Page 4 - (کیهان لندن - سال سى و دوم ـ شماره ۵۶ (دوره جديد

‫ﺻﻔﺤﻪ ‪ - Page 4 - 4‬ﺷﻤﺎﺭﻩ ‪56‬‬
‫ﺟﻤﻌﻪ ‪ 3‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ‪ 9‬ﺍﺭﺩﻳﺒﻬﺸﺖﻣﺎﻩ ‪1395‬ﺧﻮﺭﺷﻴﺪﻯ‬

‫ﺁ ﻧﺘﻮ ﻧﻴﻮ ﺑﺎ ﻧﺪ ﺭ ﺍ ﺱ‬
‫ﺩﺭ ﮔﻔﺘﮕﻮ ﺑﺎ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪:‬‬

‫ﺧﻴﻠﻰﻫﺎ ﺣﺎﺿﺮ ﻧﻴﺴﺘﻨﺪ ﺑﻪ‬
‫ﺧﺎﻃﺮ ﻓﺸﺎﺭ ﻗﺪﺭﺕ ﻣﺬﻫﺒﻰ ﺍﺯ‬

‫ﻋﻘﺎﻳﺪﺷﺎﻥ ﭼﺸﻢ ﺑﭙﻮﺷﻨﺪ‬

‫ﺑﺴﻴﺎﺭ ﻣﺜﺒﺖ ﺑﻮﺩ‪ .‬ﮔﻠﺸﻴﻔﺘﻪ ﻣﻰﺗﻮﺍﻧﺪ‬ ‫ﻣﻰﻛﻨﻢ‪ ،‬ﻭﻟﻰ ﻓﻜﺮ ﻛﻨﻢ ﻛﻪ ﻓﻴﻠﻢ ﺁﻳﻨﺪﻩ‬ ‫ﺣﻘﻴﻘﺖ ﺑﻪ ﺍﻳﺪﻩﻫﺎ ﻭ ﻧﻈﺮﺍﺕ ﻛﺎﺭﮔﺮﺩﺍﻥ‬ ‫ﻣﻬﺮﺑﺎﻧﻰ ﻭ ﭘﺸﺘﻜﺎﺭ ﺍﻭ ﻭ ﻫﻤﭽﻨﻴﻦ ﻃﻨﺰﻯ‬ ‫ﻧﺎﺧﻮﺍﺳﺘﻪ ﻛﺸﻔﻰ ﻛﺮﺩ ﻛﻪ ﺩﺭ ﺁﻥ ﺯﻣﺎﻥ ﻧﻪ‬ ‫ﺍﺣﻤﺪ ﺭﺃﻓﺖ ‪ -‬ﺍﻳﻦ ﺭﻭﺯﻫﺎ ﻓﻴﻠﻢ‬
‫ﻫﺮ ﻧﻘﺸﻰ ﺭﺍ ﺍﻳﻔﺎ ﻛﻨﺪ ﻭ ﺍﻳﻦ ﺑﺮﺍﻯ ﻳﻚ‬ ‫ﻣﻦ ﺑﻪ ﻋﻨﻮﺍﻥ ﻛﺎﺭﮔﺮﺩﺍﻥ ﺩﺭ ﺭﺍﺑﻄﻪ ﺑﺎ‬ ‫ﺩﺭ ﻣﻮﺭﺩ ﺷﺨﺼﻴﺘﻰ ﺟﺎﻥ ﻣﻰﺑﺨﺸﺪ‪ .‬ﻣﻦ‬ ‫ﺑﻮﺩ ﻛﻪ ﺍﻭ ﺩﺭ ﭘﺎﺳﺨﮕﻮﺋﻰ ﺑﻪ ﺍﺗﻬﺎﻣﺎﺕ ﻭ‬ ‫ﺗﻨﻬﺎ ﺑﻪ ﺁﻥ ﺍﻋﺘﻨﺎﺋﻰ ﻧﺸﺪ ﺑﻠﻜﻪ ﺑﺎ ﻣﺨﺎﻟﻔﺖ‬ ‫»ﺁﻟﺘﺎﻣﻴﺮﺍ« ﺩﺭ ﺳﻴﻨﻤﺎﻫﺎﻯ ﺍﺳﭙﺎﻧﻴﺎ‬
‫ﻫﻨﺮﭘﻴﺸﻪ ﺑﺴﻴﺎﺭ ﻣﻬﻢ ﺍﺳﺖ‪ .‬ﻧﻘﺶ ﻳﻚ‬ ‫ﻣﺴﺎﻟﻪ ﻣﻬﺎﺟﺮﺕ ﺑﺎﺷﺪ‪ .‬ﻣﺎ ﺩﺭ ﺍﻳﻦ ﺭﻭﺯﻫﺎ‬ ‫ﺑﻴﺶ ﺍﺯ ﺍﻳﻔﺎﻯ ﻧﻘﺶ ﺑﻪ ﺁﻓﺮﻳﺪ ِﻥ ﻧﻘﺶ‬ ‫ﺍﻧﺘﻘﺎﺩﻫﺎ ﺍﺯ ﺁﻥ ﺍﺳﺘﻔﺎﺩﻩ ﻣﻰﻛﺮﺩ‪ .‬ﺗﺎﺭﻳﺦ‬ ‫ﺷﺪﻳﺪ ﻛﻠﻴﺴﺎﻯ ﻣﺴﺘﺒﺪ ﻭ ﺗﻚﺻﺪﺍ ﻣﻮﺍﺟﻪ‬ ‫ﺍﻛﺮﺍﻥ ﻣﻰﺷﻮﺩ‪ .‬ﻧﻘﺜﺶ ﺍﺻﻠﻰ ﺍﻳﻦ‬
‫ﺯﻥ ﺍﺳﭙﺎﻧﻴﺎﺋﻰ ﺑﺴﻴﺎﺭ ﻣﺬﻫﺒﻰ ﺩﺭ ﻗﺮﻥ‬ ‫ﻫﻤﻪ ﺩﺭﮔﻴﺮ ﻣﻬﺎﺟﺮﺕ ﻭ ﻛﻮچ ﭘﻨﺎﻫﺠﻮﻳﺎﻥ‬ ‫ﻋﻼﻗﻪ ﺩﺍﺭﻡ‪ .‬ﺩﻭﺳﺖ ﺩﺍﺭﻡ ﺷﺨﺼﻴﺘﻰ ﺭﺍ‬ ‫ﻭﺍﻗﻌﺎ ﺑﺎ ﻣﺎﺭﺳﻠﻴﻨﻮ ﺑﺪﺭﻓﺘﺎﺭﻯ ﻛﺮﺩ ﻭ ﺩﺭ‬ ‫ﺷﺪ ﻛﻪ ﺑﻪ ﻧﻮﻋﻰ ﺍﻭ ﺭﺍ ﺑﻪ ﺍﺭﺗﺪﺍﺩ ﻣﺘﻬﻢ‬ ‫ﻓﻴﻠﻢ ﺑﻪ ﻋﻬﺪﻩ ﺁﻧﺘﻮﻧﻴﻮ ﺑﺎﻧﺪﺭﺍﺱ ﺍﺳﺖ‪.‬‬
‫ﻧﻮﺯﺩﻫﻢ ﺭﺍ ﺑﻪ ﻧﺤﻮ ﺍﺣﺴﻨﺖ ﺍﻳﻔﺎ ﻛﺮﺩ‪،‬‬ ‫ﺳﻮﺭﻯ ﻫﺴﺘﻴﻢ‪ .‬ﺍﺭﻭﭘﺎ ﻧﺘﻮﺍﻧﺴﺖ ﺑﻪ ﺍﻳﻦ‬ ‫ﻃﺮﺍﺣﻰ ﻛﻨﻢ‪ ،‬ﻛﻪ ﺑﻴﺎﻧﮕﺮ ﺩﻳﺪﮔﺎﻩﻫﺎ ﻭ‬ ‫ﺯﻣﺎﻥ ﺣﻴﺎﺗﺶ ﺧﻴﻠﻰﻫﺎ ﺑﻪ ﺍﻭ ﺟﻔﺎ ﻛﺮﺩﻧﺪ‪.‬‬ ‫ﻛﺮﺩﻧﺪ‪ .‬ﻣﺘﺎﺳﻔﺎﻧﻪ ﺟﻬﺎﻥ ﻋﻠﻢ ﻧﻴﺰ ﺩﺭ ﺁﻥ‬ ‫ﺑﺎﻧﺪﺭﺍﺱ ﻛﻪ ﺩﺭ ﺳﺎﻝﻫﺎﻯ ﺍﺧﻴﺮ ﻳﻜﻰ‬
‫ﺍﮔﺮﭼﻪ ﺍﺯ ﻫﺮ ﮔﻮﺷﻪﺍﻯ ﺑﻪ ﺍﻳﻦ ﻧﻘﺶ‬ ‫ﻣﺸﻜﻞ ﭘﺎﺳﺨﻰ ﻗﺎﺑﻞ ﻗﺒﻮﻝ ﺑﺪﻫﺪ‪ .‬ﮔﻮﺋﻰ‬ ‫ﺳﺎﻝﻫﺎ ﺗﻚﺻﺪﺍ ﺑﻮﺩ ﻭ ﺑﻪ ﺁﺳﺎﻧﻰ ﺁﻧﭽﻪ ﺭﺍ‬ ‫ﺍﺯ ﻣﺤﺒﻮﺏﺗﺮﻳﻦ ﭼﻬﺮﻩﻫﺎﻯ ﺳﻴﻨﻤﺎﺋﻰ‬
‫ﻧﮕﺎﻩ ﻛﻨﻴﻢ ﺑﺎ ﺯﻧﺪﮔﻰ ﻭ ﺗﺠﺮﺑﻪ ﺷﺨﺼﻰ‬ ‫ﻫﺪﻑ‪ ،‬ﻧﺪﻳﺪﻥ ﺍﺑﻌﺎﺩ ﺍﻳﻦ ﻓﺎﺟﻌﻪ ﺍﺳﺖ‪.‬‬ ‫ﻧﻈﺮﺍﺕ ﻣﻦ ﺑﺎﺷﺪ‪.‬‬ ‫‪‬ﺷﻤﺎ ﻫﻤﻴﺸﻪ ﻣﻰﮔﻮﺋﻴﺪ ﻛﻪ ﺑﻴﺶ‬ ‫ﻛﻪ ﺩﺭ ﮔﺬﺷﺘﻪ ﺑﻪ ﺍﺛﺒﺎﺕ ﺭﺳﻴﺪﻩ ﺑﻮﺩ ﺯﻳﺮ‬ ‫ﺟﻬﺎﻧﻰ ﺑﻮﺩﻩ ﺍﺳﺖ‪ ،‬ﺩﺭ ﺍﻳﻦ ﻓﻴﻠﻢ‬
‫ﻛﺎﻓﻴﺴﺖ ﻣﺎ ﺗﻠﻮﻳﺰﻳﻮﻥ ﺭﺍ ﺭﻭﺷﻦ ﻛﻨﻴﻢ‬ ‫‪‬ﻣﺪﺕﻫﺎ ﺍﺯ ﺁﺧﺮﻳﻦ ﻓﻴﻠﻤﻰ ﻛﻪ‬ ‫ﺍﺯ ﺁﻧﻜﻪ ﺑﻪ ﻋﻨﻮﺍﻥ ﻫﻨﺮﭘﻴﺸﻪ ﺩﺭ ﻣﻘﺎﺑﻞ‬ ‫ﺳﻮﺍﻝ ﻧﻤﻰﺑﺮﺩ‪ .‬ﺁﻧﭽﻪ ﺩﺭ ﺷﺨﺼﻴﺖ ﺍﻳﻦ‬ ‫ﺷﺨﺼﻴﺖ ﻣﺎﺭﺳﻠﻴﻨﻮ ﺳﺎﻧﺰ ﺩﻭﺳﻮﺗﻮﺍﻭﻻ‪،‬‬
‫ﺍﻭ ﻛﺎﻣﻼ ﺗﻔﺎﻭﺕ ﺩﺍﺭﺩ‪.‬‬ ‫ﻭ ﺑﺮﻧﺎﻣﻪ ﺍﺧﺒﺎﺭ ﺭﺍ ﺑﺒﻴﻨﻴﻢ‪ ،‬ﺷﺒﺎﻫﺖ ﺑﻪ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﻛﺮﺩﻳﺪ ﮔﺬﺷﺘﻪ ﺍﺳﺖ‪ .‬ﺁﻳﺎ‬ ‫ﺩﻭﺭﺑﻴﻦ ﻗﺮﺍﺭ ﺑﮕﻴﺮﻳﺪ ﻋﻼﻗﻪ ﺩﺍﺭﻳﺪ‬ ‫ﻣﺮﺩ ﻣﺮﺍ ﺗﺤﺖ ﺗﺎﺛﻴﺮ ﻗﺮﺍﺭ ﺩﺍﺩ ﺍﻋﺘﻘﺎﺩ ﺍﻭ ﺑﻪ‬ ‫ﻛﺎﺷﻒ ﻏﺎﺭ ﺁﻟﺘﺎﻣﻴﺮﺍ ﺩﺭ ﺷﻤﺎﻝ ﺍﺳﭙﺎﻧﻴﺎ‬
‫ﻓﻴﻠﻢﻫﺎﻯ ﺑﺴﻴﺎﺭ ﺗﺮﺍژﻳﻚ ﺩﺍﺭﺩ‪ .‬ﺣﻀﻮﺭ‬ ‫ﺩﺍﺳﺘﺎﻧﻰ ﺭﺍ ﺑﺮﺍﻯ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﺩﺭ ﺩﺳﺖ‬ ‫ﭘﺸﺖ ﺩﻭﺭﺑﻴﻦ ﺑﻪ ﻋﻨﻮﺍﻥ ﻛﺎﺭﮔﺮﺩﺍﻥ‬ ‫ﺩﺍﻧﺶ ﺑﻮﺩ ﻭ ﺣﺎﺿﺮ ﻧﺸﺪ ﺯﻳﺮ ﻓﺸﺎﺭ ﻋﻠﻮﻡ‬ ‫ﺭﺍ ﺍﻳﻔﺎ ﻣﻰﻛﻨﺪ‪ .‬ﻧﻘﺶ ﻛﻮﻧﭽﻴﺘﺎ‪ ،‬ﻫﻤﺴﺮ‬
‫‪‬ﻭ ﻓﻴﻠﻢ ﺑﻌﺪﻯﺗﺎﻥ ﺑﻪ ﻋﻨﻮﺍﻥ‬ ‫ﻫﺰﺍﺭﺍﻥ ﻛﻮﺩﻙ ﺩﺭ ﺑﻴﻦ ﭘﻨﺎﻫﺠﻮﻳﺎﻥ ﻳﻚ‬ ‫ﺭﺳﻤﻰ ﻭ ﻛﻠﻴﺴﺎﻯ ﻣﺴﺘﺒﺪ ﺳﺮﺵ ﺭﺍ ﺧﻢ‬ ‫ﻣﺎﺭﺳﻠﻴﻨﻮ ﺭﺍ ﺑﻪ ﻋﻬﺪﻩ ﮔﻠﺸﻴﻔﺘﻪ‬
‫ﺑﺎﺯﻳﮕﺮ‪...‬؟‬ ‫ﺗﻬﻴﻪ ﺩﺍﺭﻳﺪ؟‬ ‫ﺑﺎﻳﺴﺘﻴﺪ‪،‬ﭼﺮﺍ؟‬ ‫ﻛﻨﺪ‪ .‬ﻓﻜﺮ ﻛﻨﻢ ﻛﻪ ﺷﻤﺎ ﺍﻳﺮﺍﻧﻰﻫﺎ ﺑﺎ ﺍﻳﻦ‬ ‫ﻓﺮﺍﻫﺎﻧﻰ ﮔﺬﺍﺷﺘﻪﺍﻧﺪ‪ .‬ﺍﻳﻦ ﻓﻴﻠﻢ ﺍﮔﺮﭼﻪ‬
‫ﺗﺮﺍژﺩﻯ ﺟﻬﺎﻧﻰ ﺍﺳﺖ‪.‬‬ ‫‪ -‬ﻫﻤﺰﻣﺎﻥ ﺩﺍﺭﻡ ﺭﻭﻯ ﭼﻨﺪ ﺩﺍﺳﺘﺎﻥ ﻛﺎﺭ‬ ‫‪ -‬ﻫﻨﺮﭘﻴﺸﻪ ﻧﻘﺸﻰ ﺭﺍ ﺍﺟﺮﺍ ﻣﻰﻛﻨﺪ ﻛﻪ‬ ‫ﻣﺴﺎﻟﻪ ﻫﻨﻮﺯ ﺩﺭﮔﻴﺮ ﻫﺴﺘﻴﺪ ﻭ ﺑﺴﻴﺎﺭﻯ‬ ‫ﺩﺍﺳﺘﺎﻧﻰ ﻛﺎﻣﻼ ﺍﺳﭙﺎﻧﻴﺎﺋﻰ ﺍﺳﺖ‪ ،‬ﻭﻟﻰ‬
‫‪ -‬ﻧﻘﺎﺵ ﻣﻌﺮﻭﻑ ﺍﺳﭙﺎﻧﻴﺎﺋﻰ‪ ،‬ﭘﺎﺑﻠﻮ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻥ ﺁﻥ ﺭﺍ ﻃﺮﺍﺣﻰ ﻛﺮﺩﻩ ﺍﺳﺖ‪ .‬ﺩﺭ‬ ‫ﺍﺯ ﺷﻤﺎ‪ ،‬ﻣﺜﻞ ﮔﻠﺸﻴﻔﺘﻪ‪ ،‬ﻫﻤﻜﺎﺭ ﻧﺎﺯﻧﻴﻦ‬ ‫ﺑﻪ ﺯﺑﺎﻥ ﺍﻧﮕﻠﻴﺴﻰ ﻭ ﺑﺎ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﻫﻴﻮ‬
‫ﭘﻴﻜﺎﺳﻮ ﺩﺭ ﻓﻴﻠﻤﻰ ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ‬ ‫‪‬ﻣﻤﻜﻦ ﺍﺳﺖ ﺧﻼﺻﻪ ﺩﺍﺳﺘﺎﻧﻰ‬ ‫ﻣﻦ ﺩﺭ ﺍﻳﻦ ﻓﻴﻠﻢ‪ ،‬ﺣﺎﺿﺮ ﻧﻴﺴﺘﻴﺪ ﺍﺯ ﺁﻧﭽﻪ‬ ‫ﻫﺎﺩﺳﻦ ﺗﻬﻴﻪ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻫﺎﺩﺳﻦ‬
‫ﺭﺍ ﻛﻪ ﺩﺭ ﺣﺎﻝ ﺗﻬﻴﻪﻯ ﺁﻥ ﻫﺴﺘﻴﺪ‬ ‫ﺑﺪﺍﻥ ﺍﻋﺘﻘﺎﺩ ﺩﺍﺭﻳﺪ ﺑﻪ ﺧﺎﻃﺮ ﻓﺸﺎﺭ ﻗﺪﺭﺕ‬ ‫ﻛﻪ ﺑﺮﻳﺘﺎﻧﻴﺎﻳﻰ ﺍﺳﺖ ﺩﺭ ﻛﺎﺭﻧﺎﻣﻪ ﺧﻮﺩ‬
‫ﻛﺎﺭﻟﻮﺱ ﺳﺎﺋﻮﺭﺍ‪.‬‬ ‫ﻣﺬﻫﺒﻰ ﭼﺸﻢﭘﻮﺷﻰ ﻛﻨﻴﺪ‪ .‬ﺑﺎﻳﺪ ﺍﺿﺎﻓﻪ‬ ‫ﻓﻴﻠﻢﻫﺎﺋﻰ ﭼﻮﻥ »ﺍﺭﺍﺑﻪﻫﺎﻯ ﺁﺗﺶ«‪،‬‬
‫ﺗﻮﺿﻴﺢ ﺩﻫﻴﺪ؟‬ ‫ﻛﻨﻢ ﻛﻪ ﺑﺎ ﻭﺟﻮﺩ ﺍﻳﻨﻜﻪ ﻏﺎﺭ ﺁﻟﺘﺎﻣﻴﺮﺍ ﺍﻣﺮﻭﺯ‬ ‫»ﺍﻧﻘﻼﺏ« ﻭ »ﮔﺮﻳﺴﺘﻮگ‪ ،‬ﺍﻓﺴﺎﻧﻪ‬
‫‪ -‬ﺁﻗﺎﻯ ﺑﺎﻧﺪﺭﺍﺱ‪ ،‬ﺷﻤﺎ ‪ 25‬ﺳﺎﻝ‬ ‫‪ -‬ﺩﺍﺳﺘﺎﻥ ﻳﻚ ﺯﻥ ﻣﺮﺍﻛﺸﻰ ﻭ ﭘﺴﺮ ‪7‬‬ ‫ﺍﺯ ﺳﻮﻯ ﻳﻮﻧﺴﻜﻮ ﺑﻪ ﻋﻨﻮﺍﻥ ﻣﻴﺮﺍﺙ ﺟﻬﺎﻧﻰ‬
‫ﺍﺳﺖ ﻛﻪ ﺩﺭ ﻟﺲ ﺁﻧﺠﻠﺲ ﺯﻧﺪﮔﻰ‬ ‫ﺳﺎﻟﻪﺍﺵ ﺍﺳﺖ ﻛﻪ ﺑﺎ ﻗﺎﻳﻘﻰ ﺍﺯ ﻛﺸﻮﺭﺷﺎﻥ‬ ‫ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩ ﺍﻣﺎ ﺩﺭ ﻫﻤﻴﻦ ﺍﺳﭙﺎﻧﻴﺎ ﻫﻢ‬ ‫ﺗﺎﺭﺯﺍﻥ‪ ،‬ﺍﺭﺑﺎﺏ ﮔﻮﺭﻳﻞﻫﺎ« ﺭﺍ ﺩﺍﺭﺩ‪.‬‬
‫ﻣﻰﻛﻨﻴﺪ ﻭ ﺗﻘﺮﻳﺒﺎ ﻣﻰﺗﻮﺍﻥ ﮔﻔﺖ‬ ‫ﺭﺍﻫﻰ ﺍﺳﭙﺎﻧﻴﺎ ﻫﺴﺘﻨﺪ‪ .‬ﺩﺭ ﺟﺮﻳﺎﻥ ﺳﻔﺮ‪،‬‬ ‫ﺍﮔﺮ ﺍﺯ ﻣﺮﺩﻡ ﺑﭙﺮﺳﻴﺪ ﻣﺎﺭﺳﻠﻴﻨﻮ ﺳﺎﻧﺰ‬ ‫ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺑﺎ ﺁﻧﺘﻮﻧﻴﻮ ﺑﺎﻧﺪﺭﺍﺱ‬
‫ﺁﻣﺮﻳﻜﺎﺋﻰ ﻫﺴﺘﻴﺪ‪ .‬ﻧﻈﺮﺗﺎﻥ ﺩﺭ‬ ‫ﻣﺎﺩﺭ ﺍﻳﻦ ﭘﺴﺮﺑﭽﻪ ﺟﺎﻥ ﺧﻮﺩ ﺭﺍ ﺍﺯ ﺩﺳﺖ‬ ‫ﺩﻭﺳﻮﺗﻮﺍﻭﻻ ﻛﻰ ﺑﻮﺩ‪ ،‬ﭘﺎﺳﺦ ﺧﻮﺍﻫﻨﺪ ﺩﺍﺩ‬ ‫ﺩﻗﺎﻳﻘﻰ ﻗﺒﻞ ﺍﺯ ﺍﻳﻨﻜﻪ ﺑﺮﺍﻯ ﺳﻔﺮ ﺑﻪ‬
‫ﻣﻮﺭﺩ ﺍﻧﺘﺨﺎﺑﺎﺕ ﺁﻳﻨﺪﻩ ﺭﻳﺎﺳﺖ‬ ‫ﻣﻰﺩﻫﺪ ﻭ ﺍﻭ ﻳﺘﻴﻢ ﻗﺪﻡ ﺑﻪ ﺧﺎﻙ ﺍﺳﭙﺎﻧﻴﺎ‬ ‫ﻛﻪ ﺍﻭ ﺭﺍ ﻧﻤﻰﺷﻨﺎﺳﻨﺪ‪ .‬ﻳﻜﻰ ﺍﺯ ﺍﻫﺪﺍﻑ ﻭ‬ ‫ﻛﭙﻨﻬﺎگ ﺩﺭ ﻓﺮﻭﺩﮔﺎﻩ ﻣﺎﺩﺭﻳﺪ ﺳﻮﺍﺭ‬
‫ﺟﻤﻬﻮﺭﻯ ﺩﺭ ﺍﻳﻦ ﻛﺸﻮﺭ ﭼﻴﺴﺖ؟‬ ‫ﻣﻰﮔﺬﺍﺭﺩ‪ .‬ﺟﺎﺋﻰ ﻛﻪ ﺍﻳﻦ ﻣﻬﺎﺟﺮﺍﻥ ﺑﻪ‬ ‫ﺍﻧﮕﻴﺰﻩﻫﺎﻯ ﺍﻳﻦ ﻓﻴﻠﻢ ﺷﻨﺎﺳﺎﻧﺪﻥ ﻣﺮﺩﻯ‬ ‫ﻫﻮﺍﭘﻴﻤﺎ ﺷﻮﺩ‪ ،‬ﮔﻔﺘﮕﻮﻯ ﺗﻠﻔﻨﻰ ﻛﻮﺗﺎﻫﻰ‬
‫‪-‬ﺑﺴﻴﺎﺭﻯ ﻧﻤﻰﺩﺍﻧﻨﺪ ﻭﻟﻰ ﺑﻪ ﺷﻤﺎ‬ ‫ﺧﺸﻜﻰ ﻣﻰﺭﺳﻨﺪ ﻣﻘﺎﺑﻞ ﻭﻳﻼﻯ ﻳﻚ‬ ‫ﺍﺳﺖ ﻛﻪ ﻳﻜﻰ ﺍﺯ ﻣﻬﻢﺗﺮﻳﻦ ﻣﻴﺮﺍﺙ ﭘﻴﺶ‬
‫ﻣﻰﮔﻮﻳﻢ ﻛﻪ ﺩﻳﺪﺍﺭ ﺑﺎﺭﺍﻙ ﺍﻭﺑﺎﻣﺎ‬ ‫ﺯﻥ ﺁﻣﺮﻳﻜﺎﺋﻰ ﺍﺳﺖ ﻛﻪ ﺗﻨﻬﺎ ﺯﻧﺪﮔﻰ‬ ‫ﺍﺯ ﺗﺎﺭﻳﺦ ﺭﺍ ﻛﻪ ﻧﺰﺩﻳﻚ ﺑﻪ ‪ 16‬ﻫﺰﺍﺭ ﺳﺎﻝ‬ ‫ﺍﻧﺠﺎﻡ ﺩﺍﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺑﺎ ﺳﻴﻨﻤﺎﮔﺮﺍﻥ ﻭ ﻫﻨﺮﭘﻴﺸﻪﻫﺎﻯ‬ ‫ﻣﻰﻛﻨﺪ‪ .‬ﺍﻳﻦ ﺯﻥ ﻭ ﺍﻳﻦ ﭘﺴﺮﺑﭽﻪ ﻫﻴﺞ‬ ‫ﻣﺎﺟﺮﺍ ﺍﺯ ﺍﻳﻦ ﻗﺮﺍﺭ ﺍﺳﺖ ﻛﻪ ﻏﺎﺭ‬
‫ﺍﺳﭙﺎﻧﻴﺎﺋﻰﺯﺑﺎﻥ ﻗﺒﻞ ﺍﺯ ﺍﻧﺘﺨﺎﺑﺎﺕ‬ ‫ﻭﺟﻪ ﻣﺸﺘﺮﻛﻰ ﻧﺪﺍﺭﻧﺪ‪ ،‬ﻭﻟﻰ ﺷﺪﻳﺪﺍ ﺑﻪ‬ ‫ﻗﺪﻣﺖ ﺩﺍﺭﺩ ﻛﺸﻒ ﻛﺮﺩ‪.‬‬ ‫ﺁﻟﺘﺎﻣﻴﺮﺍ‪ ،‬ﺩﺭ ‪ 30‬ﻛﻴﻠﻮﻣﺘﺮﻯ ﺳﺎﻧﺖ ﺁﻧﺪﺭ‬
‫ﺩﻭﺭﻩﻯ ﭘﻴﺶ ﺩﺭ ﺧﺎﻧﻪ ﻣﻦ ﺩﺭ ﻟﺲ‬ ‫ﻳﻜﺪﻳﮕﺮ ﺩﺭ ﺁﻥ ﺑﺮﻫﻪ ﺍﺯ ﺯﻣﺎﻥ ﻣﺤﺘﺎﺟﻨﺪ‪.‬‬ ‫‪‬ﺍﻳﻔﺎﻯ ﻧﻘﺶ ﺷﺨﺼﻴﺖﻫﺎﻯ‬ ‫ﺩﺭ ﺷﻤﺎﻝ ﺍﺳﭙﺎﻧﻴﺎ‪ ،‬ﺩﺭ ﺳﺎﻝ ‪1880‬‬
‫ﺍﮔﺮ ﺑﻴﺸﺘﺮ ﺑﮕﻮﻳﻢ ﺩﻳﮕﺮ ﻛﺴﻰ ﺑﻪ ﺩﻳﺪﻥ‬ ‫ﺗﻮﺳﻂ ﻳﻜﻰ ﺍﺯ ﺯﻣﻴﻨﺪﺍﺭﺍﻥ ﻣﻨﻄﻘﻪ‬
‫ﺁﻧﺠﻠﺲ ﺻﻮﺭﺕ ﮔﺮﻓﺖ‪.‬‬ ‫ﻓﻴﻠﻢ ﻧﺨﻮﺍﻫﺪ ﺭﻓﺖ‪ .‬ﺩﺍﺳﺘﺎﻥ ﺩﻭ ﺯﻧﺪﮔﻰ‬ ‫ﻭﺍﻗﻌﻰ ﻭ ﺗﺎﺭﻳﺨﻰ ﺑﺎﻳﺪ ﺳﺨﺖﺗﺮ ﺍﺯ‬ ‫ﺑﻪ ﻧﺎﻡ ﻣﺎﺭﺳﻠﻴﻨﻮ ﺳﺎﻧﺰ ﺩﻭﺳﻮﺗﻮﺍﻭﻻ‬
‫ﻛﺎﻣﻼ ﻣﺘﻔﺎﻭﺕ ﻛﻪ ﺳﺎﻝﻫﺎﻯ ﻧﻮﺭﻯ ﺍﺯ ﻫﻢ‬ ‫ﻛﻪ ﺑﻪ ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﻰ ﻋﻼﻗﻪ ﺩﺍﺷﺖ‬
‫‪‬ﻳﻌﻨﻰ ﻃﺮﻓﺪﺍﺭ ﺣﺰﺏ ﺩﻣﻜﺮﺍﺕ‬ ‫ﻓﺎﺻﻠﻪ ﺩﺍﺭﻧﺪ ﻭﻟﻰ ﺩﺭ ﻧﻘﻄﻪﺍﻯ ﺑﻪ ﻫﻢ ﮔﺮﻩ‬ ‫ﻧﻘﺶﺁﻓﺮﻳﻨﻰ ﺷﺨﺼﻴﺖﻫﺎﻯ ﺗﺨﻴﻠﻰ‬ ‫ﻛﺸﻒ ﺷﺪ‪ .‬ﺍﻟﺒﺘﻪ ﺩﺭ ﺯﻣﺎﻥ ﺣﻴﺎﺕ ﺍﻳﻦ‬
‫ﻫﺴﺘﻴﺪ؟ ﻧﻈﺮﺗﺎﻥ ﺩﺭ ﻣﻮﺭﺩ ﺩﻭﻧﺎﻟﺪ‬ ‫ﺷﺨﺺ ﻧﻪ ﺗﻨﻬﺎ ﺑﺮﺍﻯ ﻛﺸﻒ ﺍﻳﻦ ﻏﺎﺭ‬
‫ﺗﺮﺍﻣﭗ ﻭ ﺍﻇﻬﺎﺭﺍﺕ ﺍﻭ ﻋﻠﻴﻪ‬ ‫ﻣﻰﺧﻮﺭﻧﺪ‪.‬‬ ‫ﺑﺎﺷﺪ‪ ،‬ﺍﻳﻦ ﻃﻮﺭ ﻧﻴﺴﺖ؟‬ ‫ﻭ ﻧﻘﺎﺷﻰﻫﺎﻯ ﺁﻥ ﻛﻪ ﺑﻪ ﺩﻭﺭﺍﻥ ﻗﺒﻞ‬
‫ﺧﺎﺭﺟﻰﻫﺎﻯﺳﺎﻛﻦﺁﻣﺮﻳﻜﺎﭼﻴﺴﺖ؟‬ ‫ﺍﺯ ﺗﺎﺭﻳﺦ ﺑﺎﺯ ﻣﻰﮔﺮﺩﺩ ﺍﺭﺯﺷﻰ ﻗﺎﺋﻞ‬
‫‪ -‬ﻫﺮ ﻣﻮﻓﻘﻴﺖ ﻳﻚ ﺧﺎﺭﺟﻰ ﺩﺭ‬ ‫‪‬ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺗﻌﺮﻳﻔﻰ ﻛﻪ ﻗﺒﻼ ﺍﺯ‬ ‫‪-‬ﺑﺪﻭﻥ ﺷﻚ ﺩﺭ ﺷﺨﺼﻴﺖﻫﺎﻯ‬ ‫ﻧﺸﺪﻧﺪ ﺑﻠﻜﻪ ﺍﻭﺭﺍ ﺑﻪ ﺭﻳﺎﻛﺎﺭﻯ‪ ،‬ﺗﻘﻠﺐ‬
‫ﺁﻣﺮﻳﻜﺎ ﭘﺎﺳﺨﻰ ﺑﻪ ﭼﺮﻧﺪﻳﺎﺗﻰ ﺍﺳﺖ ﻛﻪ‬ ‫ﮔﻠﺸﻴﻔﺘﻪ ﻓﺮﺍﻫﺎﻧﻰ ﻛﺮﺩﻳﺪ‪ ،‬ﺁﻳﺎ ﻓﻜﺮ‬ ‫ﺗﺨﻴﻠﻰ ﭼﻪ ﻧﻮﻳﺴﻨﺪﻩ ﻓﻴﻠﻤﻨﺎﻣﻪ‪ ،‬ﭼﻪ‬ ‫ﻭ ﺩﺭﻭﻍ ﻣﺘﻬﻢ ﻛﺮﺩﻧﺪ‪ .‬ﺍﺯ ﺑﺎﻧﺪﺭﺍﺱ‬
‫ﺩﻭﻧﺎﻟﺪ ﺗﺮﺍﻣﭗ ﻣﻰﮔﻮﻳﺪ‪ .‬ﺍﻟﺒﺘﻪ ﻣﺴﺎﻟﻪ‬ ‫ﻣﻰﻛﻨﻴﺪ ﺍﺯ ﺍﻭ ﺩﺭ ﺍﻳﻦ ﻓﻴﻠﻢ ﺍﺳﺘﻔﺎﺩﻩ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻥ ﻭ ﻫﻨﺮﭘﻴﺸﻪ ﺩﺳﺖ ﺑﺎﺯﺗﺮﻯ‬ ‫ﻣﻰﭘﺮﺳﻢ‪ :‬ﻣﺎﺭﺳﻠﻴﻨﻮﻳﻰ ﻛﻪ ﺷﻤﺎ ﻧﻘﺶ‬
‫ﺩﻭﻧﺎﻟﺪ ﺗﺮﺍﻣﭗ ﻧﻴﺴﺖ‪ ،‬ﺁﻧﭽﻪ ﺑﺎﻳﺪ ﺩﺭ‬ ‫ﺑﺮﺍﻯ ﻧﻘﺶﺁﻓﺮﻳﻨﻰ ﺩﺍﺭﻧﺪ‪ .‬ﺩﺭ ﺍﻳﻔﺎﻯ‬ ‫ﻭﻯ ﺭﺍ ﺍﻳﻔﺎ ﻣﻰﻛﻨﻴﺪ ﭼﮕﻮﻧﻪ ﺷﺨﺼﻴﺘﻰ‬
‫ﻣﻮﺭﺩ ﺁﻥ ﻓﻜﺮ ﻭ ﺗﺄﻣﻞ ﻛﺮﺩ ﺣﻤﺎﻳﺖ‬ ‫ﺧﻮﺍﻫﻴﺪ ﻛﺮﺩ؟‬ ‫ﻧﻘﺶ ﺷﺨﺼﻴﺖﻫﺎﻯ ﺣﻘﻴﻘﻰ ﺑﺎﻳﺪ ﺗﻨﻬﺎ‬
‫ﺁﻣﺮﻳﻜﺎﺋﻰﻫﺎ ﺍﺯ ﺗﺮﺍﻣﭗ ﺍﺳﺖ‪ .‬ﺑﺎﻳﺪ ﺩﻳﺪ‬ ‫‪ -‬ﭼﺮﺍ ﻛﻪ ﻧﻪ‪ .‬ﮔﻠﺸﻴﻔﺘﻪ ﻧﻪ ﺗﻨﻬﺎ‬ ‫ﺑﺨﺶﻫﺎﺋﻰ ﺍﺯ ﺁﻥ ﺷﺨﺼﻴﺖ ﺭﺍ ﺍﻧﺘﺨﺎﺏ‬ ‫ﺍﺳﺖ؟‬
‫ﺁﻣﺮﻳﻜﺎﺋﻰ ﻣﺘﻮﺳﻂ ﺍﺯ ﭼﻰ ﻭﺍﻫﻤﻪ ﺩﺍﺭﺩ‬ ‫ﺑﺴﻴﺎﺭ ﺷﻴﺮﻳﻦ ﻭ ﻫﻤﺰﻣﺎﻥ ﻣﺒﺎﺭﺯ ﺍﺳﺖ‪،‬‬ ‫ﻛﺮﺩ ﺯﻳﺮﺍ ﻧﻤﻰﺗﻮﺍﻥ ﻋﻤﺮ ﻳﻚ ﻓﺮﺩ ﻭ ﺗﻤﺎﻡ‬ ‫‪ -‬ﻣﺎﺭﺳﻠﻴﻨﻮ ﻓﺮﺩﻯ ﻧﻪ ﺗﻨﻬﺎ ﺑﺎﻫﻮﺵ‬
‫ﻛﻪ ﺭﺍﻯ ﺧﻮﺩ ﺭﺍ ﺑﻪ ﻧﺎﻡ ﺩﻭﻧﺎﻟﺪ ﺗﺮﺍﻣﭗ‬ ‫ﻫﻨﺮﭘﻴﺸﻪ ﺑﺴﻴﺎﺭ ﺧﻮﺑﻰ ﻫﻢ ﻫﺴﺖ ﻭ‬ ‫ﺧﺼﻮﺻﻴﺖﻫﺎﻳﺶ ﺭﺍ ﺩﺭ ‪ 90‬ﺩﻗﻴﻘﻪ ﻛﻪ‬ ‫ﺑﻠﻜﻪ ﺑﺴﻴﺎﺭ ﺩﺭﺳﺘﻜﺎﺭ ﻭ ﻛﻮﺷﺎ ﻧﻴﺰ ﺑﻮﺩ‪ .‬ﺍﻭ‬
‫ﺗﺠﺮﺑﻪﺍﻯ ﻛﻪ ﺑﺎ ﺍﻭ ﺩﺭ »ﺁﻟﺘﺎﻣﻴﺮﺍ« ﺩﺍﺷﺘﻢ‬ ‫ﻣﺪﺕ ﺯﻣﺎﻥ ﻳﻚ ﻓﻴﻠﻢ ﺍﺳﺖ ﺧﻼﺻﻪ ﻛﺮﺩ‪.‬‬
‫ﺑﻪ ﺻﻨﺪﻭﻕ ﻣﻰﺍﻧﺪﺍﺯﺩ‪.‬‬ ‫ﻣﻦ ﺑﺮﺍﻯ ﺍﻳﻔﺎﻯ ﻧﻘﺶ ﻣﺎﺭﺳﻠﻴﻨﻮ ﺗﻜﻴﻪﺍﻡ ﺑﺮ‬

‫ﻛﺮﺩﻳﻢ ﻧﻪ ﺗﻨﻬﺎ ﺍﻳﻦ ﻛﺎﺭ ﺭﺍ ﺍﻧﺠﺎﻡ ﺩﻫﺪ ﺑﻠﻜﻪ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ‬ ‫ﻭﻯ ﺳﺎﻛﻦ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺩﺭ ﺳﺎﻝ ‪ 1390‬ﺁﺭﻳﺎ ﺍﺯ ﺍﻧﺪﻭﻧﺰﻯ ﺑﺎ ﺑﺨﺶ »ﻧﻈﺮ ﺷﻤﺎ ﺑﺮﺍﻯ‬ ‫ﺳﺮﻭﺭﻗﻰ ﺯﻧﺪﻩ ﺯﻧﺪﮔﻰ‬
‫ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺭﺍ ﺗﺎ ﭘﺎﻳﺎﻥ ﺍﻳﻨﻜﻪ ﻣﺎﺟﺮﺍﻯ ﻣﻬﺎﺟﺮﺗﺶ ﺑﻪ‬ ‫ﺧﻮﺍﻧﻨﺪﻩ ﺩﻳﮕﺮﻯ ﺍﻳﻦ ﻳﺎﺩﺩﺍﺷﺖ ﺁﺭﻳﺎ ﺭﺍ ﺧﻮﺍﻧﺪ ﻭ ﺣﺎﺿﺮ‬ ‫ﻣﺎ ﻣﻬﻢ ﺍﺳﺖ« ﺳﺎﻳﺖ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪ ،‬ﻛﻴﻬﺎﻥ ﺁﻧﻼﻳﻦ‪ ،‬ﺗﻤﺎﺱ‬ ‫ﻣﺎﺟﺮﺍﻳﻰ ﺍﺯ ﻧﺴﻞ ﺗﺎﺯﻩ ﻣﻮﺝ ﻣﻬﺎﺟﺮﺕ ﺍﻳﺮﺍﻧﻴﺎﻥ‬
‫ﺍﺳﺘﺮﺍﻟﻴﺎ ﺑﻪ ﻛﺠﺎ ﺧﻮﺍﻫﺪ ﺭﺳﻴﺪ‪ ،‬ﺑﺎ ﺧﻮﺩ ﻫﻤﺮﺍﻩ ﻛﻨﺪ‪.‬‬ ‫ﺷﺪ ﻫﺰﻳﻨﻪ ﺍﺷﺘﺮﺍﻙ ﻛﻴﻬﺎﻥ ﺭﺍ ﺑﺮﺍﻯ ﺁﺭﻳﺎ ﻭ ﺩﻳﮕﺮ ﺍﻳﺮﺍﻧﻴﺎﻥ‬ ‫ﮔﺮﻓﺖ ﻭ ﭘﺲ ﺍﺯ ﺍﺑﺮﺍﺯ ﻣﻬﺮ ﻭ ﻋﻼﻗﻪ ﺑﻪ ﺍﻳﻦ ﺭﻭﺯﻧﺎﻣﻪ‪ ،‬ﺧﻮﺍﻫﺶ‬
‫ﺣﺎﻝ ﺑﺎ ﺍﻧﺘﺸﺎﺭ ﻧﺴﺨﻪ ﭘﻰ ﺩﻯ ﺍﻑ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪ ،‬ﻫﺮ ﻫﻔﺘﻪ‬ ‫ﻛﺮﺩ ﻣﻄﺎﻟﺐ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺩﺭ ﻓﺮﻣﺎﺗﻰ ﺑﺮﺍﻳﺶ ﻓﺮﺳﺘﺎﺩﻩ ﺷﻮﺩ‬ ‫ﺍﻭﻝ ﺑﺎ ﻣﻦ ﺑﻪ ﺟﺎﻛﺎﺭﺗﺎ ﺑﻴﺎﻳﻴﺪ!‬
‫ﺑﺨﺸﻰ ﺍﺯ ﻣﺎﺟﺮﺍﻯ ﻣﻬﺎﺟﺮﺕ ﺁﺭﻳﺎ ﻭ ﺧﺎﻧﻮﺍﺩﻩﺍﺵ ﺑﻪ ﺍﺳﺘﺮﺍﻟﻴﺎ‬ ‫ﻛﻤﭗ ﭘﻨﺎﻫﺠﻮﻳﺎﻥ ﺩﺭ ﺍﻧﺪﻭﻧﺰﻯ ﺑﭙﺮﺩﺍﺯﺩ‪.‬‬ ‫ﻛﻪ ﺑﺘﻮﺍﻧﺪ ﺑﺎ ﺍﻣﻜﺎﻧﺎﺕ ﺍﻧﺪﻛﻰ ﻛﻪ ﺩﺭ ﺁﻧﺠﺎ ﺩﺍﺭﺩ ﺑﺨﻮﺍﻧﺪ ﻭ ﺩﺭ‬
‫ﺿﻤﻨﺎﺁﺭﻳﺎﺍﺑﺮﺍﺯﻋﻼﻗﻪﻛﺮﺩﻣﺎﺟﺮﺍﻫﺎﻳﻰﺭﺍﻛﻪﺍﺯﺳﺮﮔﺬﺭﺍﻧﺪﻩ‬ ‫ﺍﺧﺘﻴﺎﺭ ﺩﻳﮕﺮ ﭘﻨﺎﻩﺟﻮﻳﺎﻥ ﺍﻳﺮﺍﻧﻰ ﻗﺮﺍﺭ ﺩﻫﺪ ﻛﻪ ﺩﺭ ﻛﻤﭗ‬
‫ﺭﺍ ﺑﻪ ﻫﻤﺎﻥ ﺯﺑﺎﻧﻰ ﻛﻪ ﺧﻮﺩﺵ ﺑﻴﺎﻥ ﻣﻰﻛﺮﺩ‪ ،‬ﻣﻰﺧﻮﺍﻧﻴﺪ‪:‬‬ ‫ﺑﺎ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﻛﻴﻬﺎﻥ ﺩﺭ ﻣﻴﺎﻥ ﺑﮕﺬﺍﺭﺩ‪ .‬ﻣﺎ ﺍﺯ ﺍﻭ ﺧﻮﺍﻫﺶ‬

‫ﻛﻢ ﻭ ﺭﻳﺶﻫﺎﻯ ﺗﺮﺍﺷﻴﺪﻩ ﺣﺎﻟﻢ ﺑﺪﺟﻮﺭ‬ ‫ﻣﻮﺗﻮﺭﻫﺎ ﺍﺯ ﺩﺳﺖ ﻣﻴﺮﻩ ﻫﻮﺍﭘﻴﻤﺎﻯ‬ ‫ﺭﻭ ﺗﺮﻙ ﻧﻜﺮﺩﻩ ﺍﻣﺎ ﻣﻦ ﻣﺼﺎﺣﺒﻪ‬ ‫ﻋﺒﺎﺱ ﺩﻭﺭﺍﻥ‬ ‫ﺳﺎﻡﻫﺎﻯ ﺭﻭﺳﻰ ﺩﻳﻮﺍﺭﻯ ﺍﺯ ﺁﺗﺶ ﺑﻪ‬ ‫ﺑﺨﺶ ﭘﻨﺠﺎﻩ ﻭ ﺷﺸﻢ‪:‬‬
‫ﮔﺮﻓﺘﻪ ﺑﻮﺩ ﻭﻗﺘﻰ ﻋﺒﺎﺱ ﻧﺎﺯﻧﻴﻦ ﺭﻭ‬ ‫ﺩﻭﻡ ﺑﻪ ﻋﺒﺎﺱ ﻣﻴﮕﻪ ﺑﺮﮔﺮﺩ‪ .‬ﻋﺒﺎﺱ‬ ‫ﺧﺎﻧﻤﺶ ﺩﺭ ﺑﺮﻧﺎﻣﻪ ﺭﻭﺍﻳﺖ ﻓﺘﺢ ﺭﻭ‬ ‫ﺩﻭﺭ ﺑﻐﺪﺍﺩ ﻛﺸﻴﺪﻩ ﺑﻮﺩ ﻭ ﺍﮔﺮ ﻫﻮﺍﭘﻴﻤﺎﻳﻰ‬
‫ﺑﺎﺩﺳﺘﺎﻥ ﺑﺴﺘﻪ ﺑﻴﻦ ﻛﻔﺘﺎﺭﻫﺎﻯ ﺑﻌﺜﻰ‬ ‫ﺑﺎ ﻳﻪ ﻣﻮﺗﻮﺭ ﻫﻢ ﻣﻴﺘﻮﻧﺴﺘﻪ ﺑﺮﮔﺮﺩﻩ‬ ‫ﺩﻳﺪﻡ ﻛﻪ ﮔﻔﺖ ﻋﺒﺎﺱ ﺍﺳﻴﺮ ﺷﺪﻩ ﻭ‬ ‫ﻭﻳﺪﺋﻮﻳﻰ ﻛﻪ ﺍﺯ ﻋﺒﺎﺱ ﺩﻳﺪﻡ ﺗﻌﺮﻳﻒ‬ ‫ﺍﺯ ﺩﻳﻮﺍﺭ ﻣﻮﺷﻜﻰ ﺭﺩ ﻣﻰﺷﺪ ﺑﺎ ﺍﻧﺒﻮﻫﻰ‬ ‫ﻋﺒﺎﺱ ﺩﻭﺭﺍﻥ‬
‫ﺩﻳﺪﻡ ﺩﺭ ﻭﺍﻗﻊ ﻫﻤﺴﺮ ﻋﺒﺎﺱ ﺩﺭﺳﺖ‬ ‫ﻭﻟﻰ ﺑﻪ ﻃﺮﻑ ﺷﻬﺮ ﮔﺮﺩﺵ ﻣﻴﻜﻨﻪ‬ ‫ﻋﻜﺴﺸﻮ ﻧﺸﻮﻥ ﺧﻠﺒﺎﻥﻫﺎﻯ ﻋﺮﺍﻗﻰ‬ ‫ﻛﻨﻢ‪.‬‬ ‫ﺍﺯ ﺗﻮپﻫﺎﻯ ﺿﺪﻫﻮﺍﻳﻰ ﻛﻪ ﺑﺮ ﻓﺮﺍﺯ‬
‫ﻣﻰﮔﻔﺖ ﻛﻪ ﺩﺭ ﻣﻮﺭﺩ ﻋﺒﺎﺱ ﺩﻭﺭﺍﻥ‬ ‫ﺑﺎ ﻭﺭﻭﺩ ﺑﻪ ﻃﺮﻑ ﺷﻬﺮ ﺑﺎ ﺩﻳﻮﺍﺭﻯ ﺍﺯ‬ ‫ﺩﺭﺑﻨﺪ ﺍﻳﺮﺍﻥ ﺩﺍﺩﻩ ﻭ ﺍﻭﻧﺎ ﺗﺎﺋﻴﺪ ﻛﺮﺩﻥ‬ ‫ﺳﺎﺧﺘﻤﺎﻥﻫﺎﻯ ﺑﻠﻨﺪ ﮔﺬﺍﺷﺘﻪ ﺑﻮﺩﻧﺪ‬ ‫ﻋﺒﺎﺱ ﺩﻭﺭﺍﻥ ﺗﻜﺨﺎﻟﻰ ﺑﻮﺩ ﻛﻪ‬
‫ﻛﻮﺗﺎﻫﻰ ﻛﺮﺩﻧﺪ ﻭ ﺑﺎ ﺳﻨﺎﺭﻳﻮﻳﻰ ﻛﻪ‬ ‫ﮔﻠﻮﻟﻪ ﺗﻮپ ﺭﻭﺑﺮﻭ ﻣﻴﺸﻪ ﻫﻮﺍﭘﻴﻤﺎ ﺁﺗﺶ‬ ‫ﻛﻪ ﻋﺒﺎﺱ ﺭﻭ ﺗﻮ ﺯﻧﺪﺍﻥ ﺩﻳﺪﻧﺪ‪ .‬ﺑﺎ ﺍﻳﻦ‬ ‫ﺍﻭﻧﺠﻮﺭ ﻛﻪ ﮔﻔﺘﻪ ﺑﻮﺩﻧﺪ ﻋﺒﺎﺱ‬ ‫ﺭﻭﺑﺮﻭ ﻣﻰﺷﺪ ﻛﻪ ﺑﻪ ﮔﻔﺘﻪ ﺗﻴﺰﭘﺮﻭﺍﺯﺍﻥ‬ ‫ﺳﺎﻋﺖﻫﺎﻯ ﭘﺮﻭﺍﺯﻯ ﺯﻳﺎﺩﻯ ﺩﺍﺷﺖ ﻭ‬
‫ﺳﺎﺧﺘﻨﺪ‪ ،‬ﻛﻪ ﻋﺒﺎﺱ ﺍﺯ ﻫﻮﺍﭘﻴﻤﺎ ﺧﺎﺭﺝ‬ ‫ﮔﺮﻓﺘﻪ ﻭﻟﻰ ﻋﺒﺎﺱ ﺑﻪ ﻃﺮﻑ ﻫﺪﻑ‬ ‫ﺗﻔﺴﻴﺮﻫﺎ ﻫﻮﺍﭘﻴﻤﺎﻯ ﻋﺒﺎﺱ ﺑﻌﺪ ﺍﺯ‬ ‫ﺩﻭﺭﺍﻥ ﺗﻮ ﻭﺻﻴﺖ ﻧﺎﻣﻪﺍﺵ ﮔﻔﺘﻪ ﺑﻮﺩ‬ ‫ﻧﻴﺮﻭﻯ ﻫﻮﺍﻳﻰ ﮔﻨﺠﺸﻚ ﻧﻤﻰﺗﻮﻧﺴﺖ‬ ‫ﺗﻮ ﻧﻴﺮﻭﻯ ﻫﻮﺍﻳﻰ ﺭﻛﻮﺭﺩ ﻛﻢ ﻧﻈﻴﺮﻯ‬
‫ﻧﺸﺪﻩ ﻭﺷﻬﻴﺪ ﺷﺪﻩ‪ ،‬ﺩﺭ ﻭﺍﻗﻊ ﺯﻣﻴﻨﻪ‬ ‫ﺍﻭﻟﻴﻪ ﻫﻤﺎﻥ ﻫﺘﻞ ﺍﻟﺮﺷﻴﺪ ﺍﺩﺍﻣﻪ ﻣﻴﺪﻩ‬ ‫ﺯﺩﻥ ﭘﺎﻻﻳﺸﮕﺎﻩ ﻣﻮﺭﺩ ﺍﺻﺎﺑﺖ ﭼﻨﺪ‬ ‫ﻛﻪ ﺍﮔﺮ ﻫﻮﺍﭘﻴﻤﺎﺵ ﻣﻮﺭﺩ ﺍﺻﺎﺑﺖ ﻗﺮﺍﺭ‬ ‫ﭘﺮ ﺑﺰﻧﻪ ﻭ ﻭﺟﺐ ﺑﻪ ﻭﺟﺐ ﺁﺳﻤﺎﻥ ﺑﻐﺪﺍﺩ‬ ‫ﺩﺍﺷﺖ ﺑﻪ ﻃﻮﺭﻯ ﻛﻪ ﺍﺯ ﻫﻮﺍﭘﻴﻤﺎ ﻛﻪ‬
‫ﻋﺪﻡ ﭘﻴﮕﻴﺮﻯ ﻗﺘﻞ ﻋﺒﺎﺱ ﺩﻭﺭﺍﻥ ﺭﻭ‬ ‫ﻭ ﺗﻮ ﻣﺎﻫﻨﺎﻣﻪ ﺻﻨﺎﻳﻊ ﻫﻮﺍﻳﻰ ﺧﻮﺍﻧﺪﻡ‬ ‫ﮔﻠﻮﻟﻪ ﺗﻮپ ﻗﺮﺍﺭ ﻣﻴﮕﻴﺮﻩ ﻭ ﻳﻜﻰ ﺍﺯ‬ ‫ﺑﮕﻴﺮﻩ ﻫﻮﺍﭘﻴﻤﺎ ﺭﻭ ﺗﺮﻙ ﻧﺨﻮﺍﻫﺪ ﻛﺮﺩ‪.‬‬ ‫ﭘﻴﺎﺩﻩ ﻣﻰﺷﺪ ﺳﻮﺍﺭ ﺑﺮ ﻫﻮﺍﭘﻴﻤﺎﻯ‬
‫ﻛﻪ ﻫﻮﺍﭘﻴﻤﺎﻯ ﻓﺎﻧﺘﻮﻡ ﺭﻭ ﺗﻮ ﺧﻴﺎﺑﻮﻥ‬ ‫ﺩﺭ ﻓﻴﻠﻢ ﺩﺍﻳﺮﻩ ﺳﺮﺥ ﻛﻪ ﺑﻪ ﻳﺎﺩ ﻋﺒﺎﺱ‬ ‫ﺭﻭ ﺗﻮپﻫﺎ ﭘﻮﺷﺶ ﻣﻰﺩﺍﺩ‪.‬‬ ‫ﺁﻣﺎﺩﻩ ﺩﻳﮕﺮﻯ ﻣﻰﺷﺪ ﻭ ﺩﺭ ﺯﻣﺎﻥ‬
‫ﻓﺮﺍﻫﻢ ﻛﺮﺩﻧﺪ‪.‬‬ ‫ﻣﻨﺘﻬﻰ ﺑﻪ ﻫﺘﻞ ﺍﻟﺮﺷﻴﺪ ﭘﺎﻳﻴﻦ ﻣﻴﺎﺭﻩ‬ ‫ﺩﻭﺭﺍﻥ ﺳﺎﺧﺘﻨﺪ ﺩﺭ ﺳﻜﺎﻧﺲ ﭘﺎﻳﺎﻧﻰ‬ ‫ﻫﺮ ﻋﻤﻠﻴﺎﺕ ﻫﻮﺍﻳﻰ ﺩﻭ ﻫﺪﻑ ﺩﺍﺭﻩ‬ ‫ﺣﻴﺎﺕ ﺧﻮﺩﺵ ﺩﺭ ﺷﻴﺮﺍﺯ ﺧﻴﺎﺑﺎﻧﻰ ﺑﻪ‬
‫ﺍﻭﻥ ﻣﻮﻗﻊ ﻛﻪ ﻣﺎﻫﻮﺍﺭﻩ ﻭ ﻳﻮﺗﻴﻮﺏ‬ ‫ﻛﻪ ﻳﻚ ﺧﺒﺮﻧﮕﺎﺭ ﺁﻣﺮﻳﻜﺎﻳﻰ ﺍﺯ ﻫﺘﻞ‬ ‫ﻫﻢ ﻧﺸﻮﻥ ﺩﺍﺩﻧﺪ ﻛﻪ ﻋﺒﺎﺱ ﻫﻮﺍﭘﻴﻤﺎ‬ ‫ﻳﻜﻰ ﻫﺪﻑ ﺍﺻﻠﻰ ﻭ ﺍﻭﻟﻴﻪ ﺩﻳﮕﺮﻯ‬ ‫ﺍﺳﻢ ﺍﻭ ﻧﺎﻡﮔﺬﺍﺭﻯ ﻛﺮﺩﻧﺪ ﻛﻪ ﺩﺭ ﻣﺮﺍﺳﻢ‬
‫ﻧﺒﻮﺩ ﺗﺎ ﺑﺎ ﻧﻤﺎﻳﺶ ﺍﺳﺎﺭﺕ ﻋﺒﺎﺱ‬ ‫ﻣﺠﺎﻭﺭ ﺍﺯ ﭘﺸﺖ ﭘﻨﺠﺮﻩ ﻋﻜﺲ ﺯﻳﺒﺎﻳﻰ‬ ‫ﻫﺪﻑ ﺛﺎﻧﻮﻳﻪ‪ .‬ﻫﺪﻑ ﻋﻤﻠﻴﺎﺕ ﻧﺎﺍﻣﻦ‬ ‫ﻧﺎﻡﮔﺬﺍﺭﻯ ﺧﻴﺎﺑﺎﻥ ﺑﺎ ﺳﻮءﻗﺼﺪ ﻧﺎﻓﺮﺟﺎﻡ‬
‫ﺑﺘﻮﺍﻥ ﺟﻠﻮﻯ ﻛﺸﺘﻦ ﺍﻳﻦ ﺩﻻﻭﺭ ﺍﻳﺮﺍﻥ‬ ‫ﺍﺯ ﻫﻮﺍﭘﻴﻤﺎﻯ ﺁﺗﺶ ﮔﺮﻓﺘﻪ ﻋﺒﺎﺱ‬ ‫ﻛﺮﺩﻥ ﺑﻐﺪﺍﺩ ﺑﻮﺩ ﺗﺎ ﭘﺎﻳﺎﻧﻰ ﺑﺎﺷﺪ ﺑﻪ‬
‫ﺭﻭ ﮔﺮﻓﺖ ﻭ ﺳﺎﻝ ﻫﻔﺘﺎﺩ ﺩﻭ ﻳﺎ ﻫﻔﺘﺎﺩ‬ ‫ﻣﻴﮕﻴﺮﻩ ﻋﺒﺎﺱ ﻫﻮﺍﭘﻴﻤﺎ ﺭﻭ ﺑﻪ ﺧﺎﻃﺮ‬ ‫ﺗﺒﻠﻴﻐﺎﺕ ﺭﺳﺎﻧﻪﻫﺎﻯ ﻋﺮﺍﻗﻰ ﻭ ﻏﺮﺑﻰ‪.‬‬ ‫ﻣﺠﺎﻫﺪﻳﻦ ﺭﻭﺑﺮﻭ ﺷﺪ‪.‬‬
‫ﻭ ﺳﻪ ﺍﺳﺘﺨﻮﺍﻥﻫﺎﻯ ﻋﺒﺎﺱ ﺩﻭﺭﺍﻥ ﺭﻭ‬ ‫ﺍﻳﻦ ﭘﺎﻳﻴﻦ ﺁﻭﺭﺩ ﺗﺎ ﺍﺯ ﮔﺰﻧﺪ ﺗﻮپﻫﺎﻯ‬ ‫ﺑﺎ ﺷﺮﻭﻉ ﻋﻤﻠﻴﺎﺕ ﻫﻮﺍﭘﻴﻤﺎﻯ ﻋﺒﺎﺱ‬ ‫ﻋﺒﺎﺱ ﻫﻤﻴﺸﻪ ﺷﺐﻫﺎ ﭘﺎﻯ ﭘﻠﻜﺎﻥ‬
‫ﻋﺮﺍﻕ ﺗﺤﻮﻳﻞ ﺍﻳﺮﺍﻥ ﺩﺍﺩ‪ .‬ﻣﮕﺮ ﺍﻣﻜﺎﻥ‬ ‫ﺑﺮ ﻓﺮﺍﺯﺳﺎﺧﺘﻤﺎﻥﻫﺎﻯ ﺑﻠﻨﺪ ﺭﻫﺎ ﺑﺸﻪ ﻭ‬ ‫ﺑﺎ ﺩﻳﻮﺍﺭﻯ ﺍﺯ ﺁﺗﺶ ﺭﻭﺑﺮﻭ ﻣﻴﺸﻪ ﻭ‬ ‫ﻓﺎﻧﺘﻮﻡ ﺁﻣﺎﺩﻩ ﻣﻰﺧﻮﺍﺑﻴﺪ ﺗﺎ ﺯﻣﺎﻥ ﺭﻭ‬
‫ﺩﺍﺭﺩ ﺧﻠﺒﺎﻧﻰ ﺩﺭﻭﻥ ﻫﻮﺍﭘﻴﻤﺎﻯ ﺁﺗﺶ‬ ‫ﻫﻮﺍﭘﻴﻤﺎ ﺭﻭ ﺑﻪ ﺳﺎﺧﺘﻤﺎﻥ ﻫﺘﻞ ﺍﻟﺮﺷﻴﺪ‬ ‫ﺑﻪ ﻃﺮﻑ ﭘﺎﻻﻳﺸﮕﺎﻩ ﮔﺮﺩﺵ ﻣﻴﻜﻨﻪ‪.‬‬ ‫ﺍﺯ ﺩﺳﺖ ﻧﺪﻩ ﺑﻬﺘﺮﻳﻦ ﻋﻤﻠﻴﺎﺕ ﻋﺒﺎﺱ‬
‫ﮔﺮﻓﺘﻪ ﺑﻪ ﺳﺎﺧﺘﻤﺎﻥ ﻫﺘﻞ ﺑﺮﺧﻮﺭﺩ ﻛﻨﻪ‬ ‫ﻣﺤﻞ ﺑﺮﮔﺰﺍﺭﻯ ﺳﺮﺍﻥ ﻏﻴﺮﻣﺘﻌﻬﺪﻫﺎ‬ ‫ﭘﺎﻻﻳﺸﮕﺎﻩ ﺑﻐﺪﺍﺩ ﻛﻪ ﺑﻴﺮﻭﻥ ﺷﻬﺮ ﻗﺮﺍﺭ‬ ‫ﺩﻭﺭﺍﻥ ﻫﻤﺰﻣﺎﻥ ﺑﻮﺩ ﺑﺎ ﻛﻨﻔﺮﺍﻧﺲ ﺳﺮﺍﻥ‬
‫ﻭ ﺑﻌﺪ ﺍﺳﺘﺨﻮﺍﻥﻫﺎﻳﺶ ﺭﻭ ﺳﺎﻟﻢ ﺗﺤﻮﻳﻞ‬ ‫ﻣﻰﻛﻮﺑﻪ ﺍﻣﺎ ﻋﺒﺎﺱ ﻭ ﻛﻤﻜﺶ ﺍﻳﺠﻜﺖ‬ ‫ﺩﺍﺷﺖ ﻫﺪﻑ ﺛﺎﻧﻮﻳﻪ ﺑﻮﺩ ﻭ ﺍﺯ ﺍﻳﻦ ﺑﺎﺑﺖ‬ ‫ﻏﻴﺮ ﻣﺘﻌﻬﺪﻫﺎ ﻛﻪ ﻗﺮﺍﺭ ﺑﻮﺩ ﺩﺭ ﺑﻐﺪﺍﺩ‬
‫ﺑﺪﻫﻨﺪ؟! ﺍﮔﺮ ﻣﺎﻳﻞ ﺑﻮﺩﻳﺪ ﺗﻮ ﻳﻮﺗﻴﻮﺏ ﺑﻪ‬ ‫ﻣﻰﻛﻨﻨﺪ ﻭ ﺍﺳﻴﺮ ﻣﻴﺸﻦ‪ .‬ﺑﺎ ﺍﻳﻦ ﻛﺎﺭ‬ ‫ﭘﺎﻻﻳﺸﮕﺎﻩ ﺍﻧﺘﺨﺎﺏ ﺷﺪﻩ ﺑﻮﺩ ﻛﻪ ﺁﺗﺶ‬ ‫ﺑﺮﮔﺰﺍﺭ ﺑﺸﻪ ﻭ ﻋﺮﺍﻕ ﺗﺒﻠﻴﻐﺎﺕ ﻋﺠﻴﺒﻰ‬
‫ﻓﺎﺭﺳﻰ ﺳﺮچ ﻛﻨﻴﺪ »ﺣﻤﻠﻪ ﻓﺎﻧﺘﻮﻡﻫﺎﻯ‬ ‫ﻛﻨﻔﺮﺍﺱ ﺳﺮﺍﻥ ﻏﻴﺮ ﻣﺘﻌﻬﺪﻫﺎ ﺩﺭ‬ ‫ﺑﺮﺧﺎﺳﺘﻪ ﺍﺯ ﭘﺎﻻﻳﺸﮕﺎﻩ ﻭ ﺩﻭﺩ ﻧﺎﺷﻰ‬ ‫ﺑﻪ ﺭﺍﻩ ﺍﻧﺪﺍﺧﺘﻪ ﺑﻮﺩ ﻛﻪ ﺁﺳﻤﺎﻥ ﺑﻐﺪﺍﺩ‬
‫ﺍﻳﺮﺍﻧﻰ ﺑﻪ ﻧﻴﺮﻭﮔﺎﻩ ﺗﻤﻮﺯ«‪ .‬ﻭﺳﻂﻫﺎﻯ‬ ‫ﺩﻫﻠﻰ ﻧﻮ ﺑﺮﮔﺰﺍﺭ ﻣﻴﺸﻪ ﻭ ﺩﺭ ﻭﻳﺪﻳﻮﻯ‬ ‫ﺍﺯ ﺁﻥ ﻣﻰﺗﻮﺍﻧﺴﺖ ﺍﺯ ﭼﻨﺪ ﻛﻴﻠﻮﻣﺘﺮﻯ‬ ‫ﻧﻔﻮﺫﻧﺎﭘﺬﻳﺮ ﺍﺳﺖ‪ .‬ﻋﺮﺍﻕ ﺑﻪ ﻛﻤﻚ‬
‫ﻭﻳﺪﻳﻮ ﻋﺒﺎﺱ ﺩﻭﺭﺍﻥ ﺭﻭ ﺩﺳﺖ ﺑﺴﺘﻪ‬ ‫ﻧﺎﺩﺭﻯ ﻛﻪ ﻣﺮﺑﻮﻁ ﺑﻪ ﺍﺳﺎﺭﺕ ﻋﺒﺎﺱ‬ ‫ﻫﻢ ﺩﻳﺪﻩ ﺑﺸﻪ ﻋﺒﺎﺱ ﭘﺎﻻﻳﺸﮕﺎﻩ ﺭﻭ‬ ‫ﺷﻮﺭﻭﻯ ﻭ ﻏﺮﺑﻰﻫﺎ ﺑﺨﺼﻮﺹ ﻓﺮﺍﻧﺴﻪ‬
‫ﺑﻮﺩ ﺑﺎ ﺩﺳﺘﺎﻧﻰ ﺑﺴﺘﻪ ﻭ ﺳﻦ ﻭ ﺳﺎﻝ‬ ‫ﻫﺪﻑ ﻗﺮﺍﺭ ﻣﻴﺪﻩ ﺗﻤﺎﻡ ﺍﻳﻦ ﺩﺍﺳﺘﺎﻥ‬ ‫ﻭ ﺑﺎ ﺧﺮﻳﺪ ﻣﻮﺷﻚﻫﺎﻯ ﺿﺪﻫﻮﺍﻳﻰ‬
‫ﻧﺸﻮﻥ ﻣﻴﺪﻩ‪.‬‬ ‫ﺭﻭ ﺗﻌﺮﻳﻒ ﻛﺮﺩﻡ ﺗﺎ ﺭﺑﻄﺶ ﺭﻭ ﺑﺎ‬ ‫ﺟﺪﻳﺪ ﻛﺮﻭﺗﺎﻝ ﻭ ﺭﻭﻟﻨﺪ ﻓﺮﺍﻧﺴﻮﻯ ﻭ‬

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