺖ ﺗﺎ ﻧﺴﺒﺖ ﺑﻪ ﻋﺮﺿﻪ ﺁﺛﺎﺭ ﺧﻮﺩ ﺑﻪ‬ ‫ﺳﺎﻟﻦ ﺍﻧﺘﺮﻧﺎﺳﻴﻮﻧﺎﻝ ﭘُﺮﺳﻠﻦ ﺩﺭ ﭘﺎﺭﻳﺲ‪،‬‬ ‫ﺍﺳﺖ‪ .‬ﺍﺻﺎﻟﺖ ﻭ ﺍﺭﺯﺵ ﺍﻳﻦ ﮔﻮﻧﻪ ﻫﻨﺮ‬ ‫ﻭ ﻓﻦﻫﺎﻯ ﺍﻳﻦ ﺭﺷﺘﻪ ﺭﺍ ﺁﻣﻮﺧﺘﻪ ﺍﺳﺖ‬
‫ﺻﻮﺭﺕ ﻣﺴﺘﻘﻞ ﺍﻗﺪﺍﻡ ﻛﻨﻨﺪ‪ ،‬ﺍﺳﺎﻣﻰ‬ ‫ﻟﻴﻮﻥ ﻭ ﻟﻨﺪﻥ ﺑﻪ ﺩﺭﻳﺎﻓﺖ ﺟﻮﺍﺋﺰ ﻭ ﭼﻨﺪﻳﻦ‬ ‫ﻭ ﺍﻣﺮﻭﺯ ﺧﻮﺩ ﺑﺎ ﺗﺠﺎﺭﺑﻰ ﻛﻪ ﺑﻪ ﺩﺳﺖ‬
‫ﺍﻳﻦ ﻧﺎﺷﺮﺍﻥ ﺑﻪ ﺍﻳﻦ ﺷﺮﺡ ﺍﻋﻼﻡ ﺷﺪﻩ‬ ‫ﺩﻳﭙﻠﻢ ﺍﻓﺘﺨﺎﺭ ﻧﻴﺰ ﻧﺎﺋﻞ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﺁﻭﺭﺩﻩ ﻭ ﺁﺛﺎﺭ ﺍﺭﺯﻧﺪﻩﺍﻯ ﻛﻪ ﺧﻠﻖ ﻛﺮﺩﻩ‬
‫ﺍﺳﺖ‪ :‬ﺍﻧﺘﺸﺎﺭﺍﺕ ﻛﺎﻣﻞ‪ ،‬ﻫﻤﺸﻬﺮﻯ‪،‬‬ ‫ﻭ ﺷﺎﮔﺮﺩﺍﻥ ﺑﺴﻴﺎﺭﻯ ﻛﻪ ﺗﺮﺑﻴﺖ ﻛﺮﺩﻩ‬
‫ﺧﺎﻧﻪ ﻫﻨﺮﻣﻨﺪﺍﻥ‪ ،‬ﺭﻭﺍﻳﺖ ﻓﺘﺢ‪ ،‬ﺑﺎﻍ‬ ‫ﺍﺳﺖ ﺩﺭ ﺍﻳﻦ ﺭﺷﺘﻪ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻛﺘﺎﺏ ﺗﻬﺮﺍﻥ‪ ،‬ﺷﺒﻜﻪ ﻣﺘﺮﺟﻤﻴﻦ‪ ،‬ﺳﻔﻴﺮ‬ ‫ﻣﺼﻰ ﻧﺎﺻﺮﻗﻨﺪﻯ ﻣﻰﮔﻮﻳﺪ ﻣﺸﻮﻕ‬
‫ﺍﺭﺩﻫﺎﻝ‪ ،‬ﺍﻧﺘﺸﺎﺭﺍﺕ ﺑﺎﺭﺳﺎ‪ ،‬ﺟﻬﺎﻥ ﻳﺎﺭﺍﻧﻪ‬ ‫ﻣﻦ ﺩﺭ ﺍﻳﻦ ﺭﺷﺘﻪ‪ ،‬ﺧﺎﻧﻢ ﺳﻮﺯﻯ‬
‫ﻛﻮﺛﺮ‪ ،‬ﻧﺸﺮ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﺍﺳﺮﺍ‪ ،‬ﺍﻧﺠﻤﻦ‬ ‫ﺳﺎﻫﺎﻛﻴﺎﻥ ﺑﻮﺩ ﻛﻪ ﺍﺯ ﺍﻭ ﺑﺴﻴﺎﺭ ﺁﻣﻮﺧﺘﻢ‪.‬‬
‫ﺯﻧﺎﻥ ﻧﺎﺷﺮ ﻭ ﭘﮋﻭﻫﺸﻜﺪﻩ ﻣﻄﺎﻟﻌﺎﺕ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﻛﻪ ﺩﺭ ﺗﻬﺮﺍﻥ ﺩﺭ ﺳﺎﻝ‬
‫ﻓﺮﻫﻨﮕﻰ ﺍﺟﺘﻤﺎﻋﻰ ﻭﺯﺍﺭﺕ ﻋﻠﻮﻡ‪،‬‬ ‫‪ 2001‬ﺩﺭ ﮔﺎﻟﺮﻯ ﺳﻴﺤﻮﻥ ﺩﺍﺷﺘﻢ‬
‫ﺑﺎ ﻣﻮﻓﻘﻴﺖ ﻭ ﺍﺳﺘﻘﺒﺎﻝ ﺭﻭﺑﺮﻭ ﺷﺪ‪ .‬ﺩﺭ‬
‫ﺗﺤﻘﻴﻘﺎﺕ ﻭ ﻓﻨﺎﻭﺭﻯ‪.‬‬ ‫ﺳﺎﻝ ‪ 2005‬ﺩﺭ ﭘﺮﺗﻐﺎﻝ ﺩﺭ ﻣﺴﺎﺑﻘﻪﺍﻯ‬
‫ﺷﻬﺮﺍﻡﻧﻴﺎ ﺩﺭ ﻋﻴﻦ ﺣﺎﻝ ﺧﻼء‬ ‫ﻛﻪ ﺑﺎ ﺷﺮﻛﺖ ‪ 450‬ﻧﻘﺎﺵ ﺭﻭﻯ ﭘُﺮﺳﻠﻦ‬
‫ﺁژﺍﻧﺲﻫﺎﻯ ﺍﺩﺑﻰ ﻓﻌﺎﻝ ﺍﻳﺮﺍﻥ ﺭﺍ ﺩﺭ ﺍﻳﻦ‬ ‫ﺑﺮﮔﺬﺍﺭ ﺷﺪ‪ ،‬ﺭﺗﺒﺔ ﺍﻭﻝ ﺭﺍ ﺑﻪ ﺩﺳﺖ‬
‫ﺩﻭﺭﻩ ﺍﺯ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﻓﺮﺍﻧﻜﻔﻮﺭﺕ‬ ‫ﺁﻭﺭﺩﻡ‪ .‬ﻣﺎﻧﻨﺪ ﻫﻤﻴﻦ ﻣﺴﺎﺑﻘﻪ‪ ،‬ﻗﺮﺍﺭ ﺍﺳﺖ‬
‫ﻳﺎﺩﺁﻭﺭ ﺷﺪ ﻭ ﺑﺎ ﺍﻇﻬﺎﺭ ﺗﺎﺳﻒ ﺍﺯ‬ ‫ﺩﺭ ﺳﺎﻝ ‪ 2016‬ﺩﺭ ﻻﺱ ﻭﮔﺎﺱ ﺑﺮﮔﺰﺍﺭ‬
‫ﻣﺸﻜﻼﺗﻰ ﻛﻪ ﺳﺮ ﺭﺍﻩ ﻓﻌﺎﻟﻴﺖ ﺍﻳﻦ‬ ‫ﺷﻮﺩ ﻛﻪ ﺳﻌﻰ ﻣﻰﻛﻨﻢ ﺩﺭ ﺁﻥ ﺭﻗﺎﺑﺖ‬
‫ﺁژﺍﻧﺲﻫﺎ ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪ ،‬ﺧﺎﻃﺮﻧﺸﺎﻥ ﻛﺮﺩ‪:‬‬ ‫ﻧﻴﺰ ﺣﻀﻮﺭ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻢ‪ .‬ﺑﻪ ﻋﻠﺖ ﭘﺎﺭﻩﺍﻯ‬
‫ﺳﺎﻣﺎﻥ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺗﺒﺎﻃﺎﺕ ﺍﺳﻼﻣﻰ‬ ‫ﻣﺸﻜﻼﺕ ﻣﺪﺕﻫﺎ ﺑﻮﺩ ﻛﻪ ﺩﺭ ﺍﻳﻦ ﮔﻮﻧﻪ‬
‫ﻫﻤﺎﻧﻨﺪ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ ﻣﺴﻜﻮ‪ ،‬ﻃﺮﺡ‬ ‫ﺭﻗﺎﺑﺖﻫﺎ ﻏﺎﻳﺐ ﺑﻮﺩﻡ ﻭﻟﻰ ﺍﺯ ﺍﻳﻦ ﭘﺲ‬
‫»ﮔﺮﻧﺖ« ﺧﻮﺩ ﺭﺍ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﺏ‬ ‫ﺳﻌﻰ ﺧﻮﺍﻫﻢ ﻛﺮﺩ ﺣﻀﻮﺭ ﻓﻌﺎﻝ ﺩﺭ ﺍﻳﻦ‬
‫ﻓﺮﺍﻧﻜﻔﻮﺭﺕ ﻫﻢ ﺑﻪ ﻣﺮﺣﻠﻪ ﺍﺟﺮﺍ ﺧﻮﺍﻫﺪ‬
‫ﮔﺬﺍﺷﺖ ﻛﻪ ﺍﻳﻦ ﻛﺎﺭ‪ ،‬ﺗﺮﺟﻤﻪ ﺁﺛﺎﺭ ﺍﻳﺮﺍﻧﻰ‬ ‫ﻋﺮﺻﻪ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻢ‪.‬‬
‫ﺭﺍ ﺑﻪ ﺯﺑﺎﻥﻫﺎﻯ ﺧﺎﺭﺟﻰ ﻭ ﺍﻧﺘﺸﺎﺭ ﺁﻧﻬﺎ ﺭﺍ‬ ‫ﺍﺯ ﺧﺎﻧﻢ ﻣﺼﻰ ﻧﺎﺻﺮﻗﻨﺪﻯ ﻣﻰﭘﺮﺳﻢ‬
‫ﻓﺮﻕ ﻧﻘﺎﺷﻰ ﺑﺮ ﺭﻭﻯ ﭘُﺮﺳﻠﻦ )ﭼﻴﻨﻰ(‬
‫ﺑﺎ ﺩﻳﮕﺮ ﺭﺷﺘﻪﻫﺎ ﭼﻴﺴﺖ؟ ﻣﻰﮔﻮﻳﺪ‪،‬‬
‫ﻧﻘﺎﺷﻰ ﺑﺮ ﺭﻭﻯ ﭘُﺮﺳﻠﻦ ﻛﺎﺭﻯ ﻇﺮﻳﻒ ﻭ‬
‫ﺩﺷﻮﺍﺭ ﺍﺳﺖ‪ .‬ﺑﺮﺍﻯ ﻫﺮ ﺗﻜﻪ ﻛﺎﺭ ﺍﺯ ﺳﻪ‬
‫ﺗﺎ ﻫﺸﺖ ﺑﺎﺭ ﺑﺎﻳﺪ ﺑﺮﺍﻯ ﭘﺨﺖ‪ ،‬ﺁﻥ ﺭﺍ ﺩﺭ‬
‫ﻛﻮﺭﻩ ﻗﺮﺍﺭ ﺩﺍﺩ‪ .‬ﻛﻮﺭﻩﺍﻯ ﻛﻪ ﺣﺮﺍﺭﺗﺶ‬
‫ﺑﻪ ‪1200‬ﺩﺭﺟﻪ ﻣﻰﺭﺳﺪ‪ .‬ﻫﺮ ﺭﻧﮕﻰ ﻳﺎ‬
‫ﻃﻼﺍﻧﺪﺍﺯﻯ ﺭﻭﻯ ﺁﻥ ﻳﻚ ﺩﺭﺟﺔ ﭘﺨﺖ‬

‫ﻣﻮﺯﻩ ﻣﻄﺒﻮﻋﺎﺕ ﺍﻳﺮﺍﻥ ﭘﻨﺞﻣﺎﻫﻪ ﻧﺸﺪﻩ ﺩﺭﮔﺬﺷﺖ!‬

‫‪SaturdPaoy,w1e7ltlh OHcotuosbeer 2015‬‬ ‫ﺭﻭﺯﻧﺎﻣﻪﻧﮕﺎﺭﺍﻥ ﻗﺪﻳﻤﻰ ﺩﺭﻳﺎﻓﺖ ﺷﺪﻩ‬ ‫ﻳﻜﺒﺎﺭﻩ ﻭ ﻛﻤﺘﺮ ﺍﺯ ‪ 153‬ﺭﻭﺯ ﺍﻳﻦ ﺗﺐ‬ ‫ﻣﻮﺯﻩﺍﻯ ﻛﻪ ﻗﺮﺍﺭ ﺑﻮﺩ ﺗﺎﺭﻳﺦ ﺩﻳﺮﻳﻨﻪ‬
‫ﺍﺳﺖ‪.‬ﺣﺴﻴﻦ ﻧﻮﺵ ﺁﺑﺎﺩﻯ ﺳﺨﻨﮕﻮﻯ‬ ‫ﻭ ﺗﺎﺏ ﻓﺮﻭﻛﺶ ﻛﺮﺩ ﻭ ﺩﺭﻫﺎﻯ ﻣﻮﺯﻩ‬ ‫ﻧﺸﺮﻳﺎﺕ ﻛﺸﻮﺭ ﺭﺍ ﺑﻪ ﻧﻤﺎﻳﺶ ﺑﮕﺬﺍﺭﺩ‬
‫‪Baden – Powell House-65/67 Queen’s Gate,London SW7 5JS‬‬ ‫ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰ ﻧﻴﺰ ﺑﺎ‬ ‫ﺑﺴﺘﻪ ﻭ ﺍﻳﻦ ﻣﻜﺎﻥ ﺩﺭ ﺳﻜﻮﺕ ﻣﻄﻠﻖ‬ ‫ﻛﻤﺘﺮ ﺍﺯ ‪ 5‬ﻣﺎﻩ ﻋﻤﺮ ﻧﻜﺮﺩ ﻭ ﺩﺭﻫﺎﻯ‬
‫ﺍﺷﺎﺭﻩ ﺑﻪ ﺍﻳﻨﻜﻪ ﻛﺸﻮﺭ ﺗﻮﺍﻧﻤﻨﺪﻯﻫﺎﻯ‬ ‫ﺑﺴﺘﻪ ﺁﻥ ﺳﻮژﻩﺍﻯ ﺑﻠﻨﺪ ﻣﺪﺕ ﺑﺮﺍﻯ‬
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‫ﺑﺮﺍﻯ ﺍﻳﻦ ﻛﺎﺭ ﭘﻴﺶﺑﻴﻨﻰ ﺷﻮﺩ‪ .‬ﻭﻯ‬ ‫ﺍﻳﺮﺍﻥ ﺑﺮﺷﻤﺮﺩ ﻭ ﮔﻔﺖ‪ :‬ﻣﻮﺯﻩ ﺷﺎﻣﻞ ﺍﺑﺰﺍﺭ‬ ‫ﺍﺳﻨﺎﺩ ﺗﺎﺭﻳﺨﻰ ﻣﺮﺑﻮﻁ ﺑﻪ ﻣﻄﺒﻮﻋﺎﺕ‬
‫ﺗﺼﺮﻳﺢ ﻛﺮﺩ ﻣﻮﺯﻩ ﻣﻄﺒﻮﻋﺎﺕ‪ ،‬ﺟﺎﻳﮕﺎﻩ‬ ‫ﻭ ﺍﺩﻭﺍﺕ ﭼﺎپ‪ ،‬ﻧﺸﺮ ﻭ ﻧﺴﺦ ﻗﺪﻳﻤﻰ ﺍﺯ‬ ‫ﺍﻳﺮﺍﻥ ﺍﺯ ‪ 170‬ﺗﺎ ‪180‬ﺳﺎﻝ ﭘﻴﺶ ﺑﺎﺷﺪ؛‬
‫ﺗﻌﺮﻳﻒ ﺷﺪﻩﺍﻯ ﺍﺯ ﻟﺤﺎﻅ ﻗﺎﻧﻮﻧﻰ‬ ‫ﺍﺑﺘﺪﺍﻯ ﻓﻌﺎﻟﻴﺖ ﺭﻭﺯﻧﺎﻣﻪﻧﮕﺎﺭﻯ ﺩﺭ ﺍﻳﺮﺍﻥ‬ ‫ﺍﺯ ﻃﺮﻓﻰ ﻫﻢ ﻗﺮﺍﺭ ﺑﻮﺩ ﻣﺎﺷﻴﻦﻫﺎﻯ‬
‫ﺗﺎ ﻛﻨﻮﻥ ﺑﻮﺩﻩ ﺍﺳﺖ‪.‬ﻭﻯ ﻣﺤﻞ ﺳﺎﺧﺘﻤﺎﻥ‬ ‫ﻗﺪﻳﻤﻰ ﺻﻨﻌﺖ ﭼﺎپ‪ ،‬ﺩﺳﺖﻧﻮﻳﺲﻫﺎﻯ‬
‫ﻧﺪﺍﺷﺖ‪.‬‬ ‫ﺍﻳﻦ ﻣﻮﺯﻩ ﺭﺍ ﺩﺭ ﺑﻨﺎﻳﻰ ﺗﺎﺭﻳﺨﻰ ﺩﺭ‬ ‫ﻧﺨﺴﺘﻴﻦ ﺭﻭﺯﻧﺎﻣﻪﻧﮕﺎﺭﺍﻥ‪ ،‬ﻧﺴﺨﻪﻫﺎﻯ‬
‫ﻛﺎﺭﺷﻨﺎﺳﺎﻥ ﻣﻌﺘﻘﺪﻧﺪ ﻫﺮ ﭼﻨﺪ ﻛﻪ‬ ‫ﺧﻴﺎﺑﺎﻥ ﻣﻮﻟﻮﻯ ﻋﻨﻮﺍﻥ ﻛﺮﺩ ﻭ ﺍﻋﻼﻡ‬ ‫ﻗﺪﻳﻤﻰ ﻣﻄﺒﻮﻋﺎﺕ ﻭ ﻧﺸﺮﻳﺎﺕ‪،‬‬
‫ﺍﻳﺪﻩ ﺭﺍﻩﺍﻧﺪﺍﺯﻯ ﻣﻮﺯﻩ ﻣﻄﺒﻮﻋﺎﺕ ﺩﺭ‬ ‫ﺩﺍﺷﺖ ﻛﻪ ﺳﺮﺍﻯ ﺭﻭﺯﻧﺎﻣﻪﻧﮕﺎﺭﺍﻥ ﺑﺮﺍﻯ‬ ‫ﺩﻭﺭﺑﻴﻦﻫﺎ ﻭ ﻟﻮﺍﺯﻡ ﻋﻜﺎﺳﻰ ﻭ ﭼﺎپ‬
‫ﺩﻭﻟﺖ ﮔﺬﺷﺘﻪ ﻭ ﺍﻧﺠﺎﻡ ﺑﺮﺧﻰ ﺍﻗﺪﺍﻣﺎﺕ‬ ‫ﻫﺮ ﭼﻪ ﻏﻨﻰﺗﺮ ﺷﺪﻥ ﻣﻮﺯﻩ ﻭ ﺟﻤﻊﺁﻭﺭﻯ‬ ‫ﻋﻜﺲ‪ ،‬ﻋﻜﺲﻫﺎﻯ ﻗﺪﻳﻤﻰ ﺩﺭﺑﺎﺭﻩ‬
‫ﺩﺭ ﺍﻳﻦ ﺧﺼﻮﺹ ﻗﺎﺑﻞ ﺗﺤﺴﻴﻦ‬ ‫ﺁﺛﺎﺭ ﺑﻪ ﺟﺎﻯ ﻣﺎﻧﺪﻩ ﺍﺯ ﻧﻮﻳﺴﻨﺪﮔﺎﻥ ﻭ‬ ‫ﺭﻭﺯﻧﺎﻣﻪﻧﮕﺎﺭﺍﻥ ﻭ ﻫﻤﭽﻨﻴﻦ ﻟﻮﮔﻮﻫﺎ‬
‫ﺍﺳﺖ ﺍﻣﺎ ﻧﺒﻮﺩ ﺭﺍﻫﺒﺮﺩ ﻣﺸﺨﺺ ﺩﺭ‬ ‫ﺭﻭﺯﻧﺎﻣﻪﻧﮕﺎﺭﺍﻥ ﻓﺮﺍﺧﻮﺍﻧﻰ ﻣﻨﺘﺸﺮ ﻛﺮﺩ‬ ‫ﻭﻏﻴﺮﻩ ﺩﺭ ﺁﻥ ﻧﻤﺎﻳﺶ ﺩﺍﺩﻩ ﺷﻮﺩ‪ .‬ﻭ ﻣﻘﺮﺭ‬
‫ﺭﺍﻩﺍﻧﺪﺍﺯﻯ ﺍﻳﻦ ﻣﻮﺯﻩ ﻣﻮﺟﺐ ﺷﺪ ﺗﺎ‬ ‫ﺷﺪﻩ ﺑﻮﺩ ﻛﻪ ﺍﺳﻨﺎﺩ ﻣﻮﺯﻩ ﻣﻄﺒﻮﻋﺎﺕ‬
‫ﻧﺘﻴﺠﻪ ﻣﻄﻠﻮﺏ ﺣﺎﺻﻞ ﻧﺸﻮﺩ‪ .‬ﺍﻳﻦ‬ ‫ﻛﻪ ﺑﺎ ﺍﺳﺘﻘﺒﺎﻝ ﺭﻭ ﺑﻪ ﺭﻭ ﺷﺪ‪.‬‬ ‫ﻋﻼﻭﻩ ﺑﺮ ﻧﻤﺎﻳﺶ ﻋﻤﻮﻣﻰ ﺑﺮﺍﻯ ﻣﻄﺎﻟﻌﻪ‬
‫ﻭﺿﻌﻴﺖ ﻣﺴﻮﻭﻟﻴﺖ ﺩﺳﺖ ﺍﻧﺪﺭﻛﺎﺭﺍﻥ‬ ‫ﺍﻣﺮﺍﻳﻰ ﻫﻤﭽﻨﻴﻦ ﺍﻋﻼﻡ ﺩﺍﺷﺖ ﻛﻪ‬ ‫ﻭ ﭘﮋﻭﻫﺶ ﺩﺭ ﺍﺧﺘﻴﺎﺭ ﻋﻼﻗﻤﻨﺪﺍﻥ ﻗﺮﺍﺭ‬
‫ﻭﺯﺍﺭﺕ ﺍﺭﺷﺎﺩ ﺩﺭ ﺩﻭﻟﺖ ﻳﺎﺯﺩﻫﻢ ﺭﺍ‬ ‫ﺩﺭ ﭘﻰ ﺍﻳﻦ ﻓﺮﺍﺧﻮﺍﻥ ﺁﺛﺎﺭ ﻣﺘﻌﺪﺩﻯ ﺍﺯ‬ ‫ﮔﻴﺮﺩ‪ .‬ﺍﻣﺎ ﺑﺎ ﻭﺟﻮﺩ ﺗﻤﺎﻣﻰﺗﺒﻠﻴﻐﺎﺕ ﻭ‬
‫ﺑﻴﺸﺘﺮ ﻣﻰﻛﻨﺪ ﻭ ﺍﺯ ﺁﻧﻬﺎ ﺍﻧﺘﻈﺎﺭ ﻣﻰﺭﻭﺩ‬ ‫ﺟﻤﻠﻪ ﻳﻚ ﻣﺠﻤﻮﻋﻪ ﻣﻔﺼﻞ ﻋﻜﺲ‬ ‫ﻫﺰﻳﻨﻪﻫﺎﻳﻰ ﻛﻪ ﮔﻔﺘﻪ ﻣﻰﺷﻮﺩ ﺑﻪ ﺣﺪﻭﺩ‬
‫ﺗﺎ ﻣﻮﺯﻩﺍﻯ ﺩﺭ ﺷﺎﻥ ﻣﻄﺒﻮﻋﺎﺕ ﺍﻳﺮﺍﻥ‬ ‫ﺍﺯ ﺳﺎﻝ ‪ 1303‬ﺗﺎ ‪ 1330‬ﺩﺭ ﻧﺸﺮﻳﺎﺕ‬ ‫ﻳﻚ ﻣﻴﻠﻴﺎﺭﺩ ﺗﻮﻣﺎﻥ ﺭﺳﻴﺪ‪ ،‬ﻭ ﺍﻧﺘﻈﺎﺭ‬
‫‪ 150‬ﺳﺎﻝ ﺍﺧﻴﺮ ﺗﻬﺮﺍﻥ ﻭ ﺳﺮﺍﺳﺮ ﻛﺸﻮﺭ‬ ‫ﺑﺮﺍﻯ ﺗﺤﻘﻖ ﻭﻋﺪﻩﻫﺎﻯ ﺩﺍﺩﻩ ﺷﺪﻩ‪ ،‬ﺑﻪ‬
‫ﺭﺍﻩﺍﻧﺪﺍﺯﻯ ﻛﻨﻨﺪ‪.‬‬ ‫ﻭ ﻧﻴﺰ ﺩﺳﺖﻧﻮﺷﺘﻪﻫﺎﻳﻰ ﻣﺨﺘﻠﻒ ﺍﺯ‬