Page 5 - (کیهان لندن - سال سى و دوم ـ شماره ۴۶ (دوره جديد

P. 5

‫ﺻﻔﺤﻪ ‪ 5‬ـ ‪ Page 5‬ـ ﺷﻤﺎﺭﻩ ‪46‬‬
‫ﺟﻤﻌﻪ ‪ 12‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 18‬ﻓﻮﺭﻳﻪ ‪2016‬‬

‫ﺑﺒﺮ ﻃﻼﻳﻰ ﺟﺸﻨﻮﺍﺭﻩ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻓﻴﻠﻢ ﺭﻭﺗﺮﺩﺍﻡ‬ ‫ﻃﺮﺡ ﺯﻣﻴﻨﻪ ﺍﺛﺮﻯ ﺍﺯ ﺁﻳﺪﻳﻦ ﺁﻏﺪﺍﺷﻠﻮ‬ ‫ﺑﻬﻤ ِﻦ ﺑﻴﺪﺍﺩﮔﺮ!‬
‫ﺑﺎﺭ ﺩﻳﮕﺮ ﺩﺭ ﺩﺳﺘﺎﻥ ﻓﻴﻠﻢﺳﺎﺯﺍﻥ ﺍﻳﺮﺍﻧﻰ‬
‫ﺑﺎﺯ‪ ،‬ﺗﻮ ﺑﺎﺯ ﺁﻣﺪﻯ‬
‫ﻣﺴﻴﺮﻯ ﻃﻮﻻﻧﻰ ﺭﺍ ﺑﺮﺍﻯ ﺭﺳﻴﺪﻥ ﺑﻪ‬ ‫ﺑﺒﺮ ﻃﻼﻳﻰ ﺑﺮﺍﻯ ﺑﺎﺑﻚ ﺟﻼﻟﻰ ﺑﻪ‬ ‫ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﺭﺿﺎ ﭼﺎﻭﻙ ‪ -‬ﭼﻬﻞ ﻭ ﭘﻨﺠﻤﻴﻦ ﺩﻭﺭﻩ‬ ‫ﺭﺿﺎ ﻣﻘﺼﺪﻯ‬ ‫ﻇﻠﻤ ِﺖ ﺁﻥ ﺧﺎﻙ ُﻭ ِﺧﺸﺖ!‬
‫ﻣﺤﻞ ﻛﺎﺭ ﭘﺸﺖ ﺳﺮ ﻣﻰﮔﺬﺍﺭﺩ‪» .‬ﻣﺎ‬ ‫ﺧﺎﻃﺮ ﻓﻴﻠﻢ »ﺭﻭﻳﺎﻫﺎﻯ ﺭﺍﺩﻳﻮﻳﻰ«‬ ‫ﻓﻴﻠﻢ »ﺳﺮﺯﻣﻴﻦ ﻣﻦ« ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ‬ ‫ﺟﺸﻨﻮﺍﺭﻩ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻓﻴﻠﻢ ﺭﻭﺗﺮﺩﺍﻡ‬
‫ﺩﺭ ﺑﻬﺸﺖ« ﺗﻼﺵ ﻫﺎﻧﻴﻪ ﺑﺮﺍﻯ ﺧﺮﻭﺝ‬ ‫ﺟﻼﻟﻰ‪ ،‬ﻛﺎﺭﮔﺮﺩﺍﻥ ﺍﻳﺮﺍﻧﻰ ﻣﻘﻴﻢ ﻟﻨﺪﻥ ﻭ‬ ‫»ﻣﺎﺭﺗﻴﻦ ﺯﺍﻧﺪﻓﻠﻴﺖ« ﺍﺯ ﺩﺍﻧﻤﺎﺭﻙ ﻣﻘﺎﻡ‬ ‫ﻛﻪ ﺍﺯ ‪ 27‬ژﺍﻧﻮﻳﻪ ﺁﻏﺎﺯ ﺷﺪﻩ ﺑﻮﺩ‪ ،‬ﺭﻭﺯ‬ ‫ﺑﺎﺯ‪ ،‬ﻧﻤﻰﺧﻮﺍﻫﻤﺖ‬
‫ﺍﺯ ﺷﺮﺍﻳﻂ ﺳﺨﺖ ﺯﻧﺪﮔﻰ ﺭﺍ ﺑﻪ ﺗﺼﻮﻳﺮ‬ ‫ﻣﻮﺿﻮﻉ ﺁﻥ ﻣﺸﻜﻼﺕ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻣﻬﺎﺟﺮ‬ ‫ﺍﻭﻝ ﺍﻧﺘﺨﺎﺏ ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﺭﺍ ﺑﻪ ﺧﻮﺩ‬ ‫ﻳﻚﺷﻨﺒﻪ ‪ 7‬ﻓﻮﺭﻳﻪ ﺑﻪ ﻛﺎﺭ ﺧﻮﺩ ﭘﺎﻳﺎﻥ‬ ‫ﺑﻬﻤ ِﻦ ﺧﻮﻧﻴﻦﺳﺮﺷﺖ!‬
‫ﻣﻰﻛﺸﺪ‪ .‬ﺍﻳﻦ ﻓﻴﻠﻢ ﺳﺎﻝ ﻗﺒﻞ ﺩﺭ ﺑﺨﺶ‬ ‫ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﻣﻴﺰﺑﺎﻥ ﺍﺳﺖ‪ .‬ﺩﺭ ﺍﻳﻦ ﻓﻴﻠﻢ‬ ‫ﺍﺧﺘﺼﺎﺹ ﺩﺍﺩ‪ .‬ﺟﺎﻳﺰﻩ ﺍﻳﻦ ﺑﺨﺶ‪ ،‬ﺩﻩ‬ ‫ﺩﺍﺩ‪ .‬ﻣﺪﻳﺮﻳﺖ ﺍﻣﺴﺎﻝ ﺟﺸﻨﻮﺍﺭﻩ ﺑﺎ »ﺑﺮﻭ‬
‫ﺍﺻﻠﻰ ﺟﺸﻨﻮﺍﺭﻩ ﻟﻮﻛﺎﺭﻧﻮ ﺷﺮﻛﺖ ﻭ ﺟﺎﻳﺰﻩ‬ ‫ﺑﻴﺮ‪ «Bero Beyer‬ﺑﻮﺩ‪ .‬ﺍﻭﻟﻴﻦ ﺳﺎﻟﻰ‬ ‫ﺑﺎ ﻧ َﻔ ِﺲ ﺳﺮ ِﺩ ﺗﻮ‬
‫ﺣﻤﺎﻳﺘﻰ ﻧﻘﺪﻯ ﺑﺎﻟﻎ ﺑﺮ ‪ 20‬ﻫﺰﺍﺭ ﻓﺮﺍﻧﻚ‬ ‫ﻣﺤﺴﻦ ﻧﺎﻣﺠﻮ‬ ‫ﻫﺰﺍﺭ ﻳﻮﺭﻭ ﺍﺳﺖ‪.‬‬ ‫ﺑﻮﺩ ﻛﻪ ﻭﻯ ﺩﺭ ﺍﻳﻦ ﻣﻘﺎﻡ ﺣﻀﻮﺭ ﺩﺍﺷﺖ‪.‬‬ ‫ﺷﺎﺧﻪﻯ ﺷﺎﺩﻡ ﺷﻜﺴﺖ‪.‬‬
‫ﻣﺤﺴﻦ ﻧﺎﻣﺠﻮ ﻧﻪ ﺑﻪ ﻋﻨﻮﺍﻥ ﺧﻮﺍﻧﻨﺪﻩ‪،‬‬ ‫ﺟﺎﻳﺰﻩ ﻓﻴﻠﻢﻫﺎﻯ ﻛﻮﺗﺎﻩ‬ ‫ﺍﻣﺴﺎﻝ‪ 477‬ﻓﻴﻠﻢ ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ ﺑﻪ ﻧﻤﺎﺵ‬
‫ﺳﻮﺋﻴﺲ ﺭﺍ ﺍﺯ ﺁﻥ ﺣﻮﺩ ﻛﺮﺩﻩ ﺑﻮﺩ‪.‬‬ ‫ﺑﻠﻜﻪ ﺩﺭ ﻧﻘﺶ ﻧﻮﻳﺴﻨﺪﻩ ﻭ ﻣﺠﺮﻯ ﻳﻚ‬ ‫ﺩﺭ ﺍﻳﻦ ﺑﺤﺶ ﺑﻴﺴﺖ ﻭ ﺳﻪ ﻓﻴﻠﻢ‬ ‫ﮔﺬﺍﺷﺘﻪ ﺷﺪ ﻛﻪ ‪ 106‬ﻓﻴﻠﻢ ﺑﺮﺍﻯ ﺍﻭﻟﻴﻦ‬ ‫ﻏﻢ‪ ،‬ﺑﻪ ﺳﺮﺍﭘﺮﺩﻩﺍﻡ‬
‫– »ﭼﻴﺰﻫﺎﻯ ﺑﺰﺭﮔﺘﺮ« )‪Greater‬‬ ‫ﺭﺍﺩﻳﻮ ﺍﻳﺮﺍﻧﻰ ﺩﺭ ﺳﺎﻧﻔﺮﺍﻧﺴﻴﺴﻜﻮ ﺑﺎﺯﻯ‬ ‫ﻛﻮﺗﺎﻩ )ﺣﺪﺍﻛﺜﺮ ‪ 60‬ﺩﻗﻴﻘﻪﺍﻯ( ﺍﺯ ژﺍﭘﻦ‪،‬‬ ‫ﺑﺎﺭ ﺍﻛﺮﺍﻥ ﺟﻬﺎﻧﻰ ﺩﺍﺷﺘﻨﺪ‪ .‬ﻓﺴﺘﻴﻮﺍﻝ ﺍﻳﻦ‬ ‫ﺧﻴﻤﻪ ﺯﺩ ُﻭ ﺭﻳﺸﻪ ﺑﺴﺖ‪.‬‬
‫‪ (Things‬ﺑﻪ ﻛﺎ ﺭ ﮔﺮ ﺩ ﺍ ﻧﻰ ﻭ ﺣﻴﺪ‬ ‫ﻓﻠﺴﻄﻴﻦ‪ ،‬ﺳﻨﮕﺎﭘﻮﺭ‪ ،‬ﺑﺮﺯﻳﻞ‪ ،‬ﺳﺮﻭﺳﺘﺎﻥ‪،‬‬ ‫ﺑﺎﺭ ﻣﻴﺰﺑﺎﻥ ‪ 299‬ﻛﺎﺭﮔﺮﺩﺍﻥ ﻭ ‪1914‬‬
‫ﺣﻜﻴﻢﺯﺍﺩﻩ ﺩﺭ ژﺍﭘﻦ ﺳﺎﺧﺘﻪ ﺷﺪﻩ ﻭ‬ ‫ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﻓﺮﺍﻧﺴﻪ ﻭ ﻧﻴﻮﺯﻟﻨﺪ ﻛﺎﻧﺪﻳﺪ ﺷﺪﻩ ﺑﻮﺩﻧﺪ ﻛﻪ‬ ‫ﻓﻴﻠﻢﺷﻨﺎﺱ ﺍﺯ ﺑﻴﺶ ﺍﺯ ﭘﻨﺠﺎﻩ ﻛﺸﻮﺭ‬ ‫ﺑﺎ ﻣﻦ ُﻭ ﻧﻴﻠﻮﻓﺮﻡ‬
‫ﺩﺍﺳﺘﺎﻥ ﭼﻨﺪ ﺷﺨﺼﻴﺖ ﺍﺯ ﻛﺸﻮﺭﻫﺎﻯ‬ ‫ﻭﻯ ﺩﺭ ﺍﻳﻦ ﻓﻴﻠﻢ ﺩﺭ ﺳﺮﻯ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ‬ ‫ﺟﺎﻳﺰﻩ ﺳﻪ ﻫﺰﺍﺭ ﻳﻮﺭﻭﻳﻰ ﻭ ﻳﻚ ﺩﺳﺘﮕﺎﻩ‬ ‫ﺑﻮﺩ‪ .‬ﺣﺪﻭﺩ ‪ 305‬ﻫﺰﺍﺭ ﺗﻦ ﺑﻪ ﺗﻤﺎﺷﺎﻯ‬ ‫ﺣﺮ ِﻑ ﺗﻮ ﺍﺯ ﺑﺮﻑ ﺑﻮﺩ‪.‬‬
‫ﻣﺨﺘﻠﻒ‪ ،‬ﺍﺯ ﺟﻤﻠﻪ ﻳﻚ ﻣﻌﻤﺎﺭ ﺍﻳﺮﺍﻧﻰ‬ ‫ﺍﺩﺑﻰ ﺩﺭ ﺭﺍﺩﻳﻮ ﭘﺎﺭﺱ ﻛﻪ ﺍﺯ‬ ‫ﺩﻭﺭﺑﻴﻦ ﻓﻴﻠﻢﺑﺮﺩﺍﺭﻯ ﻛﺎﻧُﻦ ﺑﻪ ﻃﻮﺭ‬
‫ﺭﺍ ﺩﺭ ﻛﻨﺎﺭ ﻫﻢ ﺩﺭ ژﺍﭘﻦ ﺍﻣﺮﻭﺯ ﺭﻭﺍﻳﺖ‬ ‫ﺳﺎﻧﻔﺮﺍﻧﺴﻴﺴﻜﻮ ﺑﺮﺍﻯ ﻓﺎﺭﺳﻰﺯﺑﺎﻧﺎﻥ‬ ‫ﻳﻚﺳﺎﻥ ﺑﻪ ﻓﻴﻠﻢﻫﺎﻯ ﺯﻳﺮ ﺍﻫﺪﺍ ﺷﺪ‪:‬‬ ‫ﻓﻴﻠﻢﻫﺎ ﻧﺸﺴﺘﻨﺪ‪.‬‬ ‫ﺑﺎ ﺩ ِﻝ ُﮔﻠﺮﻧ ِﮓ ﻣﻦ‬
‫ﭘﺨﺶ ﻣﻰﺷﻮﺩ‪ ،‬ﺗﻼﺵ ﻣﻰﻛﻨﺪ ﮔﺮﻭﻩ‬ ‫‪-Dream English Kid 1964-1999‬‬ ‫ﺍﻣﺴﺎﻝ ﻧﻴﺰ ﭼﻮﻥ ﺳﺎﻝ ﻫﺎﻯ ﮔﺬﺷﺘﻪ‬ ‫ﮔﻔﺘﮕﻮ ﺍﺯ ﺑﺮﻑ ﺑﻮﺩ‪.‬‬
‫ﻣﻰ ﻛﻨﺪ‪.‬‬ ‫ﺭﺍﻙ ﺭﻭﻳﺎﻫﺎﻯ ﻛﺎﺑﻞ ﺍﺯ ﺍﻓﻐﺎﻧﺴﺘﺎﻥ ﺭﺍ‬ ‫ﻧﻤﺎﻳﺶ ﻓﻴﻠﻢﻫﺎﻯ ﻣﺴﺘﻘﻞ ﻭ ﺗﺠﺮﺑﻰ ﺩﺭ‬ ‫ﻛﻴﻨﻪﻯ ﺩﻳﺮﻳﻨﻪﺍﻯ!‬
‫– »ﺩﺍﺳﺘﺎﻥ ﺳﺎﺩﻩﻯ ﻣﻦ‪ ،‬ﺗﻮ ﻭ ﻣﻴﻢ« )‪A‬‬ ‫ﺩﺭ ﻛﻨﺎﺭ ﮔﺮﻭﻩ ﺁﻣﺮﻳﻜﺎﻳﻰ ﻣﺘﺎﻟﻴﻜﺎ ﺩﺭ‬ ‫‪AD: ark Leckey‬‬ ‫ﻛﺎﻧﻮﻥ ﺗﻮﺟﻪ ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ ﻗﺮﺍﺭ ﺩﺍﺷﺖ‪.‬‬ ‫ﺳﻨ ِﮓ ﻫﺮ ﺁﻳﻴﻨﻪﺍﻯ!‬
‫‪Simple Story, Mine, Yours and‬‬ ‫ﺍﺳﺘﻮﺩﻳﻮ ﺑﺮﺍﻯ ﻫﻤﻨﻮﺍﺯﻯ ﮔﺮﺩ ﻫﻢ ﺁﻭﺭﺩ‪.‬‬ ‫‪– Faux départ: Yto Barrada‬‬ ‫ﺯﻧﺪﮔﻰ‪ ،‬ﺍﺯ ﺩﺳ ِﺖ ﺗﻮ‬
‫‪ (M’s‬ﻓﻴﻠﻢ ﻛﻮﺗﺎﻩ ‪ 33‬ﺩﻗﻴﻘﻪﺍﻯ ﺍﺳﺖ‬ ‫– »ﺑﺎﺩﻛﻴﻦ ﺭﺍﺱ«( ‪،(Bodkin Ras‬‬ ‫‪– Engram of Returning: Daïchi‬‬ ‫ﻓﻴﻠﻢ ﺍﻓﺘﺘﺎﺣﻴﻪ‬
‫ﻛﻪ ﻓﻴﻠﻤﺴﺎﺯ ﺟﻮﺍﻥ )ﻋﺎﻃﻔﻪ ﻳﺎﺭﻣﺤﻤﺪﻯ(‬ ‫ﺳﺎﺧﺘﻪ ﻛﺎﻭﻩ ﻣﺪﻳﺮﻯ‪ ،‬ﻧﻮﻳﺴﻨﺪﻩ ﻭ‬ ‫‪Saïto‬‬ ‫ﺟﺸﻨﻮﺍﺭﻩ ﺑﺎ ﻓﻴﻠﻢ ﻫﻠﻨﺪﻯ‪ /‬ﺩﺍﻧﻤﺎﺭﻛﻰ‬ ‫ﺍﻳﻨﻬﻤﻪ‪ ،‬ﻓﺮﻳﺎﺩﮔﺮ‪.‬‬
‫ﺩﻭﺭﺍﻥ ﺗﻮﻟﺪ ﻭ ﺭﺷﺪ ﺣﻮﺩ ﺭﺍ ﺩﺭ ﺩﻭﺭﺍﻥ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻥ ﺍﻳﺮﺍﻧﻰ ﺟﻮﺍﻥ ﻣﻘﻴﻢ ﻫﻠﻨﺪ‬ ‫»ﻓﺮﺍﺳﻮﻯ ﺧﻮﺍﺏ« )‪(Beyond sleep‬‬ ‫ﺑﺎﺯ‪ ،‬ﻧﻤﻰﺧﻮﺍﻫﻤﺖ‬
‫ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻓﻴﻠﻢ ﺩﺍﺳﺘﺎﻥ ﻣﺮﺩ ﻓﺮﺍﺭﻯ‬ ‫ﻛﺎﻭﻩ ﻣﺪﻳﺮﻯ‬ ‫ﺳﺎﺧﺘﻪ ‪ Boudewijn Koole‬ﮔﺸﺎﻳﺶ‬
‫ﺟﻨﮓ ﺍﻳﺮﺍﻥ ﻭ ﻋﺮﺍﻕ ﻛﺎﻭﺵ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﺟﻮﺍﻧﻰ ﺭﺍ ﺭﻭﺍﻳﺖ ﻣﻰﻛﻨﺪ ﻛﻪ ﺗﻼﺵ ﺩﺍﺭﺩ‬ ‫ﻳﺎﻓﺖ‪ .‬ﺍﻳﻦ ﻓﻴﻠﻢ ﺑﺮ ﺍﺳﺎﺱ ﺭﻣﺎﻧﻰ ﺑﺎ‬ ‫ﺑﻬﻤ ِﻦ ﺑﻴﺪﺍﺩﮔﺮ!‬
‫– »ﺑﺎﺏ ﺩﻳﻠﻦ ﺍﺯ ﻣﻦ ﻣﺘﻨﻔﺮ ﺍﺳﺖ«‬ ‫ﻓﻴﻠﻢﻫﺎﻯ ﺍﻳﺮﺍﻧﻰ ﺷﺮﻛﺖ ﻛﻨﻨﺪﻩ‬ ‫ﻫﻤﻴﻦ ﻋﻨﻮﺍﻥ ﺗﻮﺳﻂ »ﻭﻳﻠﻢ ﻓﺮﺩﺭﻳﻚ‬
‫)‪ (Bob Dylan hates me‬ﺍﻧﻴﻤﻴﺸﻦ‬ ‫ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﻫﺮﻣﺎﻧﺲ« ﻓﻴﺰﻳﻜﺪﺍﻥ‪ ،‬ﺷﺎﻋﺮ ﻭ‬ ‫ﻋﺮﻭﺳﻜﻰ ﻣﺜﻞ ﻣﻦ‪ ،‬ﺣﺮﻛﺘﻰ ﻋﻠﻴﻪ‬
‫ﻛﻮﺗﺎﻫﻰ ﺍﺳﺖ ﺍﺯ ﻛﺎﻭﻩ ﺯﺍﻫﺪﻯ ﻓﻴﻠﻢﺳﺎﺯ‬ ‫ﻧﻤﺎﻳﺸﻨﺎﻣﻪﻧﻮﻳﺲ ﻫﻠﻨﺪﻯ ﺩﺭ ﺳﺎﻝ‬ ‫ﺍﻧﺰﻭﺍﻯ ﻛﻮﺩﻛﺎﻥ ﻣﻌﻠﻮﻝ‬
‫ﻣﻘﻴﻢ ﺁﻣﺮﻳﻜﺎ ﻛﻪ ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ ﺭﻭﺗﺮﺩﺍﻡ‬ ‫ﺣﻀﻮﺭ ﺑﻴﺶ ﺍﺯ ﺩﻩ ﻓﻴﻠﻢ ﻛﻪ ﻳﺎ ﺍﺯ ﺍﻳﺮﺍﻥ‬ ‫‪ 1966‬ﻧﻮﺷﺘﻪ ﺷﺪﻩ ﻭ ﺗﺎ ﻛﻨﻮﻥ ﺑﻪ‬
‫ﺷﺮﻛﺖ ﻛﺮﺩﻩ ﺑﻮﺩﻧﺪ ﻭ ﻳﺎ ﻛﺎﺭﮔﺮﺩﺍﻥﻫﺎﻯ‬ ‫ﺯﺑﺎﻥﻫﺎﻯ ﻣﺤﺘﻠﻒ ﺑﻪ ﭼﺎپ ﺭﺳﻴﺪﻩ‬ ‫ﻋﻴﻨﻚ ﺍﺳﺖ‪ ،‬ﻳﺎ ﻣﺎﻩ ﮔﺮﻓﺘﮕﻰ ﺭﻭﻯ‬ ‫ﺍﺣﻤﺪ ﺭﺃﻓﺖ – ﺍﺳﺒﺎﺏﺑﺎﺯﻯﻧﻘﺶﺑﺴﻴﺎﺭ‬
‫ﺑﻪ ﻧﻤﺎﻳﺶ ﺩﺭﺁﻣﺪ‪.‬‬ ‫ﺁﻧﻬﺎ ﺍﻳﺮﺍﻧﻰ ﺑﻮﺩﻧﺪ‪ ،‬ﻧﻤﺎﻳﺎﻧﮕﺮ ﺗﻮﺟﻪ‬ ‫ﺍﺳﺖ‪ .‬ﺗﺮﺟﻤﻪ ﻓﺎﺭﺳﻰ ﺍﻳﻦ ﺍﺛﺮ ﺗﻮﺳﻂ‬ ‫ﺻﻮﺭﺕ ﺩﺍﺭﺩ ﻭ ﻳﺎ ﺑﺎ ﻛﻤﻚ ﻋﺼﺎ ﻭ ﺻﻨﺪﻟﻰ‬ ‫ﻣﻬﻤﻰ ﺩﺭ ﺭﺷﺪ ﻭ ﺗﺮﺑﻴﺖ ﻛﻮﺩﻛﺎﻥ ﺑﺎﺯﻯ‬
‫– »ﺷﻌﺮ ﻭ ﺳﻨﮓ« )‪Poem and‬‬ ‫ﻓﺴﺘﻴﻮﺍﻝﻫﺎﻯ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﺑﻪ ﺳﻴﻨﻤﺎﮔﺮﺍﻥ‬ ‫ﺧﺎﻧﻢ »ﺳﺎﻣﮕﻴﺲ ﺯﻧﺪﻯ« ﺑﻪ ﺯﻭﺩﻯ‬ ‫ﭼﺮﺧﺪﺍﺭ ﺣﺮﻛﺖ ﻣﻰﻛﻨﺪ‪ ،‬ﺑﻴﻦ ﺧﻮﺩ ﻭ‬ ‫ﻣﻰ ﻛﻨﺪ‪ .‬ﺍﺳﺒﺎﺏﺑﺎﺯﻯ ﻭﻟﻰ ﺍﮔﺮ ﻣﻨﺎﺳﺐ‬
‫‪ ،(Stone‬ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﻣﺮﻳﻢ ﺗﻔﻜﺮﻯ‬ ‫ﻋﺮﻭﺳﻚﻫﺎﻯ ﺯﻳﺒﺎﺋﻰ ﻛﻪ ﺑﺮﺍﻳﺶ ﻫﺪﻳﻪ‬ ‫ﻧﺒﺎﺷﺪ ﻣﻰ ﺗﻮﺍﻧﺪ ﺗﺎﺛﻴﺮ ﻣﻨﻔﻰ ﺩﺭ ﺷﻜﻞ‬
‫ﺳﻌﻰ ﺩﺍﺭﺩ ﺟﻠﻮﻩﻫﺎﻯ ﺗﺼﻮﻳﺮﻯ ﺍﺯ ﺗﻬﺮﺍﻥ‬ ‫ﺍﻳﺮﺍﻧﻰ ﺍﺳﺖ‪.‬‬ ‫ﻣﻨﺘﺸﺮ ﺣﻮﺍﻫﺪ ﺷﺪ‪.‬‬ ‫ﻣﻰﺁﻭﺭﻧﺪ ﭼﻨﺎﻥ ﺗﻔﺎﻭﺗﻰ ﻣﻰﺑﻴﻨﺪ ﻛﻪ ﺩﺭ‬ ‫ﮔﺮﻓﺘﻦ ﺷﺨﺼﻴﺖ ﻛﻮﺩﻙ ﺩﺍﺷﺘﻪ ﺑﺎﺷﺪ‪.‬‬
‫ﺭﺍ ﺍﺯ ﻧﮕﺎﻩ ﺧﻮﺩﺵ ﺑﻪ ﻧﻤﺎﻳﺶ ﺑﮕﺬﺍﺭﺩ‪.‬‬ ‫ﺍﻣﺴﺎﻝ ﺩﻭ ﻓﻴﻠﻢ ﺑﻠﻨﺪ ﺍﻳﺮﺍﻧﻰ ﺩﺭ‬ ‫ﺑﺨﺶ ﻣﺴﺎﺑﻘﻪ ‪Tiger Awards‬‬ ‫ﺑﺴﻴﺎﺭﻯ ﻣﻮﺍﻗﻊ ﺑﻪ ﺍﻓﺴﺮﺩﮔﻰ ﺩﺭ ﺳﻨﻴﻦ‬ ‫ﺻﺪﻫﺎ ﻛﺘﺎﺏ ﺑﻪ ﺯﺑﺎﻥﻫﺎﻯ ﻣﺨﺘﻠﻒ ﻭ‬
‫– » ﻳﺎ ﺩ ﺁ ﻭ ﺭ ﻯ ﭘﻨﺞ ﺿﻠﻌﻰ ﻫﺎ «‬ ‫ﺑﺨﺶﻫﺎﻯ ﺭﻗﺎﺑﺘﻰ ﺟﺸﻨﻮﺍﺭﻩ ﻓﻴﻠﻢ‬ ‫ﺍﺯ ﺩﻳﺪﮔﺎﻩﻫﺎﻯ ﮔﻮﻧﺎﮔﻮﻥ ﺩﺭ ﺍﻳﻦ ﺭﺍﺑﻄﻪ‬
‫)‪،(Remembering the Pentagons‬‬ ‫ﺭﻭﺗﺮﺩﺍﻡ ﺷﺮﻛﺖ ﺩﺍﺷﺘﺪ ﻭ ﻫﺮ ﺩﻭ ﺩﺭ‬ ‫‪Competition‬‬ ‫ﻛﻮﺩﻛﻰ ﻣﻰﺍﻧﺠﺎﻣﺪ‪.‬‬ ‫ﺍﻧﺘﺸﺎﺭ ﻳﺎﻓﺘﻪﺍﻧﺪ ﻭ ﻧﻈﺮﻳﺎﺕ ﮔﻮﻧﺎﮔﻮﻧﻰ‬
‫ﻓﻴﻠﻤﻰ ‪ 23‬ﺩﻗﻴﻘﻪﺍﻯ ﺍﺳﺖ ﺍﺯ ﺁﺯﺍﺩﻩ‬ ‫ﺑﺨﺶﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺟﺎﻳﺰﻩ ﮔﺮﻓﺘﻨﺪ‪ .‬ﺍﻣﺎ‬ ‫ﺩﺭ ﺍﺑﺘﺪﺍﻯ ﻛﺎﺭﺯﺍﺭ »ﺍﺳﺒﺎﺏﺑﺎﺯﻯ ﻣﺜﻞ‬ ‫ﺩﺭ ﺭﺍﺑﻄﻪ ﺑﺎ ﻧﻘﺶ ﻣﺜﺒﺖ ﻳﺎ ﻣﻨﻔﻰ‬
‫ﻧﻮﺍﻳﻰ ﻛﻪ ﺑﻪ ﺻﻮﺭﺕ ‪ 16‬ﻣﻴﻠﻰﻣﺘﺮﻯ‬ ‫ﺑﻘﻴﻪ ﻓﻴﻠﻢﻫﺎﻯ ﺑﻠﻨﺪ ﻭ ﻛﻮﺗﺎﻩ ﺩﺭ ﺑﺨﺶ‬ ‫ﺍﺯ ﺳﺎﻝ ‪ 1995‬ﻛﻪ ﺟﺸﻨﻮﺍﺭﻩ ﺭﻭﺗﺮﺩﺍﻡ‬ ‫ﻣﻦ«‪ ،‬ﺑﺮﮔﺰﺍﺭﻛﻨﻨﺪﮔﺎﻥ ﺁﻥ ﺍﺯ ﭘﺪﺭﺍﻥ‬
‫ﺍﺑﻌﺎﺩﻯ ﺍﺯ ﺑﻨﺎﻫﺎﻯ ﺗﺎﺭﻳﺨﻰ ﺍﻳﺮﺍﻥ ﺭﺍ ﺑﻪ‬ ‫ﺑﻪ ﺷﻜﻞ ﺭﻗﺎﺑﺘﻰ ﺑﺮﮔﺰﺍﺭ ﻣﻰﺷﺪ‪ ،‬ﻫﻤﻮﺍﺭﻩ‬ ‫ﻭ ﻣﺎﺩﺭﺍﻥ ﺧﻮﺍﺳﺘﻨﺪ ﻛﻪ ﻋﺮﻭﺳﻚﻫﺎﻯ‬ ‫ﺍﺳﺒﺎﺏﺑﺎﺯﻯ ﺍﺑﺮﺍﺯ ﺷﺪﻩﺍﻧﺪ‪.‬‬
‫ﻏﻴﺮﺭﻗﺎﺑﺘﻰ ﺑﻪ ﻧﻤﺎﻳﺶ ﺩﺭﺁﻣﺪﻧﺪ‪.‬‬ ‫ﺳﻪ ﺟﺎﻳﺰﻩ ﺑﺮﺍﺑﺮ ﭘﺎﻧﺰﺩﻩ ﻫﺰﺍﺭ ﻳﻮﺭﻭﻳﻰ‬ ‫ﻛﻮﺩﻛﺎﻥ ﺧﻮﺩ ﺭﺍ ﺑﺎ ﻣﻌﻠﻮﻟﻴﺖ ﻓﺮﺯﻧﺪﺍﻥﺷﺎﻥ‬ ‫ﺩﺭ ﺑﺮﻳﺘﺎﻧﻴﺎ ﺟﻨﺒﺸﻰ ﺑﺎ ﻋﻨﻮﺍﻥ ‪Toy‬‬
‫ﺗﺼﻮﻳﺮ ﻛﺸﺎﻧﺪﻩ ﺍﺳﺖ‪.‬‬ ‫‪»-‬ﺧﺸﺖ ﻭ ﺁﻳﻨﻪ« ‪The Brick and‬‬ ‫ﺑﺮﺍﻯ ﺳﻪ ﻓﻴﻠﻢ ﺩﺭ ﻧﻈﺮ ﮔﺮﻓﺘﻪ ﻣﻰﺷﺪ‪ .‬ﺍﻣﺎ‬ ‫ﺗﻐﻴﻴﺮﺩﺍﺩﻩﻭﻋﻜﺲﻋﺮﻭﺳﻚﺗﻐﻴﻴﺮ ﻳﺎﻓﺘﻪ‬ ‫‪ Like Me‬ﻳﺎ »ﺍﺳﺒﺎﺏﺑﺎﺯﻯ ﻣﺜﻞ ﻣﻦ«‬
‫– »ﮔﺎﻭ ﺭﻧﮕﻴﻦ« )‪(Bunte Kuh‬‬ ‫‪ ((the Mirror‬ﺍﺛﺮ ﻣﺎﻧﺪﮔﺎﺭ ﺍﺑﺮﺍﻫﻴﻢ‬ ‫ﺍﻣﺴﺎﻝ ﺭﻗﺎﺑﺖ ﺑﺮﺍﻯ ﺩﺭﻳﺎﻓﺖ ﺟﺎﻳﺰﻩ ﺍﺻﻠﻰ‬ ‫ﺭﺍ ﺑﻪ ﺭﻭﻯ ﺻﻔﺤﻪ ﻓﻴﺲﺑﻮﻙ ﺍﻳﻦ ﺣﺮﻛﺖ‬ ‫ﺑﻪ ﺭﺍﻩ ﺍﻓﺘﺎﺩﻩ ﻛﻪ ﺩﺭ ﻣﺪﺕ ﺯﻣﺎﻥ ﺍﻧﺪﻛﻰ‬
‫ﻳﻚ ﻓﻴﻠﻢ ﻛﻮﺗﺎﻩ ﺣﺎﺻﻞ ﻫﻤﻜﺎﺭﻯ‬ ‫ﮔﻠﺴﺘﺎﻥ‪ ،‬ﻧﻮﻳﺴﻨﺪﻩ ﻭ ﺳﻴﻨﻤﺎﮔﺮ ﺑﺮﺟﺴﺘﺔ‬ ‫ﺑﻴﻦ ﻫﺸﺖ ﻓﻴﻠﻢ ﻣﻨﺘﺨﺐ ﻭ ﻣﺒﻠﻎ ﺟﺎﻳﺰﻩ‬ ‫ﭘﺴﺖ ﻛﻨﻨﺪ‪ .‬ﻫﻢﺯﻣﺎﻥ ﺑﺮﮔﺰﺍﺭﻛﻨﻨﺪﮔﺎﻥ‬ ‫ﺑﺮﺧﻰ ﺍﺯ ﺗﻮﻟﻴﺪﻛﻨﻨﺪﮔﺎﻥ ﺍﺳﺒﺎﺏﺑﺎﺯﻯ‬
‫ﭘﺮﺳﺘﻮ ﻭ ﻓﺮﺍﺯ ﺍﻧﻮﺷﺎﻩ ﭘﻮﺭ ﺑﺎ ﺭﺍﻳﺎﻥ ﻓﺮﻛﻮ‬ ‫ﭼﻬﻞ ﻫﺰﺍﺭ ﻳﻮﺭﻭ ﺑﻮﺩ ﻛﻪ ﺑﻴﻦ ﻛﺎﺭﮔﺮﺩﺍﻥ‬ ‫ﺍﻳﻦ ﻛﺎﺭﺯﺍﺭ ﺑﺎ ﻣﻮﺳﺴﺎﺕ ﺗﻮﻟﻴﺪ‬ ‫ﺭﺍ ﻣﺠﺒﻮﺭ ﺳﺎﺧﺘﻪ ﺍﺳﺖ ﺗﻐﻴﻴﺮﺍﻧﻰ ﺩﺭ‬
‫ﺍﺳﺖ‪ .‬ﻛﺎﺭﮔﺮﺩﺍﻧﺎﻥ ﺍﻳﺮﺍﻧﻰ ﻭ ﻛﺎﻧﺎﺩﺍﻳﻰ ﺑﺎ‬ ‫ﺍﺳﺒﺎﺏﺑﺎﺯﻯ‪ ،‬ﺍﺯ ﻛﺎﺭﺧﺎﻧﻪﻫﺎﻯ ﻛﻮﭼﻚ‬
‫ﻫﻤﻜﺎﺭﻯ ﻫﻢ ﻣﺠﻤﻮﻋﻪﺍﻯ ﺍﺯ ﻋﻜﺲﻫﺎ‬ ‫ﻭ ﺗﻬﻴﻪ ﻛﻨﻨﺪﻩ ﺗﻘﺴﻴﻢ ﺷﺪ‪.‬‬ ‫ﺗﺎ ﻏﻮﻝﻫﺎﺋﻰ ﻣﺜﻞ ﻣﺎﺗﻞ‪ ،‬ﺗﻮﻟﻴﺪﻛﻨﻨﺪﻩ‬ ‫ﺗﻮﻟﻴﺪﺍﺕ ﺧﻮﺩ ﺑﻪ ﻭﺟﻮﺩ ﺑﻴﺎﻭﺭﻧﺪ‪.‬‬
‫ﺭﺍ ﻛﻪ ﺭﻭﻯ ﺁﻧﻬﺎ ﺷﺮﺣﻰ ﮔﻔﺘﻪ ﻣﻰﺷﻮﺩ‪،‬‬ ‫ﻫﻴﺄﺕ ﺩﺍﻭﺭﺍﻥ ﺟﺸﻨﻮﺍﺭﻩ ﻓﻴﻠﻢ ﺭﻭﺗﺮﺩﺍﻡ‬ ‫ﻋﺮﻭﺳﻚ ﻣﻌﺮﻭﻑ ﺑﺎﺭﺑﻰ‪ ،‬ﻳﺎ ﻟِﮕﻮ ﻭ ﭘﻠِﻰ‬ ‫ﺍﻳﻦ ﺟﻨﺒﺶ ﻛﻪ ﺣﻀﻮﺭ ﮔﺴﺘﺮﺩﻩﺍﻯ ﺩﺭ‬
‫ﺑﻪ ﺻﻮﺭﺕ ﻳﻚ ﻓﻴﻠﻢ ﻛﻮﺗﺎﻩ ﺑﻪ ﻧﻤﺎﻳﺶ‬ ‫ﺟﺎﻳﺰﻩ ﺑﺒﺮ ﻃﻼﻳﻰ ﺍﻣﺴﺎﻝ ﺭﺍ ﺑﻪ ﻓﻴﻠﻢ‬ ‫ﻣﻮﺑﻴﻞ ﺗﻤﺎﺱ ﮔﺮﻓﺘﻨﺪ ﻭ ﺍﺯ ﺁﻧﻬﺎ ﺧﻮﺍﺳﺘﻨﺪ‬ ‫ﺷﺒﻜﻪﻫﺎﻯ ﺍﺟﺘﻤﺎﻋﻰ ﭼﻮﻥ ﻓﻴﺲﺑﻮﻙ‬
‫»ﺭﺅﻳﺎﻫﺎﻯ ﺭﺍﺩﻳﻮﻳﻰ« ﺳﺎﺧﺘﻪ ﺑﺎﺑﻚ‬ ‫ﻛﻪ ﺩﺭ ﺗﻮﻟﻴﺪﺍﺕ ﺁﻳﻨﺪﻩ ﺧﻮﺩ ﻋﺮﻭﺳﻚﻫﺎﺋﻰ‬ ‫ﻭ ﺗﻮﺋﻴﺘﺮ ﺩﺍﺭﺩ ﻣﻌﺘﻘﺪ ﺍﺳﺖ ﺩﻧﻴﺎﻯ‬
‫ﺩﺭ ﺁﻭﺭﺩﻩﺍﻧﺪ‪.‬‬ ‫ﺟﻼﻟﻰ‪ ،‬ﻛﺎﺭﮔﺮﺩﺍﻥ ﺍﻳﺮﺍﻧﻰ ﻣﻘﻴﻢ ﻟﻨﺪﻥ‬ ‫ﺑﺎ ﻧﻮﻋﻰ ﻣﻌﻠﻮﻟﻴﺖ ﻫﻢ ﺭﻭﺍﻧﻪ ﺑﺎﺯﺍﺭ ﺳﺎﺯﻧﺪ‪.‬‬ ‫ﺳﺤﺮﺁﻣﻴﺰ ﺍﺳﺒﺎﺏﺑﺎﺯﻯ ﺗﺎ ﻛﻨﻮﻥ ﻛﻮﺩﻛﺎﻧﻰ‬
‫– »ﺍﻯ ﻣﺜﻞ ﺍﻳﺮﺍﻥ« )‪(I Comme Iran‬‬ ‫ﺩﺭ ﺁﺧﺮﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ‬ ‫ﺭﺍ ﻛﻪ ﺩﺍﺭﺍﻯ ﻣﻌﻠﻮﻟﻴﺖ ﻫﺴﺘﻨﺪ ﺑﻪ ﺣﺴﺎﺏ‬
‫ﺳﺎﺧﺘﻪ ﺳﺎﻧﺎﺯ ﺁﺫﺭﻯ ﻓﻴﻠﻢﺳﺎﺯ ﺍﻳﺮﺍﻧﻰﺗﺒﺎﺭ‬ ‫ﺍﻫﺪﺍ ﻛﺮﺩ‪.‬‬ ‫ﺍﺳﺒﺎﺏﺑﺎﺯﻯ ﻧﻮﺭﻧﺒﺮگ ﺩﺭ ﺁﻟﻤﺎﻥ‪ ،‬ﻛﻪ‬ ‫ﻧﻴﺎﻭﺭﺩﻩ ﻭ ﺗﻨﻬﺎ ﺑﻪ ﻛﻮﺩﻛﺎﻥ ﺑﻪ ﺍﺻﻄﻼﺡ‬
‫ﺳﺎﻛﻦ ﺑﺮﻭﻛﺴﻞ‪ ،‬ﻣﺎﺟﺮﺍﻯ ﻳﻚ ﺍﻳﺮﺍﻧﻰ‬ ‫ﺑﺎﺑﻚ ﺟﻼﻟﻰ ﻛﺎﺭﮔﺮﺩﺍﻥ ﺟﻮﺍﻥ ﺍﻳﺮﺍﻧﻰ‬ ‫ﻣﻬﻢﺗﺮﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺍﺳﺒﺎﺏﺑﺎﺯﻯ ﺍﺭﻭﭘﺎ‬ ‫ﻋﺎﺩﻯ ﺗﻮﺟﻪ ﺩﺍﺷﺘﻪ ﺍﺳﺖ‪ .‬ﺍﻟﺒﺘﻪ ﺗﻮﻟﻴﺪﺍﺕ‬
‫ﺑﺰﺭگ ﺷﺪﻩ ﺩﺭ ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ ﺍﺳﺖ‬ ‫ﻣﻘﻴﻢﻟﻨﺪﻥﻣﺘﻮﻟﺪﺳﺎﻝ‪ 1365‬ﺩﺭﮔﺮﮔﺎﻥ‬ ‫ﺑﻪ ﺷﻤﺎﺭ ﻣﻰﺭﻭﺩ‪ ،‬ﺟﻨﺒﺶ ﺭﻭﺷﻨﮕﺮﻯ‬ ‫ﻣﺸﺨﺼﻰ ﺑﺮﺍﻯ ﻛﻮﺩﻛﺎﻥ ﻣﻌﻠﻮﻝ ﻛﻪ ﺷﻤﺎﺭ‬
‫ﻛﻪ ﺩﺭ ﺭﺍﻩ ﻳﺎﺩﮔﻴﺮﻯ ﺯﺑﺎﻥ ﻣﺎﺩﺭﻯ ﺧﻮﺩ‬ ‫ﺍﺳﺖ‪ .‬ﺍﻭ ﺩﺍﺭﺍﻯ ﻣﺪﺭﻙ ﻛﺎﺭﺷﻨﺎﺳﻰ ﺍﺭﺷﺪ‬ ‫»ﺍﺳﺒﺎﺏﺑﺎﺯﻯ ﻣﺜﻞ ﻣﻦ« ﻋﺮﻭﺳﻚﻫﺎﻯ‬ ‫ﺁﻧﻬﺎ ﺩﺭ ﺟﻬﺎﻥ ﺑﻴﺶ ﺍﺯ ‪ 150‬ﻣﻴﻠﻴﻮﻥ ﺗﻦ‬
‫»ﻓﺎﺭﺳﻰ« ﺑﺎ ﺗﺎﺭﻳﺦ ﺍﻳﺮﺍﻥ ﺁﺷﻨﺎ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺩﺭ ﺭﺷﺘﻪ ﻋﻠﻮﻡ ﺳﻴﺎﺳﻰ ﺍﺯ ﺩﺍﻧﺸﮕﺎﻩ ﻟﻨﺪﻥ‬ ‫ﺗﺨﻤﻴﻦ ﺯﺩﻩ ﻣﻰﺷﻮﺩ ﻭﺟﻮﺩ ﺩﺍﺭﺩ‪ ،‬ﻭﻟﻰ‬
‫ﻭ ﻓﺎﺭﻍﺍﻟﺘﺤﺼﻴﻞ ﺭﺷﺘﻪ ﺳﻴﻨﻤﺎ ﺍﺯ ﻣﺪﺭﺳﻪ‬
‫ﺑﺮﻧﺪﮔﺎﻥ ﺟﺸﻨﻮﺍﺭﻩ ﻓﻴﻠﻢ ﺭﻭﺗﺮﺩﺍﻡ ‪2016‬‬ ‫ﺗﻐﻴﻴﺮﻳﺎﻓﺘﻪﺍﻯ ﺭﺍ ﻛﻪ ﺩﺭﻳﺎﻓﺖ ﻛﺮﺩﻩ ﺑﻮﺩ‬ ‫ﺍﺷﻜﺎﻝ ﺍﻳﻦ ﺗﻮﻟﻴﺪﺍﺕ‪ ،‬ﺑﻪ ﮔﻔﺘﻪ ﻛﺴﺎﻧﻰ ﻛﻪ‬
‫ﻓﻴﻠﻢ ﻟﻨﺪﻥ ﺍﺳﺖ‪.‬‬ ‫ﺑﻪ ﻧﻤﺎﻳﺶ ﺩﺭ ﺁﻭﺭﺩ‪ .‬ﺣﺮﻛﺘﻰ ﻛﻪ ﻣﻮﺟﺐ‬ ‫ﺍﻳﻦ ﺣﺮﻛﺖ ﺍﺟﺘﻤﺎﻋﻰ ﺭﺍ ﺭﺍﻩ ﺍﻧﺪﺍﺧﺘﻪﺍﻧﺪ‪،‬‬
‫ﻓﻴﻠﻢ ﭘﺎﻳﺎﻧﻰ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﺩﺭ ﺷﻬﺮ ﻛﻮﭼﻜﻰ ﺩﺭ ﺍﺳﻜﺎﺗﻠﻨﺪ ﺯﻧﺪﮔﻰ‬ ‫ﺍﻳﺮﺍﻥ ﭼﻬﺎﺭ ﺍﻛﺮﺍﻥ ﭘﺮ ﺍﺯ ﺗﻤﺎﺷﺎﭼﻰ‬ ‫ﺩﺭ ﺑﻴﺎﻧﻴﻪ ﻫﻴﺌﺖ ﺩﺍﻭﺭﺍﻥ ﺩﻟﻴﻞ ﺍﻋﻄﺎﻯ‬ ‫ﺷﺪ ﺗﻐﻴﻴﺮﺍﺗﻰ ﺩﺭ ﺭﻭﻧﺪ ﺗﻮﻟﻴﺪﻯ ﺑﺮﻧﺪﻫﺎﻯ‬ ‫ﺩﺭ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﺍﻳﻦ ﻛﻮﺩﻛﺎﻥ ﺭﺍ ﺑﻪ ﺳﻤﺖ‬
‫ﭼﻬﻞ ﻭ ﭘﻨﺠﻤﻴﻦ ﺩﻭﺭﻩ ﺟﺸﻨﻮﺍﺭﻩ‬ ‫ﺗﺎﺯﻩﺍﻯ ﺭﺍ ﺁﻏﺎﺯ ﻛﻨﺪ‪.‬‬ ‫ﺩﺍﺷﺖ‪ .‬ﻧﺴﺨﻪ ‪ 35‬ﻣﻴﻠﻰ ﻣﺘﺮﻯ »ﺧﺸﺖ‬ ‫ﺟﺎﻳﺰﻩ ﺑﻪ ﻓﻴﻠﻢ »ﺭﻭﻳﺎﻫﺎﻯ ﺭﺍﺩﻳﻮﻳﻰ« ﺭﺍ‬ ‫ﻣﻬﻢ ﻫﻢ ﺍﻳﺠﺎﺩ ﻛﻨﺪ‪ .‬ﺷﺮﻛﺖ ﻟِﮕﻮ ﺩﺭ‬ ‫ﺍﻧﺰﻭﺍ ﻣﻰﻛﺸﺎﻧﺪ ﺯﻳﺮﺍ ﺍﻳﻦ ﺍﺳﺒﺎﺏﺑﺎﺯﻯﻫﺎ‬
‫ﺟﻬﺎﻧﻰ ﻓﻴﻠﻢ ﺭﻭﺗﺮﺩﺍﻡ ﺑﺎ ﻧﻤﺎﻳﺶ ﻓﻴﻠﻢ‬ ‫ﻭ ﺁﻳﻨﻪ« ﭘﺲ ﺍﺯ ﮔﺬﺷﺖ ﭘﻨﺠﺎﻩ ﺳﺎﻝ ﺍﺯ‬ ‫»ﻧﮕﺎﻩ ﻇﺮﻳﻒ ﻭ ﻃﻨﺰﺁﻣﻴﺰ ﺑﻪ ﺁﻭﺍﺭﮔﻰ ﻭ‬ ‫ﺑﻬﺎﺭ ﺁﻳﻨﺪﻩ ﻛﻮﺩﻛﻰ ﺭﺍ ﺑﺮ ﺭﻭﻯ ﻭﻳﻠﭽﺮ‬ ‫ﺗﻔﺎﻭﺕﻫﺎﻯ ﺁﻧﻬﺎ ﺭﺍ ﺑﺎ ﻛﻮﺩﻛﺎﻥ ﺑﻪ‬
‫»ﺩﻭﺭﺍﻥ ﻛﻮﺩﻛﻰ ﻳﻚ ﺭﻫﺒﺮ« )‪The‬‬ ‫– »ﻣﺎ ﺩﺭ ﺑﻬﺸﺖ« )‪ (Paradise‬ﺍﻭﻟﻴﻦ‬ ‫ﺳﺎﺧﺖ ﺁﻥ ﺑﻪ ﻭﺳﻴﻠﺔ ﻣﺮﻛﺰ ﻣﻄﺎﻟﻌﺎﺕ‬ ‫ﺑﻴﮕﺎﻧﮕﻰ ﮔﺮﻭﻫﻰ ﺍﺯ ﺁﺩﻡ ﻫﺎﻯ ﺟﺎﻧﻴﻔﺘﺎﺩﻩ‬ ‫ﻳﺎ ﺻﻨﺪﻟﻰ ﭼﺮﺧﺪﺍﺭ ﺭﻭﺍﻧﻪ ﺑﺎﺯﺍﺭ ﺧﻮﺍﻫﺪ‬ ‫ﺍﺻﻄﻼﺡ ﻋﺎﺩﻯ ﺑﺮﺟﺴﺘﻪﺗﺮ ﻣﻰﻛﻨﺪ‪ ،‬ﻭ‬
‫‪ (Childhood of a leader‬ﺑﻪ ﻛﺎﺭ‬ ‫ﻓﻴﻠﻢ ﺑﻠﻨﺪ ﺳﻴﻨﺎ ﻋﻄﺎﻳﻴﺎﻥ ﺩﻧﺎ ﻣﺤﺼﻮﻝ‬ ‫ﺳﻴﻨﻤﺎﻳﻰ ﺩﺍﻧﺸﮕﺎﻩ ﺷﻴﻜﺎﮔﻮ‪ ،‬ﺑﻪ ﺻﻮﺭﺕ‬ ‫ﺩﺭ ﻳﻚ ﻓﺮﻫﻨﮓ ﺧﺎﺭﺟﻰ« ﻋﻨﻮﺍﻥ ﺷﺪﻩ‬ ‫ﻛﺮﺩ ﻛﻪ ﺍﻭﻟﻴﻦ ﺗﻮﻟﻴﺪ ﺍﻳﻦ ﻧﻬﺎﺩ ﻓﺮﺍﻣﻠﻴﺘﻰ‬ ‫ﺍﺯ ﺳﻮﻯ ﺩﻳﮕﺮ ﻧﻤﻰﺗﻮﺍﻧﻨﺪ ﺑﺎ ﻫﻤﺴﺎﻻﻥ‬
‫ﺧﻮﺩ ﭘﺎﻳﺎﻥ ﺩﺍﺩ‪ .‬ﻧﻤﺎﻳﺶ ﺍﺳﺘﺜﻨﺎﻳﻰ ﺍﻳﻦ‬ ‫ﻣﺸﺘﺮﻙ ﺍﻳﺮﺍﻥ ﻭ ﺁﻟﻤﺎﻥ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻓﻴﻠﻢ‬ ‫ﺩﻳﺠﻴﺘﺎﻝ ﺗﺮﻣﻴﻢ ﺷﺪﻩ ﺍﺳﺖ ﻭ ﻣﺎ ﺍﺯ‬ ‫ﺩﺭ ﺣﻤﺎﻳﺖ ﺍﺯ ﺍﻳﻦ ﺣﺮﻛﺖ ﺍﺳﺖ‪.‬‬ ‫ﺧﻮﺩ ﻛﻪ ﻣﻌﻠﻮﻟﻴﺖ ﻧﺪﺍﺭﻧﺪ ﻫﻤﺒﺎﺯﻯ ﺷﻮﻧﺪ‪.‬‬
‫ﻓﻴﻠﻢ ﺑﺎ ﺍﺟﺮﺍﻯ ﺯﻧﺪﻩ ﻣﻮﺯﻳﻚ ﻣﺘﻦ ﻓﻴﻠﻢ‬ ‫ﺩﺍﺳﺘﺎﻥ ﻫﺎﻧﻴﻪ‪ ،‬ﺩﺧﺘﺮﻯ ‪ 25‬ﺳﺎﻟﻪ ﺭﺍ‬ ‫ﺍﻳﻦ ﭘﺲ ﺷﺎﻫﺪ ﻧﻤﺎﻳﺶﻫﺎﻯ ﻣﺘﻌﺪﺩﻯ‬ ‫ﺍﺳﺖ‪.‬‬ ‫ﺷﺮﻛﺖ ﻣﺎﺗﻞ ﻫﻢ ‪ 4‬ﻣﺪﻝ ﺟﺪﻳﺪ ﺍﺯ‬ ‫ﻛﻮﺩﻛﻰ ﻛﻪ ﺑﺎ ﻧﻮﻋﻰ ﻣﻌﻠﻮﻟﻴﺖ ﻣﺘﻮﻟﺪ‬
‫ﺗﻮﺳﻂ ﺍﺭﻛﺴﺘﺮ ﺳﻤﻔﻮﻧﻴﻚ ﺭﻭﺗﺮﺩﺍﻡ‬ ‫ﺭﻭﺍﻳﺖ ﻣﻰﻛﻨﺪ ﻛﻪ ﺑﺎ ﺧﻮﺍﻫﺮ ﻭ ﺷﻮﻫﺮ‬ ‫ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩﻫﺎﻯ ﺟﻬﺎﻧﻰ ﺍﺯ ﺍﻳﻦ ﻓﻴﻠﻢ‬ ‫ﺩﺭ ﺍﻳﻦ ﺑﺨﺶ ﺟﺎﻳﺰﻩ ﻭﻳﮋﻩ ﻫﻴﺌﺖ ﺩﺍﺭﻭﺍﻥ‬ ‫ﻋﺮﻭﺳﻚ ﻣﻌﺮﻭﻑ ﺑﺎﺭﺑﻰ ﺭﺍ ﺭﻭﺍﻧﻪ ﺑﺎﺯﺍﺭ‬ ‫ﺷﺪﻩ ﺍﺳﺖ ﺩﺭ ﺯﻧﺪﮔﻰ ﺭﻭﺯﺍﻧﻪ ﻣﺠﺒﻮﺭ‬
‫ﺧﻮﺍﻫﺮﺵ ﺩﺭ ﺗﻬﺮﺍﻥ ﺯﻧﺪﮔﻰ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﺑﻪ ﺍﺭﺯﺵ ‪ 10‬ﻫﺰﺍﺭ ﻳﻮﺭﻭ ﺑﻪ ﻓﻠﻢ ﺑﺮﺯﻳﻠﻰ‬ ‫ﺧﻮﺍﻫﺪ ﻛﺮﺩ ﻛﻪ ﺑﺎ ﺑﺎﺭﺑﻰ ﻛﻼﺳﻴﻚ ﺍﺯ‬ ‫ﺍﺳﺖ ﺧﻮﺩ ﺭﺍ ﻣﺘﻔﺎﻭﺕ ﺑﺒﻴﻨﺪ‪ .‬ﺯﻣﺎﻧﻰ ﺣﺘﻰ‬
‫ﻫﻤﺮﺍﻫﻰ ﻣﻰﺷﺪ‪.‬‬ ‫ﺍﻭ ﺑﻪ ﻋﻨﻮﺍﻥ ﻣﻌﻠﻢ ﺩﺑﺴﺘﺎﻧﻰ ﺩﺧﺘﺮﺍﻧﻪ‬ ‫ﺧﻮﺍﻫﻴﻢ ﺑﻮﺩ‪.‬‬ ‫»ﺁﺧﺮﻳﻦ ﺳﺮﺯﻣﻴﻦ« ﺳﺎﺧﺘﻪ »ﭘﺎﺑﻠﻮ‬ ‫ﻧﻈﺮ ﺍﻧﺪﺍﻡ ﻣﺘﻔﺎﻭﺕ ﺧﻮﺍﻫﺪ ﺑﻮﺩ‪ ،‬ﻳﻌﻨﻰ‬ ‫ﺍﻳﻦ ﻛﻮﺩﻛﺎﻥ ﺩﺭ ﻣﺪﺍﺭﺱ ﻋﺎﺩﻯ ﭘﺬﻳﺮﻓﺘﻪ‬
‫ﺩﺭ ﺣﻮﻣﻪ ﺷﻬﺮ ﻛﺎﺭ ﻣﻰﻛﻨﺪ ﻭ ﻫﺮ ﺭﻭﺯ‬ ‫– »ﺭﺅﻳﺎﻫﺎﻯ ﺭﺍﺩﻳﻮﻳﻰ« ﺳﺎﺧﺘﻪ ﺑﺎﺑﻚ‬ ‫ﻳﻜﻰ ﭼﺎﻕﺗﺮ‪ ،‬ﻳﻜﻰ ﻛﻮﺗﺎﻩ ﻗﺪ ﻭ ﺩﻳﮕﺮﻯ‬ ‫ﻧﻤﻰﺷﺪﻧﺪ ﻭ ﻣﻰﺑﺎﻳﺴﺘﻰ ﺩﺭ ﻛﻨﺎﺭ ﺩﻳﮕﺮ‬
‫ﻻﻣﺎﺭ« ﺭﺳﻴﺪ‪.‬‬ ‫ﻫﻢ ﺑﺎ ﺑﺪﻧﻰ ﻗﻮﺱﺩﺍﺭ‪ .‬ﺍﻟﺒﺘﻪ ﺩﺭ ﺣﺎﻝ‬ ‫ﻛﻮﺩﻛﺎﻧﻰ ﻛﻪ ﻣﻌﻠﻮﻟﻴﺖ ﺩﺍﺭﻧﺪ ﺗﺤﺼﻴﻞ‬
‫ﺟﺎﻳﺰﻩ ﻓﻴﭙﺮﺷﻰ ﺑﻪ ﺍﻧﺘﺨﺎﺏ‬ ‫ﺣﺎﺿﺮ ﻣﺎﺗﻞ ﺑﺎ ‪ 30‬ﺭﻧﮓ ﻣﺨﺘﻠﻒ ﻣﻮ‪22 ،‬‬ ‫ﻣﻰﻛﺮﺩﻧﺪ‪ .‬ﺧﻮﺷﺒﺨﺘﺎﻧﻪ ﺩﺭ ﺑﺴﻴﺎﺭﻯ ﺍﺯ‬
‫ﺭﻧﮓ ﭼﺸﻢ‪ 7 ،‬ﺭﻧﮓ ﭘﻮﺳﺖ ﻭ ‪ 14‬ﻓﺮﻡ‬ ‫ﻛﺸﻮﺭﻫﺎ ﺍﻳﻦ ﻣﺪﺍﺭﺱ ﺗﻌﻄﻴﻞ ﺷﺪﻧﺪ ﻭ‬
‫ﻣﻨﺘﻘﺪﺍﻥ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ‬ ‫ﺻﻮﺭﺕ‪ ،‬ﻋﺮﻭﺳﻚﻫﺎﻯ ﺑﺎﺭﺑﻰ ﺭﺍ ﻋﺮﺿﻪ‬ ‫ﺗﻼﺵ ﺩﺭ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﺑﺎ ﻗﺮﺍﺭﺩﺍﺩﻥ ﺁﻧﻬﺎ‬
‫»ﺍﻧﺠﻤﻦ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻣﻨﺘﻘﺪﺍﻥ ﻓﻴﻠﻢ«‬ ‫ﻣﻰ ﻛﻨﺪ ﻭﻟﻰ ﻫﻤﻪ ﺑﺎ ﻫﻤﺎﻥ ﺍﻧﺪﺍﻡ ﻻﻏﺮ ﻭ‬ ‫ﺩﺭ ﻣﺪﺍﺭﺱ ﻣﻌﻤﻮﻟﻰ‪ ،‬ﺩﻳﻮﺍﺭﻯ ﻛﻪ ﺁﻧﻬﺎ ﺭﺍ‬
‫)ﻓﻴﭙﺮﺷﻰ( ﻧﻴﺰ ﺍﺯ ﻣﻴﺎﻥ ﻓﻴﻠﻢﻫﺎﻯ‬ ‫ﻗﺪ ﺑﻠﻨﺪ‪ .‬ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺍﻳﻨﻜﻪ »ﺍﻧﻮﺭﻛﺴﻴﺎ« ﻳﺎ‬ ‫ﺍﺯ ﻫﻢﺳﺎﻻﻧﺸﺎﻥ ﺟﺪﺍ ﻣﻰﻛﻨﺪ ﺍﺯ ﻣﻴﺎﻥ‬
‫ﺷﺮﻛﺖﻛﻨﻨﺪﻩ ﺩﺭ ﺑﺨﺶ »ﺁﻳﻨﺪﻩ‬ ‫ﺑﻰ ﺍﺷﺘﻬﺎﺋﻰ ﻋﺼﺒﻰ ﻳﻜﻰ ﺍﺯ ﺑﻴﻤﺎﺭﻯﻫﺎﻯ‬
‫ﺩﺭﺧﺸﺎﻥ« ﺍﻳﻦ ﺟﺸﻨﻮﺍﺭﻩ‪ ،‬ﻓﻴﻠﻢ‬ ‫ﺭﺍﻳﺞ ﺳﺎﻝﻫﺎﻯ ﺍﺧﻴﺮ ﺍﺳﺖ‪ ،‬ﺗﻐﻴﻴﺮ ﺍﻧﺪﺍﻡ‬ ‫ﺑﺮﺩﺍﺭﻧﺪ‪.‬‬
‫»ﺑﻮﺩﻛﻴﻦ ﺭﺍﺱ« ﺳﺎﺧﺘﻪ »ﻛﺎﻭﻩ‬ ‫ﺑﺎﺭﺑﻰ‪ ،‬ﻛﻪ ﺑﺮﺍﻯ ﺧﻴﻠﻰ ﺍﺯ ﻛﻮﺩﻛﺎﻥ ﻧﻤﺎﺩ‬ ‫ﺩﺭ ﺭﺍﺑﻄﻪ ﺑﺎ ﺍﺳﺒﺎﺏﺑﺎﺯﻯ ﻭ ﺑﻪ ﻭﻳﮋﻩ‬
‫ﻣﺪﻳﺮﻯ« ﻣﺤﺼﻮﻝ ﻣﺸﺘﺮﻙ ﺑﻠﮋﻳﻚ ﻭ‬ ‫ﺯﻳﺒﺎﺋﻰ ﻭ ﺑﻰ ﻋﻴﺒﻰ ﺍﺳﺖ‪ ،‬ﻭ ﺍﺭﺍﺋﻪ ﺍﻳﻦ‬ ‫ﻋﺮﻭﺳﻚ‪ ،‬ﻛﻮﺩﻛﺎﻥ ﺗﻼﺵ ﺩﺍﺭﻧﺪ ﺧﻮﺩ‬
‫ﻫﻠﻨﺪ ﺭﺍ ﺑﻬﺘﺮﻳﻦ ﺗﺸﺨﻴﺺ ﺩﺍﺩ ﻭ ﺟﺎﻳﺰﻩ‬ ‫ﻋﺮﻭﺳﻚ ﺑﺎ ﻗﺪﻯ ﻛﻮﺗﺎﻩﺗﺮ ﻭ ﻳﺎ ﻛﻤﻰ‬ ‫ﺭﺍ ﺑﺎ ﻋﺮﻭﺳﻜﻰ ﻛﻪ ﺩﺭ ﺩﺳﺖ ﺩﺍﺭﻧﺪ‬
‫ﭼﺎﻕﺗﺮ ﻣﻰﺗﻮﺍﻧﺪ ﻳﻜﻰ ﺍﺯ ﺭﺍﻩﻫﺎﻯ ﻣﺒﺎﺭﺯﻩ‬ ‫ﻣﻘﺎﻳﺴﻪ ﻛﻨﻨﺪ ﻭ ﻫﺮ ﺁﻧﭽﻪ ﻣﺘﻔﺎﻭﺕ‬
‫ﻣﻨﺘﻘﺪﺍﻥ ﺭﺍ ﺑﻪ ﺁﻥ ﺍﻫﺪﺍ ﻛﺮﺩ‪.‬‬ ‫ﺑﺎ ﻻﻏﺮﻯ ﺑﻴﺶ ﺍﺯ ﺣﺪ ﻭ ﺧﻄﺮﻧﺎﻙ ﺑﺎﺷﺪ‪.‬‬ ‫ﺑﺎﺷﻨﺪ ﺭﺍ ﻏﻴﺮ ﻋﺎﺩﻯ ﺑﻪ ﺣﺴﺎﺏ ﻣﻰﺁﻭﺭﻧﺪ‪.‬‬
‫»ﺑﻮﺩﻛﻴﻦ ﺭﺍﺱ« ﺩﺍﺳﺘﺎﻥ ﻣﺮﺩﻯ ﺍﺳﺖ‬ ‫ﺩﺭ ﺻﻔﺤﻪ ‪15‬‬ ‫ﺑﻨﺎﺑﺮﺍﻳﻦ ﻛﻮﺩﻛﻰ ﻛﻪ ﺍﺯ ﺍﻭﻟﻴﻦ ﺳﺎﻝﻫﺎﻯ‬
‫ﻛﻪ ﺑﻪ ﺩﻫﻜﺪﻩ ﻛﻮﭼﻜﻰ ﺩﺭ ﺍﺳﻜﺎﺗﻠﻨﺪ‬ ‫ﺯﻧﺪﮔﻰﺍﺵ ﻣﺜﻼ ﻣﺠﺒﻮﺭ ﺑﻪ ﮔﺬﺍﺷﺘﻦ‬
‫ﺭﻓﺘﻪ ﻭ ﺩﺭ ﺑﺮﺧﻮﺭﺩ ﺑﺎ ﺍﻫﺎﻟﻰ ﻣﻨﻄﻘﻪ‬
‫ﺩﺭﮔﻴﺮ ﻣﺎﺟﺮﺍﻫﺎﻯ ﻣﺨﺘﻠﻔﻰ ﻣﻰﺷﻮﺩ‪.‬‬
‫ﻓﻴﻠﻢ ﻣﻀﻤﻮﻧﻰ ﻓﻠﺴﻔﻰ ﻭ ﺷﺎﻋﺮﺍﻧﻪ ﺩﺍﺭﺩ‬
‫ﻭ ﺗﺮﻛﻴﺒﻰ ﺍﺳﺖ ﺍﺯ ﺳﻴﻨﻤﺎﻯ ﺩﺍﺳﺘﺎﻧﻰ‬

‫ﻭ ﻣﺴﺘﻨﺪ‪.‬‬
‫ﻓﻴﻠﻢﻫﺎﻯ ﺑﺮﮔﺰﻳﺪﻩ ﺗﻤﺎﺷﺎﮔﺮﺍﻥ‬

‫ﭘﻴﺶﭘﺮﺩﻩﻯﻓﻴﻠﻢ»ﺭﻭﻳﺎﻫﺎﻯﺭﺍﺩﻳﻮﻳﻰ«‪ :‬ﻭﻳﺪﺋﻮ‬ ‫ﭘﻴﺶﭘﺮﺩﻩﻯ ﻓﻴﻠﻢ »ﺑﺎﺩﻛﻴﻦ ﺭﺍﺱ«‪ :‬ﻭﻳﺪﺋﻮ‬

‫ﺍﻳﻦ ﻓﻴﻠﻢ ﺑﺮﻧﺪﻩ ﺑﺒﺮﻃﻼﻳﻰ ﺟﺸﻨﻮﺍﺭﻩ ﺟﻬﺎﻧﻰ ﻓﻴﻠﻢ ﺭﻭﺗﺮﺩﺍﻡ ﺷﺪ‪.‬‬ ‫ﺍﻳﻦ ﻓﻴﻠﻢ ﻣﻮﻓﻖ ﺑﻪ ﻛﺴﺐ ﺟﺎﻳﺰﻩ ﺍﻧﺠﻤﻦ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻣﻨﺘﻘﺪﺍﻥ ﻓﻴﭙﺮﺷﻰ ﺷﺪ‪.‬‬

1 2 3 4 5 6 7 8 9 10