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‫ﺻﻔﺤﻪ ‪5‬ـ ‪ Page 5‬ـ ﺷﻤﺎﺭﻩ ‪11‬‬
‫ﺟﻤﻌﻪ ‪ 5‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 11‬ژﻭﺋﻦ ‪2015‬‬

‫ﻧﻤﺎﻳﺶ ﺗﺼﺎﻭﻳﺮ ﺗﺎﺯﻩﺍﻯ ﺍﺯ ﻣﺮﻳﻠﻴﻦ‬ ‫ﻭﻳﮋﻩ‬ ‫ﮔﺰﺍﺭﺵ‬ ‫ﻣﺰﺍﻳﺪﻩ ﺁﺛﺎﺭ ﻫﻨﺮﻯ ﺩﺭ »ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ«‪:‬‬ ‫ﻫﺮ‬
‫ﻣﻮﻧﺮﻭ ﺩﺭ ﻧﻴﻮﻳﻮﺭﻙ‬
‫ﻛﻪ ﭘﻮﻟﺶ ﺑﻴﺶ‪ ،‬ﺑُﺮﺩﺵ ﺑﻴﺸﺘﺮ!‬

‫ﺳﻮﻯ ﺧﻮﺩ ﺩﺭ ﺗﻬﺮﺍﻥ ﺭﺍﻫﻰ ﺣﺮﺍﺟﻰ‬ ‫»ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ« ﭘﺪﻳﺪﻩ ﺟﺪﻳﺪﻯ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﺑﺘﻮﺍﻧﻨﺪ ﺭﻗﻴﺐ ﻫﻢ ﺑﺎﺷﻨﺪ«‪ .‬ﺑﻪ ﺍﻳﻦ ﺍﻧﺘﻘﺎﺩﺍﺕ ﺑﺮﮔﺰﺍﺭﻯ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ‬
‫ﻛﺮﺩﻩ ﺑﻮﺩﻧﺪ«‪.‬‬
‫ﺩﺭ ﻋﺮﺻﻪ ﻫﻨﺮ ﻭ ﺍﻗﺘﺼﺎﺩ ﺍﻳﺮﺍﻥ ﺷﺪﻩ ﺩﻭﻣﻴﻦ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﺩﺭ ‪ 7‬ﺗﻴﺮﻣﺎﻩ ﺭﺍ »ﺍﻣﻴﺪﺑﺨﺶ« ﺩﺍﻧﺴﺘﻪ ﻭ ﮔﻔﺘﻪ ﺍﺳﺖ‪:‬‬
‫ﭼﻬﺎﺭﻣﻴﻦ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﺩﺭ ﺣﺎﻟﻰ‬
‫ﺑﺮﮔﺰﺍﺭ ﺷﺪ ﻛﻪ ﺩﺭ ﺳﻪ ﻧﻮﺑﺖ ﭘﻴﺶ‬ ‫ﺍﺳﺖ‪ .‬ﺳﺎﻝﻫﺎﺳﺖ ﻛﻪ ﺩﺭ ﺍﻳﺮﺍﻥ ‪ 1392‬ﺑﺮﮔﺰﺍﺭ ﺷﺪ ﻭ ﺑﺎﺯﻫﻢ ﺭﺿﺎ »ﺩﺭ ﺍﻳﺮﺍﻥ ﻋﺪﻩﺍﻯ ﺳﺮﻣﺎﻳﻪﺩﺍﺭ ﻫﺴﺘﻨﺪ‬
‫ﺗﻤﺎﻡ ﺁﺛﺎﺭ ﺍﺭﺍﺋﻪ ﺷﺪﻩ ﺑﻪ ﻓﺮﻭﺵ‬
‫ﺭﺳﻴﺪﻩ ﺑﻮﺩ‪ ،‬ﻣﻮﺿﻮﻋﻰ ﻛﻪ ﺣﺘﻰ ﺩﺭ‬ ‫ﺯﻧﺪﮔﻰ ﺑﺨﺸﻰ ﺍﺯ ﻣﺮﺩﻡ ﺑﺎ ﻋﻨﺎﺻﺮﻯ ﻛﻴﺎﻧﻴﺎﻥ ﻛﻪ ﺑﺮﺍﻯ ﻣﺪﻳﺮﻳﺖ ﺟﻠﺴﻪ ﻭ ﻧﻤﻰﺧﻮﺍﻫﻨﺪ ﺳﻮﺍﺭ ﺗﻮﺭﻡ ﺷﻮﻧﺪ‪ .‬ﺍﻛﺜﺮ‬
‫ﺣﺮﺍﺟﻰﻫﺎﻯ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻛﻤﺘﺮ ﺩﻳﺪﻩ‬
‫ﻣﻰﺷﻮﺩ‪ .‬ﺣﺎﻻ ﻫﻢ ﻗﻴﻤﺖﻫﺎ ﻭ ﻫﻢ‬ ‫ﻫﻤﺮﺍﻩ ﺷﺪﻩ ﺍﺳﺖ ﻛﻪ ﺑﻪ ﺑﺎﻭﺭ ﺑﺮﺧﻰ ﺣﺮﺍﺝ ﭘﻴﺶﺗﺮ ﺑﻪ ﺩﻭﺑﻰ ﺭﻓﺘﻪ ﺑﻮﺩ ﺳﺮﻣﺎﻳﻪﺩﺍﺭﺍﻥ ﻣﺎ ﺩﺭ ﺍﻳﺮﺍﻥ ﺳﻜﻪ‪ ،‬ﺩﻻﺭ‬
‫ﺑﺮﮔﺰﺍﺭﻯ ﺳﺎﻟﻴﺎﻧﻪ ﺍﻳﻦ ﺣﺮﺍﺝ ﺍﺳﺖ ﻛﻪ‬
‫ﺧﺒﺮ ﺭﺍ ﺑﺮﺍﻯ ﺭﺳﺎﻧﻪﻫﺎﻯ ﻏﻴﺮ ﺍﻳﺮﺍﻧﻰ ﻧﻴﺰ‬ ‫ﺍﺯ ﻛﺎﺭﺷﻨﺎﺳﺎﻥ »ﺭﺷﺪ ﺑﻴﻤﺎﺭﮔﻮﻧﻪ ﺗﺎ ﺷﻴﻮﻩ ﺍﺟﺮﺍﻯ ﺣﺮﺍﺝ ﻛﺮﻳﺴﺘﻰ ﺭﺍ ﻳﺎ ﺯﻣﻴﻦ ﻣﻰﺧﺮﻧﺪ ﻭ ﺳﻮﺩ ﺍﻳﻦ ﻛﺎﺭ ﺍﺯ‬

‫ﺟﺬﺍﺏ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﺳﺮﻣﺎﻳﻪﺩﺍﺭﻯ« ﺍﺳﺖ ﻭ ﺑﻪ ﺑﺎﻭﺭ ﺑﺮﺧﻰ ﺍﺯ ﻧﺰﺩﻳﻚ ﺑﺒﻴﻨﺪ‪ ،‬ﺍﻳﻦ ﺑﺎﺭ ﺑﺮﺍﻯ ‪ 82‬ﺟﻴﺐ ﻃﺒﻘﺎﺕ ﭘﺎﻳﻴﻦ ﺧﺎﺭﺝ ﻣﻰﺷﻮﺩ؛‬
‫ﻓﺎﻳﻨﻨﺸﺎﻝ ﺗﺎﻳﻤﺰ ﺩﺭ ﮔﺰﺍﺭﺷﻰ ﺑﻪ‬
‫ﺑﺮﮔﺰﺍﺭﻯ ﺍﻳﻦ ﺣﺮﺍﺝ ﺩﺭ ﺷﺮﺍﻳﻂ ﺗﺤﺮﻳﻢ‬ ‫»ﺑﻴﺮﻭﻥ ﺁﻣﺪﻥ ﻻﻳﻪﻫﺎﻯ ﺧﺎﻣﻮﺵ ﺍﺛﺮ ﻫﻨﺮﻯ ﺑﺎﻻﻯ ‪ 6‬ﻣﻴﻠﻴﺎﺭﺩ ﻭ ‪ 500‬ﺍﻣﺎ ﺑﺎ ﺍﻳﻦ ﻛﺎﺭ ﺳﺮﻣﺎﻳﻪﺩﺍﺭﺍﻥ ﺁﻣﻮﺯﺵ‬
‫ﭘﺮﺩﺍﺧﺘﻪ ﻭ ﻧﻮﺷﺘﻪ ﺍﺳﺖ‪» :‬ﺩﺭ ﺣﺎﻟﻰ‬
‫ﻛﻪ ﺗﺄﺛﻴﺮ ﺗﺤﺮﻳﻢﻫﺎﻯ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ‬ ‫ﺳﺮﻣﺎﻳﻪﺩﺍﺭﻯ«‪.‬‬
‫ﺑﻪ ﺭﻭﻯ ﺍﻗﺘﺼﺎﺩ ﺍﻳﺮﺍﻥ ﺍﺩﺍﻣﻪ ﺩﺍﺭﺩ‪،‬‬
‫ﺷﺎﻳﺪ ﺑﺎﺯﺍﺭ ﻫﻨﺮ ﺍﻭﻟﻴﻦ ﺑﺨﺸﻰ ﺑﺎﺷﺪ‬ ‫ﻫﺮﭼﻪ ﻫﺴﺖ ﻭﺭﻭﺩ ﭘﻮﻝﻫﺎﻯ‬
‫ﻛﻪ ﻧﺸﺎﻧﻪﻫﺎﻳﻰ ﺍﺯ ﺍﻧﺠﺎﻡ ﻳﻚ ﺗﻮﺍﻓﻖ‬
‫ﻫﺴﺘﻪﺍﻯ ﺭﺍ ﻧﻤﺎﻳﺎﻥ ﻛﺮﺩﻩ ﺍﺳﺖ«‪ .‬ﺍﻟﺒﺘﻪ‬ ‫ﻫﻨﮕﻔﺘﻰ ﺍﺳﺖ ﻛﻪ ﺍﺯ ﺍﺗﻮﻣﺒﻴﻞﻫﺎﻯ‬
‫ﺍﻳﻦ ﺍﺩﻋﺎﻯ »ﺗﺎﻳﻤﺰ ﻣﺎﻟﻰ» ﺩﺭ ﺣﺎﻟﻴﺴﺖ‬
‫ﻛﻪ »ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ« ﭼﻬﺎﺭﻣﻴﻦ ﺳﺎﻝ‬ ‫ﭘﻮﺭﺷﻪ ﻭ ﻻﻣﺒﻮﺭﮔﻴﻨﻰ ﺗﺎ ﻣﻮﺑﺎﻳﻞﻫﺎ ﻭ‬
‫ﺧﻮﺩ ﺭﺍ ﭘﺸﺖ ﺳﺮ ﮔﺬﺍﺷﺖ ﻭ ﺗﺤﺮﻳﻢ‬
‫ﺩﺭ ﺳﺎﻝﻫﺎﻯ ﭘﻴﺶ ﻧﻴﺰ ﻋﻴﻦ ﻫﻤﻴﻦ‬ ‫ﺳﺎﻋﺖﻫﺎﻯ ﻟﻮﻛﺲ ﺭﺍ ﺩﺭ ﺍﺧﺘﻴﺎﺭ ﻗﺸﺮ‬

‫ﺗﺄﺛﻴﺮﺍﺕ ﺭﺍ ﺩﺍﺷﺖ‪.‬‬ ‫ﺍﻧﺪﻙ ﻭ ﺗﺎﺯﻩ ﺑﻪ ﺩﻭﺭﺍﻥ ﺭﺳﻴﺪﻩﺍﻯ‬
‫ﻟﻴﻠﻰ ﮔﻠﺴﺘﺎﻥ ﺑﻪ ﻓﺎﻳﻨﻨﺸﺎﻝ ﺗﺎﻳﻤﺰ‬
‫ﮔﻔﺘﻪ ﺍﺳﺖ ﻛﻪ ﺍﺳﺘﻘﺒﺎﻝ ﻣﺮﺩﻡ ﺍﺯ‬ ‫ﺍﺯ ﺟﺎﻣﻌﻪ ﻗﺮﺍﺭ ﻣﻰﺩﻫﺪ‪ .‬ﺣﺎﻻ ﺍﻳﻦ‬
‫ﺍﻳﻦ ﺣﺮﺍﺝﻫﺎ ﻧﺸﺎﻧﻪ »ﺍﻋﺘﻤﺎﺩ ﺁﻧﻬﺎ ﺑﻪ‬
‫ﭘﻴﺸﺮﻓﺖﻫﺎ ﺩﺭ ﻛﺸﻮﺭ ﻭ ﻫﻢﭼﻨﻴﻦ ﺑﺎﻻ‬ ‫ﭘﻮﻝﻫﺎﻯ ﺑﺎﺩﺁﻭﺭﺩﻩ ﻋﺮﺻﻪ ﻓﺮﻫﻨﮓ ﻭ‬
‫ﺭﻓﺘﻦ ﺳﻄﺢ ﺍﻣﻴﺪ« ﺍﺳﺖ‪ .‬ﺩﺭ ﺍﺩﺍﻣﻪ‬
‫ﺍﻳﻦ ﮔﺰﺍﺭﺵ ﺁﻣﺪﻩ ﺍﺳﺖ‪» :‬ﺻﺎﺣﺒﺎﻥ‬ ‫ﻫﻨﺮ ﺭﺍ ﻧﻴﺰ ﺩﺭ ﺍﻧﺤﺼﺎﺭ ﺧﻮﺩ ﮔﺮﻓﺘﻪ‬
‫ﮔﺎﻟﺮﻯﻫﺎ ﺩﺭ ﺍﻳﺮﺍﻥ ﻣﻰﮔﻮﻳﻨﺪ ﻛﻪ‬
‫ﻓﺮﻭﺵ ﺑﺎ ﺭﺷﺪ ﺑﺴﻴﺎﺭﻯ ﺯﻳﺎﺩﻯ ﻧﺴﺒﺖ‬ ‫ﺍﺳﺖ‪.‬‬
‫ﺑﻪ ﺳﺎﻝ ﮔﺬﺷﺘﻪ ﺭﻭﺑﺮﻭ ﺑﻮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺩﻻﻳﻞ ﺍﻳﻦ ﺭﺷﺪ ﺳﻴﺎﺳﺖﻫﺎﻯ ﺣﺴﻦ‬ ‫»ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ« ﻛﻪ ﺍﺯ ﺳﺎﻝ ‪1391‬‬
‫ﺭﻭﺣﺎﻧﻰ ﺑﻪ ﻋﻨﻮﺍﻥ ﻳﻚ ﺭﺋﻴﺲ ﺟﻤﻬﻮﺭ‬
‫ﻓﺮﻫﻨﮓﺩﻭﺳﺖ ﺍﺳﺖ ﻛﻪ ﺑﻪ ﻋﻘﺐ‬ ‫ﺁﻏﺎﺯ ﺑﻪ ﻛﺎﺭ ﻛﺮﺩﻩ ﺍﻫﺪﺍﻑ ﺧﻮﺩ ﺭﺍ‬
‫ﺭﺍﻧﺪﻩ ﺷﺪﻥ ﺳﻴﺎﺳﺖﻫﺎﻯ ﺳﺨﺖﮔﻴﺮﺍﻧﻪ‬
‫ﺳﺎﻳﺖ ﺁﺭﺕ ﻧﺖ ﻧﻴﻮﺯ ﺩﺭ ﮔﺰﺍﺭﺵ ﺧﻮﺩ‬ ‫ﺑﻪ ﻣﻨﺎﺳﺒﺖ ﺳﺎﻟﮕﺮﺩ ﺗﻮﻟﺪ ﻣﻮﻧﺮﻭ‬ ‫ﻓﺮﻫﻨﮕﻰ ﺩﺭ ﺩﻭﻟﺖ ﮔﺬﺷﺘﻪ ﺍﻧﺠﺎﻣﻴﺪﻩ‬ ‫»ﭘﺎﺳﺨﮕﻮﻳﻰ ﺑﻪ ﺗﻮﺟﻪ ﺭﻭﺯﺍﻓﺰﻭﻥ ﺑﻪ‬
‫ﺩﺭﺑﺎﺭﻩ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺁﻭﺭﺩﻩ ﺍﺳﺖ ﻳﻜﻰ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ »ﺗﻮﻟﺪﺕ ﻣﺒﺎﺭﻙ ﻣﺮﻳﻠﻴﻦ«‬ ‫ﺍﺳﺖ ﻭ ﺍﺯ ﺳﻮﻯ ﺩﻳﮕﺮ ﻣﺬﺍﻛﺮﺍﺕ ﺍﺗﻤﻰ‬
‫ﺍﺯ ﻋﻜﺲﻫﺎﻯ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ‪ ،‬ﺗﺼﻮﻳﺮ‬ ‫ﻧﻴﺰ ﺑﻪ ﺭﻭﻯ ﺍﻳﻦ ﻣﻮﺿﻮﻉ ﺗﺎﺛﻴﺮ ﮔﺬﺍﺷﺘﻪ‬ ‫ﻫﻨﺮ ﻣﺪﺭﻥ ﻭ ﻣﻌﺎﺻﺮ ﺍﻳﺮﺍﻥ‪ ،‬ﺗﻘﻮﻳﺖ‬
‫ﻣﻮﻧﺮﻭ ﻗﺒﻞ ﺍﺯ ﺑﻪ ﺷﻬﺮﺕ ﺭﺳﻴﺪﻧﺶ‬ ‫ﺑﺮﮔﺰﺍﺭ ﻣﻰﺷﻮﺩ‬
‫)ﺯﻣﺎﻧﻰ ﻛﻪ ﻫﻨﻮﺯ ﺑﺎ ﻧﺎﻡ ﻧﻮﺭﻣﺎ ﺟﻴﻦ‬ ‫ﺭﻭﺯ ﺍﻭﻝ ژﻭﺋﻦ ﻫﺸﺘﺎﺩ ﻭ ﻧﻬﻤﻴﻦ‬ ‫ﺍﺳﺖ«‪.‬‬ ‫ﺭﺿﺎ ﻛﻴﺎﻧﻴﺎﻥ ﻣﺠﺮﻯ »ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ«‬ ‫ﺑﺎﺯﺍﺭ ﺩﺍﺧﻠﻰ ﻫﻨﺮ ﻭ ﺯﻣﻴﻨﻪﺳﺎﺯﻯ ﺑﺮﺍﻯ‬
‫ﻣﻮﺭﺗﻨﺴﻦ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩ ﺑﻮﺩ( ﺍﺳﺖ‬ ‫ﺳﺎﻟﮕﺮﺩ ﺗﻮﻟﺪ »ﻣﺮﻳﻠﻴﻦ ﻣﻮﻧﺮﻭ« ﻣﺎﻧﻜﻦ‪،‬‬ ‫ﺍﻣﺎ ﺧﺸﺎﻳﺎﺭ ﮔﺮﺍﻣﻰ ﻳﻚ ﺳﺮﻣﺎﻳﻪﺩﺍﺭ‬ ‫ﺑﺎﺯﺍﺭ ﺟﻬﺎﻧﻰ« ﺍﻋﻼﻡ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﻛﻪ ﺩﺭ ﺁﻥ ﺑﻠﻮﺯ ﻗﺮﻣﺰﻯ ﭘﻮﺷﻴﺪﻩ ﻭ ﺑﻪ‬ ‫ﺑﺎﺯﻳﮕﺮ ﻭ ﺧﻮﺍﻧﻨﺪﻩ ﻣﺸﻬﻮﺭ ﺁﻣﺮﻳﻜﺎﻳﻰ ﺑﻮﺩ‪.‬‬ ‫ﺟﻮﺍﻥ ﺍﻳﺮﺍﻧﻰ ﻛﻪ ﻧﮕﺎﻫﻰ ﺩﻳﮕﺮ ﺑﻪ ﻫﻨﺮ‬
‫ﺯﺣﻤﺖ ﺗﺸﺨﻴﺺ ﺩﺍﺩﻩ ﻣﻰﺷﻮﺩ ﻛﻪ‬ ‫ﻣﺮﻳﻠﻴﻦ ﻣﻮﻧﺮﻭﻗﺮﺍﺭ ﺍﺳﺖ ﺑﻪ ﻫﻤﻴﻦ‬ ‫ﺍﻳﺮﺍﻧﻰ ﺩﺍﺭﺩ ﺑﻪ ﻓﺎﻳﻨﻨﺸﺎﻝ ﺗﺎﻳﻤﺰ ﮔﻔﺘﻪ‬ ‫ﻣﻰﺑﻴﻨﻨﺪ ﻛﻪ ﺍﺛﺮ ﻫﻨﺮﻯ ﺑﺨﺮﻧﺪ ﻭ ﺑﻪ‬ ‫ﺍﻳﻦ ﺣﺮﺍﺟﻰ ﻣﺪﻋﻰ ﺍﺳﺖ ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﭘﻮﻝ ﺟﻤﻊ ﻛﺮﺩ‪.‬‬
‫ﻣﺮﻳﻠﻴﻦ ﻣﻮﻧﺮﻭ ﺍﺳﺖ‪ .‬ﺍﻭ ﺩﺭ ﺍﻳﻦ ﺗﺼﻮﻳﺮ‬ ‫ﻣﻨﺎﺳﺒﺖ ﮔﺎﻟﺮﻯ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻫﻨﺮ‬ ‫ﺍﺳﺖ‪» :‬ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﻗﻴﻤﺖ ﻣﺴﻜﻦ‬
‫ﺑﺎ ﻇﺎﻫﺮ ﻳﻚ ﺩﺧﺘﺮ ﺟﻮﺍﻥ ﻭ ﺍﻣﻴﺪﻭﺍﺭ‬ ‫ﻣﺮﺩﻣﻰ ﻧﻴﻮﻳﻮﺭﻙ ﻫﻔﺪﻫﻢ ژﻭﺋﻦ‬ ‫ﺩﺭ ‪ 15‬ﺳﺎﻝ ﮔﺬﺷﺘﻪ ‪ 25‬ﺑﺮﺍﺑﺮ ﻭ ﻃﻼ‬ ‫ﺑﺮﺍﻯ ﺭﺳﻴﺪﻥ ﺑﻪ ﺍﻫﺪﺍﻑ ﺧﻮﺩ »ﺑﺎ ﺩﺭ ﺣﺮﺍﺝ ﺩﻭﻡ ﻧﻴﺰ ﺳﻬﺮﺍﺏ ﺳﭙﻬﺮﻯ ﺍﻳﻦ ﺗﺮﺗﻴﺐ ﻫﻢ ﺭﻭﺣﻴﻪ ﺁﻧﻬﺎ ﺗﻠﻄﻴﻒ‬
‫ﺑﻪ ﺟﺬﺍﺑﻴﺖ ﺟﻨﺴﻰﺍﺵ ﻭ ﻛﻤﻰ ﻣﻐﺮﻭﺭ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﺍﺯ ﻋﻜﺲﻫﺎﻯ ﺩﻳﺪﻩ‬ ‫‪ 45‬ﺑﺮﺍﺑﺮ ﺷﺪﻩ ﺍﺳﺖ ﺍﻣﺎ ﺍﺭﺯﺵ ﺁﺛﺎﺭ‬
‫ﻧﺸﺪﻩ ﺍﻳﻦ ﺳﺘﺎﺭﻩ ﻣﺤﺒﻮﺏ ﺭﺍ ﺑﺎ ﻋﻨﻮﺍﻥ‬ ‫ﻫﻨﺮﻯ ‪ 250‬ﺑﺮﺍﺑﺮ ﺷﺪﻩ ﺍﺳﺖ«‪ .‬ﺍﻭ ﺑﺎ‬ ‫ﻫﻤﻜﺎﺭﻯ ﮔﺴﺘﺮﺩﻩ ﻣﻴﺎﻥ ﮔﺎﻟﺮﻯﻫﺎ ﻭ ﺑﺎ ﻳﻜﻰ ﺩﻳﮕﺮ ﺍﺯ ﻧﻘﺎﺷﻰﻫﺎﻯ ﺑﻰﻧﺎﻣﺶ ﻣﻰﺷﻮﺩ ﻭ ﻫﻢ ﻳﺎﺩ ﻣﻰﮔﻴﺮﻧﺪ ﻛﻪ ﺍﺛﺮ‬
‫ﺩﻳﺪﻩ ﻣﻰﺷﻮﺩ‪.‬‬ ‫»ﺗﻮﻟﺪﺕ ﻣﺒﺎﺭﻙ ﻣﺮﻳﻠﻴﻦ!« ﺑﻪ ﻧﻤﺎﻳﺶ‬ ‫ﺍﻳﻨﻜﻪ ﺑﺎﺯﺍﺭ ﻫﻨﺮﻯ ﺍﻳﺮﺍﻥ ﺭﺍ ﻫﻢﭼﻨﺎﻥ‬
‫ﺍﺯ ﺩﻳﮕﺮ ﻋﻜﺲﻫﺎﻯ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ‪،‬‬ ‫»ﺳﻨﺘﻰ« ﻣﻰﺩﺍﻧﺪ ﺍﻣﺎ ﺁﻳﻨﺪﻩ ﺭﻭﺷﻨﻰ‬ ‫ﻣﺠﻤﻮﻋﻪﺩﺍﺭﺍﻥ« ﺩﺭ ﺗﻼﺵ ﺍﺳﺖ ﺗﺎ ﭘﻴﺸﺘﺎﺯ ﺣﺮﺍﺝ ﺑﻮﺩ‪ .‬ﺗﺎﺑﻠﻮﻯ ﺑﺪﻭﻥ ﻋﻨﻮﺍﻥ ﻫﻨﺮﻯ ﭼﻴﺴﺖ«‪.‬‬
‫ﺗﺼﻮﻳﺮﻯ ﺍﺯ ﺳﺮﻯ ﻋﻜﺲﻫﺎﻯ ﻣﺘﻌﻠﻖ‬ ‫ﺑﮕﺬﺍﺭﺩ‪.‬‬ ‫ﺑﺮﺍﻯ ﭘﻴﺸﺮﻓﺖ ﺍﻳﻦ ﻋﺮﺻﻪ ﺗﺼﻮﺭ‬
‫ﺑﻪ ﻛﺘﺎﺏ ﻋﻜﺲ ‪The Last Sitting‬‬ ‫ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﺑﻴﺶ ﺍﺯ ﻧﻴﻢ ﻗﺮﻥ ﺍﺯ‬ ‫ﺑﻬﺘﺮﻳﻦ ﻣﺴﻴﺮ ﺑﺮﺍﻯ ﺍﻧﺘﺨﺎﺏ ﻳﻚ ﺍﺛﺮ ﺳﻬﺮﺍﺏ ﺭﺍ ﺑﺎ ﺍﻳﻨﻜﻪ ﺑﻴﻦ ‪ 350‬ﺗﺎ ‪ 500‬ﺑﺪﻭﻥ ﺗﻌﺎﺭﻑ ﺑﺎﻳﺪ ﮔﻔﺖ ﺍﮔﺮ‬
‫ﺍﺳﺖ ﻛﻪ ﺑﺮﺕ ﺍﺷﺘﺮﻥ ﺁﻥ ﺭﺍ ﻋﻜﺎﺳﻰ‬ ‫ﻣﺮگ ﺍﻳﻦ ﺳﺘﺎﺭﻩ ﺑﻠﻮﻧﺪ ﻣﻰﮔﺬﺭﺩ ﺍﻣﺎ‬ ‫ﻣﻰﻛﻨﺪ‪.‬‬
‫ﻛﺮﺩﻩ؛ ﻣﺠﻤﻮﻋﻪ ﻋﻜﺲﻫﺎﻳﻰ ﻛﻪ‬ ‫ﺍﻭ ﻫﻨﻮﺯ ﺍﺯ ﺧﺎﻃﺮﻩ ﻣﺮﺩﻡ ﭘﺎﻙ ﻧﺸﺪﻩ‬ ‫ﺁﻧﭽﻪ ﮔﺮﺍﻣﻰ ﻣﻰﮔﻮﻳﺪ ﺩﺭ ﭼﻬﺎﺭﻣﻴﻦ‬ ‫ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﺑﺮﺁﻭﺭﺩ ﻛﺮﺩﻩ ﺑﻮﺩﻧﺪ ﺍﻣﺎ ﺣﺮﺍﺟﻰﻫﺎﻯ ﻫﻨﺮﻯ ﺩﺭ ﻫﺮ ﻛﺸﻮﺭﻯ‬ ‫ﻫﻨﺮﻯ ﺭﺍ ﻣﻬﻴﺎ ﺳﺎﺯﺩ‪.‬‬
‫ﻣﺮﻳﻠﻴﻦ ﺭﺍ ﻣﺴﺖ ﻭ ﻛﺎﻣﻼ ﺭﻫﺎ ﻧﺸﺎﻥ‬ ‫ﺍﺳﺖ‪ .‬ﺯﻧﺪﮔﻰ ﺍﻳﻦ ﺯﻥ ﺯﻳﺒﺎ ﻭ ﺍﻏﻮﺍﮔﺮ‬ ‫ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﺑﻪ ﺭﻭﺷﻨﻰ ﺩﻳﺪﻩ ﻣﻰﺷﻮﺩ‪.‬‬
‫ﻛﻪ ﺩﺭ ﺳﻦ ‪ 35‬ﺳﺎﻟﮕﻰ ﺩﺳﺖ ﺑﻪ‬ ‫ﺣﺮﺍﺟﻰ ﻛﻪ ﺑﺎ ﻓﺮﻭﺵ ‪ 2‬ﻣﻴﻠﻴﺎﺭﺩ ﺗﻮﻣﺎﻥ‬ ‫ﺟﻤﻌﻪ ﺩﻭﻡ ﺗﻴﺮﻣﺎﻩ ‪ 1391‬ﺗﻬﺮﺍﻥ ‪ 700‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﺑﻪ ﻓﺮﻭﺵ ﺭﺳﻴﺪ‪ .‬ﺟﺎﻯ ﺳﺮﻣﺎﻳﻪﺩﺍﺭﺍﻥ ﻫﻨﺮﺩﻭﺳﺖ‬
‫ﻣﻰﺩﻫﻨﺪ‪.‬‬ ‫ﺧﻮﺩﻛﺸﻰ ﺯﺩ‪ ،‬ﻫﻤﻮﺍﺭﻩ ﺑﺮﺍﻯ ﻣﺮﺩﻡ‬ ‫ﺩﺭ ﺳﺎﻝ ‪ 91‬ﺁﻏﺎﺯ ﺑﻪ ﻛﺎﺭ ﻛﺮﺩ ﺣﺎﻻ‬
‫ﻭﺍﻳﺲ ﻛﺎﺭﺷﻨﺎﺱ ﻫﻨﺮﻯ ﺍﻳﻦ‬ ‫ﺟﺬﺍﺏ ﻭ ﻛﻨﺠﻜﺎﻭﻯﺑﺮﺍﻧﮕﻴﺰ ﺑﻮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﺩﺭ ‪ 8‬ﺧﺮﺩﺍﺩ ‪ ،1394‬ﺑﻴﺴﺖ ﻭ ﻳﻚ‬ ‫ﺻﺎﺣﺐ ﺍﻭﻟﻴﻦ ﺣﺮﺍﺝ ﺧﻮﺩ ﺷﺪ ﺗﺎ ﺳﺎﻟﻦ ﻣﺠﺴﻤﻪ »ﻫﻴﭻ« ﭘﺮﻭﻳﺰ ﺗﻨﺎﻭﻟﻰ ﻧﻴﺰ ﺑﺎﺷﺪ‪ ،‬ﺩﺭ »ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ« ﻗﻄﻌﺎ ﺍﻳﻦ‬
‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻋﻜﺲ ﻣﻰﮔﻮﻳﺪ‪ :‬ﻫﺮ ﻋﻜﺎﺱ‬ ‫ﺑﺮﺍﻯ ﻫﻤﻴﻦ ﻫﻢ ﻫﺴﺖ ﻛﻪ ﻫﻨﻮﺯ ﺑﻌﺪ‬ ‫ﻣﻴﻠﻴﺎﺭﺩ ﺗﻮﻣﺎﻥ ﺑﻪ ﺩﺳﺖ ﻣﻰﺁﻭﺭﺩ‪73 .‬‬
‫ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ‪ ،‬ﭘﺮﺳﭙﻜﺘﻴﻮ ﻣﺘﻔﺎﻭﺗﻰ ﺍﺯ‬ ‫ﺍﺯ ﮔﺬﺷﺖ ﺳﺎﻝﻫﺎ ﺍﺯ ﻣﺮﮔﺶ ﻛﺸﻒ‬ ‫ﺍﺛﺮ ﻫﻨﺮﻯ ﻣﻮﺟﻮﺩ ﺩﺭ ﺩﺭ ﺍﻭﻟﻴﻦ ﺣﺮﺍﺝ‬ ‫ﺯﺭﻳﻦ ﻫﺘﻞ ‪ 27‬ﻃﺒﻘﻪ ﭘﺎﺭﺳﻴﺎﻥ ﺁﺯﺍﺩﻯ ‪ 500‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﺑﻪ ﻓﺮﻭﺵ ﺭﻓﺖ ﻃﻮﺭ ﻧﻴﺴﺖ! ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﺟﺎﻯ ﻧﻪ‬
‫ﻣﺮﻳﻠﻴﻦ ﺭﺍ ﺍﺭﺍﺋﻪ ﻣﻰﻛﻨﺪ‪ .‬ﺩﺭ ﺑﻌﻀﻰ‬ ‫ﺭﺍﺯﻫﺎﻯ ﺯﻧﺪﮔﻰﺍﺵ ﻫﻢﭼﻨﺎﻥ ﻣﺸﺘﺮﻳﺎﻥ‬ ‫ﺍﻳﻨﻚ ﺑﻪ ‪ 126‬ﺍﺛﺮ ﺍﻓﺰﺍﻳﺶ ﭘﻴﺪﺍ ﻛﺮﺩﻩ‬
‫ﻣﻮﺍﻗﻊ ﺁﻧﻬﺎ ﺑﻪ ﻟﺤﺎﻅ ﺯﻣﺎﻧﻰ ﻭ ﻣﻜﺎﻧﻰ‬ ‫ﻭ ﺑﻨﺎﺳﺖ ﺑﻪ ﺯﻭﺩﻯ ﺣﺮﺍﺟﻰ ﻣﺴﺘﻘﻞ‬ ‫ﺷﺎﻫﺪ ﭼﻜ ِﺶ ﺣﺮﺍﺝ ﺯﺩﻥ ﺭﺿﺎ ﻛﻴﺎﻧﻴﺎﻥ ﺗﺎ ﺩﻭﻣﻴﻦ ﺍﺛﺮ ﺍﺭﺯﺷﻤﻨﺪ ﺩﻭﻣﻴﻦ ﺣﺮﺍﺝ ﺳﺮﻣﺎﻳﻪﺩﺍﺭﺍﻥ ﻫﻨﺮﺩﻭﺳﺖ )ﻛﺪﺍﻡ‬
‫ﻫﻤﺴﺎﻧﻰ ﺩﺍﺭﻧﺪ ﻭ ﺑﻌﻀﻰ ﻣﻮﺍﺭﺩ ﻫﻢ‬ ‫ﺧﻮﺩﺵ ﺭﺍ ﺩﺍﺭﺩ‪.‬‬ ‫ﺑﺮﺍﻯ ﺁﺛﺎﺭ ﻛﻼﺳﻴﻚ ﺑﺮﮔﺰﺍﺭ ﺷﻮﺩ‪.‬‬ ‫ﻫﻨﺮﻣﻨﺪ ﺍﻳﺮﺍﻧﻰ ﺑﺮ ﺁﺛﺎﺭ ﻫﻨﺮﻯ ﺑﺎﺷﺪ‪ .‬ﺍﻣﺎ ﺗﻬﺮﺍﻥ ﺑﺎﺷﺪ ﻭ ﺳﻮﻣﻴﻦ ﺍﺛﺮ ﮔﺮﺍﻥ ﻗﻴﻤﺖ ﺳﺮﻣﺎﻳﻪﺩﺍﺭﺍﻥ؟!( ﺑﻠﻜﻪ ﻣﺤﻞ ﺗﺠﻤﻊ‬
‫ﻣﻮﻧﺮﻭ ﺑﺎ ﺭﻭﺣﻴﻪﺍﻯ ﺑﻰ ﭘﺮﻭﺍ ﺑﺮﺍﻯ‬ ‫ﺁﺛﺎﺭﻯ ﻛﻪ ﺍﻳﻦ ﺑﺎﺭ ﺩﺭ ﺣﺎﺷﻴﻪ ﺣﺮﺍﺝ‬
‫ﺑﻪ ﺍﻧﺪﺍﺯﻩ ‪ 17‬ﺳﺎﻝ ﺍﺯ ﻫﻢ ﻣﺘﻔﺎﻭﺕ‬ ‫‪ 94‬ﺍﺯ ﻛﻤﺎﻝﺍﻟﻤﻠﻚ ﻭ ﺷﺎﮔﺮﺩﺍﻧﺶ‬ ‫ﻧﻪ ﺩﺭ ﻣﻌﻨﺎﻳﻰ ﻛﻪ ﺑﻪ ﻃﻮﺭ ﻣﻌﻤﻮﻝ ﺍﺯ ﺍﻳﻦ ﺣﺮﺍﺝ ﺭﺍ ﻫﻢ ﻣﺠﺪﺩﺍ ﻳﻜﻰ ﺩﻳﮕﺮ ﻭ ﭼﺸﻢ ﻭ ﻫﻢﭼﺸﻤﻰ ﺑﺎﺯﻳﮕﺮﺍﻥ ﻭ‬
‫ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﻫﻤﮕﺎﻥ ﺟﺬﺍﺏ ﻭ ﭘﺮﺳﺶﺑﺮﺍﻧﮕﻴﺰ ﺑﻮﺩ‬ ‫ﺑﻪ ﻓﺮﻭﺵ ﺭﻓﺖ ﺑﻪ ﺯﻭﺩﻯ ﺑﺮﺍﻯ ﺧﻮﺩ‬
‫ﻭ ﻫﻤﻴﻦ ﺍﻭ ﺭﺍ ﺑﻪ ﻧﻤﺎﺩ ﺟﺬﺍﺑﻴﺖﻫﺎﻯ‬ ‫ﺟﺎﻳﮕﺎﻫﻰ ﺟﺪﺍﮔﺎﻧﻪ ﺍﺯ ﻧﻘﺎﺷﻰﻫﺎﻯ‬ ‫»ﺣﺮﺍﺝ« ﻭ »ﺍﺭﺯﺍﻧﻰ« ﻭ »ﺍﺭﺯﺍﻥ ﺷﺪﻥ» ﺍﺯ ﺑﻰﻋﻨﻮﺍﻥﻫﺎﻯ ﺳﻬﺮﺍﺏ ﺳﭙﻬﺮﻯ ﺑﺎ ﻭﺭﺯﺷﻜﺎﺭﺍﻥ ﻭ ﺣﺘﻰ ﻣﻘﺎﻣﺎﺕ ﻣﺴﺌﻮﻝ‬
‫ﺑﻪ ﺗﺎﺯﮔﻰ ﺑﺮﺧﻰ ﻭﺳﺎﺋﻞ ﻣﺮﻟﻴﻦ‬ ‫ﺳﻬﺮﺍﺏ ﺳﭙﻬﺮﻯ‪ ،‬ﺁﻳﺪﻳﻦ ﺁﻏﺪﺍﺷﻠﻮ‪،‬‬
‫ﻣﻮﻧﺮﻭ ﺑﻪ ﺣﺮﺍﺝ ﮔﺬﺍﺷﺘﻪ ﺷﺪﻩ ﻛﻪ‬ ‫ﺟﻨﺴﻰ ﺑﺪﻝ ﻛﺮﺩ‪.‬‬ ‫ﺑﻬﻤﻦ ﻣﺤﺼﺺ‪ ،‬ﻣﻨﻮﭼﻬﺮ ﻳﻜﺘﺎﻳﻰ ﻭ‬ ‫ﻣﻰﺷﻨﺎﺳﻴﻢ ﺑﻠﻜﻪ ﺑﺮﻋﻜﺲ‪ :‬ﺑﻪ ﻣﺰﺍﻳﺪﻩ ‪ 560‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﻓﺮﻭﺵ ﺑﻪ ﺧﻮﺩ ﻭ ﺗﺎﺯﻩ ﺑﻪ ﺩﻭﺭﺍﻥ ﺭﺳﻴﺪﻩﻫﺎﻯ ﺟﻤﻬﻮﺭﻯ‬
‫ﻳﻜﻰ ﺍﺯ ﺁﻧﻬﺎ ﻟﺒﺎﺱ ﺍﺑﺮﻳﺸﻤﻰ ﺻﻮﺭﺗﻰ‬ ‫»ﺍﻧﺪﺭﻭ ﻭﺍﻳﺲ« ﺗﺎﺟﺮ ﻭ ﻛﺎﺭﺷﻨﺎﺱ‬ ‫ﻣﺠﺴﻤﻪﻫﺎﻯ ﭘﺮﻭﻳﺰ ﺗﻨﺎﻭﻟﻰ ﻭ ﺩﻳﮕﺮﺍﻥ‬
‫ﺭﻧﮕﻰ ﺑﻮﺩ ﻛﻪ ﻣﺮﻳﻠﻴﻦ ﺩﺭ ﺁﺧﺮﻳﻦ‬ ‫ﻫﻨﺮﻯ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﮔﻔﺘﻪ ﺍﺳﺖ‪ :‬ﺩﺭ‬ ‫ﮔﺬﺍﺷﺘﻦ ﺁﺛﺎﺭ ﻫﻨﺮﻯ ﺍﺳﺖ! ﻫﺮ ﻛﻪ‬
‫ﻓﻴﻠﻢ ﺧﻮﺩ ‪Something’s Got To‬‬ ‫ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻋﻜﺲﻫﺎﻯ ﻣﺘﻔﺎﻭﺗﻰ‬ ‫ﺧﻮﺍﻫﺪ ﺩﺍﺷﺖ‪.‬‬
‫‪ Give‬ﻛﻪ ﻧﺎﺗﻤﺎﻡ ﻣﺎﻧﺪ ﺑﻪ ﺗﻦ ﺩﺍﺷﺖ‪.‬‬ ‫ﺍﺯ ﺯﻧﺪﮔﻰ ﻛﻮﺗﺎﻩ ﻣﺮﻳﻠﻴﻦ ﻛﻪ ﺗﻮﺳﻂ‬ ‫ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﻛﻪ ﺑﻪ ﮔﻔﺘﻪ‬ ‫ﭘﻮﻟﺶ ﺑﻴﺶ‪ ،‬ﺑُﺮﺩﺵ ﺑﻴﺸﺘﺮ!‬
‫ﻫﻢﭼﻨﻴﻦ ﻧﺎﻣﻪﻫﺎﻯ ﻋﺎﺷﻘﺎﻧﻪ ﺟﻮ ﺩﻯ‬ ‫ﻋﻜﺎﺳﺎﻧﻰ ﭼﻮﻥ ﻭﻳﻠﻴﺎﻡ ﻛﺎﺭﻭﻝ‪ ،‬ﺁﻧﺪﺭﺱ‬ ‫ﺑﺮﮔﺰﺍﺭﻛﻨﻨﺪﮔﺎﻥ ﺁﻥ »ﺍﺑﺘﻜﺎﺭﻯ ﺍﺳﺖ‬ ‫‪ 2‬ﻣﻴﻠﻴﺎﺭﺩ ﻭ ‪ 150‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ‬
‫ﻣﺎﺟﻴﻮ)ﻫﻤﺴﺮ ﺩﻭﻡ ﻣﺮﻳﻠﻴﻦ ﻭ ﻗﻬﺮﻣﺎﻥ‬ ‫ﺩﺩﻳﻨﺲ‪ ،‬ﻻﺯﻟﻮ ﻭﻳﻠﻴﻨﮕﺮ ‪ ،‬ﻣﻴﻠﺘﻮﻥ‬ ‫ﻓﺮﻫﻨﮕﻰ‪ -‬ﺍﻗﺘﺼﺎﺩﻯ ﺩﺭ ﭘﺎﺳﺦ ﺑﻪ‬
‫ﺑﻴﺲ ﺑﺎﻝ ﺁﻣﺮﻳﻜﺎ( ﺑﻪ ﻣﺮﻳﻠﻴﻦ ﻫﻢ‬ ‫ﮔﺮﻳﻦ‪ ،‬ﻛﺎﺷﻴﻮ ﺁﺋﻮﻛﻰ‪ ،‬ﺑﺮﺕ ﺍﺷﺘﺮﻥ ﻭ‬ ‫ﺍﺳﺘﻘﺒﺎﻝ ﻓﺰﺍﻳﻨﺪﻩ ﺍﺯ ﺁﻓﺮﻳﻨﺶﻫﺎﻯ‬ ‫ﺑﺮﺍﻯ ‪ 72‬ﺍﺛﺮ ﻫﻨﺮﻯ ﻟﺒﺨﻨﺪ ﺭﺿﺎﻳﺖ ﺭﺍ‬
‫ﺟﻮﺭﺝ ﺑﺎﺭﻳﺲ ﮔﺮﻓﺘﻪ ﺷﺪﻩ ﺑﻪ ﻧﻤﺎﻳﺶ‬ ‫ﻫﻨﺮﻯ« ﺣﺎﻻ ﺑﻪ ﻳﻚ ﻣﻮﺿﻮﻉ ﻣﻬﻢ‬
‫ﭼﻨﺪﻯ ﭘﻴﺶ ﺑﻪ ﻓﺮﻭﺵ ﺭﺳﻴﺪ‪.‬‬ ‫ﺩﺭ ﺩﺭﺟﻪ ﺍﻭﻝ ﺍﻗﺘﺼﺎﺩﻯ ﻭ ﺑﻌﺪ ﺷﺎﻳﺪ‬ ‫ﺑﻪ ﺭﻭﻯ ﻟﺒﺎﻥ ﺻﺎﺣﺒﺎﻥ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ‬
‫ﺩﺭ ﻣﻰﺁﻳﺪ‪.‬‬ ‫ﻫﻨﺮﻯ ﺗﺒﺪﻳﻞ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻣﻮﺿﻮﻋﻰ‬
‫ﻛﻪ ﺩﺭ ﺁﻳﻨﺪﻩ ﺑﻴﺸﺘﺮ ﺍﺯ ﺁﻥ ﺷﻨﻴﺪﻩ‬ ‫ﻧﺸﺎﻧﺪ‪ .‬ﺩﺭ ﺍﻭﻟﻴﻦ ﺩﻭﺭ ﺍﻳﻦ ﺣﺮﺍﺝ ﺗﺎﺑﻠﻮﻯ‬

‫ﺧﻮﺍﻫﺪ ﺷﺪ‪.‬‬ ‫ﺑﻰﻧﺎﻣﻰ ﺍﺯ ﺳﻬﺮﺍﺏ ﺳﭙﻬﺮﻯ ﺑﻪ ﻗﻴﻤﺖ‬
‫ﺩﺭ ﭘﺎﻳﺎﻥ ﺑﺎﻳﺪ ﺑﻪ ﺷﮕﻔﺘﻰ ﺣﺮﺍﺝ ‪94‬‬
‫ﺗﻬﺮﺍﻥ ﺍﺷﺎﺭﻩ ﻛﺮﺩ‪ .‬ﺑﺎﺯ ﻫﻢ ﺳﻬﺮﺍﺏ‬ ‫‪ 190‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﺭﻛﻮﺭﺩﺩﺍﺭ ﺷﺪ ﻭ‬
‫ﺳﭙﻬﺮﻯ ﻭ ﺑﺎﺯ ﻫﻢ ﻳﻚ ﻧﻘﺎﺷﻰ ﺑﻰﻧﺎﻡ‬
‫ﺩﻳﮕﺮ ﺍﻣﺎ ﺍﻳﻦ ﺑﺎﺭ ﺑﺎ ﺑﺮﺁﻭﺭﺩ ﻗﻴﻤﺖ‬ ‫»ﺫﻛﺮ ﺗﺼﻮﻳﺮﻯﺍﷲ« ﺍﺛﺮ ﺳﻴﺪﻣﺤﻤﺪ‬
‫‪ 1200‬ﺗﺎ ‪ 1600‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﻧﻬﺎﻳﺘﺎ‬
‫ﺑﻪ ﺍﺭﺯﺵ ‪ 2‬ﻣﻴﻠﻴﺎﺭﺩ ﻭ ‪ 800‬ﻣﻴﻠﻴﻮﻥ‬ ‫ﺍﺣﺼﺎﻳﻰ ‪ 120‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﻭ‬
‫ﺗﻮﻣﺎﻥ ﺑﻪ ﻓﺮﻭﺵ ﺭﻓﺖ‪ .‬ﺷﺎﻋﺮ ﻭ ﻧﻘﺎﺷﻰ‬
‫ﻛﻪ ﺩﺭ ﺁﺧﺮﻳﻦ ﻣﺎﻩﻫﺎﻯ ﺣﻴﺎﺕ ﺧﻮﺩ‬ ‫ﻣﺠﺴﻤﻪﺍﻯ ﻛﻮﭼﻚ ﺍﺯ ﭘﺮﻭﻳﺰ ﺗﻨﺎﻭﻟﻰ‪،‬‬
‫ﻧﻤﻰﺩﺍﻧﺴﺖ ﻫﺰﻳﻨﻪ ﻣﺪﺍﻭﺍﻯ ﺑﻴﻤﺎﺭﻯ‬
‫ﺧﻮﺩ ﺭﺍ ﺍﺯ ﻛﺠﺎ ﺑﻪ ﺩﺳﺖ ﺑﻴﺎﻭﺭﺩ ﻭ‬ ‫ﺑﺎ ﻋﻨﻮﺍﻥ »ﺩﻳﻮﺍﺭ ﻭ ﺳﻪ ﻫﻴﭻ« ﺑﺎ ‪116‬‬
‫ﻋﺮﺿﻪ ﺗﺎﺑﻠﻮﻫﺎﻳﺶ ﺑﻪ ﻛﺴﺎﻧﻰ ﻛﻪ‬
‫ﻣﻰﺗﻮﺍﻧﺴﺘﻨﺪ ﺁﻧﻬﺎ ﺭﺍ ﺧﺮﻳﺪﺍﺭﻯ ﻛﻨﻨﺪ‪،‬‬ ‫ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﺑﻴﺸﺘﺮﻳﻦ ﻓﺮﻭﺵﻫﺎ ﺭﺍ‬
‫ﺍﺯ ﺟﻤﻠﻪ ﺩﺭ ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ‪ ،‬ﺩﺭ‬
‫ﺩﻭﺭﺍﻧﻰ ﻛﻪ ﺩﺭ ﻟﻨﺪﻥ ﺑﻪ ﺳﺮ ﻣﻰﺑﺮﺩ‪،‬‬ ‫ﺩﺍﺷﺘﻨﺪ‪.‬‬

‫ﺣﺎﺻﻠﻰ ﺑﺮﺍﻳﺶ ﻧﺪﺍﺷﺖ!‬ ‫ﺗﺎﺑﻠﻮﻯ ﺑﻰ ﻧﺎﻡ ﺳﭙﻬﺮﻯ‪ 2 :‬ﻣﻴﻠﻴﺎﺭﺩ ﻭ ‪ 800‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ‬ ‫ﺩﺭ ﺍﻳﻦ ﺩﻭﺭﻩ ﺍﺯ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﺁﺛﺎﺭﻯ‬
‫ﺍﺯ ﺁﻳﺪﻳﻦ ﺁﻏﺪﺍﺷﻠﻮ‪ ،‬ﻋﺒﺎﺱ ﻛﻴﺎﺭﺳﻤﺘﻰ‪،‬‬

‫ﺍﺳﻼﻣﻰ ﺍﺳﺖ‪.‬‬ ‫ﭘﺮﻭﻳﺰ ﻛﻼﻧﺘﺮﻯ ﻭ ﻣﺴﻌﻮﺩ ﻋﺮﺑﺸﺎﻫﻰ ﺍﺧﺘﺼﺎﺹ ﺩﺍﺩ‪.‬‬

‫ﺗﺎﺑﻠﻮﻯ ‪ 700‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻧﻰ ﺭﺍ ﺑﺎﻧﻚ ﺩﺭ ﺳﻮﻣﻴﻦ »ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ« ﻛﻪ‬ ‫ﻧﻴﺰ ﺑﻪ ﺣﺮﺍﺝ ﮔﺬﺍﺷﺘﻪ ﺷﺪ‪.‬‬

‫ﻋﻠﻴﺮﺿﺎ ﺳﻤﻴﻊﺁﺫﺭ ﻣﺪﻳﺮ »ﺣﺮﺍﺝ ﭘﺎﺳﺎﺭﮔﺎﺩ ﺧﺮﻳﺪﺍﺭﻯ ﻛﺮﺩ ﺗﺎ ﺁﻥ ﺭﺍ ﺩﺭ ‪ 9‬ﺧﺮﺩﺍﺩ ‪ 1393‬ﺑﺮﮔﺰﺍﺭ ﺷﺪ‪ ،‬ﻋﻠﻰ‬

‫ﺗﻬﺮﺍﻥ« ﻛﻪ ﭘﻴﺶﺗﺮ ﺭﻳﺎﺳﺖ ﮔﺮﻭﻩ ﻛﻨﺎﺭ ﺑﻴﺶ ﺍﺯ ‪ 140‬ﺍﺛﺮ ﺩﻳﮕﺮ ﺑﻪ ﻣﻮﺯﻩ ﻣﺮﺍﺩﺧﺎﻧﻰ ﻣﻌﺎﻭﻥ ﺍﻣﻮﺭ ﻫﻨﺮﻯ ﻭﺯﺍﺭﺕ‬

‫ﭘﮋﻭﻫﺶ ﻫﻨﺮ ﺩﺍﻧﺸﻜﺪﻩ ﻫﻨﺮﻫﺎﻯ ﺯﻳﺒﺎﻯ ﻫﻨﺮﻫﺎﻯ ﺗﺠﺴﻤﻰ ﺑﺎﻧﻚ ﭘﺎﺳﺎﺭﮔﺎﺩ ﺍﺭﺷﺎﺩ‪ ،‬ﻣﺠﻴﺪ ﻣﻼﻧﻮﺭﻭﺯﻯ ﻣﺪﻳﺮﻛﻞ‬

‫ﺩﻓﺘﺮ ﻫﻨﺮﻫﺎﻯ ﺗﺠﺴﻤﻰ‪ ،‬ﺍﺣﻤﺪ‬ ‫ﺩﺍﻧﺸﮕﺎﻩ ﺗﻬﺮﺍﻥ ﻭ ﻣﺪﻳﺮ ﻣﻮﺯﻩ ﻫﻨﺮﻫﺎﻯ ﻣﻨﺘﻘﻞ ﻛﻨﺪ‪.‬‬

‫ﻣﻌﺎﺻﺮ ﺗﻬﺮﺍﻥ ﺑﺮ ﻋﻬﺪﻩ ﺩﺍﺷﺘﻪ ﺑﺮ ﺍﻳﻦ ﺍﻣﺎ ﺣﺎﻻ ﭘﺲ ﺍﺯ ﺍﺟﺮﺍﻯ ﺩﻭ ﺣﺮﺍﺝ ﻣﺴﺠﺪﺟﺎﻣﻌﻰ ﺭﺋﻴﺲ ﻭﻗﺖ ﺷﻮﺭﺍﻯ‬

‫ﺑﺎﻭﺭ ﺍﺳﺖ ﻛﻪ »ﺣﺮﺍﺝ ﺟﺎﻯ ﻛﺸﻒ ﻣﻮﻓﻖ‪ ،‬ﺍﻧﺘﻘﺎﺩﺍﺕ ﺁﻏﺎﺯ ﻣﻰﺷﻮﺩ‪ .‬ﺷﻬﺮ ﺗﻬﺮﺍﻥ‪ ،‬ﺳﻴﺪﻣﺤﻤﺪ ﺑﻬﺸﺘﻰ‬

‫ﻫﻨﺮﻣﻨﺪ ﻧﻴﺴﺖ‪ ،‬ﺑﻠﻜﻪ ﻛﺸﻒ ﻫﻨﺮﻣﻨﺪ ﻛﻴﻬﺎﻥ ِ ﺷﺮﻳﻌﺘﻤﺪﺍﺭﻯ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﻭ ﻣﺮﺗﻀﻰ ﻛﺎﻇﻤﻰ ﻣﺸﺎﻭﺭ ﺍﻗﺘﺼﺎﺩ‬

‫ﺑﺎﻳﺪ ﺩﺭ ﮔﺎﻟﺮﻯﻫﺎ ﺻﻮﺭﺕ ﭘﺬﻳﺮﺩ‪ .‬ﺍﻳﻨﻜﻪ »ﺑﺮﮔﺰﺍﺭﻯ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﺑﺎ ﻓﺮﻫﻨﮓ ﻭ ﻫﻨﺮ ﻭﺯﻳﺮ ﺍﺭﺷﺎﺩ ﻧﻴﺰ ﺣﻀﻮﺭ‬

‫ﺣﺮﺍﺝ ﺩﺭ ﻭﺍﻗﻊ ﺩﺭ ﻧﻘﻄﻪ ﻧﻬﺎﻳﻰ ﻣﻌﺮﻓﻰ ﻣﺪﻳﺮﻳﺖ ﻋﻠﻴﺮﺿﺎ ﺳﻤﻴﻊ ﺁﺫﺭ )ﺍﺯ ﺩﺍﺷﺘﻨﺪ‪.‬‬

‫ﻛﺎﺭﮔﺰﺍﺭﺍﻥ ﻓﺮﻫﻨﮕﻰ ﺩﻭﻟﺖ ﺧﺎﺗﻤﻰ( ﺩﺭ ﺣﺮﺍﺝ ﺍﻣﺴﺎﻝ ﻧﻴﺰ ﺳﻬﺮﺍﺏ ﺳﭙﻬﺮﻯ‬ ‫ﻫﻨﺮﻣﻨﺪ ﻗﺮﺍﺭ ﺩﺍﺭﺩ ﻧﻪ ﺁﻏﺎﺯ ﺁﻥ«‪.‬‬

‫ﺍﻭ ﺩﺭ ﺗﻮﺿﻴﺢ ﺩﻻﻟﻴﻞ ﺷﻜﻞﮔﻴﺮﻯ ﺑﺎ ﺍﻧﺘﻘﺎﺩﺍﺕ ﺷﺪﻳﺪ ﺍﻫﺎﻟﻰ ﻫﻨﺮ ﻣﻮﺍﺟﻪ ﻛﻪ ﺣﺎﻻ ﺩﻳﮕﺮ ﻓﻘﻂ ﺑﻪ ﺷﻌﺮﻫﺎﻳﺶ‬

‫ﺷﻬﺮﻩ ﻧﻴﺴﺖ ﺑﺎﺯ ﺭﻛﻮﺭﺩ ﺷﺐ ‪13‬‬

‫ﻣﻴﻠﻴﺎﺭﺩﻯ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﺭﺍ ﺷﻜﺴﺖ‪ .‬ﺩﻭ‬

‫ﻧﻘﺎﺷﻰ ﺍﻭ ﻳﻜﻰ ﺑﻪ ﺍﺭﺯﺵ ‪ 1‬ﻣﻴﻠﻴﺎﺭﺩ‬

‫ﻭ ‪ 800‬ﻣﻴﻠﻴﻮﻥ ﻭ ﺩﻳﮕﺮ ‪ 1‬ﻣﻴﻠﻴﺎﺭﺩ ﻭ‬

‫‪ 600‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﺑﻪ ﻓﺮﻭﺵ ﺭﻓﺖ‪.‬‬

‫ﺿﺮﺑﻪ ﭼﻮﺏ ﺭﺿﺎ ﻛﻴﺎﻧﻴﺎﻥ ﺑﺮﺍﻯ‬

‫ﻧﻘﺎﺷﻰ ﺭﺿﺎ ﺩﺭﺧﺸﺎﻧﻰ ﺭﻗﻢ ‪600‬‬

‫ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﺭﺍ ﻧﺸﺎﻥ ﺩﺍﺩ ﺗﺎ ﺑﻪ‬

‫ﮔﻔﺘﻪ ﺳﻤﻴﻊ ﺁﺫﺭ‪ ،‬ﺍﻳﻦ ﻫﻨﺮﻣﻨﺪ‬

‫ﺭﻛﻮﺭﺩ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﺧﻮﺩ ﺭﺍ ﺑﺸﻜﻨﺪ ﻭ‬

‫ﺑﻪ ﻓﺮﻭﺵ ﺑﻴﺸﺘﺮﻯ ﺩﺭ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ‬

‫ﺩﺳﺖ ﻳﺎﺑﺪ‪.‬‬

‫ﺑﻪ ﮔﻔﺘﻪ ﻣﺪﻳﺮﺍﻥ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ‪،‬‬

‫ﻧﻘﺎﺷﻰ ﺳﻬﺮﺍﺏ ﺳﭙﻬﺮﻯ ﺗﻮﺳﻂ ﻳﻚ‬

‫ﺧﺮﻳﺪﺍﺭ ﺗﻠﻔﻨﻰ ﺍﺯ ﻛﺎﻧﺎﺩﺍ ﺑﻮﺩ‪ .‬ﻳﻜﻰ ﺍﺯ ‪8‬‬ ‫ﻛﺴﺎﻧﻰ ﻛﻪ ﻣﻰ ﺧﻮﺍﻫﻨﺪ ﻧﺎﺷﻨﺎﺧﺘﻪ ﺑﻤﺎﻧﻨﺪ ﺩﺭ ﺩﺍﺧﻞ ﻭ ﺧﺎﺭﺝ ﺍﺯ ﺭﺍﻩ ﺗﻠﻔﻦ ﺩﺭ‬
‫ﻣﺸﺘﺮﻯ ﺗﻠﻔﻨﻰ ﻛﻪ ﻫﻤﻪ ﺁﻧﻬﺎ ﺩﺭ ﺧﺎﺭﺝ‬ ‫ﺣﺮﺍﺟﻰ ﺷﺮﻛﺖ ﻣﻰ ﻛﻨﻨﺪ‬
‫ﺍﺯ ﺍﻳﺮﺍﻥ ﻧﻴﺴﺘﻨﺪ ﻭ ﻧﻤﻰﺧﻮﺍﺳﺘﻨﺪ‬

‫ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﮔﻔﺘﻪ ﺍﺳﺖ ﻛﻪ ﺍﻳﻦ ﺷﺪﻩ ﺍﺳﺖ« ﺑﻪ ﺳﺮﺍﻍ ﺣﻤﻴﺪ ﻋﺠﻤﻰ ﺷﻨﺎﺧﺘﻪ ﺷﻮﻧﺪ ﻭ ﺍﺯ ﻫﻤﻴﻦ ﺭﻭ ﺍﺯ ﺭﺍﻩ‬

‫ﺣﺮﺍﺝ »ﺩﺭ ﺭﺍﺳﺘﺎﻯ ﻣﻘﺘﻀﻴﺎﺕ ﻣﺎﺭﻛﺖ ﺭﻓﺘﻪ ﻛﻪ ﺑﺮ ﺍﻳﻦ ﺑﺎﻭﺭ ﺍﺳﺖ »ﺑﻪ ﻫﻨﺮ ﺗﻠﻔﻦ ﺩﺭ ﺍﻳﻦ ﺣﺮﺍﺟﻰ ﺷﺮﻛﺖ ﻛﺮﺩﻧﺪ‪.‬‬

‫ﻫﻨﺮ ﺩﺍﺧﻞ ﻛﺸﻮﺭ ﺷﻜﻞ ﮔﺮﻓﺘﻪ ﺍﺳﺖ ﻣﺜﻞ ﻫﻤﻪ ﺟﻨﺒﻪﻫﺎﻯ ﺯﻧﺪﮔﻰ ﮔﻨﺪ ﻳﻜﻰ ﺍﺯ ﺳﺨﻨﮕﻮﻳﺎﻥ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﺑﻪ‬

‫ﺑﺮﺧﻼﻑ ﺣﺮﺍﺝ ﻛﺮﻳﺴﺘﻴﺰ ﻛﻪ ﻣﺎﺭﻛﺘﻰ ﻣﻰﺯﻧﻨﺪ‪ ،‬ﺁﻟﻮﺩﻩﺍﺵ ﻣﻰﻛﻨﻨﺪ‪ ،‬ﺁﻟﻮﺩﻩ ﺭﻭﺯﻧﺎﻣﻪ ﮔﺎﺭﺩﻳﻦ ﭼﺎپ ﻟﻨﺪﻥ ﮔﻔﺘﻪ‬

‫ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﺭﺍ ﺑﺮﺍﻯ ﻫﻨﺮ ﺍﻳﺮﺍﻥ ﻓﺮﺍﻫﻢ ﺑﻪ ﻛﺜﺎﻓﺖﻛﺎﺭﻯ‪ ،‬ﺩﻻﻟﻰ‪ ،‬ﻳﻚ ﺷﺒﻪ ﺍﺳﺖ‪» :‬ﺑﻪ ﺩﻟﻴﻞ ﺍﻋﻤﺎﻝ ﺗﺤﺮﻳﻢﻫﺎ‪،‬‬

‫ﻣﻰ ﻛﻨﺪ‪ .‬ﺩﺭ ﻭﺍﻗﻊ ﺣﺮﺍﺝ ﺗﻬﺮﺍﻥ ﺩﺭ ﻣﻴﻠﻴﺎﺭﺩﺭ ﺷﺪﻥ‪ ،‬ﺑﺎ ﺑﻰﺣﻴﺜﻴﺖ ﻛﺮﺩﻥ ﺍﺭﺗﺒﺎﻁ ﺳﻴﺴﺘﻢ ﺑﺎﻧﻜﻰ ﺍﻳﺮﺍﻥ ﺑﺎ‬

‫ﻭﺿﻌﻴﺖ ﻓﻌﻠﻰ ﺑﻪ ﻣﺎﺭﻛﺖ ﻫﻨﺮ ﺩﺍﺧﻞ ﺗﺎﺑﻠﻮﻫﺎﻯ ﺳﻬﺮﺍﺏ ﺳﭙﻬﺮﻯ ﻫﺮ ﺁﻧﭽﻪ ﺩﻧﻴﺎﻯ ﺧﺎﺭﺝ ﻗﻄﻊ ﺷﺪﻩ ﺍﺳﺖ‪ ،‬ﺍﻣﺎ‬

‫ﻛﺸﻮﺭ ﻭ ﺣﺮﺍﺝ ﻛﺮﻳﺴﺘﻴﺰ ﺑﻪ ﻣﺎﺭﻛﺖ ﭘﺸﺖ ﺻﺤﻨﻪ ﻣﻰﮔﺬﺷﺖ ﺭﺍ ﺩﺍﺭﻧﺪ ﺍﻳﻦ ﺍﻣﺮ ﻣﺎﻧﻊ ﺍﺯ ﺷﺮﻛﺖ ﺧﺮﻳﺪﺍﺭﺍﻥ‬

‫ﺧﺎﺭﺟﻰ ﺩﺭ ﺣﺮﺍﺟﻰ ﺁﺛﺎﺭ ﻫﻨﺮﻯ‬ ‫ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻫﻨﺮ ﺗﻮﺟﻪ ﺩﺍﺭﺩ ﻭ ﺷﺎﻳﺪ ﻋﻴﺎﻥ ﻣﻰﻛﻨﻨﺪ«‪.‬‬

‫ﺩﺭ ﺁﻳﻨﺪﻩ ﺍﻳﻦ ﺩﻭ ﺣﺮﺍﺝ ﺩﺭ ﺍﺑﻌﺎﺩ ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﺭﺿﺎ ﻛﻴﺎﻧﻴﺎﻥ ﺩﺭ ﭘﺎﺳﺦ ﺗﻬﺮﺍﻥ ﻧﺸﺪ ﻭ ﺁﻧﻬﺎ ﻧﻤﺎﻳﻨﺪﮔﺎﻧﻰ ﺭﺍ ﺍﺯ‬

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