Page 5 - (کیهان لندن - سال سى و سوم ـ شماره ۱۲ (دوره جديد

P. 5

‫ﺻﻔﺤﻪ ‪5‬ـ ‪ Page 5‬ـ ﺷﻤﺎﺭﻩ ‪12‬‬
‫ﺟﻤﻌﻪ ‪ 12‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 18‬ژﻭﺋﻦ ‪2015‬‬

‫ﺍﺟﺮﺍﻯﻳﻚﻧﻤﺎﻳﺶﭘﺲﺍﺯ‪37‬ﺳﺎﻝﺩﺭﺍﻳﺮﺍﻥ‪،‬ﺑﺎﺳﻼﺧﻰ‪ ...‬ﺟﺸﻨﻮﺍﺭﺓ ﺷﻌﺮ ﻭ ﻫﻨﺮ ﻭ ﻣﻮﺳﻴﻘﻰ ﭘﺎﺭﺳﻰ ﺩﺭ ﻟﻨﺪﻥ‬

‫ﺑﺮﻧﺎﻣﻪ ﺗﻮﺿﻴﺤﺎﺕ ﻣﺨﺘﺼﺮﻯ ﺑﻪ ﺍﻧﮕﻠﻴﺴﻰ‬ ‫ﺑﺎﻋﺚ ﺧﺴﺘﮕﻰ ﻭ ﺍﻏﺘﺸﺎﺵ ﺫﻫﻨﻰ ﺁﻧﺎﻥ‬ ‫ﺑﻪ ﺍﺑﺘﻜﺎﺭ »ﺍﻧﺠﻤﻦ ﻫﻨﺮ ﻭ ﺍﺩﺑﻴﺎﺕ‬ ‫ﻣﺘﻦ ﺩﺭ ﺍﻳﻦ ﺩﻭﺭﺍﻥ ﮔﻔﺖ‪ :‬ﺍﻳﻦ ﻧﻤﺎﻳﺶ‬ ‫ﭘﺲ ﺍﺯ ﺍﻳﻦ ﻧﻤﺎﻳﺸﻨﺎﻣﻪﺧﻮﺍﻧﻰ‪ ،‬ﭘﻴﺸﻨﻬﺎﺩ‬ ‫»ﺑﻴﺴﺖ ﻭ ﻫﻔﺖ ﻭﺍﮔﻦ ﭘﺮ ﺍﺯ ﭘﻨﺒﻪ«‬
‫ﺩﺭﺑﺎﺭﺓ ﻣﻮﺳﻴﻘﻰﺍﻳﺮﺍﻧﻰ ﺩﺍﺩ ﻭ ﺑﻪ ﺧﻮﺑﻰ ﺑﺎ‬ ‫ﻣﻰﺷﻮﺩ‪ .‬ﺍﻳﻦ ﺍﻣﺮ ﺩﺭ ﺑﺮﻧﺎﻣﺔ ﺁﻥ ﺷﺐ ﺩﺭ‬ ‫ﭘﺎﺭﺳﻰ« ﺑﺮﻧﺎﻣﻪﺍﻯ ﻣﺘﻨﻮﻉ ﺷﺎﻣﻞ ﻧﻤﺎﻳﺶ‬ ‫ﻧﺸﺎﻥ ﻣﻰ ﺩﻫﺪ ﺁﺩﻡﻫﺎ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺩﺭﺳﺖ‬ ‫ﺍﻳﻦ ﻫﻤﻜﺎﺭﻯ ﺍﺯ ﻃﺮﻑ ﺁﻗﺎﻯ ﻣﺤﺴﻨﻴﺎﻥ‬ ‫ﺗﻨﺴﻰ ﻭﻳﻠﻴﺎﻣﺰ ﭘﺲ ﺍﺯ ﺳﻼﺧﻰ ﻭ ﺍﻓﺰﻭﺩﻥ‬
‫ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﺍﺭﺗﺒﺎﻁ ﺑﺮﻗﺮﺍﺭ ﻛﺮﺩ ﻭﻟﻰﺍﻯ‬ ‫ﺁﺛﺎﺭ ﻧﻘﺎﺷﻰ‪ ،‬ﻣﺠﺴﻤﻪ‪ ،‬ﺷﻌﺮ ﺧﻮﺍﻧﻰ ﻭ‬ ‫ﺭﻓﺘﺎﺭ ﻛﻨﻨﺪ ﺍﻣﺎ ﻳﻚ ﺍﺗﻔﺎﻕ ﻭ ﺍﻋﻤﺎﻝ‬ ‫ﺑﻪ ﻋﻨﻮﺍﻥ ﺗﻬﻴﻪ ﻛﻨﻨﺪﻩ ﺑﻪ ﻣﻦ ﺩﺍﺩﻩ ﺷﺪ‬ ‫ﺩﻳﺎﻟﻮگ ﻫﺎﻯ ﺟﺪﻳﺪ ﺑﻪ ﺍﺟﺮﺍ ﺩﺭ ﺁﻣﺪ‬
‫ﻛﺎﺵ ﺑﻪ ﺍﻳﻦ ﻛﺎﺭ‪ ،‬ﺑﺨﺼﻮﺹ ﺩﺭ ﻓﺎﺻﻠﺔ‬ ‫ﻗﺴﻤﺖ ﺷﺎﻋﺮﺍﻥ ﺟﻮﺍﻥ ﺍﺗﻔﺎﻕ ﺍﻓﺘﺎﺩ‪.‬‬ ‫ﺍﺟﺮﺍﻯ ﻣﻮﺳﻴﻘﻰ ﺍﺻﻴﻞ ﺍﻳﺮﺍﻧﻰ ﺩﺭﻋﺼﺮ‬ ‫ﻓﺸﺎﺭ ﺑﺎﻋﺚ ﻣﻰ ﺷﻮﺩ ﻛﻪ ﺍﺧﻼﻗﻴﺎﺕ ﺭﺍ‬ ‫ﻭ ﻣﻦ ﻫﻢ ﺍﺯ ﺍﻳﻦ ﻓﺮﺻﺖ ﺍﺳﺘﻘﺒﺎﻝ ﻛﺮﺩﻡ‪.‬‬ ‫ﻧﻤﺎﻳﺶ» ‪ 27‬ﻭﺍﮔﻦ ﭘﺮ ﺍﺯ ﭘﻨﺒﻪ« ﻧﻮﺷﺘﻪ‬
‫ﺑﻴﻦ ﺁﻫﻨﮓﻫﺎ‪ ،‬ﺍﺩﺍﻣﻪ ﻣﻰﺩﺍﺩ ﻭ ﺑﺎ ﺍﺭﺍﻳﺔ‬ ‫ﺩﻳﮕﺮ ﺁﻧﻜﻪ ﺩﺭ ﻣﺼﺎﺣﺒﺔ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‬ ‫ﺷﻨﺒﻪ‪ 6‬ژﻭﺋﻦﺩﺭﮔﺎﻟﺮﻯﺑﺮﻭﻧﺎﻯﺩﺍﻧﺸﻜﺪﻩ‬ ‫ﻓﺮﺍﻣﻮﺵ ﻛﻨﻨﺪ ﻭ ﺭﻓﺘﻪ ﺭﻓﺘﻪ ﺑﻪ ﻣﺮﺯﻯ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻥ ﺍﻳﻦ ﻧﻤﺎﻳﺶ ﻛﻪ ﺩﺭﻳﺎﻓﺖ‬ ‫ﺗﻨﺴﻰ ﻭﻳﻠﻴﺎﻣﺰ ﭘﺲ ﺍﺯ ﺳﻰ ﻭ ﻫﻔﺖ‬
‫ﺗﻮﺿﻴﺨﺎﺗﻰ ﺩﺭﺑﺎﺭﻩ ﻫﺮ ﻳﻚ ﺍﺯ ﺁﺛﺎﺭ ﺍﺟﺮﺍ‬ ‫ﺑﺎ ﺩﻛﺘﺮ ﻣﺎﺯﻳﺎﺭ ﺻﺪﺭﻯ‪ ،‬ﻛﻪ ﻣﺴﺌﻮﻟﻴﺖ‬ ‫ﭘﮋﻭﻫﺶﻫﺎﻯ ﺷﺮﻕﺷﻨﺎﺳﻰ ﻭ ﺍﻓﺮﻳﻘﺎﻳﻰ‬ ‫ﺑﺮﺳﻨﺪ ﻛﻪ ﺣﺘﻰ ﺧﺎﻧﻮﺍﺩﻩﺷﺎﻥ ﺭﺍ ﻧﻴﺰ‬ ‫ﻣﺠﻮﺯ ﺍﺟﺮﺍ ﺑﺮﺍﻯ ﺍﻳﻦ ﻧﻤﺎﻳﺸﻨﺎﻣﻪ ﺭﺍ‬ ‫ﺳﺎﻝ ﻣﻤﻨﻮﻋﻴﺖ ﻭ ﺑﺎ ﺳﻼﺧﻰ ﺑﺴﻴﺎﺭﻯ‬
‫ﺷﺪﻩ ﺳﻌﻰ ﺩﺭﺗﺪﺍﻭﻡ ﺍﺭﺗﺒﺎﻁ ﻣﺴﺘﻘﻴﻢ‬ ‫ﻗﺴﻤﺖ ﻣﻮﺳﻴﻘ ِﻰ ﺑﺮﻧﺎﻣﺔ ﺁﻥ ﺷﺐ ﺭﺍ‬ ‫ﺩﺍﻧﺸﮕﺎﻩ ﻟﻨﺪﻥ ﺑﺮﮔﺰﺍﺭ ﺷﺪ‪.‬ﻣﺪﻳﺮﻳﺖ‬ ‫ﻓﺮﺍﻣﻮﺵ ﻭ ﻳﺎ ﻗﺮﺑﺎﻧﻰ ﻛﻨﻨﺪ! ﻣﺎ ﺍﻳﻦ‬ ‫ﻣﺤﺎﻝ ﻣﻰ ﺩﺍﻧﺴﺘﻪ‪ ،‬ﺩﻻﻳﻞ ﺩﺭﻳﺎﻓﺖ‬ ‫ﺍﺯ ﺻﺤﻨﻪﻫﺎﻯ ﺁﻥ ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ‬
‫ﺑﺎ ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﻣﻰﻛﺮﺩ‪.‬ﺩﺭ ﺍﻳﻨﺠﺎ ﻻﺯﻡ ﺑﻪ‬ ‫ﺩﺍﺷﺖ‪ ،‬ﻭﻯ ﮔﻔﺘﻪ ﺑﻮﺩ‪” :‬ﺩﺭ ﻗﺴﻤﺖ ﺷﻌﺮ‬ ‫ﺑﺮﻧﺎﻣﻪ ﺑﺎ ﭘﺮﻫﺎﻡ ﭘﺎﺭﺳﺎ ﺑﻮﺩ‪ .‬ﺟﺸﻨﻮﺍﺭﻩ ﺑﺎ‬ ‫ﻣﺠﻮﺯ ﺁﻥ ﺭﺍ ﻫﻤﻜﺎﺭﻯ ﻭ ﺣﺴﻦ ﻧﻴﺖ‬ ‫ﺣﻤﻴﺪﺭﺿﺎ ﻓﺮﺍﻫﺎﻧﻰ ﺩﺭ ﺳﺎﻟﻦ ﺍﺳﺘﺎﺩ‬
‫ﺗﻮﺿﻴﺢ ﺍﺳﺖ ﻛﻪ ﻫﻢﭼﻨﺎﻥ ﻛﻪ ﺍﺯ ﻛﻴﻬﺎﻥ‬ ‫ﻣﺎ ﺗﻼﺵ ﻛﺮﺩﻩﺍﻳﻢ ﻋﺮﺻﻪﺍﻯﺍﻳﺠﺎﺩ ﻛﻨﻴﻢ‬ ‫ﺷﺎﻫﻨﺎﻣﻪﺧﻮﺍﻧﻰ ﻧﻤﺎﻳﺶ ﮔﻮﻧﻪ ﺗﻮﺳﻂ‬ ‫ﻣﺴﺎﺋﻞ ﺭﺍ ﻓﻘﻂ ﻧﻤﺎﻳﺶ ﻣﻰﺩﻫﻴﻢ‪.‬‬ ‫ﮔﺮﻭﻩ ﺍﺟﺮﺍﻳﻰ ﻭ ﻗﺒﻮﻝ ﻛﺮﺩﻥ »ﺑﺮﺧﻰ‬ ‫ﺧﺴﺮﻭﻯ ﻣﺠﻤﻮﻋﻪ ﻧﻤﺎﻳﺸﻰ »ﺳﻪ‬
‫ﻟﻨﺪﻥ ﺍﻧﺘﻈﺎﺭ ﻣﻰﺭﻭﺩ‪ ،‬ﺭﺍﻫﻨﻤﺎ ﻭ ﻧﻴﺖ ﻣﺎ‬ ‫ﺑﺮﺍﻯ ﺷﻌﺮﺍﻯ ﺟﻮﺍﻥﺍﻳﺮﺍﻧﻰ ﺩﺭ ﺍﻧﮕﻠﺴﺘﺎﻥ‬ ‫ﺁﻗﺎﻯ ﻛﺮﺑﻼﻳﻰ ﻭ ﺧﺎﻧﻤﻰ ﻛﻪ ﻧﻘﺶ ﻣﻨﻴﮋﻩ‬ ‫ﺍﻳﻦ ﻛﺎﺭﮔﺮﺩﺍﻥ ﻫﻢﭼﻨﻴﻦ ﺩﺭ ﺍﺭﺗﺒﺎﻁ ﺑﺎ‬
‫ﺩﺭ ﻣﺮﻭ ِﺭ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻓﺮﻫﻨﮕﻰ ﻭ ﻫﻨﺮﻯ‬ ‫ﻛﻪ ﻛﺎﺭﻫﺎﻯ ﺧﻮﺩﺷﺎﻥ ﺭﺍ ﺩﺭ ﻳﻚ ﻣﺤﻴ ِﻂ‬ ‫ﺭﺍ ﺍﻳﻔﺎ ﻣﻰﻛﺮﺩ ﺷﺮﻭﻉ ﺷﺪ ﻭ ﺷﻮﺭ ﻭ ﺣﺎﻟﻰ‬ ‫ﺣﺬﻑ ﻭ ﺍﺿﺎﻓﺎﺗﻰ ﻛﻪ ﺩﺭ ﻣﺘﻦ ﺍﻋﻤﺎﻝ‬ ‫ﺗﻌﻬﺪﺍﺕ« ﺩﺍﻧﺴﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﻧﻘﻄﻪ« ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ ﺭﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﺗﻨﻬﺎ ﻧﻘﺪ ﺩﺭ ﺟﻬﺖ ﺍﺭﺗﻘﺎﻯ ﻫﺮﭼﻪ ﺑﻴﺸﺘﺮ‬ ‫ﺳﻄﺢ ﺑﺎﻻ ﻭ ﺁﻛﺎﺩﻣﻴﻚ ﺍﺭﺍﻳﻪ ﺩﻫﻨﺪ ﻭ ﺩﺭ‬ ‫ﺑﻪ ﻣﺠﻠﺲ ﺩﺍﺩ‪.‬ﺩﺭ ﺍﻃﻼﻋﻴﻪ ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ‬ ‫ﺷﺪﻩ‪ ،‬ﺍﺿﺎﻓﻪ ﻛﺮﺩ‪ :‬ﻳﻚ ﺳﺮﻯ ﺍﺻﻮﻝ ﺩﺭ‬ ‫ﺍﻭ ﺩﺭ ﺍﺭﺗﺒﺎﻁ ﺑﺎ ﺷﺮﻭﻉ ﺗﻤﺮﻳﻨﺎﺕ ﺍﻳﻦ ﻛﺎﺭ‬ ‫ﻧﻤﺎﻳﺸﻨﺎﻣﻪ »ﺑﻴﺴﺖ ﻭ ﻫﻔﺖ ﻭﺍﮔﻦ ﭘﺮ ﺍﺯ‬
‫ﺳﻄﺢ ﺁﻧﻬﺎ ﺩﺭ ﺍﺟﺮﺍﻫﺎﻯ ﺑﻌﺪﻯ ﺍﺳﺖ‪.‬‬ ‫ﻋﻴﻦ ﺣﺎﻝ ﺑﺘﻮﺍﻧﻨﺪ ﺍﺯ ﭘﻨﺪ ﻭ ﺍﻧﺪﺭﺯﻫﺎﻯ‬ ‫ﺩﺭ ﺗﻮﺿﻴﺢ ﺍﻫﺪﺍﻑ ﺍﻧﺠﻤﻦ ﺁﻣﺪﻩ ﺍﺳﺖ‬ ‫ﺍﻳﻦ ﺣﺮﻓﻪ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻛﻪ ﺑﺎﻳﺪ ﺑﻪ ﺁﻧﻬﺎ‬ ‫ﭘﻨﺒﻪ« ﺍﮔﺮ ﭼﻪ ﺍﺯ ﺟﻤﻠﻪ ﻧﻤﺎﻳﺸﻨﺎﻣﻪﻫﺎﻯ‬
‫ﻭﺍﺿﺢ ﺍﺳﺖ ﻛﻪ ﺑﺨﺸﻰ ﺍﺯ ﻛﻤﺒﻮﺩﻫﺎﻳﻰ‬ ‫ﺍﺳﺘﺎﺩﺍﻥ ﺑﺰﺭگ ﺑﻬﺮﻩﻣﻨﺪ ﺷﻮﺩﻧﺪ ﺗﺎ‬ ‫ﻛﻪ‪” :‬ﺍﻧﺠﻤﻦ ﻫﻨﺮ ﻭ ﺍﺩﺑﻴﺎﺕ ﭘﺎﺭﺳﻰ ﺑﻴﺶ‬ ‫ﭘﺎﻳﺒﻨﺪ ﺑﻮﺩ ﻭ ﺑﻪ ﺍﻗﺘﻀﺎء ﺯﻣﺎﻥ ﭘﻴﺶ ﺭﻓﺖ!‬ ‫ﺍﺟﺮﺍﻯ ﺍﺳﻼﻣﻰ‬ ‫ﻣﻌﺮﻭﻑ ﻭ ﺷﺎﺧﺺ ﺗﻨﺴﻰ ﻭﻳﻠﻴﺎﻣﺰ‬
‫ﻛﻪ ﺩﺭ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻓﺮﻫﻨﮕﻰ ﺍﻳﺮﺍﻧﻴﺎﻥ ﺩﺭ‬ ‫ﺑﺘﻮﺍﻧﻨﺪ ﻛﻴﻔﻴﺖ ﻛﺎﺭﺷﺎﻥ ﺭﺍ ﺍﺭﺗﻘﺎ ﺩﻫﻨﺪ‪.‬‬ ‫ﺍﺯ ﺩﻭ ﺳﺎﻝ ﭘﻴﺶ ﺩﺭ ﺭﺍﺳﺘﺎﻯ ﭘﺮﻭﺭﺵ‬ ‫ﺍﻣﺎ ﻃﺒﻖ ﻓﺮﻣﺎﻳﺶ ﺍﺳﺘﺎﺩﻡ ﺟﻨﺎﺏ ﺩﻛﺘﺮ‬ ‫ﮔﻔﺖ‪ :‬ﺑﻪ ﺩﻟﻴﻞ ﺍﺗﻔﺎﻗﺎﺕ ﺧﻮﺑﻰ ﻛﻪ ﺑﺮﺍﻯ‬ ‫ﺑﻪ ﺷﻤﺎﺭ ﻧﻤﻰﺁﻳﺪ ﻭﻟﻰ ﻛﻤﺪﻯ ﺑﺤﺚ‬
‫ﻏﺮﺑﺖ ﺩﻳﺪﻩ ﻣﻰﺷﻮﺩ ﺍﺯ ﻛﻤﺒﻮﺩ ﻣﻨﺎﺑﻊ‬ ‫ﺑﻪ ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﺭﻳﺎﺳﺖﺍﻳﻦ ﻗﺴﻤﺖ ﺭﺍ‬ ‫ﻫﻨﺮ ﻭ ﻛﺸﻒ ﺟﻮﺍﻧﺎﻥ ﺑﺎ ﺍﺳﺘﻌﺪﺍﺩ ﻭﺧﻮﺵ‬ ‫ﻛﻮﭘﺎﻝ‪ ،‬ﺭﺳﺎﻟﺖ ﺍﻭﻝ ﻧﻤﺎﻳﺶ ﺳﺮﮔﺮﻡ‬ ‫ﻛﺎﺭ ﭘﻴﺶ ﺁﻣﺪ‪ ،‬ﺩﺭﻧﮓ ﺭﺍ ﺟﺎﻳﺰ ﻧﺪﺍﻧﺴﺘﻢ‬ ‫ﺑﺮﺍﻧﮕﻴﺰﻯ ﺍﺳﺖ ﻛﻪ ﻧﻔﻮﺫ ﻣﺎﺩﻳﺎﺕ ﺑﻪ‬
‫ﻣﺎﻟﻰ‪ ،‬ﺑﻮﺩﺟﻪ ﻭ ﻧﺒﻮﺩ ﺣﻤﺎﻳﺖﻫﺎﻯ ﻻﺯﻡ‬ ‫ﺩﻛﺘﺮ ﺍﺳﻤﺎﻋﻴﻞ ﺧﻮﻳﻰ ﺑﻪ ﻋﻬﺪﻩ ﺩﺍﺭﺩ‪.‬‬ ‫ﺫﻭﻕ ﭘﻴﺮﺍﻣﻮﻥ ﺷﻌﺮ ﻭ ﻣﻮﺳﻴﻘﻰ ﭘﺎﺭﺳﻰ‬ ‫ﻛﺮﺩﻥ ﺗﻤﺎﺷﺎﭼﻰ ﺍﺳﺖ ﻭ ﺑﻪ ﻫﻤﻴﻦ‬ ‫ﻭ ﺑﻼﻓﺎﺻﻠﻪ ﺗﻤﺮﻳﻨﺎﺕ ﺭﺍ ﺷﺮﻭﻉ ﻛﺮﺩﻳﻢ‪.‬‬ ‫ﺣﺮﻳﻢﻫﺎﻯ ﺷﺨﺼﻰ ﻭ ﻧﺎﺩﻳﺪﻩ ﺍﻧﮕﺎﺷﺘﻦ‬
‫ﺍﺯ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺳﺮﭼﺸﻤﻪ ﻣﻰﮔﻴﺮﺩ‪ .‬ﺍﻣﺎ‬ ‫ﺍﻣﻴﺪﻭﺍﺭﻳﻢ ﺩﺭﺍﻳﻦ ﻗﺴﻤﺖ ﺟﻮﺍﻧﺎﻧﻰ ﻛﻪ‬ ‫ﮔﺎﻡ ﺑﺮﺩﺍﺷﺘﻪ ﺍﺳﺖ“‪ .‬ﺍﻟﺒﺘﻪ ﺍﻳﻦ ﺑﻪ ﺁﻥ‬ ‫ﺩﻟﻴﻞ ﻃﻨﺰﻣﺎﻳﻪﻫﺎﻳﻰ ﺑﻪ ﻛﺎﺭ ﺍﻓﺰﻭﺩﻳﻢ ﻛﻪ‬ ‫ﺗﻤﺮﻳﻨﺎﺕ ﺍﻳﻦ ﻛﺎﺭ ﺑﻪ ﺻﻮﺭﺕ ﺑﺴﻴﺎﺭ‬
‫ﮔﺮﻳﺰﻯ ﺍﺯ ﻧﻘﺪ ﺳﺎﺯﻧﺪﻩ ﻧﻴﺴﺖ ﻭ ﺑﺎ ﺍﻳﻦ‬ ‫ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩ ﻧﻴﺴﺘﻨﺪ ﻓﺮﺻﺖ ﻋﺮﺽ‬ ‫ﻣﻌﻨﺎ ﻧﺒﻮﺩ ﻛﻪ ﺩﺭ ﺁﻥ ﺷﺐ ﻣﻴﺪﺍﻥ ﺩﺭ‬ ‫ﻓﺸﺮﺩﻩ ﻭ ﺩﺭ ﻃﻮﻝ ﻳﻚ ﻣﺎﻩ ﺍﻧﺠﺎﻡ ﺷﺪ‪.‬‬ ‫ﺍﺧﻼﻗﻴﺎﺕ ﺭﺍ ﺑﻪ ﻧﻤﺎﻳﺶ ﻣﻰﮔﺬﺍﺭﺩ‪.‬‬
‫ﻧﻘﺪﻫﺎ ﻣﻰﺗﻮﺍﻥ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﺑﻌﺪﻯ ﺭﺍ‬ ‫ﺍﻧﺪﺍﻡ ﺑﻴﺎﺑﻨﺪ‪ “ .‬ﺑﻪ ﻋﺒﺎﺭﺕ ﺩﻳﮕﺮﺍﻳﻦ‬ ‫ﺍﻧﺤﺼﺎﺭ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻭ ﺷﻌﺮﺍﻯ ﺟﻮﺍﻥ‬ ‫ﻧﻤﺎﻳﺶ ﺭﻭﻧﺪ ﺧﺸﻜﻰ ﻧﺪﺍﺷﺘﻪ ﺑﺎﺷﺪ!‬ ‫ﻓﺮﺍﻫﺎﻧﻰ ﺍﻓﺰﻭﺩ‪ :‬ﺑﺎ ﻭﺟﻮﺩ ﺍﻳﻨﻜﻪ ﺧﻴﻠﻰ‬ ‫ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﻨﺎﻣﻪ ﺗﻨﺴﻰ ﻭﻳﻠﻴﺎﻣﺰ‬
‫ﺍﻧﺘﻈﺎﺭ ﺩﺭ ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﺑﻮﺩ ﻛﻪ ﭘﺲ ﺍﺯ‬ ‫ﺑﻮﺩ‪ .‬ﺧﻴﺮ‪ ،‬ﺷﻌﺮﺍ ﻭ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻧﻪ ﭼﻨﺪﺍﻥ‬ ‫ﺍﻭ ﺑﺎ ﺑﻴﺎﻥ ﺍﻳﻨﻜﻪ ﺩﻳﺎﻟﻮگﻫﺎﻳﻰ ﻫﻢ‬ ‫ﺍﺯ ﺍﻓﺮﺍﺩ ﺑﺎ ﻣﻦ ﻫﻤﻜﺎﺭﻯ ﻧﻜﺮﺩﻧﺪ‪،‬‬ ‫ﺭﻗﺎﺑﺖ ﺩﻭ ﺗﺎﺟﺮ ﭘﻨﺒﻪ ﺭﺍ ﺭﻭﺍﻳﺖ ﻣﻰ‬
‫ﺑﻬﺒﻮﺩ ﺑﺨﺸﻴﺪ‪.‬‬ ‫ﺧﻮﺍﻧﺪﻥ ﺷﻌﺮ ﺗﻮﺳﻂ ﻫﺮ ﻳﻚ ﺍﺯ ﺷﺎﻋﺮﺍﻥ‬ ‫ﺑﻪ ﻛﺎﺭ ﺍﺿﺎﻓﻪ ﺷﺪﻩ ﮔﻔﺖ‪ :‬ﻏﻴﺮ ﺍﺯ ﺍﻳﻦ‪،‬‬ ‫ﺧﻮﺷﺒﺨﺘﺎﻧﻪ ﻣﺴﺌﻮﻟﻴﻦ ﺳﺎﻟﻦ ﺑﻪ ﺑﻨﺪﻩ‬ ‫ﻛﻨﺪ‪» .‬ﺟﻴﻚ« ﺻﺎﺣﺐ ﺩﺳﺘﮕﺎﻩ ﭘﻨﺒﻪ‬
‫ﺍﺯ ﻧﻜﺎﺕ ﺑﺴﻴﺎﺭ ﻣﺜﺒﺖ ﺑﺮﻧﺎﻣﻪ‪ ،‬ﺣﻤﺎﻳﺖ‬ ‫ﺟﻮﺍﻥ ﻧﻴﺰ ﺩﺭ ﻗﺴﻤﺖ ﺷﻌﺮﺧﻮﺍﻧﻰ ﺣﻀﻮﺭ‬ ‫ﺩﻳﺎﻟﻮگﻫﺎﻳﻰ ﻫﻢ ﺑﺮﺍﻯ ﺭﻭﺷﻦﺗﺮ ﺷﺪﻥ‬ ‫ﺍﻃﻤﻴﻨﺎﻥ ﻛﺮﺩﻧﺪ ﻭ ﻣﻨﺘﻈﺮ ﮔﺮﻓﺘﻦ ﻣﺠﻮﺯ‬ ‫ﭘﺎﻙﻛﻨﻰ‪ ،‬ﻛﺎﺭﺧﺎﻧﻪ ﭘﻨﺒﻪ »ﺳﻴﻠﻮﺍ« ﺭﺍ‬
‫ﻳﻚ ﺳﺎﺯﻣﺎﻥ ﺩﻳﮕﺮ ﺑﻪ ﻧﺎﻡ ﺷﺒﻜﺔﺍﻳﺮﺍﻧﻴﺎﻥ‬ ‫ﺟﻮﺍﻥ‪ ،‬ﺍﺳﺘﺎﺩ ﺧﻮﻳﻰ ﻧﻈﺮﺵ ﺭﺍ ﺩﺭ ﺑﺎﺭﻩ‬ ‫ﺩﺍﺷﺘﻨﺪ ﺍﺯ ﺟﻤﻠﻪ ﺷﺎﻋﺮ ﺳﺮﺷﻨﺎﺱ ﻣﺎ‬ ‫ﻳﻚ ﺳﺮﻯ ﺍﺗﻔﺎﻗﺎﺕ ﺑﻪ ﻣﺘﻦ ﺍﺿﺎﻓﻪ ﺷﺪﻩ‬ ‫ﻣﺎﻧﺪﻳﻢ ﻭ ﺗﻤﺮﻳﻨﺎﺕ ﺭﺍ ﺍﺩﺍﻣﻪ ﺩﺍﺩﻳﻢ‪ .‬ﺩﺭ‬ ‫ﻣﻰ ﺳﻮﺯﺍﻧﺪ ﺗﺎ ﺑﻪ ﺳﻮﺩ ﻣﺎﻟﻰ ﺧﻮﺑﻰ‬
‫– ﺑﺮﻳﺘﺎﻧﻴﺎﻳﻰﻫﺎ ﺍﺯ ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﺑﻮﺩ‪.‬‬ ‫ﻛﻴﻔﻴﺖ ﻛﺎﺭ ﺷﺎﻋﺮ ﺍﺭﺍﻳﻪ ﺩﻫﺪ ﻭ ﻧﻮﻋﻰ‬ ‫‪ ،‬ﺍﺳﻤﺎﻋﻴﻞ ﺧﻮﻳﻰ‪ .‬ﻏﻴﺮﺍﺯ ﺍﺳﻤﺎﻋﻴﻞ‬ ‫ﺑﻮﺩ ﻭ ﻣﻦ ﺗﺮﺟﻴﺢ ﻣﻰ ﺩﺍﺩﻡ ﻛﻪ ﻧﺒﺎﺷﺪ‪.‬‬ ‫ﻏﻴﺮ ﺍﻳﻦ ﺻﻮﺭﺕ ﻭ ﺍﮔﺮ ﺍﻳﻦ ﻫﻤﻜﺎﺭﻯ ﺑﻪ‬ ‫ﺑﺮﺳﺪ‪ .‬ﺍﻣﺎ ﺍﻳﻦ ﺩﻭ ﻧﻔﺮ ﺩﺭ ﺍﻳﻦ ﺑﺎﺯﻯ ﺍﺯ‬
‫ﻧﻤﺎﻳﻨﺪﮔﺎﻥ ﺑﻨﻴﺎﺩ ”ﺩﻭﺳﺘﺎﻥ“ ﻫﻢ ﻛﻪ‬ ‫ﺭﺍﻫﻨﻤﺎﻳﻰ ﻭ ﻗﻀﺎﻭﺕ ﻧﻴﺰ ﺩﺭ ﻣﻴﺎﻥ ﺑﺎﺷﺪ‬ ‫ﺧﻮﻳﻰ ﻳﻚ ﺧﺎﻧﻢ ﻓﻌﺎﻝ ﺍﺟﺘﻤﺎﻋﻰ ﺍﺯ‬ ‫ﺩﺭ ﻣﻮﺭﺩ ﺣﺬﻓﻴﺎﺕ ﻫﻢ ﻛﻠﻤﺎﺗﻰ ﺑﻮﺩ ﻛﻪ‬ ‫ﺍﻳﻦ ﺷﻜﻞ ﻭﺟﻮﺩ ﻧﻤﻰ ﺩﺍﺷﺖ‪ ،‬ﺍﻳﻦ ﻛﺎﺭ‬ ‫»ﻓﻠﻮﺭ« ﻫﻤﺴﺮ ﺟﻴﻚ ﺳﻮء ﺍﺳﺘﻔﺎﺩﻩ ﻣﻰ‬
‫ﻳﻚ ﺑﻨﻴﺎﺩ ﻧﻴﻜﻮﻛﺎﺭﻯ ﺍﺳﺖ ﻛﻪ ﺩﺭﺍﻳﺮﺍﻥ‬ ‫ﺗﺎ ﺷﺎﻋﺮﺍﻥ ﺟﻮﺍﻥ ﺑﺎ ﺗﻮﺷﻪﺍﻯ ﺑﺮﺍﻯ ﺭﺍﻩ‬ ‫ﺍﻓﻐﺎﻧﺴﺘﺎﻥ ﻧﻴﺰ ﭘﺲ ﺍﺯ ﺍﺭﺍﻳﺔ ﺧﻼﺻﻪﺍﻯ‬ ‫ﺧﻮﺩﻣﺎﻥ ﻫﻢ ﻣﻰﺩﺍﻧﻴﻢ ﻭ ﺍﻣﻜﺎﻥ ﺍﺳﺘﻔﺎﺩﻩ‬ ‫ﻛﻨﻨﺪ ﺗﺎ ﺑﻪ ﻫﻢ ﺿﺮﺑﻪ ﺑﺰﻧﻨﺪ‪ .‬ﺍﻟﻴﺎ ﻛﺎﺯﺍﻥ‬
‫ﻣﺪﺭﺳﻪ ﻣﻰﺳﺎﺯﺩ ﺣﻀﻮﺭ ﺩﺍﺷﺖ ﻭ ﺩﺭ‬ ‫ﺭﻫﺴﭙﺎﺭ ﺷﻮﻧﺪ‪ .‬ﻭﻟﻰﺍﻳﻦ ﺍﺗﻔﺎﻕ ﻧﻴﻔﺘﺎﺩ‬ ‫ﺑﻪ ﻓﺎﺭﺳﻰ ﺍﺯ ﺷﻌﺮ ﺍﻧﮕﻠﻴﺴﻰ ﺩﺧﺘﺮﺵ‬ ‫ﺍﺯ ﺁﻧﻬﺎ ﻭﺟﻮﺩ ﻧﺪﺍﺭﺩ؛ ﺑﺎ ﺍﻳﻦ ﺣﺎﻝ ﺩﺭ‬ ‫ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ ﻧﻤﻰ ﺭﻓﺖ‪.‬‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻥ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩ ﺑﺎ ﺍﻗﺘﺒﺎﺱ ﺍﺯ‬
‫ﻣﻮﺭﺩ ﺍﻫﺪﺍﻑ ﺧﻴﺮﺧﻮﺍﻫﺎﻧﻪ ﺁﻥ ﺑﻨﻴﺎﺩ‬ ‫ﻭ ﺍﺳﻤﺎﻋﻴﻞ ﺧﻮﻳﻰ ﭘﺲ ﺍﺯ ﺍﺟﺮﺍﻯ‬ ‫ﻳﻜﻰ ﺍﺯ ﺍﺷﻌﺎﺭ ﺧﻮﺩﺵ ﺭﺍ ﺧﻮﺍﻧﺪ‪ .‬ﺷﻌﺮ‬ ‫ﺑﺎﺯﺑﻴﻨﻰ ﻛﺎﺭ ﺭﺍ ﺑﺪﻭﻥ ﻛﻮﭼﻜﺘﺮﻳﻦ ﺣﺬﻓﻰ‬ ‫ﻓﺮﺍﻫﺎﻧﻰ ﺩﺭ ﺍﺭﺗﺒﺎﻁ ﺑﺎ ﻟﺰﻭﻡ ﺍﺟﺮﺍﻯ ﺍﻳﻦ‬ ‫ﺍﻳﻦ ﻧﻤﺎﻳﺸﻨﺎﻣﻪ‪ ،‬ﻳﻚ ﻓﻴﻠﻢ ﻛﻤﺪﻯ ﺩﺭ‬
‫ﺳﺨﻨﺎﻧﻰ ﺍﻳﺮﺍﺩ ﺷﺪ ﻭ ﻓﻴﻠﻢ ﻛﻮﺗﺎﻫﻰ‬ ‫ﺍﺷﻌﺎﺭﺵ ﺍﺯ ﺻﺤﻨﻪ ﭘﺎﻳﻴﻦ ﺁﻣﺪ ﻭ ﺗﺒﺪﻳﻞ‬ ‫ﺩﺧﺘﺮ ﺍﻭ ﺑﻪ ﺍﻧﮕﻠﻴﺴﻰ ﻭﺻﻒ ﺍﺣﺴﺎﺳﺎﺕ‬ ‫ﺍﺟﺮﺍ ﻛﺮﺩﻳﻢ ﺗﺎ ﻫﻤﺎﻥ ﺟﺎ ﺑﺎ ﺑﺎﺯﺧﻮﺭﺩﺵ‬ ‫ﺳﺎﻝ ‪ 1956‬ﺑﺎ ﻋﻨﻮﺍﻥ »‪«Baby Doll‬‬
‫ﺑﻪ ﺗﻤﺎﺷﺎﮔﺮ ﺻﺮﻑ ﺷﺪ‪ .‬ﺩﺭ ﻭﺍﻗﻊ ﺑﺎ ﺍﻧﺒﻮﻩ‬ ‫ﻇﺮﻳﻒﺍﻳﻦ ﺩﺧﺘﺮ ﭘﺲ ﺍﺯ ﺩﺭﻳﺎﻓﺖ ﺧﺒ ِﺮ‬ ‫ﻣﻮﺍﺟﻪ ﺷﻮﻳﻢ‪ .‬ﺟﺎﻟﺐ ﺍﻳﻦ ﺑﻮﺩ ﻛﻪ ﺗﻮﻗﻊ‬
‫ﻧﻤﺎﻳﺶ ﺩﺍﺩﻩ ﺷﺪ‪.‬‬ ‫ﺷﺎﻋﺮﺍ ِﻥ ﺟﻮﺍﻥ ﺷﺮﻛﺖ ﻛﻨﻨﺪﻩ ﺩﺭ ﺑﺮﻧﺎﻣﻪ‪،‬‬ ‫ﻗﺘ ِﻞ ﻭﺣﺸﻴﺎﻧﺔ ﻓﺮﺧﻨﺪﻩ ﺑﻪ ﺍﺗﻬﺎﻡ ﺍﻫﺎﻧﺖ‬ ‫ﺣﺬﻓﻴﺎﺕ ﺑﻴﺸﺘﺮﻯ ﺭﺍ ﻧﻴﺰ ﺩﺍﺷﺘﻴﻢ ﻭ ﺩﺭ‬ ‫ﺍﺟﺮﺍﻯ ﺁﻣﺮﻳﻜﺎﻳﻰ‬
‫ﻭ ﺍﻣﺎ ﻧﻜﺘﻪ ﺁﺧﺮﺍﻳﻨﻜﻪ ﺩﻭﺳﺘﺎﻥ‬ ‫ﻛﺎﺭﻯ ﻛﻪ ﻗﺮﺍﺭ ﺑﻮﺩ ﺍﻧﺠﺎﻡ ﺷﻮﺩ ﺍﺳﺎﺳﺎً‬ ‫ﺍﻳﻦ ﻛﺎﺭ ﺳﻌﻰ ﺩﺍﺷﺘﻢ ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ‬ ‫ﺳﺎﺧﺘﻪ ﺍﺳﺖ‪ .‬ﻫﻢﭼﻨﻴﻦ »ﻣﺮﻳﻞ‬
‫ﺑﺮﮔﺰﺍﺭﻛﻨﻨﺪﺓ ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﻋﻨﻮﺍﻥ ﺁﻥ ﺭﺍ‬ ‫ﺍﻣﻜﺎﻥﭘﺬﻳﺮ ﻧﺒﻮﺩ‪ .‬ﺑﻪ ﺍﻳﻦ ﺗﺮﺗﻴﺐ ﻫﻢ‬ ‫ﺑﻪ ﻗﺮﺁﻥ ﺩﺭ ﺍﻓﻐﺎﻧﺴﺘﺎﻥ ﺑﻮﺩ‪.‬‬ ‫ﻃﻨﺰ ﻣﻮﻗﻌﻴﺖ ﺗﻤﺎﺷﺎﭼﻰ ﺭﺍﺿﻰ ﺑﺎﺷﺪ‬ ‫ﺍﺳﺘﺮﻳﭗ« ﺩﺭ ﻧﻤﺎﻳﺸﻰ ﻛﻪ ﺩﺭ ﺳﺎﻝ‬
‫“ ﻧﺨﺴﺘﻴﻦ ﺟﺸﻨﻮﺍﺭﺓ ﺷﻌﺮ ﻭ ﻫﻨﺮ ﻭ‬ ‫ﻗﺮﺍﺭ ﮔﺮﻗﺘﻦ ﺷﺎﻋﺮﺍﻥ ﺟﻮﺍﻥ ﻭ ﻧﻮﺟﻮﺍﻥ ﺩﺭ‬ ‫ﺍﺯ ﺍﻳﻦ ﻣﻮﺍﺭﺩ ﺍﮔﺮ ﺑﮕﺬﺭﻳﻢ‪ ،‬ﻣﻴﺪﺍﻥ‬ ‫ﻭ ﻣﺤﺘﻮﺍﻯ ﻧﻤﺎﻳﺶ ﺭﺍ ﻧﻴﺰ ﺍﻧﺘﻘﺎﻝ ﺩﻫﺪ‪.‬‬ ‫‪ 1974‬ﺍﺟﺮﺍ ﺷﺪ‪ ،‬ﻧﻘﺶ ﺳﻴﻠﻮﺍ ﺭﺍ ﺑﺎﺯﻯ‬
‫ﻣﻮﺳﻴﻘﻰ ﭘﺎﺭﺳﻰ ﺩﺭ ﻟﻨﺪﻥ “ ﮔﺬﺍﺷﺘﻪ‬ ‫ﻛﻨﺎ ِﺭ ﺍﺳﻤﺎﻋﻴﻞ ﺧﻮﻳﻰ ﺗﻮﺟﻴﻪ ﻻﺯﻡ ﺭﺍ ﺩﺭ‬ ‫ﺑﻪ ﺭﺍﺳﺘﻰ ﺩﺭ ﺍﺧﺘﻴﺎﺭ ﺷﺎﻋﺮﺍ ِﻥ ﺟﻮﺍﻥ‬ ‫»ﺑﻴﺴﺖ ﻭ ﻫﻔﺖ ﻭﺍﮔﻦ ﭘﺮ ﺍﺯ ﭘﻨﺒﻪ«‬ ‫ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬ﺍﻣﺎ ﺍﻳﻦ ﻧﻤﺎﻳﺸﻨﺎﻣﻪ ﺑﻪ ﺳﻴﺎﻕ‬
‫ﺑﻮﺩﻧﺪ ﻛﻪ ﻻﺯﻡ ﺑﻪ ﻳﺎﺩﺁﻭﺭﻯ ﺍﺳﺖ ﻛﻪ‬ ‫ﺑﻮﺩ ﻫﺮ ﭼﻨﺪ ﻛﻪ ﻛﻤﺒﻮﺩ ﻭﻗﺖ ﻭ ﺗﻌﺪﺍﺩ‬ ‫ﭘﻴﺶ ﺍﺯ ﺍﻧﻘﻼﺏ ﺑﺎ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﺍﻛﺒﺮ‬ ‫ﻛﻤﺪﻯ ﺍﻟﻴﺎ ﻛﺎﺯﺍﻥ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﻪ ﺭﻭﻯ‬
‫ﺩﺭ ﮔﺬﺷﺘﻪ ﺩﺭ ﺟﺎﻣﻌﺔ ﺍﻳﺮﺍﻧﻴﺎﻥ ﻟﻨﺪﻥ‬ ‫ﺑﺮﻧﺎﻣﺔ ﺁﻥ ﺷﺐ ﭘﻴﺪﺍ ﻧﻜﺮﺩ‪.‬‬ ‫ﺯﻳﺎﺩ ﺷﺎﻋﺮﺍ ِﻥ ﺟﻮﺍﻥ ﻓﺮﺻﺖ ﻻﺯﻡ ﺭﺍ‬ ‫ﺯﻧﺠﺎﻧﭙﻮﺭ ﺍﺟﺮﺍ ﺷﺪ ﻭ ﺍﻛﻨﻮﻥ ﭘﺲ ﺍﺯ ﺳﻰ‬ ‫ﺻﺤﻨﻪ ﻧﺮﻓﺘﻪ ﻭ ﺁﻥ ﭼﻨﺎﻥ ﻛﻪ ﺣﻤﻴﺪﺭﺿﺎ‬
‫ﭼﻨﺪﻳﻦ ﺑﺮﻧﺎﻣﺔ ﻣﺸﺎﺑﻪ ﻭ ﭼﻪ ﺑﺴﺎ‬ ‫ﺩﺭ ﻗﺴﻤﺖ ﺷﺎﻋﺮﺍﻥ ﺟﻮﺍﻥ ﺍﻟﺒﺘﻪ ﭼﻨﺪ‬ ‫ﺑﻪ ﻫﺮ ﻳﻚ ﺍﺯ ﺁﻧﺎﻥ ﺑﺮﺍﻯ ﺍﺭﺍﻳﻪ ﻣﻨﺎﺳﺐ‬ ‫ﻭ ﻫﻔﺖ ﺳﺎﻝ ﺩﻭﺑﺎﺭﻩ ﺑﺎ ﺩﺳﺘﻜﺎﺭﻯ ﺑﻪ ﺭﻭﻯ‬ ‫ﻓﺮﺍﻫﺎﻧﻰ ﻛﺎﺭﮔﺮﺩﺍﻥ ﺍﻳﻦ ﻧﻤﺎﻳﺶ ﻋﻨﻮﺍﻥ‬
‫ﻣﻔﺼﻞﺗﺮ ﺍﺟﺮﺍ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻳﻜﻰ ﺍﺯ ﺁﻧﻬﺎ‬ ‫ﻗﻄﻌﺔ ﺷﻌﺮ ﺧﻮﺏ ﺧﻮﺍﻧﺪﻩ ﺷﺪ ﻛﻪ‬ ‫ﺷﻌﺮﺷﺎﻥ ﻧﺪﺍﺩ‪ .‬ﺍﻳﻦ ﻫﻢ ﻳﻜﻰ ﺍﺯ‬ ‫ﺻﺤﻨﻪ ﺭﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻧﻤﺎﻳﺶ ﺍﻭﺍﺧﺮ‬ ‫ﻛﺮﺩﻩ‪ ،‬ﺑﺎ »ﺍﺻﻼﺣﺎﺕ« ﺑﺴﻴﺎﺭﻯ ﻫﻤﺮﺍﻩ‬
‫‪-‬ﺍﺣﺘﻤﺎﻻً ﺩﺭ ﺳﺎﻝ ‪ – 2002‬ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﺗﺸﻮﻳﻖ ﺯﻳﺎﺩ ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﺭﺍ ﺑﻪ ﻫﻤﺮﺍﻩ‬ ‫ﻣﺸﻜﻼﺕ ﺑﺮﺧﻰ ﺍﺯ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﺍﻳﺮﺍﻧﻰ‬ ‫ﺳﺎﻝ ﮔﺬﺷﺘﻪ ﻣﻴﻼﺩﻯ ﺗﻮﺳﻂ ﻛﺎﺭﮔﺮﺩﺍﻥ‬ ‫ﺑﻮﺩﻩ ﻭ ﺣﺘﻰ ﺩﻳﺎﻟﻮگﻫﺎﻯ ﺟﺪﻳﺪﻯ ﻫﻢ‬
‫ﺷﺶ ﺭﻭﺯﻩ ﻣﻔﺼﻠﻰ ﺑﻮﺩ ﺩﺭ ﺳﺎﻟﻦ ﺭﻭﺩﻟﻒ‬ ‫ﺩﺍﺷﺖ ﻫﺮ ﭼﻨﺪ ﻛﻪ ﻳﻜﻰ ﺍﺯ ﺍﻳﻦ ﺍﺷﻌﺎﺭ‬ ‫ﺍﺳﺖ ﻛﻪ ﻧﻴ ِﺖ ﺧﻴ ِﺮ ﭘﺮﺑﺎﺭ ﺳﺎﺧﺘﻦ‬ ‫ﺍﻳﺮﺍﻧﻰ ﺩﻳﮕﺮﻯ »ﻋﻠﻰ ﻓﻮﻣﻨﻰ ﻣﺮﺗﻀﻮﻯ«‬
‫ﺷﺘﺎﻳﻨﺮ ﺩﺭ ﺑﻴﻜﺮ ﺳﺘﺮﻳﺖ‪ .‬ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﺧﻮﺏ ﺑﻪ ﺍﻧﮕﻠﻴﺴﻰ ﺑﻮﺩ ﻛﻪ ﺑﺎ ﺍﺣﺴﺎﺱ‬ ‫ﺑﺮﻧﺎﻣﻪ ﻭ ﺍﺭﺍﻳﻪ ﻫﺮ ﭼﻪ ﺑﻴﺸﺘﺮ ﺑﺮﻧﺎﻣﻪ ﺑﻪ‬ ‫ﺩﺭ ﺍﻣﺎﺭﺍﺕ ﻣﺘﺤﺪﻩ ﻋﺮﺑﻰ ﺍﺟﺮﺍ ﺷﺪ‪.‬‬ ‫ﺑﺮﺍﻯ ﺁﻥ ﻧﻮﺷﺘﻪ ﺷﺪﻩ ﺍﺳﺖ!‬
‫ﻛﻪ ﺑﺎ ﻣﺪﻳﺮﻳﺖ ﻣﻨﻮﭼﻬﺮ ﺣﺴﻴﻦ ﭘﻮﺭ ﻭ‬ ‫ﻓﺮﺍﻭﺍﻥ ﺗﻮﺳﻂ ﺷﺎﻋﺮ ﺍﺟﺮﺍ ﺷﺪ‪ .‬ﺩﺭ ﺍﻳﻨﺠﺎ‬ ‫ﺗﻤﺎﺷﺎﮔﺮﺍﻥ‪ ،‬ﺩﺭ ﻋﻤﻞ ﻧﻮﻋﻰ ﺷﻠﻮﻏﻰ ﻭ‬ ‫ﺣﻤﻴﺪﺭﺿﺎ ﻓﺮﺍﻫﺎﻧﻰ ﻛﺎﺭﮔﺮﺩﺍﻥ ﺍﻳﻦ‬
‫ﺣﻤﺎﻳﺖ ﻣﺎﻟﻰ ﺟﻤﺸﻴﺪ ﺭﺿﺎﻳﻰ ﻭ ﺑﺎ‬ ‫ﺑﺮﺧﻰ ﺑﻪ ﺩﻟﻴﻞ ﺍﻧﮕﻠﻴﺴﻰ ﺑﻮﺩﻥ ﺷﻌﺮ‬ ‫ﻫﺮﺝ ﻭ ﻣﺮﺝ ﺭﻭﻯ ﺻﺤﻨﻪ ﺍﻳﺠﺎﺩ ﻣﻰﻛﻨﺪ‬ ‫ﻧﻤﺎﻳﺶ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﻧﻤﺎﻳﺸﻨﺎﻣﻪﺧﻮﺍﻧﻰ‬
‫ﺑﺎﺯﻭﻯ ﺭﺳﺎﻧﻪﺍﻯ ﻣﺠﻠﺔ ﺭﻧﮕﺎﺭﻧﮓ‪ -‬ﺑﻪ‬ ‫ﺍﻳﺮﺍﺩ ﮔﺮﻓﺘﻨﺪ ﻛﻪ ﭘﺲ ﭼﺮﺍ ﻧﺎﻡ ﺑﺮﻧﺎﻣﻪ‬ ‫ﻭ ﺑﻪ ﺟﺎﻯ ﺑﻬﺮﻩﻣﻨﺪ ﺷﺪﻥ ﺗﻤﺎﺷﺎﮔﺮﺍﻥ‪،‬‬ ‫ﺍﻳﻦ ﻣﺘﻦ ﺩﺭ ﻛﺎﻓﻪ ﺍﺩﺍﺭﻩ ﺗﺌﺎﺗﺮ‪ ،‬ﻭ‬
‫ﻣﺪﻳﺮﻳﺖ ﻣﺤﻤﺪ ﺳﺮﺍﺑﻰ‪ -‬ﺑﺮﮔﺰﺍﺭ ﺷﺪ‬ ‫»ﺷﻌﺮ ﻭ ﻫﻨﺮ ﻭ ﻣﻮﺳﻴﻘﻰ ﭘﺎﺭﺳﻰ« ﺍﻋﻼﻡ‬ ‫ﺍﺳﺘﻘﺒﺎﻝ ﺧﻮﺑﻰ ﻛﻪ ﺍﺯ ﺁﻥ ﺷﺪ‪ ،‬ﮔﻔﺖ‪:‬‬
‫ﺷﺎﻣﻞ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻧﻘﺎﺷﻰ ﻭ ﻣﺠﺴﻤﻪ‪،‬‬ ‫ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﺍﻳﺮﺍﺩ ﺍﻟﺒﺘﻪ ﭼﻨﺪﺍﻥ ﻣﻮﺟﻪ‬
‫ﺍﺟﺮﺍﻯ ﺗﺌﺎﺗﺮ ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﻧﻴﻠﻮﻓﺮ‬ ‫ﻧﻴﺴﺖ ﺯﻳﺮﺍ ﺑﺎﻳﺪ ﻗﺒﻮﻝ ﻛﻨﻴﻢ ﻛﻪ ﺷﺮﺍﻳﻂ‬ ‫ﭘﺲ ﺍﺯ ﻟﻐﻮ ﻛﻨﺴﺮﺕ ﻣﺸﺘﺮﻙ ﺑﺎ ﮔﺮﻭﻩ »ﺑﺮﻭﻛﻠﻴﻦ ﺭﺍﻳﺪﺭ«‬
‫ﺑﻴﻀﺎﻳﻰ‪ ،‬ﻧﻤﺎﻳﺶ ﭼﻨﺪ ﻓﻴﻠﻢ ﻛﻪ ﻳﻜﻰ‬ ‫ﺭﺷﺪ ﻭ ﺷﻜﻞﮔﻴﺮﻯ ﻓﻀﺎﻯ ﻓﻜﺮﻯ‬
‫ﺍﺯ ﺁﻧﻬﺎ ﻣﺴﺘﻨﺪﻯ ﺑﻮﺩ ﺩﺭﺑﺎﺭﺓ ﺑﺪﻝﻫﺎﻯ‬ ‫ﺷﺎﻋﺮﺍﻥ ﻧﺴﻞ ﺩﻭﻡ ﻣﺎ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ‬ ‫ﻛﻴﻬﺎﻥ ﻛﻠﻬﺮ ﻫﻢ ﺩﻳﮕﺮ ﺩﺭ ﺍﻳﺮﺍﻥ ﻛﻨﺴﺮﺕ ﺑﺮﮔﺰﺍﺭ ﻧﻤﻰﻛﻨﺪ‬
‫ﺳﻴﻨﻤﺎﻯﺍﻳﺮﺍﻥ ﺳﺎﺧﺘﺔ ﻧﺼﺮﺍﷲ ﺷﻴﺒﺎﻧﻰ‬ ‫ﻣﻴﺰﺑﺎﻥ ﻏﺮﺑﻰ ﺑﺴﻴﺎﺭ ﻣﺘﻔﺎﻭﺕ ﺍﺯ ﺍﻳﺮﺍﻥ‬
‫ﺑﻮﺩ‪ .‬ﻫﺎﺩﻯ ﺧﺮﺳﻨﺪﻯ ﻧﻴﺰ ”ﺳﺘﺎﻧﺪ ﺁﺵ‬ ‫ﻭﺁﻥ ﺑﺴﺘﺮﻯ ﺍﺳﺖ ﻛﻪ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ ﺩﺭ‬ ‫ﻣﻰﺗﻮﺍﻥ ﺑﻪ ﺍﺟﺮﺍﻫﺎﻯ ﻣﺸﺘﺮﻙ ﺑﺎ‬ ‫ﺧﻂ ﻣﺸﻰ ﻣﺸﺨﺼﻰ ﺑﺮﺍﻯ ﺍﻳﻦ ﮔﻮﻧﻪ‬ ‫ﻛﻴﻬﺎﻥ ﻛﻠﻬﺮ‬ ‫ﺑﺎ ﻟﻐﻮ ﻛﻨﺴﺮﺕ »ﻛﻴﻬﺎﻥ ﻛﻠﻬﺮ«‬
‫ﻛﻤﺪﻯ“ ﺧﻮﺩ ﺭﺍ ﺍﺟﺮﺍ ﻛﺮﺩ‪ ،‬ﺍﺳﻤﺎﻋﻴﻞ‬ ‫ﺁﻥ ﻏﺎﻟﺐ ﺍﺳﺖ‪ .‬ﺑﺎﻳﺪ ﺷﺎﻋﺮﺍﻥ ﺟﻮﺍﻥ ﺭﺍ‬ ‫ﺍﺭﺩﺍﻝ ﺍﺭﺯﻧﺠﺎﻥ ﻭ ﻫﻢﭼﻨﻴﻦ ﺷﺠﺎﻋﺖ‬ ‫ﻓﻌﺎﻟﻴﺖﻫﺎ ﺗﻌﺮﻳﻒ ﻭ ﺍﺟﺮﺍ ﻧﺸﺪﻩ‪ ،‬ﺑﻨﺪﻩ‬ ‫ﻭ ﮔﺮﻭﻩ »ﺑﺮﻭﻛﻠﻴﻦ ﺭﺍﻳﺪﺭ« ﺍﺯ ﺳﻮﻯ‬
‫ﺧﻮﻳﻰ ﺳﺮﻭﺩﻩﻫﺎﻳﺶ ﺭﺍ ﺧﻮﺍﻧﺪ ﻭ‬ ‫ﺣﺴﻴﻦﺧﺎﻥ ﺍﺷﺎﺭﻩ ﻛﺮﺩ ﻛﻪ ﺩﺭ‬ ‫ﺍﺯ ﺍﻧﺠﺎﻡ ﻫﺮﮔﻮﻧﻪ ﻓﻌﺎﻟﻴﺖ ﺩﺭ ﺍﻳﺮﺍﻥ‬ ‫ﺍﺩﺍﺭﻩ ﺍﻣﺎﻛﻦ‪ ،‬ﻓﻬﺮﺳﺖ ﺑﺰﺭﮔﺎﻥ‬
‫ﺷﺎﻋﺮﻯ ﺍﻧﮕﻠﻴﺴﻰ ﺗﺮﺟﻤﺔ ﺍﻧﮕﻠﻴﺴﻰ‬ ‫ﻛﻪ ﺑﻪ ﺍﻧﮕﻠﻴﺴﻰ ﺷﻌﺮ ﻣﻰﺳﺮﺍﻳﻨﺪ ﺩﺭﻳﺎﻓﺖ‬ ‫ﻛﺸﻮﺭﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺑﺮﮔﺰﺍﺭ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﻣﻮﺳﻴﻘﻰ ﻣﺤﺮﻭﻡ ﺍﺯ ﺍﺟﺮﺍ ﺩﺭ ﺍﻳﺮﺍﻥ ﺭﻭ‬
‫ﺁﻧﻬﺎ ﺭﺍ ﻫﻤﺎﻥﺟﺎ ﺧﻮﺍﻧﺪ؛ ﺷﻌﺮﺍﻯ ﺯﻳﺎﺩﻯ‬ ‫ﺗﺎ ﺁﻧﺎﻥ ﺍﺯ ﺟﺎﻣﻌﺔ ﺍﻳﺮﺍﻧﻰ ﺩﻭﺭ ﻧﺸﻮﻧﺪ‪.‬‬ ‫ﺍﻭ ﺑﺎ ﻫﻤﺮﺍﻫﻰ ﮔﺮﻭﻩ »ﺑﺮﻭﻛﻠﻴﻦ‬ ‫ﺧﻮﺩﺩﺍﺭﻯ ﺧﻮﺍﻫﻢ ﻛﺮﺩ‪.‬‬
‫ﺭﺍﻳﺪﺭ« ﻧﻴﺰ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻣﺘﻌﺪﺩﻯ ﺭﺍ‬ ‫ﭘﻴﺶ ﺍﺯ ﻟﻐﻮ ﻛﻨﺴﺮﺕ ﺍﻳﻦ ﻧﻮﺍﺯﻧﺪﻩ‬ ‫ﺑﻪ ﺍﻓﺰﺍﻳﺶ ﮔﺬﺍﺷﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﺍﺯ ﻟﻨﺪﻥ ﺭﻭﻯ ﺻﺤﻨﻪ ﺭﻓﺘﻨﺪ‪ ،‬ﻗﺴﻤﺖ‬ ‫ﺩﺭ ﺑﺨﺶ ﺩﻭﻡ ﺑﺮﻧﺎﻣﻪ ﻛﻪ ﻣﻮﺳﻴﻘﻰ‬ ‫ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﮔﻮﻧﺎﮔﻮﻥ ﺍﺟﺮﺍ ﻛﺮﺩﻩ‬ ‫ﭼﻴﺮﻩﺩﺳﺖ ﻛﻤﺎﻧﭽﻪ‪ ،‬ﺍﺩﺍﺭﻩ ﺍﻣﺎﻛﻦ‬ ‫ﺍﻳﻦ ﻧﻮﺍﺯﻧﺪﻩ ﻭ ﺁﻫﻨﮕﺴﺎﺯ ﭼﻴﺮﻩﺩﺳﺖ‬
‫ﻣﻮﺳﻴﻘﻰ ﻫﻢ ﺑﺎ ﻫﻨﺮﻧﻤﺎﻳﻰ ﮔﺮﻭﻩ ﻧﻐﻤﻪ‬ ‫ﻣﻠﻰﺍﻳﺮﺍﻧﻰ ﺑﻮﺩ ﺷﺎﻫﺪ ﻫﻨﺮﻧﻤﺎﻳﻰ ﻣﺎﺯﻳﺎﺭ‬ ‫ﻛﻨﺴﺮﺕ ﮔﺮﻭﻩ ﻣﺸﻬﻮﺭ »ﺟﻴﭙﺴﻰ‬ ‫ﭘﺲ ﺍﺯ ﻟﻐﻮ ﻛﻨﺴﺮﺗﺶ ﺍﻋﻼﻡ ﻛﺮﺩ ﺗﺎ‬
‫ﻭ ﺁﻭﺍﺯ ﺟﻤﺸﻴﺪ ﺭﺿﺎﻳﻰ ﺍﺟﺮﺍ ﺷﺪ‪ .‬ﺍﻟﺒﺘﻪ‬ ‫ﺻﺪﺭﻯ ﺑﺎ ﻫﻤﺮﺍﻫﻰ ﺍﺭﻛﺴﺘﺮﻯ ﺣﺮﻓﻪﺍﻯ‬ ‫ﺍﺳﺖ‪.‬‬ ‫ﻛﻴﻨﮕﺰ« ﺭﺍ ﻫﻢ ﻟﻐﻮ ﻛﺮﺩﻩ ﺑﻮﺩ‪.‬‬ ‫ﺯﻣﺎﻧﻰ ﻛﻪ ﻓﺮﻫﻨﮓ ﻭ ﻫﻨﺮ ﮔﺮﻭﮔﺎﻥ‬
‫ﻗﺎﻧﻮﻥﻧﻮﺍ ِﺯ ﺯﺑﺪﻩﺍﻯ ﺍﺯ ﺳﻮﺭﻳﻪ ﻧﻴﺰ ﺩﺭ ﺁﻥ‬ ‫ﻣﺘﺸﻜﻞ ﺍﺯ ﻧﻮﺍﺯﻧﺪﮔﺎﻥ ﺁﻻﺕ ﻣﻮﺳﻴﻘﻰ‬ ‫»ﭘﻴﺮﻭﺯ ﺍﺭﺟﻤﻨﺪ« ﻣﺪﻳﺮﻛﻞ ﺩﻓﺘﺮ‬ ‫ﻣﺸﻜﻞ ﺍﻳﻨﺠﺎﺳﺖ ﻛﻪ ﺑﺎ ﻭﺟﻮﺩ‬ ‫ﺯﻭﺭﮔﻴﺮﻯ ﻭ ﺯﻭﺭﺁﺯﻣﺎﻳﻰ ﺟﻨﺎﺡ ﻫﺎﻯ‬
‫ﺷﺐ ﻗﻄﻌﺎﺗﻰ ﺍﺟﺮﺍ ﻛﺮﺩ‪ .‬ﻫﻢ ﺍﻛﻨﻮﻥ ﻧﻴﺰ‬ ‫ﻛﻼﺳﻴﻚ ﻏﺮﺑﻰ ﻭ ﻧﻮﺍﺯﻧﺪﮔﺎﻥ ﭼﻴﺮﻩ‬ ‫ﻣﻮﺳﻴﻘﻰ ﺩﺭﺑﺎﺭﻩ ﺍﻓﺰﺍﻳﺶ ﺭﻭﻧﺪ ﻟﻐﻮ‬ ‫ﺻﺪﻭﺭ ﻣﺠﻮﺯ ﺍﺯ ﻃﺮﻑ ﺩﻓﺘﺮ ﻣﻮﺳﻴﻘﻰ‬ ‫ﺳﻴﺎﺳﻰ ﺍﺳﺖ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﻪ ﺭﻭﻯ‬
‫ﻫﺮ ﺳﺎﻝ ﺩﺭ ﺷﻬﺮ ﺍﺩﻳﻨﺒﺮﻭ ﺍﺳﻜﺎﺗﻠﻨﺪ‬ ‫ﺩﺳﺖ ﺁﻻﺕ ﻣﻮﺳﻴﻘﻰﺍﻳﺮﺍﻧﻰ ﻣﺎﻧﻨﺪ ﻋﻠﻰ‬ ‫ﺍﻳﻦ ﻛﻨﺴﺮﺕﻫﺎ ﺗﻮﺳﻂ ﺍﺩﺍﺭﻩ ﺍﻣﺎﻛﻦ ﺑﺎ‬ ‫ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰ‪،‬‬
‫ﺟﺸﻨﻮﺍﺭﺓ ﻣﺸﺎﺑﻪ ﺍﻳﺮﺍﻧﻰ ﺍﺟﺮﺍ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺗﺮﺷﻴﺰﻯ ﻭ ﺑﻬﺮﻭﺯ ﺭﺣﻴﻤﻴﺎﻥ ﺑﻮﺩﻳﻢ‪ .‬ﺩﺭ‬ ‫ﺑﻴﺎﻥ ﺍﻳﻨﻜﻪ ﻣﻨﺘﻈﺮ ﺩﺳﺘﻮﺭ ﻭﺯﻳﺮ ﺍﺭﺷﺎﺩ‬ ‫ﺣﺎﻻ ﻧﻬﺎﺩﻫﺎﻳﻰ ﺩﻳﮕﺮ ﻣﺎﻧﻊ ﺍﺯ ﺍﺟﺮﺍﻯ‬ ‫ﺻﺤﻨﻪ ﻧﺨﻮﺍﻫﺪ ﺭﻓﺖ‪.‬‬
‫ﺑﻨﺎ ﺑﺮﺍﻳﻦ ﺑﺎﻳﺪ ﺍﺯ ﺍﻳﻦ ﺣﺮﻛﺖﻫﺎﻯ ﻗﺒﻠﻰ‬ ‫ﺍﻳﻦ ﻗﺴﻤﺖ ﺁﺛﺎﺭﻯ ﺑﺴﻴﺎﺭ ﺧﺎﻃﺮﻩﺍﻧﮕﻴﺰ‬ ‫ﺩﺭ ﺍﻳﻦ ﺭﺍﺑﻄﻪ ﺍﺳﺖ ﺍﻇﻬﺎﺭ ﺩﺍﺷﺘﻪ‪:‬‬ ‫ﻛﻨﺴﺮﺕ ﻣﺸﺘﺮﻙ ﻛﻴﻬﺎﻥ ﻛﻠﻬﺮ ﻭ‬
‫ﻣﻄﻠﻊ ﺑﻮﺩ ﻭ ﺣﺮﻛﺖ ﺧﻮﺩ ﺭﺍ ﺍﺩﺍﻣﻪ‬ ‫ﺍﺟﺮﺍ ﺷﺪ‪ .‬ﻣﺎﺯﻳﺎﺭ ﺻﺪﺭﻯ ﺧﻮﺍﻧﻨﺪﺓ‬ ‫ﭘﻴﺶ ﺍﺯ ﺍﻳﻦ ﺩﺭ ﺍﻳﻦ ﺧﺼﻮﺹ ﺑﻪ‬ ‫ﺑﺮﻧﺎﻣﻪ ﻣﻰﺷﻮﻧﺪ‪.‬‬ ‫ﮔﺮﻭﻩ ﺑﺮﻭﻛﻠﻴﻦ ﺭﺍﻳﺪﺭ ﻗﺮﺍﺭ ﺑﻮﺩ ﺭﻭﺯ‬
‫ﻭ ﻣﻜﻤﻞ ﺗﻼﺵﻫﺎﻯ ﭘﻴﺶﻛﺴﻮﺗﺎﻥ‬ ‫ﺁﻣﻮﺯﺵ ﺩﻳﺪﻩﺍﻯ ﺍﺳﺖ ﻭ ﺻﺪﺍﻯ ﻟﻄﻴﻒ‬ ‫»ﻛﻤﻴﺴﻴﻮﻥ ﻫﻨﺮ ﻭ ﻣﻌﻤﺎﺭﻯ ﺷﻮﺭﺍﻯ‬ ‫ﺍﻳﻦ ﺍﺗﻔﺎﻗﺎﺕ ﺩﺭ ﺣﺎﻟﻰ ﺭﺥ ﻣﻰﺩﻫﺪ‬ ‫ﻧﻮﺯﺩﻫﻢ ﺧﺮﺩﺍﺩﻣﺎﻩ ﺩﺭ ﺳﺎﻟﻦ ﻣﻴﻼﺩ‬
‫ﺩﺍﻧﺴﺖ‪ .‬ﺧﻮﺷﺒﺨﺘﺎﻧﻪ ﻣﺎ ﻣﺤﻜﻮﻡ ﻧﻴﺴﺘﻴﻢ‬ ‫ﭘﺮﻭﺭﺵ ﻳﺎﻓﺘﻪﺍﻯ ﺩﺍﺭﺩ ﺍﻣﺎ ﻣﺘﺎﺳﻔﺎﻧﻪ ﻧﻮﻉ‬ ‫ﺍﻧﻘﻼﺏ ﻓﺮﻫﻨﮕﻰ« ﮔﺰﺍﺭﺷﻰ ﺍﺭﺍﺋﻪ ﺷﺪﻩ‬ ‫ﻛﻪ ﻛﻠﻬﺮ ﺩﺭ ﺍﻳﻦ ﺭﻭﺯﻫﺎ‪ ،‬ﻛﻨﺴﺮﺕﻫﺎﻯ‬ ‫ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ ﺑﺮﻭﺩ ﻛﻪ ﺍﺩﺍﺭﻩ ﺍﻣﺎﻛﻦ‬
‫ﻛﻪ ﺗﻤﺎﻡ ﺣﺮﻛﺖﻫﺎ ﺭﺍ ﺍﺯ ﻧﻘﻄﻪ ﺻﻔﺮ ﺷﺮﻭﻉ‬ ‫ﺻﺪﺍﺑﺮﺩﺍﺭﻯ ﺁﻥ ﺷﺐ ﺑﺎﻋﺚ ﺷﺪﻩ ﺑﻮﺩ ﻛﻪ‬ ‫ﻭ ﺩﺭ ﺁﻥ ﺩﺭﺑﺎﺭﻩ ﻣﺨﺎﻟﻔﺖﻫﺎﻯ ﺍﺩﺍﺭﻩ‬ ‫ﻣﺘﻌﺪﺩﻯ ﺭﺍ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﮔﻮﻧﺎﮔﻮﻥ‬ ‫ﺑﻪ ﺩﻟﻴﻞ ﺁﻧﭽﻪ »ﻣﻼﺣﻈﺎﺕ ﺍﻣﻨﻴﺘﻰ«‬
‫ﻛﻨﻴﻢ‪ .‬ﺷﺎﻳﺪ ﻭ ﺑﺎﻳﺪ ﺭﻭﺯﻯ ﺗﺎﺭﻳ ِﺦ ﺍﻗﻠﻴ ِﺖ‬ ‫ﺻﺪﺍﻯ ﺍﺭﻛﺴﺘﺮ ﻛﺎﻣ ًﻼ ﺑﺮ ﺻﺪﺍﻯ ﺧﻮﺍﻧﻨﺪﻩ‬ ‫ﺍﻣﺎﻛﻦ ﺑﺮﺍﻯ ﺑﺮﮔﺰﺍﺭﻯ ﻛﻨﺴﺮﺕﻫﺎﻯ‬ ‫ﺑﺮﮔﺰﺍﺭ ﻣﻰﻛﻨﺪ ﻛﻪ ﺍﺯ ﺟﻤﻠﻪ ﺁﻧﺎﻥ‬ ‫ﺧﻮﺍﻧﺪﻩ‪ ،‬ﻣﺠﻮﺯ ﺍﺟﺮﺍﻯ ﺁﻥ ﺭﺍ ﻟﻐﻮ‬
‫ﻣﻬﺎﺟﺮﺍﻳﺮﺍﻧﻰ ﺩﺭ ﺑﺮﻳﺘﺎﻧﻴﺎ ﻭ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ‬ ‫ﻣﺴﻠﻂ ﺑﺎﺷﺪ ﻭ ﺩﺭ ﺑﺨﺶﻫﺎﻳﻰ ﻣﺎﻧﻊ ﺍﺯ‬ ‫ﺧﺎﺭﺟﻰ‪ -‬ﺑﺎ ﺣﻀﻮﺭ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺍﻳﺮﺍﻧﻰ‬
‫ﺩﻳﮕﺮ ﺑﻪ ﻧﮕﺎ َﺭﺵ ﺩﺭﺁﻳﺪ ﺗﺎ ﻧﺸﺎﻥ ﺩﺍﺩﻩ‬ ‫ﺷﻨﻴﺪﻥ ﻇﺮﺍﻳﻒ ﻛﺎﺭ ﺧﻮﺍﻧﻨﺪﻩ ﺷﻮﺩ‪ .‬ﻧﻜﺘﺔ‬ ‫ﻳﺎ ﺑﺪﻭﻥ ﺣﻀﻮﺭ ﺁﻧﻬﺎ‪ -‬ﺍﺭﺍﺋﻪ ﻛﺮﺩﻩ‬ ‫ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺷﻮﺩ ﻛﻪ ﻣﻬﺎﺟﺮﺍﻥ ﻭ ﺗﺒﻌﻴﺪﻳﺎﻥ ﺍﻳﺮﺍﻧﻰ ﺗﺎ‬ ‫ﺩﻳﮕﺮ ﺁﻧﻜﻪ ﻣﺎﺯﻳﺎﺭ ﺻﺪﺭﻯ ﺩﺭ ﺍﺑﺘﺪﺍﻯ‬ ‫ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ‬
‫ﭼﻪ ﺍﻧﺪﺍﺯﻩ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﻣﻴﺰﺑﺎﻥ ﺧﻮﺩ‬ ‫ﺍﺳﺖ‪.‬‬ ‫ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰ ﺑﺎ ﺍﺟﺮﺍﻯ ﺍﻳﻦ ﻛﻨﺴﺮﺕ‬
‫ﻓﻌﺎﻟﻴﺖﻫﺎﻯ ﮔﺴﺘﺮﺩﻩ ﺩﺍﺷﺘﻪ ﻭ ﺩﺍﺭﻧﺪ‪.‬‬ ‫ﺍﻭ ﺍﻓﺰﻭﺩ‪ :‬ﺩﻭﻟﺖ ﺑﻪ ﺗﻌﺎﻣﻼﺕ ﻓﺮﻫﻨﮕﻰ‬ ‫ﻣﻮﺍﻓﻘﺖ ﻛﺮﺩﻩ ﻭ ﻧﺰﺩﻳﻚ ﺑﻪ ﺩﻭ ﻣﺎﻩ‬
‫ﻭ ﻫﻢﭼﻨﻴﻦ ﺗﻌﺎﻣﻼﺕ ﺩﻭ ﺳﻮﻳﻪ ﺍﻋﺘﻘﺎﺩ‬ ‫ﻗﺒﻞ ﻣﻘﺪﻣﺎﺕ ﺍﺟﺮﺍﻯ ﺍﻳﻦ ﻛﻨﺴﺮﺕ ﺍﺯ‬
‫ﺑﺴﻴﺎﺭﻯ ﺩﺍﺭﺩ ﻭ ﺍﻳﻦ ﺳﻴﺎﺳﺖ ﺍﺩﺍﺭﻩ‬ ‫ﻗﺒﻴﻞ ﺍﺧﺬ ﻭﻳﺰﺍ‪ ،‬ﺧﺮﻳﺪ ﺑﻠﻴﺖ ﻭ ﺍﺳﻜﺎﻥ‬
‫ﺍﻣﺎﻛﻦ ﺑﺎ ﺍﻳﻦ ﻣﺴﺌﻠﻪ ﺩﺭ ﺗﻀﺎﺩ ﺍﺳﺖ‪.‬‬ ‫ﻣﻬﻤﺎﻧﺎﻥ ﺻﻮﺭﺕ ﮔﺮﻓﺘﻪ ﺑﻮﺩ ﺍﻣﺎ ﺩﺭ‬
‫ﻣﺎ ﺣﺘﻰ ﺑﺮﺍﻯ ﻋﻴﺪ ﻓﻄﺮ‪ ،‬ﺑﻪ ﻋﻨﻮﺍﻥ‬ ‫ﻧﻬﺎﻳﺖ ﻛﻠﻬﺮ ﺍﺯ ﺍﺟﺮﺍﻯ ﻣﻮﺳﻴﻘﻰ ﺩﺭ‬
‫ﻳﻜﻰ ﺍﺯ ﺑﺰﺭگﺗﺮﻳﻦ ﺍﻋﻴﺎﺩ ﺍﺳﻼﻣﻰ‪،‬‬
‫ﺍﺯ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻛﺸﻮﺭﻫﺎﻯ ﻣﺴﻠﻤﺎﻥ‬ ‫ﺍﻳﺮﺍﻥ ﺑﺎﺯﻣﺎﻧﺪ‪.‬‬
‫ﺗﻮﻧﺲ‪ ،‬ﻣﺮﺍﻛﺶ‪ ،‬ﻋﺮﺍﻕ‪ ،‬ﺳﻮﺭﻳﻪ ﻭ‬ ‫ﻛﻴﻬﺎﻥ ﻛﻠﻬﺮ ﻧﺎﻣﺰﺩ ﭼﻬﺎﺭ ﺩﻭﺭﻩ ﺍﺯ‬
‫ﻟﺒﻨﺎﻥ ﺩﻋﻮﺕ ﻛﺮﺩﻩ ﺑﻮﺩﻳﻢ ﺗﺎ ﺑﺮﺍﻯ‬ ‫ﺟﺎﻳﺰﻩ » ِﮔ ِﺮﻣﻰ« ﻭ ﻳﻜﻰ ﺍﺯ ﭼﻬﺮﻩﻫﺎﻯ‬
‫ﺍﺟﺮﺍﻯ ﺑﺮﻧﺎﻣﻪ ﺩﺭ ﺍﻳﺮﺍﻥ ﺣﻀﻮﺭ ﺩﺍﺷﺘﻪ‬ ‫ﺟﻬﺎﻧﻰ ﻣﻮﺳﻴﻘﻰ ﺍﻳﺮﺍﻥ ﺍﺳﺖ‪ .‬ﻭﻯ‬
‫ﺑﺎﺷﻨﺪ ﻭ ﺣﺎﻻ ﺁﻥ ﺑﺮﻧﺎﻣﻪ ﺭﺍ ﻧﻴﺰ ﺑﺎﻳﺪ‬ ‫ﺩﺭ ﻭﺍﻛﻨﺶ ﺑﻪ ﭼﻨﻴﻦ ﺍﺗﻔﺎﻗﻰ ﮔﻔﺘﻪ‬
‫ﺍﺳﺖ‪ :‬ﺗﺎ ﺯﻣﺎﻧﻰ ﻛﻪ ﻓﺮﻫﻨﮓ ﻭ ﻫﻨﺮ‬
‫ﻟﻐﻮ ﺷﺪﻩ‪ ،‬ﺗﻠﻘﻰ ﻛﺮﺩ‪.‬‬ ‫ﺍﻳﺮﺍﻥ ﮔﺮﻭﮔﺎﻥ ﺯﻭﺭﮔﻴﺮﻯ ﻭ ﺯﻭﺭ‬
‫ﺁﺯﻣﺎﻳﻰ ﺟﻨﺎﺡﻫﺎﻯ ﺳﻴﺎﺳﻰ ﺍﺳﺖ ﻭ‬

1 2 3 4 5 6 7 8 9 10