Page 5 - (کیهان لندن - سال سى و سوم ـ شماره ۳۱ (دوره جديد

‫ﺻﻔﺤﻪ ‪ 5‬ـ ‪ Page 5‬ـ ﺷﻤﺎﺭﻩ ‪31‬‬
‫ﺟﻤﻌﻪ ‪ 23‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 29‬ﺍﻛﺘﺒﺮ ‪2015‬‬

‫ﺩﺭ ﺩﻭ ﺟﻤﻊ ﺧﺎﻃﺮﻩ ﺍﻧﮕﻴﺰ ﭘﺮﺗﺮﻩﻫﺎﻯ ﻓﺮﺍﻧﺴﻴﺴﻜﻮ ﮔﻮﻳﺎ‪ ،‬ﺍﺯ‬ ‫ﻋﺸﻖ!‬
‫ﻳﺎﺩ ﻭ ﺧﺪﻣﺎﺕ ﺩﻛﺘﺮ ﻣﺼﺒﺎﺡ ﺯﺍﺩﻩ ﻭ ﺳﺮﺍﺳﺮﺟﻬﺎﻥﺩﺭﻧﺸﻨﺎﻝﮔﺎﻟﺮﻯﻟﻨﺪﻥ‬
‫ﻣﺮﺍ ﺗﺎ ﺑﻪ ﻛﺠﺎ‬
‫ﻣﻬﻨﺪﺱﺭﺿﺎﻗﻄﺒﻰﮔﺮﺍﻣﻰﺩﺍﺷﺘﻪﺷﺪ‬
‫ﻣﻰ ﺑﺮﻯ؟‬
‫ﺳﻴﺎﻭ ﺵ ﺁﺫﺭﻯ‪ -‬ﻟﺲ ﺁﻧﺠﻠﺲ ﺩﺭ ﺭﺿﺎ ﻗﻄﺒﻰ‪ ،‬ﺑﺎﻧﻰ ﺳﺎﺯﻣﺎﻥ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﻠﻰ‬
‫ﺭﺿﺎ ﻣﻘﺼﺪﻯ‬
‫ﻫﻔﺪﻫﻢ ﻭ ﻫﺠﺪﻫﻢ ﺍﻛﺘﺒﺮ ﺷﺎﻫﺪ ﮔﺮﺩ ﻫﻢ ﺍﻳﺮﺍﻥ ﻃﻰ ﺳﭙﺎﺱﻧﺎﻣﻪﻫﺎﺋﻰ ﺍﺯ ﺍﻓﺮﺍﺩﻯ ﻛﻪ‬
‫ﭼﻬﺮﻩ ﺑﻴﺎﺭﺍ ُﻭ ﺑﻴﺎ ﺑﺎ ﺗﻮﺍﻡ!‬
‫ﺁﻣﺪﻥ ﺩﻟﭙﺬﻳﺮ ﺷﺮﻛﺖ ﻓﺎﺭﻍﺍﻟﺘﺤﺼﻴﻼﻥ ﻧﺎﻡﺷﺎﻥ ﺫﻛﺮ ﻣﻰﺷﻮﺩ ﺑﻪ ﻧﺎﻡ ﺑﻨﻴﺎﻥﮔﺬﺍﺭﺍﻥ‬ ‫ﺩﺳﺖ َﻣ ِﻨﻪ ﺑﺮ ﺩﻝ ﻣﺎ ﺑﺎ ﺗﻮﺍﻡ!‬
‫ﺑﺎﺯ ﺗﻮﻳﻰ ﺩﺭ ﻫﻤﻪ ﺟﺎ ﺑﻰ ﻣﻨﻰ‪،‬‬
‫ﺩﺍﻧﺸﻜﺪﻩ ﻋﻠﻮﻡ ﺍﺭﺗﺒﺎﻃﺎﺕ ﺍﺟﺘﻤﺎﻋﻰ ﻭ ﻣﺸﺘﺎﻕ ﺗﺠﻠﻴﻞ ﻛﺮﺩ ﻭ ﻳﺎﺩﺁﻭﺭ ﺷﺪ ﻛﻪ ﻧﺎﻡ‬ ‫ﺑﺎﺯ ﻣﻨﻢ ﺩﺭ ﻫﻤﻪ ﺟﺎ ﺑﺎ ﺗﻮﺍﻡ‪.‬‬
‫ﺧﻨﺪﻩ ﺯﻧﺎﻥ‪ ،‬ﺭﻗﺺ ﻛﻨﺎﻥ ﺁﻣﺪﻡ‬
‫ﻛﺎﺭﻛﻨﺎﻥ ﺭﺍﺩﻳﻮ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺑﻮﺩ‪ .‬ﺁﻧﺎﻥ ﺩﺭ ﺩﻓﺘﺮ ﺁﻏﺎﺯ ﺳﺎﺯﻣﺎﻥ ﺑﺮﺍﻯ ﻫﻤﻴﺸﻪ‬ ‫ﺧﻨﺪﻩ ﺑﺰﻥ! ُﺭﺥ ﺑﻨﻤﺎ ﺑﺎ ﺗﻮﺍﻡ!‬
‫ﺧﻂ ﻧﺰﺩﻡ ﺧﺎﻃﺮﻩﻯ ﺧﻮﺏ ﺭﺍ‬
‫ﺩﺭ ﺟﻤﻊ ﻧﺨﺴﺖ‪ ،‬ﻓﺎﺭﻍﺍﻟﺘﺤﺼﻴﻼﻥ ﭘﺎﻳﺪﺍﺭﺧﻮﺍﻫﺪﻣﺎﻧﺪ‪.‬ﺩﻛﺘﺮﺟﻬﺎﻧﺒﺎﻧﻰﺳﭙﺲ‬ ‫ﺧﻮﺏﺗﺮﻳﻦ ﺧﺎﻃﺮﻩﻫﺎ! ﺑﺎ ﺗﻮﺍﻡ!‬
‫ﺁﻩ… ﭼﻪ ﮔﻮﻳﻢ ﻛﻪ ﭼﺮﺍ ﺑﻰ ﻣﻨﻰ‬
‫ﺭﺷﺘﻪﻫﺎﻯ ﺭﻭﺯﻧﺎﻣﻪﻧﮕﺎﺭﻯ‪ ،‬ﻣﺪﻳﺮﻳﺖ‪ ،‬ﺍﺳﺎﻣﻰ ﻧﺨﺴﺘﻴﻦ ﭘﺎﻳﻪﮔﺬﺍﺭﺍﻥ ﺗﻠﻮﻳﺰﻳﻮﻥ ﺭﺍ‬ ‫ﺁﻩ… ﭼﻪ ﺩﺍﻧﻢ؟ ﻛﻪ ﭼﺮﺍ ﺑﺎ ﺗﻮﺍﻡ‪.‬‬

‫ﺭﻭﺍﺑﻂ ﻋﻤﻮﻣﻰ ﻭ ﺗﺮﺟﻤﻪ ﺩﺍﻧﺸﻜﺪﻩ ﺑﻪ ﺍﻳﻦ ﺷﺮﺡ ﻗﺮﺍﺋﺖ ﻛﺮﺩ‪:‬‬ ‫ﺑﺎ ِﻍ ﻣﺮﺍ ﻧﺎﻡ ُﻭ ﻧﺸﺎﻧﻰ ﻧﺒﻮﺩ‬
‫ﭘﻴ ِﺶ ﮔﻞ‪ ،‬ﺍﻧﮕﺸﺖﻧﻤﺎ ﺑﺎ ﺗﻮﺍﻡ‪.‬‬
‫ﻋﻠﻮﻡ ﺍﺭﺗﺒﺎﻃﺎﺕ ﺍﺟﺘﻤﺎﻋﻰ ﺩﺭ ﻓﻀﺎﻯ ﺁﺯﺍﺩ ﻓﺮﺥﻏﻔﺎﺭﻯ‪،‬ﻣﺤﻤﻮﺩﺟﻌﻔﺮﻳﺎﻥ‪،‬ﻛﺎﻣﺒﻴﺰ‬
‫ﺍﻯ ﻧ َﻔﺴﺖ ﺩﺭ ﻧ َﻔﺴﻢ ﺭﻳﺨﺘﻪ‬
‫ﺣﻴﺎﻁ ﭼﺮﺍﻏﺎﻧﻰ ﺷﺪﻩ ﺧﺎﻧﻪ ﻣﺎﻫﺮﺥ ﺍﻓﺸﺎﺭ ﻣﺤﻤﻮﺩﻯ‪ ،‬ﺳﻴﺮﻭﺱ ﻫﺪﺍﻳﺖ‪ ،‬ﺍﺳﺪﺍﷲ‬ ‫ﺩﺭﻫﻤﻪ ﺟﺎ ﻣﺜﻞ ﻫﻮﺍ ﺑﺎ ﺗﻮﺍﻡ‪.‬‬
‫ﺍﺯ ﻏ ِﻢ ﭘﻴﻮﺳﺘﻪ‪ ،‬ﺭﻫﺎ ﻛﻦ ﻣﺮﺍ‬
‫ﻳﻜﻰ ﺍﺯ ﻓﺎﺭﻍﺍﻟﺘﺤﺼﻴﻼﻥ ﺭﺷﺘﻪ ﻣﺪﻳﺮﻳﺖ ﭘﻴﻤﺎﻥ‪ ،‬ﻓﺮﻳﺪﻭﻥ ﻣﻜﺎﻧﻴﻚ‪ ،‬ﺷﻬﺮﺯﺍﺩ ﺍﻓﺸﺎﺭ‪،‬‬ ‫ﻛﻴﺴﺖ ﻧﺪﺍﻧﺪ ﻛﻪ ﺭﻫﺎ ﺑﺎ ﺗﻮﺍﻡ‪.‬‬
‫ﺁﺏ ﺑﻪ ﻫﺮ ﺁﺗ ِﺶ ﺟﺎﻧﻢ ﺑﺮﻳﺰ‬
‫ﮔﺮﺩ ﻫﻢ ﺁﻣﺪﻧﺪ ﻭ ﺑﻪ ﻳﺎﺩﺁﻭﺭﻯ ﺧﺎﻃﺮﺍﺕ ﻣﺤﻤﺪﺭﺿﺎ ﻣﻴﻼﻧﻰ ﻧﻴﺎ‪ ،‬ﻓﺮﻳﺪﻩ ﮔﻮﻫﺮﻯ‪،‬‬ ‫ﺧﻴﺰ ُﻭ ﺩﺭﻳﻦ ﺧﺎﻧﻪ‪ ،‬ﺩﺭ ﺁ ﺑﺎ ﺗﻮﺍﻡ!‬
‫ﺧﻮﺏ ﮔﺬﺷﺘﻪ ﭘﺮﺩﺍﺧﺘﻨﺪ ﻭ ﻗﺮﺍﺭ ﺷﺪ ﻫﺮ‪ 4‬ﺍﻳﺮﺝ ﮔﺮﮔﻴﻦ‪ ،‬ﭘﺮﻭﺍﻧﻪ ﺳﻤﻴﻌﻰ –ﺍﺣﻤﺪ‬ ‫ﺑﺮ ِگ ﻣﺮﺍ ﺳﺒﺰﺗﺮ ﺍﺯ ﭘﻴﺶ ﻛﻦ‬
‫ﺭﻧﮓ ﺑﺰﻥ ﻋﺎﻃﻔﻪ ﺭﺍ ﺑﺎ ﺗﻮﺍﻡ!‬
‫ﻣﺎﻩ ﺍﻳﻦ ﺩﻳﺪﺍﺭﻫﺎ ﻛﻪ ﺩﻟﺘﻨﮕﻰ ﺍﺯ ﺩﻭﺭﻯ ﻗﺪﻋﻤﻰ‪ ،‬ﻣﺤﻤﺪﺷﻔﺎﺋﻰ‪ ،‬ﻭﺍﺭﺩﻛﺲ‬ ‫ﻋﺸﻖ! ﻣﺮﺍ ﺗﺎ ﺑﻪ ﻛﺠﺎ ﻣﻰﺑﺮﻯ؟‬
‫ﻳﻜﺪﻳﮕﺮ ﺭﺍ ﻧﻴﺰ ﺑﺮﻃﺮﻑ ﻣﻰﺳﺎﺯﺩ ﺩﺭ ﻳﻚ ﺍﺳﺮﺍﺋﻴﻠﻰ‪ ،‬ﺣﺸﻤﺖﺍﷲ ﻣﺒﺸﺮ‪ ،‬ﻋﻠﻴﻨﻘﻰ ﻧﺸﻨﺎﻝ ﮔﺎﻟﺮﻯ ﻟﻨﺪﻥ ﺩﺭ ﻓﺮﺻﺘﻰ ﭘﻴﺶ ﺍﺯ ﺍﻳﻦ ﺑﻪ ﻧﺪﺭﺕ ﺩﺭ ﻣﻌﺮﺽ‬ ‫ﺗﺎ ﺑﻪ ﻛﺠﺎ؟ ﺗﺎ ﺑﻪ ﻛﺠﺎ؟ ﺑﺎ ﺗﻮﺍﻡ؟‬
‫ﺩﻳﺪ ﻋﻤﻮﻡ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪﺍﻧﺪ‪.‬‬ ‫ﺍﺳﺘﺜﻨﺎﺋﻰ ﻭ ﻧﺎﺏ ﺗﻌﺪﺍﺩﻯ ﺍﺯ ﺁﺛﺎﺭ‬
‫ﺩﻭﺷﺲ ﺍﺯ ﺁﻟﺒﺎ )‪Duchess of‬‬ ‫ﻓﺮﺍﻧﺴﻴﺴﻜﻮ ﮔﻮﻳﺎ ﻧﻘﺎﺵ ﻣﻌﺮﻭﻑ ﻗﺮﻥ‬ ‫ﺍﺳﺪﻯ ﻧﻴﻚ‪ ،‬ﻋﺒﺎﺳﻌﻠﻰ ﺳﺎﺭﻯ ﺍﺻﻼﻧﻰ‪،‬‬ ‫ﺭﺳﺘﻮﺭﺍﻥ ﺗﺠﺪﻳﺪ ﺷﻮﺩ‪.‬‬ ‫‪[email protected]‬‬
‫‪ (Alba‬ﻛﻪ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﺩﺭ‬ ‫ﻫﺠﺪﻫﻢ ﺍﺳﭙﺎﻧﻴﺎ ﺭﺍ ﮔﺮﺩ ﺁﻭﺭﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﺯﻫﺮﻩ ﻋﺪﻝ ﭘﺮﻭﺭ)ﺭﺣﻴﻤﻰ(‪ ،‬ﺍﺳﻤﺎﻋﻴﻞ‬ ‫ﻣﻬﻤﺎﻧﺎﻥ ﻳﺎﺩ ﺷﺎﺩﺭﻭﺍﻥ ﺩﻛﺘﺮﻣﺼﺒﺎﺡ‬
‫ﻋﻠﻰ ﻛﻨﻰ‪ ،‬ﻣﻠﻚ ﺳﺎﺳﺎﻥ ﻭﻳﺴﻰ‪،‬‬ ‫ﺯﺍﺩﻩ ﺑﻨﻴﺎﻧﮕﺬﺍﺭﺩﺍﻧﺸﻜﺪﻩ ﻭ ﻣﻮﺳﺴﻪ ﻛﻴﻬﺎﻥ‬ ‫ﺳﻴﺴﺘﺎﻥ ﻭ ﺑﻠﻮﭼﺴﺘﺎﻥ ﺭﻭﻳﺎﻯ‬
‫ﻭ ﻧﻴﺰ ﺭﻭﺳﺎ ﻭ ﺍﺳﺘﺎﺩﺍﻥ ﺍﻳﻦ ﺩﺍﻧﺸﻜﺪﻩ ﺭﺍ ﺍﻳﺮﺝ ﺷﻬﺎﺑﻰ ﻗﺮﻳﺐ‪ ،‬ﺩﺍﻭﺩ ﺧﺮﻣﻰ‪ ،‬ﺑﻴﺶ ﺍﺯ ‪ 150‬ﻣﻮﺭﺩ ﺍﺯ ﻣﺠﻤﻮﻉ ﻧﻴﻮﻳﻮﺭﻙ ﻧﮕﻬﺪﺍﺭﻯ ﻣﻰﺷﻮﺩ ﭘﻴﺶ‬ ‫ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﺎﻥ‬
‫ﮔﺮﺍﻣﻰ ﺩﺍﺷﺘﻨﺪ ﻭ ﺷﺐ ﺧﻮﺵ ﻭ ﺧﺎﻃﺮﻩ ﺳﻴﺮﻭﺱ ﺭﺍﻣﺘﻴﻦ‪ ،‬ﻧﻈﺎﻡﺍﻟﺪﻳﻦ ﺳﻠﻴﻤﺎﻧﻰ‪ ،‬ﭘﺮﺗﺮﻩﻫﺎﻯ ﻧﻘﺎﺷﻰ ﺷﺪﻩ ﺗﻮﺳﻂ ﺍﺯ ﺍﻳﻦ ﺗﻨﻬﺎ ﻳﻚ ﺑﺎﺭ ﺍﺯ ﺁﻧﺠﺎ ﺧﺎﺭﺝ‬
‫ﮔﻮﻳﺎ ﻫﻨﻮﺯ ﺑﺎﻗﻰ ﺍﺳﺖ؛ ﻧﺸﻨﺎﻝ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﭘﺮﺗﺮﻩ ﺩﺭ ﺳﺎﻝ‬

‫ﮔﺎﻟﺮﻯ ﻟﻨﺪﻥ ﺣﺎﻻ ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ‪ 1797‬ﻛﺸﻴﺪﻩ ﺷﺪﻩ ﺍﺳﺖ؛ ﭘﺮﺗﺮﻩﺍﻯ‬

‫ﻣﻨﺤﺼﺮ ﺑﻪ ﻓﺮﺩ ﺣﺪﻭﺩ ﻧﻴﻤﻰ ﺍﺯ ﺍﺯ ﻳﻜﻰ ﺍﺯ ﺩﻭﺳﺘﺎﻥ ﻧﺰﺩﻳﻚ ﻧﻘﺎﺵ ﻭ‬

‫ﭘﺮﺗﺮﻩﻫﺎﻯ ﺗﺮﺳﻴﻢ ﺷﺪﻩ ﺗﻮﺳﻂ ﺍﻳﻦ ﺍﺯ ﺣﺎﻣﻴﺎﻥ ﻣﺎﻟﻰ ﺍﻭ‪.‬‬

‫ﻧﻘﺎﺵ ﭘﺮ ﺁﻭﺍﺯﻩ ﺭﺍ ﺑﻪ ﻧﻤﺎﻳﺶ ﻋﻤﻮﻣﻰ ‪ .1‬ﺩﻭﺷﺲ ﺍﺯ ﺁﻟﺒﺎ؛ ﺯﻧﻰ ﻛﻪ ﺗﺎﺛﻴﺮ‬
‫ﺯﻳﺎﺩﻯ ﺑﺮ ﮔﻮﻳﺎ ﺩﺍﺷﺖ‪1797 ،‬‬
‫ﮔﺬﺍﺷﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﻓﺮﺍﻧﺴﻴﺴﻜﻮ ﮔﻮﻳﺎ )‪ – 1746‬ﺩﻭﺷﺲ ﺍﺯ ﺁﻟﺒﺎ؛ ﺯﻧﻰ ﻛﻪ ﺗﺎﺛﻴﺮ‬

‫‪ (1828‬ﻧﻪ ﺗﻨﻬﺎ ﻧﻘﺎﺷﻰ ﺑﻮﺩ ﻛﻪ ژﺍﻧﺮ ﺯﻳﺎﺩﻯ ﺑﺮ ﮔﻮﻳﺎ ﺩﺍﺷﺖ‪1797 ،‬‬

‫ﭘﺮﺗﺮﻩ ﺭﺍ ﻭﺍﺭﺩ ﻣﺮﺍﺣﻞ ﺗﺎﺯﻩﺍﻯ ﻛﺮﺩ ﺍﻳﻦ ﻧﻘﺎﺷﻰ ﻳﻜﻰ ﺍﺯ ﺑﺮﺟﺴﺘﻪﺗﺮﻳﻦ‬

‫ﺑﻠﻜﻪ ﻣﻔﺴﺮ ﺍﺟﺘﻤﺎﻋﻰ ﻧﺎﻓﺬﻯ ﺑﻮﺩ ﻛﺎﺭﻫﺎﻯ ﮔﻮﻳﺎ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺍﺳﺖ‪.‬‬

‫ﻛﻪ ﺳﻮژﻩﻫﺎﻯ ﻧﻘﺎﺷﻰﺍﺵ ﺭﺍ ﻓﺮﺍﺗﺮ ﺩﻭﺷﺲ ﺁﻟﺒﺎ ﭘﺲ ﺍﺯ ﺁﻧﻜﻪ ﻫﻤﺴﺮﺵ‬

‫ﺍﺯ ﻇﺎﻫﺮﺷﺎﻥ ﺩﻧﺒﺎﻝ ﻣﻰﻛﺮﺩ ﻭ ﺑﻪ ﻓﻮﺕ ﻛﺮﺩ ﺍﺯ ﻣﺠﺎﻣﻊ ﻋﻤﻮﻣﻰ ﻛﻨﺎﺭﻩ‬

‫ﺻﻮﺭﺕ ﻣﺎﻫﺮﺍﻧﻪﺍﻯ ﺷﺨﺼﻴﺖ ﻭ ﺭﻭﺍﻥ ﮔﺮﻓﺖ ﻭ ﺑﻪ ﻣﺤﻞ ﺍﻗﺎﻣﺖﺍﺵ ﺩﺭ‬

‫ﺁﻧﻬﺎ ﺭﺍ ﺩﺭ ﭘﺮﺗﺮﻩﻫﺎﻳﺶ ﺑﻪ ﺗﺼﻮﻳﺮ ﺟﻨﻮﺏ ﺍﺳﭙﺎﻧﻴﺎ ﺭﻓﺖ ﻭ ﮔﻮﻳﺎﻯ‬

‫ﻧﻘﺎﺵ ﻧﻰ ﺩﺭ ﺍﻳﻦ ﺳﻔﺮ ﺑﺎ ﺍﻭ ﻫﻤﺮﺍﻩ‬ ‫ﻣﻰﻛﺸﻴﺪ‪.‬‬ ‫ﻣﻬﻨﺪﺱ ﺭﺿﺎ ﻗﻄﺒﻰ‪ ،‬ﺩﻛﺘﺮ ﻣﺼﻄﻔﻰ ﻣﺼﺒﺎﺡ ﺯﺍﺩﻩ‬

‫ﺍﻭ ﺑﻴﺶ ﺍﺯ ‪ 80‬ﺳﺎﻝ ﻋﻤﺮ ﻛﺮﺩ ﻭ ﺷﺪ‪.‬‬

‫ﻓﺮﻳﺪﻭﻥ ﺳﻌﺎﺩﺕ‪ ،‬ﻓﺮﺍﻣﺮﺯ ﺷﺎﻩ ﺑﺨﺘﻰ‪ ،‬ﺩﺭ ﺍﻳﻦ ﻣﺪﺕ ﺗﺤﻮﻻﺕ ﺑﺴﻴﺎﺭﻯ ﺭﺍ ﺑﻌﺪﻫﺎ ﺷﺎﻳﻌﺎﺗﻰ ﺩﺭﺑﺎﺭﻩ ﺭﻭﺍﺑﻂ‬ ‫ﺍﻧﮕﻴﺰﻯ ﺭﺍ ﺑﻪ ﭘﺎﻳﺎ ﻥ ﺭﺳﺎﻧﺪﻧﺪ‪.‬‬
‫ﺩﺭﺩﻭﻣﻴﻦ ﺟﻤﻊ ﺷﻤﺎﺭﻗﺎﺑﻞ ﺗﻮﺟﻬﻰ ﺍﺯ ﻓﻴﺮﻭﺯ ﻋﻠﻴﺰﺍﺩﻩ‪ ،‬ﭘﺮﻭﻳﺰ ﻣﺸﻌﻮﻑ‪ ،‬ﻓﺎﻃﻤﻪ ﻫﻢ ﺑﻪ ﭼﺸﻢ ﺩﻳﺪ؛ ﺗﺤﻮﻻﺗﻰ ﻛﻪ ﺍﻭ ﻋﺎﺷﻘﺎﻧﻪ ﺁﻧﻬﺎ ﻫﻢ ﺷﻨﻴﺪﻩ ﺷﺪ‪ .‬ﻫﺮ‬
‫ﻣﺪﻳﺮﺍﻥ‪،‬ﺑﺮﻧﺎﻣﻪﺳﺎﺯﺍﻥ ﻭ ﺩﺳﺖ ﺍﻧﺪﺭﻛﺎﺭﺍﻥ ﻓﻮﻻﺩﻭﻧﺪ‪ ،‬ﺍﻳﺮﺝ ﻣﻨﺸﻰ‪ ،‬ﻣﺤﻤﻮﺩ ﺍﻟﻤﺎﺳﻰ‪ ،‬ﺁﻧﻬﺎ ﺭﺍ ﺩﺭ ﻧﻘﺎﺷﻰﻫﺎﻳﺶ ﻣﻨﻌﻜﺲ ﭼﻪ ﺑﻮﺩ ﺍﻳﻦ ﺯﻥ ﺗﺎﺛﻴﺮ ﺯﻳﺎﺩﻯ ﺑﺮ‬
‫ﮔﻮﻳﺎ ﺩﺍﺷﺖ؛ ﺯﻧﻰ ﺯﻳﺒﺎ‪ ،‬ﺛﺮﻭﺗﻤﻨﺪ ﻭ‬ ‫ﺭﺍﺩﻳﻮ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺩﺭ ﺭﺳﺘﻮﺭﺍﻥ ﻣﺤﻤﺪ ﺍﻣﺠﺪﻯ‪ ،‬ﻋﺒﺎﺱ ﺍﺭﺑﺎﺑﻰ‪ ،‬ﻧﺎﺻﺮ ﻣﻰﻛﺮﺩ‪.‬‬

‫ﺷﻌﻠﻪ ﺳﺎﻧﺘﺎﻣﻮﻧﻴﻜﺎ ﮔﺮﺩ ﺁﻣﺪﻧﺪ ﻭ ﺷﺒﻰ ﺑﺎ ﺑﺮﻫﺎﻥ ﺁﺯﺍﺩ‪ ،‬ﻓﺮﺷﻴﺪ ﺭﻣﺰﻯ‪ ،‬ﺩﺍﻭﺩ ﺟﻢ‪ ،‬ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ ﮔﻮﻳﺎ ﺑﺎﺯﺩﻳﺪﻛﻨﻨﺪﻩ ﻋﺎﺷﻖ ﻫﻨﺮ‪.‬‬
‫ﺷﻜﻮﻩ ﻭ ﺧﺎﻃﺮﻩ ﺍﻧﮕﻴﺰ ﺭﺍ ﺑﺎ ﺗﺠﺪﻳﺪ ﺩﻳﺪﺍﺭ ﺍﻳﺮﺝ ﺣﺎﺋﺮﻯ‪ ،‬ﻓﺮﺷﺘﻪ ﻓﺮﺯﺍﻣﻰ )ﺷﻔﺎﺋﻰ(‪ ،‬ﺑﺎ ﻓﺮﺍﺯ ﻭ ﻧﺸﻴﺐﻫﺎﻯ ﺯﻧﺪﮔﻰ ﻧﻘﺎﺵ ﺷﺎﻩ ﭼﺎﺭﻟﺰ ﺳﻮﻡ ﺩﺭ ﻟﺒﺎﺱ ﺷﻜﺎﺭ‬
‫ﻫﻤﻜﺎﺭﺍﻥ ﺳﺎﺑﻖ ﺧﻮﺩ ﭘﺸﺖ ﺳﺮ ﻧﻬﺎﺩﻧﺪ‪ .‬ﺍﻟﻬﻪ ﺍﻣﻴﺮﺭﺣﻴﻤﻰ‪ ،‬ﺑﻴﮋﻥ ﻣﺤﺘﺸﻢ‪ ،‬ﻫﻤﺮﺍﻩ ﻣﻰﺷﻮﺩ؛ ﺍﺯ ﺁﻏﺎﺯ ﺑﻪ ﻛﺎﺭ ﺍﻭ ﻳﻜﻰ ﺩﻳﮕﺮ ﺍﺭ ﻧﻘﺎﺷﻰﻫﺎﻯ ﻧﺎﺏ ﮔﻮﻳﺎ‬
‫ﺍﺑﺘﺪﺍ ﮔﻴﺘﻰ ﺟﻮﺍﺩﻯ ﻋﻀﻮ ﺳﺎﺑﻖ ﺟﻼﻝ ﺻﻔﺎ‪ ،‬ﻣﺤﻤﺪ ﺯﺭﻓﺎﻡ‪ ،‬ﺣﺒﻴﺐﺍﷲ ﺩﺭ ﺩﺍﺩﮔﺎﻫﻰ ﺩﺭ ﻣﺎﺩﺭﻳﺪ ﺗﺎ ﺍﻧﺘﺼﺎﺑﺶ ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻛﺎﺭ‬
‫ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﻭ ﺑﺮ ﭘﺎ ﺩﺍﺭﻧﺪﻩ ﺭﻭﺷﻦ ﺯﺍﺩﻩ‪ ،‬ﻧﺎﺻﺮ ﺳﻮﺍﻟﻮﺋﻰ‪ ،‬ﺍﺳﻤﺎﻋﻴﻞ ﺑﻪ ﻋﻨﻮﺍﻥ ﻧﺨﺴﺘﻴﻦ ﻧﻘﺎﺵ ﺩﺍﺩﮔﺎﻩ ﻭ ﻧﺨﺴﺘﻴﻦ ﭘﺮﺗﺮﻩ ﺍﺯ ﭘﺎﺩﺷﺎﻩ ﺑﻮﺩ ﻭ‬
‫ﺍﻳﻦ ﺟﻤﻊ ﺭﻭﻯ ﺳﻦ ﺭﻓﺖ ﻭ ﺿﻤﻦ ﻣﻴﺮﻓﺨﺮﺍﺋﻰ‪ ،‬ﻧﺎﺩﺭ ﻣﻨﺘﺼﺮﻯ ﻛﻮﻫﺴﺎﺭﻯ‪ ،‬ﺳﭙﺲ ﺷﺎﻫﺪ ﭘﺮﺗﺮﻩﻫﺎﻯ ﻣﺘﻌﺪﺩ ﺍﻭ ﺧﻮﺩ ﻧﻘﺎﺵ ﻧﻴﺰ ﺧﻮﺩ ﺍﺯ ﻧﺘﻴﺠﻪ ﻛﺎﺭ‬
‫ﺧﻮﺷﺎﻣﺪﮔﻮﺋﻰ ﺍﺯ ﺍﺳﺘﻘﺒﺎﻝ ﻓﺮﺍﻭﺍﻥ ﻗﺮﺑﺎﻧﻌﻠﻰ ﭘﻮﺭﻣﺮﺍﺩﻳﺎﻥ‪ ،‬ﺭﺣﻴﻢ ﺗﻴﻮﺭﻳﺎ‪ ،‬ﺩﺭ ﺟﺎﻳﮕﺎﻩ ﻧﻘﺎﺵ ﭘﺮﺗﺮﻩ ﻣﻮﺭﺩ ﻋﻼﻗﻪ ﺑﺴﻴﺎﺭ ﺭﺍﺿﻰ‪.‬‬
‫ﻫﻤﻜﺎﺭﺍﻥ ﺳﺎﺑﻖ ﺭﺍﺩﻳﻮ ﻭﺗﻠﻮﻳﺰﻳﻮﻥ ﺭﺿﺎ ﺑﺰﺍﺯﻳﺎﻥ‪ ،‬ﻣﺤﻤﻮﺩ ﻫﻨﮕﻮﺍﻝ‪ ،‬ﺳﻬﺮﺍﺏ ﺣﻜﻮﻣﺖ ﺍﺷﺮﺍﻓﻰ ﺍﺳﭙﺎﻧﻴﺎ ﻣﻰﺷﻮﺩ‪ .‬ﮔﻮﻳﺎ ﻧﺨﺴﺘﻴﻦ ﻧﻘﺎﺵ ﭘﺮﺗﺮﻩ‬
‫ﺳﭙﺎﺳﮕﺰﺍﺭﻯ ﻛﺮﺩ ﻭ ﮔﻔﺖ‪ :‬ﻣﻦ ﺑﺮﻧﺎﻣﻪ ﺍﺧﻮﺍﻥ‪ ،‬ﻣﻬﺪﻯ ﺣﺴﻴﻨﻴﻮﻥ‪ ،‬ﺳﻴﻒﺍﷲ ﻣﺴﻮﻭﻝ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺩﻛﺘﺮ ﺧﺎﻧﻮﺍﺩﻩﻫﺎﻯ ﺍﺷﺮﺍﻓﻰ ﻭ ﺳﻠﻄﻨﺘﻰ‬
‫ﺩﻳﺪﺍﺭ ﺭﺍ ﺍﺑﺘﺪﺍ ﺑﺎ ‪ 25‬ﻧﻔﺮ ﺁﻏﺎﺯ ﻛﺮﺩﻡ ﻭ ﺷﻪ ﻧﻴﺎ‪ ،‬ﻣﺮﺗﻀﻰ ﺟﻌﻔﺮﻯ‪ ،‬ﺳﻌﻴﺪ ﻗﺎﺋﻢ ﺧﺎﻭﻳﺮ ﺑﺮﻯ ﻣﻰﮔﻮﻳﺪ‪» :‬ﻫﺪﻑ ﺍﺻﻠﻰ ﺑﻮﺩ‪ .‬ﺍﻭ ﺍﻣﺎ ﺩﺭ ﻛﻨﺎﺭ ﺁﻥ ﺑﻪ ﻧﻘﺎﺷﻰ ﺍﺯ‬
‫ﻓﻜﺮ ﻧﻤﻰﻛﺮﺩﻡ ﺑﻪ ﺍﻳﻦ ﺭﻗﻢ ﭼﺸﻢﮔﻴﺮ ﻣﻘﺎﻣﻰ‪ ،‬ﻫﻮﺷﻨﮓ ﻛﻮﭼﻚ ﺷﻮﺷﺘﺮﻯ‪ ،‬ﻧﻤﺎﻳﺸﮕﺎﻩ ﺩﺭ ﻣﻌﺮﺽ ﺩﻳﺪ ﻋﻤﻮﻡ ﻣﺮﺩﻡ ﻋﺎﺩﻯ ﻭ ﺩﻭﺳﺘﺎﻧﺶ ﻫﻢ ﻋﻼﻗﻪ‬
‫ﺑﺮﺳﺪ ﻛﻪ ﻫﻢ ﺍﻳﻨﻚ ‪ 150‬ﻧﻔﺮ ﺯﻳﺮ ﺍﻳﻦ ﺟﻤﺸﻴﺪ ﻋﺰﻣﻰ‪ ،‬ﺻﺪﻳﻘﻪ ﻛﺎﺗﺒﻰ‪ ،‬ﻗﺮﺍﺭ ﺩﺍﺩﻥ ﻛﺎﺭﻫﺎﻯ ﮔﻮﻳﺎ ﺑﻪ ﻋﻨﻮﺍﻥ ﺩﺍﺷﺖ‪.‬‬
‫ﺳﻘﻒ ﺣﻀﻮﺭ ﺩﺍﺭﻳﺪ ﻭ‪ 70 ،60‬ﻧﻔﺮ ﺩﻳﮕﺮ ﺯﻫﺮﻩ ﻣﻠﻚ‪ ،‬ﻧﺎﺻﺮﺍﻟﺪﻳﻦ ﺷﻬﺮﺍﺩ‪ ،‬ﻣﻬﺪﻯ ﺑﺰﺭﮔﺘﺮﻳﻦ ﻧﻘﺎﺵ ﭘﺮﺗﺮﻩ ﺗﺎﺭﻳﺦ ﺍﺳﺖ‪ «.‬ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻧﻤﻮﻧﻪﻫﺎﻳﻰ ﺍﺯ‬
‫ﻫﻢ ﻫﻨﻮﺯ ﺩﺭ ﺭﺍﻫﻨﺪ ﻭ ﺍﺯ ﻓﺎﺻﻠﻪﻫﺎﻯ ﺩﻭﺭ ﺣﺴﺎﺑﻰ‪ ،‬ﺣﺴﻴﻦ ﻛﻤﺎﻟﻰ‪ ،‬ﻛﺎﻭﻩ ﻗﺮﺍﮔﺰﻟﻮ‪ ،‬ﺑﻪ ﮔﻔﺘﻪ ﺩﻛﺘﺮ ﺑﺮﻯ »ﺩﻳﺪﮔﺎﻩ ﭘﺮﺗﺮﻩ ﻧﻘﺎﺵ ﺍﺯ ﺧﻮﺩﺵ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ‪،‬‬
‫ﺍﻣﻴﺮﺣﺴﻦ ﺷﻴﺮﻭﺍﻧﻰ‪ ،‬ﻋﻠﻰ ﺍﻧﺼﺎﺭﻯ ﻧﻮﮔﺮﺍﻳﺎﻧﻪ ﻭ ﻏﻴﺮﻣﺘﻌﺎﺭﻑ ﮔﻮﻳﺎ ﺍﺯ ﺩﻭﺳﺘﺎﻥ ﻭ ﻫﻤﺴﺮﺵ ﺩﺭ ﻣﻌﺮﺽ ﺩﻳﺪ‬
‫ﺑﻪ ﺟﻤﻊ ﻫﻤﻜﺎﺭﺍﻥ ﻣﻰﭘﻴﻮﻧﺪﻧﺪ‪.‬‬
‫ﮔﻔﺘﻨﻰﺁﻧﻜﻪﺑﺮﺧﻰﺍﺯﺷﺮﻛﺖﻛﻨﻨﺪﮔﺎﻥ ﺭﺍﺩﻣﻨﺪﻯ‪ ،‬ﺍﺑﻮﺍﻟﻘﺎﺳﻢ ﻧﺎﺳﻮﺗﻰ‪ ،‬ﻓﺮﺡﺩﺧﺖ ﻃﺮﻳﻖ ﺑﻪ ﺗﺼﻮﻳﺮ ﻛﺸﻴﺪﻥ ﺯﻧﺪﮔﻰ ﻋﻤﻮﻡ ﻗﺮﺍﺭ ﺩﺍﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺍﺯ ﻛﺸﻮﺭﻫﺎﻯ ﻫﻠﻨﺪ‪ ،‬ﺍﻳﺘﺎﻟﻴﺎ ﻭﺳﻮﺋﺪ ﺧﻮﺩ ﺭﺍ ﻣﻮﺩﺕ‪ ،‬ﻣﻨﻮﭼﻬﺮ ﺍﻭﻟﻴﺎﺋﻰ ﺷﻴﺮﺍﺯﻯ‪ ،‬ﺳﻮژﻩﻫﺎﻳﺶ ﻫﻨﺮ ﭘﺮﺗﺮﻩ ﺭﺍ ﺑﻪ ﮔﻮﻳﺎ ﺩﺭ ﺳﺎﻝ ‪ 1792‬ﭘﺲ ﺍﺯ ﻳﻚ‬
‫ﺩﻭﺭﻩ ﺑﻴﻤﺎﺭﻯ ﻧﺎﺷﻨﻮﺍ ﺷﺪ ﻭ ﭘﺲ ﺍﺯ‬ ‫ﻣﺤﻤﺪﺍﺳﻤﺎﻋﻴﻞ ﺍﻣﺎﻣﻰ ﻟﻨﮕﺮﻭﺩﻯ‪ ،‬ﺩﺭﺟﻪﻫﺎﻯ ﺗﺎﺯﻩﺍﻯ ﺑﺮﺩ‪«.‬‬
‫ﺑﻪ ﺍﻳﻦ ﺟﻤﻊ ﺭﺳﺎﻧﺪﻩ ﺑﻮﺩﻧﺪ‪.‬‬
‫ﮔﻮﮔﻮﺵ ﺧﻮﺍﻧﻨﺪﻩ ﭘﺎپ ﻫﻢ ﺩﺭﺍﻳﻦ ﻣﻨﻮﭼﻬﺮ ﻋﺴﮕﺮﻯ ﻧﺴﺐ‪ ،‬ﻳﻮﺳﻒ ﺷﻬﺎﺏ ﺩﺭ ﻧﻤﺎﻳﺸﮕﺎﻩ ﮔﻮﻳﺎ ﺣﺪﻭﺩ ‪ 70‬ﺁﻥ ﮔﻮﺷﻪﻧﺸﻴﻨﻰ ﺭﺍ ﺍﻧﺘﺨﺎﺏ ﻛﺮﺩ ﻭ‬
‫ﻧﻤﻮﻧﻪ ﺍﺯ ﭘﺮﺗﺮﻩﻫﺎﻯ ﺍﻳﻦ ﻧﻘﺎﺵ ﺍﺯ ﺑﻪ ﺩﺭﻭﻥﮔﺮﺍﻳﻰ ﺭﻭﻯ ﺁﻭﺭﺩ‪.‬‬ ‫ﻭ ﺣﻴﺪﺭ ﻛﺮﺍﺭﻯ…‬
‫ﮔﺮﺩﻫﻤﺎﻳﻰ ﺷﺮﻛﺖ ﻛﺮﺩﻩ ﺑﻮﺩ‪.‬‬
‫ﺑﺰﺭﮔﺪﺍﺷﺖ ﺩﺭ ﻟﺲ ﺁﻧﺠﻠﺴﭙﺲ ﺍﺯ ﺩﻛﺘﺮ ﺟﻬﺎﻧﺒﺎﻧﻰ ﺩﺭ ﭘﺎﻳﺎﻥ ﺳﺮﻭﺩﻩﺍﻯ ﻣﺠﻤﻮﻋﻪﻫﺎﻯ ﺧﺼﻮﺻﻰ ﻭ ﻋﻤﻮﻣﻰ ﺗﺨﻴﻞ ﺗﺎﺭﻳﻚ ﻧﻘﺎﺵ ﺩﺭ ﺍﻳﻦ ﺩﻭﺭﺍﻥ‬
‫ﺁﻥ ﺩﻛﺘﺮ ﺻﻔﺎﺍﻟﺪﻳﻦ ﺟﻬﺎﻧﺒﺎﻧﻰ ﻣﻌﺎﻭﻥ ﺍﺯ ﺧﻮﺩ ﺧﻮﺍﻧﺪ ﻭ ﻣﺠﻠﺲ ﻛﺎﺭﻛﻨﺎﻥ ﺭﺍﺩﻳﻮ ﺍﻭ ﺍﺯ ﺳﺮﺍﺳﺮ ﺟﻬﺎﻥ‪ ،‬ﺍﺯ ﺳﺎﺋﻮﭘﻮﻟﻮ ﺗﺎ ﺑﻪ ﺁﺛﺎﺭﺵ ﻧﻴﺰ ﺭﺍﻩ ﻳﺎﻓﺖ‪.‬‬
‫ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺩﺭ ﻧﻈﺎﻡ ﮔﺬﺷﺘﻪ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺳﺎﻋﺎﺕ ﺩﻟﭙﺬﻳﺮ ﻧﻴﻮﻳﻮﺭﻙ ﺍﺯ ﻣﻜﺰﻳﻜﻮ ﺗﺎ ﺍﺳﺘﻜﻬﻠﻢ‪ ،‬ﻧﺸﻨﺎﻝ ﮔﺎﻟﺮﻯ ﺗﺎ ﺩﻫﻢ ژﺍﻧﻮﻳﻪ ‪2016‬‬
‫ﭘﺸﺖ ﻣﻴﻜﺮﻭﻓﻦ ﻗﺮﺍﺭ ﮔﺮﻓﺖ ﻭ ﺑﺎ »ﺷﺐ ﺑﻌﺪﻯ ﺧﻮﺩ ﺭﺍ ﺑﺎ ﺍﺟﺮﺍﻯ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﮔﺮﺩﺁﻭﺭﻯ ﺷﺪﻩﺍﻧﺪ‪ .‬ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﺷﮕﺎﻩ ﻣﻴﺰﺑﺎﻥ ﭘﺮﺗﺮﻩﻫﺎﻯ ﻓﺮﺍﻧﺴﻴﺴﻜﻮ ﮔﻮﻳﺎ‬
‫ﺍﺳﺖ ﻭ ﺷﺎﻫﺪ ﻭ ﺷﻤﻊ ﻭ ﺷﻴﺮﻳﻨﻰ…« ﻣﻮﺳﻴﻘﻰ ﺗﺎ ﭘﺎﺳﻰ ﺍﺯ ﺷﺐ ﺍﺩﺍﻣﻪ ﺩﺍﺩ‪ .‬ﻫﻤﭽﻨﻴﻦ ﺁﺛﺎﺭﻯ ﻭﺟﻮﺩ ﺩﺍﺭﻧﺪ ﻛﻪ ﺧﻮﺍﻫﺪ ﺑﻮﺩ‪.‬‬

‫ﺳﺨﻦ ﺁﻏﺎﺯ ﻛﺮﺩ‪ .‬ﻭﻯ ﮔﻔﺖ‪ :‬ﺁﻧﭽﻪ ﺑﺎﻋﺚ‬

‫ﻭﺿﻌﻴﺖﭘﻴﺎﻡﻫﻨﺮﺍﻳﺮﺍﻧﻰ‪»:‬ﺯﻧﺪﻩﻣﺎﻧﻰ«ﺑﻪﺟﺎﻯ»ﺯﻧﺪﮔﺎﻧﻰ«‬ ‫ﺑﻪ ﻭﺟﻮﺩ ﺁﻣﺪﻥ ﻭ ﺑﻘﺎﻯ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﻠﻰ‬ ‫ﭘﺮﻭﻓﺴﻮﺭ ﻣﺎﺳﻴﻤﺎ ﻭﻳﺪﺍﻟﻪ ﻣﺤﻘﻖ‬ ‫ﻗﺪﻣﺖ‪ ،‬ﺗﻤﺪﻥ ﻭ ﺁﺛﺎﺭ ﺑﺎﺳﺘﺎﻧﻰ‬
‫ﺍﻳﺮﺍﻥ ﺷﺪ ﻋﺸﻖ ﺑﻪ ﻭﻃﻦ ﻭﻋﺸﻖ ﺑﻪ‬ ‫ﺩﺍﻧﺸﮕﺎﻩ ﭘﺎﺩﻭﺍ ﺍﻳﺘﺎﻟﻴﺎ ﻭ ﺩﻛﺘﺮ ﻓﺮﺍﻧﺴﻮﺍ‬ ‫ﺳﻴﺴﺘﺎﻥ ﻭ ﺑﻠﻮﭼﺴﺘﺎﻥ ﺑﻪ ﻫﻤﺖ‬
‫ﺩﻳﺴﺖ ﻣﺘﺨﺼﺺ ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﻰ ﺍﻳﺮﺍﻥ‬ ‫ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﺎﻥ ﺍﺭﻭﭘﺎﻳﻰ ﺑﻪ ﺟﻬﺎﻥ‬
‫ﺣﺮﻓﻪ ﺑﻮﺩ ﻛﻪ ﻫﻤﻪ ﻛﺎﺭﻛﻨﺎﻥ ﺗﻠﻮﻳﺰﻳﻮﻥ‬ ‫ﺩﺭ ﺣﻮﺯﻩ ﻧﮕﺎﺭﺵ ﻭ ﻣﺤﻘﻖ ﺩﺍﻧﺸﮕﺎﻩ‬
‫ﺳﻮﺭﺑﻦ ﻓﺮﺍﻧﺴﻪ ﻛﻪ ﺍﺯ ﺭﻭﺯ ﺷﻨﺒﻪ ﺑﻪ‬ ‫ﻣﻌﺮﻓﻰ ﻣﻰﺷﻮﺩ‪.‬‬
‫ﻧﻬﻔﺘﻪ ﺩﺭ ﺁﻥ ﻣﻰﺯﻧﻴﻢ‪.‬‬ ‫ﻛﺞ ﺳﻠﻴﻘﮕﻰﻫﺎ ﺩﺭ ﺍﻧﺘﻘﺎﻝ ﻣﻌﺎﻧﻰ‬ ‫ﻧﺨﺴﺘﻴﻦ ﺟﺸﻨﻮﺍﺭﻩ ﻣﺼﺮﻑ ﻛﺎﻻﻫﺎﻯ‬ ‫ﻣﻠﻰ ﺑﺎ ﺗﻼﺵ ﻭ ﺟﺪﻳﺖ ﻣﻬﻨﺪﺱ ﺭﺿﺎ‬ ‫ﻣﻨﻈﻮﺭ ﺑﺮﺭﺳﻰ ﺳﺎﻳﺖﻫﺎﻯ ﺗﺎﺭﻳﺨﻰ‬ ‫ﭘﺮﻭﻓﺴﻮﺭ ﻣﺎﺳﻴﻤﺎ ﻭﻳﺪﺍﻟﻪ ﭘﺲ ﺍﺯ‬
‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺧﺒﺮﮔﺰﺍﺭﻯ ﻣﻬﺮ‪ ،‬ﺩﺭ‬ ‫ﻧﻬﻔﺘﻪ ﺩﺭ ﻓﺮﻫﻨﮓ »ﺍﻳﺮﺍﻧﻰ‪ -‬ﺍﺳﻼﻣﻰ«‬ ‫ﻓﺮﻫﻨﮕﻰ ﺑﺎ ﺭﻭﻳﻜﺮﺩ ﺍﻟﮕﻮﻯ »ﺍﻳﺮﺍﻧﻰ‪-‬‬ ‫ﻗﻄﺒﻰ ﻣﺪﻳﺮﻋﺎﻣﻞ ﺁﻥ ﺳﺎﺯﻣﺎﻥ‪ ،‬ﺑﻪ ﺭﺷﺪ‬ ‫ﺟﻨﻮﺏ ﺳﻴﺴﺘﺎﻥ ﻭ ﺑﻠﻮﭼﺴﺘﺎﻥ ﺑﻪ ﺍﻳﻦ‬ ‫ﺑﺎﺯﺩﻳﺪ ﺍﺯ ﻣﻨﺎﻃﻖ ﺑﺎﺳﺘﺎﻧﻰ ﺍﻳﻦ ﺍﺳﺘﺎﻥ‬
‫ﻧﺨﺴﺘﻴﻦ ﺩﻭﺭﻩ ﺍﻳﻦ ﺭﻭﻳﺪﺍﺩ ﻓﺮﻫﻨﮕﻰ‬ ‫ﺍﺯ ﻃﺮﻳﻖ ﻛﺎﻻﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺑﻪ ﻭﻳﮋﻩ‬ ‫ﺍﺳﻼﻣﻰ« ﻭ ﺑﺎ ﻣﺤﻮﺭﻳﺖ ﻛﻮﺩﻛﺎﻥ ﻭ‬ ‫ﺍﺳﺘﺎﻥ ﺳﻔﺮ ﻛﺮﺩﻧﺪ‪ ،‬ﺑﻌﺪ ﺍﺯ ﺣﻀﻮﺭ ﺩﺭ‬ ‫ﮔﻔﺖ‪ ،‬ﺣﻀﻮﺭ ﺩﺭ ﺳﻴﺴﺘﺎﻥ ﻭ ﺑﻠﻮﭼﺴﺘﺎﻥ‬
‫ﺣﺪﻭﺩ ‪ 1800‬ﺍﺛﺮ ﺩﺭ ﺣﻮﺯﻩﻫﺎﻯ‬ ‫ﺩﺭ ﺣﻮﺯﻩ ﺻﻨﺎﻳﻊ ﺩﺳﺘﻰ ﺍﺷﺎﺭﻩ ﻛﺮﺩ ﻭ‬ ‫ﺧﺎﻧﻮﺍﺩﻩ‪ ،‬ﺑﺎ ﺣﻀﻮﺭ ﻣﻌﺎﻭﻧﺎﻥ ﻓﺮﻫﻨﮕﻰ‬ ‫ﻭ ﺗﻮﺳﻌﻪ ﺁﻥ ﺷﺘﺎﺏ ﺑﺨﺸﻴﺪﻧﺪ‪.‬‬ ‫ﻛﺎﺭﮔﺎﻩ ﺁﻣﻮﺯﺷﻰ ﻭﻳﮋﻩ ﻛﺎﺭﺷﻨﺎﺳﺎﻥ ﻭ‬ ‫ﺑﻪ ﺩﻟﻴﻞ ﻗﺪﻣﺖ ﺯﻳﺎﺩ ﻭ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻦ ﺁﻥ‬
‫ﻧﻮﺷﺖﺍﻓﺰﺍﺭ‪ ،‬ﺍﺳﺒﺎﺏ ﺑﺎﺯﻯ ﻭ ﻛﺘﺎﺏ ﺑﻪ‬ ‫ﮔﻔﺖ‪ :‬ﺑﻪ ﻋﻘﻴﺪﻩ ﻣﻦ ﺍﻳﻦ ﺷﻴﻮﻩ ﺍﻧﺘﻘﺎﻝ‬ ‫ﻭﺯﺍﺭﺗﺨﺎﻧﻪﻫﺎﻯ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰ‬ ‫ﺩﻛﺘﺮ ﺟﻬﺎﻧﺒﺎﻧﻰ ﺁﻧﮕﺎﻩ ﺑﻪ ﺳﻴﺮ ﺍﻳﺠﺎﺩ ﻭ‬ ‫ﺩﺍﻧﺸﺠﻮﻳﺎﻥ ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﻰ ﺯﺍﻫﺪﺍﻥ‬ ‫ﺩﺭ ﻣﻮﻗﻌﻴﺖ ﺧﺎﺹ ﺟﻐﺮﺍﻓﻴﺎﻳﻰ ﺭﻭﻳﺎﻯ‬
‫ﺩﺑﻴﺮﺧﺎﻧﻪ ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ ﺭﺳﻴﺪﻩ ﻛﻪ ﺩﺭ‬ ‫ﻣﻌﻨﺎ ﻫﻴﭻ ﺧﺎﺻﻴﺘﻰ ﻧﺪﺍﺭﺩ ﻭ ﻣﺎ ﺧﻮﺩﻣﺎﻥ‬ ‫ﻭ ﺁﻣﻮﺯﺵ ﻭ ﭘﺮﻭﺭﺵ ﻭ ﻫﻤﭽﻨﻴﻦ ﺭﺋﻴﺲ‬ ‫ﺗﻮﺳﻌﻪ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺑﻪ ﻋﻨﻮﺍﻥ‬ ‫ﺭﺍ ﺗﺮﻙ ﻣﻰﻛﻨﻨﺪ‪.‬ﺑﺨﺶ ﺑﻤﭙﻮﺭ ﺩﺭ ‪25‬‬
‫ﻧﻬﺎﻳﺖ ‪ 10‬ﺍﺛﺮ ﺑﺮﮔﺰﻳﺪﻩ ﺷﺪﻩ ﻭ ‪ 4‬ﺍﺛﺮ‬ ‫ﻫﻢ ﻣﺘﻮﺟﻪ ﻧﻴﺴﺘﻴﻢ ﻛﻪ ﺑﺎ ﺍﻳﻦ ﻛﺎﺭ ﭼﻪ‬ ‫ﺑﻨﻴﺎﺩ ﺍﺳﺒﺎﺏ ﺑﺎﺯﻯ ﺩﺭ ﺗﻬﺮﺍﻥ ﺑﺮﮔﺰﺍﺭ‬ ‫ﻳﻚ ﺭﺳﺎﻧﻪ ﻧﻮﺁﻭﺭ ﻭ ﺳﺮﺍﻧﺠﺎﻡ ﭘﻴﻮﺳﺘﻦ‬ ‫ﻛﻴﻠﻮﻣﺘﺮﻯ ﺍﻳﺮﺍﻧﺸﻬﺮ ﻭﺍﻗﻊ ﺷﺪﻩ ﻛﻪ‬ ‫ﻫﺮ ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﻰ ﺍﺳﺖ‪.‬‬
‫ﺻﺪﻣﻪﺍﻯ ﺑﻪ ﺧﻮﺩ ﺁﻥ ﭘﻴﺎﻡ ﻭ ﻣﻌﻨﺎﻯ‬ ‫ﺭﺍﺩﻳﻮ ﺑﻪ ﺁﻥ ﭘﺮﺩﺍﺧﺖ ﻭ ﮔﻔﺖ‪ :‬ﺗﻠﻮﻳﺰﻳﻮﻥ‬ ‫ﺩﺍﺭﺍﻯ ﺗﭙﻪﻫﺎﻯ ﺑﺎﺳﺘﺎﻧﻰ ﻫﺰﺍﺭﻩ ﺳﻮﻡ‬ ‫ﻭﻯ ﻛﻪ ﺍﺯ ﻃﺮﻑ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‪،‬‬
‫ﻫﻢ ﺷﺎﻳﺴﺘﻪ ﺗﻘﺪﻳﺮ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻧﺪ‪.‬‬ ‫ﺷﺪ‪.‬‬ ‫ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﻛﺎﺭ ﺧﻮﺩ ﺭﺍ ﺑﺎ ﻣﺤﺪﻭﺩﻳﺖ‬ ‫ﺻﻨﺎﻳﻊ ﺩﺳﺘﻰ ﻭ ﮔﺮﺩﺷﮕﺮﻯ ﺳﻴﺴﺘﺎﻥ‬
‫ﺳﻴﺪ ﻣﺤﻤﺪ ﺑﻬﺸﺘﻰ ﺭﺋﻴﺲ‬ ‫ﻧﻴﺮﻭﻯ ﻣﺘﺨﺼﺺ ﺍﻧﺴﺎﻧﻰ ﻭ ﺩﺭ ﻣﺠﻤﻮﻉ‬ ‫ﻗﺒﻞ ﺍﺯ ﻣﻴﻼﺩ ﻭ ﻗﻠﻌﻪ ﺑﻤﭙﻮﺭ ﺍﺳﺖ‪.‬‬ ‫ﻭ ﺑﻠﻮﭼﺴﺘﺎﻥ ﺑﺮﺍﻯ ﺑﺎﺯﺩﻳﺪ ﺍﺯ ﺗﭙﻪﻫﺎﻯ‬
‫ﭘﮋﻭﻫﺸﮕﺎﻩ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﺑﺎ ﺍﺷﺎﺭﻩ‬ ‫ﺑﺎ ﻋﺪﻩﺍﻯ ﻛﻪ ﺷﻤﺎﺭ ﺁﻧﻬﺎ ﺑﻪ ﺻﺪ ﻧﻔﺮ‬ ‫ﮔﻔﺘﻨﻰ ﺍﺳﺖ ﺍﺳﺘﺎﻥ ﺳﻴﺴﺘﺎﻥ ﻭ‬ ‫ﺑﻤﭙﻮﺭ ﻭ ﻣﻨﻄﻘﻪ ﭼﺎﻩ ﺣﺴﻴﻨﻰ ﻭﺍﻗﻊ‬
‫ﺑﻪ ﺍﻧﺘﻘﺎﻝ ﺍﻧﻮﺍﻉ ﭘﻴﺎﻡ ﺩﺭ ﻫﻨﺮﻫﺎﻯ ﺍﻳﺮﺍﻧﻰ‬ ‫ﻧﻤﻰﺭﺳﻴﺪ ﺷﺮﻭﻉ ﻛﺮﺩ‪ .‬ﮔﺮﺩﺁﻭﺭﻯ ﺫﻭﻕ ﻭ‬ ‫ﺑﻠﻮﭼﺴﺘﺎﻥ ﺑﺎ ﺣﺪﻭﺩ ‪180،726‬‬ ‫ﺩﺭ ﺟﻨﻮﺏ ﺍﻳﻦ ﺍﺳﺘﺎﻥ ﻛﻪ ﻧﻴﺎﺯ ﺑﻪ‬
‫ﺩﺭ ﺩﻭﺭﺍﻥ ﻧﻪ ﭼﻨﺪﺍﻥ ﺩﻭﺭ‪ ،‬ﮔﻔﺖ‪ :‬ﺍﻣﺮﻭﺯ‬ ‫ﺍﻧﺪﻳﺸﻪ ﺩﺭ ﻛﻨﺎﺭ ﺗﺨﺼﺺ ﻭ ﺣﺮﻓﻪ ﻳﻜﺠﺎ‬ ‫ﻛﻴﻠﻮﻣﺘﺮ ﻣﺮﺑﻊ ﻭﺳﻌﺖ‪ ،‬ﻛﻤﺎﺑﻴﺶ‬ ‫ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﻰ ﺩﺍﺭﺩ‪ ،‬ﺩﻋﻮﺕ ﺷﺪﻩ‬
‫ﺑﺎﻳﺪ ﺍﺯ ﻭﺍژﻩ ﺟﺪﻳﺪﻯ ﺑﻪ ﻧﺎﻡ »ﺯﻧﺪﻩﻣﺎﻧﻰ«‬ ‫ﻭ ﺑﻪ ﻛﻤﺎﻝ ﺍﮔﺮ ﻣﻴﺴﺮ ﺑﻮﺩ‪ ،‬ﺑﻰ ﺗﺮﺩﻳﺪ‬ ‫ﺍﻧﺪﺍﺯ ٴﻩ ﻛﺸﻮﺭ ﺳﻮﺭﻳﻪ ﺑﺰﺭﮔﻰ ﺩﺍﺭﺩ ﻭ‬ ‫ﺍﺳﺖ ﺍﻓﺰﻭﺩ‪ :‬ﭘﺲ ﺍﺯ ﺟﻤﻊﺑﻨﺪﻯ‬
‫ﺑﺮﺍﻯ ﺧﻮﺩﻣﺎﻥ ﺩﺭ ﻣﻘﺎﺑﻞ ﺯﻧﺪﮔﺎﻧﻰ ﺑﺮﺍﻯ‬ ‫ﺩﺷﻮﺍﺭﻯﻫﺎﺋﻰ ﺩﺍﺷﺖ ﻭ ﻓﺮﺻﺖ ﻭﻣﺠﺎﻟﻰ‬ ‫ﺑﻴﺶ ﺍﺯ ‪ 11‬ﺩﺭﺻﺪ ﻭﺳﻌﺖ ﺍﻳﺮﺍﻥ ﺭﺍ ﺩﺭ‬ ‫ﺍﻃﻼﻋﺎﺕ ﻛﺎﻭﺵﻫﺎﻯ ﺻﻮﺭﺕ ﮔﺮﻓﺘﻪ ﺩﺭ‬
‫ﺑﺮ ﻣﻰﮔﻴﺮﺩ‪ .‬ﺳﻴﺴﺘﺎﻥ ﺷﺎﻣﻞ ﺯﺍﺑﻞ ﻭ‬ ‫ﻣﻮﺭﺩ ﺁﺛﺎﺭ ﺑﺎﺳﺘﺎﻧﻰ ﻣﻨﻄﻘﻪ‪ ،‬ﺩﺭ ﺭﺍﺑﻄﻪ ﺑﺎ‬
‫ﮔﺬﺷﺘﮕﺎﻥ ﺍﺳﺘﻔﺎﺩﻩ ﻛﻨﻴﻢ‪.‬‬ ‫ﻣﻰﺧﻮﺍﺳﺖ‪.‬‬ ‫ﺷﻬﺮﻫﺎﻯ ﺍﻃﺮﺍﻓﺶ ﺍﺳﺖ ﻭ ﺑﻠﻮﭼﺴﺘﺎﻥ‬ ‫ﺗﻤﺪﻥ ﺑﺸﺮ ﻭ ﻗﺪﻣﺖ ﺁﻥ ﺑﻬﺘﺮ ﻣﻰﺗﻮﺍﻥ‬
‫ﻭﻯ ﺩﺭﻣﺮﺍﺳﻢ ﺍﺧﺘﺘﺎﻣﻴﻪ ﺍﻳﻦ‬ ‫ﻳﺎﺩ ﻛﺮﺩﻥ ﺍﺯ ﺗﻼﺵﻫﺎﻯ ﺻﻤﻴﻤﺎﻧﻪ ﻭ‬ ‫ﺩﺭﺑﺮﮔﻴﺮﻧﺪﻩ ﺑﻘﻴﻪ ﺷﻬﺮﻫﺎ ﺍﺯ ﺯﺍﻫﺪﺍﻥ‬ ‫ﺍﻇﻬﺎﺭ ﻧﻈﺮ ﻛﺮﺩ‪.‬ﺍﻳﻦ ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺱ‬
‫ﺟﺸﻨﻮﺍﺭﻩ‪ ،‬ﻛﺎﺭﻛﺮﺩ ﻛﺎﻻﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺩﺭ‬ ‫ﭘﻴﮕﻴﺮ ﺗﻤﺎﻡ ﻛﺴﺎﻧﻰ ﻛﻪ ﺍﺯ ﺭﻭﺯ ﺁﻏﺎﺯ‪ ،‬ﻫﻤﭙﺎ‬ ‫ﺗﺎ ﭼﺎﺑﻬﺎﺭ ﻣﻰﺑﺎﺷﺪ ﻭ ﻫﻤﺎﻧﻨﺪ ﻳﻚ‬ ‫ﺍﻳﺘﺎﻟﻴﺎﻳﻰ ﺩﺭ ﮔﻔﺖ ﻭ ﮔﻮ ﺑﺎ ﺍﻳﺮﻧﺎ ﮔﻔﺖ‪:‬‬
‫ﺯﻣﻴﻨﻪ ﺍﻧﺘﻘﺎﻝ ﭘﻴﺎﻡ ﻭ ﻣﻌﻨﺎ ﻭ ﺗﻔﺎﻭﺕ ﺁﻥ‬ ‫ﻭ ﻫﻤﺮﺍﻩ ﺍﻳﻦ ﺳﺎﺯﻣﺎﻥ‪ ،‬ﻛﺎﺭﻯ ﻛﺎﻣﻼ ﺗﺎﺯﻩ ﺭﺍ‬ ‫ﭼﻬﺎﺭﺭﺍﻩ ﻣﻬﻢ ﺍﺳﺖ ﻛﻪ ﻛﺸﻮﺭﻫﺎﻯ‬ ‫ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺁﺛﺎﺭ ﺑﻪ ﺩﺳﺖ ﺁﻣﺪﻩ ﺍﺯ‬
‫ﺑﺎ ﻣﻘﻄﻊ ﻓﻌﻠﻰ ﮔﻔﺖ‪ :‬ﺗﻘﺮﻳﺒﺎً ﻣﻰﺗﻮﺍﻧﻢ‬ ‫ﺑﺎ ﺷﻬﺎﻣﺖ ﻭ ﭘﺸﺘﻜﺎﺭ ﺩﻧﺒﺎﻝ ﻛﺮﺩﻧﺪ‪ ،‬ﺧﻮﺩ‬ ‫ﭘﺎﻛﺴﺘﺎﻥ‪ ،‬ﻫﻨﺪﻭﺳﺘﺎﻥ‪ ،‬ﺍﻓﻐﺎﻧﺴﺘﺎﻥ ﻭ‬ ‫ﺣﻔﺎﺭﻯﻫﺎﻯ ﺗﭙﻪ ﺑﺎﺳﺘﺎﻧﻰ ﺑﻤﭙﻮﺭ ﻭ ﭼﺎﻩ‬
‫ﺑﮕﻮﻳﻢ ﻛﻪ ﺩﺭ ﺩﻭﺭﻩ ﻛﻮﺩﻛﻰ ﻭ ﻧﻮﺟﻮﺍﻧﻰ‬ ‫ﻧﻴﺎﺯ ﺑﻪ ﮔﺸﺎﻳﺶ ﺑﺤﺜﻰ ﻃﻮﻻﻧﻰ ﻭ ﺟﺪﺍﮔﺎﻧﻪ‬ ‫ﺣﺴﻴﻨﻰ ﺍﻳﻦ ﻣﻨﺎﻃﻖ ﺍﺯ ﻧﻈﺮ ﻣﻴﺮﺍﺙ‬
‫ﻣﺎ ﻫﻴﭻ ﻛﺎﻻﻳﻰ ﻧﺒﻮﺩ ﻛﻪ ﺑﺎ ﺁﻥ ﺳﺮ ﻭ‬ ‫ﺩﺍﺭﺩ‪ .‬ﺑﺎ ﺍﻳﻦ ﺣﺎﻝ ﺍﻳﻦ ﺍﺷﺎﺭﻩ ﺿﺮﻭﺭﻯ‬ ‫ﻛﺸﻮﺭﻫﺎﻯ ﻋﺮﺑﻰ ﺑﻪ ﺁﻥ ﺭﺍﻩ ﺩﺍﺭﻧﺪ‪.‬‬
‫ﻛﺎﺭ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﻢ ﺍﻣﺎ ﺣﺎﻣﻞ ﻣﻌﻨﺎ ﻧﺒﺎﺷﺪ‪.‬‬ ‫ﺍﺳﺖ ﻛﻪ ﺩﺭ ﺩﻫﻤﻴﻦ ﺳﺎﻝ ﻋﻤﺮ ﺗﻠﻮﻳﺰﻳﻮﻥ‬ ‫ﻓﺮﻫﻨﮕﻰ ﺑﻰ ﻧﻈﻴﺮ ﺍﺳﺖ‪.‬‬
‫ﺑﻬﺸﺘﻰ ﻫﻤﭽﻨﻴﻦ ﺑﻪ ﺍﻧﺘﻘﺎﺩ ﺍﺯ ﺑﺮﺧﻰ‬ ‫ﻣﻠﻰ ﺍﻳﺮﺍﻥ‪ ،‬ﻣﺪﻳﺮ ﻋﺎﻣﻞ ﺳﺎﺯﻣﺎﻥ‪ ،‬ﺁﻗﺎﻯ‬