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‫ﺟﻤﻌﻪ ‪ 20‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 26‬ﻧﻮﺍﻣﺒﺮ ‪2015‬‬

‫ﻭﺍﻯ ﺍﮔﺮ ﺍﺯ ﭘﺲ ﺍﻣﺮﻭﺯ ﺑﻮﺩ ﻓﺮﺩﺍﺋﻰ‬ ‫ﺑﺎ ﻳﺎﺩ ﻣﻌﻴﻨﻰ ﻛﺮﻣﺎﻧﺸﺎﻫﻰ ﻛﻪ ﻣﺎ ﺭﺍ ﺗﻨﻬﺎ ﮔﺬﺍﺷﺖ‬

‫ﻣﺎ ﺩﻓﺎﻉ ﻛﻨﻨﺪ‪ ،‬ﺁﻧﻬﺎﺋﻰ ﻛﻪ ﺩﺭﺣﻘﻴﻘﺖ‬ ‫‪©Reuters‬‬ ‫ﻋﺒﻴﺪ ﺳﻦ ﺧﻮﺯﺍﻧﻰ ‪ -‬ﺩﺭ ﻧﺸﺮﻳﺎﺕ‬ ‫ﺷﻌﺮﻫﺎﻳﺶ »ﺍﻯ ﺷﻤﻊﻫﺎ ﺑﺴﻮﺯﻳﺪ«‬ ‫ﻣﻌﻴﻨﻰ ﻛﺮﻣﺎﻧﺸﺎﻫﻰﺳﺖ‪.‬‬ ‫ﺭﺿﺎ ﻣﻘﺼﺪﻯ‪ -‬ﺗﺎﺭﻳﺦ ﻣﻮﺳﻴﻘ ِﻰ‬
‫ﺩﺭ ”ﻣﺠﻠﺲ ﺷﻮﺭﺑﺎﻯ ﺍﺳﻼﻣﻰ“ ﻳﺎ ﺩﺭ‬ ‫ﺩﻳﺪﻡ ﻣﺼﺎﺣﺒﻪﺍﻯ ﺍﺯ ﻇﺮﻳﻒ ﺁﻭﺭﺩﻩ‬ ‫ﺩﺳﺖ ﻣﻰﻳﺎﺑﻢ‪.‬‬ ‫ﺷﻌ ِﺮ ﺷﻴﻔﺘﻪﻯ ﻣﻌﻴﻨﻰ ﻛﺮﻣﺎﻧﺸﺎﻫﻰ‬ ‫ﻣﻌﺎﺻﺮ ﺍﻳﺮﺍﻥ ﺩﺭ ﮔﺴﺘﺮﻩﻯ‬
‫”ﻣﺠﻠﺲ ﺧﻤﺮﮔﺎﻥ“ ﻧﺸﺴﺘﻪﺍﻧﺪ‪ ،‬ﺣﺘﺎ‬ ‫ﻗﺒﻮﻝ ﻣﻰﻛﻨﺪ؟ ﺁﻕ ﻇﺮﻳﻒ ﺍﻳﻦ ﻋﻤﻞ‬ ‫ﺷﺪﻩ ﺍﺳﺖ ﺑﺎ ﻋﻨﻮﺍﻥ ”ﺭﻭﺍﻳﺖ ﻇﺮﻳﻒ‬ ‫ﻛﻪ ﻋﺎﻃﻔﻪﻯ ﺩﻟﺨﺴﺘﮕﺎ ِﻥ ﭘﺮﺟﻮﺵ‬ ‫ﺗﺮﺍﻧﻪ ُﺳﺮﺍﻳﻰ‪ ،‬ﻧﺎﻡ »ﺷﻴﺪﺍ« ﺭﺍ ﺑﺮ‬
‫ﺍﮔﺮ ﺑﻪ ﻧﺎﻣﻮﺱ ﺯﻥ ﻭﺑﭽﻪ ﺧﻮﺩﺗﺎﻥ ﻭ‬ ‫ﺍﺳﺖ ﻛﻪ ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻰ ﭼﻨﺪ َﻣﺮﺩﻩ‬ ‫ﺍﺯ ﺩﻻﻳﻞ ﺑﻰ ﺍﻋﺘﻤﺎﺩﻯ ﺑﻪ ﺁﻣﺮﻳﻜﺎ“ ﻛﻪ‬ ‫ﺩﺭ ﺁﻥ ﺟﻮﺍﻥﺳﺎﻟﻰ ﻭ ﺑﺎ ﻣﻌﻴﺎﺭﻫﺎﻯ‬ ‫ُﻭ ﺧﺮﻭﺵ ﺭﺍ ﺩﺭ ﺁﻏﻮﺵ ﻣﻰﮔﻴﺮﺩ‬ ‫ﭘﻴﺸﺎﻧﻰ ِ ﺧﻮﺩﻧﻮﺷﺘﻪ ﺍﺳﺖ‪ .‬ﭘﺲ ﺍﺯ‬
‫ﭘﺪﺭﺟﺪﺗﺎﻥ ﻫﻢ ﻗﺴﻢ ﺑﺨﻮﺭﻳﺪ‪ ،‬ﻋﺪﻩﺍﻯ‬ ‫ﺍﻳﺸﺎﻥ ﺑﺎ ﻫﻤﺎﻥ ﺩﻻﻳﻞ ﻭ ﻣﻨﻄﻖ ”ﺿﺮﺏ‬ ‫ﻣﺘﻌﺎﺭﻑ ِ ﺁﻥ ﺯﻣﺎﻥ‪ ،‬ﺍﻳﻦ ﻣﺠﻤﻮﻋﻪ‪ ،‬ﺍﺯ‬ ‫ﺭﻳﺸﻪﻫﺎﻳﻰ ﺍﺳﺘﻮﺍﺭ ﺩﺭ ﺷﻌﺮ ُﮔﻬﺮﺑﺎﺭ‬ ‫ﺁﻥ‪ ،‬ﻧﺎﻡ ﻋﺎﺭﻑ ﻗﺰﻭﻳﻨﻰ‪ ،‬ﻣﻠﻚﺍﻟﺸﻌﺮﺍﻯ‬
‫ﺳﻮﺩﺟﻮﻯ ﻓﺮﺻﺖﻃﻠﺐ ﻫﺴﺘﻨﺪ ﻛﻪ‬ ‫ﺣﻼﺟﻪ‪.‬‬ ‫ﻳﻌﻨﻰ ﺯﺩ‪ ،‬ﻧﺼﺮ ﻳﻌﻨﻰ ﻳﺎﺭﻯ ﻛﺮﺩ‪ ،‬ﭘﺲ‬ ‫ﭘﺎﺭﺳﻰ ﺩﺍﺭﺩ ﻭ ﺩﺭ ﺟﺎﻯ ﺟﺎ ِﻯ ﺍﻳﻦ‬ ‫ﺑﻬﺎﺭ‪ ،‬ﺭﻫﻰ ﻣﻌﻴﺮﻯ ﻭ… ﺭﺍ ﺩﺭ ﻛﻨﺎﺭ‬
‫ﺑﻪ ﺍﻳﻦ ﺭژﻳﻢ ﻭ ﺑﻪ ﺭﻫﺒﺮ ﺍﻳﻦ ﺭژﻳﻢ ﺳﺮ‬ ‫ﻧﺼﻴﺤﺖ ﺑﻪ ﺷﻤﺎ ﺍﻟﺒﺘﻪ ﻏﻠﻄﻪ ﺍﻣﺎ ﻣﻦ‬ ‫ﺑﻪ ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﻋﻠﻰ ﺟﺎﻧﺸﻴﻦ ﭘﻴﺎﻣﺒﺮﻩ“‬ ‫ﻛﺘﺎﺏﻫﺎﻯ ﺑﺎﻟﻴﻨﻰ ﻣﻦ ﺑﻮﺩ‪.‬‬ ‫ﺗﺮﺍﻧﻪﻫﺎ ﺭ ِﺩ ﭘﺎﻯ ﺳﺨﻦﺳﺮﺍﻳﺎ ِﻥ‬ ‫ﻫﻢ ﻣﻰﮔﺬﺍﺭﺩ‪ .‬ﺳﭙﺲ ﻧﺎﻡﺁﻭﺭﺍﻧﻰ ﺭﺍ‬
‫ﺳﭙﺮﺩﻩﺍﻧﺪ ﻭ ﻣﺮﺩﻡ ﻭ ﻣﻨﺎﻓﻊ ﻣﻠﻰ ﻣﻤﻠﻜﺖ‬ ‫ﭼﻮﻥ ﻳﻪ ﭼﻨﺪ ﺗﺎ ﭘﻴﺮﻫﻦ ﺍﺯ ﺗﻮ ﺑﻴﺸﺘﺮ‬ ‫‪ ،‬ﻣﻄﺎﻟﺒﻰ ﺁﻭﺭﺩﻩﺍﻧﺪ ﻛﻪ ﻭﺍﻗﻌﺎ ﻣﺮﻍ ﺁﻥ‬ ‫ﻛﻼ ِﻡ ﻛﻬﺮﺑﺎﻳ ِﻰ ﻣﻌﻴﻨﻰ ﻛﺮﻣﺎﻧﺸﺎﻫﻰ‪،‬‬ ‫ﺑﺮﺟﺴﺘﻪﻯ ﺩﻳﺮﻳﻦ ﺭﺍ ﺑﺎ ﺧﻼﻗﻴﺖﻫﺎﻯ‬ ‫ﺩﺭ ﺍﻳﻦ ﻋﺮﺻﻪ ﻣﻰﺑﻴﻨﻴﻢ ﭼﻮﻥ‪ :‬ﻧﻮﺍﺏ‬
‫ﻭ ﻣﻨﺎﻓﻊ ﻣﺮﺩﻡ ﺑﺮﺍﻯ ﺁﻧﺎﻥ ﺩﺭ ﺩﺭﺟﺎﺕ‬ ‫ﭘﻮﺷﻴﺪﻩﺍﻡ ‪ ،‬ﺑﻬﺖ ﻣﻴﮕﻢ ﻛﻪ ﻣﺎ ﺑﺎﻳﺪ‬ ‫ﻫﻢ ﺍﺯ ﻧﻮﻉ ﭘﺨﺘﻪﺍﺵ‪ ،‬ﺣﻖ ﺩﺍﺭﺩ ﻗﺎﻩ ﻗﺎﻩ‬ ‫ﺩﺭ ﮔﺴﺘﺮﻩﻯ ﺗﺮﺍﻧﻪ ُﺳﺮﺍﻳﻰ‪ ،‬ﺑﺎ ﺩﻝ ُﻭ ﺟﺎﻥ‬ ‫ﺻﻔﺎ‪ ،‬ﻣﻌﻴﻨﻰ ﻛﺮﻣﺎﻧﺸﺎﻫﻰ‪ ،‬ﺑﻴﮋﻥ‬
‫ﺁﻣﺎﺩﻩ ﺑﺎﺷﻴﻢ ﺩﺭ ﻛﻠﻴﻪ ﺯﻣﻴﻨﻪﻫﺎ‪ ،‬ﻧﻪ ﺗﻨﻬﺎ‬ ‫ﺑﻪ ﺣﺮﻑﻫﺎﻯ ﺍﻳﺸﺎﻥ ﺑﺨﻨﺪﺩ ﻭ ﺑﻌﺪ ﻫﻢ‬ ‫ﻣﺎ ﻛﺎﺭ ﺩﺍﺭﺩ ﺑﻪ ﻭﻳﮋﻩ ﺁﻧﻜﻪ ﺍﺯ ﺣﻨﺠﺮﻩﻯ‬ ‫ﺍﻣﺮﻭﺯﻳﻦ ﻣﻰﺑﻴﻨﻴﻢ‪.‬‬ ‫ﺗﺮﻗﻰ‪ ،‬ﺗﻮﺭﺝ ﻧﮕﻬﺒﺎﻥ‪ ،‬ﻛﺮﻳﻢ ﻓﻜﻮﺭ‪،‬‬
‫ﭼﻨﺪﻡ ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪.‬‬ ‫ﺑﺎ ﺁﻣﺮﻳﻜﺎ ﺑﻠﻜﻪ ﺑﺎ ﺗﻤﺎﻡ ﻛﺸﻮﺭﻫﺎ ﺣﺘﺎ‬ ‫ﺳﺮﻯ ﺑﻪ ﺻﺤﺮﺍﻯ ﻛﺮﺑﻼ ﺯﺩﻩ ﻭ ﺣﺴﺎﺑﻰ‬ ‫ﺳﻴﻤﻴﻦ ﺑﻬﺒﻬﺎﻧﻰ ﺩﺭ ﺑﺎﺭﻩﻯ ﻭﻯ‬ ‫ﭘﺮﻭﻳﺰ ﺧﻄﻴﺒﻰ‪ ،‬ﭘﺮﻭﻳﺰ ﻭﻛﻴﻠﻰ‪ ،‬ﺑﻬﺎﺩﺭ‬
‫ﺍﻣﺎ ﻣﻦ ﺑﻪ ﻋﻨﻮﺍﻥ ﻳﻚ ﺷﻬﺮﻭﻧﺪ ﺍﻳﺮﺍﻧﻰ‪،‬‬ ‫ﺍﺳﺮﺍﺋﻴﻞ ﻫﻢ ﻭﺍﺭﺩ ﻣﺬﺍﻛﺮﻩ ﺑﺸﻮﻳﻢ‪ .‬ﺍﻟﺒﺘﻪ‬ ‫ﻫﻮﺵﺭﺑﺎﻯ ﺗﻮ ﮔﺬﺭ ﻛﺮﺩﻩ ﺑﺎﺷﺪ‪:‬‬ ‫ﻣﻰﻧﻮﻳﺴﺪ‪» :‬ﺍﻭ ﺩﺭ ﻋﺼﺮﻯ ﻛﻪ ﺗﺮﺍﻧﻪ‪،‬‬
‫ﻭﻟﻮ ﺑﺎ ﺍﻳﻦ ﺭژﻳﻢ ﺍﺧﺘﻼﻑ ﺳﻠﻴﻘﻪ ﺩﺍﺷﺘﻪ‬ ‫ﻧﻪ ﺑﺎ ﺍﻋﺘﻤﺎﺩ ﺑﻪ ﺁﻧﻬﺎ‪ ،‬ﺑﻠﻜﻪ ﺑﺎ ﺩﺍﺷﺘﻦ‬ ‫ﺯﺍﺭ ﺯﺍﺭ ﺑﮕﺮﻳﺪ!‬ ‫ﻣﻈﺮﻭﻓﻰ ﺑﺮﺍﻯ ﻣﻐﺎﺯﻟﻪﻫﺎ ﻭ ﻣﻌﺎﺷﻘﺎﺕ‬ ‫ﻳﮕﺎﻧﻪ ﻭ…‬
‫ﺑﺎﺷﻢ ﻭ ﺑﻪ ﺁﻥ ﺭﺍﻯ ﻣﺜﺒﺖ ﻫﻢ ﻧﺪﺍﺩﻩ‬ ‫ﺣﺴﻦ ﻧﻴﺖ ﻭ ﺗﺼﻤﻴﻢ ﺑﻪ ﺣﻞ ﻣﺴﺎﺋﻞ‬ ‫ﺷﺎﻩ ﺑﻴﺖ ﻭ ﺗﻜﻴﻪ ﻛﻼﻡ ﺍﻳﺸﺎﻥ ﺭﺍ ﻫﻢ‬ ‫ﺍﺯ ﺑﺮﺕ ﺩﺍﻣﻦﻛﺸﺎﻥ ﺭﻓﺘﻢ ﺍﻯ‬ ‫ﺗﻜﺮﺍﺭﻯ ﺑﻮﺩ ﻣﻮﻓﻖ ﺷﺪ ﻧﻤﺎﺩﮔﺮﺍﻳﻰ ﺭﺍ‬ ‫ﻣﻌﻴﻨﻰ ﻛﺮﻣﺎﻧﺸﺎﻫﻴﻮ ﺳﭙﺲﺗﺮ‪ ،‬ﺍﺯ‬
‫ﺑﺎﺷﻢ ﻭ ﺑﻪ ﺳﺒﺐ ﻋﺪﻡ ﺍﻣﻨﻴﺖ ﺟﺎﻧﻰ‬ ‫ﻓﻴﻤﺎﺑﻴﻦ‪ .‬ﺧﻮﺩﺗﺎﻥ ﺑﻬﺘﺮ ﻣﻰﺩﺍﻧﻴﺪ ﻛﻪ‬ ‫ﻣﻰﺗﻮﺍﻥ ﺩﺭ ﺩﻭ ﺳﺮﻓﺼﻞ ﺍﺻﻠﻰ ﺧﻼﺻﻪ‬ ‫ﻓﺮﻫﺎﺩ ﺷﻴﺒﺎﻧﻰ‪ ،‬ﺍﻳﺮﺝ ﺟﻨﺘﻰ ﻋﻄﺎﻳﻰ‪،‬‬
‫ﻭ ﻣﺎﻟﻰ‪ ،‬ﺍﻳﺮﺍﻥ ﺭﺍ ﺗﺮﻙ ﻛﺮﺩﻩ ﻭ ﻣﻘﻴﻢ‬ ‫ﺩﻭﺳﺘﻰ ﻭ ﺩﺷﻤﻨﻰ ﺑﺎ ﻛﺸﻮﺭﻫﺎ ﻫﻤﻴﺸﻪ‬ ‫ﻛﺮﺩ ﻛﻪ ﻣﺎ ﺑﻪ ﺁﻣﺮﻳﻜﺎ ﺍﻋﺘﻤﺎﺩ ﻧﺪﺍﺭﻳﻢ‬ ‫ﻧﺎﻣﻬﺮﺑﺎﻥ‬ ‫ﺑﺎ ﻣﻮﻓﻘﻴﺖ ﺩﺭ ﺗﺮﺍﻧﻪ‪ ،‬ﺗﺠﺮﺑﻪ ﻛﻨﺪ«‪.‬‬ ‫ﺷﻬﻴﺎﺭ ﻗﻨﺒﺮﻯ‪ ،‬ﺍﺭﺩﻻﻥ ﺳﺮﻓﺮﺍﺯ ﻭ‬
‫ﺧﺎﺭﺝ ﺷﺪﻩ ﻭ ﺍﻳﻨﺠﺎ ﻣﺸﻐﻮﻝ ﺧﻮﺭﺩﻥ‬ ‫ﺩﺭ ﺣﺎﻝ ﺗﻐﻴﻴﺮ ﻭ ﺗﺤﻮﻝ ﺍﺳﺖ ﺍﻣﺎ ﺁﻧﭽﻪ‬ ‫ﻭ ﺩﻳﮕﺮ ﺁﻧﻜﻪ ﺩﺭ ﺩﻟﻢ ﮔﻔﺘﻢ ﻳﻜﻰ ﺍﺯ‬ ‫ﭼﻨﺪ ﺳﺎﻝ ﭘﻴﺶ ﺩﺭ ﻳﺎﺩﻧﺎﻣﻪﺍﻯ‬ ‫ﭼﻨﺪ ﻧﻔﺮ ﺩﻳﮕﺮ ﻣﻰﺗﻮﺍﻥ ﻧﺎﻡ ﺑﺮﺩ ﻛﻪ‬
‫ﻧﻮﻥ ﻭ ﻣﺎﺳﺖ ﺧﻮﺩﻡ ﺑﺎﺷﻢ ‪ ،‬ﺍﻣﺎ ﺑﺎﺯ ﻫﻴﭻ‬ ‫ﺩﺭ ﻛﻮﺗﺎﻩﻣﺪﺕ ﻭ ﻣﻴﺎﻥﻣﺪﺕ ﺗﻐﻴﻴﺮﻧﺎﭘﺬﻳﺮ‬ ‫ﺩﻻﻳﻠﻰ ﻛﻪ ﺍﻳﻨﻬﺎ ﺑﺎﻳﺪ ﺩﺷﻤﻨﻰ ﺑﺎ ﺁﻣﺮﻳﻜﺎ‬ ‫ﺍﺯﻣ ِﻦﺁﺯﺭﺩﻩﺩﻝﻛﻰﺩﮔﺮﺑﻴﻨﻰﻧﺸﺎﻥ‬ ‫ﻛﻪ ﺑﺮﺍﻯ »ﻣﺮﺿﻴﻪ«‪ ،‬ﺑﺎﻧﻮﻯ ﺁﻭﺍﺯ‬ ‫ﺩﺭ ﻛﻨﺎﺭ ﺁﻫﻨﮓﺳﺎﺯﺍﻥ ﺟﻮﺍﻥ ﺁﻥ‬
‫ﻗﺎﻧﻮﻧﻰ ﻧﻤﻰﺗﻮﺍﻧﺪ ﺣﻖ ﺷﻬﺮﻭﻧﺪﻯ ﻣﺮﺍ‬ ‫ﻭ ﺩﺭ ﺑﻠﻨﺪﻣﺪﺕ ﻗﺎﺑﻞ ﺗﺠﺪﻳﺪ ﻧﻈﺮ ﺍﺳﺖ‪،‬‬ ‫ﺭﺍ ﻛﻨﺎﺭ ﺑﮕﺬﺍﺭﻧﺪ ﻫﻤﻴﻦ ﻭﺟﻮﺩ ﺧﻮﺩﺕ‬ ‫ﺭﻓﺘﻢ ﻛﻪ ﺭﻓﺘﻢ‬ ‫ﺩﻝﻫﺎ ﻧﻮﺷﺘﻢ ﺩﺭ ﺧﻄﺎﺏ ﺑﻪ ﺁﻥ‬ ‫ﺯﻣﺎﻥ‪ :‬ﺍﺳﻔﻨﺪﻳﺎﺭ ﻣﻨﻔﺮﺩ ﺯﺍﺩﻩ‪ ،‬ﺑﺎﺑﻚ‬
‫ﺑﺎﻃﻞ ﻛﻨﺪ‪ .‬ﺣﻖ ﻣﻦ ﺍﺳﺖ ﻛﻪ ﺍﺯ ﺍﻳﺸﺎﻥ‬ ‫ﺍﺳﺖ ﻇﺮﻳﻒ ﺟﺎﻥ ﻛﻪ ﺩﻳﭙﻠﻤﺎﺕﻫﺎﻯ‬ ‫ﻧﺎﺯﻧﻴﻦ ﻣﻰﮔﻮﻳﻢ‪ :‬ﺩﺭ ﺩﻝﺳﭙﺮﺩﻥﻫﺎﻯ‬ ‫ﺑﻴﺎ ﺕ ﻭ ﻭﺍﺭﻭژﺍﻥ ﻛﻪ ﺑﺎ ﺗﻜﻴﻪ ﺑﻪ‬
‫ﺑﭙﺮﺳﻢ ﭼﮕﻮﻧﻪ ﺍﺳﺖ ﻛﻪ ﺭﻭﺳﻴﻪ ﺑﺎ ﺍﻳﻦ‬ ‫ﻣﻨﺎﻓﻊ ﻣﻠﻰ ﺍﺳﺖ‪.‬‬ ‫ﺗﺤﺼﻴﻞﻛﺮﺩﻩ ﻭ ﺭﻧﮕﺎﺭﻧﮓ ﺩﺭ ﭼﻴﻦ‪ ،‬ﻫﻨﺪ‪،‬‬ ‫ﺍﺯ ﻣﻦ ِ ﺩﻳﻮﺍﻧﻪ‪ ،‬ﺑﮕﺬﺭ‪ ،‬ﺑﮕﺬﺭ ﺍﻯ‬ ‫ﭘﻴﺎﭘﻰ ﺑﻪ ﺭﻧﮓ ﻭ ﺑﻮﻯ ﻭﺍژﻩﻫﺎﻳﻰ‬ ‫ﻇﺮﻓﻴﺖﻫﺎﻯ ﺷﻌﺮ ﻣﺪﺭﻥ ﻧﻴﻤﺎﻳﻰ‪،‬‬
‫ﻫﻤﻪ ﻟﻄﻤﺎﺗﻰ ﻛﻪ ﺩﺭﻋﺮﺽ ﻫﻤﻴﻦ ﺳﻰ ﻭ‬ ‫ﭼﻪ ﺩﻟﻴﻠﻰ ﺩﺍﺭﺩ ﻣﺎ ﺑﺎ ﺁﻣﺮﻳﻜﺎ ﺩﺷﻤﻨﻰ‬ ‫ﺭﻭﺳﻴﻪ‪ ،‬ﺗﺮﻛﻴﻪ ﻭ ﺣﺘﺎ ﺍﺭﻭﭘﺎ ﻧﺘﻮﺍﻧﺴﺘﻨﺪ ﺍﻳﻦ‬ ‫ﻛﻪ ﺍﺯ ﺣﻨﺠﺮﻩﻯ ﺣﺴﺮﺕ ﺑﺮﺍﻧﮕﻴﺰ‬ ‫ﭼﻬﺮﻩﻯ ﺗﺮﺍﻧﻪ ُﺳﺮﺍﻳ ِﻰ ﻧﻮﻳﻦ ﺍﻳﺮﺍﻥ ﺭﺍ‬
‫ﺍﻧﺪﻯ ﺳﺎﻝ ﺑﻪ ﻣﻤﻠﻜﺖ ﻣﺎ ﻭ ﻣﺮﺩﻡ ﻣﺎ ﺯﺩﻩ‬ ‫ﺍﺑﺪﻯ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﻢ؟ ﺑﻬﺘﺮ ﺍﺳﺖ ﺳﺎﺑﻘﻪ‬ ‫ﻣﻌﻀﻞ ﺩﻩ ﭘﺎﻧﺰﺩﻩ ﺳﺎﻟﻪ ﺭﺍ ﺣﻞ ﻛﻨﻨﺪ ﻭ‬ ‫ﺟﺎﻧﺎﻧﻪ‪ ،‬ﺑﮕﺬﺭ‬ ‫ُﻭ ﺣﻴﺮﺕﺁﻓﺮﻳﻦﺍﺕ ﻓﺮﻭ ﻣﻰﺑﺎﺭﺩ‪ ،‬ﺑﻪ‬
‫ﺍﺳﺖ ﻛﻪ ﺩﻭ ﻗﻠﻢ ﺁﻥ‪ ،‬ﺷﺎﺥ ﻛﺮﺩﻥ ﺣﺰﺏ‬ ‫ﺗﺎﺭﻳﺨﻰ ﺭﻭﺍﺑﻂ ﺧﻮﺩ ﺭﺍ ﺑﺎ ﺁﻣﺮﻳﻜﺎ‪،‬‬ ‫ﺯﻧﮕﻮﻟﻪ ﺭﺍ ﮔﺮﺩﻥ ﮔﺮﺑﻪ ﺑﻴﻨﺪﺍﺯﻧﺪ‪ ،‬ﺍﻣﺎ ﺗﻮ‬ ‫ﻣﻌﻤﺎﺭ ِﻯ ﻛﻼ ِﻡ ﭘﺎﺭﺳﻰ‪ ،‬ﺩﺭ ﺯﻣﻴﻨﻪﻯ‬ ‫ﺩﻳﮕﺮﮔﻮﻥ ﻛﺮﺩﻩﺍﻧﺪ‪.‬‬
‫ﺗﻮﺩﻩ‪ ،‬ﺑﻪ ﻭﻳﮋﻩ ﺭﻫﺒﺮﺍﻥ ﺁﻥ ﺣﺰﺏ ﺩﺭ‬ ‫ﺭﻭﺳﻴﻪ‪ ،‬ﺍﻧﮕﻠﺴﺘﺎﻥ‪ ،‬ﺗﺮﻛﻴﻪ‪ ،‬ﻋﺮﺍﻕ‬ ‫ﻳﻜﻰ ﻛﻪ ﺗﺤﺼﻴﻞ ﻛﺮﺩﻩ ﻫﻤﻴﻦ ﺁﻣﺮﻳﻜﺎﻯ‬ ‫ﻫﺮ ﭼﻪ ﺑﻮﺩﻯ‪ ،‬ﻫﺮ ﭼﻪ ﺑﻮﺩﻡ‪ ،‬ﺑﻰ‬ ‫ﺗﺮﺍﻧﻪ ُﺳﺮﺍﻳﻰ‪ ،‬ﺑﻴﺸﺘﺮ ﭘﻰ ﻣﻰﺑﺮﻡ ﻭ ﺑﻪ‬ ‫ﻣﻌﻴﻨﻰ ﻛﺮﻣﺎﻧﺸﺎﻫﻰ‪ ،‬ﺑﻪ ﺳﺎﻝ‬
‫ﺑﺮﺍﺑﺮ ﻫﻤﻴﻦ ﺭژﻳﻢ ﻓﻌﻠﻰ ﺑﺎ ﺍﻳﻦ ﺗﺼﻮﺭ ﻛﻪ‬ ‫ﺑﺮﺭﺳﻰ ﻭ ﺁﻧﻬﺎ ﺭﺍ ﺑﺎ ﻫﻢ ﻣﻘﺎﻳﺴﻪ ﻛﻨﻴﻢ‪.‬‬ ‫ﺟﻨﺎﻳﺖﻛﺎﺭ ﻭ ﺍﺳﺘﻌﻤﺎﺭﮔﺮ ﻭ ﺩﺷﻤﻦ‬ ‫ﻟﺤﺎ ِﻅ ﺳﻴ ِﺮ ﺗﺎﺭﻳﺨﻰ ُﻭ ﭼﺸﻢﺍﻧﺪﺍﺯﻫﺎﻯ‬ ‫‪1304‬ﺧﻮﺭﺷﻴﺪﻯ ﺩﺭ ﻛﺮﻣﺎﻧﺸﺎﻩ‬
‫ﺑﺎﻻﺧﺮﻩ ﺣﻜﻮﻣﺖ ﺭﺍ ﺑﻪ ﺩﺳﺖ ﺧﻮﺍﻫﻨﺪ‬ ‫ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ ﻭ ﻏﻴﺮ ﻗﺎﺑﻞ ﺍﻋﺘﻤﺎﺩ‬ ‫ﺧﺒﺮ‪ ،‬ﺭﻓﺘﻢ ﻛﻪ ﺭﻓﺘﻢ‬ ‫ﺯﺑﺎﻥ‪ ،‬ﺑﻪ ﻧﺎ ِﻡ ُﺳﺮﺍﻳﻨﺪﮔﺎ ِﻥ ﺗﺮﺍﻧﻪﻫﺎ‬ ‫ﭼﺸﻢ ﺑﻪ ﺟﻬﺎﻥ ﮔﺸﻮﺩ ﻭ ﺍﺯ ﺍﻭﺍﻳﻞ‬
‫ﺁﻭﺭﺩ ﻭ ﻳﺎ ﻫﻤﻴﻦ ﺿﺮﺑﻪ ﺁﺧﺮﻯ ﻛﻪ ﺍﺯ‬ ‫ﺍﻧﺼﺎﻓﺎ ﻫﻤﻴﻦ ﻋﺮﺍﻕ ﺍﺯ ﺯﻣﺎﻧﻰ ﻛﻪ ﻣﺘﻮﻟﺪ‬ ‫ﺑﻮﺩﻯ‪ ،‬ﺑﺎﻻﺧﺮﻩ ﺭﺍﺳﺖ ﻳﺎ ﺩﺭﻭﻍ ﻛﺎﺭ ﺭﺍ‬ ‫ﺩﺭﻣﺘﻦ ِ ﺁﻫﻨ ِﮓ ﻋﻠﻰ ﺗﺠﻮﻳﺪﻯ ﻭ ﺩﺭ‬ ‫ﻛﻨﺠﻜﺎﻭﺍﻧﻪ‪ ،‬ﺗﻮﺟﻬﻰ ﻭﻳﮋﻩ ﻣﻰﻛﻨﻢ‪.‬‬ ‫‪ 1333‬ﻛﺎﺭ ﺗﺮﺍﻧﻪ ُﺳﺮﺍﻳﻰ ﺭﺍ ﺑﺎ ﻫﻤﻜﺎﺭﻯ‬
‫ﺗﺤﻮﻳﻞ ﺩﺍﺩﻥ ﺑﻪ ﻣﻮﻗﻊ ﻣﻮﺷﻚﻫﺎﻯ ﺍﺱ‬ ‫ﺷﺪﻩ‪ ،‬ﻛﻪ ﺣﺘﺎ ﺑﻪ ﻧﻮﺩ ﺳﺎﻝ ﻫﻢ ﻧﺮﺳﻴﺪﻩ‪،‬‬ ‫ﺑﻪ ﺟﺎﻯ ﺍﻣﻴﺪﻭﺍﺭﻛﻨﻨﺪﻩﺍﻯ ﺭﺳﺎﻧﺪﻯ‪.‬‬ ‫ﻣﻴﺎﻧﻪﻯ ﺍﻳﻦ ﺗﺮﺍﻧﻪﻯ ﺁﺯﺭﺩﻩﺳﺖ ﻛﻪ‬ ‫ﺑﻰ ﺷﻚ ﻧﺎ ِﻡ ﻧﺎﻣﻰ ﻣﻌﻴﻨﻰ‬ ‫ﺁﻫﻨﮓﺳﺎﺯﺍﻥ ﻭ ﻧﻮﺍﺯﻧﺪﮔﺎﻥ ﺑﺮﺟﺴﺘﻪﻯ‬
‫‪ 300‬ﺑﻪ ﺑﻬﺎﻧﻪﻫﺎﻯ ﻭﺍﻗﻌﺎ ﺑﻰ ﺭﺑﻂ ﺁﻥ‬ ‫ﺑﻴﺸﺘﺮ ﺑﻪ ﻣﺎ ﻟﻄﻤﻪ ﻭﺿﺮﺭ ﻭ ﺯﻳﺎﻥ ﺯﺩﻩ‬ ‫ﺍﻟﺒﺘﻪ ﺑﺮﺍﻯ ﺁﻧﻜﻪ ﺍﻳﻦ ﻇﺮﻳﻒ ﺭﻭﻳﺶ ﺭﺍ‬ ‫ﺩﻭ ﺑﻴﺖ ﺍﺯ ﻏﺰﻝ ﺍﻭ ﺭﺍ ﻧﻴﺰ ﺍﺯ ﻛﺘﺎ ِﺏ‬ ‫ﻛﺮﻣﺎﻧﺸﺎﻫﻰ‪ ،‬ﺑﺮﺗﺎﺭ ِﻙ ﺟﺴﺘﺠﻮﻯ‬ ‫ﺯﻣﺎﻥ ﺧﻮﺩ‪ :‬ﻋﻠﻰ ﺗﺠﻮﻳﺪﻯ‪ ،‬ﻫﻤﺎﻳﻮﻥ‬
‫ﺑﻼﻫﺎ ﺭﺍ ﺳﺮ ﻣﺎ ﺁﻭﺭﺩﻧﺪ ﻭ ﺩﺭ ﻧﻬﺎﻳﺖ ﻧﻴﺰ ﻣﺎ‬ ‫ﺍﺳﺖ ﻳﺎ ﺁﻣﺮﻳﻜﺎ ﺩﺭ ﻃﻮﻝ ﺑﻴﺶ ﺍﺯ ﺻﺪ‬ ‫ﺯﻳﺎﺩ ﻧﻜﻨﺪ ﻭ ﻓﺮﺩﺍ ﺍﺯ ﻣﺎ ﺑﻪ ﺟﺎﻯ ﻣﺠﺴﻤﻪ‬ ‫ﻧﺎﻡﺑﺮﺩﻩ‪ ،‬ﺑﻪ ﺻﻮﺭ ِﺕ ﺁﻭﺍﺯ ﻣﻰﺧﻮﺍﻧﻰ‪.‬‬ ‫ﺁﻏﺎﺯﻳﻨﻢ ﻣﻰﻧﺸﻴﻨﺪ‪ .‬ﺍﺯ ﺍﻳﻦ ﺭﻭ‬ ‫ﺧﺮﻡ‪ ،‬ﭘﺮﻭﻳﺰ ﻳﺎﺣﻘﻰ ﻭ ﺣﺒﻴﺐﺍﷲ‬
‫ﺭﺍ ﻭﺍﺩﺍﺭ ﻛﺮﺩﻧﺪ ﺷﻜﺎﻳﺖ ﺧﻮﺩﻣﺎﻥ ﺭﺍ ﻛﻪ‬ ‫ﻭ ﭘﻨﺠﺎﻩ ﺳﺎﻝ ﮔﺬﺷﺘﻪ؟ ﭘﻨﺞ ﻣﻮﺭﺩ ﺍﺯ‬ ‫”ﺳﺮﺩﻳﺲ“ ﻣﻄﺎﺑﻖ ﻣﻌﻤﻮﻝ ﺩﺑﻪ ﺩﺭﺁﻭﺭﺩﻩ‬ ‫ﺑﺎ ﺗﺤﺮﻳﺮﻫﺎﻳﻰ ﻛﻪ ﺍﺯ ﻣﺸﺨﺼﻪﻫﺎﻯ‬ ‫ﭘﻴﮕﻴﺮﺍﻧﻪ ﺑﻪ ﺩﻧﺒﺎ ِﻝ ﺩﻓﺘﺮ ُﻭ ﺩﻳﻮﺍﻧﻰ ﺍﺯ‬ ‫ﺑﺪﻳﻌﻰ ﺁﻋﺎﺯ ﻛﺮﺩ ﻭ ﺑﺎ ﺗﺮﺍﻧﻪﻫﺎﻯ‬
‫ﻗﻄﻌﺎ ﺩﺭ ﺁﻥ ﺑﺮﻧﺪﻩ ﻣﻰﺷﺪﻳﻢ ﺍﺯ ﺩﺍﺩﮔﺎﻩ‬ ‫ﻛﺎﺭﻫﺎﻯ ﻣﺜﺒﺖ ﻋﺮﺍﻕ‪ ،‬ﺭﻭﺳﻴﻪ ﻳﺎ ﻫﻤﻴﻦ‬ ‫ﻭ ﻣﺠﺴﻤﻪ ”ﺗﻨﺪﻳﺲ“ ﺗﻮﻗﻊ ﺩﺍﺷﺘﻪ‬ ‫ﺍﻭ ﻣﻰﮔﺮﺩﻡ‪ .‬ﺳﺮﺍﻧﺠﺎﻡ ‪ ،‬ﺑﻪ ﮔﺰﻳﺪﻩﻯ‬ ‫ﺷﻮﺭﺍﻧﮕﻴﺰ ﺧﻮﺩ‪ ،‬ﻛﻪ ﺑﻴﺸﺘﺮ ﺁﻧﻬﺎ ﺭﺍ ﺑﺎ‬
‫ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﭘﺲ ﺑﮕﻴﺮﻳﻢ‪ ،‬ﭼﻄﻮﺭ ﺷﺪ‬ ‫ﺍﻧﮕﻠﺴﺘﺎﻥ ﺭﺍ ﺑﻴﺎﻥ ﻛﺮﺩﻩ ﻭ ﺳﭙﺲ ﺁﻧﻬﺎ‬ ‫ﺑﺎﺷﺪ‪ ،‬ﺍﺯ ﻣﻦ ﻫﻢ ﺍﺩﻋﺎﻯ ﻃﻠﺒﻜﺎﺭﻯﻫﺎﻯ‬ ‫ﺗﻘﻠﻴﺪ ﻧﺎﭘﺬﻳ ِﺮ ﺁﻭﺍﺯ ِﻯ ﺗﻮﺳﺖ‪:‬‬ ‫ﺻﺪﺍﻯ ﺩﻟﻜﺶ ُﻭ ﻣﺮﺿﻴﻪ ﺷﻨﻴﺪﻩﺍﻳﻢ‬
‫ﻛﻪ ﺍﻳﻦ ﺭﻭﺳﻴﻪ ﺑﺮﺍﻯ ﻣﺎ ﺩﻭﺳﺖ ﺍﺳﺖ‬ ‫ﺭﺍ ﺑﺎ ﺧﺪﻣﺎﺕ ﺁﻣﺮﻳﻜﺎﺋﻰﻫﺎ ﺩﺭ ﻃﻮﻝ‬ ‫ﻧﺎﻣﺸﺮﻭﻉ ﺑﻜﻨﺪ‪ ،‬ﺍﺻﻼ ﺍﻳﻦ ﻗﺴﻤﺖ ”ﺩﺳﺖ‬ ‫ﻣﻦ ﻧﮕﻮﻳﻢ ﻛﻪ ﺑﻪ ﺩﺭﺩ ِ ﺩﻝ ﻣﻦ‬ ‫ﺟﺎﻥ ُﻭ ﺟﻬﺎ ِﻥ ﻣﺎﺭﺍ ﺟﻠﻮﻩﺍﻯ ﺟﺎﻧﺎﻧﻪ ﺩﺍﺩ‪.‬‬
‫ﻭ ﺁﻣﺮﻳﻜﺎﺋﻰ ﻛﻪ ﻫﻢ ﺩﺭ ﺑﺮﻛﻨﺎﺭ ﻛﺮﺩﻥ‬ ‫ﺭﻭﺍﺑﻄﻰ ﻛﻪ ﺑﺎ ﻣﺎ ﺩﺍﺷﺘﻪ ﻣﻘﺎﻳﺴﻪ‬ ‫ﭘﺮﻭﺭﺩﻩ ﺁﻣﺮﻳﻜﺎ“ ﺭﺍ ﺑﺮﺍﻳﺶ ﺩﺭ ﻧﻮﺷﺘﻪﺍﻡ‬ ‫ﺩﺭ ﺩﻫﻪﻯ ﭼﻬﻞ ُﻭ ﭘﻨﺠﺎﻩ‪ ،‬ﻫﻤﺮﺍﻩ‬
‫ﺷﺎﻩ ﻧﻘﺶ ﻋﻤﺪﻩ ﺩﺍﺷﺘﻨﺪ ﻭ ﻫﻢ ﺩﺭ‬ ‫ﻛﻨﻴﺪ‪ .‬ﺑﻌﺪ ﻫﻢ ﺍﺻﻼ ﺭﻳﺶ ﻭ ﻗﻴﭽﻰ ﺭﺍ‬ ‫ﮔﻮﺵ ﻛﻨﻴﺪ‬ ‫ﺑﺎ ﺗﺤﻮﻝﻫﺎﻯ ﭼﺸﻤﮕﻴﺮ ﺍﺟﺘﻤﺎﻋﻰ‪،‬‬
‫ﺣﻤﺎﻳﺖ ﺁﻳﺖﺍﷲ ﺧﻤﻴﻨﻰ ﺑﺎ ﻓﺮﺳﺘﺎﺩﻥ‬ ‫ﻣﻰﺩﻫﻢ ﺩﺳﺖ ﺧﻮﺩﺕ ﻛﻪ ﺩﺷﻤﻨﻰﻫﺎ‬ ‫ﻧﻴﺎﻭﺭﺩﻡ ﺍﻣﺎ ﻧﻮﺷﺘﻢ‪:‬‬ ‫ﻣﻀﻤﻮﻥ ﺗﺮﺍﻧﻪ ُﺳﺮﺍﻳﻰ ﻫﻢ ﺗﺤﻮﻝ‬
‫ﻧﻤﺎﻳﻨﺪﻩ ﻭﻳﮋﻩ ﻛﺎﺭﺗﺮ ﺑﻪ ﭘﺎﺭﻳﺲ ﻭ ﻧﺸﺎﻥ‬ ‫ﻭ ﻋﺪﺍﻭﺕﻫﺎ ﻭ ﺿﺮﺑﺎﺗﻰ ﺭﺍ ﻛﻪ ﻫﺮ ﻳﻚ‬ ‫ﺑﻬﺘﺮ ﺁﻧﺴﺖ ﻛﻪ ﺍﻳﻦ ﻗﺼﻪ‪،‬‬ ‫ﻳﺎﻓﺖ ﻭ ﺍﺯ ﺟﻨﺒﻪﻫﺎﻯ ﺧﺴﺘﻪ‬
‫ﺩﺍﺩﻥ ﭼﺮﺍﻍ ﺳﺒﺰ ﻛﻪ ﺗﻮ ﺑﺮﻭ ﺟﻠﻮ ﻛﺎﺭﻳﺖ‬ ‫ﺍﺯ ﺍﻳﻦ ﻛﺸﻮﺭﻫﺎ ﺑﻪ ﻣﺎ ﺯﺩﻩﺍﻧﺪ‪ ،‬ﺑﺎ ﺁﻣﺮﻳﻜﺎ‬ ‫ﻛﻨﻨﺪﻩﻯ ﻳﻜﻨﻮﺍﺧ ِﺖ ﮔﺬﺷﺘﻪ ﻧﻴﺰ‬
‫ﻧﺒﺎﺷﻪ‪ ،‬ﺑﻘﻴﻪﺍﺵ ﺑﺎ ﻣﺎ ﻭ ﻛﻤﻚﻫﺎﻯ‬ ‫ﻣﻘﺎﻳﺴﻪ ﻛﻨﻰ‪ .‬ﻭﺍﷲ ﻣﻤﻜﻦ ﻧﻴﺴﺖ ﻫﻤﻪ‬ ‫ﻓﺮﺍﻣﻮﺵ ﻛﻨﻴﺪ‬ ‫ﺩﻭﺭ ُﻭ ﺩﻭﺭﺗﺮ ﺷﺪ ﻭ ﺗﺮﺍﻧﻪ ُﺳﺮﺍﻳﺎﻥ‬
‫ﺑﻰﺩﺭﻳﻎ ﻣﺎﻟﻰ ﺑﻪ ﺁﻳﺖﺍﷲ ﺧﻤﻴﻨﻰ ﻭ‬ ‫ﺭﺍ ﺑﺎ ﻫﻢ ﻣﻘﺎﻳﺴﻪ ﻛﻨﻰ ﻭ ﺁﺧﺮﺵ ﺑﻪ‬ ‫ﺑﺮﺟﺴﺘﻪﻯ ﺍﻳﻦ ﺯﻣﺎﻥ‪ ،‬ﻣﺘﻨﺎﺳﺐ ﺑﺎ‬
‫ﻛﻤﻚﻫﺎﻯ ﺑﻰﺩﺭﻳﻎ ﺑﻪ ﻛﻮﺷﺶ ﺍﻭ ﺑﺮﺍﻯ‬ ‫ﻗﻮﻝ ﺁﻥ ﺁﮔﻬﻰ ﺗﺒﻠﻴﻐﺎﺗﻰ ”ﺟﻨﺮﺍﻝ“ ﺭﺍ‬ ‫ﻋﺎﺷﻘﺎﻥ ﺭﺍ ﺑﮕﺬﺍﺭﻳﺪ ﺑﻨﺎﻟﻨﺪ ﻫﻤﻪ‬ ‫ﻇﺮﻓﻴﺖﻫﺎﻯ ﺗﺎﺯﻩﻯ ﺯﻣﺎﻧﻪ‪ ،‬ﺣﺮﻑﻫﺎ ﻭ‬
‫ﺳﺮﻧﮕﻮﻧﻰ ﺷﺎﻩ‪ ،‬ﻛﻮﭼﻚﺗﺮﻳﻦ ﺳﺴﺘﻰ‬ ‫ﺍﻧﺘﺨﺎﺏ ﻧﻜﻨﻰ‪ .‬ﺣﺮﻑ ﻣﻨﻮ ﺑﺎﻭﺭ ﻧﺪﺍﺭﻯ؟‬ ‫ﺗﺼﻮﻳﺮﺳﺎﺯﻯﻫﺎﻯ ﺗﺎﺯﻩﺍﻯ ﺭﺍ ﺩﺭ ﻗﺎﻟﺐ‬
‫ﺍﺯ ﺧﻮﺩ ﻧﺸﺎﻥ ﻧﺪﺍﺩ‪ ،‬ﺣﺎﻝ ﺷﺪﻩ ﺍﺳﺖ‬ ‫ﺑﺮﻭ ﺍﺯﻫﻤﻮﻥ ﺟﺪ ﻣﺎﺩﺭﻯﺍﺕ ﻣﻴﺰ‪،‬ﺍﻥ‪،‬‬ ‫ﻣﺼﻠﺤﺖ ﻧﻴﺴﺖ ﻛﻪ ﺍﻳﻦ‬ ‫ﺗﺮﺍﻧﻪ ُﺳﺮﺍﻳﻰﻫﺎﻯ ﭘﻴﺸﺮﻭﻧﺪﻩ‪ ،‬ﺟﺎﻯ‬
‫ﺩﺷﻤﻦ ﻣﺎ؟ ﺑﻪ ﻗﻮﻝ ﻣﻌﺮﻭﻑ ﺍﮔﺮ ﺁﻥ‬ ‫ﻧﻘﻰ ﺑﭙﺮﺱ ﻛﻪ ﺍﺯ ﺯﺑﺪﻩ ﺗﺠﺎﺭ ﺑﻮﺩ ﻭ ﺣﺘﺎ‬ ‫ﺩﺍﺩﻩﺍﻧﺪ ﻛﻪ ﻳﻜﻰ ﺍﺯ ﻣﻤﺘﺎﺯﺗﺮﻳﻦ ﺁﻧﻬﺎ‬
‫ﻛﺎﺭﻫﺎ ﺑﺮﺍﻯ ﻣﺎ ﺁﺏ ﻧﺸﺪ‪ ،‬ﺩﺳﺖ ﻛﻢ ﺑﺮﺍﻯ‬ ‫ﻣﺤﻤﺪ ﻣﺴﻌﻮﺩ ﺭﺍ ﻫﻢ ﺁﺧﺮﺵ ﺍﺯ ﺭﻭ ﺑﺮﺩ‪.‬‬ ‫ﺯﻣﺰﻣﻪ‪،‬ﺧﺎﻣﻮﺵ ﻛﻨﻴﺪ‬
‫ﺩﺳﺖ ﺍﻧﺪﺭ ﻛﺎﺭﺍﻥ ﺭژﻳﻢ ﺷﻤﺎ ﻛﻪ ﻧﺎﻥ ﺩﺍﻍ‬ ‫ﻣﺤﻤﺪﺟﻮﺍﺩ ﻇﺮﻳﻔﺂﻕ ﻇﺮﻳﻒ ﺍﻳﻨﻜﻪ‬ ‫ﺍﻭ ﻋﺎﺷﻖ ﺍﺳﺖ ُﻭ »ﺧﻮﺵﺗﺮ ﺍﺯﻳﻦ‬
‫ﻭ ﺧﻮﺵﻣﺰﻩ ﺧﺸﺨﺎﺷﻰ ﺩﻭ ﺁﺗﺸﻪ ﻛﻪ‬ ‫ﻧﻤﻰﺷﻮﺩ ﻳﻚ ﻧﻔﺮ ﺁﻥ ﺑﺎﻻ ﺑﻨﺸﻴﻨﺪ‬ ‫ﻛﺎﺭ‪ ،‬ﻛﺎﺭ ﻧﻴﺴﺖ« ﻭ ﺣﺎﻓﻈﺎﻧﻪ ﻣﻰﺩﺍﻧﺪ‬
‫ﺷﺪ! ﺩﻳﮕﺮ ﺷﻤﺎ ﻭ ﻫﻤﻜﺎﺭﺍﻥﺗﺎﻥ ﭼﺮﺍ ﺑﺎﻳﺪ‬ ‫ﻭ ﺑﺪﻭﻥ ﺩﻟﻴﻞ ﻭ ﺑﺪﻭﻥ ﻣﻨﻄﻖ‪ ،‬ﺻﺮﻓﺎ‬ ‫ﻛﻪ ﺑﻪ ﻛﺎﺭﻫﺎﻯ ﺩﻳﮕﺮ ﺟﻬﺎﻥ‪ ،‬ﭼﻨﺪﺍﻥ‬
‫ﻳﺎ ﺑﻪ ﺧﺎﻃﺮ ﻣﻨﺎﻓﻊ ﺷﺨﺼﻰ ﻳﺎ ﻛﻴﻨﻪ‬ ‫ﺍﻋﺘﺒﺎﺭ ﻧﻴﺴﺖ‪ .‬ﭘﺲ ‪ ،‬ﭘﻴﻮﺳﺘﻪ‬
‫ﺍﺯ ﺁﻣﺮﻳﻜﺎ ﺩﻟﺨﻮﺭ ﺑﺎﺷﻴﺪ‪ ،‬ﺑﺒﻢ ﺟﺎﻥ!؟‬ ‫ﻭ ﻋﺪﺍﻭﺕ ﺷﺨﺼﻰ ﻳﺎ ﺑﻼﺋﻰ ﻛﻪ ﺩﺭ‬ ‫ﻫﻤﻨﺸﻴ ِﻦ ﻋﺎﻃﻔﻪﻯ ﻋﺎﺷﻘﺎﻧﻪﺳﺖ‪.‬‬
‫ﺁﻳﺎ ﺟﺮﺍﺕ ﺩﺍﺭﻳﺪ ﻫﻤﺎﻥ ﺑﻼﺋﻰ ﺭﺍ‬ ‫ﻛﻮﺩﻛﻰ ﻭ ﺻﺒﺎﻭﺕ ﻭ ﺩﻭﺭﺍﻥ ﻧﻮﺟﻮﺍﻧﻰ‬ ‫ﻣﺤﺼﻮ ِﻝ ﻣﺮﺍﺭﺕﻫﺎﻯ ﻣﻬﺮﺑﺎﻧﺶ ﺩﺭ‬
‫ﻛﻪ ﺳﺮ ﺳﻔﺎﺭﺕ ﺁﻣﺮﻳﻜﺎ ﻳﺎ ﺳﻔﺎﺭﺕ‬ ‫ﺑﺮ ﺳﺮﺵ ﺁﻣﺪﻩ‪ ،‬ﻣﺎﻧﻨﺪ ﺻﻔﺤﻪ ﺧﻂ‬ ‫ﮔﺴﺘﺮﻩﻯ ﺁﻓﺮﻳﻨﺶﻫﺎﻯ ﻫﻨﺮﻯ‪،‬‬
‫ﺍﻧﮕﻠﻴﺲ ﺁﻭﺭﺩﻳﻦ‪ ،‬ﺳﺮ ﺳﻔﺎﺭﺕ ﺭﻭﺳﻴﻪ‬ ‫ﺍﻓﺘﺎﺩﻩ ﻳﻚ ﺷﻌﺎﺭ ﺑﻴﻬﻮﺩﻩ ﻭ ﻏﻴﺮ ﻭﺍﻗﻌﻰ‬ ‫ﺗﺮﺍﻧﻪﻫﺎﻯ ﺗﺎﺯﻩﻯ ﺗﻐﺰﻟﻰﺳﺖ ﻛﻪ‬
‫ﻭ ﺩﻳﭙﻠﻤﺎﺕﻫﺎﻯ ﺁﻧﺎﻥ ﺑﻴﺎﻭﺭﻳﺪ ﻛﻪ ﻫﻤﻪ‬ ‫ﺭﺍ ﻣﺮﺗﺒﺎ ﺗﻜﺮﺍﺭ ﻛﻨﺪ ﻛﻪ ﻣﺮگ ﺑﺮ ﺁﻣﺮﻳﻜﺎ‪،‬‬ ‫ﺍﺯﺩﻳﺮﻭﺯ ِ ﺩﻭﺭﺩﺳﺖ ﺗﺎ ﻫﻨﻮﺯ‪ ،‬ﺍﺯ‬
‫ﻣﻰﺩﺍﻧﻨﺪ ﻛﻪ ﺣﺘﺎ ﻣﺤﻞ ﺳﻔﺎﺭﺕ ﺁﻧﻬﺎ‬ ‫ﺁﻣﺮﻳﻜﺎ ﺩﺷﻤﻦ ﻣﺎﺳﺖ ﻭ ﻣﺎ ﺑﺎ ﺁﻣﺮﻳﻜﺎ‬ ‫ﺳﻮﻯ ﺗﻮ ﻭ ﺩﻳﮕﺮﺍﻥ ﺍﺯ ﺍﻳﻦ ﺳﻴﻨﻪ ﺑﻪ‬
‫ﻣﺤﻠﻰ ﺍﺳﺖ ﻏﺼﺒﻰ ﻛﻪ ﺑﺎ ﺍﻧﻮﺍﻉ ﻭ ﺍﻗﺴﺎﻡ‬ ‫ﻫﺮﮔﺰ ﺭﺍﺑﻄﻪ ﺩﻭﺳﺘﺎﻧﻪ ﻧﺨﻮﺍﻫﻴﻢ ﺩﺍﺷﺖ‬ ‫ﺁﻥ ﺳﻴﻨﻪ‪ ،‬ﻭﺭﻕ ﻣﻰﺧﻮﺭﻧﺪ‪ .‬ﺧﺠﺴﺘﻪ‬
‫ﺗﺮﻓﻨﺪﻫﺎ ﺍﺯ ﺩﺳﺖ ﻭﺭﺛﻪ ﻣﻴﺮﺯﺍ ﻋﻠﻰ‬ ‫ﻭ ﻫﻨﮕﺎﻣﻰ ﻫﻢ ﻛﻪ ﺍﺯ ﺍﻳﺸﺎﻥ ﺳﻮﺍﻝ‬ ‫ﺁﻥ ﺷﺎﻋﺮﻯ ﻛﻪ ﺗﻴﺮﺍژﻩﻯ ﻭﺍژﻩﻫﺎﻳﺶ‬
‫ﺍﺻﻐﺮﺧﺎﻥ ﺍﻣﻴﻦﺍﻟﺴﻠﻄﺎﻥ ﺧﺎﺭﺝ ﻛﺮﺩﻩ ﻭ‬ ‫ﻣﻰﺷﻮﺩ‪ ،‬ﺑﺎﺑﺎﻡ ﺟﺎﻥ ﺍﺻﻼ ﺗﻮ ﭼﺮﺍ ﻭ ﺑﻪ‬ ‫ﺑﺮﺁﺳﻤﺎ ِﻥ ﺟﺎ ِﻥ ﻣﺸﺘﺎﻗﺎﻥ‪ ،‬ﺍﻳﻨﮕﻮﻧﻪ‬
‫ﭼﻪ ﺩﻟﻴﻞ ﺍﻳﻦ ﻛﻴﻨﻪ ﻭ ﻋﺪﺍﻭﺕ ﺭﺍ ﺗﻮ ﺩﻟﺖ‬
‫ﺧﻮﺩ ﺁﻥ ﺭﺍ ﺗﺼﺎﺣﺐ ﻛﺮﺩﻧﺪ؟‬ ‫ﺗﻠﺒﻨﺎﺭ ﻛﺮﺩﻩﺍﻯ‪ ،‬ﻫﺮﮔﺰ ﺣﺎﺿﺮ ﻧﺸﻮﺩ ﻳﻚ‬ ‫ﻣﻬﺮﺑﺎﻥ ﺑﻨﺸﻴﻨﺪ‪.‬‬
‫ﺍﻧﺴﺎﻥ ﺧﻮﺏ ﺍﺳﺖ ﺣﺘﺎ ﺩﺭ ﺳﻴﺎﺳﺖ ﻭ‬ ‫ﭘﺎﺳﺦ ﺩﺭﺳﺖ ﻭ ﺣﺴﺎﺑﻰ ﺑﺪﻫﺪ‪ .‬ﺯﻣﺎﻥ ﺁﻥ‬
‫ﺑﻨﺪﺑﺎﺯﻯﻫﺎﻯ ﺳﻴﺎﺳﻰ ﻧﻴﺰ ﻗﺪﺭﻯ ﺟﺎﻧﺐ‬ ‫ﺭﺳﻴﺪﻩ ﺍﺳﺖ ﻛﻪ ﺑﺴﻴﺎﺭ ﺭﻭﺷﻦ ﻭ ﺁﺷﻜﺎﺭ‬ ‫ﻛﺎﺭﺗﻮﻧﻴﺴﺖﻫﺎﻯ ﺍﻳﺮﺍﻥ ﻭ ﻭﺍﻛﻨﺶ ﺑﻪ ﺗﺮﻭﺭﻳﺴﻢ ﺩﺭ‬
‫ﺍﻧﺼﺎﻑ ﺭﺍ ﺑﮕﻴﺮﺩ‪ .‬ﺍﺯ ﺍﻳﻦ ﻫﺸﺘﺎﺩ ﻣﻴﻠﻴﻮﻥ‬ ‫ﻭ ﺳﺮﺭﺍﺳﺖ ﺍﺯ ﺍﻳﺸﺎﻥ ﭘﺮﺳﻴﺪ ﻛﺴﻰ ﻛﻪ‬ ‫ﭘﺎﺭﻳﺲ ﻭ ﺑﻴﺮﻭﺕ‬
‫ﺟﻤﻌﻴﺖ ﺍﻳﺮﺍﻥ ﻓﺮﺽ ﻛﻨﻴﻢ‪ ،‬ﻓﺮﺽ‬ ‫ﺍﺧﺘﻴﺎﺭﺍﺕ ﺭﻳﺎﺳﺖ ﺟﻤﻬﻮﺭﻯ ﻭ ﻧﺨﺴﺖ‬
‫ﻣﺤﺎﻝ ﻛﻪ ﻣﺤﺎﻝ ﻧﻴﺴﺖ‪ ،‬ﺩﻭ ﺳﻪ ﻣﻴﻠﻴﻮﻥ‬ ‫ﻭﺯﻳﺮ ﻭ ﺷﺎﻩ ﺭﺍ ﻳﻜﺠﺎ ﻗﺒﻀﻪ ﻛﺮﺩﻩ‪ ،‬ﺑﺎﻳﺪ‬ ‫‪©Reuters‬‬ ‫ﺣﻤﻼﺕ ﺗﺮﻭﺭﻳﺴﺘﻰ ﺟﻤﻌﻪ ﺷﺐ‬
‫ﻳﺎ ﻧﺨﻴﺮ ﺑﻴﺴﺖ ﻣﻴﻠﻴﻮﻥ ﻳﺎ ﺧﻮﻥ ﭘﺮﺵ‪،‬‬ ‫ﺩﺭ ﺑﺮﺍﺑﺮ ﺧﺒﺮﻧﮕﺎﺭﺍﻥ ﺩﺍﺧﻠﻰ ﻭ ﺧﺎﺭﺟﻰ‬ ‫ﭘﺎﺭﻳﺲ ‪ 13‬ﻧﻮﺍﻣﺒﺮ ‪ 2015‬ﻛﻪ ﺩﺳﺖ‬
‫ﭘﻨﺠﺎﻩ ﻣﻴﻠﻴﻮﻥ ﺁﻧﻬﺎ ﺍﺻﻼ ﻋﻼﻗﻪﺍﻯ ﺑﻪ‬ ‫ﻣﻮﻇﻒ ﺑﻪ ﭘﺎﺳﺦ ﮔﻮﺋﻰ ﺑﺎﺷﺪ‪ .‬ﻣﺎ ﻛﻪ ﺩﺭ‬ ‫ﺁﻕ ﻇﺮﻳﻒ؟ ﭼﻄﻮﺭ ﻣﻰﺷﻮﺩ ﺷﻤﺎ ﺩﺭﺑﺎﺭﻩ‬ ‫ﻛﻢ ‪ 129‬ﻛﺸﺘﻪ ﻭ ﺑﻴﺶ ﺍﺯ ‪ 350‬ﺯﺧﻤﻰ‬
‫ﺍﻳﻦ ﻣﺴﺎﺋﻞ ﻧﺪﺍﺷﺘﻪ ﻭ ﺳﺮﺷﺎﻥ ﻣﺸﻐﻮﻝ‬ ‫ﻣﺠﻠﺲ ﺷﻮﺭﺍﻯ ﺍﺳﻼﻣﻰ ﻧﻤﺎﻳﻨﺪﻩ ﻭﺍﻗﻌﻰ‬ ‫ﺑﻪ ﺟﺎ ﮔﺬﺍﺷﺖ ﻭﺍﻛﻨﺶﻫﺎﻯ ﮔﺴﺘﺮﺩﻩﺍﻯ‬
‫ﻛﺎﺭ ﺧﻮﺩﺷﺎﻥ ﻭ ﮔﺮﻓﺘﺎﺭﻯﻫﺎﻯ ﺯﻧﺪﮔﻰ‬ ‫ﻣﺮﺩﻡ ﺭﺍ ﻧﺪﺍﺭﻳﻢ ﻛﻪ ﺍﺯ ﺣﻖ ﻭ ﺣﻘﻮﻕ‬ ‫ﻣﺬﺍﻛﺮﺍﺕ ﺍﺗﻤﻰ ﺑﻪ ﺁﻣﺮﻳﻜﺎ ﺍﻋﺘﻤﺎﺩ ﺩﺍﺷﺘﻪ‬ ‫ﺩﺭ ﺭﺳﺎﻧﻪﻫﺎﻯ ﺟﻬﺎﻥ ﻭ ﺷﺒﻜﻪﻫﺎﻯ‬
‫ﻭ ﺗﺎﻣﻴﻦ ﻣﻌﺎﺵ ﺑﺎﺷﺪ‪ ،‬ﺁﻥ ﺳﻰ ﻣﻴﻠﻴﻮﻥ‬
‫ﻧﻔﺮ ﺑﻘﻴﻪ ﺭﺍ ﻛﻪ ﺣﺴﺎﺏ ﻛﺎﺭ ﺩﺳﺖﺷﺎﻥ‬ ‫ﺑﺎﺷﻴﺪ ﺍﻣﺎ ﺩﺭﺑﺎﺭﻩ ﻣﺬﺍﻛﺮﻩ ﺭﺍﺟﻊ ﺑﻪ ﺳﺎﻳﺮ‬ ‫ﺍﺟﺘﻤﺎﻋﻰ ﺑﻪ ﺩﻧﺒﺎﻝ ﺩﺍﺷﺖ‪.‬‬
‫ﻫﺴﺖ ﻛﻪ ﺑﺎﺑﺎﻡ ﺟﺎﻥ ﻧﻤﻰﺗﻮﺍﻥ ﻧﺎﺩﻳﺪﻩ‬ ‫ﺩﺭ ﻣﻴﺎﻥ ﺍﻳﻦ ﻭﺍﻛﻨﺶﻫﺎ ﻋﻠﻴﻪ ﺍﻳﻦ‬
‫ﮔﺮﻓﺖ! ﻣﮕﺮ ﺍﻳﻨﻜﻪ ﺭﺳﻤﺎ ﺍﻋﻼﻡ‬ ‫ﻣﻮﺍﺭﺩ ﺑﻪ ﺍﻳﻦ ﻛﺸﻮﺭﺍﻋﺘﻤﺎﺩﻯ ﻧﺪﺍﺷﺘﻪ‬ ‫ﺣﻤﻠﻪ ﺗﺮﻭﺭﻳﺴﺘﻰ ﺣﺠﺖﺍﻻﺳﻼﻡ ﺣﺴﻦ‬
‫ﺑﻔﺮﻣﺎﻳﻨﺪ ﻛﻪ ﻫﻤﻴﻦ ﺍﺳﺖ ﻭ ﺟﺰ ﺍﻳﻦ‬ ‫ﺭﻭﺣﺎﻧﻰ ﺭﺋﻴﺲ ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ‬
‫ﻧﻴﺴﺖ ﻭ ﻓﻌﻼ ﻫﻢ ﻛﻪ ﺑﻴﻞ ﻭ ﻛﻠﻨﮓ‬ ‫ﺑﺎﺷﻴﺪ؟ ﺍﺻﻮﻻ ﺩﺭ ﺭﻭﺍﺑﻂ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻛﻪ‬ ‫ﺍﻳﺮﺍﻥ ﻧﻴﺰ ﺩﺭ ﭘﻴﺎﻣﻰ ﺑﻪ ﻓﺮﺍﻧﺴﻮﺍ ﺍﻭﻻﻧﺪ‬
‫ﺩﺳﺖ ﺧﻮﺩﻣﺎﻥ ﺍﺳﺖ ﻭ ﻫﺮ ﻛﺎﺭﻯ ﻫﻢ‬ ‫ﺭﻳﻴﺲ ﺟﻤﻬﻮﺭﻯ ﻓﺮﺍﻧﺴﻪ ﺣﻤﻼﺕ‬
‫ﺩﻟﻤﺎﻥ ﺑﺨﻮﺍﻫﺪ ﻳﺎ ﻫﺮ ﺣﺮﻓﻰ ﻫﻢ ﻛﻪ ﺑﻪ‬ ‫ﺍﻋﺘﻤﺎﺩ‬ ‫ﺑﺷﻪﻤﺎﻃﺍﺮﺳﺘﻑﺎﺩﻣﺗﻘﺎﺑﺪﺭﻳﻞ ﺑﺲ َﻰﺁ ﻣﻥﻌﻨﻫﺎﺴﺳﺘﻴﺖ‪.‬ﺪ‪،‬‬ ‫ﭘﺎﺭﻳﺲ ﺭﺍ ﻣﺤﻜﻮﻡ ﻛﺮﺩ ﻭ ﻭﺯﺍﺭﺕ ﺍﻣﻮﺭ‬
‫ﻧﻔﻊ ﺧﻮﺩﻣﺎﻥ ﺑﺎﺷﺪ‪ ،‬ﻣﻰﺗﻮﺍﻧﻴﻢ ﺑﺰﻧﻴﻢ‬ ‫ﻣﺬﺍﻛﺮﻩ‬ ‫ﺧﺎﺭﺟﻪ ﺍﻳﻦ ﻛﺸﻮﺭ ﺑﺎ ﺻﺪﻭﺭ ﺑﻴﺎﻧﻴﻪﺍﻯ‬
‫ﻭ ﺑﮕﻮﺋﻴﻢ ﻭ ﺑﻜﻨﻴﻢ ﻭ ﻛﺴﻰ ﻫﻢ ﻧﺒﺎﻳﺪ‬ ‫ﺑﺎ ﻣﻠﺖ ﻭ ﺩﻭﻟﺖ ﻓﺮﺍﻧﺴﻪ ﺍﺑﺮﺍﺯ ﻫﻤﺪﺭﺩﻯ‬
‫ﺟﺮﺍﺕ ﺟﻴﻚ ﺯﺩﻥ ﺩﺍﺷﺘﻪ ﺑﺎﺷﺪ‪ .‬ﺍﮔﺮ‬ ‫ﻫﻢ ﺑﺮﺍﻯ ﻳﻚ ﻣﻘﺼﻮﺩ ﻧﻬﺎﺋﻰ ﺍﺳﺖ‪ ،‬ﺣﻞ‬ ‫ﻧﻤﻮﺩ‪ .‬ﺑﺮﺧﻰ ﺍﺯ ﻛﺎﺭﺗﻮﻧﻴﺴﺖﻫﺎﻯ ﺍﻳﺮﺍﻥ‬
‫ﺍﻳﻨﺴﺖ ﺍﺳﺘﺪﻻﻝ ﺍﻳﺸﺎﻥ‪ ،‬ﺑﺎﻳﺪ ﻋﺮﺽ‬ ‫ﻫﻢ ﺑﺎ ﻛﺸﻴﺪﻥ ﻃﺮﺡﻫﺎﻳﻰ ﺍﻳﻦ ﺣﺎﺩﺛﻪ ﺭﺍ‬
‫ﻛﻨﻢ ﻭﺍﻯ ﺍﮔﺮ ﺍﺯﭘﺲ ﺍﻣﺮﻭﺯ ﺑﻮﺩ ﻓﺮﺩﺍﺋﻰ!‬ ‫ﺍﺧﺘﻼﻓﺎﺕ ﻣﻮﺟﻮﺩ ﺑﺎ ﻛﻤﺘﺮﻳﻦ ﺿﺮﺭ ﻭﺯﻳﺎﻥ‬
‫ﺍﻳﻦ ﺟﻮﺭ ﻛﻪ ﺗﻴﺰ ﻭ ﺑﺰ ﻣﻴﺮﻯ‪ ،‬ﺑﺎﺑﺎﻡ ﺟﺎﻥ‪،‬‬ ‫ﻣﺤﻜﻮﻡ ﻛﺮﺩﻧﺪ‪.‬‬
‫ﻭﻫﺰﻳﻨﻪ ﻭ ﺑﻪ ﺩﺳﺖ ﺁﻭﺭﺩﻥ ﺑﻴﺸﺘﺮﻳﻦ‬ ‫ﺩﺭ ﺍﻳﻦ ﻣﻴﺎﻥ ﺍﻣﺎ ﺑﺮﺧﻰ ﻛﺎﺭﺑﺮﺍﻥ‬
‫ﻓﻜﺮ ﺑﺮﮔﺸﺘﻦﺍﺕ ﻫﻢ ﺑﺎﺵﻫﺎ!‬ ‫ﻓﻀﺎﻯ ﻣﺠﺎﺯﻯ ﺑﺎ ﻣﻘﺎﻳﺴﻪ ﻭﺍﻛﻨﺶﻫﺎ ﺑﻪ‬
‫ﺍﻣﺘﻴﺎﺯﺍﺕ ﺍﺯ ﻃﺮﻑ ﻣﻘﺎﺑﻞ‪ .‬ﺍﻋﺘﻤﺎﺩ ﻭ ﺍﻳﻦ‬ ‫ﺣﻤﻼﺕ ﺗﺮﻭﺭﻳﺴﺘﻰ ﻓﺮﺍﻧﺴﻪ ﻭ ﻟﺒﻨﺎﻥ ﺍﺯ‬
‫ﻭﺍﻛﻨﺶﻫﺎﻯ ﮔﺴﺘﺮﺩﻩ ﺑﻪ ﺣﺎﺩﺛﻪ ﭘﺎﺭﻳﺲ‬
‫ﺩﺍﺳﺘﺎﻥﻫﺎ ﻣﺮﺑﻮﻁ ﻣﻰﺷﻮﺩ ﺑﻪ ﺭﻭﺍﺑﻂ‬ ‫ﺩﺭ ﻣﻘﺎﻳﺴﻪ ﺑﺎ ﻭﺍﻛﻨﺶﻫﺎ ﺑﻪ ﺣﻤﻼﺕ‬

‫ﺯﻥ ﻭﺷﻮﻫﺮ ﻣﮕﺮ ﺧﺪﺍﻯ ﻧﺎﻛﺮﺩﻩ ﻣﺎ ﻗﺼﺪ‬ ‫ﺗﺮﻭﺭﻳﺴﺘﻰ ﻟﺒﻨﺎﻥ ﺍﻧﺘﻘﺎﺩ ﻛﺮﺩﻩﺍﻧﺪ‪.‬‬
‫ﺩﻭ ﺍﻧﻔﺠﺎﺭ ﺍﻧﺘﺤﺎﺭﻯ ﺭﻭﺯ ﭘﻨﺞﺷﻨﺒﻪ‬
‫ﺍﺯﺩﻭﺍﺝ ﺑﺎ ﺁﻣﺮﻳﻜﺎ ﺭﺍ ﺩﺍﺭﻳﻢ؟‬ ‫ﮔﺬﺷﺘﻪ ﺩﺭ ﺟﻨﻮﺏ ﺑﻴﺮﻭﺕ ﺑﻴﺶ ﺍﺯ‬
‫ﭼﻬﻞ ﻛﺸﺘﻪ ﺑﻪ ﺟﺎ ﮔﺬﺍﺷﺖ‪ .‬ﮔﺮﻭﻩ‬
‫ﺍﺻﻮﻻ ﻣﺴﺎﻟﻪ ﺍﻋﺘﻤﺎﺩ ﻣﻄﺮﺡ ﻧﻴﺴﺖ‪.‬‬ ‫ﻣﻮﺳﻮﻡ ﺑﻪ ﺩﻭﻟﺖ ﺍﺳﻼﻣﻰ ﻣﺴﻮﻭﻟﻴﺖ‬

‫ﺭﺍﺳﺘﻰ ﺁﺯﻣﺎﺋﻰ ﺍﺳﺖ ﻛﻪ ﻣﻬﻢ ﺍﺳﺖ‪،‬‬ ‫ﺍﻳﻦ ﺣﻤﻼﺕ ﺭﺍ ﺑﻪ ﻋﻬﺪﻩ ﮔﺮﻓﺖ‪.‬‬
‫ﻫﺎﺩﻯ ﺣﻴﺪﺭﻯ ﻛﺎﺭﺗﻮﻧﻴﺴﺖ ﻭ‬
‫ﺁﻥ ﻫﻢ ﺩﺭ ﺟﺮﻳﺎﻥ ﻋﻤﻞ ﺍﺳﺖ ﻛﻪ‬ ‫ﺑﺰﺭﮔﻤﻬﺮ ﺣﺴﻴﻦﭘﻮﺭ ﻛﺎﺭﻳﻜﺎﺗﻮﺭﻳﺴﺖ ﺍﺯ‬
‫ﺟﻤﻠﻪ ﻛﺴﺎﻧﻰ ﻫﺴﺘﻨﺪ ﻛﻪ ﺑﺎ ﻛﺸﻴﺪﻥ‬
‫ﺧﻮﺩ ﺭﺍ ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ‪ .‬ﻣﺎ ﻫﻰ ﻫﻰ‬ ‫ﻃﺮﺡﻫﺎﻳﻰ ﺣﻤﻼﺕ ﺗﺮﻭﺭﻳﺴﺘﻰ‬
‫ﻓﺮﺍﻧﺴﻪ ﺭﺍ ﻣﺤﻜﻮﻡ ﻛﺮﺩﻩﺍﻧﺪ‪.‬ﻫﺎﺩﻯ‬
‫ﺑﮕﻴﻢ ﻣﺎ ﺍﺯ ﺗﺮﻭﺭﻳﺴﺖ ﺑﺪﻣﺎﻥ ﻣﻰﺁﻳﺪ‬ ‫ﺣﻴﺪﺭﻯ ﻛﻪ ﺩﺭﺑﺎﺭﻩ ﻫﺮ ﺩﻭ ﺣﻤﻠﻪ‬
‫ﻃﺮﺡﻫﺎﻳﻰ ﻛﺸﻴﺪﻩ ﺍﺳﺖ ﺩﺭ ﮔﻔﺖ‬
‫ﻭ ﺩﺷﻤﻦ ﺁﻥ ﻫﺴﺘﻴﻢ ﻭ ﺑﺎ ﺁﻥ ﻣﺒﺎﺭﺯﻩ‬ ‫ﻭ ﮔﻮ ﺑﺎ ﺧﺒﺮﮔﺰﺍﺭﻯ ﺩﺍﻧﺸﺠﻮﻳﺎﻥ‬
‫ﺍﻳﺮﺍﻥ ﻳﻜﻰ ﺍﺯ ﺩﻻﻳﻞ ﮔﺴﺘﺮﺩﻩ‬
‫ﻣﻰﻛﻨﻴﻢ ﻭ ﻣﺎ ﺑﻴﺸﺘﺮ ﺍﺯ ﻫﻤﻪ ﻛﺸﻮﺭﻫﺎ‬ ‫ﺑﻮﺩﻥ ﻭﺍﻛﻨﺶﻫﺎ ﻧﺴﺒﺖ ﺑﻪ ﺣﺎﺩﺛﻪ‬
‫ﺗﺮﻭﺭﻳﺴﺘﻰ ﭘﺎﺭﻳﺲ ﺭﺍ ﺁﺯﺍﺩﻯ ﺭﺳﺎﻧﻪﻫﺎ‬
‫ﺍﺯ ﺗﺮﻭﺭﻳﺴﻢ ﻟﻄﻤﻪ ﺩﻳﺪﻩﺍﻳﻢ ﻧﻤﻮﻧﻪﺍﺵ‬ ‫ﺩﺭ ﺁﻥ ﻛﺸﻮﺭ ﻭ ﺣﻀﻮﺭ ﺧﺒﺮﻧﮕﺎﺭﺍﻥ‬
‫ﺩﺭ ﺁﻧﺠﺎ ﻣﻰﺩﺍﻧﺪ ﺑﻪ ﻧﺤﻮﻯ ﻛﻪ ﺧﺒﺮ‬
‫ﻫﻤﻴﻦ ﻛﺸﺘﻦ ﺩﺍﻧﺸﻤﻨﺪﺍﻥ ﺍﺗﻤﻰ ﻣﺎ‬ ‫ﺍﺗﻔﺎﻕﻫﺎ ﺑﻪ ﺳﺮﻋﺖ ﺭﺳﺎﻧﻪﺍﻯ ﻣﻰﺷﻮﺩ‪.‬‬
‫ﺑﻪ ﮔﻔﺘﻪ ﺍﻭ ﻫﻤﭽﻨﻴﻦ ﺳﻄﺢ‬
‫ﺩﺭ ﺧﻴﺎﺑﺎﻥﻫﺎﻯ ﺗﻬﺮﺍﻥ‪ .‬ﺟﺎﻥ ﻋﻤﻪ ﺟﺎﻥ‬ ‫ﺣﺴﺎﺳﻴﺖ ﺍﻓﻜﺎﺭ ﻋﻤﻮﻣﻰ ﺩﺭ ﺧﺎﻭﺭﻣﻴﺎﻧﻪ‬
‫ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺣﺠﻢ ﺧﺸﻮﻧﺖﻫﺎ ﭘﺎﻳﻴﻦﺗﺮ‬
‫ﺑﻨﺪﻩ‪ ،‬ﺷﻤﺎ ﻓﻜﺮ ﻣﻴﻜﻨﻴﻦ ﻛﺴﻰ ﺣﺮﻑ‬

‫ﻣﺎ ﺭﺍ ﻗﺒﻮﻝ ﻣﻰﻛﻨﺪ ﻭ ﺑﺎﻭﺭ ﻣﻰﻛﻨﺪ‬

‫ﻛﻪ ﻣﺜﻼ ﺁﻧﻬﺎ ﺭﺍ ﺍﺳﺮﺍﺋﻴﻞ ﺁﻣﺪﻩ ﺩﺭ ﺭﻭﺯ‬

‫ﺭﻭﺷﻦ ﺩﺭ ﺗﻬﺮﺍﻥ ﻛﺸﺘﻪ ﺍﺳﺖ؟ ﻳﺎ ﻓﺮﺽ‬

‫ﺑﻔﺮﻣﺎﺋﻴﺪ ﺯﻧﺪﺍﻥﻫﺎﻯ ﻣﺎ ﺍﺯ ﻫﺘﻞﻫﺎﻯ‬ ‫ﺍﻭ ﺩﺭﺑﺎﺭﻩ ﻃﺮﺡ ﺧﻮﺩ ﺑﻪ ﺧﺒﺮﮔﺰﺍﺭﻯ‬ ‫ﺍﺳﺖ ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺁﻧﻜﻪ‬
‫ﺍﻳﺴﻨﺎ ﮔﻔﺖ ﻛﻪ ﺩﺭ ﺍﻳﻦ ﻃﺮﺡ »ﺳﺮ‬ ‫ﺍﻳﻦ ﺣﺠﻢ ﺍﺯ ﺧﺸﻮﻧﺖﻫﺎﻯ ﺗﺮﻭﺭﻳﺴﺘﻰ‬
‫ﭘﻨﺞ ﺳﺘﺎﺭﻩ ﻫﻢ ﺑﻬﺘﺮﻩ ﻭ ﺗﻘﺮﻳﺒﺎ ﻣﺜﻞ‬ ‫ﺑﺮﻳﺪﻥ« ﻧﻤﺎﺩ ﺣﻤﻼﺕ ﺗﺮﻭﺭﻳﺴﺘﻰ ﻭ‬ ‫ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﻏﺮﺑﻰ ﻛﻤﺘﺮ ﺍﺳﺖ ﺍﻓﻜﺎﺭ‬
‫»ﺑﺮﺝ ﺍﻳﻔﻞ« ﺑﻪﻋﻨﻮﺍﻥ ﺳﻤﺒﻞ ﺷﻬﺮ‬ ‫ﻋﻤﻮﻣﻰﻫﻢ ﺑﻪ ﺁﻥ ﺣﺴﺎﺳﻴﺖ ﺑﻴﺸﺘﺮﻯ‬
‫ﻫﺘﻞﻫﺎﻯ ﺍﺳﺮﺍﺋﻴﻞ ﺷﺶ ﺳﺘﺎﺭﻩ ﺍﺳﺖ‪،‬‬ ‫ﭘﺎﺭﻳﺲ‪ ،‬ﺩﺭ ﻛﻨﺎﺭ ﻫﻢ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪﺍﻧﺪ‪.‬‬ ‫ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ‪.‬ﺍﻳﻦ ﻛﺎﺭﺗﻮﻧﻴﺴﺖ ﺑﺮﺍﻯ‬
‫ﺍﻟﻤﺎﻥﻫﺎﻳﻰ ﻛﻪ ﺑﻪ ﮔﻔﺘﻪ ﺍﻭ ﻣﺨﺎﻃﺐ‬ ‫ﺣﻤﻼﺕ ﺗﺮﻭﺭﻳﺴﺘﻰ ﭘﺎﺭﻳﺲ ﻃﺮﺡ‬
‫ﺍﻳﻨﻬﺎﺋﻰ ﻫﻢ ﻛﻪ ﻋﻤﻮﺩﻯ ﻭ ﺧﺪﻧﮓﻭﺍﺭ‬ ‫ﻣﻰﺗﻮﺍﻧﺪ ﺍﺯ ﺭﻭﻯ ﺁﻧﻬﺎ ﺣﺲﻫﺎﻳﻰ ﺭﺍ‬ ‫»ﻓﺮﺍﻧﺴﻪ ﮔﺮﻳﺴﺖ« ﺭﺍ ﻛﺸﻴﺪﻩ ﺍﺳﺖ‬
‫ﻭ ﺑﺮﺍﻯ ﺣﻤﻼﺕ ﺍﻧﺘﺤﺎﺭﻯ ﻟﺒﻨﺎﻥ ﻧﻴﺰ‬
‫ﻣﻰ ﺭﻭﻧﺪ ﺁﻥ ﺗﻮ ﻭ ﺍﻓﻘﻰ ﻭ ﺁﺏ ﻟﻤﺒﻮ ﺷﺪﻩ‬ ‫ﺑﺮﺩﺍﺷﺖ ﻛﻨﺪ‪.‬‬ ‫ﻃﺮﺣﻰ ﺩﺍﺭﺩ ﻛﻪ ﺩﺭﺧﺖ ﻭﺳﻂ ﭘﺮﭼﻢ‬
‫ﻋﻼﻭﻩ ﺑﺮﻫﺎﺩﻯ ﺣﻴﺪﺭﻯ ﻭ ﺑﺰﺭﮔﻤﻬﺮ‬ ‫ﺍﻳﻦ ﻛﺸﻮﺭ ﺑﻪ ﻧﺎﺭﻧﺠﻰ ﮔﺮﺍﻳﻴﺪﻩ ﻭ ﺭﻧﮓ‬
‫ﺑﻴﺮﻭﻧﺸﺎﻥ ﻣﻰﺁﻭﺭﻧﺪ‪ ،‬ﺧﻮﺏ ﻛﺎﺭﻩ ﺩﻳﮕﻪ‬ ‫ﺣﺴﻴﻦ ﭘﻮﺭ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﻛﺎﺭﺗﻮﻧﻴﺴﺖﻫﺎ‬ ‫ﺳﺮﺥ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺩﺭ ﺑﺎﻻﻯ ﺗﺼﻮﻳﺮ ﻧﻴﺰ‬
‫ﻭ ﻛﺎﺭﻳﻜﺎﺗﻮﺭﻳﺴﺖﻫﺎﻯ ﺍﻳﺮﺍﻧﻰ ﺑﻪ ﺣﺎﺩﺛﻪ‬ ‫ﭘﺮﻧﺪﻩﻫﺎﻯ ﺧﻮﻧﻴﻦ ﺩﺭ ﺣﺎﻝ ﭘﺮﻭﺍﺯ ﻫﺴﺘﻨﺪ‪.‬‬
‫ﺑﻌﻀﻰ ﻭﻗﺖﻫﺎ ﺍﺯ ﺩﺳﺖﺷﺎﻥ ﺩﺭ ﻣﻰﺭﻭﺩ‪.‬‬ ‫ﭘﺎﺭﻳﺲ ﻭﺍﻛﻨﺶ ﻧﺸﺎﻥ ﺩﺍﺩﻩ ﺍﻧﺪ؛ ﺍﺯ‬ ‫ﺑﺰﺭﮔﻤﻬﺮ ﺣﺴﻴﻦ ﭘﻮﺭ ﻧﻴﺰ ﻃﺮﺣﻰ‬
‫ﺟﻤﻠﻪ ﻋﻠﻰ ﺭﻭﻣﺎﻧﻰ ﺩﺭ ﺭﻭﺯﻧﺎﻣﻪ ﺷﺮﻕ‪،‬‬ ‫ﺑﺮﺍﻯ ﺣﻤﻼﺕ ﺗﺮﻭﺭﻳﺴﺘﻰ ﭘﺎﺭﻳﺲ ﺩﺭ‬
‫ﺣﺎﻻ ﻗﺮﺍﺭﻩ ﺩﺭﺑﺎﺭﻩ ﺍﻳﻦ ﻫﺘﻞﻫﺎﻯ ﺷﺶ‬ ‫ﻓﻴﺮﻭﺯﻩ ﻣﻈﻔﺮﻯ ﺩﺭ ﺭﻭﺯﻧﺎﻣﻪ ﺍﻋﺘﻤﺎﺩ ﻭ‬
‫ﻓﻀﺎﻯ ﻣﺠﺎﺯﻯ ﻣﻨﺘﺸﺮ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺳﺘﺎﺭﻩ ﻫﻢ ﻳﻚ ﻣﻘﺪﺍﺭ ﺳﺮﻳﺎﻝﻫﺎﻯ‬ ‫ﺍﺣﺴﺎﻥ ﮔﻨﺠﻰ ﺩﺭ ﺭﻭﺯﻧﺎﻣﻪ ﻗﺎﻧﻮﻥ‪.‬‬

‫”ﻓﻴﺘﻴﻠﻪ “ ﺑﺴﺎﺯﻳﻢ ﻭ ﺣﻘﻴﻘﺖ ﺭﺍ ﺑﻪ ﻣﺮﺩﻡ‬

‫ﺑﮕﻮﻳﻴﻢ‪ ،‬ﻣﺜﻼ ﻣﺮﺩﻡ ﺑﺎﻭﺭ ﻣﻰﻛﻨﻨﺪ؟ ﻳﺎ‬

‫ﻧﺨﻴﺮ ﻣﺎ ﺍﺻﻼ ﭘﺪﺭ ﺩﻣﻮﻛﺮﺍﺳﻰ ﻫﺴﺘﻴﻢ‬

‫ﻭ ﭘﺪﺭﺑﺰﺭگ ﺣﻘﻮﻕ ﺑﺸﺮ ﻭ ﺑﻪ ﺁﻣﺮﻳﻜﺎ ﻭ‬

‫ﺳﻮﺋﺪ ﻭ ﺳﻮﺳﻴﺲ ﻭ ﻛﺎﻟﺒﺎﺱ ﻫﻢ ﺩﺭ‬

‫ﻣﻮﺭﺩ ﻋﺪﻡ ﺭﻋﺎﻳﺖ ﺣﻘﻮﻕ ﺑﺸﺮﺍﻋﺘﺮﺍﺽ‬

‫ﺩﺍﺭﻳﻢ‪ ،‬ﻓﻜﺮ ﻣﻴﻜﻨﻰ ﻛﺴﻰ ﺣﺮﻑ ﻣﺎ ﺭﺍ‬

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