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‫ﺟﻤﻌﻪ ‪ 29‬ﻣﻪ ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 4‬ژﻭﺋﻦ ‪2015‬‬

‫ﻛﺘﺎﺑﮕﺰﺍﺭﻯ‬ ‫ﺯﺑﺎﻧﺰﺩﻫﺎﻯ ﻣﻨﻈﻮﻡ ﻓﺎﺭﺳﻰ‬ ‫ﻗﺮﻧﻰ ﺍﺯ ﻋﻤ ِﺮ ﻣﺎ ﮔﺬﺷﺘﻪ ﺍﺳﺖ ﻓﺸﺎﺭﻫﺎﻯ‬

‫ﺳﻴﺎﻭﺵ ﺁﺫﺭﻯ‬ ‫ﺍﻣﻨﻴﺘﻰ ﺑﺮ ﻛﺎﻧﻮﻥ‬ ‫ﺭﺿﺎ ﺩﺍﻧﺸﻮﺭ ﻧﻮﻳﺴﻨﺪﻩ ﺧﻼﻕ ﻭ‬
‫ﻧﻮﻳﺴﻨﺪﮔﺎﻥ‬ ‫ﺻﺎﺣﺐ ﺫﻭﻕ ﺑﻌﺪ ﺍﺯ ﻣﺒﺎﺭﺯﻩ ﻃﻮﻻﻧﻰ ﺑﺎ‬
‫ﺍﻇﻬﺎﺭﺿﻌﻒﻧﺰﺩﺳﺘﻢﭘﻴﺸﻪﺍﺑﻠﻬﻰﺍﺳﺖ‬ ‫ﻋﻨﻮﺍﻥ ﺷﺎﻫﺪ ﺁﻭﺭﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫»ﺿﺮﺏﺍﻟﻤﺜﻞﻫﺎﻯ ﻣﻨﻈﻮﻡ ﻓﺎﺭﺳﻰ«‬ ‫ﺭﺿﺎ ﺩﺍﻧﺸﻮﺭ‬ ‫ﺑﻴﻤﺎﺭﻯ ﺳﺮﻃﺎﻥ ﺷﺎﻣﮕﺎﻩ ﭼﻬﺎﺭﺷﻨﺒﻪ‬
‫ﺍﺷﻚ ﻛﺒﺎﺏ ﺑﺎﻋﺚ ﻃﻐﻴﺎﻥ ﺁﺗﺶ ﺍﺳﺖ‬ ‫ﻫﺮﮔﺰ ﺗﺼﻮﺭ ﻧﺸﻮﺩﻛﻪ ﻧﮕﺎﺭﻧﺪﻩ ﻣﺪﻋﻰ‬ ‫ﻋﻨﻮﺍﻥ ﻛﺘﺎﺑﻰ ﺍﺳﺖ ﺷﺎﻣﻞ ﺑﻴﺶ ﺍﺯ ‪20‬‬ ‫ﺍﻳﺮﺍﻥ ﻫﻢﭼﻨﺎﻥ‬ ‫‪ 6‬ﺧﺮﺩﺍﺩ ﺩﺭ ﺳﻦ ‪ 68‬ﺳﺎﻟﮕﻰ ﺩﺭ‬
‫ﺍﺳﺖ ﺗﻤﺎﻡ ﺿﺮﺏﺍﻟﻤﺜﻞﻫﺎﻯ ﻣﻨﻈﻮﻡ‬ ‫ﻫﺰﺍﺭ ﺯﺑﺎﻧﺰﺩ ﺭﺍﻳﺞ ﻓﺎﺭﺳﻰ ﺑﻪ ﺷﻌﺮ ﻛﻪ‬ ‫ﺍﺩﺍﻣﻪ ﺩﺍﺭﺩ‬ ‫ﺑﺨﺸﻰ ﺍﺯ ﺩﺍﺳﺘﺎﻥ »ﻛﺮﻓﻮ« ﺭﺍ ﻛﻪ‬ ‫ﺑﻴﻤﺎﺭﺳﺘﺎﻧﻰ ﺩﺭ ﭘﺎﺭﻳﺲ ﺯﻧﺪﮔﻰ ﺭﺍ‬
‫ﺩﻛﺘﺮ ﻣﺤﻤﺪﻋﻠﻰ ﺍﺳﻼﻣﻰ ﻧﺪﻭﺷﻦ‬ ‫ﻓﺎﺭﺳﻰ ﺭﺍ ﺩﺭ ﺍﻳﻦ ﻛﺘﺎﺏ ﺟﻤﻊ ﻛﺮﺩﻩ‬ ‫ﻣﻤﻜﻦ ﺍﺳﺖ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﻣﺎ ﺗﻨﻬﺎ ﻣﺼﺮﻉ‬ ‫ﺭﺿﺎ ﺩﺍﻧﺸﻮﺭ ﺩﺭ ﺯﻣﺴﺘﺎﻥ ﺳﺎﻝ ‪1353‬‬
‫ﻧﻴﺰ ﺩﺭ ﻣﻘﺪﻣﻪ ﻛﺘﺎﺏ ﻧﻮﺷﺘﻪ ﺍﺳﺖ‪:‬‬ ‫ﺍﺳﺖ‪ .‬ﺩﺍﻣﻨﻪ ﺿﺮﺏﺍﻟﻤﺜﻞﻫﺎﻯ ﻣﻨﻈﻮﻡ‬ ‫ﺍﻭﻝ ﻳﺎ ﺩﻭﻡ ﺁﻧﻬﺎ ﺭﺍ ﻛﻪ ﺩﻫﺎﻥ ﺑﻪ ﺩﻫﺎﻥ‬ ‫ﭘﺲ ﺍﺯ ﺍﺣﻀﺎﺭ ﻭ ﺑﺎﺯﺟﻮﻳﻰ ﺍﺯ ﺑﻜﺘﺎﺵ‬ ‫ﺩﺭ ﻣﺠﻠﻪ »ﻟﻮﺡ« ﺑﻪ ﺩﺳﺖ ﺍﻧﺘﺸﺎﺭ ﺩﺍﺩﻩ‬ ‫ﺑﺪﺭﻭﺩ ﮔﻔﺖ‪.‬‬
‫ﻣﺜﻞﻫﺎ ﻣﺎ ﺭﺍ ﺑﻪ ﺩﺭﻭﻥ ﻛﻮﻣﻪﻫﺎ ﻭ‬ ‫ﻓﺎﺭﺳﻰ ﺑﻪ ﺍﻧﺪﺍﺯﻩﺍﻯ ﻭﺳﻴﻊ ﺍﺳﺖ ﻛﻪ‬ ‫ﻣﻰﮔﺮﺩﺩ ﺑﺪﺍﻧﻴﻢ ﻭ ﺷﻌﺮ ﻛﺎﻣﻞ ﺁﻧﻬﺎ ﺭﺍ‬ ‫ﺁﺑﺘﻴﻦ ﻭ ﺭﺿﺎ ﺧﻨﺪﺍﻥ )ﻣﻬﺎﺑﺎﺩﻯ( ﺍﻋﻀﺎﻯ‬ ‫ﻭﻯ ﻛﻪ ﻫﻢ ﺩﺍﺳﺘﺎﻥ ﻭﻫﻢ ﻧﻤﺎﻳﺸﻨﺎﻣﻪ‬
‫ﻛﻠﺒﻪﻫﺎﻯ ﺩﻭﺭﺩﺳﺖ ﻭ ﺯﻭﺍﻳﺎﻯ ﮔﻤﺸﺪﻩ‬ ‫ﺍﺯ ﻣﺠﻤﻮﻉ ﺁﻧﻬﺎ ﻣﻰﺗﻮﺍﻥ ﺩﻩﻫﺎ ﻛﺘﺎﺏ‬ ‫ﻫﺌﻴﺖ ﺩﺑﻴﺮﺍﻥ ﻛﺎﻧﻮﻥ ﻧﻮﻳﺴﻨﺪﮔﺎﻥ ﺍﻳﺮﺍﻥ‪،‬‬ ‫ﺑﻮﺩ ﻣﻰﺧﻮﺍﻧﻴﻢ‪:‬‬ ‫ﻣﻰﻧﻮﺷﺖ‪ ،‬ﻳﻜﻰ ﺍﺯ ﭼﻬﺮﻩﻫﺎﻯ‬
‫ﺟﺎﻣﻌﻪ ﺍﻳﺮﺍﻥ ﻣﻰﺑﺮﻧﺪ ﻭ ﺑﺎ ﺭﻧﺞ ﻭ ﺷﺎﺩﻯ‬ ‫ﺗﻬﻴﻪ ﻛﺮﺩ ﻛﻪ ﺁﻥ ﻫﻢ ﺍﺯ ﻋﻬﺪﻩ ﺍﻳﻦ‬ ‫ﺍﺯ ﻳﺎﺩ ﺑﺮﺩﻩ ﺑﺎﺷﻴﻢ ﻭ ﻳﺎ ﺍﺻﻼ ﻧﺪﺍﻧﻴﻢ‪.‬‬ ‫ﺍﺧﻴﺮﺍ ﻧﻴﺰ ﻛﻴﻮﺍﻥ ﺑﺎژﻥ ﻋﻀﻮ ﻛﺎﻧﻮﻥ ﺑﻪ‬ ‫»ﻣﻰﺧﻮﺍﺳﺘﻢ ﺑﺮﺍﻳﺖ ﺍﺯ ﭼﻴﺰﻫﺎﻯ‬ ‫ﻣﻬﻢ ﺗﺌﺎﺗﺮ ﺩﺭ ﺷﻬﺮ ﻣﺸﻬﺪ ﺑﻮﺩ‪ .‬ﺍﻭ‬
‫ﻭ ﺩﻝﻣﺸﻐﻮﻟﻰ ﻭ ﺍﻣﻴﺪ ﻭ ﻫﻴﺠﺎﻥ ﻣﺮﺩﻡ‬ ‫ﺟﺎﻧﺐ ﺑﺮ ﻧﻤﻰﺁﻳﺪ‪ .‬ﺩﺭ ﺍﻳﻦ ﻛﺘﺎﺏ ﻧﻈﺮ‬ ‫ﻣﺤﻤﺪﻋﻠﻰ ﺣﻘﻴﻘﺖ ﺳﻤﻨﺎﻧﻰ‬ ‫ﺩﻓﺘﺮ ﻣﺮﻛﺰﻯ ﻭﺯﺍﺭﺕ ﺍﻃﻼﻋﺎﺕ ﺍﺣﻀﺎﺭ‬ ‫ﻓﺮﺍﻭﺍﻧﻰ ﻛﻪ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﺑﻨﻮﻳﺴﻢ‪.‬‬ ‫ﺑﻪ ﻫﻤﺮﺍﻩ ﻫﻨﺮﻣﻨﺪﺍﻧﻰ ﭼﻮﻥ ﺩﺍﻭﺩ‬
‫ﺳﺎﺩﻩ ﺁﺷﻨﺎ ﻣﻰﻛﻨﻨﺪ ﺑﻪ ﺧﺼﻮﺹ‬ ‫ﺑﻪ ﺿﺮﺏﺍﻟﻤﺜﻞﻫﺎﻯ ﻣﻨﻈﻮﻣﻰ ﺑﻮﺩﻩ ﻛﻪ‬ ‫ﻧﻮﻳﺴﻨﺪﻩ ﻭ ﻣﺤﻘﻖ ﻣﻌﺎﺻﺮﻛﻪ ﺳﺎﻟﻴﺎﻥ‬ ‫ﭼﻪ ﻓﺎﻳﺪﻩ ﻛﻪ ﺗﻜﺮﺍﺭ ﻛﻨﻢ ﻣﺎﻫ ّﻴ ِﺖ‬ ‫ﻛﻴﺎﻧﻴﺎﻥ‪ ،‬ﺩﺍﺭﻳﻮﺵ ﺍﺭﺟﻤﻨﺪ‪ ،‬ﺍﺗﻮﺷﻴﺮﻭﺍﻥ‬
‫ﺍﻛﻨﻮﻥ ﻛﻪ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻭ ﺭﺍﺩﻳﻮ ﺯﺑﺎﻥ‬ ‫ﻳﻚ ﻣﺼﺮﺍﻉ ﺁﻥ ﻣﺸﻬﻮﺭﺍﺳﺖ ﻭ ﻣﺼﺮﺍﻉ‬ ‫ﻣﺘﻤﺎﺩﻯ ﺁﺛﺎﺭ ﻗﻠﻤﻰ ﻭﻯ ﺭﺍ ﺑﻪ ﺻﻮﺭﺕ‬ ‫ﻛﻴﻮﺍﻥ ﺑﺎژﻥ‬ ‫ﺁﻧﭽﻪ ﻣﻴﺎ ِﻥ ﻣﺎ ﻣﻰﮔﺬﺭﺩ ﭼﻴﺴﺖ ﻭ‬ ‫ﺍﺭﺟﻤﻨﺪ‪ ،‬ﺭﺿﺎ ﺻﺎﺑﺮﻯ ﻭ ﺭﺿﺎ ﻛﻴﺎﻧﻴﺎﻥ‬
‫ﺧﺸﻚ ﻭ ﺳﺮﺩ ﻗﺎﻟﺐﺑﻨﺪﻯ ﺷﺪﻩﺍﻯ‬ ‫ﺩﻳﮕﺮ ﺭﺍ ﻛﻤﺘﺮ ﻛﺴﻰ ﻣﻤﻜﻦ ﺍﺳﺖ‬ ‫ﻣﻘﺎﻻﺕ ﮔﻮﻧﺎﮔﻮﻥ ﺩﺭ ﺭﻭﺯﻧﺎﻣﻪﻫﺎ‬ ‫ﺷﺪ ﻭ ﻣﻮﺭﺩ ﺑﺎﺯﺟﻮﻳﻰ ﻗﺮﺍﺭ ﮔﺮﻓﺖ‪.‬‬ ‫ﻛﺪﺍﻡﻳﻚ ﻗﺮﺑﺎﻧ ِﻰ ﻳﻜﺪﻳﮕﺮﻳﻢ‪ ،‬ﻳﺎ ﺑﻴﺸﺘﺮ‬ ‫ﺟﺮﻳﺎﻥ ﺗﺌﺎﺗﺮﻯ ﻣﻬﻤﻰ ﺭﺍ ﺩﺭ ﺍﻳﻦ ﺷﻬﺮ‬
‫ﺧﻮﺍﻧﺪﻩﺍﻳﻢ ﺍﻳﻦ ﺑﺎﺭ ﭘﺲ ﺍﺯ ‪ 22‬ﺳﺎﻝ‬ ‫ﻗﺮﺑﺎﻧ ِﻰ ﻳﻜﺪﻳﮕﺮﻳﻢ‪ .‬ﭘُ ِﻞ ﺭﻧﮕﻴﻨﻰ ﺭﺍ‬
‫ﺭﺍ ﭘﺮﺍﻛﻨﺪﻩ ﻣﻰﻛﻨﻨﺪ‪ ،‬ﺍﻳﻦ ﺍﺻﻄﻼﺡ ﻭ‬ ‫ﻣﺤﻤﺪﻋﻠﻰ ﺣﻘﻴﻘﺖ ﺳﻤﻨﺎﻧﻰ‬ ‫ﺗﺤﻘﻴﻖ ﻭ ﺗﺘﺒﻊ ﺩﺭ ﺯﻣﻴﻨﻪ ﻣﺼﺮﻉﻫﺎﻯ‬ ‫ﺭﻭﺯ ﺷﻨﺒﻪ ﺩﻭﻡ ﺧﺮﺩﺍﺩ ﺩﺭ ﺗﻤﺎﺳﻰ‬ ‫ﻣﻰﺷﻨﺎﺳﻢ ﻛﻪ ﺑﺴﻴﺎﺭ ﭼﻴﺰﻫﺎﻯ ﻧﻜﺒﺘﻰ‬ ‫ﭘﺎﻳﻪﮔﺬﺍﺭﻯ ﻛﺮﺩﻧﺪ‪.‬‬
‫ﻣﺜﻞﻫﺎﻯ ﻣﺤﻠﻰ ﻣﻰﺗﻮﺍﻧﻨﺪ ﻗﺪﺭﻯ ﺍﺯ‬ ‫ﺑﺪﺍﻧﺪ ﻭ ﺗﻘﺮﻳﺒﺎ ﻧﺎﺷﻨﺎﺧﺘﻪ ﺍﺳﺖ‪ ،‬ﺑﻪ‬ ‫ﮔﻤﺸﺪﻩ ﻳﺎ ﺍﺯ ﻳﺎﺩ ﺭﻓﺘﻪ‪ ،‬ﺁﻧﻬﺎ ﺭﺍ ﺩﺭ‬ ‫ﺗﻠﻔﻨﻰ‪ ،‬ﻛﻴﻮﺍﻥ ﺑﺎژﻥ ﻧﻮﻳﺴﻨﺪﻩ ﻭ ﻋﻀﻮ‬ ‫ﺍﺯ ﺭﻭﻯ ﺁﻥ ﻋﺒﻮﺭ ﻣﻰﻛﻨﻨﺪ‪ ،‬ﺳﺮﺷﺎﺭ‬ ‫ﺭﺿﺎ ﺩﺍﻧﺸﻮﺭ ﺍﻳﺮﺍﻥ ﺭﺍ ﭼﻨﺪﻯ ﭘﺲ ﺍﺯ‬
‫ﺳﺎﻳﻪﺭﻭﺷﻦ ﻭ ﻃﺮﺍﻭﺕ ﺯﻧﺪﮔﻰ ﻛﺴﺎﻧﻰ‬ ‫ﺩﻳﮕﺮ ﻣﻌﻨﻰ‪ ،‬ﻣﻨﻈﻮﺭ ﻭ ﻣﻘﺼﻮﺩ ﺷﺎﻋﺮ‬ ‫ﻛﺘﺎﺑﻰ ﺑﺎ ﺟﻠﺪﻃﻼﻛﻮﺏ ﮔﺮﺩ ﺁﻭﺭﺩﻩ‬ ‫ﻛﺎﻧﻮﻥ ﺑﺮﺍﻯ ﺑﺎﺯﺟﻮﻳﻰ ﺩﺭ ﺭﻭﺯ ﺩﻭﺷﻨﺒﻪ‬ ‫ﺍﺯ ﻫﻴﺠﺎﻥ ﻭ ﮔﺮﻓﺘﻪﺩﻟﻰ؛ ﻫﻴﺠﺎﻥﻫﺎﻯ‬ ‫ﺍﻧﻘﻼﺏ ﺍﺳﻼﻣﻰ ﺗﺮﻙ ﮔﻔﺖ ﻭ ﺳﺎﻛﻦ‬
‫ﻛﻪ ﻫﻨﻮﺯ ﺍﻓﺴﺮﺩﮔﻰ ﻭ ﺟﻤﻮﺩ ﺷﻬﺮﻯ‬ ‫ﺩﺭ ﻫﻤﺎﻥ ﻧﻴﻢ ﺑﻴﺖ ﺁﻣﺪﻩ ﻭ ﺑﺮﺍﻯ ﺩﺭﻙ‬ ‫ﻭ ﺍﺳﺘﺎﺩ ﺩﻛﺘﺮ ﻣﺤﻤﺪ ﻋﻠﻰ ﺍﺳﻼﻣﻰ‬ ‫ﭼﻬﺎﺭﻡ ﺧﺮﺩﺍﺩ ﺑﻪ ﺁﻥ ﺍﺩﺍﺭﻩ ﻓﺮﺍﺧﻮﺍﻧﺪﻩ‬ ‫ﻟﺮﺯﺩﻫﻨﺪﻩﺍﻯ ﻛﻪ ﺁﺩﻡ ﺭﺍ ﺑﺎ ﻫﺮ ﺗﻜﺎﻥ‬ ‫ﭘﺎﺭﻳﺲ ﺷﺪ‪ .‬ﻭﻯ ﺣﺪﻭﺩ ﭼﻬﺎﺭ ﺩﻫﻪ‬
‫ﻣﻌﻨﻰ ﻣﻮﺭﺩ ﻧﻈﺮ ﺑﻪ ﻣﺼﺮﺍﻉ ﺩﻳﮕﺮ‬ ‫ﻧﺪﻭﺷﻦ ﻧﻴﺰ ﻣﻘﺪﻣﻪﺍﻯ ﺑﺮ ﺁﻥ ﻧﮕﺎﺷﺘﻪ‬ ‫ﺑﻴﺸﺘﺮ ﻓﺮﻭ ﻣﻰﺑﺮﻧﺪ‪ .‬ﺯﺷﺖ ﺍﺳﺖ ﻫﻨﻮﺯ‬ ‫ﺩﺭ ﻓﻀﺎﻯ ﺍﺩﺑﻴﺎﺕ ﻓﺎﺭﺳﻰ ﻓﻌﺎﻝ ﺑﻮﺩ‬
‫ﭘﻴﺪﺍ ﻧﻜﺮﺩﻩﺍﻧﺪ ﺑﻪ ﻧﺰﺩ ﻣﺎ ﺁﻭﺭﻧﺪ‪.‬‬ ‫ﺷﺪ‪.‬‬ ‫ﻟ ْﺐ ﺑﺎﺯﻧﻜﺮﺩﻩ ﺑﮕﻮﻳﻰ ﻣﻰﺧﻮﺍﻫﻢ ﮔﺮﻳﻪ‬ ‫ﻭ ﺁﺛﺎﺭ ﻣﺘﻌﺪﺩﻯ ﺭﺍ ﺩﺭ ﺣﻮﺯﻩ ﺩﺍﺳﺘﺎﻥ‬
‫ﺩﻛﺘﺮ ﻧﺪﻭﺷﻦ ﻣﻰﺍﻓﺰﺍﻳﺪ‪ :‬ﺑﻪ ﻧﻈﺮ ﻣﻦ‬ ‫ﻧﻴﺎﺯﻯ ﻧﻴﺴﺖ ﻣﺎﻧﻨﺪ ﺍﻳﻦ ﺍﺑﻴﺎﺕ‪:‬‬ ‫ﺍﺳﺖ‪.‬‬ ‫ﻛﺎﻧﻮﻥ ﻧﻮﻳﺴﻨﺪﮔﺎﻥ ﺍﻳﺮﺍﻥ ﺑﻪ ﺍﻓﺰﺍﻳﺶ‬ ‫ﻛﻨﻢ‪ ،‬ﺍ ّﻣﺎ ﺁﻥﭼﻪ ﻣﺴﻠّﻢﺳﺖ ﻣﻦ ﻭ ﺗﻮ‪،‬‬ ‫ﻛﻮﺗﺎﻩ‪ ،‬ﺭﻣﺎﻥ ﻭ ﻧﻤﺎﻳﺸﻨﺎﻣﻪ ﺧﻠﻖ ﻛﺮﺩ‪.‬‬
‫ﺁﻗﺎﻯ ﻣﺤﻤﺪﻋﻠﻰ ﺣﻘﻴﻘﺖ ﺳﻤﻨﺎﻧﻰ‬ ‫*ﺁﺗﺶﺑﻪﺟﺎﻥﺷﻤﻊﻓﺘﺪﻛﻪﺍﻳﻦﺑﻨﺎﻧﻬﺎﺩ‬ ‫ﻧﺎﺷﺮ ﺍﻳﻦ ﻛﺘﺎﺏ ﺩﺭ ﭘﻴﺶﮔﻔﺘﺎﺭ ﭘﺲ‬ ‫ﺍﻳﻦ ﮔﻮﻧﻪ ﻓﺸﺎﺭﻫﺎﻯ ﺍﻣﻨﻴﺘﻰ ﻣﻌﺘﺮﺽ‬ ‫ﻣﺘﺄ ّﺳﻔﺎﻧﻪ‪ ،‬ﻭﺟﻮﺩ ﺩﺍﺭﻳﻢ ﻭ ﭼﻪ ﺑﺴﻴﺎﺭ‬ ‫ﺭﺿﺎ ﺩﺍﻧﺸﻮﺭ ﺍﺯ ﺟﻤﻠﻪ ﻧﻮﻳﺴﻨﺪﮔﺎﻧﻰ‬
‫ﺩﺭﺑﺎﺭﻩ »ﺿﺮﺏﺍﻟﻤﺜﻞﻫﺎﻯ ﻣﻨﻈﻮﻡ‬ ‫ﺍﺯ ﺍﺷﺎﺭﻩ ﺑﻪ ﺗﻼﺵ ﺑﺰﺭﮔﺎﻧﻰ ﭼﻮﻥ‬ ‫ﺍﺳﺖ ﻭ ﺁﻥ ﺭﺍ ﺍﺯ ﻣﻮﺍﺭﺩ ﺑﺎﺭﺯ ﻧﻘﺾ ﺁﺯﺍﺩﻯ‬ ‫ﺍﻭﻗﺎﺗﻰ ﻛﻪ ﺍﻳﻦﻃﻮﺭ ﻧﻴﺴﺖ ﻭ ﻫﻴﭻ‬ ‫ﺑﻮﺩ ﻛﻪ ﺑﻪ ﺍﻭﺯﺍﻥ ﻋﺮﻭﺿﻰ ﺷﻌﺮ ﻓﺎﺭﺳﻰ‬
‫ﻓﺎﺭﺳﻰ« ﻛﺘﺎﺏ ﺍﺭﺯﻧﺪﻩﺍﻯ ﺗﺎﻟﻴﻒ‬ ‫*ﺁﻧﺎﻥ ﻛﻪ ﻏﻨﻰﺗﺮﻧﺪ ﻣﺤﺘﺎﺝ ﺗﺮﻧﺪ‬ ‫ﻋﻼﻣﻪ ﺩﻫﺨﺪﺍ‪ ،‬ﻣﺤﻤﺪﻋﻠﻰ ﺟﻤﺎﻝ ﺯﺍﺩﻩ‪،‬‬ ‫ﺑﻴﺎﻥ ﻭ ﺣﻖ ﺍﻳﺠﺎﺩ ﻭ ﺣﻀﻮﺭ ﺩﺭ ﻫﺮﮔﻮﻧﻪ‬ ‫ﻛ ِﺲ ﺩﻳﮕﺮ ﻫﻢ ﻧﻴﺴﺖ ﻛﻪ ﺧﻨﺪﻩﻫﺎ ﺭﺍ‬ ‫ﻋﻼﻗﻪ ﺩﺍﺷﺖ ﻭ ﺁﺛﺎﺭ ﻣﺨﺘﻠﻒ ﺩﺍﺳﺘﺎﻧﻰ‬
‫ﻛﺮﺩﻩﺍﻧﺪ‪ .‬ﺩﺭ ﺍﻳﻦ ﻛﺘﺎﺏ ﺍﺭﺗﺒﺎﻁ ﻣﻴﺎﻥ‬ ‫*ﺁﻧﭽﻪﺧﻮﺑﺎﻥﻫﻤﻪﺩﺍﺭﻧﺪﺗﻮﺗﻨﻬﺎﺩﺍﺭﻯ‬ ‫ﻋﻼﻣﻪ ﻣﺤﻤﺪ ﻗﺰﻭﻳﻨﻰ‪ ،‬ﺍﺣﻤﺪ ﺑﻬﻤﻨﻴﺎﺭ‬ ‫ﺑﺸﻨﺎﺳﺪ‪ .‬ﺭﻭﻯﻫﻢ ﺭﻓﺘﻪ ﺗﻌ ّﺠﺐﺁﻭ َﺭﺳﺖ‪،‬‬ ‫ﻭ ﻧﻤﺎﻳﺸﻰ ﺭﺍ ﺩﺭ ﺑﺤﺮﻫﺎﻯ ﻋﺮﻭﺿﻰ‬
‫»ﻣﺜﻞ ﺭﺍﻳﺞ« ﻭ ﺷﻌﺮ ﻓﺎﺭﺳﻰ‪ ،‬ﻫﻢﭼﻨﻴﻦ‬ ‫*ﺍﺯﻛﻮﺯﻩﻫﻤﺎﻥﺑﺮﻭﻥﺗﺮﺍﻭﺩﻛﻪﺩﺭﺍﻭﺳﺖ‬ ‫ﻭ ﺗﻨﻰ ﭼﻨﺪ ﺍﺯ ﭘﮋﻭﻫﺸﮕﺮﺍﻥ ﻓﺎﺭﺳﻰ ﺩﺭ‬ ‫ﺗﺸﻜﻴﻼﺕ ﻣﻰﺩﺍﻧﺪ‪.‬‬
‫ﺳﻴﻼﻥ ﻓﻜﺮ ﺍﺯ ﻛﻮﭼﻪ ﻭ ﺑﺎﺯﺍﺭ ﺑﻪ ﻣﻐﺰ‬ ‫ﺑﻪ ﻋﻨﻮﺍﻥ ﻧﻤﻮﻧﻪ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﻣﺎ ﺍﻳﻦ‬ ‫ﺟﻤﻊﺁﻭﺭﻯ ﺍﻣﺜﺎﻝ ﻭ ﺣﻜﻢ‪ ،‬ﻧﺘﻴﺠﻪ ﮔﺮﻓﺘﻪ‬ ‫ﺍ ّﻣﺎ ﻫﻤﻪ ﺍﻳﻦ ﻧﻴﺴﺖ‪.‬‬ ‫ﻧﻮﺷﺖ‪.‬‬
‫ﺷﺎﻋﺮ‪ ،‬ﻭ ﺑﺮﻋﻜﺲ‪ ،‬ﺍﺯ ﺧﻠﻮﺕ ﺷﺎﻋﺮ ﺑﻪ‬ ‫ﻣﺼﺮﻉ ﺭﺍ ﺩﺭ ﺣﻔﻆ ﺩﺍﺭﻳﻢ ﻛﻪ ﻣﻰﮔﻮﻳﺪ‪:‬‬ ‫ﺍﺳﺖ ﻛﻪ ﺣﺎﺻﻞ ﻛﻮﺷﺶﻫﺎﻯ ﺁﻧﺎﻥ‬ ‫ﺁﻳﺎ ﺭﻭﺯﻫﺎﻳﻰ ﺭﺍ ﻛﻪ ﺑﻪ ﻳﺎﺩ ﻣﻰﺁﻭﺭﻡ‬ ‫ﺭﺿﺎ ﺩﺍﻧﺸﻮﺭ ﻋﻼﻭﻩ ﺑﺮ ﺭﻣﺎﻥ‪ ،‬ﺷﻤﺎﺭﻯ‬
‫*ﺍﺷﻚﻛﺒﺎﺏﺑﺎﻋﺚﻃﻐﻴﺎﻥﺁﺗﺶﺍﺳﺖ‬ ‫ﭼﺮﺍﻍ ﺭﺍﻩ ﭘﻮﻳﻨﺪﮔﺎﻥ ﺍﻳﻦ ﺭﺷﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﮔﻢ ﺷﺪﻩﺍﻧﺪ‪ ،‬ﻭ ﻳﺎ ﺍﺻ ًﻼ ﻭﺟﻮﺩ‬ ‫ﺩﺍﺳﺘﺎﻥ ﻛﻮﺗﺎﻩ ﻭ ﻧﻤﺎﻳﺸﻨﺎﻣﻪ ﻫﻢ‬
‫ﻏﻮﻏﺎﻯ ﺑﺮﺯﻥ‪ ،‬ﺧﻮﺏ ﻧﻤﻮﺩﻩ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺳﻤﻨﺎﻧﻰ ﺳﭙﺲ ﺑﻪ ﻛﻮﺷﺶﻫﺎﻯ ﺧﻮﺩ‬ ‫ﻧﺪﺍﺷﺘﻪﺍﻧﺪ؟ ﺁﻳﺎ ﺭﻭﺯﻫﺎﻳﻰ ﺭﺍ ﻛﻪ ﺑﻪ ﻳﺎﺩ‬ ‫ﻧﻮﺷﺘﻪ ﺑﻮﺩ‪ .‬ﺩﺍﺳﺘﺎﻥﻫﺎﻯ ﻛﻮﺗﺎﻩ ﺍﻭ‬
‫ﻛﻪ ﻣﺼﺮﻉ ﻧﺨﺴﺖ ﺁﻥ ﭼﻨﻴﻦ ﺍﺳﺖ‪:‬‬ ‫ﺑﺮﺍﻯ ﮔﺮﺩﺁﻭﺭﻯ ﻣﺼﺮﺍﻉﻫﺎﻯ ﮔﻤﺸﺪﻩ‬ ‫ﻣﻰﺁﻭﺭﻳﻢ ﻭ‪ ،‬ﺍﺣﺘﻤﺎﻻً‪ ،‬ﻭﺟﻮﺩ ﺩﺍﺷﺘﻪﺍﻧﺪ‪،‬‬ ‫ﺩﺭ ﻣﺠﻤﻮﻋﻪﻫﺎﻯ »ﻫﻰ ﻫﻰ ﺟﺒﻠﻰ‬
‫ﺁﻟﺰﺍﻳﻤﺮ ﺳﺮﺍﻍ‬ ‫ﺯﺑﺎﻧﺰﺩﻫﺎ ﺗﻮﺿﻴﺢ ﻣﻰﺩﻫﺪ ﻭ ﻣﻰﻧﻮﻳﺴﺪ‪:‬‬ ‫ﺭﻭﺯﻫﺎﻯ ﺑﻬﺘﺮﻯ ﺑﻮﺩﻩﺍﻧﺪ؟ ﺩﺧﺘﺮﻯ ﻛﻪ‬ ‫ﻗﻢ ﻗﻢ« ‪» ،‬ﺷﺶ ﺩﺍﺳﺘﺎﻥ ﻟﻮﺡ« ﻭ‬
‫»ﻋﻤﺮ ﺷﺮﻳﻒ«‬ ‫ﺑﺮ ﺳﺮ ﺁﻥ ﻧﻴﺴﺘﻢ ﺑﻪ ﺁﻧﭽﻪ ﻣﺤﻘﻘﺎﻥ‬ ‫ﺑﻪ ﺳﺎﺩﮔﻰ ﮔﺮﻳﻪ ﻣﻰﻛﺮﺩ ﻭ ﺑﻪﺳﺒ ِﻚ‬ ‫»ﻣﺤﺒﻮﺑﻪ ﻭ ﺁﻝ« ﻣﻨﺘﺸﺮ ﺷﺪ‪ .‬ﺭﻣﺎﻥﻫﺎﻯ‬
‫ﻭ ﺍﻧﺪﻳﺸﻤﻨﺪﺍﻥ ﺩﺭﺑﺎﺭﻩ ﺍﻣﺜﺎﻝ ﻭ ﺣﻜﻢ‬ ‫ﻓﻴﻠﻢﻫﺎﻯ ﻓﺮﺍﻧﺴﻮﻯ ﻋﺎﺷﻖ ﺑﻮﺩ‪ ،‬ﺍﻛﻨﻮﻥ‬ ‫»ﻋﺎﺷﻮﺭﺍ‪ ،‬ﻋﺎﺷﻮﺭﺍ« ﻭ »ﻛﭙﺮﻧﺸﻴﻦﻫﺎ« ﻭ‬
‫ﻫﻢ ﺭﻓﺖ‬ ‫ﺳﺨﻦ ﮔﻔﺘﻪﺍﻧﺪ ﻭ ﺁﻥ ﺭﺍ ﺗﻤﺎﻡ ﻭ ﻛﻤﺎﻝ‬ ‫ﺑﻪ ﻫﻤﺎﻥ َﺳﺒﻚ‪ ،‬ﻛ ِﻒ ﻟﺰﺝ ﻭ ﺳﺮ ِﺩ ﺩﺭﻳﺎ‬ ‫ﻧﻤﺎﻳﺸﻨﺎﻣﻪﻫﺎﻯ »ﻛﺠﺎﻯ ﺳﺎﻝ ﺩﻭ ﻫﺰﺍﺭ‬
‫ﺑﻪ ﻋﻼﻗﻤﻨﺪﺍﻥ ﺷﻨﺎﺳﺎﻧﺪﻩﺍﻧﺪ‪ ،‬ﻣﻄﻠﺒﻰ‬ ‫ﺩﺭﺍﺯ ﻛﺸﻴﺪﻩ ﺍﺳﺖ ﻭ ﭼﺸﻤﺎ ِﻥ ﺷ ّﻔﺎﻓﺶ‬ ‫ﻣﻨﺘﻈﺮﺕ ﺑﺎﺷﻢ«‪» ،‬ﺧﻮﺭﺷﻴﺪ ﺭﻭﻯ‬
‫»ﻋﻤﺮ ﺷﺮﻳﻒ«‪ -‬ﺑﺎﺯﻳﮕﺮ ﻣﻌﺮﻭﻑ ﻭ ‪83‬‬ ‫ﺍﺿﺎﻓﻪ ﻛﻨﻢ ﻭﻟﻰ ﻻﺯﻡ ﻣﻰﺩﺍﻧﻢ ﻧﻜﺎﺗﻰ ﺭﺍ‬ ‫ﺁﻫﺴﺘﻪ ﻣﻰﺳﻮﺯﺩ‪ .‬ﻗﺮﻧﻰ ﺍﺯ ﻋﻤ ِﺮ ﻣﺎ‬ ‫ﻳﺦ« ‪» ،‬ﺷﻬﺮ ﻟﻮﻁ«‪» ،‬ﻧﻤﺎﺯ ﻣﻴﺖ«‬
‫ﺳﺎﻟﻪ ﻣﺼﺮﻯ– ﺑﻪ ﺁﻟﺰﺍﻳﻤﺮ ﻣﺒﺘﻼ ﺷﺪﻩ‬ ‫ﻭ »ﻣﺴﺎﻓﺮ ﻫﻴﭻ ﻛﺠﺎ« ﺍﺯ ﺩﻳﮕﺮ ﺁﺛﺎﺭ‬
‫ﺍﺳﺖ‪» .‬ﻃﺎﺭﻕ ﺷﺮﻳﻒ«‪ ،‬ﻓﺮﺯﻧﺪ ﺍﻳﻦ ﺑﺎﺯﻳﮕﺮ‬ ‫ﺩﺭﺑﺎﺭﻩ ﻛﺘﺎﺏ ﺣﺎﺿﺮ ﻳﺎﺩﺁﻭﺭ ﺷﻮﻡ‪.‬‬ ‫ﮔﺬﺷﺘﻪ ﺍﺳﺖ…«‬
‫ﺩﺭ ﻣﺼﺎﺣﺒﻪ ﺑﺎ ﻳﻚ ﺭﻭﺯﻧﺎﻣﻪ ﺍﺳﭙﺎﻧﻴﺎﻳﻰ‬ ‫ﻭﻯ ﺍﺩﺍﻣﻪ ﻣﻰﺩﻫﺪ‪ :‬ﻫﻤﮕﺎﻥ ﻣﻰﺩﺍﻧﻨﺪ‬ ‫ﻛﺘﺎﻳﻮﻥ ﺣﻼﺟﺎﻥ‬ ‫ﻣﻨﺘﺸﺮﺷﺪﻩ ﺭﺿﺎ ﺩﺍﻧﺸﻮﺭ ﻫﺴﺘﻨﺪ‪.‬‬
‫ﺑﻪ ﺍﻳﻦ ﻣﻮﺿﻮﻉ ﺍﺷﺎﺭﻩ ﻛﺮﺩﻩ ﺑﻮﺩ‪.‬‬ ‫ﺿﺮﺏﺍﻟﻤﺜﻞﻫﺎﻯ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ ﺑﻪ ﺩﻭ‬ ‫ﺩﺭ ﺍﻳﻦ ﻣﻴﺎﻥ »ﻣﺴﺎﻓﺮ ﻫﻴﭻ ﻛﺠﺎ«‬
‫»ﻋﻤﺮ ﺷﺮﻳﻒ« ﺩﺭ ﺳﺎﻝ ‪1962‬‬ ‫ﺑﺨﺶ ﻣﻨﻈﻮﻡ ﻭ ﻣﻨﺜﻮﺭ ﺗﻘﺴﻴﻢ ﻣﻰﺷﻮﺩ‬ ‫ﺭﻭﺍﻳﺖ ﻣﺸﻜﻼﺕ ﻳﻚ ﭘﻨﺎﻩﺟﻮﻯ ﺍﻳﺮﺍﻧﻰ‬
‫ﺑﺮﺍﻯ ﺑﺎﺯﻯ ﺩﺭ ﻓﻴﻠﻢ ﻣﻌﺮﻭﻑ »ﻟﻮﺭﻧﺲ‬ ‫ﻭ ﻣﺜﺎﻝﻫﺎﻯ ﺍﻳﻦ ﻛﺘﺎﺏ ﻫﻤﮕﻰ ﻣﻨﻈﻮﻡ‬ ‫ﺩﺭ ﻓﺮﻭﺩﮔﺎﻩ ﺷﺎﺭﻝ ﺩﻭﮔﻞ ﭘﺎﺭﻳﺲ ﺍﺳﺖ‬
‫ﺍﺳﺖ ﻭ ﻣﺜﻞﻫﺎﻯ ﻣﻨﺜﻮﺭ ﺩﺭ ﺁﻥ ﻧﻴﺎﻣﺪﻩ‬ ‫ﻭ »ﻧﻤﺎﺯ ﻣﻴﺖ« ﺭﻭﺍﻳﺖ ﺩﻭ ﺯﻧﺪﺍﻧﻰ‬
‫ﻋﺮﺑﺴﺘﺎﻥ« ﺩﺭ ﻧﻘﺶ ﻣﻘﺎﺑﻞ »ﭘﻴﺘﺮ ﺍﻭﺗﻮﻝ«‬ ‫ﺍﺳﺖ ﺑﻪ ﺍﺳﺘﺜﻨﺎﻯ ﭼﻨﺪ ﻧﻤﻮﻧﻪ ﻛﻪ ﺑﻪ‬ ‫ﺳﻴﺎﺳﻰ ﭘﻴﺶ ﺍﺯ ﺍﻧﻘﻼﺏ ﺍﺳﻼﻣﻰ ﺍﺳﺖ‪.‬‬
‫ﺑﻪ ﺍﻭﺝ ﺷﻬﺮﺕ ﺭﺳﻴﺪ ﻭ ﺑﺮﺍﻯ ﺑﺎﺯﻯ ﺩﺭ‬ ‫ﺍﺯ ﻭﻯ ﻫﻢﭼﻨﻴﻦ ﻛﺘﺎﺑﻰ ﺩﺭ ﺳﺎﻝ‬
‫ﺍﻳﻦ ﻓﻴﻠﻢ ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ »ﺩﻳﻮﻳﺪ ﻟﻴﻦ«‬ ‫ﺟﺎﻥ ﻭﻳﻦ ﺻﺎﺣﺐ ﻣﻮﺯﻩ ﺷﺪ‬ ‫‪ 2010‬ﺑﺎ ﻧﺎﻡ »ﺑﺎﻏﻰ ﻣﻴﺎﻥ ﺩﻭ ﺧﻴﺎﺑﺎﻥ‪،‬‬
‫ﻭ ﺩﺭ ﻧﻘﺶ »ﻛﻼﻧﺘﺮ ﻋﻠﻰ« ﻧﺎﻣﺰﺩ ﻛﺴﺐ‬ ‫ﭼﻬﺎﺭ ﻫﺰﺍﺭ ﺭﻭﺯ ﺍﺯ ﺯﻧﺪﮔﻰ ﻛﺎﻣﺮﺍﻥ‬
‫ﺟﺎﻳﺰﻩ ﺍﺳﻜﺎﺭ ﺑﻬﺘﺮﻳﻦ ﺑﺎﺯﻳﮕﺮ ﻣﺮﺩ ﺷﺪ‪.‬‬ ‫ﺩﻳﺒﺎ« ﺑﻪ ﭼﺎپ ﺭﺳﻴﺪﻩ ﻛﻪ ﺷﺎﻣﻞ‬
‫»ﻋﻤﺮ ﺷﺮﻳﻒ« ﺑﻪ ﻫﻤﻜﺎﺭﻯ ﺑﺎ »ﺩﻳﻮﻳﺪ‬ ‫ﮔﻔﺘﮕﻮﻯ ﻭﻯ ﺑﺎ ﻛﺎﻣﺮﺍﻥ ﻃﺒﺎﻃﺒﺎﻳﻰ‬
‫ﻟﻴﻦ« ﺍﺩﺍﻣﻪ ﺩﺍﺩ ﻭ ﺩﺭ ﻓﻴﻠﻢ »ﺩﻛﺘﺮ‬ ‫ﺩﻳﺒﺎ‪ ،‬ﻧﻘﺎﺵ ﻭ ﻣﻌﻤﺎﺭ ﺻﺎﺣﺐ ﺳﺒﻚ‬
‫ژﻳﻮﺍﮔﻮ« ﺩﺭ ﻛﻨﺎﺭ »ﺟﻮﻟﻰ ﻛﺮﻳﺴﺘﻰ«‬
‫ﺟﺎﻳﺰﻩ ﮔﻠﺪﻥ ﮔﻠﻮﺏ ﺭﺍ ﺑﺮﺍﻯ ﺑﺎﺯﻯ ﺩﺭ‬ ‫ﺍﻳﺮﺍﻧﻰ ﺍﺳﺖ‪.‬‬

‫ﺍﻳﻦ ﻓﻴﻠﻢ ﺑﻪ ﺩﺳﺖ ﺁﻭﺭﺩ‪.‬‬ ‫ﻣﺮﺯﺑﺎﻥ ﺑﺎﺯﻳﮕﺮ ﺗﺌﺎﺗﺮ ﺩﺭﮔﺬﺷﺖ‬
‫ﻋﻤﺮ ﺷﺮﻳﻒ ﺑﺎ ﻓﻴﻠﻢ »ﻣﺴﻴﻮ ﺍﺑﺮﺍﻫﻴﻢ‬
‫ﻭ ﮔﻞﻫﺎﻯ ﻗﺮﺁﻥ« ﺩﺭ ﺳﺎﻝ ‪2003‬‬ ‫ﻣﺮﺯﺑﺎﻥ‬ ‫ﻣﺤﺴﻦ‬
‫ﻛﻪ ﺑﺮ ﺍﺳﺎﺱ ﺩﺍﺳﺘﺎﻧﻰ ﺑﻪ ﻫﻤﻴﻦ ﻧﺎﻡ‬
‫ﺍﺯ ﻳﻚ ﻧﻮﻳﺴﻨﺪﻩ ﻓﺮﺍﻧﺴﻮﻯ‪ -‬ﺑﻠﮋﻳﻜﻰ‬ ‫ﻫﻨﺮﭘﻴﺸﻪ ﻣﻄﺮﺡ ﺗﺌﺎﺗﺮ ﻭ‬
‫ﺑﻪ ﻧﺎﻡ ﺍﺭﻳﻚ ﺍﻣﺎﻧﻮﺋﻞ ﺍﺷﻤﻴﺖ ﺳﺎﺧﺘﻪ‬
‫ﺷﺪﻩ ﺑﻮﺩ ﺩﻭﺑﺎﺭﻩ ﺩﺭ ﺳﻴﻨﻤﺎ ﻣﻄﺮﺡ ﺷﺪ‪.‬‬ ‫ﺳﻴﻨﻤﺎ ﻣﻘﻴﻢ ﻟﺲ ﺁﻧﺠﻠﺲ‬
‫ﻧﻘﺶ »ﻣﺴﻴﻮ ﺍﺑﺮﺍﻫﻴﻢ« ﺩﺭ ﺍﻳﻦ ﻓﻴﻠﻢ‬
‫ﺑﺰﺭگﺗﺮﻳﻦ ﻭ ﻣﻬﻢﺗﺮﻳﻦ ﻧﻘﺸﻰ ﺑﻮﺩ ﻛﻪ‬ ‫ﺩﺭ ﭘﻰ ﺍﺑﺘﻼ ﺑﻪ ﺗﻮﻣﻮﺭ‬
‫ﻭﻯ ﭘﺲ ﺍﺯ »ﻟﻮﺭﻧﺲ ﻋﺮﺑﺴﺘﺎﻥ«‪» ،‬ﺩﻛﺘﺮ‬
‫ژﻳﻮﺍﮔﻮ« ﻭ »ﺩﺧﺘﺮ ﻣﺴﺨﺮﻩ« ﺑﺎﺯﻯ ﻛﺮﺩ‪.‬‬ ‫ﻣﻐﺰﻯ ﺩﺭ ﺑﻴﻤﺎﺭﺳﺘﺎﻧﻰ ﺩﺭ‬
‫ﻧﺎﻡ ﻭﺍﻗﻌﻰ ﻋﻤﺮ ﺷﺮﻳﻒ »ﻣﻴﺸﻞ‬
‫ﺩﻳﻤﻴﺘﺮﻯ ﺷﻠﻬﻮﺏ« ﺍﺳﺖ‪ .‬ﺍﻭ ﺩﺭ ﻳﻚ‬ ‫ﺍﻳﻦ ﺷﻬﺮ ﺩﺭﮔﺬﺷﺖ‪.‬‬
‫ﺧﺎﻧﻮﺍﺩﻩ ﻣﺴﻴﺤﻰ ﺩﺭ ﻣﺼﺮ ﺑﻪ ﺩﻧﻴﺎ ﺁﻣﺪﻩ‬
‫ﻭ ﭘﺲ ﺍﺯ ﻭﺭﻭﺩ ﺑﻪ ﺳﻴﻨﻤﺎ ﺑﺎ ﻳﻜﻰ ﺍﺯ‬ ‫ﻣﺮﺯﺑﺎﻥ ﺩﺭ ﺁﻏﺎﺯ ﺑﺎﺯﻳﮕﺮﻯ‬
‫ﺳﺘﺎﺭﮔﺎﻥ ﻭﻗﺖ ﺳﻴﻨﻤﺎﻯ ﻣﺼﺮ ﺑﻪ ﻧﺎﻡ‬
‫ﻓﺎﺗﻦ ﺣﻤﺎﻣﻪ ﺍﺯﺩﻭﺍﺝ ﻛﺮﺩ ﻭ ﺣﺎﺻﻞ‬ ‫ﻛﺎﺭ ﺧﻮﺩ ﺭﺍ ﺑﺎ ﺷﺮﻛﺖ‬

‫ﺍﺯﺩﻭﺍﺝ ﺁﻧﻬﺎ »ﻃﺎﺭﻕ ﺷﺮﻳﻒ« ﺍﺳﺖ‪.‬‬ ‫ﺩﺭ ﻧﻤﺎﻳﺶﻧﺎﻣﻪ »ﺁﺳﺪ‬
‫»ﻓﺎﺗﻦ ﺣﻤﺎﻣﻪ« ﭼﻨﺪﻯ ﭘﻴﺶ‬
‫ﻛﺎﻇﻢ« ﻧﻮﺷﺘﻪ ﻣﺤﻤﻮﺩ‬
‫ﺩﺭﮔﺬﺷﺖ‪.‬‬
‫ﺍﺳﺘﺎﺩﻣﺤﻤﺪ ﺁﻏﺎﺯ ﻛﺮﺩ‪.‬‬

‫ﺷﺮﻛﺖ ﺩﺭ ﻧﻤﺎﻳﺸﻨﺎﻣﻪ‬

‫ﻣﺤﺴﻦ ﻣﺮﺯﺑﺎﻥ‬ ‫ﻣﻌﺮﻭﻑ »ﺷﻬﺮﻗﺼﻪ«‬

‫»ﺧﺮ« ﺩﺭ ﻧﻤﺎﻳﺶﻧﺎﻣﻪﺍﻯ ﺑﻪ ﻫﻤﻴﻦ ﻧﺎﻡ‬ ‫ﻧﻮﺷﺘﻪ ﻭ ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ‬
‫ﻧﻮﺷﺘﻪ ﭘﺮﻭﻳﺰ ﺻﻴﺎﺩ‪» ،‬ﻓﺮﺍﺭ ﺑﺰﺭگ« ﻭ‬
‫»ﺳﻮﺭﭘﺮﺍﻳﺰ ﭘﺎﺭﺗﻰ« ﺍﺯ ﺟﻤﻠﻪ ﻛﺎﺭﻫﺎﻯ‬ ‫ﺷﺎﺩﺭﻭﺍﻥ ﺑﻴﮋﻥ ﻣﻔﻴﺪ‪ ،‬ﻧﻘﺶ ﺩﻳﮕﺮﻯ‬

‫ﺗﻨﺪﻳﺲ ﺟﺎﻥ ﻭﻳﻦ ﺩﺭ ﺑﺮﺍﺑﺮ ﺧﺎﻧﻪ ﻭ ﻣﻮﺯﻩ ﺍﺵ‬ ‫ﺗﺌﺎﺗﺮﻯ ﻣﺮﺯﺑﺎﻥ ﺑﻮﺩ‪.‬‬ ‫ﺑﻮﺩ ﻛﻪ ﻣﺮﺯﺑﺎﻥ ﭘﺲ ﺍﺯ ﺧﺮﻭﺝ ﺍﺯ‬
‫ﺩﺭ ﺁﺋﻴﻦ ﺧﺎﻛﺴﭙﺎﺭﻯ ﻣﺤﺴﻦ ﻣﺮﺯﺑﺎﻥ‬
‫ﺍﻫﺎﻟﻰ ﺷﻬﺮ ﻭﻳﻨﺘﺮﺳﺖ ﺩﺭ ﺍﻳﺎﻟﺖ‬ ‫ﻋﻼﻭﻩ ﺑﺮ ﺑﺎﺯﻣﺎﻧﺪﮔﺎﻥ ﻭﻯ‪ ،‬ﻫﻨﺮﻣﻨﺪﺍﻧﻰ‬ ‫ﺍﻳﺮﺍﻥ ﺑﺮ ﻋﻬﺪﻩ ﮔﺮﻓﺖ‪.‬‬
‫ﺁﻳﻮﻭﺍﻯ ﺁﻣﺮﻳﻜﺎ ﺑﻪ ﻋﻨﻮﺍﻥ ﺯﺍﺩﮔﺎﻩ »ﺟﺎﻥ‬ ‫ﭼﻮﻥ ﺁﭘﻴﻚ ﻳﻮﺳﻔﻴﺎﻥ‪ ،‬ﻣﺮﻯ ﺁﭘﻴﻚ‪،‬‬
‫ﻭﻳﻦ« ﺧﺎﻧﻪ ﺍﻳﻦ ﻫﻨﺮﭘﻴﺸﻪ ﺷﻬﻴﺮ‬ ‫ﭘﺮﻭﻳﺰﺻﻴﺎﺩ‪ ،‬ﻣﺮﺗﻀﻰ ﺧﻮﺍﻧﻨﺪﻩ ﭘﺎپ ﻭ‬ ‫ﻛﺎﺭﻫﺎﻯ ﺩﻳﮕﺮﻣﺤﺲ‬
‫ﺭﺍ ﻫﻤﺮﺍﻩ ﺑﺎ ﻛﻠﻜﺴﻴﻮﻧﻰ ﺍﺯ ﺍﺷﻴﺎ ﻭ‬ ‫ﻫﻢﭼﻨﻴﻦ ﺷﻤﺎﺭﻯ ﺍﺯ ﺩﺳﺖ ﺩﺭ ﻛﺎﺭﺍﻥ‬
‫ﻳﺎﺩﮔﺎﺭﻯﻫﺎﻳﺶ ﺑﻪ ﻣﻮﺯﻩ ﺑﺪﻝ ﻛﺮﺩﻧﺪ‪.‬‬ ‫ﻥ ﻣﺮﺯﺑﺎﻥ ﺷﺮﻛﺖ ﺩﺭ‬
‫ﺗﺌﺎﺗﺮ ﺷﺮﻛﺖ ﺩﺍﺷﺘﻨﺪ‪.‬‬
‫ﺳﻴﺎﻭﺵ ﺁﺫﺭﻯ‬ ‫ﻧﻤﺎﻳﺸﻨﺎﻣﻪﻫﺎﻯ »ﻣﻴﻬﻤﺎﻧﺎﻥ ﻫﺘﻞ‬

‫ﺁﺳﺘﻮﺭﻳﺎ« ﻧﻮﺷﺘﻪ ﺭﺿﺎ ﻋﻼﻣﻪ ﺯﺍﺩﻩ‪،‬‬

‫»ﻛﺎﻓﻪ ﺍﻛﺒﺮﺁﻗﺎ ﻧﻮﺳﺘﺎﻟﮋﻯ ﺑﻪ ﻓﺮﻭﺵ‬

‫ﺧﺎﻧﻮﺍﺩﻩ »ﺟﺎﻥ ﻭﻳﻦ« )ﺑﺎ ﻧﺎﻡ ﺍﺻﻠﻰ‬ ‫ﻣﻰﺭﺳﺪ« ﻧﻮﺷﺘﻪ ﻫﻮﺷﻨﮓ ﺗﻮﺯﻳﻊ‪،‬‬
‫ﻣﺎﺭﻳﻮﻥ ﻣﻮﺭﻳﺴﻮﻥ( ﻫﻨﮕﺎﻣﻰ ﻛﻪ ﺍﻭ‬
‫ﺗﻨﻬﺎ ‪ 9‬ﺳﺎﻝ ﺩﺍﺷﺖ ﺍﺯ ﺷﻬﺮ ﻭﻳﻨﺘﺮﺳﺖ‬ ‫»ﺁﻥ ﺳﻔﺮﻛﺮﺩﻩ« ﻧﻮﺷﺘﻪ ﺯﻭﻳﺎ‬
‫ﺑﻪ ﻛﺎﻟﻴﻔﺮﻧﻴﺎﻯ ﺟﻨﻮﺑﻰ ﻧﻘﻞ ﻣﻜﺎﻥ‬
‫ﻛﺮﺩ‪ .‬ﺍﻳﻦ ﻫﻨﺮﭘﻴﺸﻪ ﻛﻪ ﺑﺮﺍﻯ ﺑﺎﺯﻯ‬ ‫ﺯﺍﻛﺎﺭﻳﺎﻥ‪ ،‬ﺍﻳﻔﺎﻯ ﻧﻘﺶ ﺷﺨﺼﻴﺖ‬
‫ﺩﺭ ﻧﻘﺶﻫﺎﻳﺶ ﺩﺭ ﻓﻴﻠﻢﻫﺎﻯ ﻭﺳﺘﺮﻥ‬
‫ﻣﻌﺮﻭﻑ ﺍﺳﺖ‪ ،‬ﻣﺘﻮﻟﺪ ﺳﺎﻝ ‪ 1907‬ﺑﻮﺩ‪.‬‬

‫ﻛﺎﻭﻳﻮﻯ ﺑﻪ ﻳﺎﺩ ﻣﺎﻧﺪﻧﻰ‬ ‫ﺟﺎﻥ ﻭﻳﻦ ﺑﺮﺍﻯ ﺑﺎﺯﻯ ﺩﺭ ﻓﻴﻠﻢ‬
‫»ﺷﺠﺎﻋﺖ ﻭﺍﻗﻌﻰ« ﺩﺭ ﺳﺎﻝ ‪1969‬‬
‫ﻣﻮﺟﻮﺩ ﺩﺭ ﻣﻮﺯﻩ‪ ،‬ﻭﺳﺎﻳﻞ ﻣﺨﺼﻮﺹ‬ ‫ﺩﻭﺭﻩ ﻓﻌﺎﻟﻴﺖ ﺩﺭﺧﺸﺎﻧﺶ ﺩﺭ ﻫﺎﻟﻴﻮﻭﺩ‬ ‫ﻣﻮﻓﻖ ﺑﻪ ﺩﺭﻳﺎﻓﺖ ﺟﺎﻳﺰﻩ ﺍﺳﻜﺎﺭ ﺑﻬﺘﺮﻳﻦ‬ ‫ﺩﺭ ﺧﺎﻛﺴﭙﺎﺭﻯ ﻣﺤﺴﻦ ﻣﺮﺯﺑﺎﻥ‪:‬‬
‫ﻭ ﻣﺮﺑﻮﻁ ﺑﻪ ﻓﻴﻠﻢ ﻫﺎﻯ ﺍﻭ ﻭ ﭘﻴﺮﻫﻨﻰ‬ ‫ﺑﻪ ﻧﻤﺎﻳﺶ ﻣﻰﮔﺬﺍﺭﺩ‪.‬‬ ‫ﻣﺮﻯ ﺁﭘﻴﻚ‪ ،‬ﭘﺮﻭﻳﺰ ﺻﻴﺎﺩ‪ ،‬ﺁﭘﻴﻚ ﻳﻮﺳﻔﻴﺎﻥ‪ ،‬ﻣﺮﺗﻀﻰ‬
‫ﺧﻮﻧﻴﻦ ﺍﺳﺖ ﻛﻪ ﺟﺎﻥ ﻭﻳﻦ ﺩﺭ ﺻﺤﻨﻪ‬ ‫ﻫﻨﺮﭘﻴﺸﻪ ﻣﺮﺩ ﺷﺪ‪.‬‬
‫ﺁﺧﺮ ﻓﻴﻠﻢ »ﺗﻴﺮﺍﻧﺪﺍﺯ«)‪ (1976‬ﺑﺮ ﺗﻦ‬ ‫ﺩﺭ ﻣﻮﺯﻩ ﺟﺎﻥ ﻭﻳﻦ‪ ،‬ﻧﻤﺎﻳﺸﮕﺎﻩﻫﺎﻯ‬
‫ﺑﺴﻴﺎﺭﻯ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻛﻪ ﺑﺪﻭﻥ ﺷﻚ‬ ‫ﻣﻮﺯﻩ ﺟﺎﻥ ﻭﻳﻦ ﺑﺎ ﻣﺴﺎﺣﺖ ‪1900‬‬
‫ﺩﺍﺷﺖ‪.‬‬ ‫ﻃﺮﻓﺪﺍﺭﺍﻥ ﻓﻴﻠﻢ ﺭﺍ ﻫﻴﺠﺎﻥﺯﺩﻩ ﺧﻮﺍﻫﺪ‬ ‫ﻣﺘﺮ ﻣﺮﺑﻊ‪ ،‬ﺧﺎﻧﻪ ﺑﺰﺭﮔﺘﺮﻳﻦ ﻛﻠﻜﺴﻴﻮﻥ‬
‫ﺩﺭ ﻣﺮﺍﺳﻢ ﻭﻳﮋﻩ ﺑﺎﺯﮔﺸﺎﻳﻰ ﺍﻳﻦ‬ ‫ﻛﺮﺩ ﺍﺯ ﺟﻤﻠﻪ ﺍﺷﻴﺎ ﺑﻪ ﻧﻤﺎﻳﺶ ﮔﺬﺍﺷﺘﻪ‬ ‫ﺍﺷﻴﺎ ﻭ ﻳﺎﺩﮔﺎﺭﻯﻫﺎﻯ ﻣﺮﺑﻮﻁ ﺑﻪ ﺟﺎﻥ‬
‫ﻣﻮﺯﻩ ﻛﻪ ﺍﺯ ‪ 22‬ﺗﺎ ‪ 25‬ﻣﻪ ‪ 2015‬ﺩﺭ‬ ‫ﺷﺪﻩ‪ ،‬ﻣﻰﺗﻮﺍﻥ ﺑﻪ ﻫﻔﺖ ﺗﻴﺮ ﺍﻭ ﺩﺭ ﻓﻴﻠﻢ‬ ‫ﻭﻳﻦ ﻭ ﻓﻴﻠﻢﻫﺎﻳﺶ ﺍﺳﺖ ﻛﻪ ﺑﺎ ﺁﻧﭽﻪ ﺑﻪ‬
‫ﺷﻬﺮ ﻭﻳﻨﺘﺮﺳﺖ ﺑﺮﮔﺰﺍﺭ ﺷﺪ‪ ،‬ﻫﻤﻜﺎﺭ‬ ‫»ﺁﻻﻣﻮ« )‪ (1960‬ﻭ ﺯﻳﻦ ﺍﺳﺒﻰ ﻛﻪ‬ ‫ﻋﻨﻮﺍﻥ ﺗﻮﻟﻴﺪﻛﻨﻨﺪﻩ ﺩﺭ ﺁﻧﻬﺎ ﻣﺸﺎﺭﻛﺖ‬
‫ﻭ ﺩﻭﺳﺖ ﻗﺪﻳﻤﻰ ﺟﺎﻥ ﻭﻳﻦ‪ ،‬ﻣﺎﺭﻳﻦ‬ ‫ﺍﻭ ﺩﺭ ﻓﻴﻠﻢ »ﮔﺎﻭﭼﺮﺍﻥﻫﺎ«)‪(1972‬‬ ‫ﺩﺍﺷﺘﻪ ﻧﺰﺩﻳﻚ ﺑﻪ ﺩﻭﻳﺴﺖ ﻓﻴﻠﻢ‬
‫ﺍﺳﺘﻔﺎﺩﻩ ﻛﺮﺩ‪ ،‬ﺍﺷﺎﺭﻩ ﻧﻤﻮﺩ‪ .‬ﺩﻳﮕﺮ ﺍﺷﻴﺎ‬ ‫ﻣﻰﺷﻮﺩ‪ .‬ﺩ ﺭﺍﻳﻦ ﺧﺎﻧﻪ ﺳﺎﻟﻦ ﻧﻤﺎﻳﺸﻰ‬
‫ﺍﻭﻫﺎﺭﺍ ﻧﻴﺰ ﺷﺮﻛﺖ ﺩﺍﺷﺖ‪.‬‬ ‫ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻛﻪ ﺑﺮﺧﻰ ﺍﺯ ﺁﺛﺎﺭ ﺍﻭ ﺭﺍ ﺩﺭ‬