Page 5 - (کیهان لندن - سال سى و سوم ـ شماره ۲۱ (دوره جديد

P. 5

‫ﺻﻔﺤﻪ ‪ 5‬ـ ‪ Page 5‬ـ ﺷﻤﺎﺭﻩ ‪21‬‬
‫ﺟﻤﻌﻪ ‪ 14‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 20‬ﺍﻭﺕ ‪2015‬‬

‫ﺗﺮﺍﻧﻪﻫﺎﻯ ﺩﺭﻳﺎ ﻭ »ﺭﺥ ﺩﻳﻮﺍﻧﻪ«؛ ﮔﺰﺍﺭﺵ ﻓﺴﺘﻴﻮﺍﻝ‬ ‫ﺑﻪ ﻣﻨﺎﺳﺒﺖ ﺳﺎﻟﺮﻭﺯ ﺗﻮﻟﺪ ﻫﻨﺮﻣﻨﺪ »ﭘﺎپ ﺁﺭﺕ«‪،‬‬
‫ﺗﺎﺑﺴﺘﺎﻧﻪ ﺟﺸﻨﻮﺍﺭﻩ ﻓﻴﻠﻢﻫﺎﻯ ﺍﻳﺮﺍﻧﻰ‬ ‫ﺳﻠﻔﻰ »ﺍﻧﺪﻯ ﻭﺍﺭﻫﻮﻝ« ﻣﻨﺘﺸﺮ ﺷﺪ‬

‫ﺧﻮﺑﻰ ﺑﺎ ﺗﻤﺎﺷﺎﭼﻰ ﺑﺮﻗﺮﺍﺭ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﻓﺮﻫﻨﮕﻰ ﺑﺮﻳﺘﺎﻧﻴﺎ ﻣﻌﺮﻓﻰ ﻧﻤﺎﻳﺪ‪ .‬ﺑﻪ ﻫﻤﻴﻦ‬ ‫ﺩﺭﻳﺎ ﺩﺍﺩﻭﺭ ﭘﺲ ﺍﺯ ‪ 7‬ﺳﺎﻝ ﺩﺭ ﻟﻨﺪﻥ‬ ‫ﻫﻢ ﻣﺠﺮﻭﺡ ﺍﺯ ﺗﻴﺮﺍﻧﺪﺍﺯﻯ ﻭ ﻫﻢ ﺑﻴﻤﺎﺭ‬ ‫ﺑﻪ ﻣﻨﺎﺳﺒﺖ ﺳﺎﻟﺮﻭﺯ ﺗﻮﻟﺪ »ﺍﻧﺪﻯ‬
‫ﻳﻜﻰ ﺍﺯ ﺗﻤﺎﺷﺎﭼﻴﺎﻥ ﺩﺭ ﻣﻮﺭﺩ »ﺭﺥ‬ ‫ﺟﻬﺖ ﻓﻴﻠﻢﻫﺎﻯ ﺍﻳﻦ ﻣﻮﺳﺴﻪ ﻏﻴﺮﺩﻭﻟﺘﻰ‬ ‫ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ ﺭﻓﺖ‪ .‬ﺍﭘﺮﺍ ﻫﻠﻨﺪﭘﺎﺭﻙ‬ ‫ﻭﺍﺭﻫﻮﻝ« ﭼﻬﺎﺭ ﻋﻜﺲ ﺳﻠﻔﻰ ﺍﺯ ﺍﻭ ﻛﻪ‬
‫ﺩﻳﻮﺍﻧﻪ« ﺑﻪ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﮔﻔﺖ‪» :‬ﺧﻴﻠﻰ‬ ‫ﺑﺎ ﺯﻳﺮﻧﻮﻳﺲ ﺍﻧﮕﻠﻴﺴﻰ ﺑﻪ ﻧﻤﺎﻳﺶ ﮔﺬﺍﺷﺘﻪ‬ ‫ﺩﺭ ﻟﻨﺪﻥ ﺍﻳﻦ ﺑﺎﺭ ﻣﻴﺰﺑﺎﻥ ﺩﺭﻳﺎ ﺩﺍﺩﻭﺭ ﻭ‬ ‫ﺷﻮﺥ‪ ،‬ﺳﻜﺴﻰ‪ ،‬ﻏﻠﻂﺍﻧﺪﺍﺯ‪ ،‬ﭘﺮ ﺯﺭﻕ ﻭ‬ ‫ﮔﺴﺘﺮﺩﻩﺍﻯ ﺍﺯ ﺍﺷﻜﺎﻝ ﻫﻨﺮﻯ ﺍﺯ ﺟﻤﻠﻪ‬ ‫ﻣﺘﻌﻠﻖ ﺑﻪ ‪ 46‬ﺳﺎﻝ ﭘﻴﺶ ﺍﺳﺖ‪ ،‬ﺗﻮﺳﻂ‬
‫ﻭﻗﺖ ﺑﻮﺩ ﻛﻪ ﻳﻚ ﻓﻴﻠﻢ ﺑﺎ ﺍﻳﻦ ﺍﻧﺴﺠﺎﻡ‬ ‫ﻣﻰﺷﻮﻧﺪ ﺗﺎ ﻣﺨﺎﻃﺒﺎﻥ ﻏﻴﺮﻓﺎﺭﺳﻰﺯﺑﺎﻥ ﺭﺍ‬ ‫ﮔﺮﻭﻩﺍﺵ ﺑﻮﺩ ﺑﺎ ﺗﺮﺍﻧﻪﻫﺎﻯ ﺟﺪﻳﺪ ﻭ ﺍﻟﺒﺘﻪ‬ ‫ﺑﺮﻕ ﻭ ﻳﻚ ﻛﺴﺐ ﻭ ﻛﺎﺭ ﺑﺰﺭگ ﻣﻰﺩﺍﻧﺪ‬ ‫ﻓﻴﻠﻢﺳﺎﺯﻯ‪،‬ﺍﻳﻨﺴﺘﺎﻟﻴﺸﻦ)ﻫﻨﺮﭼﻴﺪﻣﺎﻥ(‬ ‫ﺑﻨﻴﺎﺩ ﺍﻧﺪﻯ ﻭﺍﺭﻫﻮﻝ ﻣﻨﺘﺸﺮ ﺷﺪ‪ .‬ﺍﻭ‬
‫ﺩﺭ ﺳﻴﻨﻤﺎﻯ ﺍﻳﺮﺍﻥ ﻧﺪﻳﺪﻩ ﺑﻮﺩﻡ‪ .‬ﺩﺍﺳﺘﺎﻥ‬ ‫ﻧﻴﺰ ﺑﻪ ﺳﺎﻟﻦﻫﺎ ﺑﻜﺸﺎﻧﺪ ﻭ ﺑﻪ ﻧﻈﺮ ﻣﻰﺭﺳﺪ‬ ‫ﻛﻪ ﻧﮕﺎﻫﻰ ﺑﻪ ﺍﺟﻨﺎﺱ ﻣﻰﺑﺨﺸﺪ ﻛﻪ‬ ‫ﻭ ﻧﻮﻳﺴﻨﺪﮔﻰ ﺭﺍ ﻫﻢ ﺗﺠﺮﺑﻪ ﻛﺮﺩ‪.‬‬ ‫ﻫﻨﺮﻣﻨﺪ ﺷﺎﺧﺺ ﭘﺎپ ﺁﺭﺕ ﻳﺎ ﻫﻨﺮ ﻣﺮﺩﻣﻰ‬
‫ﭼﻨﺪﻻﻳﻪ ﺍﻣﺎ ﮔﻴﺮﺍﻳﻰ ﻛﻪ ﺗﺎ ﺁﺧﺮﻳﻦ‬ ‫ﺑﺨﺸﻰ ﺍﺯ ﺗﺮﺍﻧﻪﻫﺎﻯ ﺧﺎﻃﺮﻩﺍﻧﮕﻴﺰ‪.‬‬ ‫ﻫﺮﮔﺰ ﭘﻴﺶ ﺍﺯ ﺍﻭ ﻛﺴﻰ ﺍﻳﻦ ﻧﮕﺎﻩ ﺭﺍ‬ ‫ﭘﺪﺭ ﻭ ﻣﺎﺩﺭﺵ ﺍﺯ ﻣﻬﺎﺟﺮﺍﻥ ﺍﺳﻠﻮﺍﻛﻰ‬ ‫ﺑﻮﺩ ﻛﻪ ﺩﺭ ﺳﺎﻝ ‪ 1976‬ﺑﻪ ﺍﻳﺮﺍﻥ ﺁﻣﺪ ﻭ‬
‫ﺻﺤﻨﻪ ﺷﻤﺎ ﺭﺍ ﻫﻤﺮﺍﻩ ﻣﻰﻛﻨﺪ ﻭ ﺩﺭ ﻫﺮ‬ ‫ﺩﺭ ﺍﻳﻦ ﺍﻣﺮ ﻣﻮﻓﻖ ﻧﻴﺰ ﺑﻮﺩﻩﺍﻧﺪ‪.‬‬ ‫ﺑﻪ ﮔﻔﺘﻪ ﺩﺭﻳﺎ ﺍﻳﻦ ﺍﺟﺮﺍ ﺩﺭ ﭼﻨﻴﻦ‬ ‫ﺑﻪ ﺁﻣﺮﻳﻜﺎ ﺑﻮﺩﻧﺪ‪ ،‬ﭘﺪﺭﺵ ﻛﺎﺭﮔﺮ‬ ‫ﭘﺮﺗﺮﻩ ﺧﺎﻧﻮﺍﺩﻩ ﭘﻬﻠﻮﻯ ﺭﺍ ﻧﻘﺎﺷﻰ ﻛﺮﺩ‪.‬‬
‫»ﺭﺥ ﺩﻳﻮﺍﻧﻪ« ﺭﻭﺍﻳﺖ ﭼﻨﺪ ﭼﻨﺪ ﺟﻮﺍﻥ‬ ‫ﺳﺎﻟﻨﻰ ﻧﻴﻤﻪﺑﺎﺯ ﻭ ﺩﺭ ﻓﻀﺎﻳﻰ ﺭﻭﺷﻦ‬ ‫ﻧﺪﺍﺷﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﺳﺎﺧﺘﻤﺎﻧﻰ ﺑﻮﺩ ﻭ ﻫﻨﺮ ﻧﻤﻰﺩﺍﻧﺴﺖ ﻭﻟﻰ‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪ ،‬ﻭﺍﺭﻫﻮﻝ‬
‫ﭘﺮﺩﻩ ﺑﻪ ﻳﻚ ﻣﺸﻜﻞ ﺍﺟﺘﻤﺎﻋﻰ ﻧﻴﺰ ﺍﺷﺎﺭﻩ‬ ‫ﺍﻧﺮژﻯ ﻣﺘﻔﺎﻭﺗﻰ ﺭﺍ ﺑﻪ ﻫﻤﺮﺍﻩ ﺩﺍﺷﺖ ﻛﻪ‬ ‫ﺩﻳﮕﺮ ﻧﻘﺎﺷﻰﻫﺎﻯ ﻣﻌﺮﻭﻑ ﻭﺍﺭﻫﻮﻝ‬ ‫ﻣﺎﺩﺭﺵ ﻫﻨﺮﻣﻨﺪ ﻧﺎﺷﻨﺎﺧﺘﻪﺍﻯ ﺑﻮﺩ ﻛﻪ‬ ‫ﺍﻳﻦ ﭼﻬﺎﺭ ﻋﻜﺲ ﺳﻠﻔﻰ)ﺧﻮﺩﮔﺮﻓﺖ(‬
‫ﻣﻰﻛﻨﺪ‪ .‬ﺑﻪ ﻧﻈﺮ ﻣﻦ ﺳﻴﻨﻤﺎﻯ ﺍﻳﺮﺍﻥ ﺍﺯ‬ ‫ﺍﻳﺮﺍﻧﻰ ﺍﺳﺖ ﻛﻪ ﺩﺭ ﻳﻚ ﻗﺮﺍﺭ ﺍﻳﻨﺘﺮﻧﺘﻰ ﺑﺎ‬ ‫ﺑﺎﻳﺪ ﮔﻔﺖ ﺍﻳﻦ ﺍﻧﺮژﻯ ﺩﺭ ﺗﺮﺍﻧﻪﻫﺎﻯ ﺍﻭ ﻧﻴﺰ‬ ‫ﺗﺼﺎﻭﻳﺮﻯ ﺍﺯ ﺑﻄﺮﻯ ﻛﻮﻛﺎ ﻛﻮﻻ‪،‬‬ ‫ﺭﺍ ﺩﺭ ﺳﺎﻝ ‪ 1969‬ﻳﻌﻨﻰ ﺩﻗﻴﻘﺎ ﭘﺲ‬
‫ﺩﺍﺳﺘﺎﻥﮔﻮﻳﻰ ﻓﺎﺻﻠﻪ ﮔﺮﻓﺘﻪ ﻭ ﺍﻳﻦ ﻓﻴﻠﻢ‬ ‫ﻫﻢ ﺁﺷﻨﺎ ﻣﻰﺷﻮﻧﺪ ﻭ ﺑﺮ ﺍﺛﺮ ﻳﻚ ﺷﻮﺧﻰ‬ ‫ﺍﺯ ﺣﻮﺍﺩﺙ ﺗﻴﺮﺍﻧﺪﺍﺯﻯ ﻧﺎﻓﺮﺟﺎﻡ ﺑﻪ ﻭﻯ‬
‫ﻧﻤﺎﺩ ﺑﺴﻴﺎﺭ ﺧﻮﺑﻰ ﺑﺮﺍﻯ ﺟﺎﻯ ﺧﺎﻟﻰ‬ ‫ﻣﺴﻴﺮ ﺯﻧﺪﮔﻰﺷﺎﻥ ﺗﻐﻴﻴﺮ ﻣﻰﻛﻨﺪ‪ .‬ﺑﺎ‬ ‫ﺑﻪ ﺧﻮﺑﻰ ﺩﻳﺪﻩ ﻣﻰﺷﺪ‪.‬‬ ‫ﺟﺎﺭﻭﺑﺮﻗﻰ ﻭ ﻫﻤﺒﺮﮔﺮ ﻫﺴﺘﻨﺪ‪ .‬ﺍﻭ‬ ‫ﻣﻮﺯﻩ ﻫﻨﺮﻫﺎﻯ ﻣﻌﺎﺻﺮ ﺗﻬﺮﺍﻥ‬ ‫ﺍﺯ ﺧﻮﺩ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻋﻜﺲﻫﺎ ﺑﺎ‬
‫ﺍﻳﻨﻜﻪ ﺩﺍﺳﺘﺎﻥ ﺍﻳﻦ ﻓﻴﻠﻢ ﺑﺴﻴﺎﺭ ﺳﺎﺩﻩ‬ ‫ﺩﺭﻳﺎ ﻳﻜﻰ ﺍﺯ ﺗﺮﺍﻧﻪﻫﺎﻳﺶ ﺭﺍ ﺑﻪ ﺗﻤﺎﻡ‬ ‫ﺍﺯ ‪ 1962‬ﺑﻪ ﺑﻌﺪ ﻫﻤﭽﻨﻴﻦ ﭘﺮﺗﺮﻩ‬ ‫ﻫﻤﻜﺎﺭﻯ ﺑﻨﻴﺎﺩ ﺍﻧﺪﻯ ﻭﺍﺭﻫﻮﻝ ﺩﺭ ﻳﻚ‬
‫ﭼﻨﻴﻦ ﻓﻴﻠﻢﻫﺎﻳﻰ ﺍﺳﺖ«‪.‬‬ ‫ﺍﺳﺖ ﺍﻣﺎ »ﻣﺤﻤﺪﺭﺿﺎ ﮔﻮﻫﺮﻯ« ﻧﻮﻳﺴﻨﺪﻩ‬ ‫ﺯﻧﺎﻥ ﺧﺎﻭﺭﻣﻴﺎﻧﻪ ﺗﻘﺪﻳﻢ ﻛﺮﺩﻩ ﻭ ﺍﻇﻬﺎﺭ‬ ‫ﺷﺨﺼﻴﺖﻫﺎﻯ ﻣﺸﻬﻮﺭﻯ ﭼﻮﻥ ﻣﺮﻟﻴﻦ‬ ‫ﺩﺭ ﺯﻣﺎﻥ ﺑﻴﻤﺎﺭﻯ ﻭﺍﺭﻫﻮﻝ ﺩﺭ ‪ 8‬ﺳﺎﻟﮕﻰ‬
‫ﺍﻭ ﻫﻤﭽﻨﻴﻦ ﻓﻌﺎﻟﻴﺖﻫﺎﻯ ﻓﺴﺘﻴﻮﺍﻝ‬ ‫ﻓﻴﻠﻤﻨﺎﻣﻪ ﺗﻮﺍﻧﺴﺘﻪ ﺍﺳﺖ ﻻﻳﻪﻫﺎﻯ‬ ‫ﺍﻣﻴﺪﻭﺍﺭﻯ ﻛﺮﺩ ﺗﺎ ﺑﻪ ﺯﻭﺩﻯ ﺩﺭ ﺍﻳﺮﺍﻥ ﻧﻴﺰ‬ ‫ﻣﻮﻧﺮﻭ‪ ،‬ﺍﻟﻴﺰﺍﺑﺖ ﺗﻴﻠﻮﺭ‪ ،‬ﻣﻴﻚ ﺟﮕﺮ‪ ،‬ﻓﺮﺡ‬ ‫ﺑﻪ ﺍﻭ ﻃﺮﺍﺣﻰ ﻳﺎﺩ ﺩﺍﺩ‪.‬‬ ‫ﻛﺘﺎﺏ ﺍﻧﺘﺸﺎﺭ ﻳﺎﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﻓﻴﻠﻢ ﺍﻳﺮﺍﻧﻰ‪ -‬ﻟﻨﺪﻥ ﺭﺍ ﻣﺜﺒﺖ ﺍﺭﺯﻳﺎﺑﻰ‬ ‫ﻣﺘﻔﺎﻭﺗﻰ ﺍﺯ ﻣﺸﻜﻼﺕ ﺟﻮﺍﻧﺎﻥ ﺭﺍ ﺍﺯ ﻓﻘﺮ ﻭ‬ ‫ﻓﻀﺎﻳﻰ ﺑﻪ ﻭﺟﻮﺩ ﺁﻳﺪ ﺗﺎ ﺯﻧﺎﻥ ﺑﺘﻮﺍﻧﻨﺪ ﺩﺭ‬ ‫ﭘﻬﻠﻮﻯ ﻭ ﻣﺎﺋﻮ ﺗﺴﻪ ﺗﻮﻧﮓ ﺭﺍ ﺑﺎ ﺭﻧﮓﻫﺎﻯ‬ ‫ﻭﺍﺭﻫﻮﻝ ﺑﺎ ﮔﺮﻓﺘﻦ ﺍﻳﻦ ﻋﻜﺲ ﺩﺭ ﺭﻭﺯ‬
‫ﻛﺮﺩ ﻭ ﮔﻔﺖ‪» :‬ﻧﻤﺎﻳﺶ ﻓﻴﻠﻢﻫﺎﻯ ﺭﻭﺯ‬ ‫ﺍﻋﺘﻴﺎﺩ ﺗﺎ ﻣﺸﻜﻼﺕ ﻣﺨﺘﻠﻒ ﺧﺎﻧﻮﺍﺩﮔﻰ ﺑﻪ‬ ‫ﻧﻘﺎﺷﻰ ﺑﻪ ﺳﺮﻋﺖ ﺟﺰﻭ ﺗﻔﺮﻳﺢ ﻭ‬ ‫ﺗﻮﻟﺪﺵ‪ ،‬ﻭﺣﺸﺖ ﻭ ﺁﮔﺎﻫﻰﺍﺵ ﺍﺯ ﻣﺮگ‬
‫ﺍﻳﺮﺍﻧﻰ ﺩﺭ ﻟﻨﺪﻥ ﺍﻳﻦ ﺍﻣﻜﺎﻥ ﺭﺍ ﻣﻰﺩﻫﺪ‬ ‫ﻧﻤﺎﻳﺶ ﺑﮕﺬﺍﺭﺩ‪» .‬ﺭﺥ ﺩﻳﻮﺍﻧﻪ« ﻛﻪ ﺑﺮﻧﺪﻩ‬ ‫ﺑﺮﺍﺑﺮ ﻣﺮﺩﺍﻥ ﺁﻭﺍﺯ ﺑﺨﻮﺍﻧﻨﺪ‪.‬‬ ‫ﺭﻭﺷﻦ ﻭ ﺗﻨﺪ ﺗﺼﻮﻳﺮ ﻛﺮﺩ‪.‬‬ ‫ﺳﺮﮔﺮﻣﻰ ﻭﺍﺭﻫﻮﻝ ﺷﺪ‪ ،‬ﺿﻤﻦ ﺍﻳﻨﻜﻪ ﺑﻪ‬ ‫ﺭﺍ ﺑﻪ ﺛﺒﺖ ﺭﺳﺎﻧﺪ ﻛﻪ ﻧﺸﺎﻥ ﺍﺯ ﻫﺮﺍﺱ‬
‫ﺗﺎ ﺑﻬﺘﺮﻳﻦ ﻓﻴﻠﻢﻫﺎﻯ ﺍﻳﺮﺍﻧﻰ ﻭ ﺣﺘﻰ‬ ‫ﺟﺎﻳﺰﻩﺑﻬﺘﺮﻳﻦﻓﻴﻠﻢﻭﺑﻬﺘﺮﻳﻦﻓﻴﻠﻢﺍﺯﻧﮕﺎﻩ‬ ‫ﺑﺨﺸﻰ ﺍﺯ ﺍﻳﻦ ﺗﺮﺍﻧﻪ ﻛﻪ ﺳﺮﻧﻮﺷﺖ ﻳﻚ‬ ‫ﺁﺛﺎﺭ ﻭﺍﺭﻫﻮﻝ ﺍﻛﻨﻮﻥ ﺟﺰﻭ ﭘﺮﻓﺮﻭﺵﺗﺮﻳﻦ‬ ‫ﺩﻧﻴﺎﻯ ﻓﻴﻠﻢ ﻫﻢ ﻋﻼﻗﻪ ﺩﺍﺷﺖ ﻭ ﻋﻜﺎﺳﻰ‬ ‫ﻓﺮﺩﻯ ﺍﺳﺖ ﻛﻪ ﺑﻴﻤﺎﺭﻯ ﺧﻮﺩ ﺭﺍ ﭘﻨﻬﺎﻥ‬
‫ﺁﻧﻬﺎﻳﻰ ﻛﻪ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﻪ ﻫﺮ ﺩﻟﻴﻠﻰ ﻛﻤﺘﺮ‬ ‫ﺗﻤﺎﺷﺎﭼﻴﺎﻥ ﺩﺭ ﺳﻰ ﻭ ﺳﻮﻣﻴﻦ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﺁﺛﺎﺭ ﻫﻨﺮﻯ ﻫﺴﺘﻨﺪ‪ ،‬ﺁﻧﭽﻨﺎﻥ ﻛﻪ ﺗﺎﺑﻠﻮﻯ‬ ‫ﻫﻢ ﻣﻰﻛﺮﺩ‪ .‬ﻭﺍﺭﻫﻮﻝ ﺩﺭ ﭼﻬﺎﺭﺩﻩ ﺳﺎﻟﮕﻰ‬
‫ﺩﻳﺪﻩ ﺷﺪﻩ ﻭ ﻳﺎ ﺳﺎﻧﺴﻮﺭ ﺷﺪﻩﺍﻧﺪ ﻧﻴﺰ‬ ‫ﻓﻴﻠﻢ ﻓﺠﺮ ﺑﻮﺩ ﻳﻚ ﻓﻴﻠﻢ ﻣﺘﻔﺎﻭﺕ ﺩﺭ‬ ‫ﭘﺮﻭﺍﻧﻪ ﺭﺍ ﺭﻭﺍﻳﺖ ﻣﻰﻛﻨﺪ ﭼﻨﻴﻦ ﺍﺳﺖ‪:‬‬ ‫ﺳﻴﻠﻚ ﺍﺳﻜﺮﻳﻦ »ﻫﺸﺖ ﺍﻟﻮﻳﺲ«‬ ‫ﭘﺪﺭﺵ ﺭﺍ ﺍﺯ ﺩﺳﺖ ﺩﺍﺩ ﻭ ﺑﺎ ﭘﺲﺍﻧﺪﺍﺯﻯ ﻛﻪ‬ ‫ﻣﻰﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺩﻳﺪﻩ ﺷﻮﺩ‪ .‬ﺍﻳﻦ ﻛﺎﺭ ﻋﻼﻭﻩ ﺑﺮ ﺣﻤﺎﻳﺖ‬ ‫ﺳﻴﻨﻤﺎﻯ ﺍﻳﺮﺍﻥ ﻣﺤﺴﻮﺏ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺍﻳﻦ ﻫﻨﺮﻣﻨﺪ ﺩﺭ ﺳﺎﻝ ‪ 2008‬ﺗﻮﺳﻂ‬ ‫ﭘﺪﺭﺵ ﺑﺮﺍﻯ ﺗﺤﺼﻴﻞ ﺍﻭ ﻛﻨﺎﺭ ﮔﺬﺍﺷﺘﻪ‬ ‫»ﺟﺎﻥ ﺭﺍﻳﺎﻥ« ﻳﻚ ﭘﺰﺷﻚ ﺟﺮﺍﺡ ﺍﻫﻞ‬
‫ﺍﺯ ﻓﻴﻠﻢﺳﺎﺯﺍﻥ ﺍﻳﺮﺍﻧﻰ ﻳﻚ ﻓﻀﺎﻯ ﻣﺜﺒﺖ‬ ‫ﻓﻴﻠﻤﻰ ﻛﻪ ﺩﺭ ﺍﺑﺘﺪﺍ ﺷﻤﺎ ﺭﺍ ﺑﺎ ﺟﻮﺍﻧﺎﻧﻰ‬ ‫ﺯﻳﺒﺎﻳﻰ ﺑﺎﻝ ﻣﻦ‬ ‫ﻳﻚ ﺧﺮﻳﺪﺍﺭ ﻧﺎﺷﻨﺎﺱ ﺑﻪ ﻗﻴﻤﺖ ‪100‬‬ ‫ﺑﻮﺩ‪ ،‬ﻭﺍﺭﺩ ﻋﺮﺻﻪ ﺁﻣﻮﺧﺘﻦ ﻫﻨﺮ ﺷﺪ‪.‬‬ ‫ﺳﻴﺎﺗﻞ ﺁﻣﺮﻳﻜﺎ ﺩﺭ ﺗﺤﻘﻴﻘﺎﺕ ﺧﻮﺩ ﺩﺭﺑﺎﺭﻩ‬
‫ﻣﻴﺎﻥ ﺍﻳﺮﺍﻧﻴﺎﻥ ﺩﺍﺧﻞ ﻭ ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ ﺭﺍ‬ ‫ﺑﻰﻣﺴﺌﻮﻟﻴﺖ ﺭﻭﺑﺮﻭ ﻣﻰﻛﻨﺪ ﺍﻣﺎ ﺩﺭ ﺍﺩﺍﻣﻪ‬ ‫ﻭﻗﺘﻰ ﻣﺪﺭﻙ ﻟﻴﺴﺎﻧﺲ ﺧﻮﺩ ﺭﺍ ﺩﺭ‬ ‫ﻭﺍﺭﻫﻮﻝ ﺑﻪ ﺍﻳﻦ ﻧﺘﻴﺠﻪ ﺭﺳﻴﺪﻩ ﺍﺳﺖ ﻛﻪ‬
‫ﻓﻴﻠﻢ ﺭﻭﺍﻳﺖ ﺩﺭﺩﻫﺎﻯ ﺁﻧﺎﻥ ﺍﺭﺗﺒﺎﻁ ﺑﺴﻴﺎﺭ‬ ‫ﻣﻦ ﺭﻭ ﺑﻪ ﺩﺍﻣﻰ ﺍﻧﺪﺍﺧﺖ‬ ‫ﻣﻴﻠﻴﻮﻥ ﺩﻻﺭ ﺧﺮﻳﺪﺍﺭﻯ ﺷﺪ‪.‬‬ ‫ﺳﺎﻝ ‪ 1949‬ﮔﺮﻓﺖ ﺑﻪ ﻧﻴﻮﻳﻮﺭﻙ ﻧﻘﻞ‬ ‫ﺁﺛﺎﺭ ﺗﻴﻎ ﺟﺮﺍﺣﻰ ﻧﺎﻣﻌﻠﻮﻡ ﭘﻴﺶ ﺍﺯ‬
‫ﻓﺮﺍﻫﻢ ﻣﻰﻛﻨﺪ«‪.‬‬ ‫ﻣﻜﺎﻥ ﻛﺮﺩ ﻭ ﺑﻪ ﻋﻨﻮﺍﻥ ﻳﻚ ﻫﻨﺮﻣﻨﺪ‬ ‫ﺣﺎﺩﺛﻪ ﺗﻴﺮﺍﻧﺪﺍﺯﻯ ﺭﻭﻯ ﺑﺪﻥ ﻭﻯ ﻭﺟﻮﺩ‬
‫ﺍﺯ ﻳﻚ ﭘﺮﻭﺍﻧﻪ ﺷﺎﺩ ﻳﻚ ﻋﻜﺲ‬ ‫ﺩﺍﺷﺘﻪ ﺍﺳﺖ‪ .‬ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﻭﺳﻌﺖ ﺗﻴﻎ‬
‫ﺍﻭ ﻛﺎﺭﮔﺎﻩ ﻫﻨﺮﻯ ﺑﺰﺭﮔﻰ ﺩﺭ ﻧﻴﻮﻳﻮﺭﻙ‬ ‫ﺗﺠﺎﺭﻯ ﺷﺮﻭﻉ ﺑﻪ ﻛﺎﺭ ﻧﻤﻮﺩ‪ .‬ﻧﺎﻡ ﻓﺎﻣﻴﻞ‬ ‫ﺟﺮﺍﺣﻰ ﻣﻰﺗﻮﺍﻥ ﮔﻔﺖ ﺯﻧﺪﻩ ﻣﺎﻧﺪﻥ‬
‫ﺩﻳﻮﺍﺭﻯ ﺳﺎﺧﺖ‬ ‫ﺑﻪ ﺭﺍﻩ ﺍﻧﺪﺍﺧﺖ ﻛﻪ ﻧﺎﻡ ﺁﻥ ﺭﺍ »ﻛﺎﺭﺧﺎﻧﻪ«‬ ‫ﺧﻮﺩ ﺭﺍ ﺍﺯ ﻭﺍﺭﻫﻮﻻ ﺑﻪ ﻭﺍﺭﻫﻮﻝ ﺗﻐﻴﻴﺮ ﺩﺍﺩ‬
‫ﮔﺬﺍﺷﺖ‪.‬ﺍﻳﻦ ﻫﻨﺮﻣﻨﺪ ﺁﻣﺮﻳﻜﺎﻳﻰ ﺩﺭ‬ ‫ﻭ ﺩﺭ ﻓﺎﺻﻠﻪ ﻛﻮﺗﺎﻫﻰ ﺗﺒﺪﻳﻞ ﺑﻪ ﻳﻜﻰ ﺍﺯ‬ ‫ﻫﻨﺮﻣﻨﺪ ﺍﺯ ﺧﻮﺵ ﺷﺎﻧﺴﻰ ﺍﻭ ﺑﻮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺭﻭ ﺑﺎﻝ ﺭﻧﮕﺎﺭﻧﮕﻢ ﻳﻚ ﭼﻴﺰﻫﺎﻳﻰ‬ ‫ﺳﻮﻡ ژﻭﺋﻦ ﺳﺎﻝ ‪ 1968‬ﺗﻮﺳﻂ ﻭﺍﻟﺮﻯ‬ ‫ﻫﻨﺮﻣﻨﺪﺍﻥ ﺗﺠﺎﺭﻯ ﺷﺪ ﻭ ﺟﻮﺍﻳﺰﻯ ﻫﻢ‬ ‫ﭘﺰﺷﻜﺎﻥ ﻣﻰﮔﻮﻳﻨﺪ ﻭﺍﺭﻫﻮﻝ ﺩﺭ‬
‫ﺳﻮﻻﻧﺲ ﻧﻮﻳﺴﻨﺪﻩ ﻓﻤﻴﻨﻴﺴﺖ ﺭﺍﺩﻳﻜﺎﻝ‬ ‫ﺑﻬﺘﺮﻳﻦ ﻭﺿﻌﻴﺖ ﻭ ﺩﺭ ﺑﻬﺘﺮﻳﻦ ﺣﺎﻟﺖ‬
‫ﻧﻮﺷﺘﻪ‬ ‫ﻫﺪﻑ ﮔﻠﻮﻟﻪ ﻗﺮﺍﺭ ﮔﺮﻓﺖ ﻭ ﺑﻪ ﻃﻮﺭ‬ ‫ﺑﻪ ﺩﺳﺖ ﺁﻭﺭﺩ‪.‬‬ ‫ﻣﻤﻜﻦ ﺑﻮﺩﻩ ﻭﻟﻰ ﺑﻴﺶ ﺍﺯ ﻫﺮﺍﺱ ﺍﺯ‬
‫ﺟﺪﻯ ﺯﺧﻤﻰ ﺷﺪ‪ .‬ﺳﻮﻻﻧﺲ ﺩﺭ ﻳﻜﻰ‬ ‫ﺍﻭﺍﺧﺮ ﺩﻫﻪ ﭘﻨﺠﺎﻩ ﻣﻴﻼﺩﻯ ﻫﻨﺮ ﭘﺎپ‬ ‫ﺗﻴﺮﺍﻧﺪﺍﺯﻯ ﺍﺯ ﺑﻴﻤﺎﺭﻯ ﺭﻧﺞ ﻣﻰﺑﺮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺯﻧﺪﮔﺎﻧﻰﻫﻤﻴﻨﻪ‬ ‫ﺍﺯ ﻓﻴﻠﻢﻫﺎﻯ ﻭﺍﺭﻫﻮﻝ ﻇﺎﻫﺮ ﺷﺪﻩ ﺑﻮﺩ ﻭ‬ ‫ﺭﺍ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﻣﺤﺼﻮﻻﺕ ﺗﺠﺎﺭﻯ ﻛﻪ‬ ‫ﻭﺍﺭﻫﻮﻝ ﺩﺭ ﺳﺎﻝ ‪ 1976‬ﺑﻪ ﺩﻋﻮﺕ‬
‫ﺑﻪ ﺩﻟﻴﻞ ﺑﻰ ﺍﻋﺘﻨﺎﻳﻰ ﻭﺍﺭﻫﻮﻝ ﻧﺴﺒﺖ ﺑﻪ‬ ‫ﺗﻮﻟﻴﺪ ﺍﻧﺒﻮﻩ ﻣﻰﺷﺪﻧﺪ‪ ،‬ﺑﺎ ﻧﻘﺎﺷﻰ ﻗﻮﻃﻰ‬ ‫ﻓﺮﻳﺪﻭﻥ ﻫﻮﻳﺪﺍ ﺳﻔﻴﺮ ﻭﻗﺖ ﺍﻳﺮﺍﻥ ﺩﺭ‬
‫ﺍﻳﻦ ﻛﺎﺭ ﺳﺮﻧﻮﺷﺘﻪ‬ ‫ﻳﻜﻰ ﺍﺯ ﻧﻮﺷﺘﻪﻫﺎﻳﺶ ﻭ ﻋﺪﻡ ﺍﺳﺘﻔﺎﺩﻩ‬ ‫ﺳﻮپ ﻣﺎﺭﻙ ﻛﻤﭙﺒﻞ ﺛﺒﺖ ﻛﺮﺩ‪ .‬ﺍﻭ ﺭﻭﻯ‬ ‫ﺳﺎﺯﻣﺎﻥ ﻣﻠﻞ ﻣﺘﺤﺪ ﺑﻪ ﺍﻳﺮﺍﻥ ﺁﻣﺪ ﻭ‬
‫»ﻫﻨﺮ ﺩﺭﻳﺎ ﭘﺮﻭﺍﺯ ﺩﺍﺩﻥ ﺧﻴﺎﻝ ﻣﻴﺎﻥ‬ ‫ﺍﻭ ﺍﺯ ﺁﻧﻬﺎ‪ ،‬ﺩﺳﺖ ﺑﻪ ﺍﻳﻦ ﺳﻮء ﻗﺼﺪ ﺯﺩ‪.‬‬ ‫ﺑﻮﻡ ﻧﻘﺎﺷﻰ ﺗﺼﺎﻭﻳﺮﻯ ﺍﺯ ﻣﺤﺼﻮﻻﺕ‬ ‫ﭘﺮﺗﺮﻩﻫﺎﻳﻰ ﺍﺯ ﻣﺤﻤﺪﺭﺿﺎ ﺷﺎﻩ ﭘﻬﻠﻮﻯ‪،‬‬
‫ﺧﺎﻃﺮﻩ ﻭ ﻳﻚ ﺍﺟﺮﺍﻯ ﺑﻰﻧﻈﻴﺮ ﺍﺳﺖ«‪ ،‬ﺍﻳﻦ‬ ‫ﻭﺍﺭﻫﻮﻝ ﺩﻧﻴﺎﻯ ﻫﻨﺮﻯ ﺧﻮﺩ ﺭﺍ ﺩﺭ‬ ‫ﻣﺼﺮﻓﻰ ﺭﻭﺯﻣﺮﻩ ﻣﻰﻛﺸﻴﺪ ﻛﻪ ﻛﺎﻧﻮﻥ‬ ‫ﺷﻬﺒﺎﻧﻮ ﻓﺮﺡ ﭘﻬﻠﻮﻯ ﻭ ﺍﺷﺮﻑ ﭘﻬﻠﻮﻯ‬
‫ﺭﺍ ﻳﻜﻰ ﺍﺯ ﺣﺎﺿﺮﺍﻥ ﺩﺭ ﻛﻨﺴﺮﺕ ﺩﺭﻳﺎ ﺑﻪ‬ ‫ﻛﺘﺎﺑﻰ ﺑﺎ ﻋﻨﻮﺍﻥ »ﻓﻠﺴﻔﻪ ﺍﻧﺪﻯ ﻭﺍﺭﻫﻮﻝ«‬ ‫ﺧﻮﺍﻫﺮ ﺩﻭﻗﻠﻮﻯ ﺷﺎﻩ ﻧﻘﺎﺷﻰ ﻛﺮﺩ‪ .‬ﺍﻭ‬
‫ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﻣﻰﮔﻮﻳﺪ ﻭ ﺍﺩﺍﻣﻪ ﻣﻰﺩﻫﺪ‪:‬‬ ‫ﺑﻪ ﻧﮕﺎﺭﺵ ﺩﺭ ﺁﻭﺭﺩ ﻭ ﺩﺭ ﺁﻥ ﺩﺭﺑﺎﺭﻩ ﻫﻤﻪ‬ ‫ﺗﻮﺟﻪ ﻣﺮﺩﻡ ﻣﻰﺷﺪ‪.‬‬ ‫ﺍﻳﺮﺍﻥ ﺭﺍ ﺩﺭ ﺍﻳﻦ ﺳﻔﺮ ﺑﺴﻴﺎﺭ ﻣﺪﺭﻥ‬
‫»ﺩﺭﻳﺎ ﺩﺭ ﺳﺎﻝﻫﺎﻯ ﮔﺬﺷﺘﻪ ﺑﺎ ﺍﺭﺍﺋﻪ ﻳﻚ‬ ‫ﻭﻳﮋﮔﻰﻫﺎ ﻭ ﻋﻘﺎﻳﺪ ﻫﻨﺮﻯﺍﺵ ﺳﺨﻦ‬ ‫»ﺭﻳﭽﺎﺭﺩ ﻫﻤﻴﻠﺘﻮﻥ« ﻫﻨﺮﻣﻨﺪ‬
‫ﺍﺟﺮﺍﻯ ﻣﺘﻔﺎﻭﺕ ﺗﻮﺍﻧﺴﺖ ﺧﻮﺩ ﺭﺍ ﺩﺭ ﻣﻴﺎﻥ‬ ‫ﺍﻧﮕﻠﻴﺴﻰ‪ ،‬ﺁﺛﺎﺭ ﻭﺍﺭﻫﻮﻝ ﺭﺍ ﻣﺤﺒﻮﺏ‪،‬‬ ‫ﺗﻮﺻﻴﻒ ﻧﻤﻮﺩ ﻭ ﺩﺭ ﻛﺎﺥ ﺍﻳﺮﺍﻥ ﺑﺎ ﺧﺎﻧﻮﺍﺩﻩ‬
‫ﺟﺎﻣﻌﻪ ﺍﻳﺮﺍﻧﻴﺎﻥ ﺑﻪ ﺧﻮﺑﻰ ﻣﻌﺮﻓﻰ ﻛﻨﺪ‪ .‬ﺍﻭ‬ ‫ﮔﻔﺖ‪.‬‬ ‫ﮔﺬﺭﺍ‪ ،‬ﻣﺼﺮﻓﻰ‪ ،‬ﻛﻢ ﻫﺰﻳﻨﻪ‪ ،‬ﺟﻮﺍﻥﭘﺴﻨﺪ‪،‬‬ ‫ﺳﻠﻄﻨﺘﻰ ﺷﺎﻡ ﺻﺮﻑ ﻛﺮﺩ‪.‬‬
‫ﺑﺎ ﺩﺍﺷﺘﻦ ﻳﻚ ﺷﻴﻮﻩ ﻣﻨﺤﺼﺮ ﺑﻪ ﻓﺮﺩ ﺩﺭ‬ ‫ﺍﻭ ﺑﻴﺶ ﺍﺯ ‪ 60‬ﻭﻳﺪﺋﻮ ﺁﺭﺕ ﺩﺭ ﻃﻮﻝ‬
‫ﺩﻧﻴﺎﻯ ﻣﻮﺳﻴﻘﻰ ﺍﻳﺮﺍﻧﻰ ﺑﻪ ﺗﻨﻬﺎﻳﻰ ﺭﺍﻫﻰ‬ ‫ﻋﻤﺮ ﺧﻮﺩ ﺳﺎﺧﺖ ﻛﻪ ﻣﻌﺮﻭﻑﺗﺮﻳﻦ‬ ‫ﺍﻛﻨﻮﻥ ﺑﺨﺸﻰ ﺍﺯ ﻧﻘﺎﺷﻰ ﺍﻭ ﺩﺭ ﻣﻮﺯﻩ‬
‫ﺭﺍ ﺑﺎﺯ ﻣﻰﻛﻨﺪ ﻛﻪ ﺍﻣﻴﺪﻭﺍﺭﻡ ﺩﻳﮕﺮﺍﻧﻰ ﻧﻴﺰ‬ ‫ﺁﻧﻬﺎ »ﺧﻮﺍﺏ« ﻭ »ﺧﻮﺭﺩﻥ«ﺍﺳﺖ‪.‬‬ ‫ﻫﻨﺮﻫﺎﻯ ﻣﻌﺎﺻﺮ ﺗﻬﺮﺍﻥ ﻧﮕﻬﺪﺍﺭﻯ‬
‫ﺑﻪ ﻫﻤﻴﻦ ﻣﺴﻴﺮ ﻭﺍﺭﺩ ﺷﻮﻧﺪ‪ .‬ﺍﻟﺒﺘﻪ ﺑﺴﻴﺎﺭ‬ ‫ﺧﻮﺍﺏ ﻓﻴﻠﻤﻰ ﺗﺠﺮﺑﻰ ﺍﺯ ﺧﻮﺍﺑﻴﺪﻥ ﻳﻚ‬ ‫ﻣﻰﺷﻮﻧﺪ ﻛﻪ ﺍﺭﺯﺵ ﺍﻳﻦ ﺗﺎﺑﻠﻮﻫﺎ ﺗﺎ ‪28‬‬
‫ﺩﺭﺩﺁﻭﺭ ﺍﺳﺖ ﻛﻪ ﻧﻴﻤﻰ ﺍﺯ ﺟﺎﻣﻌﻪ ﻣﺎ ﺍﺯ‬ ‫ﺷﺎﻋﺮ ﺑﺎ ﻧﺎﻡ »ﺟﺎﻥ ﮔﻴﻮﺭﻧﻮ« ﺩﺭ ﻣﺪﺕ‬ ‫ﺑﻴﻠﻴﻮﻥ ﺩﻻﺭ ﻫﻢ ﺗﺨﻤﻴﻦ ﺯﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺍﺭﺍﺋﻪ ﻫﻨﺮ ﺧﻮﺩ ﻣﺤﺮﻭﻡ ﻫﺴﺘﻨﺪ ﻭ ﻣﻦ ﻫﻢ‬ ‫ﺯﻣﺎﻥ ﻃﻮﻻﻧﻰ ﺷﺶ ﺳﺎﻋﺖ ﺍﺳﺖ ﻭ‬ ‫»ﺍﻧﺪﻯ ﻭﺍﺭﻫﻮﻝ«‪ ،‬ﺍﻳﻦ ﻣﺮﺩ ﻋﺠﻴﺐ ﺭﺍ ﻛﻪ‬
‫ﻣﺎﻧﻨﺪ ﺑﺴﻴﺎﺭﻯ ﺩﻳﮕﺮ ﺍﻣﻴﺪﻭﺍﺭﻡ ﻛﻪ ﺭﻭﺯﻯ‬ ‫»ﺧﻮﺭﺩﻥ« ﻫﻢ ﻓﻴﻠﻤﻰ ‪ 45‬ﺩﻗﻴﻘﻪﺍﻯ ﺍﺯ‬ ‫ﻣﻮﻫﺎﻳﺶ ﺭﺍ ﺑﻠﻮﻧﺪ ﻣﻰﻛﺮﺩ‪ ،‬ﻳﺎ ﻣﻰﺗﺮﺍﺷﻴﺪ‬
‫ﺑﺮﺳﺪ ﺗﺎ ﺍﻣﺜﺎﻝ ﺩﺭﻳﺎ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﺘﻮﺍﻧﻨﺪ ﺑﻪ‬ ‫ﻭ ﻛﻼﻩ ﮔﻴﺲ ﻧﻘﺮﻩﺍﻯ ﻣﻰﮔﺬﺍﺷﺖ‪،‬‬
‫ﭘﺮﻭﺭﺵ ﻫﻨﺮﻣﻨﺪﺍﻧﻰ ﺩﻳﮕﺮ ﺍﻗﺪﺍﻡ ﻛﻨﻨﺪ«‪.‬‬ ‫ﻗﺎﺭچ ﺧﻮﺭﺩﻥ ﻳﻚ ﻣﺮﺩ ﺍﺳﺖ‪.‬‬ ‫ﻣﻰﺗﻮﺍﻥ ﺗﺼﻮﻳﺮﮔﺮﻯ ﭘﺮﻛﺎﺭ ﻭ ﻣﺤﺒﻮﺏ‬
‫ﻳﻜﻰ ﺩﻳﮕﺮ ﺍﺯ ﺣﺎﺿﺮﺍﻥ ﻏﻴﺮ ﺍﻳﺮﺍﻧﻰ ﺍﻳﻦ‬ ‫ﻭﺍﺭﻫﻮﻝ ﺩﺭ ﺣﺎﻟﻰ ﺩﺭ ‪ 58‬ﺳﺎﻟﮕﻰ‬ ‫ﺩﺭ ﺯﻣﺎﻧﻪ ﺧﻮﺩ ﺧﻮﺍﻧﺪ‪ ،‬ﻣﺮﺩﻯ ﺁﻭﺍﻧﮕﺎﺭﺩ‬
‫ﻛﻨﺴﺮﺕ ﻧﻴﺰ ﻋﻼﻗﻪ ﺑﻪ ﻓﺮﻫﻨﮓ ﺍﻳﺮﺍﻥ‬ ‫ﺩﺭﮔﺬﺷﺖ ﻛﻪ ﺯﻧﺪﮔﻰ ﺷﺨﺼﻰﺍﺵ‬
‫ﺭﺍ ﺑﺨﺸﻰ ﺍﺯ ﻋﻠﺖ ﺣﻀﻮﺭﺵ ﺩﺍﻧﺴﺖ‬ ‫ﺑﻪ ﻋﻨﻮﺍﻥ ﻳﻚ ﻫﻤﺠﻨﺲﮔﺮﺍ ﻣﻮﺿﻮﻉ‬ ‫ﻛﻪ ﺗﺠﺎﺭﺕ ﺭﺍ ﺩﺭ ﻫﻨﺮ ﺑﺎﺯﻳﺎﻓﺘﻪ ﺑﻮﺩ‪.‬‬
‫ﻭ ﺗﺎﻛﻴﺪ ﻛﺮﺩ‪» :‬ﺩﺭﻳﺎ ﻳﻚ ﻫﻤﺎﻫﻨﮕﻰ‬ ‫ﺑﺤﺚ ﻭ ﻣﻨﺎﻗﺸﻪ ﺑﻮﺩ‪ .‬ﻣﻨﺘﻘﺪﺍﻥ ﻫﻨﺮ ﺍﻭ‬ ‫ﺷﺸﻢ ﺁﮔﻮﺳﺖ ‪ 1928‬ﺩﺭ ﭘﻨﺴﻴﻠﻮﺍﻧﻴﺎ‪،‬‬
‫ﺩﻟﻨﺸﻴﻦ ﻣﻴﺎﻥ ﻣﻮﺳﻴﻘﻰ ﺍﻳﺮﺍﻧﻰ ﻭ‬ ‫ﺭﺍ ﺩﺭ ﺗﺼﻮﻳﺮ ﻛﺸﻴﺪﻥ‪ ،‬ﻫﻮﻣﻮﺍﺭﻭﺗﻴﻚ‬ ‫ﻫﻨﺮﻣﻨﺪ ﺑﺮﺟﺴﺘﻪ ﺟﻨﺒﺶ ﭘﺎپ ﺁﺭﺕ ﻳﺎ‬
‫ﻛﻼﺳﻴﻚ ﺑﻪ ﻭﺟﻮﺩ ﺁﻭﺭﺩﻩ ﺍﺳﺖ‪ .‬ﺷﻤﺎ‬ ‫ﻣﻰﺩﺍﻧﺴﺘﻨﺪ ﻭﻟﻰ ﺑﺎ ﺍﻳﻦ ﺣﺎﻝ‪ ،‬ﺍﻭ ﺍﺩﻋﺎ‬ ‫ﻫﻨﺮ ﻣﺮﺩﻣﻰ ﻣﺘﻮﻟﺪ ﺷﺪ‪ .‬ﺍﻭ ﺑﻌﺪﻫﺎ ﻃﻴﻒ‬
‫ﻻﺯﻡ ﻧﻴﺴﺖ ﺍﭘﺮﺍﻳﻰ ﺭﺍ ﻛﻪ ﺑﻪ ﺯﺑﺎﻥ ﻻﺗﻴﻦ‬ ‫ﻣﻰﻛﺮﺩ ﻛﻪ ﺑﺮﺍﻯ ﺗﻤﺎﻡ ﻋﻤﺮ ﺧﻮﺩ ﺑﺎﻛﺮﻩ‬
‫ﻭ ﻳﺎ ﻓﺮﺍﻧﺴﻮﻯ ﺍﺟﺮﺍ ﻣﻰﺷﻮﺩ ﺗﺮﺟﻤﻪ ﻛﻨﻴﺪ‬
‫ﺗﺎ ﺑﺘﻮﺍﻧﻴﺪ ﺍﺯ ﺁﻥ ﻟﺬﺕ ﺑﺒﺮﻳﺪ‪ .‬ﻫﻤﺎﻥ ﻃﻮﺭ‬ ‫ﺑﺎﻗﻰ ﻣﺎﻧﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻛﻪ ﺍﺣﺘﻤﺎﻻ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﺍﻳﺮﺍﻧﻴﺎﻥ‪ ،‬ﺑﻨﺪﻫﺎﻯ‬
‫ﻓﺮﺍﻧﺴﻮﻯ ﺗﺮﺍﻧﻪﻫﺎﻯ ﺩﺍﺩﻭﺭ ﺭﺍ ﻧﻤﻰﻓﻬﻤﻨﺪ‬
‫ﺍﻣﺎ ﺍﺯ ﺁﻥ ﻟﺬﺕ ﻣﻰﺑﺮﻧﺪ ﻭ ﺑﻪ ﻫﻤﻴﻦ ﺷﻜﻞ‬
‫ﻣﻦ ﺗﺮﺍﻧﻪﻫﺎﻯ ﻓﺎﺭﺳﻰ ﺍﻭ ﺭﺍ ﺩﻭﺳﺖ ﺩﺍﺭﻡ‪.‬‬
‫ﺩﺭﻳﺎ ﺍﻣﺮﻭﺯ ﻫﻤﻪ ﺭﺍ ﺭﺍﺿﻰ ﻧﮕﺎﻩ ﺩﺍﺷﺖ ﻫﻢ‬
‫ﻣﻦ ﻛﻪ ﻓﺎﺭﺳﻰ ﻧﻤﻰﺩﺍﻧﻢ ﻭ ﻫﻢ ﻓﺎﺭﺳﻰ‬

‫ﺯﺑﺎﻧﺎﻧﻰ ﻛﻪ ﻓﺮﺍﻧﺴﻮﻯ ﻧﻤﻰﺩﺍﻧﻨﺪ«‪.‬‬
‫ﺭﺥ ﺩﻳﻮﺍﻧﻬﺒﺨﺶ ﺩﻳﮕﺮ ﺑﺮﻧﺎﻣﻪ ﺭﻭﺯ‬
‫ﻳﻚﺷﻨﺒﻪ ﮔﺬﺷﺘﻪ‪ ،‬ﻧﻤﺎﻳﺶ ﻓﻴﻠﻢ »ﺭﺥ‬
‫ﺩﻳﻮﺍﻧﻪ« ﺑﻮﺩ‪ .‬ﻓﺴﺘﻴﻮﺍﻝ ﻓﻴﻠﻢ ﺍﻳﺮﺍﻧﻰ ﺩﺭ‬
‫ﻟﻨﺪﻥ )‪ (UKIFF‬ﺑﻴﺶ ﺍﺯ ‪ 150‬ﺑﺮﻧﺎﻣﻪ‬
‫ﻧﻤﺎﻳﺶ ﻓﻴﻠﻢ ﻭ ﻛﻨﺴﺮﺕ ﺩﺭ ﻛﺎﺭﻧﺎﻣﻪ ‪5‬‬
‫ﺳﺎﻟﻪ ﺧﻮﺩ ﺩﺍﺭﺩ‪ .‬ﺍﻳﻦ ﻓﺴﺘﻴﻮﺍﻝ ﺗﻼﺵ‬
‫ﻣﻰﻛﻨﺪ ﺑﺎ ﻧﻤﺎﻳﺶ ﻓﻴﻠﻢﻫﺎﻯ ﺍﻳﺮﺍﻧﻰ ﻭ‬
‫ﺑﺮﮔﺰﺍﺭﻯ ﻛﻨﺴﺮﺕﻫﺎﻳﻰ ﺍﺯ ﺍﻳﻦ ﺩﺳﺖ‬
‫ﻓﺮﻫﻨﮓ ﺍﻳﺮﺍﻧﻰ ﺭﺍ ﻫﺮ ﭼﻪ ﺑﻴﺸﺘﺮ ﺑﻪ‬
‫ﻋﻨﻮﺍﻥ ﻳﻚ ﻋﻨﺼﺮ ﭘﻴﺸﺮﻭ ﺩﺭ ﺟﺎﻣﻌﻪ ﭼﻨﺪ‬

‫ﺗﻮﻗﻴﻒ »ﭘﻴﻨﻮﻛﻴﺎ« ﺑﻪ ﺩﻟﻴﻞ ﭘﻮﺷﺶ ﻧﺎﻣﻨﺎﺳﺐ‬

‫ﻧﻤﺎﻳﺶ »ﭘﻴﻨﻮﻛﻴﺎ«‬ ‫ﺍﻃﻼﻉ ﺛﺎﻧﻮﻯ ﻣﺘﻮﻗﻒ ﻣﻰﺷﻮﺩ ﻭ ﺍﺟﺮﺍﻯ‬ ‫»ﭘﻴﻨﻮﻛﻴﺎ« ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﺷﻬﺮﻩ‬
‫ﺩﻭﺑﺎﺭﻩ ﺁﻥ ﺑﺴﺘﮕﻰ ﺑﻪ ﺍﺻﻼﺣﺎﺕ ﺍﻋﻼﻡ‬ ‫ﺳﻠﻄﺎﻧﻰ ﺍﺯ ﺳﻮﻯ ﺷﻮﺭﺍﻯ ﻧﻈﺎﺭﺕ ﻭ‬
‫ﺑﻪ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺑﺪﺍﻫﻪﻫﺎﻳﻰ ﻛﺮﺩ ﻛﻪ‬ ‫ﺷﺪﻩ ﺍﺯ ﺳﻮﻯ ﺷﻮﺭﺍﻯ ﻧﻈﺎﺭﺕ ﻭ ﺑﺎﺯﺑﻴﻨﻰ‬ ‫ﺍﺭﺯﺷﻴﺎﺑﻰ ﻣﺮﻛﺰ ﻫﻨﺮﻫﺎﻯ ﻧﻤﺎﻳﺸﻰ‬
‫ﻣﻮﺟﺐ ﻣﺴﺘﻬﺠﻦ ﺷﺪﻥ ﻧﻤﺎﻳﺶ ﺷﺪﻩ‬ ‫ﺑﻪ ﺩﻟﻴﻞ ﺁﻧﭽﻪ ﻋﺪﻡ ﺭﻋﺎﻳﺖ ﻣﻮﺍﺯﻳﻦ‬
‫ﺧﻮﺍﻫﺪ ﺩﺍﺷﺖ‪.‬‬ ‫ﺩﺭ ﭘﻮﺷﺶ ﺑﺎﺯﻳﮕﺮﺍﻥ ﻭ ﺩﻳﺎﻟﻮگﻫﺎﻯ‬
‫ﺍﺳﺖ‪.‬‬ ‫ﻧﻤﺎﻳﺶ »ﭘﺎﺋﻴﺰ« ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﻧﺎﺩﺭ‬
‫ﺗﻮﻗﻒ »ﭘﺎﺋﻴﺰ« ﻧﻴﺰ ﺩﺭ ﺣﺎﻟﻰ ﺍﻧﺠﺎﻡ ﺷﺪ‬ ‫ﺑﺮﻫﺎﻧﻰ ﻣﺮﻧﺪ ﻳﻜﻰ ﺩﻳﮕﺮ ﺍﺯ ﺗﻮﻗﻴﻒﻫﺎﻯ‬ ‫ﻧﺎﻣﻨﺎﺳﺐ ﻋﻨﻮﺍﻥ ﺷﺪ‪ ،‬ﺗﻮﻗﻴﻒ ﺷﺪ‪.‬‬
‫ﻛﻪ ﺳﺎﻝﻫﺎ ﻗﺒﻞ ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ ﺭﻓﺘﻪ ﺑﻮﺩ‪.‬‬ ‫ﺍﺧﻴﺮ ﺍﺳﺖ‪ .‬ﺁﻧﭽﻪ ﻣﻮﺟﺐ ﺷﺪ ﺍﺟﺮﺍﻯ‬ ‫ﺧﺒﺮﮔﺰﺍﺭﻯ ﻓﺎﺭﺱ ﺑﺎ ﺍﺳﺘﻨﺎﺩ ﺑﻪ‬
‫ﻧﻤﺎﻳﺶ »ﺗﺎﻧﮕﻮﻯ ﺗﺨﻢﻣﺮﻍ« ﺍﺯ ﻫﺎﺩﻯ‬ ‫ﺍﻳﻦ ﻧﻤﺎﻳﺶ ﻧﺎﺗﻤﺎﻡ ﺑﻤﺎﻧﺪ ﻧﻈﺮ ﻣﺠﻴﺪ‬ ‫ﮔﺰﺍﺭﺵ ﺷﻮﺭﺍﻯ ﻧﻈﺎﺭﺕ ﻭ ﺍﺭﺯﺷﻴﺎﺑﻰ‬
‫ﻣﺮﺯﺑﺎﻥ ﻛﻪ ﺑﻬﺎﺭ ﮔﺬﺷﺘﻪ ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ‬ ‫ﺳﺮﺳﻨﮕﻰ ﻣﺪﻳﺮﻋﺎﻣﻞ ﺧﺎﻧﻪ ﻫﻨﺮﻣﻨﺪﺍﻥ‬ ‫ﻣﺮﻛﺰ ﻫﻨﺮﻫﺎﻯ ﻧﻤﺎﻳﺸﻰ ﻧﻮﺷﺘﻪ ﺍﺳﺖ ﻛﻪ‬
‫ﺭﻓﺘﻪ ﺑﻮﺩ ﻧﻴﺰ ﺑﺮﺍﻯ ﻣﺪﺗﻰ ﺩﭼﺎﺭ ﻣﺸﻜﻞ‬ ‫ﺩﺭ ﻣﻮﺭﺩ ﺑﺎﺯﻯ ﺍﻣﻴﺮ ﺟﻌﻔﺮﻯ ﺑﻮﺩ‪ .‬ﺍﻭ ﺑﻪ‬ ‫ﺗﻮﻗﻒ ﻧﻤﺎﻳﺶ ﭘﻴﻨﻮﻛﻴﺎ ﭘﺲ ﺍﺯ ﭼﻨﺪﻳﻦ‬
‫ﺷﺪ ﻭ ﺳﺮﺍﻧﺠﺎﻡ ﭘﺲ ﺍﺯ ﭘﻴﮕﻴﺮﻯﻫﺎﻯ‬ ‫ﺻﻮﺭﺕ ﻏﻴﺮﻣﺴﺘﻘﻴﻢ ﺟﻌﻔﺮﻯ ﺭﺍ ﻣﺘﻬﻢ‬ ‫ﺑﺎﺭ ﺗﺬﻛﺮ ﺍﺩﺍﺭﻩ ﻧﻈﺎﺭﺕ ﻭ ﺍﺭﺯﺷﻴﺎﺑﻰ ﺗﺌﺎﺗﺮ‬
‫ﻣﺘﻌﺪﺩ »ﻣﺸﻜﻞ« ﺁﻥ ﺑﺮﻃﺮﻑ ﺷﺪ ﻭ‬ ‫ﻭ ﻧﺎﺩﻳﺪﻩ ﮔﺮﻓﺘﻦ ﺍﻳﻦ ﺗﺬﻛﺮﺍﺕ ﺍﺯ ﺳﻮﻯ‬

‫ﺍﺟﺎﺯﻩ ﺍﺟﺮﺍ ﮔﺮﻓﺖ‪.‬‬ ‫ﻣﺴﻮﻭﻻﻥ ﻧﻤﺎﻳﺶ ﺍﻧﺠﺎﻡ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﭘﺲ ﺍﺯ ﺗﻮﻗﻒ ﺍﺟﺮﺍﻯ ﻧﻤﺎﻳﺶ »ﭘﺎﺋﻴﺰ«‬
‫ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﻧﺎﺩﺭ ﺑﺮﻫﺎﻧﻰ ﻣﺮﻧﺪ‪،‬‬
‫ﺍﻳﻦ ﺩﻭﻣﻴﻦ ﺑﺎﺭ ﺩﺭ ﭼﻨﺪ ﻣﺎﻩ ﮔﺬﺷﺘﻪ‬
‫ﺍﺳﺖ ﻛﻪ ﻳﻜﻰ ﺩﻳﮕﺮ ﺍﺯ ﻧﻤﺎﻳﺶﻫﺎﻯ‬

‫ﺗﻤﺎﺷﺎﺧﺎﻧﻪ ﺍﻳﺮﺍﻧﺸﻬﺮ ﺗﻮﻗﻴﻒ ﻣﻰﺷﻮﺩ‪.‬‬
‫ﻧﻤﺎﻳﺶ ﭘﻴﻨﻮﻛﻴﺎ ﺩﺭ ﺣﺎﻟﻰ ﺍﺯ ﺍﺩﺍﻣﻪ‬
‫ﻛﺎﺭ ﺑﺎﺯﻣﺎﻧﺪ ﻛﻪ ﺩﻭ ﺷﺐ ﺩﺭ ﺗﻤﺎﺷﺎﺧﺎﻧﻪ‬

‫ﺍﻳﺮﺍﻧﺸﻬﺮ ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ ﺭﻓﺘﻪ ﺑﻮﺩ‪.‬‬
‫ﺁﻥ ﻃﻮﺭ ﻛﻪ ﻣﺤﻤﺪ ﻣﺤﻤﺪﻯ ﻣﺪﻳﺮ‬
‫ﺭﻭﺍﺑﻂ ﻋﻤﻮﻣﻰ ﺗﻤﺎﺷﺎﺧﺎﻧﻪ ﺍﻳﺮﺍﻧﺸﻬﺮ‬
‫ﺍﻋﻼﻡ ﻛﺮﺩﻩ ﺍﺳﺖ ﺍﺟﺮﺍﻯ ﭘﻴﻨﻮﻛﻴﺎ ﺗﺎ‬

1 2 3 4 5 6 7 8 9 10