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‫ﺟﻤﻌﻪ ‪ 13‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ‪ 19‬ﺁﺫﺭﻣﺎﻩ ‪1394‬ﺧﻮﺭﺷﻴﺪﻯ‬

‫ﻣﻨﻴﮋﻩ ﺣﻜﻤﺖ‪ ،‬ﺑﻪ ﻭﺿﻌﻴﺖ ﺳﻴﻨﻤﺎ ﻫﻢ ﺍﺷﺎﺭﻩ‬ ‫ﺳﺎﺯ ﻭ ﺁﻭﺍﺯ ﺧﺎﻣﻮﺵ ﺯﻧﺎﻥ ﺍﻳﺮﺍﻥ‬ ‫ﺭﻭﺷﻨﻚ ﺁﺳﺘﺮﻛﻰ‪ -‬ﺩﻭﻣﻴﻦ ﺩﻭﺭﻩ ﺭﻗﺎﺑﺖﻫﺎﻯ‬
‫ﻣﻰﻛﻨﺪ ﻭ ﻣﻰﮔﻮﻳﺪ‪» :‬ﻣﻦ ﮔﺎﻫﻰ ﻣﻰﺷﻨﻮﻡ‬ ‫ﻛﺸﺘﻰ ﺁﺯﺍﺩ ﺟﺎﻡ ﺑﺎﺷﮕﺎﻩﻫﺎﻯ ﺟﻬﺎﻥ ﭘﻨﺠﻢ‬
‫ﭼﻘﺪﺭ ﺩﻭﺭﻩ ﺷﻤﻘﺪﺭﻯ ﺧﻮﺏ ﺑﻮﺩ! ﺍﻳﻦ ﺣﺮﻑ‬ ‫ﺩﻭﺭﻩ ]ﺭﻳﺎﺳﺖ ﺟﻤﻬﻮﺭﻯ ﺣﺴﻦ ﺭﻭﺣﺎﻧﻰ[‬ ‫ﺧﻮﺩﺷﻴﻔﺘﮕﻰ ﻧﺪﺍﺭﻳﻢ ﻭ ﺩﺭ ﻋﺮﺻﻪ ﺍﺟﺘﻤﺎﻋﻰ‪،‬‬ ‫ﻫﻤﺴﺮ ﺳﺎﻻﺭ ﻋﻘﻴﻠﻰ ﻭ ﻧﻮﺍﺯﻧﺪﻩ ﺩﻑ ﺍﺯ ﺭﻭﻯ‬ ‫ﻭ ﺷﺸﻢ ﺁﺫﺭﻣﺎﻩ ﺩﺭ ﻭﺭﺯﺷﮕﺎﻩ ﺁﺯﺍﺩﻯ ﺗﻬﺮﺍﻥ‬
‫ﻧﺎﺍﻣﻴﺪ ﺷﺪﻡ ﻭ ﻣﺘﺎﺳﻔﻢ« ﻭ ﺩﺭ ﭘﺎﺳﺦ ﺑﻪ ﺍﻳﻦ‬ ‫ﺯﻧﺎﻥ ﻭ ﻣﺮﺩﺍﻥ ﺑﺮﺍﺑﺮ ﺧﻮﺍﻫﻨﺪ ﺑﻮﺩ‪.‬‬ ‫ﺳﻦ ﺩﺭ ﺩﻯ ﻣﺎﻩ ‪ ،93‬ﺍﻳﺠﺎﺩ ﻣﺸﻜﻞ ﺩﺭ‬ ‫ﺑﺮﮔﺰﺍﺭ ﺷﺪ‪ .‬ﺍﻣﺎ ﺩﺭ ﻣﺮﺍﺳﻢ ﺍﻓﺘﺘﺎﺣﻴﻪ ﺍﻳﻦ‬
‫ﺧﻴﻠﻰ ﺩﺭﺩﻧﺎﻙ ﺍﺳﺖ«‪.‬‬ ‫ﺳﻮﺍﻝ ﻛﻪ ﺍﮔﺮ ﺑﻪ ﺳﺎﻝ ‪ 92‬ﺑﺮﻣﻰ ﮔﺸﺘﻴﺪ ﺑﺎ‬ ‫ﻛﻨﺴﺮﺕ ﻫﻤﺎﻳﻮﻥ ﺷﺠﺮﻳﺎﻥ ﻛﻪ ﺑﻬﻤﻦ ‪93‬‬ ‫ﻣﺴﺎﺑﻘﺎﺕ ﺍﺗﻔﺎﻕ ﺗﻠﺨﻰ ﺍﻓﺘﺎﺩ ﻛﻪ ﺭﻗﺎﺑﺖ‬
‫ﺑﺴﺘﻪ ﺷﺪﻥ ﻓﻀﺎ ﺑﺮﺍﻯ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺩﺭ ﺩﻭﻟﺖ‬ ‫ﺗﻮﺟﻪ ﺑﻪ ﺷﺮﺍﻳﻂ ﺍﻻﻥ‪ ،‬ﻃﻮﻣﺎﺭ ﺣﻤﺎﻳﺖ ﺍﺯ‬ ‫– ﺯﻧﺎﻥ ﺟﺎﻣﻌﻪ ﻣﺎ ﻣﺎﻧﻨﺪ ﻣﺮﺩﺍﻥ ﺩﺍﺭﺍﻯ ﺣﻘﻮﻕ‬ ‫ﺩﺭ ﺍﺻﻔﻬﺎﻥ ﺑﺮﮔﺰﺍﺭ ﺷﺪ ﺑﺎﺯ ﺑﻪ ﺩﻟﻴﻞ ﺣﻀﻮﺭ‬ ‫ﺑﺎﺷﮕﺎﻩﻫﺎﻯ ﻛﺸﺘﻰ ﺁﺯﺍﺩ ﺟﻬﺎﻥ ﺭﺍ ﺧﺒﺮ ﺳﺎﺯ‬
‫ﺣﺴﻦ ﺭﻭﺣﺎﻧﻰ ﻣﻌﻤﻮﻻ ﺑﺎ ﺩﻭ ﺭﻭﻳﻜﺮﺩ‬ ‫ﺭﻭﺣﺎﻧﻰ ﺭﺍ ﺍﻣﻀﺎ ﻣﻰﻛﺮﺩﻳﺪ؟ ﭘﺎﺳﺦ ﻣﻨﻔﻰ‬ ‫ﺍﺟﺘﻤﺎﻋﻰ ﻫﺴﺘﻨﺪ‪ ،‬ﻛﺴﻰ ﺑﻪ ﻧﺎﻡ ﺍﺳﻼﻡ‪،‬‬ ‫ﻧﻮﺍﺯﻧﺪﮔﺎﻥ ﺯﻥ‪ ،‬ﺟﻠﻮﮔﻴﺮﻯ ﺍﺯ ﺑﺮﮔﺰﺍﺭﻯ ﺍﭘﺮﺍﻯ‬ ‫ﻛﺮﺩ؛ ﻟﻐﻮ ﺷﺪﻥ ﻛﻨﺴﺮﺕ ﺍﺭﻛﺴﺘﺮ ﺳﻤﻔﻮﻧﻴﻚ‬
‫ﺍﺭﺯﻳﺎﺑﻰ ﻣﻰﺷﻮﺩ‪ .‬ﺑﺮﺧﻰ ﻋﺎﻣﻞ ﺍﻳﻦ ﻓﺸﺎﺭﻫﺎ‬ ‫ﺣﻘﻮﻕ ﺯﻧﺎﻥ ﻣﺎ ﺭﺍ ﺗﻀﻴﻴﻊ ﻧﻜﻨﺪ‪ .‬ﻣﻨﺰﻟﺖ ﺯﻧﺎﻥ‬ ‫ﺳﻌﺪﻯ ﺑﻪ ﺑﻬﺎﻧﻪ ﺣﻀﻮﺭ ﺗﻚﺧﻮﺍﻥ ﺯﻥ ﺩﺭ‬
‫ﺭﺍ ﺗﻨﺪﺭﻭﻫﺎﻯ ﻣﺨﺎﻟﻒ ﺩﻭﻟﺖ ﻣﻰﺩﺍﻧﻨﺪ‬ ‫ﻣﻰﺩﻫﺪ‪.‬‬ ‫ﺑﻪ ﺟﺎﻳﮕﺎﻩ ﻭﺍﻗﻌﻰ ﺑﺎﺯﮔﺮﺩﺍﻧﺪﻩ ﻣﻰﺷﻮﺩ ﻭ ﺩﺭ‬ ‫ﺷﻴﺮﺍﺯ ﻭ ﻗﻄﻊ ﺷﺪﻥ ﻣﻴﻜﺮﻭﻓﻮﻥ ﻫﻤﺨﻮﺍﻥﻫﺎﻯ‬ ‫ﺗﻬﺮﺍﻥ ﺑﻪ ﺩﻟﻴﻞ ﺣﻀﻮﺭ ﻧﻮﺍﺯﻧﺪﮔﺎﻥ ﺯﻥ‪.‬‬
‫ﻛﻪ ﺑﺎ ﭼﻨﻴﻦ ﺍﻗﺪﺍﻣﺎﺗﻰ ﺗﻼﺵ ﻣﻰﻛﻨﻨﺪ‬ ‫ﺍﻳﻦ ﻛﺎﺭﮔﺮﺩﺍﻥ ﺳﻴﻨﻤﺎ ﺩﺭ ﺍﺩﺍﻣﻪ ﻣﺼﺎﺣﺒﻪﺍﺵ‬ ‫ﻋﺮﺻﻪ ﺍﺟﺘﻤﺎﻋﻰ ﺣﻘﻮﻕ ﺑﺮﺍﺑﺮ ﺑﺎ ﻣﺮﺩﺍﻥ ﭘﻴﺪﺍ‬ ‫ﺯﻥ ﺩﺭ ﺑﺮﻧﺎﻣﻪ ﺍﺭﻛﺴﺘﺮ ﺁﻛﺎﺩﻣﻰ ﻫﻨﺮ ﻭﺍﺑﺴﺘﻪ‬ ‫ﮔﻔﺘﻪ ﻣﻰﺷﻮﺩ ﺍﻳﻦ ﺍﺭﻛﺴﺘﺮ ﻗﺮﺍﺭ ﺑﻮﺩ ﻗﻄﻌﺎﺗﻰ‬
‫ﭘﺎﻳﮕﺎﻩ ﺍﺟﺘﻤﺎﻋﻰ ﺩﻭﻟﺖ ﺭﺍ ﻛﺎﻫﺶ ﺩﻫﻨﺪ‬ ‫ﻣﻰﮔﻮﻳﺪ‪» :‬ﻛﺴﺎﻧﻰ ﺑﻪ ﻣﻦ ﺯﻧﮓ ﻣﻰﺯﻧﻨﺪ ﻭ‬ ‫ﺑﻪ ﺩﺍﻧﺸﮕﺎﻩ ﻋﻠﻤﻰ‪ -‬ﻛﺎﺭﺑﺮﺩﻯ ﺩﺭ ﺍﺧﺘﺘﺎﻣﻴﻪ‬ ‫ﺍﺯ ﺟﻤﻠﻪ ﺳﺮﻭﺩﺍﻯ ﺍﻳﺮﺍﻥ ﺭﺍ ﺍﺟﺮﺍ ﻛﻨﺪ ﺍﻣﺎ ﺩﺭ‬
‫ﺗﺎ ﺩﺭ ﺍﻧﺘﺨﺎﺑﺎﺕ ﻣﺠﻠﺲ ﺷﻮﺭﺍﻯ ﺍﺳﻼﻣﻰ‬ ‫ﻣﻰﮔﻮﻳﻨﺪ ﺗﻮ ﮔﻔﺘﻰ ﺑﻪ ﺭﻭﺣﺎﻧﻰ ﺭﺍﻯ ﺑﺪﻫﻴﻢ‪.‬‬ ‫ﻣﻰﻛﻨﻨﺪ‪.‬‬ ‫ﺟﺸﻨﻮﺍﺭﻩ ﻓﺠﺮ ﺩﺭ ﺳﺎﻝ ‪ 93‬ﭼﻨﺪ ﻧﻤﻮﻧﻪ ﺍﺯ‬ ‫ﺣﺎﻟﻰ ﻛﻪ ﻫﻤﻪ ﺍﻋﻀﺎﻯ ﺍﺭﻛﺴﺘﺮ ﺁﻣﺎﺩﻩ ﺑﻮﺩﻧﺪ‬
‫ﻛﻪ ﺍﺳﻔﻨﺪﻣﺎﻩ ﺍﻣﺴﺎﻝ ﺑﺮﮔﺰﺍﺭ ﻣﻰﺷﻮﺩ ﻭ‬ ‫ﻣﻌﺘﻘﺪﻡ ﺍﺣﻤﺪﻯﻧﮋﺍﺩ ﺩﺳﺘﺎﻭﺭﺩ ﻧﺎﺍﻣﻴﺪﻯ‬ ‫ﺩﻩﻫﺎ ﻧﻤﻮﻧﻪ ﻟﻐﻮ ﻛﻨﺴﺮﺕ ﻭ ﻧﺪﺍﺩﻥ ﻣﺠﻮﺯ‬ ‫ﻭ ﺗﻨﻬﺎ ﭘﺎﻧﺰﺩﻩ ﺩﻗﻴﻘﻪ ﻣﺎﻧﺪﻩ ﺑﻪ ﺍﺟﺮﺍﻯ ﺍﻭﻟﻴﻦ‬
‫ﻫﻤﭽﻨﻴﻦ ﺍﻧﺘﺨﺎﺑﺎﺕ ﺩﻭﺍﺯﺩﻫﻤﻴﻦ ﺩﻭﺭﻩ‬ ‫ﻣﺮﺩﻡ ﺑﻮﺩ ﻭ ﺍﻳﻦ ﺭﻭﻧﺪ ﺩﻭﺑﺎﺭﻩ ﺩﺍﺭﺩ ﺷﻜﻞ‬ ‫‪-‬ﺑﺎﻳﺪ ﺭﺍﺑﻄﻪ ﺑﻴﻦ ﺑﻠﻮﻍ ﺳﻴﺎﺳﻰ‪ ،‬ﺍﻗﺘﺼﺎﺩﻯ‪،‬‬ ‫ﺑﻪ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﮔﺮﻭﻩﻫﺎﻯ ﻣﻮﺳﻴﻘﻰ ﺑﻪ ﺩﻟﻴﻞ‬
‫ﺭﻳﺎﺳﺖ ﺟﻤﻬﻮﺭﻯ ﺟﻨﺎﺡ ﺭﻭﺣﺎﻧﻰ ﻧﺎﻛﺎﻡ‬ ‫ﻣﻰﮔﻴﺮﺩ‪ .‬ﻣﻦ ﺩﻳﮕﺮ ﺳﻌﻰ ﻣﻰﻛﻨﻢ ﻫﺰﻳﻨﻪ‬ ‫ﺍﺟﺘﻤﺎﻋﻰ ﻭ ﻓﻜﺮﻯ ﺑﺎ ﺑﻠﻮﻍ ﻋﺒﺎﺩﻯ ﻣﻮﺭﺩ‬ ‫ﻗﻄﻌﻪ‪ ،‬ﺍﻳﻦ ﻛﻨﺴﺮﺕ ﻟﻐﻮ ﺷﺪ‪.‬‬
‫ﺑﻤﺎﻧﺪ‪ .‬ﺍﻣﺎ ﺑﺮﺧﻰ ﺩﻳﮕﺮ ﻧﻴﺰ ﺍﻳﻦ ﻓﺸﺎﺭ ﺭﺍ ﺟﺪﺍ‬ ‫ﻧﺪﻫﻢ ﻭ ﭘﺎﺳﺨﮕﻮﻯ ﻛﺴﺎﻧﻰ ﻛﻪ ﺩﺭ ﺍﻳﻦ‬ ‫ﺑﺎﺯﻧﮕﺮﻯ ﻗﺮﺍﺭ ﺑﮕﻴﺮﺩ‪ .‬ﺩﻭﻟﺖ ﺗﺪﺑﻴﺮ ﻭ ﺍﻣﻴﺪ‬ ‫ﺣﻀﻮﺭ ﺯﻧﺎﻥ ﺩﺭ ﺩﻭﻟﺖ ﻳﺎﺯﺩﻫﻢ ﺍﺳﺖ‪.‬‬
‫ﺍﺯ ﺩﻳﺪﮔﺎﻩ ﻭ ﺭﻭﻳﻜﺮﺩ ﺩﻭﻟﺖ ﻭ ﻭﺯﺍﺭﺕ ﺍﺭﺷﺎﺩ‬ ‫ﻭﺍﺩﻯ ﺑﻪ ﻣﻦ ﺍﻋﺘﻤﺎﺩ ﻛﺮﺩﻩ ﺑﻮﺩﻧﺪ‪ ،‬ﻧﺸﻮﻡ«‪.‬‬ ‫ﺩﺭ ﭼﺎﺭﭼﻮﺏ ﻓﻘﻪ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺯﻣﺎﻥ ﻭ ﻣﻜﺎﻥ‪،‬‬ ‫ﻋﻠﻰ ﺭﻫﺒﺮﻯ‪ ،‬ﻣﺪﻳﺮ ﻫﻨﺮﻯ ﺍﺭﻛﺴﺘﺮ ﺳﻤﻔﻮﻧﻴﻚ‬
‫ﻧﻤﻰﺩﺍﻧﻨﺪ ﻭ ﻣﻌﺘﻘﺪﻧﺪ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺍﻳﻨﻜﻪ‬ ‫ﻟﻮﺍﻳﺤﻰ ﺑﺮﺍﻯ ﺣﻤﺎﻳﺖ ﺍﺯ ﺯﻧﺎﻥ ﺑﻪ ﻣﺠﻠﺲ‬ ‫ﺟﺎﻟﺐ ﺍﻳﻨﺠﺎﺳﺖ ﻛﻪ ﺣﺴﻦ ﺭﻭﺣﺎﻧﻰ ﺩﺭ ﺯﻣﺎﻥ‬ ‫ﺗﻬﺮﺍﻥ ﻧﺤﻮﻩ ﻟﻐﻮ ﺍﻳﻦ ﻛﻨﺴﺮﺕ ﺭﺍ ﺍﻳﻦ ﮔﻮﻧﻪ ﺑﻪ‬
‫ﺩﻭﻟﺘﻤﺮﺩﺍﻥ ﺭﻭﺣﺎﻧﻰ ﺑﻴﺸﺘﺮ ﺍﺯ ﭼﻬﺮﻩﻫﺎﻯ‬ ‫ﺗﺒﻠﻴﻐﺎﺕ ﺍﻧﺘﺨﺎﺑﺎﺗﻰ ﻭ ﺍﻭﺍﻳﻞ ﺩﻭﺭﺍﻥ ﺭﻳﺎﺳﺖ‬ ‫ﺧﺒﺮﮔﺰﺍﺭﻯ ﺍﻳﺴﻨﺎ ﺗﻮﺿﻴﺢ ﺩﺍﺩﻩ ﺍﺳﺖ‪ :‬ﺩﻟﻴﻞ‬
‫ﺍﻣﻨﻴﺘﻰ ﺩﻳﺮﻭﺯ ﻫﺴﺘﻨﺪ ﻭ ﺍﺯ ﺣﻠﻘﻪ ﻣﻌﺘﻘﺪﻳﻦ‬ ‫ﺍﺭﺍﺋﻪ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﺟﻤﻬﻮﺭﻯ ﺷﻌﺎﺭﻫﺎ ﻭ ﻭﻋﺪﻩﻫﺎﻯ ﻗﺎﺑﻞ ﺗﻮﺟﻬﻰ‬ ‫ﺍﺻﻠﻰ ﻟﻐﻮ ﺍﻳﻦ ﺍﺟﺮﺍ‪ ،‬ﺧﻴﻠﻰ ﺳﺎﺩﻩ ﺑﻮﺩ؛ ﻣﺎ ﺑﻪ‬
‫ﺑﻪ ﺍﺻﻮﻝ ﻛﻠﻰ ﻭ ﺟﺰﻳﻰ ﺣﻜﻮﻣﺖ ﺟﻤﻬﻮﺭﻯ‬ ‫ﺍﻣﺎ ﺩﻭﻟﺖ ﺭﻭﺣﺎﻧﻰ ﻧﻪ ﺗﻨﻬﺎ ﻧﺘﻮﺍﻧﺴﺖ ﺑﻪ ﻫﻴﭻ‬ ‫ﺩﺭ ﻣﻮﺭﺩ ﺯﻧﺎﻥ ﻭ ﺣﻀﻮﺭ ﺁﻧﺎﻥ ﺩﺭ ﻋﺮﺻﻪﻫﺎﻯ‬ ‫ﻣﺠﻤﻮﻋﻪ ﻭﺭﺯﺷﻰ ﺁﺯﺍﺩﻯ ﺩﻋﻮﺕ ﺷﺪﻳﻢ ﻭ ﺁﻧﺠﺎ‬
‫ﺍﺳﻼﻣﻰ ﻭ ﺍﻏﻠﺐ ﺍﺻﻮﻝﮔﺮﺍ ﻫﺴﺘﻨﺪ‪ ،‬ﺩﺭ‬ ‫ﻳﻚ ﺍﺯ ﺍﻳﻦ ﻭﻋﺪﻩﻫﺎ ﻋﻤﻞ ﻛﻨﺪ ﺑﻠﻜﻪ ﻓﻀﺎﻯ‬ ‫ﮔﻮﻧﺎﮔﻮﻥ ﺩﺍﺩﻩ ﺑﻮﺩ ﻛﻪ ﭼﻨﺪ ﻧﻤﻮﻧﻪ ﺍﺯ ﺁﻧﻬﺎ ﺭﺍ‬ ‫ﻫﻤﻪﭼﻴﺰ ﺑﺮﺍﻯ ﺍﺟﺮﺍ ﺁﻣﺎﺩﻩ ﺑﻮﺩ‪ .‬ﺻﻨﺪﻟﻰﻫﺎ ﺭﺍ‬
‫ﺑﺮﺧﻮﺭﺩ ﺑﺎ ﻫﻨﺮ ﻭ ﺑﻪ ﻭﻳﮋﻩ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺯﻥ‬ ‫ﻓﻌﺎﻟﻴﺖ ﺑﺮﺍﻯ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺑﻪ ﻭﻳﮋﻩ ﻫﻨﺮﻣﻨﺪﺍﻥ‬ ‫ﺑﺮﺍﻯ ﻧﻮﺍﺯﻧﺪﮔﺎﻥ ﭼﻴﺪﻩ ﺑﻮﺩﻧﺪ ﻭ ﻫﻤﻪﭼﻴﺰ‬
‫ﺑﺪﻭﻥ ﺷﻚ ﺩﻳﺪﮔﺎﻫﻰ ﺑﺮﺧﻼﻑ ﺩﻳﺪﮔﺎﻩ‬ ‫ﺯﻥ ﺑﺴﺘﻪﺗﺮ ﺍﺯ ﮔﺬﺷﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺗﻌﺪﺍﺩﻯ‬ ‫ﻣﺮﻭﺭ ﻣﻰﻛﻨﻴﻢ‪:‬‬ ‫ﺧﻮﺏ ﺑﻪﻧﻈﺮ ﻣﻰﺭﺳﻴﺪ‪ ،‬ﺍﻣﺎ ﻭﻗﺘﻰ ‪ 15‬ﺩﻗﻴﻘﻪ‬
‫ﺗﻨﺪﺭﻭﻫﺎ ﻧﺪﺍﺭﻧﺪ ﻭ ﻭﻋﺪﻩﻫﺎﻯ ﺭﻭﺣﺎﻧﻰ ﺩﺭ‬ ‫ﺍﺯ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺩﺭ ﺍﻳﻦ ﻣﺪﺕ »ﻣﻤﻨﻮﻉ ﺍﻟﻜﺎﺭ«‬ ‫‪-‬ﻋﺪﺍﻟﺖ ﺑﻪ ﺍﻳﻦ ﻣﻌﻨﺎ ﺍﺳﺖ ﻛﻪ ﺑﺮﺍﻯ ﻛﻞ‬ ‫ﺑﻪ ﺍﺟﺮﺍ ﺯﻣﺎﻥ ﻣﺎﻧﺪﻩ ﺑﻮﺩ ﻭ ﻣﺎ ﺩﺍﺷﺘﻴﻢ ﺑﺮﺍﻯ‬
‫ﺯﻣﺎﻥ ﻛﺎﻧﺪﻳﺪﺍﺗﻮﺭﻯ ﻭ ﭘﺲ ﺍﺯ ﭘﻴﺮﻭﺯﻯ ﺩﺭ‬ ‫ﺷﺪﻩﺍﻧﺪ‪ ،‬ﺗﻌﺪﺍﺩﻯ ﺍﺯ ﻫﻨﺮﭘﻴﺸﻪﻫﺎﻯ ﺯﻥ‬ ‫ﻣﺮﺩﻡ ﻭ ﺍﺗﺒﺎﻉ ﺍﻳﺮﺍﻧﻰ ﺍﻋﻢ ﺍﺯ ﺯﻥ ﻭ ﻣﺮﺩ ﻓﺮﺻﺖ‬ ‫ﺍﺟﺮﺍﻯ ﺳﺮﻭﺩ ﺭﺳﻤﻰ ﻛﺸﻮﺭ ﺁﻣﺎﺩﻩ ﻣﻰﺷﺪﻳﻢ‪،‬‬
‫ﺍﻧﺘﺨﺎﺑﺎﺕ‪ ،‬ﺗﻨﻬﺎ ﺑﺮﺍﻯ ﻛﺴﺐ ﺭﺍﻯ ﻭ ﺍﻳﺠﺎﺩ‬ ‫»ﻣﻤﻨﻮﻉﺍﻟﺘﺼﻮﻳﺮ« ﺷﺪﻧﺪ ﻭ ﺩﺭ ﻣﺎﻩﻫﺎﻯ‬ ‫ﻳﻚﺩﻓﻌﻪ ﺍﻋﻼﻡ ﻛﺮﺩﻧﺪ ﻛﻪ ﺯﻧﺎﻥ ﻧﺒﺎﻳﺪ ﺭﻭﻯ‬
‫ﮔﺬﺷﺘﻪ ﺩﻭ ﺑﺎﺯﻳﮕﺮ ﺯﻥ ﺑﻪ ﺩﻟﻴﻞ ﻓﺸﺎﺭﻫﺎﻯ‬ ‫ﻳﻜﺴﺎﻥ ﻓﺮﺍﻫﻢ ﺷﻮﺩ‪.‬‬
‫ﺭﻭﺣﻴﻪ ﻫﻤﺮﺍﻫﻰ ﺩﺭ ﻣﺮﺩﻡ ﺑﻮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﻣﻮﺟﻮﺩ ﺩﺭ ﻓﻀﺎﻯ ﻫﻨﺮﻯ ﻛﺸﻮﺭ‪ ،‬ﺍﻳﺮﺍﻥ ﺭﺍ‬ ‫– ﻣﻦ ﻣﻌﺘﻘﺪﻡ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻣﺎ ﻣﻰﺗﻮﺍﻧﻨﺪ‬ ‫ﺻﺤﻨﻪ ﺳﺎﺯ ﺑﺰﻧﻨﺪ‪.‬‬
‫ﺗﺮﻙ ﻛﺮﺩﻩﺍﻧﺪ‪ .‬ﺩﺭ ﻫﻤﻴﻦ ﺣﺎﻝ ﺑﺮﺧﻰ ﺍﺯ‬ ‫ﻫﺪﺍﻳﺘﮕﺮ ﺑﺎﺷﻨﺪ ﻭ ﺭﺍﻩ ﺭﺍ ﺑﺮ ﺟﺎﻣﻌﻪ ﻭ‬
‫ﻭﻟﻰ ﻣﺤﺪﻭﺩ ﻛﺮﺩﻥ ﻓﻀﺎ ﺑﺮﺍﻯ ﻫﻨﺮﻣﻨﺪﺍﻥ‬ ‫ﻫﻨﺮﻣﻨﺪﺍﻧﻰ ﻛﻪ ﺩﺭ ﺳﺎﻝ ‪ 92‬ﺑﺎ ﺗﻤﺎﻡ ﺗﻮﺍﻥ ﺩﺭ‬ ‫ﺩﻭﻟﺖ ﻧﺸﺎﻥ ﺩﻫﻨﺪ‪ .‬ﻛﺎﺭ ﻫﻨﺮ ﺭﺍ ﻧﺒﺎﻳﺪ ﺑﻪ‬ ‫ﺍﻭ ﺍﺩﺍﻣﻪ ﺩﺍﺩ‪ :‬ﻣﻦ ﺍﺯ ﺍﻳﻦ ﺍﺗﻔﺎﻕ ﻧﺎﺭﺍﺣﺖ ﺷﺪﻡ‬
‫ﺑﻪ ﻭﻳﮋﻩ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺯﻥ ﺑﺎ ﻫﺮ ﻛﺪﺍﻡ ﺍﺯ‬ ‫ﺣﻤﺎﻳﺖ ﺍﺯ ﻛﺎﻧﺪﻳﺪﺍﺗﻮﺭﻯ ﺣﺴﻦ ﺭﻭﺣﺎﻧﻰ ﻇﺎﻫﺮ‬ ‫»ﺩﺳﺘﻮﺭﺑﮕﻴﺮ« ﺑﺴﭙﺎﺭﻳﻢ‪ .‬ﻛﺎﺭ ﻓﺮﻫﻨﮓ ﺭﺍ ﺑﺎﻳﺪ‬ ‫ﻭ ﮔﻔﺘﻢ ﺍﻣﻜﺎﻥ ﻧﺪﺍﺭﺩ ﺍﻳﻦ ﺍﻫﺎﻧﺖ ﺭﺍ ﺑﭙﺬﻳﺮﻡ ﻳﺎ‬
‫ﺭﻭﻳﻜﺮﺩﻫﺎﻯ ﻣﻄﺮﺡ ﺷﺪﻩ ﻛﻪ ﺍﻧﺠﺎﻡ ﺷﻮﺩ‪،‬‬ ‫ﺷﺪﻩ ﻭ ﺑﺮﺍﻯ ﺭﻳﺎﺳﺖ ﺟﻤﻬﻮﺭﻯ ﺍﻭ ﺗﺒﻠﻴﻐﺎﺕ‬ ‫ﺑﻪ ﺍﺻﺤﺎﺏ ﻫﻨﺮ ﺑﺴﭙﺎﺭﻳﻢ ﺑﻪ ﻛﺴﺎﻧﻰ ﻛﻪ ﻫﻨﺮ‬ ‫ﻫﻤﻪ ﺑﺎ ﻫﻢ ﺍﺟﺮﺍ ﻣﻰﻛﻨﻴﻢ ﻳﺎ ﺳﺎﻟﻦ ﺭﺍ ﺗﺮﻙ‬
‫ﻧﺘﻴﺠﻪ ﺁﻥ ﻣﻨﺰﻭﻯ ﻛﺮﺩﻥ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻭ ﺑﻪ‬ ‫ﻓﺮﺍﻭﺍﻧﻰ ﺍﻧﺠﺎﻡ ﺩﺍﺩﻩﺍﻧﺪ ﺍﻛﻨﻮﻥ ﭘﺸﻴﻤﺎﻥ ﺑﻪ‬ ‫ﺭﺍ ﺗﺠﺮﺑﻪ ﻛﺮﺩﻧﺪ ﻭ ﺩﺭ ﻓﻀﺎﻯ ﻫﻨﺮ ﺯﻧﺪﮔﻰ‬ ‫ﻣﻰﻛﻨﻴﻢ‪ .‬ﺑﻌﺪ ﻋﺪﻩﺍﻯ ﺭﻓﺘﻨﺪ ﻛﻪ ﺭﺍﻳﺰﻧﻰ‬
‫ﺣﺎﺷﻴﻪ ﺭﺍﻧﺪﻩ ﺷﺪﻥ ﺯﻧﺎﻥ ﺁﻥ ﻫﻢ ﺩﺭ ﻗﺮﻥ‬ ‫ﻧﻈﺮ ﻣﻰﺭﺳﻨﺪ‪ .‬ﺑﺮﺍﻯ ﻧﻤﻮﻧﻪ ﻣﻨﻴﮋﻩ ﺣﻜﻤﺖ‪،‬‬ ‫ﻛﺮﺩﻩﺍﻧﺪ ﻭ ﻣﻦ ﻣﻌﺘﻘﺪﻡ ﺍﻳﻦ ﻣﺮﺩﻡ ﻫﺴﺘﻨﺪ‬ ‫ﻛﻨﻨﺪ ﺗﺎ ﺍﻳﻦ ﻣﺸﻜﻞ ﺣﻞ ﺷﻮﺩ‪ .‬ﺩﺭ ﻧﻬﺎﻳﺖ ﻫﻢ‬
‫‪ 21‬ﻭ ﺩﺭ ﻛﺸﻮﺭﻯ ﺍﺳﺖ ﻛﻪ ﻋﻤﺮ ﺣﻀﻮﺭ ﺯﻧﺎﻥ‬ ‫ﺗﻬﻴﻪﻛﻨﻨﺪﻩ ﻭ ﻛﺎﺭﮔﺮﺩﺍﻥ ﺳﻴﻨﻤﺎ ﺩﺭ ﻣﺼﺎﺣﺒﻪ‬ ‫ﮔﻔﺘﻨﺪ‪ ،‬ﺍﺻﻼ ﻧﻤﻰﺷﻮﺩ‪ ،‬ﺧﺎﻧﻢﻫﺎ ﺳﺎﺯ ﺑﺰﻧﻨﺪ‪.‬‬
‫ﺩﺭ ﺣﻮﺯﻩ ﻣﻮﺳﻴﻘﻰ ﺑﺎ ﻣﺮﺩﺍﻥ ﺑﺮﺍﺑﺮﻯ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﺑﺎ ﻧﺸﺮﻳﻪ ﺻﺪﺍ ﻋﻨﻮﺍﻥ ﻛﺮﺩﻩ‪» :‬ﻣﻦ ﺩﺭ ﺍﻳﻦ‬ ‫ﻛﻪ ﺑﻪ ﻛﺎﺭ ﻫﻨﺮﻣﻨﺪ ﺍﺭﺯﺵ ﻣﻰﺩﻫﻨﺪ‪.‬‬
‫ﺩﺭ ﭘﺎﻳﺎﻥ ﺍﻳﻦ ﭘﺮﺳﺶ ﻣﻄﺮﺡ ﻣﻰﺷﻮﺩ‬ ‫‪-‬ﺩﺭ ﺩﻭﻟﺖ ﺗﺪﺑﻴﺮ ﻭ ﺍﻣﻴﺪ‪ ،‬ﺧﻮﺩﺭﺃﻳﻰ ﻭ‬ ‫ﻣﻦ ﻫﻢ ﭘﺎﺳﺦ ﺩﺍﺩﻡ‪ ،‬ﺍﺻﻼ ﺍﺟﺮﺍ ﻧﻤﻰﻛﻨﻴﻢ‪.‬‬
‫ﻛﻪ ﭼﮕﻮﻧﻪ ﺩﺭ ﻓﻀﺎﻳﻰ ﻛﻪ ﺗﻔﻜﺮ ﺣﺎﻛﻢ ﺑﺮ‬ ‫ﻋﻠﻰ ﺭﻫﺒﺮﻯ ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﺍﻳﻦ ﺭﻭﻳﺪﺍﺩ ﺭﺍ‬
‫ﻛﺸﻮﺭ ﺑﺮﺍﻯ ﺣﺬﻑ ﺯﻧﺎﻥ ﺍﺯ ﺭﻭﻯ ﺳﻦ ﺍﺟﺮﺍﻯ‬ ‫ﺧﺠﺎﻟﺖﺁﻭﺭ ﺧﻮﺍﻧﺪﻩ‪ ،‬ﺗﻮﺿﻴﺢ ﺩﺍﺩﻩ ﺯﻧﺎﻧﻰ ﻛﻪ‬
‫ﻣﻮﺳﻴﻘﻰ ﺗﺠﻬﻴﺰ ﺷﺪﻩ‪ ،‬ﻣﻰﺗﻮﺍﻥ ﺍﺯ ﻣﺸﺎﺭﻛﺖ‬ ‫ﺩﺭ ﺍﻛﺴﺘﺮ ﺣﻀﻮﺭ ﺩﺍﺭﻧﺪ ﻗﺮﺍﺭ ﻧﺒﻮﺩ ﻫﻴﭻ ﻛﺎﺭ‬
‫ﺣﺪﺍﻛﺜﺮﻯ ﺯﻧﺎﻥ ﺩﺭ ﻋﺮﺻﻪﻫﺎﻯ ﻣﺨﺘﻠﻒ‬ ‫ﺧﺎﺻﻰ ﻛﻨﻨﺪ ﻭ ﻓﻘﻂ ﻗﺮﺍﺭ ﺑﻮﺩ ﭼﻨﺪ ﻗﻄﻌﻪ‬
‫ﺳﺨﻦ ﮔﻔﺖ ﻭ ﺑﺮﺍﻯ ﺣﻘﻮﻕ ﺑﺮﺍﺑﺮ ﺗﻼﺵ‬ ‫ﻣﻮﺳﻴﻘﻰ ﺍﺟﺮﺍ ﻛﻨﻨﺪ‪ .‬ﺍﻭ ﺍﻳﻦ ﺳﻮﺍﻝ ﺭﺍ ﻣﻄﺮﺡ‬
‫ﻛﺮﺩ؟ ﺑﺎ ﭼﻪ ﺗﺮﻓﻨﺪﻯ ﻣﻰﺗﻮﺍﻥ ﺩﺭ ﺍﺳﻔﻨﺪﻣﺎﻩ‬ ‫ﻛﺮﺩﻩ ﺍﺳﺖ ﻛﻪ ﭼﺮﺍ ﺯﻧﺎﻥ ﻧﺒﺎﻳﺪ ﺑﺘﻮﺍﻧﻨﺪ‬
‫ﻫﻤﻴﻦ ﺯﻧﺎﻥ ﺭﺍ ﺩﻭﺑﺎﺭﻩ ﺑﻪ ﭘﺎﻯ ﺻﻨﺪﻭﻕﻫﺎﻯ‬ ‫ﺳﺮﻭﺩ ﺭﺳﻤﻰ ﻛﺸﻮﺭﺷﺎﻥ ]ﺳﺮﻭﺩ ﺟﻤﻬﻮﺭﻯ‬
‫ﺭﺃﻯ ﻛﺸﺎﻧﺪ؟ ﺯﻳﺮﺍ ﺍﮔﺮ ﺭژﻳﻢ ﺑﻪ ﺳﺎﺯ ﻭ ﺁﻭﺍﺯ‬
‫ﺯﻧﺎﻥ ﻧﻴﺎﺯﻯ ﻧﺪﺍﺭﺩ‪ ،‬ﺍﻣﺎ ﻫﻤﻮﺍﺭﻩ ﺑﻪ ﻋﻨﻮﺍﻥ‬ ‫ﺍﺳﻼﻣﻰ[ ﺭﺍ ﺍﺟﺮﺍ ﻛﻨﻨﺪ؟‬
‫ﻧﻴﻤﻰ ﺍﺯ ﺟﻤﻌﻴﺖ ﺭﺃﻯ ﺩﻫﻨﺪﻩ‪ ،‬ﻗﻄﻌﺎ ﺑﻪ ﺁﺭﺍﻯ‬
‫ﭘﺲ ﺍﺯ ﻟﻐﻮ ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﺭﺳﻮﻝ ﺧﺎﺩﻡ‪ ،‬ﺭﺋﻴﺲ‬
‫ﺁﻧﻬﺎ ﻣﺤﺘﺎﺝ ﺍﺳﺖ‪.‬‬ ‫ﻓﺪﺭﺍﺳﻴﻮﻥ ﻛﺸﺘﻰ ﻧﻴﺰ ﺩﺭ ﻧﺎﻣﻪﺍﻯ ﺑﻪ ﻋﻠﻰ‬
‫ﺟﻨﺘﻰ‪ ،‬ﻭﺯﻳﺮ ﺍﺭﺷﺎﺩ ﺩﻭﻟﺖ ﻳﺎﺯﺩﻫﻢ ﺑﻪ ﺍﻳﻦ‬
‫ﺍﻗﺪﺍﻡ ﺍﻋﺘﺮﺍﺽ ﻭ ﺧﻮﺍﺳﺘﺎﺭ ﭘﻴﮕﻴﺮﻯ ﺍﻳﻦ‬
‫ﻣﺴﺎﻟﻪ ﺷﺪ‪ .‬ﺭﺋﻴﺲ ﻓﺪﺭﺍﺳﻴﻮﻥ ﻛﺸﺘﻰ ﺩﺭ ﺍﻳﻦ‬
‫ﻧﺎﻣﻪ ﺗﻮﺿﻴﺢ ﺩﺍﺩﻩ ﺍﺳﺖ ﻛﻪ‪» :‬ﺑﺎ ﻋﻨﺎﻳﺖ ﺑﻪ‬
‫ﺍﻳﻨﻜﻪ ﺣﻀﻮﺭ »ﺍﺭﻛﺴﺘﺮ ﺳﻤﻔﻮﻧﻴﻚ ﺟﻤﻬﻮﺭﻯ‬
‫ﺍﺳﻼﻣﻰ ﺍﻳﺮﺍﻥ« ﺑﻪ ﻋﻨﻮﺍﻥ ﺑﺎﻻﺗﺮﻳﻦ ﻣﺮﺟﻊ‬
‫ﺭﺳﻤﻰ ﺍﺟﺮﺍﻯ »ﺳﺮﻭﺩ ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ‬
‫ﺍﻳﺮﺍﻥ«‪ ،‬ﭘﻴﺶ ﺍﺯ ﺁﻏﺎﺯ ﻣﺴﺎﺑﻘﺎﺕ‪ ،‬ﺻﺮﻓﺎً ﺑﻪ‬
‫ﻋﻨﻮﺍﻥ ﺍﺟﺮﺍ ﻛﻨﻨﺪﻩ ﺑﺮﻧﺎﻣﻪ ﻭ ﻧﻪ ﺗﻤﺎﺷﺎﮔﺮ‪،‬‬
‫ﻫﻴﭻ ﻣﻐﺎﻳﺮﺗﻰ ﺑﺎ ﺿﻮﺍﺑﻂ ﺟﺎﺭﻯ ﻛﺸﻮﺭ ﻧﺪﺍﺷﺘﻪ‬
‫ﺍﺳﺖ‪ ،‬ﺍﻗﺪﺍﻡ ﻳﺎﺩﺷﺪﻩ ﺩﺭ ﺷﺮﺍﻳﻂ ﻓﻌﻠﻰ ﺟﺎﻣﻌﻪ‬
‫ﻭ ﺩﺭ ﻣﻴﺎﻥ ﺍﻓﻜﺎﺭ ﻋﻤﻮﻣﻰ ﻭ ﻋﻼﻗﻤﻨﺪﺍﻥ ﺑﻪ‬
‫ﻋﺮﺻﻪ ﻓﺮﻫﻨﮓ ﺩﺭ ﻛﺸﻮﺭ‪ ،‬ﺣﺎﻝ ﻭ ﻫﻮﺍﻯ‬

‫ﻣﻨﺎﺳﺒﻰ ﺩﺭ ﭘﻰ ﻧﺪﺍﺷﺘﻪ ﻭ ﻧﺪﺍﺭﺩ«‪.‬‬
‫ﺍﻳﻦ ﺍﻭﻟﻴﻦ ﺑﺎﺭ ﻧﺒﻮﺩ ﻛﻪ ﺩﺭ ﺩﻭﻟﺖ ﺣﺠﺖﺍﻻﺳﻼﻡ‬
‫ﺣﺴﻦ ﺭﻭﺣﺎﻧﻰ ﻟﻐﻮ ﻛﻨﺴﺮﺕﻫﺎ ﺧﺒﺮﺳﺎﺯ ﺷﺪﻩ‬
‫ﺍﺳﺖ‪ .‬ﺩﺭ ﺍﻳﻦ ﻣﻴﺎﻥ ﺯﻧﺎﻥ ﻫﻨﺮﻣﻨﺪ ﺍﺯ ﺍﻳﻦ‬
‫ﻣﺤﺪﻭﺩﻳﺖﻫﺎ ﺳﻬﻢ ﺑﻴﺸﺘﺮﻯ ﺩﺍﺷﺘﻪ ﻭ ﺩﺍﺭﻧﺪ‪.‬‬
‫ﺑﺮ ﻫﻢ ﺯﺩﻥ ﻛﻨﺴﺮﺕ ﺳﺎﻻﺭ ﻋﻘﻴﻠﻰ ﺩﺭ ﻃﺮﻗﺒﻪ‬
‫ﻣﺸﻬﺪ ﺑﺎ ﭘﺎﻳﻴﻦ ﺁﻭﺭﺩﻥ ﺣﺮﻳﺮ ﺷﺮﻳﻌﺖﺯﺍﺩﻩ‪،‬‬

‫ﻛﺮﺩﻳﻢ ﻧﻪ ﺗﻨﻬﺎ ﺍﻳﻦ ﻛﺎﺭ ﺭﺍ ﺍﻧﺠﺎﻡ ﺩﻫﺪ ﺑﻠﻜﻪ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ‬ ‫ﻭﻯ ﺳﺎﻛﻦ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺩﺭ ﺳﺎﻝ ‪ 1390‬ﺁﺭﻳﺎ ﺍﺯ ﺍﻧﺪﻭﻧﺰﻯ ﺑﺎ ﺑﺨﺶ »ﻧﻈﺮ ﺷﻤﺎ ﺑﺮﺍﻯ‬ ‫ﺳﺮﻭﺭﻗﻰ ﺯﻧﺪﻩ ﺯﻧﺪﮔﻰ‬
‫ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺭﺍ ﺗﺎ ﭘﺎﻳﺎﻥ ﺍﻳﻨﻜﻪ ﻣﺎﺟﺮﺍﻯ ﻣﻬﺎﺟﺮﺗﺶ ﺑﻪ‬ ‫ﺧﻮﺍﻧﻨﺪﻩ ﺩﻳﮕﺮﻯ ﺍﻳﻦ ﻳﺎﺩﺩﺍﺷﺖ ﺁﺭﻳﺎ ﺭﺍ ﺧﻮﺍﻧﺪ ﻭ ﺣﺎﺿﺮ‬ ‫ﻣﺎ ﻣﻬﻢ ﺍﺳﺖ« ﺳﺎﻳﺖ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪ ،‬ﻛﻴﻬﺎﻥ ﺁﻧﻼﻳﻦ‪ ،‬ﺗﻤﺎﺱ‬ ‫ﻣﺎﺟﺮﺍﻳﻰ ﺍﺯ ﻧﺴﻞ ﺗﺎﺯﻩ ﻣﻮﺝ ﻣﻬﺎﺟﺮﺕ ﺍﻳﺮﺍﻧﻴﺎﻥ‬
‫ﺍﺳﺘﺮﺍﻟﻴﺎ ﺑﻪ ﻛﺠﺎ ﺧﻮﺍﻫﺪ ﺭﺳﻴﺪ‪ ،‬ﺑﺎ ﺧﻮﺩ ﻫﻤﺮﺍﻩ ﻛﻨﺪ‪.‬‬ ‫ﺷﺪ ﻫﺰﻳﻨﻪ ﺍﺷﺘﺮﺍﻙ ﻛﻴﻬﺎﻥ ﺭﺍ ﺑﺮﺍﻯ ﺁﺭﻳﺎ ﻭ ﺩﻳﮕﺮ ﺍﻳﺮﺍﻧﻴﺎﻥ‬ ‫ﮔﺮﻓﺖ ﻭ ﭘﺲ ﺍﺯ ﺍﺑﺮﺍﺯ ﻣﻬﺮ ﻭ ﻋﻼﻗﻪ ﺑﻪ ﺍﻳﻦ ﺭﻭﺯﻧﺎﻣﻪ‪ ،‬ﺧﻮﺍﻫﺶ‬
‫ﺣﺎﻝ ﺑﺎ ﺍﻧﺘﺸﺎﺭ ﻧﺴﺨﻪ ﭘﻰ ﺩﻯ ﺍﻑ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪ ،‬ﻫﺮ ﻫﻔﺘﻪ‬ ‫ﻛﺮﺩ ﻣﻄﺎﻟﺐ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺩﺭ ﻓﺮﻣﺎﺗﻰ ﺑﺮﺍﻳﺶ ﻓﺮﺳﺘﺎﺩﻩ ﺷﻮﺩ‬ ‫ﺍﻭﻝ ﺑﺎ ﻣﻦ ﺑﻪ ﺟﺎﻛﺎﺭﺗﺎ ﺑﻴﺎﻳﻴﺪ!‬
‫ﺑﺨﺸﻰ ﺍﺯ ﻣﺎﺟﺮﺍﻯ ﻣﻬﺎﺟﺮﺕ ﺁﺭﻳﺎ ﻭ ﺧﺎﻧﻮﺍﺩﻩﺍﺵ ﺑﻪ ﺍﺳﺘﺮﺍﻟﻴﺎ‬ ‫ﻛﻤﭗ ﭘﻨﺎﻫﺠﻮﻳﺎﻥ ﺩﺭ ﺍﻧﺪﻭﻧﺰﻯ ﺑﭙﺮﺩﺍﺯﺩ‪.‬‬ ‫ﻛﻪ ﺑﺘﻮﺍﻧﺪ ﺑﺎ ﺍﻣﻜﺎﻧﺎﺕ ﺍﻧﺪﻛﻰ ﻛﻪ ﺩﺭ ﺁﻧﺠﺎ ﺩﺍﺭﺩ ﺑﺨﻮﺍﻧﺪ ﻭ ﺩﺭ‬
‫ﺿﻤﻨﺎﺁﺭﻳﺎﺍﺑﺮﺍﺯﻋﻼﻗﻪﻛﺮﺩﻣﺎﺟﺮﺍﻫﺎﻳﻰﺭﺍﻛﻪﺍﺯﺳﺮﮔﺬﺭﺍﻧﺪﻩ‬ ‫ﺍﺧﺘﻴﺎﺭ ﺩﻳﮕﺮ ﭘﻨﺎﻩﺟﻮﻳﺎﻥ ﺍﻳﺮﺍﻧﻰ ﻗﺮﺍﺭ ﺩﻫﺪ ﻛﻪ ﺩﺭ ﻛﻤﭗ‬
‫ﺭﺍ ﺑﻪ ﻫﻤﺎﻥ ﺯﺑﺎﻧﻰ ﻛﻪ ﺧﻮﺩﺵ ﺑﻴﺎﻥ ﻣﻰﻛﺮﺩ‪ ،‬ﻣﻰﺧﻮﺍﻧﻴﺪ‪:‬‬ ‫ﺑﺎ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﻛﻴﻬﺎﻥ ﺩﺭ ﻣﻴﺎﻥ ﺑﮕﺬﺍﺭﺩ‪ .‬ﻣﺎ ﺍﺯ ﺍﻭ ﺧﻮﺍﻫﺶ‬

‫ﻛﻪ ﺍﻳﻦ ﻫﻤﻪ ﺍﻧﺴﺎﻥ ﺭﻭ ﺁﻭﺍﺭﻩ ﻛﺮﺩﻧﺪ ﻭ‬ ‫ﺧﺪﺍ ﻛﻨﻪ ﺑﺮﺍﺷﻮﻥ ﻣﺸﻜﻠﻰ ﭘﻴﺶ‬ ‫ﻛﻪ ﻗﺮﺍﺭﻩ ﻳﻪ ﺗﻌﺪﺍﺩ ﺍﺯ ﻣﺠﺮﺩﻫﺎ ﺭﻭ ﺍﻧﺘﻘﺎﻝ‬ ‫ﻣﺎ ﻳﺎ ﻣﺠﺮﺩﺍ ﻧﺮﺳﻴﺪﻩ ﻛﻪ ﺍﻣﻴﺪﻭﺍﺭﻡ‬ ‫ﻧﺪﺍﺭﻳﻢ ﺍﻟﺒﺘﻪ ﻓﻘﻂ ﮔﻮﺷﻰ ﻣﻦ ﻓﻮﻧﺖ‬ ‫ﺑﺨﺶ ﺳﻰ ﻭ ﻫﻔﺘﻢ‪:‬‬
‫ﻫﺮ ﺭﻭﺯ ﺑﺎﻳﺪ ﺗﻦ ﻭ ﺑﺪﻥ ﻣﺮﺩﻡ ﺑﻠﺮﺯﻩ‪ ،‬ﻳﻪ‬ ‫ﻧﻴﺎﺩ‪ .‬ﺍﻧﮕﺎﺭ ﺑﻌﺪ ﺍﺯ ﺍﻳﻦ ﻗﺮﺍﺭﺩﺍﺩ ﺟﺪﻳﺪ‬ ‫ﺑﺪﻥ ﻣﺮﺯ ﻣﺎﻟﺰﻯ ﻳﺎ ﻛﺎﻟﻴﺪﺭﺱ ﻣﻌﺮﻭﻑ‪.‬‬ ‫ﻫﺮﭼﻪ ﺯﻭﺩﺗﺮ ﺑﻪ ﺩﺳﺖ ﻣﺎ ﺑﺮﺳﻪ‪.‬‬ ‫ﻓﺎﺭﺳﻰ ﺩﺍﺭﻩ‪.‬‬
‫ﻣﺸﺖ ﻛﻮﺗﺎﻩﺑﻴﻦ ﻛﻪ ﻓﻜﺮ ﻣﻰﻛﻨﻨﺪ ﻋﻤﺮ‬ ‫ﺩﺍﺭﻧﺪ ﺳﺨﺖ ﻣﻰﮔﻴﺮﻧﺪ ﭼﻮﻥ ﻗﺮﺍﺭ ﺑﻮﺩ‬ ‫ﺗﻮ ﺟﺎﻛﺎﺭﺗﺎ ﺑﻬﺸﻮﻥ ﺯﻧﮓ ﺯﺩﻡ ﻭ‬ ‫ﺑﻌﻀﻰ ﻭﻗﺖﻫﺎ ﺑﭽﻪﻫﺎ ﺑﻪ ﺷﻮﺧﻰ‬ ‫ﭘﺲ ﻛﻰ ﻛﻴﻬﺎﻥ ﺑﻪ‬
‫ﺟﺎﻭﺩﺍﻥ ﺩﺍﺭﻧﺪ ﻭ ﺍﻓﺘﺎﺩﻧﺪ ﺑﻪ ﺟﻮﻥ ﻣﻠﺖ‪.‬‬ ‫ﺍﺯ ﻫﻤﻪ ﻣﺘﺎﻫﻞﻫﺎ ﻣﺼﺎﺣﺒﻪ ﺑﮕﻴﺮﻧﺪ ﻭ‬ ‫ﭘﺮﺳﻴﺪﻡ ﺟﺮﻳﺎﻥ ﭼﻴﻪ‪ ،‬ﮔﻔﺘﻨﺪ ﻣﻴﺨﻮﺍﻥ‬ ‫ﻣﻴﮕﻦ ﻣﻤﻜﻨﻪ ﻣﻮﻗﻌﻰ ﻛﻪ ﻣﺎ ﺩﻳﮕﻪ‬ ‫ﺍﻳﻨﺠﺎ ﮔﺎﻫﻰ ﻭﻗﺖﻫﺎ ﺑﭽﻪﻫﺎ ﺩﺭ‬ ‫ﺩﺳﺖ ﻣﺎ ﻣﻴﺮﺳﻪ؟‬
‫ﺍﻣﺸﺐ ﭼﻨﺪ ﺗﺎ ﺍﺯ ﺑﭽﻪﻫﺎ ﺧﻴﻠﻰ‬ ‫ﺗﺎ ﺣﺎﻻ ﻓﻘﻂ ﺍﺯ ﭘﻨﺞ ﺧﺎﻧﻮﺍﺩﻩ ﻣﺼﺎﺣﺒﻪ‬ ‫ﺍﻧﺘﻘﺎﻝﻣﻮﻥ ﺑﺪﻥ‪ ،‬ﺍﻋﺘﺼﺎﺏ ﻛﺮﺩﻳﻢ‬ ‫ﺭﻓﺘﻴﻢ ﺳﻴﺴﺎﺭﻭﺍ ﺭﻭﺯﻧﺎﻣﻪﻫﺎ ﺑﺮﺳﻪ ﻛﻪ‬ ‫ﻛﻤﻴﻦ ﺑﺎﺩﺑﺎﺩﻙﻫﺎ ﻣﻰﻧﺸﻴﻨﻨﺪ ﻭ ﻫﺮ‬
‫ﺩﻟﺸﻮﻥ ﮔﺮﻓﺘﻪ ﺑﻮﺩ ﻭ ﺩﻭﺭ ﻫﻢ ﺟﻤﻊ‬ ‫ﮔﺮﻓﺘﻨﺪ‪ .‬ﻗﺮﺍﺭ ﺑﻮﺩ ﺍﺯ ﻣﺠﺮﺩﺍ ﻫﻢ‬ ‫ﻭ ﺍﻻﻥ ﻫﻢ ﻫﺸﺘﺎﺩ ﻧﻔﺮﻯ ﺗﻮ ﻣﺤﻮﻃﻪ‬ ‫ﺍﻣﻴﺪﻭﺍﺭﻡ ﺍﻳﻨﺠﻮﺭﻯ ﻧﺸﻪ ﻭ ﺍﻳﻦ ﻃﻠﺴﻢ‬ ‫ﻭﻗﺖ ﺑﺎﺩﺑﺎﺩﻙﻫﺎ ﺳﻘﻮﻁ ﻣﻰﻛﻨﻨﺪ‬ ‫ﭼﻨﺪ ﺭﻭﺯ ﺑﻌﺪ ﺍﺯ ﻣﺼﺎﺣﺒﻪ ﻳﻪ ﺳﺮﻯ‬
‫ﺑﻮﺩﻳﻢ ﻭ ﻫﺮﻛﺲ ﻳﻪ ﭼﻴﺰﻯ ﻣﻰﮔﻔﺖ‪.‬‬ ‫ﻣﺼﺎﺣﺒﻪ ﺑﮕﻴﺮﻧﺪ ﻛﻪ ﻧﮕﺮﻓﺘﻨﺪ‪ .‬ﺍﻧﮕﺎﺭ ﺑﺎ‬ ‫ﻧﺸﺴﺘﻴﻢ ﻭ ﻣﺪﺍﻡ ﻣﻴﮕﻦ ﻛﻨﺴﻞ ﺷﺪﻩ‬ ‫ﺑﺸﻜﻨﻪ ﻭ ﻣﺎ ﻫﺮﭼﻪ ﺯﻭﺩﺗﺮ ﺭﻭﺯﻧﺎﻣﻪ ﺭﻭ‬ ‫ﺑﻪ ﺩﻭ ﻣﻴﺮﻥ ﻭ ﺟﻤﻊﺷﻮﻥ ﻣﻰﻛﻨﻨﺪ‬ ‫ﻣﺤﺪﻭﺩﻳﺖﻫﺎﻯ ﻗﺒﻠﻰ ﺭﻭ ﺑﺮﺩﺍﺷﺘﻨﺪ‬
‫ﺩﻳﺪﻡ ﻣﺸﺖ ﺣﺴﻴﻦ ﺁﻗﺎ ﮔﻔﺖ ﻣﻴﺪﻭﻧﻴﺪ‬ ‫ﺍﻳﻦ ﺟﺎﺑﺠﺎﻳﻰﻫﺎ ﻣﻴﺨﻮﺍﻥ ﺧﺴﺘﻪﺷﻮﻥ‬ ‫ﺑﺮﻳﺪ ﺗﻮ ﺳﻠﻮﻝﻫﺎ ﻭ ﺑﭽﻪ ﻫﺎ ﻧﻤﻴﺮﻥ ‪،‬ﺗﺎ‬ ‫ﻭ ﺩﻭﺑﺎﺭﻩ ﺍﺯﺷﻮﻥ ﺍﺳﺘﻔﺎﺩﻩ ﻣﻰﻛﻨﻨﺪ‪.‬‬ ‫ﻭ ﺑﺮﺍﻯ ﻣﺎ ﻫﻢ ﺑﻬﺘﺮ ﺷﺪﻩ‪ .‬ﺍﻻﻥ ﻛﻪ‬
‫ﭼﺮﺍ ﺧﺮ ﺯﻭﺩ ﺧﺴﺘﻪ ﻣﻴﺸﻪ ﻭﺷﺘﺮ ﺩﻳﺮ؟‬ ‫ﻛﻨﻨﺪ ﭼﻮﻥ ﺍﮔﺮ ﺟﺎﺑﺠﺎ ﺑﺸﻦ ﺑﺎﻳﺪ ﺳﻪ‬ ‫ﺩﺭﻳﺎﻓﺖ ﻛﻨﻴﻢ‪.‬‬ ‫ﻣﺸﺖ ﺣﺴﻴﻦ ﺁﻗﺎ ﺗﺒﺤﺮ ﺧﺎﺻﻰ ﺩﺭ‬ ‫ﺩﺍﺷﺘﻢ ﺍﺩﺍﻣﻪ ﻣﺘﻦ ﺭﻭ ﻣﻰﻧﻮﺷﺘﻢ ﺍﻫﻮﺭﺍ‬
‫ﺑﭽﻪﻫﺎ ﻣﻜﺜﻰ ﻛﺮﺩﻧﺪ ﻭﻫﻤﻪ ﺧﻨﺪﻳﺪﻧﺪ‪،‬‬ ‫ﭼﻬﺎﺭﻣﺎﻩ ﺩﻳﮕﻪ ﻣﻨﺘﻈﺮ ﻣﺼﺎﺣﺒﻪ ﺑﺸﻦ‪.‬‬ ‫ﺑﺒﻴﻨﻴﻢ ﭼﻰ ﻣﻴﺸﻪ‪.‬‬ ‫ﺍﻣﺮﻭﺯ ﺍﺯ ﻛﻤﭗ ﻣﺠﺮﺩﺍ ﺑﺎ ﺧﺒﺮ ﺷﺪﻳﻢ‬ ‫ﭘﺮﻭﺍﺯ ﺩﺍﺩﻥ ﺑﺎﺩﺑﺎﺩﻙ ﺩﺍﺭﻩ ﻭ ﺑﭽﻪﻫﺎ‬ ‫ﺑﺎ ﻫﻤﺴﺮﺵ ﺍﻭﻣﺪ ﻭ ﮔﻔﺖ ﻛﻪ ﺑﺎﮔﻮﺷﻰ‬
‫ﮔﻔﺖ ﭼﺮﺍ ﻣﻰﺧﻨﺪﻳﺪ؟ ﮔﻔﺘﻴﻢ ﺁﺧﻪ‬ ‫ﻣﻴﺨﻮﺍﻥ ﺍﻳﻨﻘﺪﺭ ﺧﺴﺘﻪﺷﻮﻥ ﻛﻨﻨﺪ ﺗﺎ‬ ‫ﺭﻭ ﻣﺸﻐﻮﻝ ﻣﻴﻜﻨﻪ‪ .‬ﺍﻧﺼﺎﻓﺎ ﻫﻢ ﺧﻮﺏ‬ ‫ﻳﻪ ﺳﺮ ﺑﻪ ﺳﺎﻳﺖ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺯﺩﻩ ﻭ‬
‫ﺍﻻﻥ ﻣﻮﻗﻊ ﺍﻳﻦ ﺑﺤﺚﻫﺎﺳﺖ؟ ﮔﻔﺖ‬ ‫ﺑﺎﺩﺑﺎﺩﻙﻫﺎ ﺭﻭ ﭘﺮﻭﺍﺯ ﻣﻴﺪﻩ ﻭ ﺑﭽﻪﻫﺎ‬
‫ﻣﻦ ﺩﻳﺪﻡ ﺣﺎﻟﺘﻮﻥ ﺧﺮﺍﺑﻪ ﺯﺩﻡ ﺟﺎﺩﻩ‬ ‫ﺑﺮﮔﺮﺩﻧﺪ ﻛﺸﻮﺭﻫﺎﺷﻮﻥ‪.‬‬ ‫ﺩﺍﺳﺘﺎﻥﻫﺎ ﺭﻭ ﺧﻮﻧﺪﻩ‪.‬‬
‫ﺧﺎﻛﻰ ﻛﻪ ﺑﺨﻨﺪﻳﺪ‪ .‬ﻋﺠﺐ ﺁﺩﻣﻴﻪ ﺍﻳﻦ‬ ‫ﺍﻣﺮﻭﺯ ﺑﺎ ﭘﻮﺭﻳﺎ ﺻﺤﺒﺖ ﻣﻰﻛﺮﺩﻡ‬ ‫ﻛﻠﻰ ﺑﺎﻫﺎﺵ ﺳﺮﮔﺮﻡ ﻣﻴﺸﻦ‪.‬‬ ‫ﺗﺎﺯﮔﻰﻫﺎ ﻛﻪ ﻣﺤﺪﻭﺩﻳﺖﻫﺎﻣﻮﻥ‬
‫ﻣﺸﺖ ﺣﺴﻴﻦ ﺁﻗﺎ‪ ،‬ﮔﻔﺘﻴﻢ ﺣﺎﻻ ﭼﺮﺍ ﺧﺮ‬ ‫ﺑﻴﭽﺎﺭﻩ ﺗﻤﺎﻡ ﻓﺎﻣﻴﻞ ﺍﺯ ﻳﺎﺩﺵ ﺭﻓﺘﻪ ﻭ‬ ‫ﭘﻠﻴﺲﻫﺎ ﻛﻪ ﻗﺒﻼ ﭼﻬﻞ ﺩﻻﺭ ﻭ‬ ‫ﻛﻤﺘﺮ ﺷﺪﻩ ﺍﻫﻮﺭﺍ ﺑﺮﺍﻯ ﻫﻤﺴﺮﺵ‬
‫ﺯﻭﺩ ﺧﺴﺘﻪ ﻣﻴﺸﻪ؟ ﮔﻔﺖ ﺧﺮ ﻭﻗﺘﻰ ﺑﺎﺭ‬ ‫ﺣﺘﺎ ﭘﺪﺭﺑﺰﺭگ ﻭ ﻣﺎﺩﺭﺑﺰﺭگ ﻭ ﻋﻤﻮ ﻭ‬ ‫ﭘﻨﺠﺎﻩ ﺩﻻﺭ ﻣﻰﮔﺮﻓﺘﻨﺪ ﻭ ﺧﺎﻧﻮﺍﺩﻩﻫﺎ‬ ‫ﮔﻮﺷﻰ ﺧﺮﻳﺪﻩ ﻭ ﺑﺮﺍﻯ ﺟﺸﻦ ﺗﻮﻟﺪ‬
‫ﺭﻭ ﺭﻭﻯ ﻛﻤﺮﺵ ﻣﻴﺬﺍﺭﻥ ﺳﺮﺵ ﺭﻭ‬ ‫ﺩﺍﻳﻰ ﻫﻢ ﺍﺯ ﻳﺎﺩﺵ ﺭﻓﺘﻪ‪ .‬ﺧﻴﻠﻰ ﺩﻟﻢ‬ ‫ﺭﻭ ﻣﻰﺑﺮﺩﻧﺪ ﺑﺎﺯﺍﺭ ﺍﻻﻥ ﺑﻪ ﻳﻪ ﭘﺎﻛﺖ‬ ‫ﺑﻬﺶ ﺩﺍﺩﻩ‪ .‬ﺍﻳﻨﺠﺎ ﺑﺎ ﺍﻳﻦ ﺍﻣﻜﺎﻧﺎﺕ‬
‫ﭘﺎﻳﻴﻦ ﻣﻴﮕﻴﺮﻩ‪ ،‬ﻓﻘﻂ ﻳﻪ ﻭﺟﺐ ﺟﻠﻮﺵ‬ ‫ﺑﺮﺍﺵ ﻣﻴﺴﻮﺯﻩ‪ .‬ﺗﻮ ﺍﻳﻦ ﺳﻦ ﺍﺯ ﻫﻤﻪ ﺟﺪﺍ‬ ‫ﺳﻴﮕﺎﺭ ﻫﻢ ﺭﺍﺿﻰ ﻫﺴﺘﻨﺪ ﺑﻌﻀﻰ ﻭﻗﺘﻬﺎ‬ ‫ﻛﻢ ﺑﻌﻀﻰ ﻭﻗﺖﻫﺎ ﺟﺸﻦ ﺗﻮﻟﺪﻫﺎ ﺭﻭ‬
‫ﺭﻭ ﻣﻰﺑﻴﻨﻪ ﻭ ﻫﻤﺶ ﻣﻴﮕﻪ ﺍﻻﻥ ﻣﻴﺮﺳﻢ‬ ‫ﺷﺪﻩ ﻭ ﺗﻚ ﻭ ﺗﻨﻬﺎ‪ .‬ﻭﺍﻗﻌﺎ ﺑﺮﺍﺵ ﺳﺨﺘﻪ‬ ‫ﻫﻢ ﺑﺎ ﻧﺎﻫﺎﺭ ﻳﺎ ﺧﻮﺭﺍﻛﻰﻫﺎﻯ ﺩﻳﮕﻪ‬ ‫ﻫﻢ ﻣﻰﮔﻴﺮﻳﻢ ﻭ ﻫﻤﺪﻳﮕﻪ ﺭﻭ ﺩﻋﻮﺕ‬
‫ﺍﻻﻥ ﻣﻴﺮﺳﻢ ﻭ ﻧﻤﻴﺮﺳﻪ ﻭﺧﺴﺘﻪ ﻣﻴﺸﻪ‬ ‫ﻫﻤﺶ ﻣﻴﮕﻪ ﺑﺎﺑﺎ ﻣﻴﺨﻮﺍﻡ ﺑﺮﻡ ﻛﺸﻮﺭ‬ ‫ﻣﻰﺧﺮﻧﺸﻮﻥ‪ .‬ﺍﻣﺮﻭﺯ ﻣﺎﺷﻴﻦ ﭘﻠﻴﺲ‬ ‫ﻣﻰﻛﻨﻴﻢ‪ .‬ﭼﻨﺪ ﺭﻭﺯﻳﻪ ﺧﺎﻧﻮﺍﺩﻩﻫﺎ‬
‫ﺍﻣﺎ ﺷﺘﺮ ﺳﺮﺵ ﺑﺎﻻﺳﺖ ﻭ ﺩﻭﺭﺩﺳﺖ‬ ‫ﻏﺮﻳﺐ‪ ،‬ﺑﻬﺶ ﻣﻴﮕﻢ ﻛﻰ ﻳﺎﺩﺕ ﺩﺍﺩﻩ؟‬ ‫ﺭﻭ ﺁﻭﺭﺩﻩ ﺑﻮﺩﻧﺪ ﻭ ﭼﻨﺪ ﺧﺎﻧﻮﺍﺩﻩ ﺭﻭ‬ ‫ﺩﻧﺒﺎﻝ ﺳﻮژﻩ ﻣﻰﮔﺮﺩﻧﺪ ﻭ ﻣﺪﺍﻡ‬
‫ﺭﻭ ﻣﻰﺑﻴﻨﻪ ﻭ ﻣﻴﺪﻭﻧﻪ ﺗﺎ ﺑﻪ ﺍﻭﻥ ﺁﺑﺎﺩﻯ‬ ‫ﻛﺸﻮﺭ ﻏﺮﻳﺐ ﻛﺠﺎﺳﺖ؟ ﻣﻴﮕﻪ ﺍﻭﻧﺠﺎ‬ ‫ﺑﺮﺩﻧﺪ ﺑﺎﺯﺍﺭ‪ .‬ﻭﺿﻊﻣﻮﻥ ﺑﻬﺘﺮ ﺷﺪﻩ ﺍﻧﮕﺎﺭ‬ ‫ﺩﺭﮔﻴﺮﻯﻫﺎﻯ ﻛﻮﭼﻜﻰ ﺑﻪ ﻭﺟﻮﺩ ﻣﻴﺎﺩ‬
‫ﻧﺮﺳﻪ ﺑﺎﺭﺵ ﺭﻭ ﺯﻣﻴﻦ ﻧﻤﻴﺬﺍﺭﻥ ﻭ ﺑﻪ‬ ‫ﻛﻪ ﺧﻮﻧﻤﻮﻥ ﺑﻮﺩ‪ ،‬ﺍﺳﺒﺎﺏ ﺑﺎﺯﻯﻫﺎﻡ ﺟﺎ‬ ‫ﺗﻮ ﻳﻜﻰ ﺩﻭﻣﺎﻩ ﺁﻳﻨﺪﻩ ﻛﺴﺎﻧﻰ ﺭﻭ ﻛﻪ‬ ‫ﺍﻟﺒﺘﻪ ﺩﺭ ﺑﻴﺸﺘﺮ ﻣﻮﺍﺭﺩ ﻫﻢ ﻣﺴﺒﺐ‬
‫ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﻫﻢ ﺧﺴﺘﻪ ﻧﻤﻴﺸﻪ‪ .‬ﺍﻳﻦ‬ ‫ﻣﻮﻧﺪﻧﺪ‪ .‬ﻣﻨﻈﻮﺭﺵ ﺳﻴﺴﺎﺭﻭﺍﺳﺖ ﺑﻬﺶ‬ ‫ﻣﺼﺎﺣﺒﻪ ﻣﻴﺸﻦ ﻗﺮﺍﺭﻩ ﺁﺯﺍﺩ ﻛﻨﻨﺪ ﻭ‬ ‫ﺧﺎﻧﻢﻫﺎ ﻫﺴﺘﻨﺪ! ﺍﺯ ﺑﻴﻜﺎﺭﻳﻪ ﺩﻳﮕﻪ! ﭼﻪ‬
‫ﻣﻴﮕﻢ ﺑﺎﺑﺎ ﺩﻳﮕﻪ ﺍﻳﻦ »ﻛﺸﻮﺭ ﻏﺮﻳﺐ« ﺭﻭ‬ ‫ﻣﻤﻜﻨﻪ ﻣﺎ ﻫﻢ ﺑﺮﮔﺮﺩﻳﻢ ﺳﻴﺴﺎﺭﻭﺍ‪ .‬ﺗﻮ‬ ‫ﻛﺎﺭ ﻛﻨﻨﺪ! ﺣﺎﻻ ﺑﺎ ﺍﻳﻦ ﻭﺿﻌﻴﺖ ﻛﻪ ﺍﺯ‬
‫ﺑﺤﺚ ﺭﻭ ﺑﺎ ﺑﭽﻪﻫﺎ ﺍﺩﺍﻣﻪ ﺩﺍﺩﻳﻢ ‪...‬‬ ‫ﺗﻜﺮﺍﺭ ﻧﻜﻦ‪ .‬ﻭﻗﺘﻰ ﺑﻪ ﺯﺑﻮﻥ ﻣﻴﺎﺭﻩ ﺧﻴﻠﻰ‬ ‫ﺍﻳﻦ ﺍﻭﺿﺎﻉ ﺑﭽﻪﻫﺎ ﻫﻢ ﺑﺪﺟﻮﺭ ﻣﻨﺘﻈﺮ‬ ‫ﺗﺤﺮﻳﻢ ﺧﺎﺭﺝ ﺷﺪﻳﻢ ﺗﻌﺪﺍﺩ ﮔﻮﺷﻰﻫﺎ‬
‫ﺍﺩﺍﻣﻪ ﺩﺍﺭﺩ‪...‬‬ ‫ﺩﻟﻢ ﻣﻴﮕﻴﺮﻩ ‪.‬ﻟﻌﻨﺖ ﺑﻪ ﺍﻳﻦ ﺩﻳﻜﺘﺎﺗﻮﺭﻫﺎ‬ ‫ﺭﻭﺯﻧﺎﻣﻪ )ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ( ﻫﺴﺘﻨﺪ ﻭ ﺗﺎ‬ ‫ﺑﻴﺸﺘﺮ ﺷﺪﻩ ﻭ ﻣﺸﻜﻠﻰ ﺑﺮﺍﻯ ﺍﻳﻨﺘﺮﻧﺖ‬
‫ﺍﻳﻦ ﻟﺤﻈﻪ ﻫﻨﻮﺯ ﺭﻭﺯﻧﺎﻣﻪ ﺑﻪ ﺩﺳﺖ‬