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‫ﺟﻤﻌﻪ ‪ 15‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 21‬ﻣﻰ ‪2015‬‬

‫ﺟﺸﻨﻮﺍﺭﻩ ﺳﻴﻨﻤﺎﻳﻰ ﻛﺎﻥ ﻧﺨﺴﺘﻴﻦ ﺭﻭﺯ ﺧﻮﺩ ﺭﺍ‬ ‫ﺑﻪ ﺩﻟﻴﻞ ﻛﻤﺒﻮﺩ ﺟﺎ‪ ،‬ﺍﺳﻨﺎﺩ ﻭ ﻣﻜﺎﺗﺒﺎﺕ ﺩﻓﺘﺮ‬
‫ﭘﺸﺖ ﺳﺮ ﮔﺬﺍﺷﺖ‬ ‫ﺷﻬﺒﺎﻧﻮ ﻓﺮﺡ ﭘﻬﻠﻮﻯ ﺳﻮﺯﺍﻧﺪﻩ ﺷﺪ!‬

‫»ژﺍﻙ ﺍﺋﻮﺩﻳﺎﺭ«‪» ،‬ﻛﻮﻩﻫﺎ ﺷﺎﻳﺪ‬ ‫ﭘﻮﺳﺘﺮ ﻛﺎﻥ ‪2015‬‬ ‫ﺷﺼﺖ ﻭﻫﺸﺘﻤﻴﻦ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﺑﻪ ﺑﻬﺎﻧﻪ ﻛﻤﺒﻮﺩ ﺟﺎ ﺩﺭ ﻣﻮﺯﻩ ﺭﺿﺎ‬
‫ﺣﺮﻛﺖ ﻛﻨﻨﺪ« ﺍﺯ »ژﻳﺎﺋﻮ ژﺍﻧﮓﻛﻪ«‪،‬‬ ‫ﺩﻳﻮﻳﺲ« ﺟﺎﻳﺰﻩ ﺑﺰﺭگ ﻫﻴﺌﺖ ﺩﺍﻭﺭﺍﻥ‬ ‫ﺳﻴﻨﻤﺎﻳﻰ ﻛﺎﻥ ﺭﻭﺯ ﭼﻬﺎﺭﺷﻨﺒﻪ ﺁﻏﺎﺯ‬ ‫ﻋﺒﺎﺳﻰ ﺑﺨﺸﻰ ﺍﺯ ﺗﺎﺭﻳﺦ ﺩﻭﺭﻩ ﭘﻬﻠﻮﻯ‬
‫»ﺧﺮﭼﻨﮓ« ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ »ﻳﻮﺭﮔﻮﺱ‬ ‫ﺑﻪ ﻛﺎﺭ ﻛﺮﺩ‪ .‬ﭼﻬﺎﺭ ﻫﺰﺍﺭ ﺭﻭﺯﻧﺎﻣﻪﻧﮕﺎﺭ‬ ‫ﻧﺎﺑﻮﺩ ﺷﺪ‪ .‬ﺍﺳﻨﺎﺩ ﻭ ﻣﻜﺎﺗﺒﺎﺕ ﺍﺩﺍﺭﻯ‬
‫ﻻﻧﺘﻴﻤﻮﺱ«‪» ،‬ﺟﻮﺍﻧﻰ« ﺳﺎﺧﺘﻪ »ﭘﺎﺋﻮﻟﻮ‬ ‫ﻛﺎﻥ ﺭﺍ ﺩﺭﻳﺎﻓﺖ ﻛﺮﺩﻩ ﺑﻮﺩﻧﺪ‪.‬‬ ‫ﺍﺯ ﺳﺮﺍﺳﺮ ﺟﻬﺎﻥ ﺑﺮﺍﻯ ﮔﺰﺍﺭﺵ ﺍﻳﻦ‬ ‫ﺩﻭﺭﻩ ﭘﻬﻠﻮﻯ ﻭ ﺩﻓﺘﺮ ﺷﻬﺒﺎﻧﻮ ﻓﺮﺡ‬
‫ﺳﻮﺭﻧﺘﻴﻨﻮ«‪» ،‬ﺩﺭﻳﺎﻯ ﺩﺭﺧﺘﺎﻥ« ﺍﺯ‬ ‫ﺩﺭ ﻣﺮﺍﺳﻢ ﺍﻓﺘﺘﺎﺡ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﺟﺸﻨﻮﺍﺭﻩ ﺑﺰﺭگ ﺩﺭ ﺟﻨﻮﺏ ﻓﺮﺍﻧﺴﻪ‬ ‫ﭘﻬﻠﻮﻯ ﺩﺭ ﻣﻮﺯﻩ ﺭﺿﺎ ﻋﺒﺎﺳﻰ ﺳﻮﺯﺍﻧﺪﻩ‬
‫»ﮔﺎﺱ ﻭﻥﺳﻨﺖ«‪» ،‬ﭘﺮ ﺳﺮ ﻭ ﺻﺪﺍﺗﺮ‬ ‫ﺳﻴﻨﻤﺎﻳﻰ ﻛﺎﻥ ﻓﻴﻠﻢ »ﺳﺮﺕ ﺭﺍ ﺑﺎﻻ ﻧﮕﻪ‬ ‫ﺷﺪ ﻭ ﺧﺎﻛﺴﺘﺮ ﻭ ﺑﺎﻗﻴﻤﺎﻧﺪﻩ ﺍﺳﻨﺎﺩ ﺩﺭ‬
‫ﺍﺯ ﺑﻤﺐﻫﺎ« ﺳﺎﺧﺘﻪ »ﻳﻮﺍﺧﻴﻢ ﺗﻴﺮ«‪،‬‬ ‫ﺩﺍﺭ« ﺳﺎﺧﺘﻪ ﺧﺎﻧﻢ »ﺍﻣﺎﻧﻮﺋﻞ ﺑﺮﻛﻮﺕ«‬ ‫ﮔﺮﺩ ﺁﻣﺪﻩﺍﻧﺪ‪.‬‬
‫»ﻣﻜﺒﺚ« ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ »ﺟﺎﺳﺘﻴﻦ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻥ ﻓﺮﺍﻧﺴﻮﻯ ﺩﺭ ﺭﻭﺯ ﺁﻏﺎﺯﻳﻦ‬ ‫ﭘﻮﺳﺘﺮ ﺍﻣﺴﺎﻝ ﺟﺸﻨﻮﺍﺭﻩ ﺑﻪ ﻣﻨﺎﺳﺒﺖ‬ ‫ﺳﻄﻞ ﺯﺑﺎﻟﻪ ﺭﻳﺨﺘﻪ ﺷﺪ‪.‬‬
‫ﻛﺮﺯﻝ« ﻭ »ﻋﺸﻖ« ﺍﺯ »ﮔﺎﺳﭙﺮ ﻧﻮﺁ«‬ ‫ﻳﻜﺼﺪﻣﻴﻦ ﺳﺎﻟﮕﺮﺩ ﺗﻮﻟﺪ »ﺍﻳﻨﮕﺮﻳﺪ‬ ‫ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﻛﺸﻮﺭﻫﺎﻯ ﺩﻧﻴﺎ‬
‫ﻓﺴﺘﻴﻮﺍﻝ ﻧﺸﺎﻥ ﺩﺍﺩﻩ ﺷﺪ‪.‬‬ ‫ﺑﺮﮔﻤﻦ«‪ ،‬ﺑﺎﺯﻳﮕﺮ ﻧﺎﻣﺪﺍﺭ ﺗﺎﺭﻳﺦ ﺳﻴﻨﻤﺎ‬ ‫ﺑﺎ ﺩﺳﺘﻴﺎﺑﻰ ﻭ ﺍﺧﺘﺮﺍﻉ ﺍﺑﺰﺍﺭﻫﺎﻯ‬
‫ﺍﺷﺎﺭﻩ ﻛﺮﺩ‪.‬‬ ‫ﺩﺭ ﺍﻳﻦ ﻓﻴﻠﻢ »ﻛﺎﺗﺮﻳﻦ ﺩﻭﻧﻮﻭ«‪،‬‬ ‫ﻣﺪﺭﻥ ﺳﻌﻰ ﺩﺭ ﺣﻔﺎﻇﺖ ﻭ ﺣﺮﺍﺳﺖ‬
‫ﻓﻬﺮﺳﺖ ﻧﺎﻣﺰﺩﻫﺎﻯ ﻧﺨﻞ ﻃﻼﻯ‬ ‫»ﺑﻨﻮﺕ ﻣﺎﮔﻴﻤﻞ«‪» ،‬ﺳﺎﺭﺍ ﻓﺮﺍﺳﺘﻴﺮ« ﻭ‬ ‫ﻃﺮﺍﺣﻰ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﺷﻨﺎﺳﻨﺎﻣﻪ ﺗﺎﺭﻳﺨﻰ ﺧﻮﺩ ﺩﺍﺭﻧﺪ‪ ،‬ﻭ ﺣﺘﻰ‬
‫ﺍﻣﺴﺎﻝ ﺷﺎﻣﻞ ﻣﺠﻤﻮﻋﻪﺍﻯ ﺍﺯ‬ ‫»ﺭﻭﺩ ﭘﺎﺭﺍﺩﻭﺕ« ﺍﻳﻔﺎﻯ ﻧﻘﺶ ﻣﻰﻛﺎﻧﻨﺪ‪.‬‬ ‫ﺳﺎﻝ ﮔﺬﺷﺘﻪ ﻧﻴﺰ ﺗﺼﻮﻳﺮﻯ ﺍﺯ‬ ‫ﺑﺮﺧﻰ ﺍﺯ ﻛﺸﻮﺭﻫﺎ ﺩﺳﺖ ﺑﻪ ﺳﺎﺧﺘﻦ‬
‫ﺳﺎﺧﺘﻪﻫﺎﻯ ﻛﺎﺭﮔﺮﺩﺍﻧﺎﻥ ﺟﻮﺍﻥ ﻭ‬ ‫ﺍﻳﻦ ﻓﻴﻠﻢ ﻫﻤﺰﻣﺎﻥ ﺑﺎ ﻧﻤﺎﻳﺶ ﺩﺭ‬ ‫»ﻣﺎﺭﭼﻠﻮ ﻣﺎﺳﺘﺮﻭﻳﺎﻧﻰ« ﺑﺎﺯﻳﮕﺮ‬ ‫ﺗﺎﺭﻳﺦ ﺑﺮﺍﻯ ﺧﻮﺩ ﻣﻰﺯﻧﻨﺪ‪ ،‬ﻣﻮﺯﻩ‬
‫ﺑﺎ ﺗﺠﺮﺑﻪ ﺍﺳﺖ ﻭ ﺑﻪ ﮔﻔﺘﻪ ﺍﻫﻞ ﻓﻦ‬ ‫ﺍﻓﺘﺘﺎﺣﻴﻪ ﻛﺎﻥ ﺩﺭ ﺳﻴﻨﻤﺎﻫﺎﻯ ﻓﺮﺍﻧﺴﻪ‬ ‫ﺳﺮﺷﻨﺎﺱ ﺍﻳﺘﺎﻟﻴﺎﻳﻰ ﻓﻴﻠﻢ »ﻫﺸﺖ‬ ‫»ﺭﺿﺎ ﻋﺒﺎﺳﻰ« ﻳﻜﻰ ﺍﺯ ﺑﺰﺭگﺗﺮﻳﻦ‬
‫ﻧﻤﻰﺗﻮﺍﻥ ﺷﺎﻧﺴﻰ ﺑﻴﺸﺘﺮ ﺑﺮﺍﻯ ﻫﻴﭻ‬ ‫ﻭ ﻧﻴﻢ« ﺳﺎﺧﺘﻪ »ﻓﺪﺭﻳﻜﻮ ﻓﻠﻴﻨﻰ«‬ ‫ﻭ ﻣﻬﻢﺗﺮﻳﻦ ﻣﻮﺯﻩﻫﺎﻯ ﺍﻳﺮﺍﻥ ﺑﻪ ﺑﻬﺎﻧﻪ‬
‫ﻳﻚ ﺍﺯ ﻓﻴﻠﻢﻫﺎ ﻗﺎﺋﻞ ﺑﻮﺩ‪ .‬ﻓﻴﻠﻢ »ﻣﺮﺩ‬ ‫ﻧﻴﺰ ﺭﻭﻯ ﭘﺮﺩﻩ ﺭﻓﺖ‪.‬‬ ‫ﺩﺭ ﭘﻮﺳﺘﺮ ﺟﺸﻨﻮﺍﺭﻩ ﺑﻪ ﻛﺎﺭ ﺑﺮﺩﻩ‬ ‫ﻛﻤﺒﻮﺩ ﺟﺎﻯ ﻧﮕﻬﺪﺍﺭﻯ ﺑﺨﺸﻰ ﺍﺯ‬
‫ﻏﻴﺮﻣﻨﻄﻘﻰ« ﺳﺎﺧﺘﻪ »ﻭﻭﺩﻯ ﺁﻟﻦ«‬ ‫ﻫﻢﭼﻨﻴﻦ ﻓﻴﻠﻢ ﻣﺴﺘﻨﺪ ﻣﺤﻴﻂ‬ ‫ﺷﺪﻩ ﺑﻮﺩ‪» .‬ﺍﻳﻨﮕﺮﻳﺪ ﺑﺮﮔﻤﻦ« ﺍﺯ‬ ‫ﺍﺳﻨﺎﺩ ﻭ ﻣﻜﺎﺗﺒﺎﺕ ﺍﺩﺍﺭﻯ ﺩﻭﺭﻩ ﭘﻬﻠﻮﻯ‬
‫ﻧﻴﺰ ﻳﻜﻰ ﺍﺯ ﻣﻬﻢﺗﺮﻳﻦ ﻓﻴﻠﻢﻫﺎﻳﻰ ﺍﺳﺖ‬ ‫ﺯﻳﺴﺘﻰ »ﻳﺦ ﻭ ﺁﺳﻤﺎﻥ« ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ‬ ‫ﭼﻬﺮﻩﻫﺎﻯ ﻣﺤﺒﻮﺏ ﺳﻴﻨﻤﺎﻯ ﺟﻬﺎﻥ‬
‫ﻛﻪ ﺩﺭ ﺑﺨﺶ ﻏﻴﺮﺭﻗﺎﺑﺘﻰ ﺑﻪ ﺭﻭﻯ ﭘﺮﺩﻩ‬ ‫»ﻟﻮﻙ ژﺍ ِﻛﺖ« ﻧﻴﺰ ﺩﺭ ﻣﺮﺍﺳﻢ ﺍﺧﺘﺘﺎﻣﻴﻪ‬ ‫ﺑﻮﺩ ﻛﻪ ﺳﺎﺑﻘﻪ ﻫﻤﻜﺎﺭﻯ ﺑﺎ ﻛﺎﺭﮔﺮﺩﺍﻧﺎﻥ‬ ‫ﺭﺍ ﺳﻮﺯﺍﻧﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺩﺭ ﺭﻭﺯ ‪ 24‬ﻣﻰ ﻧﻤﺎﻳﺶ ﺩﺍﺩﻩ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﻧﺎﻣﺪﺍﺭﻯ ﭼﻮﻥ »ﺁﻟﻔﺮﺩ ﻫﻴﭽﻜﺎﻙ«‪،‬‬
‫ﻣﻰﺭﻭﺩ‪.‬‬ ‫»ﺭﻭﺑﺮﺗﻮ ﺭﻭﺳﻠﻴﻨﻰ«‪» ،‬ﺳﻴﺪﻧﻰ ﻟﻮﻣﺖ«‬ ‫ﻣﻮﺯﻩ ﺍﺯ ﺳﻮﺯﺍﻧﺪﻥ ﺍﻳﻦ ﺍﺳﻨﺎﺩ ﺍﻇﻬﺎﺭ‬ ‫ﻫﺎ ﺭﻳﺨﺘﻪ ﻭ ﺩﺭ ﺳﻄﻞ ﺯﺑﺎﻟﻪ ﻣﺠﺎﻭﺭ‬ ‫ﺗﺼﺎﻭﻳﺮ ﺍﻳﻦ ﺗﺎﺭﻳﺦﺳﻮﺯﻯ ﺗﻮﺳﻂ ﻳﻜﻰ‬
‫ﻓﺮﺵ ﻗﺮﻣﺰ ﺑﺮﺍﻯ ﺳﺘﺎﺭﮔﺎﻥ‬ ‫ﺑﻰ ﺍﻃﻼﻋﻰ ﻛﺮﺩ ﻭ ﮔﻔﺖ‪ :‬ﻫﺮ ﺯﻣﺎﻥ‬ ‫ﻣﻮﺯﻩ ﮔﺬﺍﺷﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﺍﺯ ﻛﺎﺭﻛﻨﺎﻥ ﻣﻮﺯﻩ ﺭﺿﺎ ﻋﺒﺎﺳﻰ ﺑﺮﺍﻯ‬
‫ﺳﻴﻨﻤﺎﻯ ﺍﻳﺮﺍﻥ ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﺍﻧﺘﺨﺎﺏ ﻓﻴﻠﻢﻫﺎﻯ ﻓﺮﺍﻧﺴﻮﻯ ﺑﺮﺍﻯ‬ ‫ﻭ »ﺍﻳﻨﮕﻤﺎﺭ ﺑﺮﮔﻤﻦ« ﺭﺍ ﺩﺍﺷﺖ‪.‬‬ ‫ﺍﺯ ﺧﺒﺮﻧﮕﺎﺭﺍﻥ ﻛﻤﻚ ﺧﻮﺍﺳﺘﻴﻢ ﺍﻋﻼﻡ‬ ‫ﺧﺒﺮﻧﮕﺎﺭ ﺧﺒﺮﮔﺰﺍﺭﻯ ﻣﻬﺮ ﺍﺭﺳﺎﻝ ﺷﺪﻩ‬
‫ﺍﻣﺴﺎﻝ‬ ‫ﻣﺮﺍﺳﻢ ﺍﻓﺘﺘﺎﺣﻴﻪ ﻭ ﭘﺎﻳﺎﻧﻰ ﻧﺸﺎﻥﺩﻫﻨﺪﻩ‬ ‫ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ ﺍﻣﺴﺎﻝ ﺑﻪ ﻋﻨﻮﺍﻥ‬ ‫ﺩﺭ ﭘﻴﮕﻴﺮﻯ ﺧﺒﺮﻧﮕﺎﺭ ﺧﺒﺮﮔﺰﺍﺭﻯ‬ ‫ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻋﻜﺲﻫﺎ ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ‬
‫ﻓﻌﺎﻟﻴﺖ ﭘﺮﺭﻧﮓ ﺳﻴﻨﻤﺎﻯ ﺍﻳﻦ ﻛﺸﻮﺭ‬ ‫ﺗﻘﺪﻳﺮ ﺍﺯ ﻳﻜﺼﺪ ﺳﺎﻟﮕﻰ ﺍﻳﻦ ﭼﻬﺮﻩ‬ ‫ﻣﻰﻛﻨﻴﻢ!‬ ‫ﻣﻬﺮ‪ ،‬ﺷﻬﺮﺍﻡ ﺣﻴﺪﺭﺁﺑﺎﺩﻳﺎﻥ‪ ،‬ﻣﺪﻳﺮ ﺍﻳﻦ‬ ‫ﻛﻪ ﺩﺍﺧﻞ ﻛﺎﺭﺗﻦ ﻭ ﻛﻨﺎﺭ ﺳﻄﻞ ﺯﺑﺎﻟﻪ‬
‫ﺍﻣﺴﺎﻝ ﺳﻴﻨﻤﺎﻯ ﺍﻳﺮﺍﻥ ﺩﺭ ﺑﺨﺶ‬ ‫ﺳﺮﺷﻨﺎﺱ‪ ،‬ﻣﺴﺘﻨﺪﻯ ﺑﺎ ﻋﻨﻮﺍﻥ‬ ‫ﻣﻜﺎﺗﺒﺎﺕ ﻭ ﺍﺳﻨﺎﺩ ﺳﻮﺯﺍﻧﺪﻩ ﺷﺪﻩﺍﻯ‬
‫ﺭﻗﺎﺑﺘﻰ ﺟﺸﻨﻮﺍﺭﻩ ﻛﺎﻥ ﻧﻤﺎﻳﻨﺪﻩﺍﻯ‬ ‫ﺩﺭ ﺍﻳﻦ ﺩﻭﺭﻩ ﺍﺯ ﻓﺴﺘﻴﻮﺍﻝ ﻛﺎﻥ ﺍﺳﺖ‪.‬‬ ‫»ﺍﻳﻨﮕﺮﻳﺪ ﺑﺮﮔﻤﻦ‪ ،‬ﺍﺯ ﺯﺑﺎﻥ ﺧﻮﺩﺵ«‬ ‫ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻛﻪ ﻣﺮﺑﻮﻁ ﺑﻪ ﻓﻌﺎﻟﻴﺖ‬
‫ﻧﺪﺍﺭﺩ ﻭ ﺗﻨﻬﺎ ﻓﻴﻠﻢ »ﻧﺎﻫﻴﺪ« ﺑﻪ‬ ‫ﺟﺸﻨﻮﺍﺭﻩ ﻛﺎﻥ ‪2015‬‬ ‫ﺍﺯ »ﺍﺳﺘﻴﮓ ﺑﻴﻮﺭﻛﻤﻦ« ﺩﺭ ﺑﺨﺶ ﺁﺛﺎﺭ‬ ‫ﻓﺮﻫﻨﮕﻰ ﺩﻓﺘﺮ ﺷﻬﺒﺎﻧﻮ ﻓﺮﺡ ﭘﻬﻠﻮﻯ‬
‫ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﺁﻳﺪﺍ ﭘﻨﺎﻫﻨﺪﻩ ﺩﺭ ﺑﺨﺶ‬ ‫ﻛﻼﺳﻴﻚ ﺍﻳﻦ ﻓﺴﺘﻴﻮﺍﻝ ﻧﻤﺎﻳﺶ ﺩﺍﺩﻩ‬
‫»ﻧﻮﻋﻰ ﻧﮕﺎﻩ« ﺑﻪ ﺭﻭﻯ ﭘﺮﺩﻩ ﺧﻮﺍﻫﺪ‬ ‫ﺍﻣﺴﺎﻝ ﻫﻢ ﻣﺎﻧﻨﺪ ﺳﺎﻝﻫﺎﻯ ﭘﻴﺶ‬ ‫ﺑﻮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺭﻓﺖ‪ .‬ﻓﻴﻠﻢ ﺳﻴﻨﻤﺎﻳﻰ »ﻧﺎﻫﻴﺪ« ﺍﺯ‬ ‫ﺧﻮﺍﻫﺪ ﺷﺪ‪.‬‬ ‫ﻇﺎﻫﺮﺍ ﻣﺪﻳﺮﻳﺖ ﻣﻮﺯﻩ ﺭﺿﺎﻋﺒﺎﺳﻰ‬
‫ﻣﺤﺼﻮﻻﺕ ﻣﺮﻛﺰ ﮔﺴﺘﺮﺵ ﺳﻴﻨﻤﺎﻯ‬ ‫‪ 19‬ﻓﻴﻠﻢ ﺑﺮﺍﻯ ﺩﺭﻳﺎﻓﺖ ﻧﺨﻞ ﻃﻼﻯ‬ ‫»ﺑﺮﮔﻤﻦ« ﻛﻪ ﺍﻫﻞ ﺳﻮﺋﺪ ﺑﻮﺩ‪ ،‬ﭘﺲ‬ ‫ﺩﺳﺘﻮﺭ ﺑﻰ ﺳﺮ ﻭ ﺻﺪﺍﻯ ﺳﻮﺯﺍﻧﺪﻥ‬
‫ﻣﺴﺘﻨﺪ ﻭ ﺗﺠﺮﺑﻰ ﺍﺳﺖ ﻛﻪ ﭘﺎﺭﺳﺎﻝ‬ ‫ﺑﻬﺘﺮﻳﻦ ﻓﻴﻠﻢ ﺍﻳﻦ ﺭﻭﻳﺪﺍﺩ ﺳﻴﻨﻤﺎﻳﻰ ﺑﺎ‬ ‫ﺍﺯ »ﻛﺎﺗﺮﻳﻦ ﻫﭙﺒﻮﺭﻥ« )ﺑﺎ ﭼﻬﺎﺭ ﺟﺎﻳﺰﻩ‬ ‫ﺍﻳﻦ ﺍﺳﻨﺎﺩ ﺭﺍ ﺑﻪ ﺩﻟﻴﻞ ﻧﺪﺍﺷﺘﻦ ﻓﻀﺎﻯ‬
‫ﺑﻪ ﻋﻨﻮﺍﻥ ﻳﻜﻰ ﺍﺯ ﻓﻴﻠﻢ ﺍﻭﻟﻰﻫﺎﻯ ﺍﻳﻦ‬ ‫ﻫﻢ ﺭﻗﺎﺑﺖ ﻣﻰﻛﻨﻨﺪ ﻛﻪ ﺍﺯ ﻣﻬﻢﺗﺮﻳﻦ‬ ‫ﺍﺳﻜﺎﺭ(‪ ،‬ﻣﺸﺘﺮﻛﺎ ﺑﺎ »ﻣﺮﻳﻞ ﺍﺳﺘﺮﻳﭗ«‪،‬‬ ‫ﻛﺎﻓﻰ ﺻﺎﺩﺭ ﻛﺮﺩﻩ ﻭ ﺳﭙﺲ ﺧﺎﻛﺴﺘﺮ ﻭ‬
‫ﻣﺠﻤﻮﻋﻪ ﺗﻮﻟﻴﺪ ﺷﺪﻩ ﻭ ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫»ﺟﻚ ﻧﻴﻜﻠﺴﻮﻥ«‪» ،‬ﻭﺍﻟﺘﺮ ﺑﺮﻧﺎﻥ«‬ ‫ﺑﺎﻗﻴﻤﺎﻧﺪﻩ ﺍﺳﻨﺎﺩ ﺳﻮﺧﺘﻪ ﺭﺍ ﺩﺭ ﻛﺎﺭﺗﻦ‬
‫ﻛﺎﻥ ﺑﻪ ﻋﻨﻮﺍﻥ ﻳﻚ ﻓﻴﻠﻢ ﺍﻭﻝ ﺑﺮﺍﻯ‬ ‫ﺟﻚ ﮔﻴﻠﻦ ﻫﺎﻝ ﻋﻀﻮ ﻫﻴﺌﺖ ﺩﺍﻭﺭﺍﻥ‬ ‫ﻭ »ﺩﻧﻴﻞ ﺩﻯ‪ -‬ﻟﻮﺋﻴﺲ« )ﻫﺮﻛﺪﺍﻡ ﺑﺎ‬
‫ﻛﺴﺐ ﺩﻭﺭﺑﻴﻦ ﻃﻼﻳﻰ ﺭﻗﺎﺑﺖ ﻣﻰﻛﺎﻧﺪ‪.‬‬ ‫ﺁﻧﻬﺎ ﻣﻰﺗﻮﺍﻥ ﺑﻪ »ﺩﻳﭙﺎﻥ« ﺳﺎﺧﺘﻪ‬ ‫ﺳﻪ ﺟﺎﻳﺰﻩ(‪ ،‬ﺟﺰﻭ ﺭﻛﻮﺭﺩﺩﺍﺭﺍﻥ ﺩﺭﻳﺎﻓﺖ‬ ‫ﻧﮕﺎﻫﻰ ﺗﺎﺯﻩ ﺑﻪ ﺟﺸﻦ ﻫﻨﺮ ﺷﻴﺮﺍﺯ‬

‫ﺗﻮﻟﺪ ‪ 100‬ﺳﺎﻟﮕﻰ »ﺍﻭﺭﺳﻦ ﻭﻟﺰ« ﺩﺭ‬ ‫ﺍﺳﻜﺎﺭ ﺑﺎﺯﻳﮕﺮﻯ ﺍﺳﺖ‪.‬‬ ‫ﻟﻨﺪﻥ‪ -‬ﻫﻢ ﺍﻛﻨﻮﻥ ﺩﺭ ﮔﺎﻟﺮﻯ ﻭﺍﻳﺖ‬
‫ﻛﺎﻥ ‪2016‬‬ ‫ﺍﻣﺴﺎﻝ ﺑﺮﺍﺩﺭﺍﻥ ﻛﻮﺋﻦ »ﺟﻮﻝ« ﻭ‬ ‫ﭼﭙﻞ ﻟﻨﺪﻥ ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﺑﺮﭘﺎﺳﺖ‬
‫»ﺍﺗﺎﻥ ﻛﻮﺋﻦ« ﺭﻳﺎﺳﺖ ﻫﻴﺌﺖ ﺩﺍﻭﺭﺍﻥ‬ ‫ﻳﺎﺩﺁﻭﺭﺧﺎﻃﺮﺓ ﺟﺸﻦﻫﺎﻯ ﻫﻨﺮ ﺷﻴﺮﺍﺯ‬
‫ﺑﺨﺶ ﻛﻼﺳﻴﻚ ﺟﺸﻨﻮﺍﺭﻩ ﻛﺎﻥ‬ ‫ﺑﺨﺶ ﺭﻗﺎﺑﺘﻰ ﺟﺸﻨﻮﺍﺭﻩ ﻛﺎﻥ ﺭﺍ ﺑﺮ‬
‫ﻋﻬﺪﻩ ﺩﺍﺭﻧﺪ ﻛﻪ ﺑﻪ ﻫﻤﺮﺍﻩ ﺍﻋﻀﺎﻯ‬ ‫ﭘﻮﺳﺘﺮ ﺟﺸﻦ ﻫﻨﺮ ﺷﻴﺮﺍﺯ‬ ‫ﺩﺭ ﺭﻭﺯ ﭼﻬﺎﺭﺷﻨﺒﻪ ﺷﺸﻢ ﻣﺎﻩ‬
‫ﺍﻣﺴﺎﻝ ﺑﻪ ﺍﻭﺭﺳﻦ ﻭﻟﺰ ﻫﻨﺮﭘﻴﺸﻪ‬ ‫ﻫﻴﺎﺕ ﺩﺍﻭﺭﺍﻥ »ﮔﻴﻠﺮﻣﻮ ﺩﻝ ﺗﻮﺭﻭ«‬ ‫ﻣﻪ‪ ،‬ﻭﻟﻰ ﻣﺤﻠﻮﺟﻰ ﮔﺮﺩﺁﻭﺭﻧﺪﻩ ﺍﻳﻦ‬
‫ﻧﺎﻣﺪﺍﺭ ﺁﻣﺮﻳﻜﺎﻳﻰ ﻣﻰﭘﺮﺩﺍﺯﺩ ﻭ ﺻﺪﻣﻴﻦ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻥ ﺳﺮﺷﻨﺎﺱ ﻣﻜﺰﻳﻜﻰ‪،‬‬ ‫ﺟﻬﺎﻧﻰ« ﺑﻮﺩ‪ .‬ﺷﻬﺒﺎﻧﻮ ﻓﺮﺡ ﭘﻬﻠﻮﻯ‪ ،‬ﺣﺎﻟﻰ ﻛﻪ ﺷﻤﻊﻫﺎﺋﻰ ﺳﻮﺯﺍﻥ ﺻﺤﻨﻪ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ‪ ،‬ﺑﺪﻳﻦ ﺑﻬﺎﻧﻪ ﻭ ﺑﻪ ﻛﻮﺷﺶ‬
‫ﺳﺎﻟﮕﺮﺩ ﺗﻮﻟﺪ ﺍﻭ ﺑﺎ ﻧﻤﺎﻳﺶ ﻧﺴﺨﻪ‬ ‫”ﺑﻨﻴﺎﺩ ﻣﻴﺮﺍﺙ ﺍﻳﺮﺍﻥ“ ﺩﺭ ﺧﺎﻧﺔ‬
‫ﺑﺎﺯﺳﺎﺯﻯ ﺷﺪﻩ ﺳﻪ ﻓﻴﻠﻢ »ﻫﻤﺸﻬﺮﻯ‬ ‫»ﺧﺎﻭﻳﺮ ﺩﻭﻻﻥ« ﻛﺎﺭﮔﺮﺩﺍﻥ ﻛﺎﻧﺎﺩﺍﻳﻰ‬ ‫ﺑﻨﻴﺎﻥﮔﺬﺍﺭ ﻭ ﺣﺎﻣﻰ ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ ﺭﺍ ﺭﻭﺷﻦ ﻣﻰ ﻛﺮﺩﻧﺪ‪ ،‬ﻣﻨﻈﺮﻩﺍﻯ‬ ‫ﺁﺳﻴﺎﻯ ﻟﻨﺪﻥ ﺳﺨﻨﺮﺍﻧﻰ ﺩﺍﺷﺖ ﻭ ﺑﺎ‬
‫ﻛﻴﻦ« ﻣﺤﺼﻮﻝ )‪» ،(1941‬ﻣﺮﺩ‬ ‫ﺑﺮﮔﺰﻳﺪﻩ ﺍﻳﻦ ﻓﺴﺘﻴﻮﺍﻝ ﺩﺭ ﺳﺎﻝ‬ ‫ﻧﻤﺎﻳﺶ ﺍﺳﻼﻳﺪ ﻭ ﻓﻴﻠﻢﻫﺎﻯ ﻛﻮﺗﺎﻫﻰ‬
‫ﺳﻮﻡ« ﺳﺎﺧﺘﻪ »ﻛﺎﺭﻭﻝ ﺭﻳﺪ« ﻳﻜﻰ ﺍﺯ‬ ‫ﮔﺬﺷﺘﻪ‪» ،‬ﺟﻚ ﺟﻴﻠﻨﻬﺎﻝ« ﺑﺎﺯﻳﮕﺮ‬ ‫ﺩﺭ ﻳﻚ ﻣﺼﺎﺣﺒﻪ ﺗﻠﻮﻳﺰﻳﻮﻧﻰ‪ ،‬ﺑﻪ ﻭﻳﮋﻩ ﺷﮕﻔﺖﺍﻧﮕﻴﺰ ﺑﻮﺩ‪.‬‬ ‫ﺍﺯ ﺟﺸﻦﻫﺎﻯ ﻫﻨﺮ ﺳﺎﻝﻫﺎﻯ ‪1346‬‬
‫ﺑﺮﺗﺮﻳﻦ ﻓﻴﻠﻢﻫﺎﻯ ﺗﺎﺭﻳﺦ ﺳﻴﻨﻤﺎ ﺑﺎ ﺑﺎﺯﻯ‬ ‫ﻫﺎﻟﻴﻮﻭﺩﻯ‪» ،‬ﺭﻭﺳﻰ ﺩﻯ ﭘﺎﻟﻤﺎ«‬ ‫ﺗﺎ ‪ 1356‬ﺑﻪ ﺗﺤﻠﻴﻞ ﺍﻳﻦ ﭘﺪﻳﺪﺓ‬
‫»ﺍﻭﺭﺳﻦ ﻭﻟﺰ« ﻭ »ﺑﺎﻧﻮﻳﻰ ﺍﺯ ﺷﺎﻧﮕﻬﺎﻯ«‬ ‫ﺑﺎﺯﻳﮕﺮ ﺍﻫﻞ ﺍﺳﭙﺎﻧﻴﺎ‪» ،‬ﺳﻴﻨﺎ ﻣﻴﻠﺮ«‬ ‫ﺑﻪ ﺍﻫﻤﻴﺖ‪ ،‬ﻣﻄﺮﺡ ﺳﺎﺧﺘﻦ ﻣﻮﺳﻴﻘﻰ ﺩﺭ ﭘﺎﻳﺎﻥ ﺍﻳﻦ ﻧﺸﺴﺖ‪ ،‬ﺣﺎﺿﺮﺍﻥ‬
‫ﺩﻳﮕﺮ ﺳﺎﺧﺘﻪ »ﻭﻟﺰ« )‪ (1958‬ﺩﺭ‬ ‫ﺑﺎﺯﻳﮕﺮ ﺍﻧﮕﻠﻴﺴﻰ‪» ،‬ﺳﻮﻓﻰ ﻣﺎﺭﺳﻮ«‬ ‫ﺑﺤﺚﺑﺮﺍﻧﮕﻴﺰ ﻫﻨﺮﻯ ﭘﺮﺩﺍﺧﺖ‪.‬‬
‫ﺑﺨﺶ ﻛﻼﺳﻴﻚ ﺟﺸﻨﻮﺍﺭﻩ ﻫﻤﺮﺍﻩ‬ ‫ﺑﺎﺯﻳﮕﺮ ﻭ ﻛﺎﺭﮔﺮﺩﺍﻥ ﻓﺮﺍﻧﺴﻮﻯ ﻭ»ﺭﻭﻛﻴﺎ‬ ‫ﺳﻨﺘﻰ ﺍﻳﺮﺍﻥ ﺍﺷﺎﺭﻩ ﻛﺮﺩ‪ .‬ﺩﺭ ﺭﺍﺳﺘﺎﻯ ﻓﺮﺻﺖ ﻳﺎﻓﺘﻨﺪ ﺗﺎ ﭘﺮﺳﺶﻫﺎ ﻭ‬ ‫ﺑﻪ ﮔﻔﺘﻪ ﻣﺤﻠﻮﺟﻰ ﻣﻬﻢﺗﺮﻳﻦ‬
‫ﺧﻮﺍﻫﺪ ﺑﻮﺩ‪ .‬ﻫﻤﭽﻨﻴﻦ ﺩﻭ ﻣﺴﺘﻨﺪ‬ ‫ﺗﺮﺍﺋﻮﺭﻩ« ﻧﻮﻳﺴﻨﺪﻩ ﻭ ﺁﻫﻨﮕﺴﺎﺯ ﺍﻫﻞ‬ ‫ﻭﻳﮋﮔﻰ ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ ﺍﻳﻦ ﺑﻮﺩ ﻛﻪ ﺩﺭ‬
‫ﻧﻴﺰ ﺩﺭﺑﺎﺭﻩ »ﺍﻭﺭﺳﻦ ﻭﻟﺰ« ﺑﺎ ﻋﻨﺎﻭﻳﻦ‬ ‫ﻣﺎﻟﻰ ﻣﺴﺌﻮﻻﻥ ﺍﻧﺘﺨﺎﺏ ﺑﺮﻧﺪﮔﺎﻥ‬ ‫ﺍﻳﻦ ﻫﺪﻑ‪ ،‬ﻣﻮﺳﻴﻘﻰ ﺳﻨﺘﻰ ﺍﻳﺮﺍﻧﻰ ﻧﻈﺮﺍﺕ ﺧﻮﺩ ﺭﺍ ﺑﻴﺎﻥ ﻛﻨﻨﺪ‪ .‬ﻳﻜﻰ‬ ‫ﺟﻬﺎﻥ ﭘﺲ ﺍﺯ ﺍﺳﺘﻌﻤﺎﺭ ﺁﻥ ﺭﻭﺯ‪ ،‬ﻫﻨﺮ‬
‫»ﻛﺎﻟﺒﺪﺷﻜﺎﻓﻰ ﻳﻚ ﺍﺳﻄﻮﺭﻩ« ﺑﻪ‬ ‫ﻧﺨﻞ ﻃﻼﻳﻰ ﻛﺎﻥ ﻫﺴﺘﻨﺪ‪ .‬ﺑﺮﺍﺩﺭﺍﻥ‬ ‫ﻛﺸﻮﺭﻫﺎﻯ ﺁﺳﻴﺎﺋﻰ ﻭ ﺁﻓﺮﻳﻘﺎﺋﻰ‪ ،‬ﺑﺎ ﻫﻨﺮ‬
‫ﻛﺎﺭﮔﺮﺩﺍﻧﻰ »ﺍﻟﻴﺰﺍﺑﺖ ﻛﺎﭘﻨﻴﺴﺖ« ﻭ‬ ‫»ﻛﻮﺋﻦ« ﺩﺭ ﺳﺎﻝ ‪ 2007‬ﺑﺎ ﻓﻴﻠﻢ‬ ‫ﺑﻴﺸﺘﺮﻳﻦ ﺗﻌﺪﺍﺩ ﻛﻨﺴﺮﺕﻫﺎ ﺭﺍ ﺍﺯ ﭘﺮﺳﺶﻫﺎﻯ ﺟﺎﻟﺐ ﺩﺭ ﺭﺍﺑﻄﻪ ﺑﺎ‬ ‫ﻛﺸﻮﺭﻫﺎﻯ ﺩﻳﮕﺮ ﺑﺮﺍﺑﺮ ﻗﻠﻤﺪﺍﺩ ﻣﻰﺷﺪ‬
‫»ﺍﻳﻦ ﺍﻭﺭﺳﻦ ﻭﻟﺰ ﺍﺳﺖ« ﺍﺯ »ﻛﻼﺭﺍ«‬ ‫»ﺟﺎﻳﻰ ﺑﺮﺍﻯ ﭘﻴﺮﻣﺮﺩﻫﺎ ﻧﻴﺴﺖ«‬ ‫ﻭ ﺩﺭ ﻛﻨﺎﺭ ﺁﻧﺎﻥ ﻗﺮﺍﺭ ﻣﻰﮔﺮﻓﺖ‪ .‬ﺍﻳﻦ‬
‫ﻭ »ﺟﻮﻟﻴﺎ ﻛﺎﭘﺮﺑﺮگ« )‪ (2015‬ﻣﻬﻤﺎﻥ‬ ‫ﺟﺎﻳﺰﻩ ﺍﺳﻜﺎﺭ ﺑﻬﺘﺮﻳﻦ ﻓﻴﻠﻢ‪،‬‬ ‫ﺗﺸﻜﻴﻞ ﻣﻰﺩﺍﺩ ﻭ ﻧﺰﺩﻳﻚ ﺑﻪ ﺩﻭ ﺳﻮﻡ ﻧﻤﺎﻳﺶ ﺑﺮﻫﻨﮕﻰ ﺩﺭ ﺍﺟﺮﺍﻫﺎﻯ ﺟﺸﻦ‬ ‫ﺟﺮﻳﺎﻥ ﭘﻴﺸﺮﻭ ﻓﺮﻫﻨﮕﻰ‪ ،‬ﻫﻨﺮﻣﻨﺪﺍﻥ‬
‫ﺑﺨﺶ ﻛﻼﺳﻴﻚ ﺟﺸﻨﻮﺍﺭﻩ ﻛﺎﻥ ﺧﻮﺍﻫﺪ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﻭ ﻓﻴﻠﻤﻨﺎﻣﻪ ﺍﻗﺘﺒﺎﺳﻰ ﺭﺍ ﺑﻪ‬ ‫ﻛﺸﻮﺭﻫﺎﻯ ﺷﺮﻕ ﻭ ﻏﺮﺏ‪ ،‬ﺍﺯ ﺍﻳﻦ ﺳﻮ‬
‫ﺩﺳﺖ ﺁﻭﺭﺩﻧﺪ ﻭ ﺩﺭ ﺳﺎﻝ ‪ 1991‬ﺑﺎ‬ ‫ﻛﻨﺴﺮﺕﻫﺎﻯ ﺟﺸﻨﻮﺍﺭﻩ ﺑﻪ ﻣﻮﺳﻴﻘﻰ ﻫﻨﺮ ﺷﻴﺮﺍﺯ ﻣﻄﺮﺡ ﺷﺪ ﻭ ﺍﻳﻨﻜﻪ ﺁﻳﺎ‬ ‫ﻭ ﺁﻥ ﺳﻮﻯ ﭘﺮﺩﻩ ﺁﻫﻨﻴﻦ ﺟﻤﺎﻫﻴﺮ‬
‫ﺑﻮﺩ‪.‬‬ ‫ﻓﻴﻠﻢ »ﺑﺎﺭﺗﻮﻥ ﻓﻴﻨﻚ« ﺻﺎﺣﺐ ﺟﺎﻳﺰﻩ‬ ‫ﺷﻮﺭﻭﻯ ﺭﺍ ﮔﺮﺩ ﻫﻢ ﻣﻰﺁﻭﺭﺩ ﻭ ﺗﻼﺵ‬
‫*ﻋﻜﺲ ﻫﺎ ﺍﺯ ﺭﻭﻳﺘﺮﺯ‬ ‫ﻧﺨﻞ ﻃﻼﻯ ﺑﻬﺘﺮﻳﻦ ﻓﻴﻠﻢ‪ ،‬ﻛﺎﺭﮔﺮﺩﺍﻧﻰ‬ ‫ﺍﻳﺮﺍﻧﻰ ﺍﺧﺘﺼﺎﺹ ﺩﺍﺷﺖ ﻛﻪ ﺍﻏﻠﺐ ﺑﻪ ﺩﺭﺳﺖ ﺍﺳﺖ ﻛﻪ ﭼﻨﻴﻦ ﺑﺮﻧﺎﻣﻪﻫﺎﺋﻰ‬ ‫ﻣﻰﻛﺮﺩ ﺗﺎ ﺑﺮ ﺩﻳﺪﮔﺎﻩ ﻳﻚﺳﻮﻧﮕﺮ‬
‫ﻭ ﺑﺎﺯﻳﮕﺮﻯ ﻣﺮﺩ ﻛﺎﻥ ﺷﺪﻧﺪ‪ .‬ﺁﻧﻬﺎ ﺩﺭ‬ ‫ﻏﺮﺑﻰ ﺩﺭ ﺯﻣﻴﻨﺔ ﻫﻨﺮ ﻏﻠﺒﻪ ﻛﻨﺪ‪ .‬ﺍﻳﻦ‬
‫ﺳﺎﻝ ‪ 2013‬ﻧﻴﺰ ﺑﺎ ﻓﻴﻠﻢ »ﺩﺭﻭﻥ ﻟﻮﻳﻦ‬ ‫ﻫﻤﺖ »ﻣﺮﻛﺰ ﺣﻔﻆ ﻭ ﺍﺷﺎﻋﻪ ﻣﻮﺳﻴﻘﻰ ﺩﺭ ﺍﻳﺠﺎﺩ ﻧﺎﺭﺿﺎﻳﺘﻰ ﺩﺭ ﺟﺎﻣﻌﻪ ﺳﻨﺘﻰ‬ ‫ﺣﺮﻛﺖ ﺑﻪ ﻭﻳﮋﻩ ﺍﺯ ﺍﻳﻦ ﺟﻬﺖ ﻗﺎﺑﻞ‬
‫ﺗﻮﺟﻪ ﺍﺳﺖ ﻛﻪ ﺍﻳﺮﺍﻥ ﺩﺭ ﺁﻥ ﺯﻣﺎﻥ‬
‫ﺳﻨﺘﻰ ﺍﻳﺮﺍﻥ« ﺻﻮﺭﺕ ﻣﻰﮔﺮﻓﺖ‪ .‬ﺍﻳﺮﺍﻥ ﻭ ﻧﻬﺎﻳﺘﺄ ﭘﺎ ﮔﺮﻓﺘﻦ ﺍﻧﻘﻼﺏ ‪57‬‬ ‫ﻳﻜﻰ ﺍﺯ ﺑﺎﺯﻳﮕﺮﺍﻥ ﻣﻬﻢ ﻣﻨﻄﻘﻪ ﺩﺭ‬

‫ﺑﻪ ﻧﻈﺮ ﻣﺤﻠﻮﺟﻰ ﻣﻰﺗﻮﺍﻥ ﺑﻪ ﻧﻘﺶ ﺩﺍﺷﺘﻪ ﺍﺳﺖ؟‬ ‫ﺟﺮﻳﺎﻥ »ﺟﻨﮓ ﺳﺮﺩ« ﺑﻮﺩ‪.‬‬
‫ﮔﺮﭼﻪ ﺟﺸﻨﻮﺍﺭﻩﻫﺎﻯ ﺩﻳﮕﺮﻯ ﻧﻴﺰ ﺍﺯ‬
‫ﺟﺮﺃﺕ ﮔﻔﺖ ﻛﻪ ﻳﻚ ﻧﺴﻞ ﺍﺯ ﻣﺤﻠﻮﺟﻰ ﺩﺭ ﭘﺎﺳﺦ ﮔﻔﺖ ﻛﻪ‬ ‫ﺟﻤﻠﻪ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﺁﻓﺮﻳﻘﺎﺋﻰ ﺩﺳﺖ‬
‫ﺑﻪ ﺗﻼﺵﻫﺎﺋﻰ ﻣﺸﺎﺑﻪ ﺯﺩﻧﺪ ﺍﻣﺎ ﻫﻴﭻ‬
‫ﻫﻨﺮﻣﻨﺪﺍﻥ ﺍﻳﺮﺍﻥ ﺩﺭ ﻓﻀﺎﻯ ﺟﺸﻦ ﺧﺒﺮﻯ ﻛﻪ ﺩﺭ ﻣﻮﺭﺩ ﺍﺟﺮﺍﻯ ﺑﺮﻫﻨﻪ‬ ‫ﻛﺪﺍﻡ ﺍﺯ ﺁﻧﻬﺎ ﺩﻭﺍﻡ ﭼﻨﺪﺍﻧﻰ ﻧﻴﺎﻭﺭﺩ‬
‫ﻭ ﻋﻤﺮ ﻫﻴﭻ ﻳﻚ ﺍﺯ ﻳﻚ ﺳﺎﻝ ﻓﺮﺍﺗﺮ‬
‫ﻫﻨﺮ ﺷﻴﺮﺍﺯ ﺑﺎﻟﻴﺪﻧﺪ ﻭ ﺑﻪ ﺍﻭﺝ ﻫﻨﺮﻯ ﻳﻚ ﻧﻤﺎﻳﺶ ﺩﺭ ﺑﺎﺯﺍﺭ ﻭﻛﻴﻞ ﺷﻴﺮﺍﺯ‬
‫ﻧﺮﻓﺖ‪.‬‬
‫ﺧﻮﺩ ﺭﺳﻴﺪﻧﺪ‪ .‬ﺍﺯ ﺁﻥ ﺟﻤﻠﻪ ﻣﻰﺗﻮﺍﻥ ﺩﺭ ﺭﺳﺎﻧﻪﻫﺎ ﻣﻨﺘﺸﺮ ﺷﺪ‪ ،‬ﻛﺎﻣﻸ ﺩﻭﺭ‬ ‫ﺍﺯ ﻭﻳﮋﮔﻰﻫﺎﻯ ﺩﻳﮕﺮ »ﺟﺸﻦ ﻫﻨﺮ‬
‫ﺷﻴﺮﺍﺯ« ﻭﺳﻌﺖ ﻭ ﺗﻨﻮﻉ ﻣﻜﺎﻧﻰ ﺁﻥ‬
‫ﺍﺯ ﭘﺮﻳﺴﺎ‪ ،‬ﻣﺤﻤﺪ ﺭﺿﺎ ﺷﺠﺮﻳﺎﻥ ﺍﺯ ﻭﺍﻗﻌﻴﺖ ﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﺑﻪ ﮔﻔﺘﻪ‬ ‫ﺍﺳﺖ ﻛﻪ ﺩﺭ ﺑﻴﻦ ﺟﺸﻨﻮﺍﺭﻩﻫﺎﻯ‬
‫ﻣﺸﺎﺑﻪ ﺑﻰ ﻧﻈﻴﺮ ﺑﻮﺩ‪ .‬ﺩﺭ ﻃﻮﻝ ﺯﻣﺎﻥ‬
‫ﻭ ﻣﺤﻤﺪ ﺭﺿﺎ ﻟﻄﻔﻰ ﺩﺭ ﺯﻣﻴﻨﻪ ﻣﻬﻠﻮﺟﻰ‪ ،‬ﺍﺟﺮﺍﻯ ﻧﻤﺎﻳﺶ ﻣﺬﻛﻮﺭ‬ ‫ﺟﺸﻨﻮﺍﺭﻩ‪ ،‬ﻫﻨﺮﻫﺎﻯ ﮔﻮﻧﺎﮔﻮﻥ ﺩﺭ‬
‫ﺍﻣﺎﻛﻦ ﻣﺨﺘﻠﻒ ﺷﻴﺮﺍﺯ ﺑﻪ ﺍﺟﺮﺍ ﺩﺭ‬
‫ﻣﻮﺳﻴﻘﻰ‪ ،‬ﻓﺮﺯﺍﻧﻪ ﺗﺄﻳﻴﺪﻯ‪ ،‬ﻋﻠﻰ ﺻﺮﻓﺄ ﺑﻪ ﺩﻟﻴﻞ ﻭﺟﻮﺩ ﺻﺤﻨﻪﻫﺎﻯ‬ ‫ﻣﻰﺁﻣﺪ‪ :‬ﺍﺯ ﺗﺨﺖ ﺟﻤﺸﻴﺪ ﮔﺮﻓﺘﻪ‬
‫ﺗﺎ ﺣﺎﻓﻈﻴﻪ ﻭ ﻛﻮﭼﻪﺑﺎﻍﻫﺎﻯ ﻣﻌﺮﻭﻑ‬
‫ﻧﺼﻴﺮﻳﺎﻥ ﻭ ﻋﺰﺕﺍﷲ ﺍﻧﺘﻈﺎﻣﻰ ﺩﺭ ﺧﺸﻮﻧﺖﺁﻣﻴﺰ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﺍﺭﻭﭘﺎﺋﻰ‬ ‫ﺷﻴﺮﺍﺯ ﻭ ﺑﺎﺯﺍﺭ ﺷﻬﺮ‪ -‬ﻭ ﺣﺘﻰ ﺩﺭ‬
‫ﻣﻴﺎﻥ ﻋﺸﺎﻳﺮ‪ .‬ﻫﺪﻑ ﺟﺸﻦ ﻫﻨﺮ‬
‫ﻋﺮﺻﻪ ﻧﻤﺎﻳﺶ‪ ،‬ﻭ ﻧﺎﺻﺮ ﺗﻘﻮﺍﺋﻰ ﻭ ﻣﻨﻊ ﺷﺪﻩ ﺑﻮﺩ‪ ،‬ﻧﻪ ﺑﺮﻫﻨﮕﻰ‪ .‬ﻭﺟﻮﺩ‬ ‫ﺷﻴﺮﺍﺯ ﺑﺮﺩﺍﺷﺘﻦ ﻣﺮﺯ ﺑﻴﻦ ﻫﻨﺮﻣﻨﺪ‪،‬‬
‫ﻫﻨﺮ ﺍﻭ ﻭ ﻣﺮﺩﻡ ﻛﻮﭼﻪ ﻭ ﺑﺎﺯﺍﺭ ﺑﻮﺩ‪.‬‬
‫ﺳﻬﺮﺍﺏ ﺷﻬﻴﺪ ﺛﺎﻟﺚ ﺩﺭ ﺯﻣﻴﻨﻪ ﻓﻴﻠﻢ ﺑﺮﻫﻨﮕﻰ ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺶ‪ ،‬ﺻﺮﻓﺄ ﻳﻚ‬ ‫ﺍﻧﺘﺨﺎﺏ ﺷﻴﺮﺍﺯ ﺑﻪ ﻋﻨﻮﺍﻥ ﭘﺎﻳﮕﺎﻩ ﺍﻳﻦ‬
‫ﺟﺸﻨﻮﺍﺭﻩ‪ ،‬ﺑﻪ ﺩﻟﻴﻞ ﺟﺎﻳﮕﺎﻩ ﻭﻳﮋﻩ ﺍﻳﻦ‬
‫ﻧﺎﻡ ﺑﺮﺩ‪ .‬ﺟﺸﻦ ﻫﻨﺮ ﺷﻴﺮﺍﺯ ﺩﺭﻭﺍﺯﻩﺍﻯ ﺷﺎﻳﻌﻪ ﺑﻮﺩ ﻛﻪ ﺗﻮﺳﻂ ﻧﺸﺮﻳﺎﺕ ﺁﻥ‬ ‫ﺷﻬﺮ ﺩﺭ ﺗﺎﺭﻳﺦ ﻭ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‪-‬‬
‫ﻫﻨﺮﻯ ﺍﻳﺮﺍﻥ ﺑﻮﺩ‪.‬ﺍﺯ ﺍﻫﺪﺍﻑ ﺍﻭﻟﻴﻪ‬
‫ﺑﻮﺩ ﺑﺮﺍﻯ ﺭﺍﻩﻳﺎﺑﻰ ﻓﻴﻠﻢ ﺍﻳﺮﺍﻥ ﺑﻪ ﺯﻣﺎﻥ ﺑﻪ ﻧﻔﻊ ﺍﻧﻘﻼﺏ ﺑﻬﺮﻩﺑﺮﺩﺍﺭﻯ ﺷﺪ‪.‬‬ ‫ﺟﺸﻦ ﻫﻨﺮ ﺷﻴﺮﺍﺯ ﺑﺎﻳﺪ ﺍﺯ »ﺁﺷﻨﺎ‬
‫ﺳﺎﺧﺘﻦ ﺍﻳﺮﺍﻧﻴﺎﻥ‪ -‬ﻭ ﺑﻪ ﻭﻳﮋﻩ ﻧﺴﻞ‬
‫ﻭﻟﻰ ﻣﺤﻠﻮﺟﻰ ﻧﻮﻳﺴﻨﺪﻩ ﻭ ﻣﺘﺮﺟﻢ‬ ‫ﺟﺸﻨﻮﺍﺭﻩﻫﺎﻯ ﻓﻴﻠﻢ ﺟﻬﺎﻧﻰ‪.‬‬ ‫ﺟﻮﺍﻥ‪ -‬ﺑﺎ ﻫﻨﺮ ﭘﻴﺸﺮﻭ ﺟﻬﺎﻧﻰ‬
‫ﻭ ﻣﻮﺝﻫﺎﻯ ﻧﻮ ﻫﻨﺮﻯ« ﻧﺎﻡ ﺑﺮﺩ‪.‬‬
‫ﺟﺎﻟﺐ ﺍﻳﻨﺠﺎﺳﺖ ﻛﻪ ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ ﺍﺳﺖ‪ .‬ﺍﻭ ﻫﻢ ﺍﻛﻨﻮﻥ ﺑﻪ ﻋﻨﻮﺍﻥ‬ ‫ﻫﺪﻑ ﺩﻳﮕﺮ ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ »ﺍﺭﺗﻘﺎء‬
‫ﺟﺎﻳﮕﺎﻩ ﻫﻨﺮ ﺍﻳﺮﺍﻥ ﺩﺭ ﻋﺮﺻﻪ‬
‫ﻛﻪ ﺑﺎ ﺭﻳﺎﺳﺖ ﻛﺎﺭﮔﺮﺩﺍﻥ ﭘﺮ ﺁﻭﺍﺯﺓ ﮔﺮﺩﺁﻭﺭﻧﺪﻩ ﺁﺛﺎﺭ ﻫﻨﺮﻯ ﺑﺎ ﻣﻮﺯﻩ‬

‫ﻓﻴﻠﻢ‪ ،‬ﻓﺮﺥ ﻏﻔﺎﺭﻯ ﺍﺩﺍﺭﻩ ﻣﻰﺷﺪ‪ ،‬ﺑﺮﻳﺘﺎﻧﻴﺎ ﻫﻤﻜﺎﺭﻯ ﺩﺍﺭﺩ‪ .‬ﻛﺘﺎﺏ ﺟﺪﻳﺪ‬

‫ﺩﺍﺭﺍﻯ ﺩﻳﺪﮔﺎﻫﻰ ﻟﻴﺒﺮﺍﻝ ﺑﻮﺩ ﻭ ﺣﺘﻰ ﺍﻭ ﺑﻪ ﻧﺎﻡ »ﻧﮕﺎﻫﻰ ﺑﻪ ﺟﺸﻦ ﻫﻨﺮ‬

‫ﺑﻪ ﺑﺮﻧﺎﻣﻪﻫﺎﺋﻰ ﻛﻪ ﻧﺴﺒﺖ ﺑﻪ ﺭژﻳﻢ ﺁﻥ ﺷﻴﺮﺍﺯ« ﺑﻪ ﺯﻭﺩﻯ ﺍﻧﺘﺸﺎﺭ ﺧﻮﺍﻫﺪ‬

‫ﺯﻣﺎﻥ ﺩﻳﺪ ﺍﻧﺘﻘﺎﺩﻯ ﺩﺍﺷﺘﻨﺪ ﺍﻣﻜﺎﻥ ﻳﺎﻓﺖ‪.‬ﻧﻤﺎﻳﺸﮕﺎﻩ »ﺟﺸﻦ ﻫﻨﺮ ﺷﻴﺮﺍﺯ«‬

‫ﺍﺟﺮﺍ ﻣﻰﺩﺍﺩ‪ .‬ﺍﺯ ﺁﻥ ﻣﻴﺎﻥ ﻣﻰﺗﻮﺍﻥ ﺍﺯ ﻛﻪ ﺍﺯ ﻛﺎﺭﻫﺎﻯ ﻛﺎﻭﻩ ﮔﻠﺴﺘﺎﻥ‪-‬‬

‫ﺍﺟﺮﺍﻯ ﻧﻤﺎﻳﺶ ﻣﻌﺮﻭﻑ »ﺷﻬﺮ ﻗﺼﻪ« ﻋﻜﺎﺱ‪ ،‬ﺧﺒﺮﻧﮕﺎﺭ ﻭ ﻓﻴﻠﻢﺑﺮﺩﺍﺭ‪ -‬ﺍﻟﻬﺎﻡ‬

‫ﻛﺎﺭ ﺩﺭﺧﺸﺎﻥ ﺑﻴﮋﻥ ﻣﻔﻴﺪ ﻧﺎﻡ ﺑﺮﺩ‪ .‬ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ ،‬ﺗﺎ ﭼﻬﺎﺭﻡ ﻣﺎﻩ ﺍﻛﺘﺒﺮ‬

‫ﺳﺨﻨﺮﺍﻥ ﺳﭙﺲ ﺑﻪ ﭘﺨﺶ ﻗﻄﻌﺎﺕ ‪ 2015‬ﺩﺭ ﮔﺎﻟﺮﻯ »ﻭﺍﻳﺖ ﭼﭙﻞ« ﺩﺭ‬

‫ﻓﻴﻠﻢ ﺍﺯ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻣﺨﺘﻠﻒ ﻫﻨﺮﻯ ﻟﻨﺪﻥ ﺑﺮ ﭘﺎ ﺧﻮﺍﻫﺪ ﺑﻮﺩ‪.‬‬

‫ﻣﺮﺑﻮﻁ ﺑﻪ ﺟﺸﻦ ﻫﻨﺮ ﺷﻴﺮﺍﺯ ﺑﺮﺍﻯ ﺍﻃﻼﻋﺎﺕ ﺑﻴﺸﺘﺮ ﺩﺭﺑﺎﺭﻩ ﺍﻳﻦ‬

‫ﭘﺮﺩﺍﺧﺖ‪ .‬ﺍﺟﺮﺍﻯ ﺁﺛﺎﺭ ﻫﻨﺮﻯ ﺍﺭﻭﭘﺎﺋﻰ‪ ،‬ﻧﻤﺎﻳﺸﮕﺎﻩ ﻣﻰﺗﻮﺍﻧﻴﺪ ﺑﻪ ﺳﺎﻳﺖ ﺍﻳﻦ‬

‫ﻣﻴﻨﻮ ﻓﺮﻫﻨﮓ‬‫ﻫﻨﺪﻯ‪ ،‬ژﺍﭘﻨﻰ‪ ،‬ﺁﻓﺮﻳﻘﺎﺋﻰ ﻭ ﺍﻳﺮﺍﻧﻰ ﺑﺎ ﮔﺎﻟﺮﻯ ﻣﺮﺍﺟﻌﻪ ﻛﻨﻴﺪ‪.‬‬

‫ﭘﺲﺯﻣﻴﻨﺔ ﺑﻨﺎﻫﺎﻯ ﺗﺎﺭﻳﺨﻰ ﺍﻳﺮﺍﻥ ﺩﺭ‬

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