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‫ﺟﻤﻌﻪ ‪ 8‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 14‬ﻣﻰ ‪2015‬‬

‫ﺩﺭ ﻫﻤﺎﻥ ﺯﻣﺎﻥ ﺧﺮﻭﺝ ﮔﻮﮔﻮﺵ ﺑﺎ‬ ‫ﮔﻮﮔﻮﺵ ‪ 65‬ﺳﺎﻟﻪ ﺷﺪ‬ ‫ﮔﻮﮔﻮﺵ ﺧﻮﺍﻧﻨﺪﻩ ﻣﺤﺒﻮﺏ ﺍﻳﺮﺍﻧﻰ ‪65‬‬ ‫»ﻓﺴﺘﻴﻮﺍﻝ ﺧﺎﻧﻪ« ﺩﺭ ﺑﺮﺍﻳﺘﻮﻥ‪:‬‬
‫ﻫﻤﺴﺮ ﺳﺎﺑﻖ ﻭﻯ‪ ،‬ﻣﺴﻌﻮﺩ ﻛﻴﻤﻴﺎﻳﻰ‪،‬‬ ‫ﺳﺎﻟﻪ ﺷﺪ‪ .‬ﺑﺴﻴﺎﺭﻯ ﺍﻭ ﺭﺍ ﺑﻪ ﻋﻨﻮﺍﻥ ﻧﻤﺎﺩ‬
‫ﺍﻧﺠﺎﻡ ﺩﺍﺩﻩ ﺍﺳﺖ‪ ،‬ﻣﻨﺘﺸﺮ ﺧﻮﺍﻫﺪ‬ ‫ﻣﻮﺳﻴﻘﻰ ﻣﺪﺭﻥ ﺍﻳﺮﺍﻥ ﻣﻰﺷﻨﺎﺳﻨﺪ‪.‬‬ ‫ﺗﺼﻮﺭ ﻭ ﺁﺭﺯﻭ‬
‫ﻛﺮﺩ‪ .‬ﻣﺴﻌﻮﺩ ﻛﻴﻤﻴﺎﻳﻰ‪ ،‬ﻛﺎﺭﮔﺮﺩﺍﻥ ﻭ‬ ‫ﻓﺎﺋﻘﻪ ﺁﺗﺸﻴﻦ ﺧﻮﺍﻧﻨﺪﻩ ﻣﺤﺒﻮﺏ‬
‫ﻓﻴﻠﻢﺳﺎﺯ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩ ﺍﻳﺮﺍﻥ‪ ،‬ﭘﺲ ﺍﺯ‬ ‫ﻧﺨﺴﺘﻴﻦ ﻛﻨﺴﺮﺕﻫﺎﻯ ﺍﻭ ﺑﺎ‬ ‫ﻋﺮﺻﻪﻫﺎ‪ ،‬ﺍﺯ ﺟﻤﻠﻪ ﺩﺭ ﻣﻮﺳﻴﻘﻰ ﻭ‬ ‫ﻧﺴﻞﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺍﺳﺖ‪،‬ﺟﻮﺍﻧﺎﻥ ﺍﻣﺮﻭﺯ‬ ‫‪ 1984‬ﺍﺭﺗﺶ ﺟﻤﻬﻮﺭﻯ ﺧﻮﺍﻩ ﺍﻳﺮﻟﻨﺪ ﺑﻪ‬ ‫ﺷﻬﺮ ﺗﺎﺭﻳﺨﻰ ﺑﺮﺍﻳﺘﻮﻥ ﺍﺯ ﺳﺎﻝ ‪2009‬‬
‫ﭼﻨﺪﻯ ﺑﺪﻭﻥ ﺁﻧﻜﻪ ﺑﺘﻮﺍﻧﺪ ﺑﺮﻧﺎﻣﻪﻫﺎﻳﻰ‬ ‫ﺍﺳﺘﻘﺒﺎﻝ ﺷﺪﻳﺪ ﻭ ﻧﻮﺳﺘﺎﻟﮋﻳﻚ ﺍﻳﺮﺍﻧﻴﺎﻥ‬ ‫ﺁﻭﺍﺯ‪ ،‬ﮔﺮﻓﺘﺎﺭ ﭘﻴﺎﻣﺪﻫﺎﻯ ﺍﻧﻘﻼﺏ ﻭ‬ ‫ﻭ ﺟﻮﺍﻧﺎﻥ ﺩﻳﺮﻭﺯ ﻭ ﺑﻰﺗﺮﺩﻳﺪ ﺟﻮﺍﻧﺎﻧﻰ‬ ‫ﻣﻨﻈﻮﺭ ﺗﺮﻭﺭ ﻣﺎﺭﮔﺎﺭﺕ ﺗﺎﭼﺮ ﻣﻰﭘﺮﺩﺍﺯﺩ‪.‬‬ ‫ﻣﻴﺰﺑﺎﻥ »ﻓﺴﺘﻴﻮﺍﻝ ﺧﺎﻧﻪ« ﺍﺳﺖ‪ .‬ﺍﻳﻦ‬
‫ﺭﺍ ﻛﻪ ﺩﺭ ﺍﻳﻦ ﻣﺼﺎﺣﺒﻪ ﻣﻄﺮﺡ ﻛﺮﺩﻩ‬ ‫ﺭﻭﺑﺮﻭ ﺷﺪ‪ .‬ﺣﻮﺍﺷﻰ ﺁﻧﭽﻪ ﻣﻨﺠﺮ ﺑﻪ‬ ‫ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ ﺷﺪ ﻭ ﺑﻴﺴﺖ‬ ‫ﻳﻜﻰ ﺩﻳﮕﺮ ﺍﺯ ﺳﺎﻟﻦﻫﺎﻯ ﺷﻬﺮ ﺑﺮﺍﻳﺘﻮﻥ‬ ‫ﻓﺴﺘﻴﻮﺍﻝ ﻛﻪ ﻳﻚ ﺟﺸﻨﻮﺍﺭﻩ ﻫﻨﺮﻫﺎﻯ‬
‫ﺑﻮﺩ ﭘﻴﺶ ﺑﺒﺮﺩ‪ ،‬ﺑﻪ ﺍﻳﺮﺍﻥ ﺑﺎﺯﮔﺸﺖ ﻭ‬ ‫ﺧﺮﻭﺝ ﮔﻮﮔﻮﺵ ﺷﺪ‪ ،‬ﺍﺯ ﺟﻤﻠﻪ ﻣﺴﺎﺋﻞ‬ ‫ﺳﺎﻝ ﺗﻤﺎﻡ ﺩﺭ ﺧﺎﻧﻪ ﻣﺎﻧﺪ ﻭ ﭼﻴﺰﻯ‬ ‫ﺍﺯ ﻓﺮﺩﺍ‪.‬‬ ‫ﻣﻴﺰﺑﺎﻥ ﭘﺮﺩﻩﻫﺎﻯ ﻧﻤﺎﻳﺶ ﻓﻴﻠﻢ »ﮔﺮﻭﻩ‬ ‫ﺗﺠﺴﻤﻰ ﺍﺳﺖ ﺩﺭ ﻣﺤﻴﻂﻫﺎﻯ ﻧﺎﻣﻌﻤﻮﻝ‬
‫ﮔﻮﮔﻮﺵ ﺩﺭ ﺧﺎﺭﺝ ﺍﺯ ﺍﻳﺮﺍﻥ ﻣﺎﻧﺪ ﻭ‬ ‫ﺍﻣﻨﻴﺘﻰ‪ ،‬ﭘﺲ ﺍﺯ ﭼﻨﺪﻯ ﺧﻮﺩ ﺑﻪ‬ ‫ﺍﻭ ﺩﺭ ﺗﻬﺮﺍﻥ ﺯﺍﺩﻩ ﺷﺪ‪ ،‬ﺍﮔﺮﭼﻪ‬ ‫ُﻛﺮ ﻃﻠﻮﻉ« ﻛﺎﺭﻯ ﺍﺯ ﻣﺎﺭﻛﻮﺱ ﻛﻮﺍﺗﺲ‬
‫ﺑﺮﺍﻯ ﻋﻼﻗﻤﻨﺪﺍﻧﺶ ﺩﺭ ﺳﺮﺍﺳﺮ ﺟﻬﺎﻥ‬ ‫ﺣﺎﺷﻴﻪ ﺭﺍﻧﺪﻩ ﺷﺪ ﻭ ﺍﻭ ﺩﺭ ﺧﺎﺭﺝ ﻛﺸﻮﺭ‬ ‫ﻧﮕﻔﺖ ﻭ ﭼﻴﺰﻯ ﻧﺨﻮﺍﻧﺪ‪.‬‬ ‫ﺧﺎﻧﻮﺍﺩﻩ ﺍﻭ ﺩﺭ ﺍﺻﻞ ﺁﺫﺭﺑﺎﻳﺠﺎﻧﻰ‬ ‫ﺍﺳﺖ‪ .‬ﻓﻴﻠﻢﻫﺎﻳﻰ ﺍﺯ ﺍﻓﺮﺍﺩ ﻣﺨﺘﻠﻒ ﻭ‬ ‫ﻭ ﻧﺎﻣﻨﺘﻈﺮﻩ ﺑﺮﮔﺰﺍﺭ ﻣﻰﺷﻮﺩ‪.‬‬
‫ﮔﻮﮔﻮﺵ ﭘﺲ ﺍﺯ ﺩﻭ ﺩﻫﻪ ﺳﻜﻮﺕ‬ ‫ﻭ ﺍﺯ ﺷﻮﺭﻭﻯ ﺳﺎﺑﻖ ﺑﻪ ﺍﻳﺮﺍﻥ ﻛﻮچ‬ ‫ﺩﺭ ﻣﻮﻗﻌﻴﺖﻫﺎﻳﻰ ﺛﺎﺑﺖ ﻛﻪ ﺑﺎ ﺻﺪﺍﻯ‬ ‫ﺍﻣﺴﺎﻝ ﻧﻴﺰ ﺍﺯ ‪ 2‬ﺗﺎ ‪ 24‬ﻣﺎﻩ ﻣﻪ ﻧﻘﺎﻁ‬
‫ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ ﺭﻓﺖ‪.‬‬ ‫ﻛﺮﺩﻩ ﺑﻮﺩﻧﺪ‪ .‬ﮔﻮﮔﻮﺵ ﭘﻴﺶ ﺍﺯ‬ ‫ﭘﺮﻧﺪﮔﺎﻥ ﻭ ﺩﻳﮕﺮ ﺣﻴﻮﺍﻧﺎﺕ ﺁﻣﻴﺨﺘﻪ ﺷﺪﻩ‬ ‫ﻣﺨﺘﻠﻒ ﺍﻳﻦ ﺷﻬﺮ ﺷﺎﻫﺪ ﺑﺮﮔﺰﺍﺭﻯ‬
‫ﺍﺳﺖ‪ .‬ﺍﻭ ﻛﻪ ﺍﻳﻦ ﻛﺎﺭ ﺭﺍ ﺩﺭ ﻫﻤﻜﺎﺭﻯ‬ ‫ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﮔﻮﻧﺎﮔﻮﻥ ﻫﻨﺮﻯ ﻭ ﺍﺩﺑﻰ‬
‫ﺑﺎ ﻳﻚ ﻣﺤﻘﻖ ﺻﺪﺍﻯ ﭘﺮﻧﺪﮔﺎﻥ ﺍﻧﺠﺎﻡ‬ ‫ﺍﺳﺖ‪ .‬ﻳﻜﻰ ﺍﺯ ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪﻫﺎ ﺩﺭ ﻛﻠﻴﺴﺎﻯ‬
‫ﺩﺍﺩﻩ ﺩﺭ ﺗﻼﺵ ﺍﺳﺖ ﻛﻪ ﺭﺍﺑﻄﻪﺍﻯ ﻣﻴﺎﻥ‬ ‫ﺳﻴﻨﺖ ﻧﻴﻜﺎﻟﺲ ﺑﺮﭘﺎ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺩﺭ‬
‫ﺍﻳﻦ ﻛﻠﻴﺴﺎ ﻛﻪ ﻗﺪﻳﻤﻰﺗﺮﻳﻦ ﺳﺎﺧﺘﻤﺎﻥ‬

‫ﮔﻮﮔﻮﺵ ﺩﺭ ‪ 65‬ﺳﺎﻟﮕﻰ ﻫﻢﭼﻨﺎﻥ‬ ‫ﺑﻪ ﻛﺎﺭ ﻭ ﻓﻌﺎﻟﻴﺖ ﻋﺎﺩﻯ ﭘﺮﺩﺍﺧﺖ‪.‬‬ ‫ﻧﺎﮔﻬﺎﻥ ﺩﺭ ﺻﺪﺭ ﺧﺒﺮﻫﺎ ﻗﺮﺍﺭ ﮔﺮﻓﺖ ﻭ‬ ‫ﺍﻧﻘﻼﺏ ﺍﺳﻼﻣﻰ ﺑﻪ ﺍﻭﺝ ﺭﺳﻴﺪ ﻭ‬ ‫ﺭﻓﺘﺎﺭ ﺍﻧﺴﺎﻥﻫﺎ ﻭ ﺻﺪﺍﻯ ﺣﻴﻮﺍﻧﺎﺕ ﺑﻪ‬ ‫ﺑﺮﺍﻳﺘﻮﻥ ﺍﺳﺖ ﺳﺎﺯﻩﺍﻯ ﺑﺎ ﻋﻨﻮﺍﻥ »ﺗﻮ‬
‫»ﺷﺎﻩ ﻣﺎﻫﻰ« ﻣﻮﺳﻴﻘﻰ ﺍﻳﺮﺍﻥ ﺍﺳﺖ ﻭ‬ ‫ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺑﻪ ﺯﻭﺩﻯ ﻳﻚ‬ ‫ﺧﺮﻭﺝ ﻭﻯ ﺍﺯ ﺍﻳﺮﺍﻥ ﺟﻨﺠﺎﻟﻰ ﺑﻪ ﭘﺎ ﻛﺮﺩ‪.‬‬ ‫ﺑﻪ »ﺷﺎﻩ ﻣﺎﻫﻰ« ﻣﻮﺳﻴﻘﻰ ﺍﻳﺮﺍﻥ‬ ‫ﻧﻤﺎﻳﺶ ﺑﮕﺬﺍﺭﺩ‪.‬ﻳﻜﻰ ﺩﻳﮕﺮ ﺍﺯ ﻣﻜﺎﻥﻫﺎﻯ‬ ‫ﺁﻧﭽﻪ ﺭﺍ ﺗﺼﻮﺭ ﻣﻰﻛﻨﻰ ﻛﻪ ﺁﺭﺯﻭ ﺩﺍﺭﻯ«‬
‫ﻫﻢﭼﻨﺎﻥ ﭘﺮﺍﻧﺮژﻯ ﺑﺮﺍﻯ ﺩﻭﺳﺘﺪﺍﺭﺍﻧﺶ‬ ‫ﻣﺼﺎﺣﺒﻪ ﺭﺍﺩﻳﻮﻳﻰ ﺍﻣﺎ ﭼﺎپ ﻧﺸﺪﻩ‬ ‫ﺍﻭ ﺩﺭ ﺳﺎﻝ ‪ 1379‬ﺗﻮﺍﻧﺴﺖ ﺍﺯ ﺍﻳﺮﺍﻥ‬ ‫ﻣﺸﻬﻮﺭ ﺷﺪ‪ .‬ﺍﻣﺎ ﺍﻭ ﻧﻴﺰ ﻣﺎﻧﻨﺪ‬ ‫ﻏﻴﺮﻣﻌﻤﻮﻝ ﺑﺮﮔﺰﺍﺭﻯ ﻓﺴﺘﻴﻮﺍﻝ ﺧﺎﻧﻪ‬ ‫ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﺳﺎﺯﻩ ﻛﻪ ﻛﺎﺭ‬
‫ﺭﺍ ﻛﻪ ﺳﻴﺎﻭﺵ ﺁﺫﺭﻯ‪ ،‬ﻫﻤﻜﺎﺭ ﻛﻴﻬﺎﻥ‪،‬‬ ‫ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﻫﻢﻧﺴﻼﻥ ﺧﻮﺩ ﺩﺭ ﻫﻤﻪ‬ ‫‪ ،2015‬ﻳﻚ ﺗﻌﻤﻴﺮﮔﺎﻩ ﺗﻌﻄﻴﻞ ﺷﺪﻩ‬ ‫ﻧﺎﺗﺎﻥ ﻛﻮﻟِﻰ ﺍﺳﺖ ﺑﺎ ﺗﺮﻛﻴﺒﻰ ﺍﺯ ﻫﻨﺮ‬
‫ﻣﻰﺧﻮﺍﻧﺪ‪.‬‬ ‫ﺧﺎﺭﺝ ﺷﻮﺩ‪.‬‬ ‫ﻭ ﻣﻴﺰﺑﺎﻥ ﺍﺭﻛﺴﺘﺮﻯ ﻣﺘﻔﺎﻭﺕ ﺍﺳﺖ‪.‬‬ ‫ﻣﺪﺭﻥ ﺑﺎ ﻓﻀﺎﻯ ﺳﻨﺘﻰ )ﻣﺬﻫﺒﻰ( ﻛﻠﻴﺴﺎ‬
‫ﺍﺭﻛﺴﺘﺮﻯ ﻛﻪ ﻣﺎﺩﻟﻴﻨﻪ ﻓﻠﻴﻦ ﻭ ﺗﻴﻢ‬ ‫ﺩﺭ ﻭﺍﻗﻊ ﻳﻜﻰ ﺍﺯ ﻣﻬﻢﺗﺮﻳﻦ ﻫﺪﻑﻫﺎﻯ‬
‫ﻫﻮﻣﻔﺮﻯ ﺍﺯ ﺻﺪﺍﻫﺎﻳﻰ ﻛﺎﻣﻼ ﻃﺒﻴﻌﻰ‬
‫ﺗﻨﻈﻴﻢ ﻛﺮﺩﻩﺍﻧﺪ‪.‬ﺩﺭ ﻧﻘﺎﻁ ﻣﺨﺘﻠﻒ ﺷﻬﺮ‬ ‫ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ ﺭﺍ ﻧﻤﺎﻳﻨﺪﮔﻰ ﻣﻰﻛﻨﺪ‪.‬‬
‫ﺑﺮﺍﻳﺘﻮﻥ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻫﻨﺮﻯ ﺩﻳﮕﺮﻯ‬ ‫ﺑﺨﺸﻰ ﺩﻳﮕﺮ ﺍﺯ ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ ﺩﺭ‬
‫ﺷﺎﻣﻞ ﮔﺎﻟﺮﻯﻫﺎﻯ ﻧﻘﺎﺷﻰ ﻣﺘﻌﺪﺩ‪،‬‬ ‫ﺳﺎﺧﺘﻤﺎﻧﻰ ﺩﺭ ﺣﺎﻝ ﺑﺎﺯﺳﺎﺯﻯ ﺑﺮﮔﺰﺍﺭ‬
‫ﺟﻠﺴﺎﺕ ﻧﻘﺪ ﻭ ﻣﻌﺮﻓﻰ ﻛﺘﺎﺏ‪ ،‬ﺗﺌﺎﺗﺮ‬ ‫ﺷﺪﻩ ﺍﺳﺖ‪ ،‬ﺩﺭ ﺍﺗﺎﻕﻫﺎﻯ ﺍﻳﻦ ﺳﺎﺧﺘﻤﺎﻥ‬
‫ﻭ… ﺩﺭ ﺟﺮﻳﺎﻥ ﺍﺳﺖ‪ .‬ﺑﻴﺸﺘﺮ ﺍﻳﻦ‬ ‫ﺳﺎﺯﻩﻫﺎﻯ ﻣﺨﺘﻠﻔﻰ ﺍﺯ ﻧﺎﺗﺎﻥ ﻛﻮﻟﻰ ﺑﻪ‬
‫ﻧﻤﺎﻳﺶ ﮔﺬﺍﺷﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺩﻭ ﺳﺎﺯﻩ‬
‫ﺑﺮﻧﺎﻣﻪﻫﺎ ﺑﺮﺍﻯ ﻋﻤﻮﻡ ﺭﺍﻳﮕﺎﻥ ﺍﺳﺖ‪.‬‬ ‫ﻛﻮﻟﻰ ﺑﻪ ﻣﻮﺿﻮﻉ ﺑﻤﺐﮔﺬﺍﺭﻯ ﺳﺎﻝ‬

‫ﺗﻬﺮﺍﻥ ﺑﺰﺭگﺗﺮﻳﻦ ﮔﺎﻟﺮﻯ ﺟﻬﺎﻥ‪:‬‬ ‫»ﻗﺼﻪ ﻫﺎ« ﺭﻧﮓ ﭘﺮﺩﻩ ﺑﻪ ﺧﻮﺩ ﺩﻳﺪ‬

‫ﺗﻨﻔﺲ‪ 10‬ﺭﻭﺯﻩ ﭘﺎﻳﺘﺨﺖ ﺑﺪﻭﻥ ﺗﺒﻠﻴﻐﺎﺕ ﺳﻴﺎﺳﻰ ﻭ ﺗﺠﺎﺭﻯ‬ ‫ﻓﻴﻠﻢ ﺳﻴﻨﻤﺎﻳﻰ »ﻗﺼﻪ ﻫﺎ« ﺁﺧﺮﻳﻦ‬
‫ﺳﺎﺧﺘﻪ ﺭﺧﺸﺎﻥ ﺑﻨﻰ ﺍﻋﺘﻤﺎﺩ ﻛﻪ ﻣﺘﻬﻢ‬
‫ﺯﻳﺒﺎﺳﺎﺯﻯ ﺷﻬﺮ ﺗﻬﺮﺍﻥ ﺍﺯ ﺩﻝ ﻧﮕﺎﺭﺧﺎﻧﻪ‬ ‫ﺑﻮﺩﻩﺍﻧﺪ‪ ،‬ﻛﻤﻰ ﻫﻢ ﺑﺎ ﺩﻧﻴﺎﻯ ﻫﻨﺮ ﺍﻳﺮﺍﻥ‬ ‫ﺗﻬﺮﺍﻥ ﻫﻢ ﺍﻛﻨﻮﻥ ﻣﻴﺰﺑﺎﻥ ﻫﻔﺘﺼﺪ ﺍﺛﺮ‬ ‫ﺑﻪ ﺣﻤﺎﻳﺖ ﺍﺯ ﺟﺮﻳﺎﻥ ﻣﻨﺘﻘﺪ ﺍﻧﺘﺨﺎﺑﺎﺕ‬
‫ﻫﺎ ﺑﻪ ﺧﻴﺎﺑﺎﻥﻫﺎﻯ ﺷﻬﺮ ﺁﻣﺪﻩﺍﻧﺪ ﺗﺎ‬ ‫ﻭ ﺟﻬﺎﻥ ﺁﺷﻨﺎ ﺷﻮﻧﺪ‪.‬‬ ‫ﻫﻨﺮﻯ ﺷﺎﻣﻞ ﻧﮕﺎﺭﮔﺮﻯ‪ ،‬ﺧﻮﺵﻧﻮﻳﺴﻰ‪،‬‬ ‫ﺳﺎﻝ ‪ 88‬ﺑﻮﺩ‪ ،‬ﻗﺮﺍﺭ ﺷﺪ ﺍﺯ ﺩﻳﺮﻭﺯ‪15 ،‬‬
‫ﻣﺮﺩﻡ ﻫﺮ ﭼﻪ ﺑﻴﺸﺘﺮ ﺑﺎ ﺁﺛﺎﺭ ﻓﺮﻫﻨﮕﻰ‬ ‫ﻓﺮﺵ ﻭ ﻛﺘﻴﺒﻪﻧﻮﻳﺴﻰ ﺍﺳﺖ ﻛﻪ ﺭﻭﻯ‬ ‫ﺍﺭﺩﻳﺒﻬﺸﺖ‪ ،‬ﺑﻪ ﺭﻭﻯ ﭘﺮﺩﻩ ﺳﻴﻨﻤﺎﻫﺎﻯ‬
‫ﻭ ﻫﻨﺮﻯ ﻓﺎﺧﺮ ﺑﻪ ﺟﺎ ﻣﺎﻧﺪﻩ ﺍﺯ ﻧﻴﺎﻛﺎﻥ‬ ‫ﺣﺎﻻ ﻛﻪ ﻣﺮﺩﻡ ﺷﻬﺮ ﺑﻪ ﺩﻟﻴﻞ‬ ‫ﺑﻴﻠﺒﻮﺭﺩﻫﺎﻯ ﺗﺒﻠﻴﻐﺎﺗﻰ ﺷﻬﺮ ﻗﺮﺍﺭ‬
‫ﺧﻮﺩ ﺁﺷﻨﺎ ﺷﻮﻧﺪ؛ ﺁﺛﺎﺭﻯ ﻛﻪ ﮔﺎﻩ ﺷﺎﻳﺪ‬ ‫ﻣﺸﻜﻼﺕ ﺍﻗﺘﺼﺎﺩﻯ ﻭ ﺍﺟﺘﻤﺎﻋﻰ ﺣﺘﻰ‬ ‫ﮔﺮﻓﺘﻪﺍﻧﺪ ﻭ ﻣﺮﺩﻡ ﭘﺎﻳﺘﺨﺖ ﺑﻪ ﻣﺪﺕ‬ ‫ﺍﻳﺮﺍﻥ ﺑﺮﻭﺩ‪.‬‬
‫ﻧﻤﻮﻧﻪﺍﺵ ﺭﺍ ﺩﺭ ﻫﻴﭻ ﻣﻮﺯﻩﺍﻯ ﻧﺘﻮﺍﻥ‬ ‫ﺍﺻﻼ ﺗﺠﺮﺑﻪ ﺣﻀﻮﺭ ﺩﺭ ﮔﺎﻟﺮﻯﻫﺎﻯ‬ ‫‪ 10‬ﺭﻭﺯ ﺩﺭ ﻳﻚ ﮔﺎﻟﺮﻯ ﺷﺒﺎﻧﻪﺭﻭﺯﻯ‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪ ،‬ﻛﻤﻴﺴﻴﻮﻥ‬
‫ﻫﻨﺮﻯ ﺭﺍ ﻧﺪﺍﺭﻧﺪ‪ ،‬ﺍﻳﻦ ﺍﻣﻜﺎﻥ ﺑﺮﺍﻳﺸﺎﻥ‬ ‫ﻓﺮﻫﻨﮕﻰ ﻣﺠﻠﺲ ﺷﻮﺭﺍﻯ ﺍﺳﻼﻣﻰ ﺳﺎﻝ‬
‫ﺩﻳﺪ‪.‬‬ ‫ﺑﻪ ﻭﺟﻮﺩ ﺁﻣﺪﻩ ﺗﺎ ﺳﻮﺍﺭ ﺑﺮ ﺗﺎﻛﺴﻰ ﻳﺎ‬ ‫ﺯﻧﺪﮔﻰ ﺧﻮﺍﻫﻨﺪ ﻛﺮﺩ‪.‬‬ ‫ﮔﺬﺷﺘﻪ ﻣﺎﻧﻊ ﺍﺯ ﺍﺭﺍﺋﻪ ﻣﺠﻮﺯ ﺍﻛﺮﺍﻥ ﺑﻪ‬
‫ﺩﺭ ﺍﻳﺴﺘﮕﺎﻩ ﺍﺗﻮﺑﻮﺱ ﻛﻤﻰ ﻓﻀﺎﻯ‬ ‫ﻓﻴﻠﻢ »ﻗﺼﻪ ﻫﺎ« ﻭ ﺷﺶ ﻓﻴﻠﻢ ﺩﻳﮕﺮ ﺷﺪ‬
‫ﺩﺭ ‪ 30‬ﺩﺭﺻﺪ ﺍﺯ ﺍﻳﻦ ﺑﻴﻠﺒﻮﺭﺩﻫﺎﻯ‬ ‫ﺫﻫﻨﻰ ﺧﻮﺩ ﺭﺍ ﻋﻮﺽ ﻛﻨﻨﺪ ﻭ ﺩﻝ ﺑﻪ‬ ‫ﺍﺯ ﭘﺎﻧﺰﺩﻫﻢ ﺍﺭﺩﻳﺒﻬﺸﺖﻣﺎﻩ ‪94‬‬ ‫ﻭ ﺍﻳﻦ ﺁﺛﺎﺭ ﺭﺍ ﺑﻪ ﺟﺮﻳﺎﻥ ﺣﺎﻣﻰ ﻣﻮﺳﻮﻡ‬
‫ﺷﻬﺮﻯ‪ ،‬ﺁﺛﺎﺭ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺧﺎﺭﺟﻰ ﺑﻪ‬ ‫ﺩﻝ ﺯﻳﺒﺎﻳﻰ ﻭ ﻫﻨﺮ ﺑﺪﻫﻨﺪ‪ .‬ﻛﻤﺘﺮﻳﻦ‬ ‫ﺑﻪ ﻣﺪﺕ ‪ 10‬ﺭﻭﺯ ﺑﺎ ﺍﺟﺮﺍﻯ ﻃﺮﺡ‬
‫ﻧﻤﺎﻳﺶ ﺩﺭ ﺁﻣﺪﻩ ﻭ ‪ 70‬ﺩﺭﺻﺪ ﺑﻘﻴﻪ‬ ‫»ﻧﮕﺎﺭﺧﺎﻧﻪﺍﻯ ﺑﻪ ﻭﺳﻌﺖ ﺷﻬﺮ« ﺭﻭﻯ‬ ‫ﺑﻪ ﻓﺘﻨﻪ ﮔﺮﺍﻥ ﺳﺎﻝ ‪ 88‬ﻧﺴﺒﺖ ﺩﺍﺩ‪.‬‬
‫ﺭﺧﺸﺎﻥ ﺑﻨﻰ ﺍﻋﺘﻤﺎﺩ ﺍﺯ ﺟﻤﻠﻪ‬
‫ﺑﻪ ﻧﻤﺎﻳﺶ ﺁﺛﺎﺭ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺍﻳﺮﺍﻧﻰ‬ ‫ﺧﺎﺻﻴﺖ ﺍﻳﻦ ﺑﻴﻠﺒﻮﺭﺩﻫﺎ ﻛﺎﻫﺶ ﻓﺸﺎﺭ‬ ‫ﻫﻴﭻ ﻳﻚ ﺍﺯ ‪ 1500‬ﺑﻴﻠﺒﻮﺭﺩ ﺷﻬﺮ‬ ‫ﺍﺳﺖ ﺑﻪ ﺟﺎﻯ ﺩﺭﺩﻯ ﺩﺍﺷﺘﻦ‪.‬‬ ‫ﺁﻣﺪ ﻛﻪ‪» :‬ﻛﺴﺎﻧﻰ ﻛﻪ ﻓﻴﻠﻢ ﻫﺎﻯ ﻗﺒﻠﻰ‬ ‫ﻓﻴﻠﻤﺴﺎﺯﺍﻧﻰ ﺑﻮﺩ ﻛﻪ ﺩﺭ ﺩﻭﺭﻩ ﺩﻭﻡ‬
‫ﺍﺧﺘﺼﺎﺹ ﻳﺎﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺩﺭ ﺍﻳﻦ ﺁﺛﺎﺭ ﺍﺯ‬ ‫ﻭ ﻫﺠﻮﻡ ﺗﺒﻠﻴﻐﺎﺗﻰ ﺍﺳﺖ ﻛﻪ ﺑﺎﻭﺭﻫﺎ ﻭ‬ ‫ﺗﻬﺮﺍﻥ‪ ،‬ﺗﺒﻠﻴﻎ ﻣﺤﺼﻮﻻﺕ ﻳﺎ ﻣﻮﺿﻮﻋﺎﺕ‬ ‫ﺧﻮﺩ ﺑﻨﻰ ﺍﻋﺘﻤﺎﺩ ﺩﺭ ﻭﺍﻛﻨﺶ ﺑﻪ ﺑﻴﺎﻧﻴﻪ‬ ‫ﻓﻴﻠﻤﺴﺎﺯ ﺭﺍ ﻧﺪﻳﺪﻩﺍﻧﺪ ﺑﻪ ﺩﻳﺪﻥ ﺍﻳﻦ ﻓﻴﻠﻢ‬ ‫ﺭﻳﺎﺳﺖ ﺟﻤﻬﻮﺭﻯ ﻣﺤﻤﻮﺩ ﺍﺣﻤﺪﻯ ﻧﮋﺍﺩ‬
‫ﻗﻄﻌﺎﺕ ﺧﻮﺵﻧﻮﻳﺴﻰ ﻣﻴﺮﺯﺍ ﻋﻠﻰﺍﺻﻐﺮ‬ ‫ﻣﻨﺎﺳﺒﺘﻰ ﻗﺮﺍﺭ ﻧﻤﻰﮔﻴﺮﺩ‪ .‬ﺩﺭ ﻋﻮﺽ‬ ‫ﺑﻮﺩﻥ »ﻗﺼﻪﻫﺎ« ﮔﻔﺘﻪ ﺍﺳﺖ‪ :‬ﺍﻳﻦ ﻓﻴﻠﻢ‬ ‫ﻧﻴﺎﻳﻨﺪ‪ «.‬ﺑﻪ ﻧﻈﺮ ﻣﻨﺘﻘﺪﺍﻧﻰ ﻛﻪ ﺍﻳﻦ ﻓﻴﻠﻢ‬ ‫ﺑﺎ ﺑﺮﺧﻮﺭﺩﻫﺎ ﻭ ﻣﻤﻨﻮﻋﻴﺖﻫﺎﻯ ﺑﺴﻴﺎﺭﻯ‬
‫ﻭ ﺁﻗﺎ ﻟﻄﻔﻌﻠﻰ ﮔﺮﻓﺘﻪ ﺗﺎ ﺍﺷﻜﺎﻝ ﻗﻠﻤﺪﺍﻥ‬ ‫ﻓﺮﻫﻨﮓ ﺟﺎﻣﻌﻪ ﺭﺍ ﻧﺸﺎﻧﻪ ﻣﻰﮔﻴﺮﻧﺪ‪.‬‬ ‫ﺗﻬﺮﺍﻥ ‪ 700‬ﺍﺛﺮ ﻫﻨﺮﻯ ﺭﺍ ﺭﻭﻯ ﺍﻳﻦ‬ ‫ﺑﺮﺍﺳﺎﺱ ﺍﺗﻔﺎﻕﻫﺎﻯ ﻭﺍﻗﻌﻰ ﺍﺳﺖ ﻭ ﺍﮔﺮ‬ ‫ﺭﺍ ﺳﻴﺎﻩﻧﻤﺎﻳﻰ ﻣﻰﺩﺍﻧﻨﺪ‪» ،‬ﻗﺼﻪﻫﺎ«‬ ‫ﻣﻮﺍﺟﻪ ﺷﺪ ﻭ ﺍﺯ ﻫﻤﻴﻦ ﺣﻴﺚ ﻣﺠﻮﺯ‬
‫ﻋﻠﻰ ﺍﺷﺮﻑ ﻭ ﺁﻗﺎ ﺻﺎﺩﻕ‪ ،‬ﻫﻢﭼﻨﻴﻦ‬ ‫ﺑﻴﻠﺒﻮﺭﺩﻫﺎ ﺑﻪ ﻧﻤﺎﻳﺶ ﻣﻰﮔﺬﺍﺭﺩ ﺗﺎ‬ ‫ﺩﺭﺑﺎﺭﻩ ﻣﺴﺎﺋﻞ ﻏﻴﺮﻭﺍﻗﻌﻰ ﺑﺎﺷﺪ‪ ،‬ﺷﺎﻋﺮﺍﻧﻪ‬ ‫ﻓﻴﻠﻤﻰ ﺍﺳﺖ ﺍﺟﺘﻤﺎﻉﺯﺩﻩ‪ ،‬ﭘﺮ ﺍﺯ‬ ‫ﻓﻴﻠﻢ ﺳﻴﻨﻤﺎﻳﻰ »ﻗﺼﻪ ﻫﺎ« ﺭﺍ ﺩﺭ ﻗﺎﻟﺐ‬
‫ﺧﻄﻮﻁ ﺯﻳﺒﺎﻯ ﻣﻴﺮﺯﺍ ﻏﻼﻣﺮﺿﺎ ﻭ ﻣﻴﺮﺯﺍ‬ ‫ﺍﻳﻦ ﺍﻗﺪﺍﻡ ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﺗﺎ ﭼﻨﺪ ﺳﺎﻝ‬ ‫ﻣﺮﺩﻡ ﺷﻬﺮ ﺍﺯ ﺷﻠﻮﻍﺗﺮﻳﻦ ﺳﺎﻋﺎﺕ ﺭﻭﺯ‬ ‫ﻣﻰﺷﻮﺩ‪ .‬ﭘﺲ ﺍﮔﺮ ﺷﻤﺎ ﺍﺳﻢ ﺍﻳﻦ ﻓﻴﻠﻢ ﺭﺍ‬ ‫ﻣﻌﻀﻼﺕ ﻭ ﺩﺭﺩﻫﺎﻯ ﻋﺎﻡ ﻃﺒﻘﺎﺕ ﭘﺎﻳﻴﻦ‬ ‫ﻫﻔﺖ ﻓﻴﻠﻢ ﺩﺍﺳﺘﺎﻧﻰ ﻛﻮﺗﺎﻩ ﺩﺭﻳﺎﻓﺖ ﻛﺮﺩ‬
‫ﻳﺪﺍﷲ ﻭ ﺁﺛﺎﺭﻯ ﺍﺯ ﻣﻮﺯﻩ ﻛﻤﺎﻝﺍﻟﻤﻠﻚ ﺩﺭ‬ ‫ﭘﻴﺶ ﻣﺠﺴﻤﻪﻫﺎﻯ ﺷﻬﺮ ﺗﻬﺮﺍﻥ ﻳﻜﻰ‬ ‫ﺗﺎ ﺳﺎﻋﺎﺕ ﺧﺎﻣﻮﺵ ﺷﻬﺮ ﺑﺘﻮﺍﻧﻨﺪ ﺁﺛﺎﺭ‬ ‫ﺑﻴﺎﻧﻴﻪ ﻣﻰﮔﺬﺍﺭﻳﺪ‪ ،‬ﻣﻦ ﺗﺮﺟﻴﺢ ﻣﻰﺩﻫﻢ‬ ‫ﻛﻪ ﺩﺭ ﻧﻬﺎﻳﺖ ﺑﻪ ﻳﻚ ﻓﻴﻠﻢ ﺳﻴﻨﻤﺎﻳﻰ‬
‫ﻣﻌﺮﺽ ﺩﻳﺪ ﺷﻬﺮﻭﻧﺪﺍﻥ ﻗﺮﺍﺭ ﻣﻰﮔﻴﺮﺩ‪.‬‬ ‫ﭘﺲ ﺍﺯ ﺩﻳﮕﺮﻯ ﺑﻪ ﺳﺮﻗﺖ ﻣﻰﺭﻓﺘﻨﺪ‬ ‫ﻫﻨﺮﻯ‪ ،‬ﻭ ﻧﻪ ﺗﺒﻠﻴﻐﻰ ﺭﺍ‪ ،‬ﭘﻴﺶ ﺭﻭﻯ‬ ‫ﺭﺧﺸﺎﻥ ﺑﻨﻰ ﺍﻋﺘﻤﺎﺩ‬
‫ﻭ ﺗﺎ ﺑﻪ ﺍﻣﺮﻭﺯ ﺍﺯ ﺭﺑﺎﻳﻨﺪﮔﺎﻥ ﻭ ﺁﻥ‬ ‫ﻫﻢﭼﻨﺎﻥ ﺑﻴﺎﻧﻴﻪ ﺑﺴﺎﺯﻡ‪.‬‬ ‫ﺟﺎﻣﻌﻪ ﺍﻣﺎ ﺑﺮﺍﻯ ﻣﺨﺎﻃﺐ ﺧﺎﺹ‪ .‬ﭘﻴﺎﻡ‬ ‫ﺑﻠﻨﺪ ﺑﺪﻝ ﺷﺪ‪.‬‬
‫ﻳﻜﻰ ﺍﺯ ﺁﺛﺎﺭﻯ ﻛﻪ ﺭﻭﻯ ﺑﻴﻠﺒﻮﺭﺩ‬ ‫ﻣﺠﺴﻤﻪﻫﺎ ﺧﺒﺮﻯ ﻧﻴﺴﺖ‪ ،‬ﺑﻪ ﺷﻜﻠﻰ‬ ‫ﺧﻮﺩ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻨﺪ‪.‬‬ ‫ﺩﺭ ﺍﻳﻦ ﻓﻴﻠﻢ ﮔﻼﺏ ﺁﺩﻳﻨﻪ‪ ،‬ﺻﺎﺑﺮ ﺍﺑﺮ‪،‬‬ ‫ﺁﻥ ﻧﻴﺰ ﺧﻮﺩﺷﻴﻔﺘﮕﻰ ﻭ ﺩﺭﺩﻓﺮﻭﺷﻰ‬ ‫ﺍﻳﻦ ﻓﻴﻠﻢ ﺩﺭ ﺩﻭﺭﺍﻥ ﺍﺣﻤﺪﻯ ﻧﮋﺍﺩ‬
‫ﺷﻬﺮﻯ ﺟﺎﻯ ﺧﻮﺍﻫﺪ ﮔﺮﻓﺖ‪ ،‬ﻣﺮﻗﻊ‬ ‫ﺍﺳﺖ ﻛﻪ ﺍﻣﻜﺎﻥ ﺑﺮﺩﻥ ﻭ ﺩﺯﺩﻳﺪﻥ ﺁﻧﻬﺎ‬ ‫ﻓﺮﻫﺎﺩ ﺍﺻﻼﻧﻰ‪ ،‬ﺑﺎﺑﻚ ﺣﻤﻴﺪﻳﺎﻥ‪ ،‬ﻧﮕﺎﺭ‬ ‫ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ ﻓﻴﻠﻢ ﻓﺠﺮ ﭘﺬﻳﺮﻓﺘﻪ ﻧﺸﺪ‬
‫ﻣﻴﺮﺯﺍﻣﻬﺪﻯ ﺍﺳﺘﺮﺁﺑﺎﺩﻯ ﺍﺳﺖ ﻛﻪ ﺗﻨﻬﺎ‬ ‫ﻭﺟﻮﺩ ﻧﺪﺍﺭﺩ ﻭ ﻛﺴﺎﻧﻰ ﻛﻪ ﻣﺨﺎﻟﻒ ﺍﻳﻦ‬ ‫ﺩﺭ ﺍﻳﻦ ﺩﻩ ﺭﻭﺯ‪ ،‬ﻧﮕﺎﺭﺧﺎﻧﻪ ﺗﻬﺮﺍﻥ ﺑﺎ‬ ‫ﺟﻮﺍﻫﺮﻳﺎﻥ‪ ،‬ﺭﻳﻤﺎ ﺭﺍﻣﻴﻦﻓﺮ‪ ،‬ﺣﺒﻴﺐ‬ ‫ﻭ ﺩﺭ ﻧﻬﺎﻳﺖ ﺑﺎ ﺭﻭﻯ ﻛﺎﺭ ﺁﻣﺪﻥ ﺩﻭﻟﺖ‬
‫ﻳﻚ ﻧﺴﺨﻪ ﺁﻥ ﺩﺭ ﻣﻮﺯﻩ ﺳﻦﭘﺘﺮﺯﺑﻮﺭگ‬ ‫ﺍﻳﺪﻩ ﻫﺴﺘﻨﺪ‪ ،‬ﺗﻨﻬﺎ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺑﻪ ﭘﺮﺗﺎﺏ‬ ‫ﻭﺳﻌﺖ ‪ 636‬ﻛﻴﻠﻮﻣﺘﺮ ﻣﺮﺑﻊ ﺑﺰﺭﮔﺘﺮﻳﻦ‬ ‫ﺭﺿﺎﻳﻰ‪ ،‬ﻋﺎﻃﻔﻪ ﺭﺿﻮﻯ‪ ،‬ﻣﻬﺮﺍﻭﻩ‬ ‫ﺭﻭﺣﺎﻧﻰ ﺗﻮﺍﻧﺴﺖ ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ ﺷﺮﻛﺖ‬
‫ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻭ ﺗﺼﺎﻭﻳﺮﻯ ﺍﺯ ﺁﻥ ﺑﺮﺍﻯ‬ ‫ﮔﺎﻟﺮﻯ ﻫﻨﺮﻯ ﺟﻬﺎﻥ ﻣﺤﺴﻮﺏ ﻣﻰﺷﻮﺩ‬ ‫ﺷﺮﻳﻔﻰﻧﻴﺎ‪ ،‬ﻣﺤﻤﺪﺭﺿﺎ ﻓﺮﻭﺗﻦ‪ ،‬ﺷﺎﻫﺮﺥ‬ ‫ﻛﻨﺪ‪ .‬ﺍﻣﺎ ﺍﻳﻦ ﺣﻀﻮﺭ ﺑﺎ ﺑﺎﺯﺗﺎﺏﻫﺎﻯ‬
‫ﻧﺨﺴﺘﻴﻦ ﺑﺎﺭ ﺭﻭﻯ ﺑﻴﻠﺒﻮﺭﺩﻫﺎﻯ ﺗﻬﺮﺍﻥ‪،‬‬ ‫ﻛﺮﺩﻥ ﺗﺮﻗﻪ ﺍﻛﺘﻔﺎ ﻛﻨﻨﺪ!‬ ‫ﻭ ﺷﻬﺮﻭﻧﺪﺍﻧﻰ ﻛﻪ ﺗﺎ ﺩﻳﺮﻭﺯ ﺷﺎﻫﺪ‬ ‫ﻓﺮﻭﺗﻨﻴﺎﻥ‪ ،‬ﺑﺎﺭﺍﻥ ﻛﻮﺛﺮﻯ‪ ،‬ﭘﻴﻤﺎﻥ‬ ‫ﻣﻨﻔﻰ ﺍﺯ ﺳﻮﻯ ﻣﺤﺎﻓﻈﻪﻛﺎﺭﺍﻥ ﻣﻮﺍﺟﻪ‬
‫ﺭﻧﮕﻰ ﺍﺯ ﻫﻨﺮ ﺍﻳﺮﺍﻥﺯﻣﻴﻦ ﺑﺮ ﭼﻬﺮﻩ ﺍﻳﻦ‬ ‫ﺗﺒﻠﻴﻐﺎﺕ ﻣﺤﺼﻮﻻﺕ ﻣﺨﺘﻠﻒ ﺗﺠﺎﺭﻯ‬ ‫ﻣﻌﺎﺩﻯ‪ ،‬ﻓﺎﻃﻤﻪ ﻣﻌﺘﻤﺪﺁﺭﻳﺎ‪ ،‬ﺣﺴﻦ‬ ‫ﺷﺪ‪ ،‬ﭼﺮﺍ ﻛﻪ ﺑﻨﻰ ﺍﻋﺘﻤﺎﺩ ﺩﺭ ﺍﻳﻦ ﺍﺛﺮ‬
‫ﺁﺛﺎﺭ ﺑﺮﺟﺴﺘﻪ ﻫﻨﺮﻯ ﺑﻪ ﻧﻤﺎﻳﺶ ﺩﺭ‬ ‫ﻭ ﺯﻳﺮ ﺳﻴﻄﺮﻩ ﺗﺒﻠﻴﻐﺎﺕ ﻓﺮﻫﻨﮕﻰ‬ ‫ﻣﻌﺠﻮﻧﻰ‪ ،‬ﻣﻬﺪﻯ ﻫﺎﺷﻤﻰ ﻭ ‪ ...‬ﺍﻳﻔﺎﻯ‬ ‫ﺑﻪ ﻣﺮﻭﺭ ﺣﻮﺍﺩﺙ ﺯﻧﺪﮔﻰ ﺷﺨﺼﻴﺖﻫﺎﻯ‬
‫ﺷﻬﺮ ﺧﻮﺍﻫﺪ ﺯﺩ‪.‬‬ ‫ﺁﻣﺪﻩ ﺩﺭ ﺳﻄﺢ ﺷﻬﺮ ﺗﻬﺮﺍﻥ ﺑﻪ ﮔﻔﺘﻪ‬ ‫ﻭ ﻣﺬﻫﺒﻰ ﻭ ﻣﻮﺿﻮﻋﺎﺕ ﻣﻨﺎﺳﺒﺘﻰ‬ ‫ﻓﻴﻠﻢﻫﺎﻯ ﮔﺬﺷﺘﻪﺍﺵ ﭘﺲ ﺍﺯ ﺟﻨﺒﺶ‬
‫ﺟﻤﺎﻝ ﻛﺎﻣﻴﺎﺏ ﻣﺪﻳﺮﻋﺎﻣﻞ ﺳﺎﺯﻣﺎﻥ‬ ‫ﻧﻘﺶ ﻛﺮﺩﻩﺍﻧﺪ‪.‬‬ ‫ﺍﻋﺘﺮﺍﺿﻰ ﺑﻪ ﻧﺘﺎﻳﺞ ﺍﻋﻼﻡ ﺷﺪﻩ ﺍﻧﺘﺨﺎﺑﺎﺕ‬
‫ﺍﻛﺮﺍﻥ »ﻗﺼﻪ ﻫﺎ« ﺩﺭ ﺣﺎﻟﻰ ﺭﺥ‬
‫ﻣﻰﺩﻫﺪ ﻛﻪ ﻓﻴﻠﻢﻫﺎﻯ »ﻋﺼﺒﺎﻧﻰ‬ ‫ﺳﺎﻝ ‪ 88‬ﭘﺮﺩﺍﺧﺘﻪ ﺑﻮﺩ‪.‬‬
‫ﻧﻴﺴﺘﻢ« ﺳﺎﺧﺘﻪ ﺭﺿﺎ ﺩﺭﻣﻴﺸﻴﺎﻥ‬ ‫ﻧﻤﺎﻳﺶ »ﻗﺼﻪ ﻫﺎ« ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ ﻓﺠﺮ‬
‫)‪» ،(1393‬ﺧﺎﻧﻪ ﺩﺧﺘﺮ« ﺍﺯ ﺷﻬﺮﺍﻡ‬ ‫‪ 92‬ﺑﺎﻋﺚﺗﻮﻗﻴﻒﺍﻳﻦﺍﺛﺮﺷﺪﻭﻟﻰﺷﺮﻛﺖ‬
‫ﺷﺎﻩﺣﺴﻴﻨﻰ )‪ (1392‬ﻭ »ﻧﻬﻨﮓ‬ ‫ﺭﺧﺸﺎﻥ ﺑﻨﻰ ﺍﻋﺘﻤﺎﺩ ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ ﻭﻧﻴﺰ‬
‫ﻋﻨﺒﺮ« ﺍﺯ ﺳﺎﻣﺎﻥ ﻣﻘﺪﻡ )‪(1393‬‬ ‫ﻭ ﺩﺭﻳﺎﻓﺖ ﺟﺎﻳﺰﻩ ﺑﻬﺘﺮﻳﻦ ﻓﻴﻠﻤﻨﺎﻣﻪ‬
‫ﺍﺯ ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ‪ ،‬ﻣﻮﺝ‬
‫ﻫﻢﭼﻨﺎﻥ ﺗﻮﻗﻴﻒ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺟﺪﻳﺪﻯ ﺍﺯ ﺍﻧﺘﻘﺎﺩﺍﺕ ﺭﺍ ﺑﺮﺍﻧﮕﻴﺨﺖ ﻛﻪ‬
‫ﻓﻴﻠﻢ ﺭﺍ ﺑﻪ ﺳﻴﺎﻩﻧﻤﺎﻳﻰ ﻣﺘﻬﻢ ﻣﻰﻛﺮﺩﻧﺪ‪.‬‬
‫ﺑﻨﻰ ﺍﻋﺘﻤﺎﺩ ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ ﻭﻧﻴﺰ‪،‬‬
‫ﺧﻮﺍﺳﺘﺎﺭ ﻟﻐﻮ ﺗﺤﺮﻳﻢﻫﺎ ﻋﻠﻴﻪ ﺍﻳﺮﺍﻥ ﺷﺪ‬
‫ﻭ ﺷﺮﺍﻳﻂ ﺍﻗﺘﺼﺎﺩﻯ ﻣﺮﺩﻡ ﺍﻳﺮﺍﻥ ﺭﺍ ﺑﺎ‬
‫ﺗﻮﺟﻪ ﺑﻪ ﺍﻳﻦ ﺗﺤﺮﻳﻢﻫﺎ ﺑﺤﺮﺍﻧﻰ ﺧﻮﺍﻧﺪ‪.‬‬
‫ﺍﻳﻦ ﻛﺎﺭﮔﺮﺩﺍﻥ ﭘﻴﺶ ﺍﺯ ﺍﻳﻦ ﮔﻔﺘﻪ‬
‫ﺑﻮﺩ‪ :‬ﺍﮔﺮ ﻣﻄﻤﺌﻦ ﻧﺒﺎﺷﻢ ﻓﻴﻠﻢ ﺩﺭ ﺍﻳﺮﺍﻥ‬
‫ﺍﻛﺮﺍﻥ ﻧﻤﻰﺷﻮﺩ‪ ،‬ﺁﻥ ﺭﺍ ﺩﺭ ﻫﻴﭻ ﻳﻚ ﺍﺯ‬
‫ﻓﺴﺘﻴﻮﺍﻝﻫﺎﻯﺧﺎﺭﺟﻰﺷﺮﻛﺖﻧﻤﻰﺩﻫﻢ‪.‬‬
‫ﺍﻋﺘﺮﺍﺿﺎﺕ ﻋﻠﻴﻪ ﻗﺼﻪﻫﺎ ﺣﺘﻰ ﻋﻠﻰ‬
‫ﺟﻨﺘﻰ ﻭﺯﻳﺮﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰ ﺭﺍ‬
‫ﺑﻪ ﻭﺍﺳﻄﻪ ”ﺣﻤﺎﻳﺖ ﺍﺯ ﻓﻴﻠﻢﻫﺎﻯ ﺣﺎﻣﻰ‬

‫ﻓﺘﻨﻪ“ ﺗﺎ ﻣﺮﺯ ﺍﺳﺘﻴﻀﺎﺡ ﭘﻴﺶ ﺑﺮﺩ‪.‬‬
‫ﻣﺴﻌﻮﺩ ﻓﺮﺍﺳﺘﻰ ﻣﻨﺘﻘﺪ ﺗﻨﺪ‬
‫ﻣﺤﺎﻓﻈﻪﻛﺎﺭ ﺩﺭ ﺧﺼﻮﺹ ﺍﻳﻦ ﻓﻴﻠﻢ‬
‫ﮔﻔﺘﻪ ﺍﺳﺖ‪ :‬ﺑﻬﺘﺮ ﺑﻮﺩ ﺩﺭ ﭘﻮﺳﺘﺮﻫﺎ ﻭ‬
‫ﺍﻋﻼﻥﻫﺎ ﻭ ﺩﺭ ﺁﻏﺎﺯ ﻓﻴﻠﻢ ﺟﻤﻠﻪﺍﻯ ﻣﻰ‬

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