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‫ﺟﻤﻌﻪ ‪ 11‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 17‬ﺳﭙﺘﺎﻣﺒﺮ ‪2015‬‬

‫ﺁﻏﺎﺯ ﺳﻮﻣﻴﻦ ﺟﺸﻨﻮﺍﺭﻩ ﺗﺌﺎﺗﺮ ﺍﻳﺮﺍﻧ ِﻰ ﻟﻨﺪﻥ‬ ‫ﻣﻨﺸﻮ ِﺭ‬
‫ﺍﻧﺘﻈﺎ ِﺭ ﻣﺮﺍ‬
‫ﻣﺤﺒﻮﺏ ﺍﻳﺮﺍﻥ ﺭﺍ ﺯﻧﺪﻩ ﻛﺮﺩﻩ ﻭ ﺑﺎ ﺗﺸﻮﻳﻖ‬ ‫ﻛﺮﺩ ﺗﺎ ﺳﻮﻣﻴﻦ ﺟﺸﻨﻮﺍﺭﻩ ﺗﺌﺎﺗﺮ ﺍﻳﺮﺍﻧﻰ‬ ‫»ﻋﻮﺍﺭﺽ ﺩﻳﺮﺭﺱ ﺍﻧﻘﻼﺏ« ﻧﻮﺷﺘﻪ‬ ‫ﻛﺎﻣﻴﺎﺭ ﺑﻬﺮﻧﮓ ‪ -‬ﺳﻮﻣﻴﻦ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‬
‫ﺣﻀﺎﺭ ﺭﻭﺑﺮﻭ ﺷﺪﻧﺪ‪.‬‬ ‫ﺩﺭ ﻟﻨﺪﻥ ﺑﺎ ﻃﻨﺰﻯ ﺁﻏﺎﺯ ﺷﻮﺩ ﻛﻪ ﺷﺎﻳﺪ‬ ‫ﺍﻳﺮﺝ ﭘﺰﺷﻜﺰﺍﺩ ﺑﻪ ﻧﻤﺎﻳﺶﻧﺎﻣﻪ ﺧﻮﺍﻧﻰ‬ ‫ﺗﺌﺎﺗﺮ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻓﺎﺭﺳﻰ ﺍﻧﮕﻠﻴﺴﻰ ﻟﻨﺪﻥ‬
‫ﺑﺮﺍﻯ ﺧﻴﻠﻰ ﺍﺯ ﺍﻳﺮﺍﻧﻴﺎﻥ ﻭﺍﻗﻌﺎ ﺍﺗﻔﺎﻕ‬ ‫ﭘﺮﺩﺍﺧﺖ‪ .‬ﺍﻳﻦ ﻣﺘﻦ ﻛﻪ ﺩﺍﺳﺘﺎﻥ ﭼﻨﺪ‬ ‫ﻋﺼﺮ ﺭﻭﺯ ﺳﻪ ﺷﻨﺒﻪ ‪ 17‬ﺷﻬﺮﻳﻮﺭ ﺩﺭ‬ ‫ﺭﺿﺎ ﻣﻘﺼﺪﻯ‬
‫ﺍﻭﻟﻴﻦ ﻧﻤﺎﻳﺶ ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ ﺑﻪ ﻧﺎﻡ‬ ‫ﺳﺎﻟﻦ ‪ Arts depot‬ﺍﻳﻦ ﺷﻬﺮ ﻛﻪ ‪ 5‬ﺭﻭﺯ‬ ‫ﺍﻯ ﻭﺍژﻩﻫﺎ! ﺑﻬﺎﺭ ﻣﺮﺍ ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‬
‫»ﺩﺍﻳﻨﺎﺳﻮﺭ« ﻛﺎﺭﻯ ﺍﺯ ﻣﻨﻮﭼﻬﺮ ﻧﺎﻣﻮﺭ‬ ‫ﺳﻮﺳﻦ ﻓﺮخ ﻧﯿﺎ‬ ‫ﺍﻳﺮﺍﻧﻰ ﺗﺒﻌﻴﺪﻯ ﺍﺳﺖ ﻛﻪ ﻛﻨﺎﺭ ﻫﻢ‬ ‫ﻣﻀﻤﻮ ِﻥ ﺭﻭﺯﮔﺎ ِﺭ ﻣﺮﺍ ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‬
‫ﺁﺯﺍﺩ ﺑﻮﺩ‪ .‬ﺍﻳﻦ ﻧﻤﺎﻳﺶ ﻧﻴﺰ ﻛﻪ ﺑﺎ ﺑﺎﺯﻯ‬ ‫ﺍﻓﺘﺎﺩﻩ ﺑﺎﺷﺪ‪.‬‬ ‫ﺟﻤﻊ ﺷﺪﻩ ﻭ ﺍﺯ ﮔﺬﺷﺘﻪ ﻭ ﺣﺎﻝ ﺳﺨﻦ‬ ‫ﺍﺩﺍﻣﻪ ﺧﻮﺍﻫﺪ ﺩﺍﺷﺖ ﺁﻏﺎﺯ ﺷﺪ‪.‬‬
‫ﺧﻮﺩ ﺍﻭ ﻭ ﺩﺍﻧﺎ ﺁﺯﺍﺩﻩ ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ ﺭﻓﺖ‬ ‫ﻣﻰﮔﻮﻳﻨﺪ ﻣﺎﻧﻨﺪ ﺑﻴﺸﺘﺮ ﻧﻮﺷﺘﻪﻫﺎﻯ‬ ‫ﺩﺭ ﺍﺑﺘﺪﺍﻯ ﺑﺮﻧﺎﻣﻪ ﻫﺎﺩﻯ ﺧﺮﺳﻨﺪﻯ‬ ‫ﺩﺭ ﺻﺒﺢ ِ ﺷﺎﻋﺮﺍﻧﻪﺗﺮﻳﻦ ﺷﺎﺧﺴﺎﺭ ِ ﺳﺒﺰ‬
‫ﺑﻌﺪ ﺍﺯ ﻧﻤﺎﻳﺶﻧﺎﻣﻪ ﺧﻮﺍﻧﻰ ﺩﺍﻧﺸﻮﺭ‬ ‫ﭘﺰﺷﻜﺰﺍﺩ ﺑﺎ ﻣﺎﻳﻪ ﻃﻨﺰ ﻫﻤﺮﺍﻩ ﺑﻮﺩ ﻭ‬ ‫ﻃﻨﺰﭘﺮﺩﺍﺯ ﻭ ﻛﻤﺪﻳﻦ ﺍﻳﺮﺍﻧﻰ ﺍﺯ ﻧﺎﺻﺮ‬ ‫ﺍﻗﺮﺍﺭِ ﺳﺎﻳﻪ ﺳﺎ ِﺭ ﻣﺮﺍ ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‪...‬‬
‫ﺑﺎ ﻃﻨﺰ ﻫﻤﺮﺍﻩ ﺑﻮﺩ‪.‬‬ ‫ﮔﺮﻭﻩ ﻣﻮﺳﻴﻘﻰ ﺩﺭﺑﻨﺪ ﺑﻪ ﺍﺟﺮﺍﻯ ﺑﺮﻧﺎﻣﻪ‬ ‫ﺍﺟﺮﺍﻯ ﺧﻮﺏ ﺩﺍﻧﺸﻮﺭ ﻧﻴﺰ ﺗﻠﺨﻰ ﻣﻮﺟﻮﺩ‬ ‫ﻳﻮﺳﻔﻰ ﻛﺎﺭﮔﺮﺩﺍﻥ ﻭ ﺑﺎﺯﻳﮕﺮ ﺗﺌﺎﺗﺮ ﻛﻪ‬
‫ﺑﺎ ﺍﺳﺘﻘﺒﺎﻟﻰ ﻛﻪ ﺍﺯ ﺍﻓﺘﺘﺎﺣﻴﻪ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﭘﺮﺩﺍﺧﺖ‪ .‬ﻫﻨﺮﻣﻨﺪﺍﻥ ﺍﻳﻦ ﮔﺮﻭﻩ ﺟﻮﺍﻥ‬ ‫ﺩﺭ ﻣﺎﻫﻴﺖ ﻣﺘﻦ ﺭﺍ ﺑﺎ ﻋﺴﻞ ﻃﻨﺰ ﺑﻪ‬ ‫ﭼﻨﺪﻯ ﭘﻴﺶ ﺩﺭ ﺷﻬﺮ ﺍﺳﺘﻜﻬﻠﻢ ﺍﺯ ﺩﻧﻴﺎ‬ ‫ﺍﻯ ﺑﺮگﻫﺎﻯ ﻣﻨﺘﻈﺮ ِ ﻧﺸﺮ ِ ﺁﻓﺘﺎﺏ!‬
‫ﺻﻮﺭﺕ ﮔﺮﻓﺖ ﺑﻪ ﻧﻈﺮ ﻣﻰﺭﺳﺪ‬ ‫ﻧﺨﺴﺖ ﺗﺮﺍﻧﻪﺍﻯ ﺑﺎ ﺷﻌﺮﻯ ﺍﺯ ﺣﺎﻓﻆ‬ ‫ﻣﺨﺎﻃﺐ ﺍﺭﺍﺋﻪ ﻛﺮﺩ‪ .‬ﺧﻨﺪﻩﻫﺎﻯ ﺣﺎﺿﺮﺍﻥ‬ ‫ﺭﻓﺖ‪ ،‬ﻳﺎﺩ ﻛﺮﺩ‪ .‬ﺍﻭ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﺍﻳﻨﻜﻪ‬ ‫ﺟﺎﺭﻯ ِﻯ ﺟﻮﻳﺒﺎﺭ ِ ﻣﺮﺍ ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‬
‫ﺟﺸﻨﻮﺍﺭﻩ ﻟﻨﺪﻥ ﺟﺎﻯ ﺧﻮﺩ ﺭﺍ ﻣﻴﺎﻥ‬ ‫ﺍﺟﺮﺍ ﻛﺮﺩﻧﺪ ﻭ ﺩﺭ ﺍﺟﺮﺍﻯ ﺩﻭﻡ ﺑﺎ ﺗﺮﺍﻧﻪ‬ ‫ﺩﺭ ﺟﻠﺴﻪ ﻧﻴﺰ ﺍﻳﻦ ﻣﻮﺿﻮﻉ ﺭﺍ ﻫﻤﺮﺍﻫﻰ‬ ‫ﻓﺮﺩﺍﻯ ﻣﺮگ ﻧﺎﺻﺮ ﻳﻮﺳﻔﻰ ﭘﺮﭼﻢﻫﺎﻯ‬
‫ﻋﻼﻗﻪﻣﻨﺪﺍﻥ ﺑﻪ ﺗﺌﺎﺗﺮ ﺑﺎﺯ ﻛﺮﺩﻩ ﺑﺎﺷﺪ‪.‬‬ ‫ﺧﺎﻃﺮﻩﺍﻧﮕﻴﺰ »ﺑﺮﺩﻯ ﺍﺯ ﻳﺎﺩﻡ« ﻳﺎﺩ ﻭ ﻧﺎﻡ‬ ‫ﺍﺩﺍﺭﻩ ﺗﺌﺎﺗﺮ ﺳﻮﺋﺪ ﺑﻪ ﺣﺎﻟﺖ ﻧﻴﻤﻪ ﺍﻓﺮﺍﺷﺘﻪ‬ ‫ﭼﺸﻤﺶﻛﺠﺎﺳﺖ؟ﺗﺎﻛﻪﺩﻟﻢﺗﺎﺯﻩﺗﺮﺷﻮﺩ‬
‫ﻳﻜﻰ ﺍﺯ ﺷﺮﻛﺖ ﻛﻨﻨﺪﮔﺎﻥ ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﻭﻳﮕﻦ ﻭ ﺩﻟﻜﺶ ﺩﻭ ﺧﻮﺍﻧﻨﺪﻩ ﻓﻘﻴﺪ ﻭ‬ ‫ﺩﺭﺁﻣﺪ‪ ،‬ﺍﺯ ﻫﻤﻪ ﺧﻮﺍﺳﺖ ﺗﺎ ﺑﺎ ﺍﺗﺤﺎﺩ‬ ‫ﺩﻳﺪﺍ ِﺭ ﺑﻰ ﻗﺮﺍ ِﺭ ﻣﺮﺍ ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‬
‫ﺑﻪ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﮔﻔﺖ‪» :‬ﻣﺴﺎﻟﻪ ﺍﺳﺎﺳﻰ‪،‬‬ ‫ﻭ ﻫﻤﺪﻟﻰ ﺑﻴﺸﺘﺮ ﺑﻪ ﺍﻋﺘﻼﻯ ﻓﺮﻫﻨﮓ‬
‫ﻫﻨﺮ ﺩﺭ ﺗﺒﻌﻴﺪ ﺍﺳﺖ ﻛﻪ ﺍﮔﺮ ﺍﺯ ﺳﻮﻯ‬ ‫ﺍﻳﺮﺍﻧﻰ ﺩﺭ ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ ﻛﻤﻚ ﻛﻨﻨﺪ‪.‬‬ ‫ﺩﺭ ﺷﻮ ِﺭ ﺷﺎﺩﻣﺎﻧﻪﻯ ﺳﻨﺘﻮﺭ ِ ﺳﺮﻧﻮﺷﺖ‬
‫ﺧﻮﺩ ﺍﻳﺮﺍﻧﻴﺎﻥ ﻣﻮﺭﺩ ﺣﻤﺎﻳﺖ ﻗﺮﺍﺭ ﻧﮕﻴﺮﺩ‪،‬‬ ‫ﺑﻌﺪ ﺍﺯ ﺳﺨﻨﺎﻥ ﻫﺎﺩﻯ ﺧﺮﺳﻨﺪﻯ‪ ،‬ﺑﺎ‬ ‫ﺍﻳﻦ ﺯﺍﺭ ﺯﺍﺭ ِ ﺗﺎ ِﺭ ﻣﺮﺍ ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‬
‫ﺍﻣﻜﺎﻥ ﺩﻳﮕﺮﻯ ﺑﺮﺍﻯ ﺑﺮﻭﺯ ﻧﺨﻮﺍﻫﺪ‬ ‫ﺍﻋﻼﻡ ﺳﻮﺳﻦ ﻓﺮﺥﻧﻴﺎ ﻣﺪﻳﺮ ﻫﻨﺮﻯ ﮔﺮﻭﻩ‬
‫ﺩﺍﺷﺖ‪ .‬ﺑﻪ ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﺑﻪ ﻧﻈﺮ ﻣﻦ ﺟﺪﺍ‬ ‫ﺗﺌﺎﺗﺮ ﺳﺎﻡ ﻭ ﺑﺮﮔﺰﺍﺭﻛﻨﻨﺪﻩ ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ‪،‬‬ ‫ﺯﺧﻢ ِ ﻫﺰﺍﺭ ﺧﺎﻃﺮﻩ ﺑﺮ ﺳﻴﻨﻪﺍﻡ ﻧﺸﺴﺖ‬
‫ﺍﺯ ﻋﻼﻗﻪ‪ ،‬ﻭﻇﻴﻔﻪ ﻣﺎﺳﺖ ﻛﻪ ﺩﺭ ﭼﻨﻴﻦ‬ ‫ﺗﺼﻮﻳﺮ ِ ﺳﻮﮔﻮﺍﺭ ِ ﻣﺮﺍ ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‬
‫ﺑﺮﻧﺎﻣﻪﻫﺎﻳﻰ ﺣﻀﻮﺭ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﻢ ﺗﺎ‬ ‫ﻫﺎدی ﺧﺮﺳﻨﺪی‬
‫ﺑﺘﻮﺍﻧﻴﻢ ﻗﺪﻣﻰ ﻛﻮﭼﻚ ﺩﺭ ﺍﺩﺍﻣﻪ ﻳﺎﻓﺘﻦ‬ ‫ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﺭﺳﻤﻰ ﺍﻓﺘﺘﺎﺣﻴﻪ ﺁﻏﺎﺯ ﺷﺪ‪.‬‬ ‫ﻣﻬﻤﺎ ِﻥ ﻣﻬﺮﺑﺎﻧﻰﻯ ﺩﺳﺘﻢ ﺑﺮﻧﺞ ﺑﻮﺩ‬
‫ﻓﺮﺥﻧﻴﺎ ﺑﺎ ﺗﺎﻛﻴﺪ ﺑﺮ ﺍﻳﻨﻜﻪ ﺟﺸﻨﻮﺍﺭﻩﻫﺎﻯ‬ ‫ﺍﻳﺜﺎﺭ ِ ﺧﻮﺷﻪﺯﺍ ِﺭ ﻣﺮﺍ ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‬
‫ﭼﻨﻴﻦ ﺟﺸﻨﻮﺍﺭﻩﻫﺎﻳﻰ ﺑﺮﺩﺍﺭﻳﻢ«‪.‬‬ ‫ﺗﺌﺎﺗﺮ ﺩﺭ ﺩﻳﮕﺮ ﺷﻬﺮﻫﺎﻯ ﺍﺭﻭﭘﺎ ﺑﺎ ﺟﺪﻳﺖ‬
‫ﻳﻜﻰ ﺩﻳﮕﺮ ﺍﺯ ﺷﺮﻛﺖ ﻛﻨﻨﺪﮔﺎﻥ ﺑﺎ‬ ‫ﺩﻧﺒﺎﻝ ﻣﻰﺷﺪﻧﺪ ﮔﻔﺖ‪ ،‬ﺣﺎﻻ ﻭﻗﺖ ﺁﻥ‬ ‫ﺁﺋﻴﻨﻪﺍﺵ ﺗﻤﺎﻡ ِ ﺗﻤﺎﺷﺎﻯ ﻣﻦ ﺷﺪﻩﺳﺖ‬
‫ﺗﺎﻛﻴﺪ ﺑﺮ ﺍﻳﻨﻜﻪ »ﻟﻨﺪﻥ ﺑﻪ ﻋﻨﻮﺍﻥ ﻳﻜﻰ‬ ‫ﺑﻮﺩ ﻛﻪ ﻟﻨﺪﻥ ﻧﻴﺰ ﻧﺸﺎﻥ ﺩﻫﺪ ﺑﻪ ﺻﻮﺭﺕ‬ ‫ﮔﻠﮕﺸ ِﺖ ﺷﻌﻠﻪﺑﺎ ِﺭ ﻣﺮﺍ ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‬
‫ﺍﺯ ﺑﺰﺭﮔﺘﺮﻳﻦ ﺷﻬﺮﻫﺎﻯ ﻣﺤﻞ ﺗﺠﻤﻊ‬ ‫ﺳﺎﻟﻴﺎﻧﻪ ﺑﻪ ﺩﻧﺒﺎﻝ ﻳﻚ ﺟﺸﻨﻮﺍﺭﻩ ﭘﺮﺑﺎﺭ‬
‫ﺍﻳﺮﺍﻧﻴﺎﻥ ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ ﺧﻴﻠﻰ ﺯﻭﺩﺗﺮ‬ ‫ﮔﻞﻭﺍژﻩﻫﺎﻯ ﺳﺒﺰ! ﺑﻬﺎﺭﻡ ﻛﻨﻴﺪ ُﻭ ﻳﺎ‪-‬‬
‫ﺍﺯ ﺍﻳﻨﻬﺎ ﺑﺎﻳﺪ ﭼﻨﻴﻦ ﺟﺸﻨﻮﺍﺭﻩﻫﺎﻳﻰ ﺭﺍ‬ ‫ﺗﺌﺎﺗﺮ ﺍﺳﺖ‪.‬‬ ‫ﻣﻨﺸﻮﺭ ِ ﺍﻧﺘﻈﺎﺭ ِ ﻣﺮﺍ ﻣﻨﺘﺸﺮ ﻛﻨﻴﺪ‬
‫ﺑﺮﮔﺰﺍﺭ ﻣﻰﻛﺮﺩ« ﺍﺿﺎﻓﻪ ﻛﺮﺩ‪» :‬ﻭﺟﻮﺩ‬ ‫ﺳﭙﺲ ﺣﻤﻴﺪ ﺩﺍﻧﺸﻮﺭ ﺑﺮ ﺍﺳﺎﺱ ﻣﺘﻦ‬
‫ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ ﻛﻪ ﺍﻣﺮﻭﺯ ﺩﺭ ﺷﻤﺎﻝ ﻟﻨﺪﻥ‬
‫ﺑﺮﮔﺰﺍﺭ ﻣﻰﺷﻮﺩ ﺑﺎ ﻫﻤﻪ ﻣﺤﺪﻭﺩﻳﺖﻫﺎ‬
‫ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻪ ﺍﻳﺮﺍﻧﻴﺎﻥ ﺩﺭ‬
‫ﺳﺮﺍﺳﺮ ﺍﺭﻭﭘﺎ ﺑﻪ ﺩﻧﺒﺎﻝ ﻣﻄﺮﺡ ﻛﺮﺩﻥ‬
‫ﻣﺎﻩﻫﺎ ﻭ ﺣﺘﻰ ﺷﺎﻳﺪ ﺳﺎﻝﻫﺎ ﺗﻼﺵ‬
‫ﻭ ﺗﻤﺮﻳﻦ ﺧﻮﺩ ﺩﺭ ﻣﺤﻴﻄﻰ ﻫﺴﺘﻨﺪ‬
‫ﻛﻪ ﺍﺣﺘﻤﺎﻻ ﻣﺨﺎﻃﺐ ﺑﻴﺸﺘﺮﻯ ﺩﺍﺷﺘﻪ‬
‫ﺑﺎﺷﺪ‪ .‬ﺑﻪ ﻫﻤﻴﻦ ﺟﻬﺖ ﺍﻣﻴﺪﻭﺍﺭﻡ‬
‫ﻛﻪ ﻫﻤﺸﻬﺮﻯﻫﺎﻯ ﻟﻨﺪﻧﻰ ﻣﺎ ﺍﺯ ﺍﻳﻦ‬
‫ﺟﺸﻨﻮﺍﺭﻩ ﻭ ﺗﻼﺵ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺍﻳﺮﺍﻧﻰ‬

‫ﺣﻤﺎﻳﺖ ﻛﻨﻨﺪ«‪.‬‬

‫ﭼﺮﺍ ﺑﻪ ﺟﻮﻙﻫﺎﻯ ﻳﻜﺪﻳﮕﺮ‬ ‫ﻧﻴﻮﺷﺎ ﺗﻮﻛﻠﻴﺎﻥ ﻋﻜﺎﺱ ﺍﻳﺮﺍﻧﻰ ﺟﺎﻳﺰﻩ ﭘﺮﻧﺲ ﻛﻼﻭﺱ ﺧﻮﺩ ﺭﺍ ﺑﺎ ﺑﻨﻴﺎﺩﻫﺎﻯ‬
‫ﻣﻰﺧﻨﺪﻳﻢ؟‬ ‫ﻧﻴﻜﻮﻛﺎﺭﻯ ﺗﻘﺴﻴﻢ ﻣﻰﻛﻨﺪ‬

‫ﺩﺍﺭﻡ‪«.‬‬ ‫ﻫﺮ ﭼﻪ ﺩﻧﻴﺎ ﻣﺪﺭﻥﺗﺮ ﻣﻰﺷﻮﺩ ﻭ‬ ‫ﺣﺮﻓﻪﺍﻯ ﻋﻜﺎﺳﻰ ﻣﻰﻛﻨﺪ ﻭ ژﺍﻧﺮ‬ ‫ﻛﺮﺩ ﻛﻪ ﻧﻴﻮﺷﺎ ﺗﻮﻛﻠﻴﺎﻥ ﻋﻜﺎﺱ ﺍﻳﺮﺍﻧﻰ‬ ‫ﻛﻪ ﺑﺮﺍﻯ ﻛﻤﻚ ﺑﻪ ﻛﻮﺩﻛﺎﻥ ﺳﺮﻃﺎﻧﻰ‬ ‫ﻧﻴﻮﺷﺎ ﺗﻮﻛﻠﻴﺎﻥ ﻋﻜﺎﺱ ﺧﺒﺮﻧﮕﺎﺭ ﺍﻳﺮﺍﻧﻰ‬
‫ﺑﻪ ﮔﻔﺘﻪ ﭘﺮﻭﻓﺴﻮﺭ ﺍﺳﻜﺎﺕ ﺍﻳﻨﻜﻪ ﺷﻤﺎ ﺑﺎ‬ ‫ﺯﻧﺪﮔﻰﻫﺎ ﺟﺪﻯﺗﺮ ﻭ ﺩﺭﮔﻴﺮﻯﻫﺎﻯ ﻛﺎﺭﻯ‬ ‫ﻋﻜﺲﻫﺎﻯ ﺍﻭ ﺍﺯ ﮔﺰﺍﺭﺵﻫﺎﻯ ﺟﺴﻮﺭﺍﻧﻪ‬ ‫ﺑﺮﻧﺪﻩ ﺟﺎﻳﺰﻩ ﺍﻳﻦ ﺑﻨﻴﺎﺩ ﺧﻮﺍﻫﺪ ﺷﺪ‪.‬‬ ‫ﻓﻌﺎﻟﻴﺖ ﻣﻰﻛﻨﺪ ﻭ ‪ 7‬ﻫﺰﺍﺭ ﻳﻮﺭﻭ ﺭﺍ ﻧﻴﺰ ﺑﻪ‬ ‫ﻛﻪ ﺑﺮﻧﺪﻩ ﺟﺎﻳﺰﻩ ﭘﺮﻧﺲ ﻛﻼﻭﺱ‪ ،‬ﺟﺎﻳﺰﻩ‬
‫ﻳﻚ ﻧﻔﺮ ﺑﺨﻨﺪﻳﺪ ﻭ ﻟﺤﻈﺎﺕ ﺷﺎﺩﻯ ﺭﺍ ﺑﺎ‬ ‫ﻭ ﺭﻭﺯﺍﻧﻪ ﺑﻴﺸﺘﺮ‪ ،‬ﺑﻪ ﻫﻤﺎﻥ ﻧﺴﺒﺖ ﺍﻓﺮﺍﺩ‬ ‫ﺍﺯ ﺭﻭﻳﺪﺍﺩﻫﺎﻯ ﺳﻴﺎﺳﻰ ﺗﺎ ﭘﺮﺗﺮﻩ ﺟﻮﺍﻧﺎﻥ‬ ‫ﺳﺎﺯﻣﺎﻥﻫﺎﻯ ﻣﺤﻠﻰ ﺣﻤﺎﻳﺖ ﺍﺯ ﺣﻴﻮﺍﻧﺎﺕ‬ ‫ﺳﻠﻄﻨﺘﻰ ﻫﻠﻨﺪ‪ ،‬ﺷﺪﻩ ﺍﻋﻼﻡ ﻛﺮﺩﻩ ﺍﺳﺖ‬
‫ﻭﻯ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﺪ ﺑﻴﺸﺘﺮ ﺑﻪ ﺍﻳﻦ ﻣﺴﺎﻟﻪ‬ ‫ﺗﻼﺵ ﻣﻰﻛﻨﻨﺪ ﺩﺭ ﻫﺮ ﻓﺮﺻﺘﻰ ﺑﺎ ﭼﺎﺷﻨﻰ‬ ‫ﻭ ﺟﻨﮕﺠﻮﻳﺎﻥ ﺯﻥ ﻛﺮﺩ ﺭﺍ ﺩﺭ ﺑﺮﻣﻰﮔﻴﺮﺩ‪.‬‬ ‫ﺟﺎﻳﺰﻩ ﭘﺮﻧﺲ ﻛﻼﻭﺳﺒﻪ ﮔﺰﺍﺭﺵ‬ ‫ﺧﻮﺍﻫﺪ ﺑﺨﺸﻴﺪ‪.‬ﺍﻳﻦ ﻋﻜﺎﺱ ﺧﺒﺮﻧﮕﺎﺭ‬ ‫ﺑﺨﺸﻰ ﺍﺯ ﺟﺎﻳﺰﻩ ﺻﺪ ﻫﺰﺍ ﻳﻮﺭﻭﻳﻰ ﺧﻮﺩ‬
‫ﺑﺴﺘﮕﻰ ﺩﺍﺭﺩ ﻛﻪ ﺷﻤﺎ ﭼﻘﺪﺭ ﺑﻪ ﺍﻭ ﻋﻼﻗﻪ‬ ‫ﺧﻨﺪﻩ ﺯﻧﺪﮔﻰ ﺟﺪﻯ ﺭﻭﺯﻣﺮﻩ ﺭﺍ ﻛﻤﻰ‬ ‫ﺑﻪ ﻧﻮﺷﺘﻪ ﺑﻨﻴﺎﺩ ﭘﺮﻧﺲ ﻛﻼﻭﺱ ﻭﻳﮋﮔﻰ‬ ‫ﺧﺒﺮﮔﺰﺍﺭﻯ ﻓﺮﺍﻧﺴﻪ ﺍﻳﻦ ﺑﻨﻴﺎﺩ ﺩﺭ‬ ‫ﺩﺭﺑﺎﺭﻩ ﻛﻤﻚ ﺑﻪ ﭘﻨﺎﻫﻨﺪﮔﺎﻥ ﺳﻮﺭﻯ ﻭ‬ ‫ﺭﺍ ﺑﺎ ﺑﻨﻴﺎﺩﻫﺎﻯ ﻧﻴﻜﻮﻛﺎﺭﻯ ﻭ ﺍﺟﺘﻤﺎﻋﻰ‬
‫ﺩﺍﺭﻳﺪ‪ .‬ﺍﮔﺮ ﺑﻪ ﻃﺮﻑﺗﺎﻥ ﻋﻼﻗﻪ ﻧﺪﺍﺷﺘﻪ‬ ‫ﺗﻠﻄﻴﻒﻛﻨﻨﺪﺗﺎﺟﺎﻳﻰﻛﻪﺍﻳﻦﺭﻭﺯﻫﺎﮔﺎﻫﻰ‬ ‫ﻓﻜﺮﻯ ﻭ ﻫﻨﺮﻯ ﻛﻪ ﺩﺭ ﻋﻜﺲﻫﺎﻯ ﻧﻴﻮﺷﺎ‬ ‫ﻭﺑﺴﺎﻳﺖ ﺧﻮﺩ ﺑﺎ ﺍﻋﻼﻡ ﺍﻳﻦ ﺧﺒﺮ‬ ‫ﻋﺮﺍﻗﻰ ﻧﻮﺷﺘﻪ ﺍﺳﺖ‪» :‬ﻣﻦ ﺩﺭ ﻫﺮ ﺩﻭ‬ ‫ﺑﻪ ﻭﻳﮋﻩ ﺑﻨﻴﺎﺩﻫﺎﻳﻰ ﻛﻪ ﺑﺮﺍﻯ ﭘﻨﺎﻩﺟﻮﻳﺎﻥ‬
‫ﺑﺎﺷﻴﺪ ﺍﻳﻨﻜﻪ ﺍﻭ ﭼﻘﺪﺭ ﺷﻮﺥﻃﺒﻊ ﻫﺴﺖ‬ ‫ﺷﻮﺥﻃﺒﻌﻰ ﺑﻪ ﻋﻨﻮﺍﻥ ﻳﻜﻰ ﺍﺯ ﻭﻳﮋﮔﻰﻫﺎ‬ ‫ﺗﻮﻛﻠﻴﺎﻥ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻛﻠﻴﺸﻪﻫﺎﻯ ﺭﺍﻳﺞ‬ ‫ﻧﻮﺷﺘﻪ ﺍﺳﺖ »ﻧﻴﻮﺷﺎ ﺗﻮﻛﻠﻴﺎﻥ ﻋﻜﺎﺳﻰ‬ ‫ﻛﺸﻮﺭ ﻛﺎﺭ ﻛﺮﺩﻩﺍﻡ ﻭ ﻣﻰﺧﻮﺍﻫﻢ ﺍﺯ ﺍﻳﻦ‬ ‫ﺳﻮﺭﻯ ﻭ ﻋﺮﺍﻗﻰ ﻓﻌﺎﻟﻴﺖ ﻣﻰﻛﻨﻨﺪ‬
‫ﻭ ﻣﻌﻴﺎﺭﻫﺎﻯ ﺍﻧﺘﺨﺎﺏ ﺩﺭ ﺩﻭﺳﺘﻰﻫﺎﻯ‬ ‫ﺭﺍ ﺑﻪ ﭘﺮﺳﺶ ﻣﻰﮔﻴﺮﻧﺪ ﻭ ﺑﺮﺍﻯ ﺑﺴﻴﺎﺭﻯ‬ ‫ﺧﻮﺩﺁﻣﻮﺧﺘﻪ ﺍﺳﺖ ﻛﻪ ﻋﻜﺎﺳﻰ ﺧﺒﺮﻯ‬ ‫ﻃﺮﻳﻖ ﺑﺨﺸﻰ ﺍﺯ ﻟﻄﻔﻰ ﻛﻪ ﻣﺮﺩﻡ ﺍﻳﻦ‬
‫ﻫﻢ ﻛﺎﻣﻼ ﺑﻰﺍﻫﻤﻴﺖ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺩﺧﺘﺮﺍﻥ ﻭ ﭘﺴﺮﺍﻥ ﺗﻠﻘﻰ ﻣﻰﺷﻮﺩ؛ ﺩﺭ ﻭﺍﻗﻊ‬ ‫ﺍﺯ ﻋﻜﺎﺱﻫﺎﻯ ﺟﻮﺍﻥ ﺩﺭ ﺳﺮﺍﺳﺮ‬ ‫ﺭﺍ ﺑﺎ ﻫﻨﺮ ﺩﺭ ﻫﻢ ﺁﻣﻴﺨﺘﻪ ﻭ ﺑﻴﻨﺶﻫﺎﻯ‬ ‫ﺩﻭ ﺳﺮﺯﻣﻴﻦ ﺑﻪ ﻣﻦ ﺩﺍﺷﺘﻨﺪ ﺭﺍ ﺟﺒﺮﺍﻥ‬ ‫ﺗﻘﺴﻴﻢ ﻣﻰﻛﻨﺪ‪.‬‬
‫ﺳﻮﻓﻴﺎ ﺍﺳﻜﺎﺕ ﻣﻰﺍﻓﺰﺍﻳﺪ‪» :‬ﺁﻧﭽﻪ‬ ‫ﺍﻳﻦ ﻓﻀﻴﻠﺖ ﻛﻪ ﺁﺩﻡﻫﺎ ﺍﺯ ﻫﺮ ﻓﺮﺻﺘﻰ‬ ‫ﺟﺪﻳﺪﻯ ﺭﺍ ﺩﺭﺑﺎﺭﻩ ﺗﺠﺮﺑﻪ ﺯﻧﺪﮔﻰ‬ ‫ﻛﻨﻢ ﺁﻥ ﻫﻢ ﺑﺎ ﻭﺟﻮﺩ ﺷﺮﺍﻳﻂ ﻭﺧﻴﻤﻰ‬ ‫ﻧﻴﻮﺷﺎ ﺗﻮﻛﻠﻴﺎﻧﺘﻮﻛﻠﻴﺎﻥ ﺩﺭ ﺻﻔﺤﻪ‬
‫ﺑﻴﺸﺘﺮﻣﺮﺩﻡ ﺁﻥ ﺭﺍ ﺩﺭ ﻗﺎﻟﺐ ﺷﻮﺥﻃﺒﻌﻰ‬ ‫ﺑﺮﺍﻯ ﻟﺒﺨﻨﺪ ﺯﺩﻥ ﺍﺳﺘﻔﺎﺩﻩ ﻛﻨﻨﺪ ﺑﻴﺶ‬ ‫ﺧﺎﻭﺭﻣﻴﺎﻧﻪ ﺍﻟﻬﺎﻡﺑﺨﺶ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﻣﺮﺩﻡ ﺍﻳﺮﺍﻥ ﻭ ﻣﻨﻄﻘﻪ ﺧﺎﻭﺭﻣﻴﺎﻧﻪ ﺍﺭﺍﺋﻪ‬ ‫ﻓﻴﺲﺑﻮﻙ ﺧﻮﺩ ﺩﺭ ﺍﻳﻦ ﺑﺎﺭﻩ ﻧﻮﺷﺘﻪ‬
‫ﺗﻌﺮﻳﻒ ﻣﻰﻛﻨﻨﺪ ﺑﻪ ﻭﺍﻛﻨﺶﻫﺎﻯ ﺁﻧﻬﺎ ﺑﻪ‬ ‫ﺍﺯ ﭘﻴﺶ ﻣﻮﺭﺩ ﺗﻮﺟﻪ ﻗﺮﺍﺭ ﻣﻰﮔﻴﺮﺩ‪.‬‬ ‫ﺗﻮﻛﻠﻴﺎﻥ ﺩﺭ ﺳﺎﻝ ‪ 2014‬ﺟﺎﻳﺰﻩ‬ ‫ﻛﻪ ﺩﺭ ﺁﻥ ﺯﻧﺪﮔﻰ ﻣﻰﻛﻨﻨﺪ‪«.‬‬ ‫ﺍﺳﺖ‪» :‬ﺑﺮﺍﻯ ﻣﻦ ﺩﺷﻮﺍﺭ ﺍﺳﺖ ﺁﻥ ﻃﻮﺭ‬
‫ﺷﺨﺼﻰ ﺑﺮ ﻣﻰﮔﺮﺩﺩ ﻛﻪ ﺟﻮﻛﻰ ﺭﺍ ﺗﻌﺮﻳﻒ‬ ‫ﺗﺎﻛﻨﻮﻥﺗﺼﻮﺭﺑﺮﺍﻳﻦﺑﻮﺩﻛﻪﺍﻳﻦﻣﻮﺿﻮﻉ‬ ‫‪ 50‬ﻫﺰﺍﺭ ﻳﻮﺭﻭﻳﻰ ﻋﻜﺲ ﺧﺒﺮﻯ‬ ‫ﻣﻰﺩﻫﺪ‪«.‬‬ ‫ﺑﻨﻴﺎﺩ ﻓﺮﻫﻨﮓ ﻭ ﺗﻮﺳﻌﻪ ﭘﺮﻧﺲ‬ ‫ﻛﻪ ﺩﻭﺳﺖ ﺩﺍﺭﻡ ﺍﺯ ﺍﻳﻦ ﺟﺎﻳﺰﻩ ﻟﺬﺕ‬
‫ﻛﻪ ﺯﻥ ﻭ ﺷﻮﻫﺮﻫﺎ ﻭ ﺩﻭﺳﺖ ﺩﺧﺘﺮﻫﺎ ﻭ‬ ‫‪ Carmignac Gestion‬ﺭﺍ ﺑﻪ ﺩﻟﻴﻞ‬ ‫ﺗﻮﻛﻠﻴﺎﻥ ﻳﻜﻰ ﺍﺯ ﺯﻧﺎﻧﻰ ﺍﺳﺖ ﻛﻪ‬ ‫ﻛﻼﻭﺱ ﺭﻭﺯ ﭘﻨﺞﺷﻨﺒﻪ ﮔﺬﺷﺘﻪ ﺍﻋﻼﻡ‬ ‫ﺑﺒﺮﻡ ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﻣﻰﺑﻴﻨﻢ ﻣﻨﻄﻘﻪﺍﻯ‬
‫ﻣﻰﻛﻨﺪ‪«.‬‬ ‫ﺩﺳﺖ ﭘﺴﺮﻫﺎ ﭼﻘﺪﺭ ﺑﺎ ﻫﻢ ﺷﺎﺩ ﻫﺴﺘﻨﺪ‬ ‫ﺁﻧﭽﻪ ﺩﺧﺎﻟﺖ ﺑﻰ ﻣﻮﺭﺩ ﻫﻴﺎﺕ ﺩﺍﻭﺭﺍﻥ‬ ‫ﺳﺎﻝﻫﺎﺳﺖ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﻪ ﺻﻮﺭﺕ‬ ‫ﻛﻪ ﻣﻦ ﺩﺭ ﺁﻥ ﺯﻧﺪﮔﻰ ﻭ ﻛﺎﺭ ﻣﻰﻛﻨﻢ ﺩﺭ‬
‫ﺑﺮﺭﺳﻰﻫﺎ ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻪ ﺍﺣﺘﻤﺎﻝ‬ ‫ﻭ ﺧﻨﺪﻩ ﺭﺍ ﺑﺮ ﻟﺒﺎﻥ ﻳﻜﺪﻳﮕﺮ ﻣﻰﺁﻭﺭﻧﺪ ﺑﻪ‬ ‫ﺩﺭ ﻧﺤﻮﻩ ﺍﺭﺍﺋﻪ ﺍﺛﺮﺵ ﻧﺎﻣﻴﺪ ﭘﺲ ﺩﺍﺩ ﻛﻪ‬ ‫ﺧﻴﺎﺑﺎﻥ ﺻﻒ ﻣﺎﻧﻨﺪ ﻣﺪﺭﺳﻪ ﻛﻮﺩﻛﺎﻥ‬ ‫ﺷﻌﻠﻪﻫﺎﻯ ﺁﺗﺶ ﺍﺳﺖ ﻭ ﺩﻩﻫﺎ ﻫﺰﺍﺭ ﻧﻔﺮ‬
‫ﺍﻳﻨﻜﻪ ﺍﻓﺮﺍﺩ ﺩﺭ ﺟﻤﻊ ﺑﺨﻨﺪﻧﺪ ﺩﺭ ﻣﻘﺎﻳﺴﻪ ﺑﺎ‬ ‫ﺣﺲ ﺷﻮﺥﻃﺒﻌﻰ ﺁﻧﻬﺎ ﺑﺮ ﻣﻰﮔﺮﺩﺩ ﺍﻣﺎ‬ ‫ﺍﻟﺒﺘﻪ ﭘﺲ ﺍﺯ ﮔﻔﺖﻭﮔﻮ ﺑﺎ ﻫﻴﺎﺕ ﺩﺍﻭﺭﺍﻥ‬ ‫ﻣﺪﺭﺳﻪ ﺩﻫﺨﺪﺍ‬ ‫ﺍﺳﺘﺜﻨﺎﻳﻰ )ﻛﻪ ﻫﺮ ﭼﻨﺪ ﺩﺭ ﻓﻬﺮﺳﺖ ﺁﺛﺎﺭ‬ ‫ﺑﻪ ﺩﻧﺒﺎﻝ ﭘﻨﺎﻫﻨﺪﮔﻰ ﺩﺭ ﺳﺮﺯﻣﻴﻦﻫﺎﻯ‬
‫ﺯﻣﺎﻧﻰﻛﻪﺗﻨﻬﺎﻫﺴﺘﻨﺪ‪30‬ﺑﺎﺭﺑﻴﺸﺘﺮﺍﺳﺖ‪.‬‬ ‫ﺗﺤﻘﻴﻘﺎﺕ ﺗﺎﺯﻩ ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻪ ﺍﻳﻦ‬ ‫ﻧﻈﺮﺵ ﺗﻐﻴﻴﺮ ﻳﺎﻓﺖ‪ .‬ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺩﺭ‬ ‫ﻣﻠﻰ ﺑﻪ ﺛﺒﺖ ﺭﺳﻴﺪﻩ ﺑﻮﺩ ﺍﻣﺎ ﺑﺎ ﺧﺎﻙ‬
‫ﺍﺳﻜﺎﺕ ﺍﺩﺍﻣﻪ ﻣﻰﺩﻫﺪ‪ ،‬ﺧﻨﺪﻩ ﺯﺑﺎﻧﻰ‬ ‫ﻣﻮﺿﻮﻉ ﺑﻴﺸﺘﺮ ﺑﻪ ﺍﻳﻦ ﺑﺮﻣﻰ ﮔﺮﺩﺩ ﻛﻪ‬ ‫ﺍﻳﻦ ﻣﻮﺭﺩ ﺑﻪ ﻃﻮﺭ ﻣﺸﺮﻭﺡ ﮔﺰﺍﺭﺵ‬ ‫ﻓﺮﺡ ﭘﻬﻠﻮﻯ ﺍﺳﺘﻔﺎﺩﻩ ﻣﻰﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﻳﻜﺴﺎﻥ ﺷﺪ( ﻗﺮﺍﺭ ﺩﺍﺷﺖ ﻭ ﺑﺎ ﻭﺟﻮﺩ ﺁﻣﺎﺩﻩ‬ ‫ﺩﻭﺭ ﻫﺴﺘﻨﺪ‪«.‬‬
‫ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﺍﺳﺖ ﻛﻪ ﺩﺭ ﻗﺎﻟﺐ ﻛﻨﺶ ﻭ‬ ‫ﺩﻭ ﻧﻔﺮ ﭼﻘﺪﺭ ﺑﻪ ﻫﻢ ﻋﻼﻗﻪﻣﻨﺪ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺩﺍﺩﻩ ﺍﺳﺖ‪.‬ﻧﻴﻮﺷﺎ ﺗﻮﻛﻠﻴﺎﻥ ﺟﺎﻳﺰﻩ ﭘﺮﻧﺲ‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺍﻳﺴﻨﺎ‪ ،‬ﺍﺭﺯﺵ ﺍﻳﻦ ﺧﻴﺎﺑﺎﻥ‬ ‫ﺑﻮﺩﻥﭘﺮﻭﻧﺪﻩﺛﺒﺘﻰﺍﺵ‪،‬ﺩﺭﺳﺎﻝ‪ 89‬ﻣﺠﻮﺯ‬ ‫ﺍﻳﻦ ﻋﻜﺎﺱ ‪ 34‬ﺳﺎﻟﻪ ﮔﻔﺘﻪ ﺍﺳﺖ‬
‫ﺍﻳﻦ ﺧﺒﺮ ﻣﻰﺗﻮﺍﻧﺪ ﻛﻤﻰ ﺍﺯ ﻧﮕﺮﺍﻧﻰ‬ ‫ﻛﻼﻭﺱ ﺭﺍ ﺩﺭ ﻣﺎﻩ ﺩﺳﺎﻣﺒﺮ ﺩﺭﻳﺎﻓﺖ‬ ‫ﺍﺯ ﺍﺑﺘﺪﺍ ﺑﻪ ﺍﻧﺪﺍﺯﻩﺍﻯ ﺑﻮﺩﻩ ﺍﺳﺖ ﻛﻪ‬ ‫ﺗﺨﺮﻳﺐﺍﺵ ﺻﺎﺩﺭ ﺷﺪ‪ ،‬ﺍﻣﺎ ﺑﺎ ﻭﺟﻮﺩ ﺍﻳﻦ‬ ‫ﻛﻪ ‪ 15‬ﻫﺰﺍﺭ ﻳﻮﺭﻭ ﺍﺯ ﺟﺎﻳﺰﻩ ﺧﻮﺩ ﺭﺍ‬
‫ﻭﺍﻛﻨﺶ ﺍﺟﺘﻤﺎﻋﻰ ﺗﻌﺮﻳﻒ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺍﻓﺮﺍﺩﻯ ﻛﻪ ﺩﺭ ﺍﺑﺘﺪﺍﻯ ﺁﺷﻨﺎﻳﻰ ﺑﺎ ﻳﻜﺪﻳﮕﺮ‬ ‫ﺧﻮﻫﺎﺩ ﻛﺮﺩ‪.‬ﺍﻳﻦ ﺟﺎﻳﺰﻩ ﺑﻴﺸﺘﺮ ﺑﻪ‬ ‫ﺷﻬﺮﺩﺍﺭﻯ ﻳﻚ ﮔﺎﻡ ﺟﻠﻮﺗﺮ ﺍﺯ ﻣﻴﺮﺍﺙ‬ ‫ﻛﻪ ﭘﺎﻯ ﻛﺎﺭ‪ ،‬ﺍﺟﺎﺯﻩ ﺗﺨﺮﻳﺐﺍﺵ ﺩﺍﺩﻩ ﻧﺸﺪ؛‬ ‫ﺑﻪ ﺳﺎﺯﻣﺎﻥﻫﺎﻳﻰ ﻛﻪ ﺑﺮﺍﻯ ﻛﻤﻚ ﺑﻪ‬
‫ﺑﻪ ﮔﻔﺘﻪ ﺍﻭ ﻣﻄﺎﻟﻌﻪ ﺑﺮ ﺭﻭﻯ ﻗﺒﺎﻳﻞ ﺑﺪﻭﻯ‬ ‫ﺑﺴﺮ ﻣﻰﺑﺮﻧﺪ ﺑﻜﺎﻫﺪ ﻭ ﺩﻳﮕﺮ ﺫﻫﻦﺷﻨﺎﻥ‬ ‫ﺍﺷﺨﺎﺹ ﮔﺮﻭﻩﻫﺎ ﻭ ﺳﺎﺯﻣﺎﻥﻫﺎ ﺩﺭ ﺁﻓﺮﻳﻘﺎ‪،‬‬ ‫ﻓﺮﻫﻨﮕﻰ‪ ،‬ﺑﻪ ﭘﻴﺎﺩﻩﺭﻭﺳﺎﺯﻯ ﺁﻥ ﺍﻗﺪﺍﻡ‬ ‫ﺍﻣﺎ ﻫﻨﻮﺯ ﻣﺎﻧﻨﺪ ﮔﺬﺷﺘﻪ ﺍﺳﺖ؛ ﺑﻰﺭﻣﻖ ﻭ ﺭﻭ‬ ‫ﭘﻨﺎﻫﻨﺪﮔﺎﻥ ﺳﻮﺭﻯ ﻭ ﻋﺮﺍﻗﻰ ﻓﻌﺎﻟﻴﺖ‬
‫ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻪ ﺍﺯ ﺧﻨﺪﻩ ﻫﻤﻴﺸﻪ ﻫﻤﺎﻥ‬ ‫ﺩﺭﮔﻴﺮ ﺍﻳﻦ ﻣﺴﺎﻟﻪ ﻧﺒﺎﺷﺪ ﻛﻪ ﺁﻳﺎ ﺣﺲ‬ ‫ﺁﺳﻴﺎ‪ ،‬ﺁﻣﺮﻳﻜﺎﻯ ﻻﺗﻴﻦ ﻭ ﻛﺸﻮﺭﻫﺎﻯ‬ ‫ﻛﺮﺩ‪ ،‬ﺍﻣﺎ ﺣﺎﻻ ﺑﺎ ﻭﺟﻮﺩ ﺍﻳﻦ ﻛﻪ ﻳﻜﻰ‬ ‫ﻣﻰﻛﻨﻨﺪ ﺍﺧﺘﺼﺎﺹ ﻣﻰﺩﻫﺪ‪13 ،‬‬
‫ﻣﻔﻬﻤﻮﻣﻰ ﺗﻌﺒﻴﺮ ﻣﻰﺷﺪﻩ ﻛﻪ ﻫﻢ ﺍﻛﻨﻮﻥ‬ ‫ﺍﺯ ﻣﻌﺪﻭﺩ ﺑﻨﺎﻫﺎﻯ ﻗﺪﻳﻤﻰ ﺍﻳﻦ ﺧﻴﺎﺑﺎﻥ‬ ‫ﺑﻪ ﺗﺨﺮﻳﺐ ﺍﺳﺖ‪.‬‬ ‫ﻫﺰﺍﺭ ﻳﻮﺭﻭ ﺭﺍ ﺑﻪ ﺟﺎﻳﺰﻩ ﻋﻜﺲ ﺷﻴﺪ‬
‫ﻧﻴﺰ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻭ ﺧﻨﺪﻩ ﺗﻨﻬﺎ ﺍﺣﺴﺎﺱ‬ ‫ﺷﻮﺥﻃﺒﻌﻰ ﺩﺍﺭﻧﺪ ﻳﺎ ﻧﻪ‪.‬‬ ‫ﺣﻮﺯﻩ ﻛﺎﺭﺍﺋﻴﺐ ﺩﺍﺩﻩ ﻣﻰﺷﻮﺩ‪.‬‬ ‫»ﺩﺑﺴﺘﺎﻥ ﺩﻫﺨﺪﺍ«ﺳﺖ‪ ،‬ﻫﻨﻮﺯ ﺩﺭ‬ ‫ﮔﻔﺘﻪ ﻣﻰ ﺷﻮﺩ ﺍﻳﻦ ﻣﺪﺭﺳﻪ ﺗﺎ ﻣﺪﺗﻰ‬ ‫ﺍﻫﺪﺍ ﺧﻮﺍﻫﺪ ﻛﺮﺩ )ﺟﺎﻳﺰﻩ ﻋﻜﺲ ﺷﻴﺪ‬
‫ﻣﺜﺒﺘﻰ ﺍﺳﺖ ﻛﻪ ﺩﺭ ﺳﺮ ﺗﺎ ﺳﺮ ﺟﻬﺎﻥ‬ ‫ﺭﻭﺯﻧﺎﻣﻪﺩﻳﻠﻰﺗﻠﮕﺮﺍﻑﺑﻪﻧﻘﻞﺍﺯﭘﺮﻭﻓﺴﻮﺭ‬ ‫ﻧﻴﻮﺷﺎ ﺗﻮﻛﻠﻴﺎﻥ ﻣﺘﻮﻟﺪ ﺳﺎﻝ ‪1981‬‬ ‫ﻓﻬﺮﺳﺖ ﺁﺛﺎﺭ ﻣﻠﻰ ﺑﻪ ﺛﺒﺖ ﻧﺮﺳﻴﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﭘﺲ ﺍﺯ ﺗﺎﺳﻴﺲ ﺑﻪ ﻋﻨﻮﺍﻥ ﺩﻓﺘﺮ ﻛﺎﺭ ﺷﻬﺒﺎﻧﻮ‬ ‫ﺟﺎﻳﺰﻩ ﻣﺴﺘﻘﻞ ﻋﻜﺎﺳﻰ ﻣﺴﺘﻨﺪ ﺩﺭ‬
‫ﻣﺸﺘﺮﻙ ﺍﺳﺖ‪ .‬ﺳﻮﻓﻴﺎ ﺍﺳﻜﺎﺕ ﻣﻰﮔﻮﻳﺪ‪:‬‬ ‫ﺳﻮﻓﻰ ﺍﺳﻜﺎﺕ ﻋﺼﺐﺷﻨﺎﺱ ﺩﺭ ﺩﺍﻧﺸﮕﺎﻩ‬ ‫ﺳﺎﻛﻦ ﺗﻬﺮﺍﻥ‪ ،‬ﻣﺘﺎﻫﻞ ﻭ ﻫﻤﺴﺮ ﺧﺒﺮﻧﮕﺎﺭ‬ ‫ﺩﺭ ﺳﺎﻝ ‪ 89‬ﻣﺴﻮﻭﻻﻥ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‬ ‫ﺍﻳﺮﺍﻥ ﺍﺳﺖ(‪ ،‬ﺣﺪﻭﺩ ‪ 10‬ﻫﺰﺍﺭ ﻳﻮﺭﻭ‬
‫»ﺗﺎﺭﻳﺦ ﻟﺒﺨﻨﺪ ﺣﺘﻰ ﺍﺯ ﺗﺎﺭﻳﺦ ﺑﺸﺮ ﻫﻢ‬ ‫ﻳﻮ ﺳﻰ ﺍﻝ ﻟﻨﺪﻥ ﺩﺭ ﺍﻳﻦ ﺑﺎﺭﻩ ﻣﻰﻧﻮﻳﺴﺪ‪،‬‬ ‫ﺗﻬﺮﺍﻥ‪ ،‬ﭘﺮﻭﻧﺪﻩ ﺛﺒﺘﻰ ﺩﺑﺴﺘﺎﻥ ﺩﻫﺨﺪﺍ ﺭﺍ ﺑﻪ‬ ‫ﺭﺍ ﺑﻪ ﻣﻮﺳﺴﻪ ﻧﻴﻜﻮﻛﺎﺭﻯ »ﻣﺤﻚ«‬
‫ﻃﻮﻻﻧﻰﺗﺮ ﺍﺳﺖ ﻭ ﺍﻧﺴﺎﻥ ﺗﻨﻬﺎ ﺣﻴﻮﺍﻧﻰ‬ ‫ﻣﻬﻢﺗﺮ ﺍﺯ ﺣﺲ ﺷﻮﺥ ﻃﺒﻌﻰ ﺍﻳﻦ ﺍﺳﺖ‬ ‫ﻫﻠﻨﺪﻯ ﺗﻮﻣﺎﺱ ﺍﺭﺩﺑﺮﻳﻨﻚ ﺍﺳﺖ‪.‬‬
‫ﻧﻴﺴﺖ ﻛﻪ ﻣﻰﺧﻨﺪﺩ ﺑﻪ ﻋﻨﻮﺍﻥ ﻣﺜﺎﻝ‬ ‫ﻛﻪ ﺁﻳﺎ ﺍﻓﺮﺍﺩ ﺑﺮﺍﻯ ﻫﻢ ﺟﺬﺍﺏ ﻫﺴﺘﻨﺪ ﻳﺎ‬ ‫ﻣﺪﺭﺳﻪ ﺩﻫﺨﺪﺍ‬
‫ﺷﺎﻣﭙﺎﻧﺰﻩﻫﺎ ﻭ ﮔﻮﺭﻳﻞﻫﺎ ﻧﻴﺰ ﻣﻰﺧﻨﺪﻧﺪ‪«.‬‬ ‫ﺧﻴﺮ ﻭ ﺍﻳﻨﻜﻪ ﺁﻳﺎ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺑﻪ ﺟﻮﻙﻫﺎﻳﻰ‬ ‫ﺻﻮﺭﺕ ﺍﺿﻄﺮﺍﺭﻯ ﺗﻬﻴﻪ ﻭ ﺑﺮﺍﻯ ﺳﺎﺯﻣﺎﻥ‬
‫ﺍﻳﻦ ﻋﺼﺐﺷﻨﺎﺱ ﺩﺭ ﻋﻴﻦ ﺣﺎﻝ ﺗﺎﻛﻴﺪ‬ ‫ﻛﻪ ﺷﺮﻳﻚﺷﺎﻥ ﺑﺮﺍﻯ ﺁﻧﻬﺎ ﺗﻌﺮﻳﻒ ﻣﻰﻛﻨﺪ‬ ‫ﻣﺮﻛﺰﻯ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﻭ ﮔﺮﺩﺷﮕﺮﻯ‬ ‫ﺩﺭ ﺗﻬﺮﺍﻥ ﺑﺎﻳﺪ‬
‫ﻣﻰﻛﻨﺪ ﻛﻪ ﺍﻧﺴﺎﻥﻫﺎ ﻛﻤﺘﺮ ﺍﺯ ﻋﻠﺖ‬ ‫ﺑﺎ ﻫﺪﻑ ﺑﺮﺭﺳﻰ ﺛﺒﺖ ﺩﺭ ﻓﻬﺮﺳﺖ ﺁﺛﺎﺭ‬
‫ﺧﻨﺪﻳﺪﻥﺷﺎﻥ ﺁﮔﺎﻩ ﻫﺴﺘﻨﺪ‪ .‬ﺑﻪ ﮔﻔﺘﻪ ﺍﻭ‬ ‫ﺑﺨﻨﺪﻧﺪ ﻳﺎ ﻧﻪ‪.‬‬ ‫ﻣﻠﻰ ﻓﺮﺳﺘﺎﺩﻧﺪ‪ ،‬ﺍﻣﺎ ﺑﺎﺯ ﻫﻢ ﺛﺒﺖ ﺍﻳﻦ ﺑﻨﺎ‬ ‫ﺑﻤﺎﻧﺪ‬
‫ﺍﮔﺮ ﺍﺯ ﻣﺮﺩﻡ ﭘﺮﺳﻴﺪﻩ ﺷﻮﺩ ﻛﻪ ﭼﻪ ﺯﻣﺎﻧﻰ‬ ‫ﭘﺮﻭﻓﺴﻮﺭ ﺍﺳﻜﺎﺕ ﺩﺭ ﺣﺎﻝ ﺣﺎﺿﺮ ﺑﺮ‬
‫ﻣﻰﺧﻨﺪﻧﺪ ﺁﻧﻬﺎ ﺑﻴﺸﺘﺮ ﭘﺎﺳﺦ ﻣﻰﺩﻫﻨﺪ‬ ‫ﺭﻭﻯ ﺍﻳﻦ ﻣﻮﺿﻮﻉ ﻣﻄﺎﻟﻌﻪ ﻣﻰﻛﻨﺪ ﻛﻪ‬ ‫ﺑﻰﻧﺘﻴﺠﻪﻣﺎﻧﺪ‪.‬‬ ‫ﻣﺪﺭﺳﻪ ﺩﻫﺨﺪﺍ ﺩﺭ ﺧﻴﺎﺑﺎﻥ ﺻﻒ‬
‫ﻭﻗﺘﻰ ﻛﻪ ﺟﻮﻛﻰ ﺭﺍ ﻣﻰﺷﻨﻮﻧﺪ ﺍﻣﺎ ﻧﻜﺘﻪ‬ ‫ﺍﻓﺮﺍﺩ ﺍﺯ ﻧﻈﺮ ﺍﺣﺴﺎﺳﻰ ﭼﮕﻮﻧﻪ ﺑﺎ ﻳﻜﺪﻳﮕﺮ‬ ‫ﺣﺘﻰ ﺩﺭ ﻫﻤﺎﻥ ﺳﺎﻝ ﻭ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﻣﻄﺮﺡ‬ ‫ﺗﻬﺮﺍﻥ‪ ،‬ﺗﻨﻬﺎ ﺍﺛﺮ ﺗﺎﺭﻳﺨﻰ ﺑﻪ ﺟﺎ ﻣﺎﻧﺪﻩ ﺍﺯ‬
‫ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﺍﻓﺮﺍﺩ ﻛﻤﺘﺮ ﺑﻪ ﺧﻮﺩ ﺟﻮﻙ‬ ‫ﺷﺪﻥ ﺍﺣﺘﻤﺎﻝ ﺗﺨﺮﻳﺐ ﺍﻳﻦ ﺑﻨﺎ‪» ،‬ﻗﺪﻳﺮ‬ ‫ﺩﻭﺭﺍﻥ ﭘﻬﻠﻮﻯ ﺩﺭ ﺍﻳﻦ ﺧﻴﺎﺑﺎﻥ ﺍﺳﺖ ﻛﻪ‬
‫ﺍﺭﺗﺒﺎﻁﺑﺮﻗﺮﺍﺭﻣﻰﻛﻨﻨﺪ‪.‬‬ ‫ﺍﻓﺮﻭﻧﺪ«‪ ،‬ﻣﻌﺎﻭﻥ ﻭﻗﺖ ﺣﻔﻆ‪ ،‬ﺍﺣﻴﺎ ﻭ ﺛﺒﺖ‬ ‫ﺩﺭ ﻣﻌﺮﺽ ﻧﺎﺑﻮﺩﻯ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﻭ ﺩﺭ ﺣﺎﻝ‬
‫ﻣﻰﺧﻨﺪﻧﺪ‪.‬‬ ‫ﺍﻭ ﻣﻰﮔﻮﻳﺪ ﺧﻨﺪﻩ ﺩﺭ ﻋﻴﻦ ﺣﺎﻝ ﻛﻪ‬ ‫ﺁﺛﺎﺭ ﺗﺎﺭﻳﺨﻰ ﺍﺩﺍﺭﻩ ﻛﻞ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‬ ‫ﺗﺨﺮﻳﺐﺍﺳﺖﺑﻪﻃﻮﺭﻯﻛﻪ ﺗﻘﺮﻳﺒﺎﭼﻴﺰﻯ‬
‫ﺍﻭ ﺍﺿﺎﻓﻪ ﻣﻰﻛﻨﺪ‪» :‬ﺷﻤﺎ ﺑﻪ ﻳﻚ ﺟﻮﻙ‬ ‫ﺍﻣﺮﻯ ﺑﺪﻳﻬﻰ ﺑﻪ ﻧﻈﺮ ﻣﻰﺭﺳﺪ ﺑﺮﺍﻯ ﻳﻚ‬ ‫ﻭ ﮔﺮﺩﺷﮕﺮﻯ ﺍﺳﺘﺎﻥ ﺗﻬﺮﺍﻥ ﺛﺒﺖ ﺍﻳﻦ‬ ‫ﺍﺯ ﺑﻨﺎ ﺑﺎﻗﻰ ﻧﻤﺎﻧﺪﻩ ﺍﺳﺖ‪ .‬ﺑﺨﺶﻫﺎﻯ ﺯﻳﺎﺩﻯ‬
‫ﻣﻰﺧﻨﺪﻳﺪ ﺑﺮﺍﻯ ﺍﻳﻨﻜﻪ ﺑﻪ ﺍﻓﺮﺍﺩ ﻧﺸﺎﻥ‬ ‫ﺭﺍﺑﻄﻪ ﺷﺎﺩ ﻭ ﺳﺮﺯﻧﺪﻩ ﻛﺎﻣﻼ ﺣﻴﺎﺗﻰ ﺍﺳﺖ‪.‬‬ ‫ﺑﻨﺎﻯ ﺗﺎﺭﻳﺨﻰ ﺭﺍ ﻧﺨﺴﺘﻴﻦ ﺍﻗﺪﺍﻡ ﺍﺩﺍﺭﻩ‬ ‫ﺍﺯ ﺳﻘﻒ ﺁﻭﺍﺭ ﺷﺪﻩ ﻭ ﺭﻭﻯ ﺟﺪﺍﺭﻩ ﺍﺻﻠﻰ‬
‫ﺩﻫﻴﺪ ﺑﺎ ﺁﻧﻬﺎ ﻣﻮﺍﻓﻖ ﻫﺴﺘﻴﺪ‪ ،‬ﻭ ﺍﻳﻨﻜﻪ ﺩﺭ‬ ‫ﺑﻪ ﺍﻋﺘﻘﺎﺩ ﺍﻳﻦ ﺍﺳﺘﺎﺩ ﺩﺍﻧﺸﮕﺎﻩ ﺍﻳﻨﻜﻪ ﻳﻚ‬ ‫ﻛﻞ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﻭ ﮔﺮﺩﺷﮕﺮﻯ ﺍﺳﺘﺎﻥ‬ ‫ﺭﺍ ﻫﻢ ﺷﻬﺮﺩﺍﺭﻯ ﻣﺎﻧﻨﺪ ﺑﻨﺎﻫﺎﻯ ﻗﺪﻳﻤﻰ‬
‫ﻫﻤﺎﻥ ﮔﺮﻭﻫﻰ ﻗﺮﺍﺭ ﺩﺍﺭﻳﺪ ﻛﻪ ﺁﻧﻬﺎ ﻫﻢ‬ ‫ﺩﺧﺘﺮ ﻭ ﭘﺴﺮ ﭼﻘﺪﺭ ﺑﺎ ﻫﻢ ﻣﻰﺧﻨﺪﻧﺪ‬ ‫ﺗﻬﺮﺍﻥ ﺩﺭ ﺍﻳﻦ ﺯﻣﻴﻨﻪ ﺩﺍﻧﺴﺘﻪ ﻭ ﺍﻓﺰﻭﺩﻩ ﺑﻮﺩ‪:‬‬ ‫ﻫﻤﻴﻦ ﺧﻴﺎﺑﺎﻥ ﻛﻪ ﺣﺎﻻ ﺑﺎ ﻟﻮﺩﺭ ﺑﺎ ﺧﺎﻙ‬
‫ﻫﺴﺘﻨﺪ ﻭ ﺑﺎﻻﺧﺮﻩ ﺍﻳﻨﻜﻪ ﺁﻧﻬﺎ ﺭﺍ ﺩﻭﺳﺖ‬ ‫ﺑﻪ ﻣﻴﺰﺍﻥ ﺷﻮﺥ ﻃﺒﻌﻰ ﻳﺎ ﻣﺰﺍﺡ ﺁﻧﻬﺎ ﺑﺮ‬ ‫ﺑﻪ ﻣﻦ ﺍﻃﻼﻉ ﺩﺍﺩﻩﺍﻧﺪ ﻛﻪ ﺳﺎﺧﺘﻤﺎﻥ ﺍﺯ ﻧﻈﺮ‬ ‫ﻳﻜﺴﺎﻥ ﻭ ﺁﻣﺎﺩﻩ ﺳﺎﺧﺖ ﭘﺎﺳﺎژ ﺷﺪﻩﺍﻧﺪ‪ ،‬ﺑﺎ‬
‫ﺩﺍﺭﻳﺪ ﻭ ﺍﮔﺮ ﺁﻧﻬﺎ ﺭﺍ ﺩﻭﺳﺖ ﻧﺪﺍﺷﺘﻴﺪ ﺑﻪ‬ ‫ﻧﻤﻰﮔﺮﺩﺩ ﺑﻠﻜﻪ ﺑﻴﺸﺘﺮ ﺍﺯ ﺍﻳﻦ ﺣﻜﺎﻳﺖ‬ ‫ﺍﺳﺘﺤﻜﺎﻡ ﻭ ﺍﻳﺴﺘﺎﻳﻰ‪ ،‬ﻣﺸﻜﻠﻰ ﻧﺪﺍﺭﺩ؛ ﺍﻣﺎ‬ ‫ﺑﻨﺮﻯ ﺑﺰﺭگ ﺍﺯ ﻋﻜﺲﻫﺎﻯ ﻗﺪﻳﻤﻰ ﻻﻟﻪﺯﺍﺭ‬
‫ﻣﻰﻛﻨﺪ ﻛﻪ ﺁﻧﻬﺎ ﺗﺎ ﭼﻪ ﺍﻧﺪﺍﺯﻩ ﺑﻪ ﻳﻜﺪﻳﮕﺮ‬ ‫ﻃﺒﻴﻌﻰ ﺍﺳﺖ ﻛﻪ ﭘﺲ ﺍﺯ ﺛﺒﺖ ﺁﻥ‪ ،‬ﻣﺮﺩﻡ‬
‫ﺟﻮﻙﻫﺎﻯ ﺁﻧﻬﺎ ﻫﻢ ﻧﻤﻰﺧﻨﺪﻳﺪﻳﺪ‪«.‬‬ ‫ﺍﻧﺘﻈﺎﺭ ﺭﺳﻴﺪﮔﻰ ﺑﻪ ﺑﻨﺎ ﺭﺍ ﺍﺯ ﺳﻮﻯ ﺳﺎﺯﻣﺎﻥ‬ ‫ﻭ ﺧﻴﺎﺑﺎﻥ ﺻﻒ ﭘﻮﺷﺎﻧﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺑﻪ ﻧﻮﺷﺘﻪ ﺩﻳﻠﻰ ﺗﻠﮕﺮﺍﻑ‪ ،‬ﺍﺳﻜﺎﺕ ﻋﻼﻭﻩ‬ ‫ﻋﻼﻗﻪ ﺩﺍﺭﻧﺪ‪.‬‬ ‫ﺧﺼﻮﺻﻴﺎﺕﻣﻌﻤﺎﺭﻯﻣﺪﺭﺳﻪﺩﻫﺨﺪﺍﻛﻪ‬
‫ﺑﺮ ﻛﺎﺭ ﺩﺭ ﺩﺍﻧﺸﮕﺎﻩ‪ ،‬ﺷﻐﻞ ﭘﺎﺭﻩﻭﻗﺖ‬ ‫ﺳﻮﻓﻴﺎ ﺍﺳﻜﺎﺕ ﻣﻰﮔﻮﻳﺪ‪» :‬ﺍﺣﺘﻤﺎﻻ ﻛﻢ‬ ‫ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﻭ ﮔﺮﺩﺷﮕﺮﻯ ﺩﺍﺭﻧﺪ‪.‬‬ ‫ﺟﺰﻭ ﺑﻨﺎﻫﺎﻯ ﺍﺭﺯﺷﻤﻨﺪ ﻭ ﺗﺎﺭﻳﺨﻰ ﻣﻨﻄﻘﻪ‬
‫ﺍﺳﺘﻨﺪﺁپ ﻛﻤﺪﻳﻦ ﻫﻢ ﺩﺍﺭﺩ‪ .‬ﺍﻭ ﻣﻰﮔﻮﻳﺪ‪،‬‬ ‫ﻧﺸﻨﻴﺪﻩﺍﻳﺪ ﻛﻪ ﻳﻚ ﺯﻥ ﻣﻰﮔﻮﻳﺪ ﺍﻭ ﻭﺍﻗﻌﺎ‬ ‫ﺍﺯ ﺳﻮﻯ ﺩﻳﮕﺮ ﺗﻼﺵ ﺣﻤﻴﺪ ﺑﻘﺎﻳﻰ‪،‬‬ ‫ﻫﻢ ﻣﺤﺴﻮﺏ ﻣﻰﺷﻮﺩ‪ ،‬ﻣﺎﻧﻨﺪ ﺑﻨﺎﻫﺎﻯ‬
‫ﻫﺮ ﭼﻘﺪﺭ ﻛﻪ ﻣﻰﺗﻮﺍﻧﻴﺪ ﺑﺨﻨﺪﻳﺪ ﻭ ﻓﻜﺮ‬ ‫ﺟﺬﺍﺏ ﺍﺳﺖ ﻭ ﻣﻦ ﻭﺍﻗﻌﺎ ﺑﻪ ﺍﻭ ﻛﻪ ﺑﺴﻴﺎﺭ‬ ‫ﺭﻳﻴﺲ ﻭﻗﺖ ﺳﺎﺯﻣﺎﻥ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﻭ‬ ‫ﻫﻤﺎﻥ ﺩﻭﺭﻩ ﺍﺳﺖ ﻭ ﺗﺎ ﻫﻤﻴﻦ ﻳﻜﻰ ﺩﻭ‬
‫ﻧﻜﻨﻴﺪ ﺍﻳﻦ ﻛﺎﺭ ﻭﻗﺖ ﺗﻠﻒ ﻛﺮﺩﻥ ﺍﺳﺖ‬ ‫ﮔﺮﺩﺷﮕﺮﻯ ‪ ،‬ﻗﻮﻝ ﺩﺍﺩ ﭘﻴﮕﻴﺮﻯ ﻣﺴﺎﻟﻪ‬ ‫ﺳﺎﻝ ﭘﻴﺶ‪ ،‬ﺩﺭ ﻛﻨﺎﺭ ﺩﻳﮕﺮ ﺑﻨﺎﻫﺎﻯ ﺗﺎﺭﻳﺨﻰ‬
‫ﺑﻠﻜﻪ ﺧﻨﺪﻳﺪﻥ ﻳﻜﻰ ﺍﺯ ﺑﻬﺘﺮﻳﻦ ﻛﺎﺭﻫﺎﻳﻰ‬ ‫ﺷﻮﺥﻃﺒﻊ ﺍﺳﺖ ﻋﻼﻗﻪ ﺩﺍﺭﻡ‪«.‬‬ ‫ﺻﺪﻭﺭ ﻣﺠﻮﺯ ﺗﺨﺮﻳﺐ »ﺩﺑﺴﺘﺎﻥ ﺩﻫﺨﺪﺍ«‬
‫ﺍﺳﻜﺎﺕﺍﺿﺎﻓﻪﻣﻰﻛﻨﺪ‪»:‬ﻣﻔﻬﻮﻡﺳﺨﻨﺎﻥ‬ ‫ﺭﺍ ﺍﺯ ﻗﻮﻩ ﻗﻀﺎﻳﻴﻪ ﺍﻧﺠﺎﻡ ﺩﻫﺪ‪ ،‬ﺍﻣﺎ ﺁﻥ ﻫﻢ‬
‫ﺍﺳﺖ ﻛﻪ ﻣﻰﺗﻮﺍﻧﻴﺪ ﺍﻧﺠﺎﻡ ﺩﻫﻴﺪ‪.‬‬ ‫ﺍﻳﻦ ﺯﻥ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﺍﻭ ﻭﺍﻗﻌﺎ ﺟﺬﺍﺏ ﺍﺳﺖ‬ ‫ﻧﺸﺪ‪ .‬ﻭ ﺑﺎﻻﺧﺮﻩ ﻗﻮﻝ ﺗﻐﻴﻴﺮ ﻛﺎﺭﺑﺮﻯ ﺍﻳﻦ‬
‫ﻇﺎﻫﺮﺍ ﺑﻪ ﻗﻮﻝ ﻣﺎ ﺍﻳﺮﺍﻧﻰﻫﺎ‪ :‬ﺧﻨﺪﻩ ﺑﺮ ﻫﺮ‬ ‫ﻭ ﻣﻦ ﺑﺎ ﺍﻭ ﻣﻰﺧﻨﺪﻡ ﭼﻮﻥ ﺑﻪ ﺍﻭ ﻋﻼﻗﻪ‬ ‫ﻣﺪﺭﺳﻪ ﺗﺎﺭﻳﺨﻰ ﺑﻪ ﻣﻮﺯﻩ ﻧﻴﺰﻓﺮﺍﻣﻮﺵ ﺷﺪ‪.‬‬

‫ﺩﺭ ِﺩ ﺑﻰ ﺩﺭﻣﺎﻥ‪ ،‬ﺩﻭﺍﺳﺖ!‬

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