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‫ﺟﻤﻌﻪ ‪ 29‬ﺧﺮﺩﺍﺩ ﻣﺎﻩ ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ‪ 4‬ﺗﻴﺮ ﻣﺎﻩ ‪1394‬ﺧﻮﺭﺷﻴﺪﻯ‬

‫ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﺍﺯ ﭘﻴﺮﺍﻫﻦ ﺑﺮﺍﻯ ﺍﺣﺘﺮﺍﻡ ﻭ ﻳﺎﺩﺁﻭﺭﻯ ﺳﻴﺎﺳﺖ‪ :‬ﻳﻚ ﺑﺎﺯﻯ ﺑﺪﻭﻥ ﺑﺎﺯﻧﺪﻩ ﺑﻬﺸﺎﺩ ﻫﺴﺘﻰ ﺑﺨﺶ‬

‫ﻣﻰﺷﻮﺩ‪ .‬ﺍﻳﻦ ﺭﻭﻧﺪ ﺩﺭ ﺣﻘﻴﻘﺖ ﻣﻨﺠﺮ ﺑﻪ‬ ‫ﻓﺮﺩﻯ ﻭ ﺍﺟﺘﻤﺎﻋﻰ ﺷﺮﺍﻳﻂ ﻻﺯﻡ ﺑﺮﺍﻯ‬ ‫ﻗﺮﺍﺩﺍﺩ ﺍﺟﺘﻤﺎﻋﻰ ﭘﺎﻳﻪ ﻓﺮﻫﻨﮓ ﺳﻴﺎﺳﻰ‬ ‫ﻗﺮﺑﺎﻧﻴﺎﻥ ﺗﺠﺎﻭﺯ ﻭ ﺧﺸﻮﻧﺖ ﺟﻨﺴﻰ ﺩﺭ ﺟﻨﮓ ﻛﻮﺯﻭﻭ‬
‫ﺍﻧﺘﻘﺎﻝ ﻗﺪﺭﺕ ﺍﺯ ﻓﺮﺩ ﺑﻪ ﮔﺮﻭﻫﻰ ﻣﺘﺸﻜﻞ‬ ‫ﺷﺮﻛﺖ ﺩﺍﻭﻃﻠﺒﺎﻧﻪ ﻣﺮﺩﻡ ﺩﺭ ﻓﻌﺎﻟﻴﺖﻫﺎﻯ‬ ‫ﻣﺪﺭﻥ ﺍﺳﺖ ﺑﻪ ﺍﻳﻦ ﻣﻌﻨﺎ ﻛﻪ ﻫﺮ ﻳﻚ ﺍﺯ‬
‫ﺍﺯ ﺍﻧﺴﺎﻥﻫﺎﻯ ﺁﮔﺎﻩ‪ ،‬ﻣﺘﺨﺼﺺ ﻭ ﺁﻳﻨﺪﻩ‬ ‫ﻣﺪﻧﻰ ﺍﺯ ﺟﻤﻠﻪ ﺗﺸﻜﻴﻞ ﻭ ﺗﻘﻮﻳﺖ ﮔﺮﻭﻩﻫﺎ‪،‬‬ ‫ﺍﻋﻀﺎﻯﺟﺎﻣﻌﻪﺑﺮﺩﺍﺷﺘﻦﺣﻘﻮﻕﻭﻭﻇﺎﻳﻔﻰ‬ ‫ﺍﻫﺪﺍ ﻛﺮﺩﻩ ﺍﺳﺖ‪ .‬ﻫﻤﺎﻥ ﻃﻮﺭ ﻛﻪ‬ ‫ﺗﻌﺪﺍﺩﻯ ﺍﺯ ﺯﻧﺎﻥ ﻗﺮﺑﺎﻧﻰ ﺗﺠﺎﻭﺯ ﺩﺭﺑﺎﺭﻩ‬ ‫ﺍﺳﺘﺎﺩﻳﻮﻡ ﺍﺻﻠﻰ ﻛﻮﺯﻭﻭ ﺩﺭ ﺷﻬﺮ‬
‫ﻧﮕﺮ ﻣﻰﺷﻮﺩ‪ .‬ﺑﻪ ﻋﺒﺎﺭﺗﻰ ﺩﻳﮕﺮ ﺍﻳﻦ ﺭﻭﻧﺪ‬ ‫ﺳﺎﺯﻣﺎﻥﻫﺎ‪ ،‬ﺑﻨﻴﺎﺩﻫﺎ‪ ،‬ﺍﺣﺰﺍﺏ ﺳﻴﺎﺳﻰ ﻭ‬ ‫ﻳﻜﺴﺎﻥ ﺷﻬﺮﻭﻧﺪﻯ ﺩﺭ ﻳﻚ ﺭﻭﻧﺪ ﭘﻴﺸﺮﻓﺘﻪ‬ ‫ﺧﻮﺍﻧﻨﺪﻩ ﺍﻧﮕﻠﻴﺴﻰ ﻛﻮﺯﻭﻭ ﺗﺒﺎﺭ ﺭﻳﺘﺎ ﺍﻭﺭﺍ‬ ‫ﺁﻧﭽﻪ ﺳﺮﺑﺎﺯﺍﻥ ﺻﺮﺏ ﻭ ﺷﺒﻪﻧﻈﺎﻣﻴﺎﻥ ﺩﺭ‬ ‫ﭘﺮﺷﺘﻴﻨﺎ‪ .‬ﺟﺎﻳﻰ ﻛﻪ ﺑﻴﺶ ﺍﺯ ﭘﻨﺞ ﻫﺰﺍﺭ‬
‫ﻓﺮﺩﮔﺮﺍﻳﻰﻭﻧﻬﺎﻳﺘﺎﻓﺮﺩﭘﺮﺳﺘﻰﺟﺎﻳﮕﺎﻩﺧﻮﺩ‬ ‫ﺩﻳﮕﺮ ﺍﺭﮔﺎﻥﻫﺎﻯ ﻣﺪﻧﻰ ﻣﻤﻜﻦ ﻣﻰﻛﻨﻨﺪ‪.‬‬ ‫ﺑﻪ ﻋﻠﻢ‪ ،‬ﺩﺍﻧﺶ ﻭ ﻣﻬﺎﺭﺕ ﺳﻴﺎﺳﻰ ﺗﺴﻠﻂ‬ ‫ﻭ ﻫﻢﭼﻨﻴﻦ ﺷﺮﻯ ﺑﻠﺮ ﺍﻳﻦ ﻛﺎﺭ ﺭﺍ ﺍﻧﺠﺎﻡ‬ ‫ﺣﻖ ﺁﻧﻬﺎ ﺍﻧﺠﺎﻡ ﺩﺍﺩﻧﺪ ﺳﻜﻮﺕ ﻛﺮﺩﻧﺪ‪.‬‬ ‫ﻟﺒﺎﺱ ﻭ ﺩﺍﻣﻦ ﺯﻧﺎﻧﻪ ﺑﺮ ﺭﺧﺖﺁﻭﻳﺰ ﺁﻭﻳﺰﺍﻥ‬
‫ﻗﺪﺭﺕ ﺭﺍ ﺑﻪ ﻣﺮﺩﻡﺳﺎﻻﺭﻯ ﻭ ﻛﺜﺮﺕﮔﺮﺍﻳﻰ‬ ‫ﻫﺮ ﻳﻚ ﺍﺯ ﺍﻳﻦ ﺗﺸﻜﻴﻼﺕ ﻣﺪﻧﻰ ﺁﺭﻣﺎﻥﻫﺎ‬ ‫ﭘﻴﺪﺍ ﻣﻰﻛﻨﻨﺪ‪.‬ﺍﻳﻦ ﺭﻭﻧﺪ ﻛﻪ ﺍﻟﺰﺍﻣﺎ ﻃﺒﻴﻌﻰ‬ ‫ﺩﺍﺩﻩﺍﻧﺪ‪ .‬ﺷﺮﻯ ﻫﻤﺴﺮ ﺗﻮﻧﻰ ﺑﻠﺮ ﻧﺨﺴﺖ‬ ‫ﺁﻧﻬﺎ ﻫﻢ ﻛﻪ ﺳﻜﻮﺕ ﺧﻮﺩ ﺭﺍ ﺷﻜﺴﺘﻨﺪ‬
‫ﻣﻰﺩﻫﺪ ﺗﺎ ﺧﻮﺍﺳﺘﻪ ﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺍﻓﺮﺍﺩ‬ ‫ﻭ ﺍﻫﺪﺍﻑ ﺍﻗﺸﺎﺭ ﻣﺨﺘﻠﻒ ﺟﺎﻣﻌﻪ ﺭﺍ‬ ‫ﻧﻴﺴﺖ ﻧﻴﺎﺯ ﺑﻪ ﺑﺎﺯﻧﮕﺮﻯ ﻭ ﺍﻧﺘﻘﺎﺩﺍﺕ ﻣﺜﺒﺖ‬ ‫ﻭﺯﻳﺮ ﺑﺮﻳﺘﺎﻧﻴﺎ ﺩﺭ ﺩﻭﺭﻩﺍﻯ ﺑﻮﺩ ﻛﻪ ﻧﺎﺗﻮ‬ ‫ﺍﺯ ﺳﻮﻯ ﺟﺎﻣﻌﻪ ﻣﺤﺎﻓﻈﻪﻛﺎﺭ ﻛﻮﺯﻭﻭ ﻭ‬ ‫ﺷﺪﻩﺍﻧﺪ‪.‬‬
‫ﺟﺎﻣﻌﻪ ﺩﺭ ﭼﻬﺎﺭﭼﻮﺏ ﺍﺭﺍﺩﻩ ﺍﺟﺘﻤﺎﻋﻰ‬ ‫ﺩﻧﺒﺎﻝ ﻛﺮﺩﻩ ﻭ ﺩﺭ ﻣﺴﻴﺮ ﺑﺮ ﺁﻭﺭﺩﻩ ﻛﺮﺩﻥ‬ ‫ﺍﺯ ﮔﺬﺷﺘﻪ ﺳﻴﺎﺳﻰ ﺟﺎﻣﻌﻪ ﺩﺍﺭﺩ‪ .‬ﺑﺎﺯﻧﮕﺮﻯ‬ ‫ﺑﺮﺍﻯ ﺧﺎﺭﺝ ﻛﺮﺩﻥ ﺳﺮﺑﺎﺯﺍﻥ ﺻﺮﺏ ﻛﻪ‬ ‫ﺟﺎﻣﻌﻪ ﺁﻟﺒﺎﻧﻴﺎﻳﻰﻫﺎﻯ ﻣﺴﻠﻤﺎﻥ ﻃﺮﺩ‬ ‫ﻟﺒﺎﺱﻫﺎﻳﻰ ﺭﻧﮕﺎﺭﻧﮓ ﻛﻪ ﺯﻳﺮ ﺁﺳﻤﺎﻥ‬
‫ﻭ ﺍﻛﺘﻔﺎ ﺑﻪ ﻗﺎﻧﻮﻥ ﻣﺪﻧﻰ ﻣﺤﻘﻖ ﮔﺮﺩﺩ‪.‬‬ ‫ﺧﻮﺍﺳﺖﻫﺎﻯ ﺍﻳﻦ ﺍﻗﺸﺎﺭ ﺗﻼﺵ ﻣﻰﻛﻨﻨﺪ‪.‬‬ ‫ﻭﺍﻧﺘﻘﺎﺩﺍﺕﻣﺜﺒﺖﮔﺬﺷﺘﻪﺳﻴﺎﺳﻰﺩﺭﻛﻨﺎﺭ‬ ‫ﻣﺘﻬﻢ ﺑﻪ ﻗﺘﻞ ﻋﺎﻡ ﻭ ﺗﺠﺎﻭﺭ ﺟﻨﺴﻰ ﺷﺪﻩ‬ ‫ﺁﺑﻰ ﻭ ﺩﺭ ﻣﻌﺮﺽ ﺑﺎﺩ ﭘﻴﭻ ﻭ ﺗﺎﺏ‬
‫ﺍﻓﺮﺍﺩ ﺟﺎﻣﻌﻪ ﺑﺎ ﺷﺮﻛﺖ ﺩﺍﻭﻃﻠﺒﺎﻧﻪ ﺳﻬﻴﻢ‬ ‫ﻫﻢﺯﻣﺎﻥ ﺍﻓﺮﺍﺩ ﺟﺎﻣﻌﻪ ﺩﺭ ﭼﻬﺎﺭﭼﻮﺏ‬ ‫ﭘﺮﻭﺭﺵ ﺩﻳﺪﮔﺎﻩ ﻫﺎﻯ ﺟﺪﻳﺪ ﻣﻨﺠﺮ ﺑﻪ ﺭﺷﺪ‬ ‫ﺷﺪﻧﺪ‪.‬‬ ‫ﻣﻰﺧﻮﺭﻧﺪ‪ .‬ﺍﻳﻦ ﻟﺒﺎﺱﻫﺎ ﺍﻣﺎ ﺩﺍﺳﺘﺎﻥﻫﺎﻯ‬
‫ﺩﺭ ﺍﻣﻮﺭ ﺍﺟﺘﻤﺎﻋﻰ ﻭ ﺳﻴﺎﺳﻰ ﻭ ﻣﺴﻮﻝ‬ ‫ﺍﺻﻮﻝ ﻗﺮﺍﺭﺩﺍﺩ ﺍﺟﺘﻤﺎﻋﻰ ﺑﺎ ﺗﻮﺍﻓﻖ ﻭ ﺗﺎﻛﻴﺪ‬ ‫ﺑﻮﺩﻧﺪ ﻭﺍﺭﺩ ﺍﻳﻦ ﺟﻨﮓ ﺷﺪ‪.‬‬ ‫ﺁﻟﻜﺘﺎ ﻣﺮﻳﭙﺎ ژﺍﻓﺎ ﻫﻨﺮﻣﻨﺪ ‪ 34‬ﺳﺎﻟﻪ‬ ‫ﺗﻠﺨﻰ ﺭﺍ ﺭﻭﺍﻳﺖ ﻣﻰﻛﻨﻨﺪ‪ .‬ﺑﺴﻴﺎﺭﻯ ﺍﺯ‬
‫ﻧﺘﺎﻳﺞ ﺣﺎﺻﻞ ﺍﺯ ﻛﺎﺭﻫﺎﻯ ﮔﺮﻭﻫﻰ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺑﻪ ﻧﻘﺎﻁ ﻣﺸﺘﺮﻙ ﻗﻮﺍﻧﻴﻦ ﻣﺪﻧﻰ ﺭﺍ ﺍﺯ ﻃﺮﻳﻖ‬ ‫ﺳﻴﺎﺳﻰﺟﺎﻣﻌﻪﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺑﺮ ﺭﻭﻯ ﻳﻜﻰ ﺍﺯ ﺩﺍﻣﻦﻫﺎ ﻧﻮﺷﺘﻪ ﺷﺪﻩ‪:‬‬ ‫ﻣﺘﻮﻟﺪ ﻛﻮﺯﻭﻭ ﻛﻪ ﺳﺎﻛﻦ ﻟﻨﺪﻥ ﺍﺳﺖ ﻭ‬ ‫ﺍﻧﻬﺎ ﺍﻳﻦ ﺩﺍﺳﺘﺎﻥﻫﺎﻯ ﺩﺭﺩﻧﺎﻙ ﺩﺭ ﺗﺎﺭ‬
‫ﺑﻨﺎ ﺑﺮ ﺍﻳﻦ ﺳﻴﺎﺳﺖ ﺍﺯ ﺑﻌﺪ ﺑﺮﺩ ﻭ ﺑﺎﺧﺖ )ﺑﻪ‬ ‫ﻧﻤﺎﻳﻨﺪﮔﺎﻥ ﺧﻮﺩ ﺗﺼﻮﻳﺐ ﻛﺮﺩﻩ ﻭ ﺩﺭ ﺯﻣﺎﻥ‬ ‫ﻧﻘﻄﻪ ﺁﻏﺎﺯﻳﻦ ﺍﻳﻦ ﺭﺷﺪ ﺳﻴﺎﺳﻰ‪ ،‬ﻗﺒﻮﻝ‬ ‫ﺍﻳﻦ ﺩﺍﻣﻦ ﺩﺍﺳﺘﺎﻥ ﺩﺭﺩﻧﺎﻛﻰ ﺭﺍ ﺍﺯ ﺳﺎﻝ‬ ‫ﺑﺮﮔﺰﺍﺭﻛﻨﻨﺪﻩ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﻪ ﺭﻭﻳﺘﺮﺯ‬ ‫ﻭ ﭘﻮﺩﺷﺎﻥ ﺗﻨﻴﺪﻩ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻭ ﺑﺮﺧﻰ‬
‫ﻣﻌﻨﺎﻯ ﺩﺭﻳﺎﻓﺖ ﺍﻣﺘﻴﺎﺯﺍﺕ ﺧﺎﺹ ﻳﻚ ﻓﺮﺩ‬ ‫ﺑﺮﺧﻮﺭﺩ ﺧﻮﺍﺳﺘﻪﻫﺎ ﻭ ﻧﻴﺎﺯﻫﺎ ﺍﺧﺘﻼﻑ ﺍﺯ‬ ‫ﺍﻳﻦ ﻓﺮﺿﻴﻪ ﺍﺳﺖ ﻛﻪ ﺍﻧﺴﺎﻥ ﺑﻌﻨﻮﺍﻥ ﻳﻚ‬
‫ﻭ ﻳﺎ ﻳﻚ ﮔﺮﻭﻩ ﺑﻪ ﻫﺰﻳﻨﻪ ﺿﺮﺭ ﺑﻪ ﺍﻓﺮﺍﺩ ﻭ ﺑﺎ‬ ‫ﻃﺮﻳﻖ ﻛﺎﻧﺎﻝﻫﺎﻯ ﻗﺎﻧﻮﻧﻰ ﺣﻞ ﻣﻰﺷﻮﻧﺪ‪.‬‬ ‫ﻣﻮﺟﻮﺩ ﺳﻴﺎﺳﻰ ﻭ ﺍﺟﺘﻤﺎﻋﻰ ﺑﺮﺍﻯ ﺭﺳﻴﺪﻥ‬ ‫‪ 1998‬ﺑﺎ ﺧﻮﺩ ﺣﻤﻞ ﻣﻰﻛﻨﺪ‪ .‬ﻳﺎ ﺑﺮ‬ ‫ﻣﻰﮔﻮﻳﺪ ﺯﻧﺎﻧﻰ ﻛﻪ ﺳﻜﻮﺕ ﻧﻜﺮﺩﻧﺪ ﺑﺎ‬ ‫ﻫﻢ ﻧﻤﺎﺩﻯ ﺍﺯ ﻭﻗﺎﻳﻊ ﺗﻠﺨﻰ ﻫﺴﺘﻨﺪ ﻛﻪ‬
‫ﮔﺮﻭﻩﻫﺎﻯ ﺩﻳﮕﺮ( ﺧﺎﺭﺝ ﺷﺪﻩ ﻭ ﺑﻪ ﻳﻚ ﺭﻭﻧﺪ‬ ‫ﺑﺪﻳﻦ ﺗﺮﺗﻴﺐ ﺍﻓﺮﺍﺩ ﺟﺎﻣﻌﻪ ﺩﺭ ﺳﺎﺧﺘﻦ ﻭ‬ ‫ﺑﻪ ﺧﻮﺍﺳﺘﻪ ﻫﺎ ﻭ ﻧﻴﺎﺯﻫﺎﻯ ﺧﻮﺩ ﺑﺎ ﺩﻳﮕﺮ‬ ‫ﺭﻭﻯ ﺩﺍﻣﻦ ﺩﻳﮕﺮﻯ ﻧﻮﺷﺘﻪ ﺷﺪﻩ ﻣﻦ‬ ‫ﺳﺮﺯﻧﺶ ﻋﻠﻴﻪ ﺧﻮﺩ ﺭﻭﺑﺮﻭ ﺷﺪﻧﺪ‪.‬‬ ‫ﺯﻣﺎﻧﻰ ﺑﺮ ﺯﻧﺎﻥ ﻭ ﺩﺧﺘﺮﺍﻥ ﺍﻳﻦ ﺳﺮﺯﻣﻴﻦ‬
‫”ﺑﺮﺩ – ﺑﺮﺩ“ ﻛﻪ ﺩﺭ ﺁﻥ ﻫﻤﻪ ﺍﻓﺮﺍﺩ ﺟﺎﻣﻌﻪ‬ ‫ﭘﻴﺸﺮﻓﺖ ﺟﺎﻣﻌﻪ ﺳﻴﺎﺳﻰ ﻭ ﻧﻬﺎﻳﺘﺎ ﺁﻧﭽﻪ ﺭﺍ‬ ‫ﻫﻤﻔﻜﺮﺍﻥ ﻭ ﻫﻢ ﺍﻧﺪﻳﺸﺎﻥ ﺩﺭ ﻣﺴﻴﺮ ﺗﺤﻘﻖ‬ ‫ﮔﺬﺷﺘﻪ ﺍﺳﺖ‪ :‬ﺗﺠﺎﻭﺯﻫﺎ ﻭ ﺧﺸﻮﻧﺖ ّﻫﺎﻯ‬
‫ﻧﻬﺎﻳﺘﺎ ﺑﺮﻧﺪﻩ ﻫﺴﺘﻨﺪ ﺗﺒﺪﻳﻞ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﻛﻪ ﺑﻪ ﺍﺻﻞ ﻣﺮﺩﻡ ﺳﺎﻻﺭﻯ ﻭ ﻳﺎ ﺩﻣﻜﺮﺍﺳﻰ‬ ‫ﺍﻫﺪﺍﻑﻣﺸﺘﺮﻙﺑﻮﺩﻩﻭ ﻫﻤﻜﺎﺭﻯﻣﻰﻛﻨﺪ‪.‬‬ ‫ﺩﺍﺳﺘﺎﻥ ﺗﻠﺨﻰ ﺩﺍﺭﻡ‪.‬‬ ‫ﺁﻟﻜﺘﺎ ﻣﻰﮔﻮﻳﺪ ﻣﻦ ﺧﻮﺵ ﺷﺎﻧﺲ‬ ‫ﺟﻨﺴﻰ ﻋﻠﻴﻪ ﺯﻧﺎﻥ ﻭ ﺩﺧﺘﺮﺍﻥ ﺩﺭ ﻃﻮﻝ‬
‫ﻣﻠﻞﭘﻴﺸﺮﻓﺘﻪﺟﻬﺎﻥﺳﻴﺎﺳﺖﺭﺍﺑﺎﺗﻨﻈﻴﻢ‬ ‫)ﺑﻪﻣﻌﻨﺎﻯﺣﻜﻮﻣﺖﻣﺮﺩﻡﺑﺮﻣﺮﺩﻡ(ﻣﺮﺳﻮﻡ‬ ‫ﺭﺷﺪﻓﺮﻫﻨﮓﺳﻴﺎﺳﻰﺑﺎﻧﻮﻧﮕﺮﻯﺑﻪﺍﻫﻤﻴﺖ‬ ‫ﻛﺪﻳﺮﻯ ﺗﻬﻴﺮﻳﺞ ﻛﺴﻰ ﻛﻪ ﻣﺪﻳﺮﻳﺖ‬ ‫ﺑﻮﺩﻡ ﻛﻪ ﺩﺭ ﺯﻣﺎﻥ ﺟﻨﮓ ﻧﻪ ﺩﺭ ﻛﻮﺯﻭﻭ‬
‫ﻭ ﺗﻄﺒﻴﻖ ﺗﺪﺭﻳﺠﻰ ﻗﻮﺍﻧﻴﻦ ﻭ ﺭﻋﺎﻳﺖ ﺳﻨﻦ‬ ‫ﺍﺳﺖ ﺳﻬﻴﻢ ﻫﺴﺘﻨﺪ‪ .‬ﺑﺎ ﻭﺟﻮﺩ ﻣﻌﺎﻧﻰ‬ ‫ﻣﺴﻮﻟﻴﺖ ﺍﻓﺮﺍﺩ ﺑﻪ ﺗﺤﻮﻝ‪ ،‬ﺗﻐﻴﻴﺮ ﻭ ﺭﻓﺮﻡ‬ ‫ﻳﻚ ﺳﺎﺯﻣﺎﻥ ﻏﻴﺮﺩﻭﻟﺘﻰ ﺭﺍ ﺑﻪ ﻋﻬﺪﻩ ﺩﺍﺭﺩ‬ ‫ﻛﻪ ﺩﺭ ﻟﻨﺪﻥ ﺑﻮﺩﻡ ﺍﻣﺎ ﻫﻤﻴﺸﻪ ﻓﻜﺮ‬ ‫ﺟﻨﮓ ﻛﻮﺯﻭﻭ‪.‬‬
‫ﺍﺟﺘﻤﺎﻋﻰﺑﺮﺍﺳﺎﺱﻋﻠﻢ‪،‬ﻣﻨﻄﻖﻭﻧﻴﺎﺯﻫﺎﻯ‬ ‫ﻣﺨﺘﻠﻒ ﻭﺍژﻩ ﻣﺮﺩﻡﺳﺎﻻﺭﻯ ﺍﺯ ﺯﺍﻭﻳﻪﻫﺎﻯ‬ ‫ﺟﺎﻣﻌﻪ ﻣﺪﻧﻰ ﻭ ﺳﺎﺧﺘﺎﺭ ﺳﻴﺎﺳﻰ ﻣﻤﻜﻦ‬ ‫ﻛﻪ ﺑﻪ ﻗﺮﺑﺎﻧﻴﺎﻥ ﺧﺸﻮﻧﺖ ﺟﻨﺴﻰ ﻛﻤﻚ‬ ‫ﻣﻰﻛﻨﻢ ﺍﻳﻦ ﺣﺎﺩﺛﻪ ﻣﻰﺗﻮﺍﻧﺴﺖ ﺑﺮﺍﻯ‬ ‫ﻫﺪﻑ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﺮﺍﻧﮕﻴﺨﺘﻦ ﺗﻮﺟﻪ‬
‫ﺟﺎﻣﻌﻪ ﺑﻪ ﻳﻚ ﭘﺪﻳﺪﻩ ﺑﺎ ﻧﺘﻴﺠﻪ ﻣﺜﺒﺖ ﺑﺮﺍﻯ‬ ‫ﻋﻘﻴﺪﺗﻰ ﻣﺘﻔﺎﻭﺕ ﺍﺻﻞ ”ﺣﻜﻮﻣﺖ ﻣﺮﺩﻡ‬ ‫ﭘﺬﻳﺮ ﺍﺳﺖ‪ .‬ﺍﺯ ﺁﻧﺠﺎ ﻛﻪ ﺍﻧﺴﺎﻥ ﺗﻮﺍﻧﺎﻳﻰ‬ ‫ﻣﻰﻛﻨﺪ ﻣﻰﮔﻮﻳﺪ ‪ 9‬ﺯﻥ ﺭﺍ ﻣﻰﺷﻨﺎﺳﺪ‬ ‫ﻣﻦ ﻫﻢ ﺍﺗﻔﺎﻕ ﺑﻴﺎﻓﺘﺪ ﻫﻤﺎﻥ ﻃﻮﺭ ﻛﻪ‬ ‫ﻋﻤﻮﻣﻰﺑﻪ ﻭﺿﻌﻴﺖ ﻗﺮﺑﺎﻧﻴﺎﻥ ﺗﺠﺎﻭﺯ ﺩﺭ‬
‫ﻣﺮﺩﻡ ﺗﺒﺪﻳﻞ ﻛﺮﺩﻩﺍﻧﺪ‪ .‬ﺳﻴﺎﺳﺖ ”ﺑﺮﺩ –‬ ‫ﺑﺮ ﻣﺮﺩﻡ“ ﺍﻣﺮﻭﺯﻩ ﺩﺭ ﭼﻬﺎﺭﭼﻮﺏ ﻓﺮﻫﻨﮓ‬ ‫ﺗﺸﺨﻴﺺ ﺍﻣﺮ ﺧﻴﺮ ﻭ ﻧﺎﺩﺭﺳﺖ ﺑﺮ ﺍﺳﺎﺱ‬ ‫ﻛﻪ ﺩﺭ ﻳﻜﻰ ﺍﺯ ﻣﻨﺎﻃﻖ ﻛﻮﺯﻭﻭ ﭘﺲ ﺍﺯ‬
‫ﺑﺮﺩ“ ﺩﺭ ﺟﻮﺍﻣﻊ ﻣﺘﺮﻗﻰ ﺩﺭ ﻛﻞ ﺑﺮ ﺍﺳﺎﺱ‬ ‫ﺳﻴﺎﺳﻰﻟﻴﺒﺮﺍﻝﺩﻣﻜﺮﺍﺳﻰﺗﻌﺮﻳﻒﻣﻰﺷﻮﺩ‬ ‫ﺍﺻﻮﻝ ﻣﻨﻄﻖ ﺭﺍ ﺩﺍﺭﺩ ﻫﺮ ﻓﺮﺩﻯ ﻗﺎﺩﺭ ﺍﺳﺖ‬ ‫ﺁﻧﻜﻪ ﻣﻮﺭﺩ ﺗﺠﺎﻭﺯ ﺟﻨﺴﻰ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻨﺪ‬ ‫ﺑﺮﺍﻯ ﺍﻳﻦ ﺯﻧﺎﻥ ﺍﺗﻔﺎﻕ ﺍﻓﺘﺎﺩﻩ‪.‬‬ ‫ﺁﻥ ﺩﻭﺭﺍﻥ ﺍﺳﺖ‪.‬‬
‫ﻳﻚ ﺳﺮﻯ ﻗﻮﺍﻧﻴﻨﻰ ﻭ ﺳﻨﻨﻰ ﭘﺎﻳﻪﺭﻳﺰﻯ‬ ‫ﻛﻪ ﺑﺮ ﺍﺳﺎﺱ ﺁﻥ ﻫﺮ ﻓﺮﺩ ﺟﺎﻣﻌﻪ ﺩﺍﺭﺍﻯ ﻳﻚ‬ ‫ﺑﺮﺍﻯ ﺁﻳﻨﺪﻩ ﺧﻮﺩ ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻋﻠﻢ ﻭ ﻣﻨﻄﻖ‬ ‫ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻟﺒﺎﺱﻫﺎ ﻭ ﺩﺍﻣﻦﻫﺎﻯ‬ ‫ﺧﺒﺮﮔﺰﺍﺭﻯ ﺭﻭﻳﺘﺮﺯ ﺩﺭ ﮔﺰﺍﺭﺷﻰ ﺑﻪ ﺍﻳﻦ‬
‫ﺷﺪﻩ ﻛﻪ ﺷﻬﺮﻭﻧﺪﺍﻥ ﺧﻮﺩ ﺭﺍ ﻧﺴﺒﺖ ﺑﻪ ﺁﻧﺎﻥ‬ ‫ﺭﺍﻯ ﺍﺳﺖ ﻭ ﺧﻮﺍﺳﺘﻪ ﺍﻛﺜﺮﻳﺖ ﺑﺎ ﺍﺣﺘﺮﺍﻡ‬ ‫ﺗﺼﻤﻴﻢ ﺑﮕﻴﺮﺩ‪ .‬ﺩﺭ ﻧﺘﻴﺠﻪ ﺍﺳﺘﻔﺎﺩﻩ ﺍﻓﺮﺍﺩ‬ ‫ﺧﻮﺩﻛﺸﻰ ﻛﺮﺩﻧﺪ‪.‬‬ ‫ﺭﻧﮕﺎﺭﻧﮕﻰ ﻛﻪ ﺍﺯ ﺳﺮﺍﺳﺮ ﻛﺸﻮﺭ ﻭ ﺍﺯ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻭ ﺩﺍﺳﺘﺎﻧﻰ ﭘﺮﺩﺍﺧﺘﻪ ﻛﻪ ﭘﺸﺖ‬
‫ﭘﺎﻳﺒﻨﺪ ﻣﻰﺩﺍﻧﻨﺪ‪ .‬ﺍﻋﻀﺎﻯ ﺍﻳﻦ ﺟﻮﺍﻣﻊ ﻃﺮﺯ‬ ‫ﺣﻘﻮﻕ ﺍﻗﻠﻴﺖ ﻋﺎﻣﻞ ﺗﺼﻤﻴﻢﮔﻴﺮﻯ ﺍﺳﺖ‪.‬‬ ‫ﺟﺎﻣﻌﻪﺑﺎﻳﺪﺑﻴﺶﺍﺯﭘﻴﺶﺑﻰﺍﻋﺘﻨﺎﻳﻰﻭﺑﻰ‬ ‫ﺑﻪ ﮔﻔﺘﻪ ﺍﻭ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﺯﻧﺎﻧﻰ ﻛﻪ ﻣﻮﺭﺩ‬ ‫ﻳﻚ ﻣﻴﻠﻴﻮﻥ ﻭ ‪ 800‬ﻧﻔﺮ ﺟﻤﻊﺁﻭﺭﻯ‬
‫ﻓﻜﺮ ﺍﺭﺑﺎﺏ ﻭ ﺭﻋﻴﺘﻰ ﺭﺍ ﻛﻨﺎﺭ ﮔﺬﺍﺷﺘﻪ ﻭ ﺑﺎ‬ ‫ﺷﺮﻛﺖ ﺩﺭﺍﻣﻮﺭ ﻣﺪﻧﻰ ﻭ ﻧﻬﺎﻳﺘﺎ ﺳﻴﺎﺳﻰ‬ ‫ﺗﻮﺟﻬﻰ ﻧﺴﺒﺖ ﺑﻪ ﻣﺴﺎﻳﻞ ﺟﺎﻣﻌﻪ ﺭﺍ ﻛﻨﺎﺭ‬ ‫ﺗﺠﺎﻭﺯ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻨﺪ ﻫﻤﺴﺮﺍﻥﺷﺎﻥ ﺁﻧﻬﺎ ﺭﺍ‬ ‫ﺷﺪﻩ ﺩﺭ ﺍﺳﺘﺎﺩﻳﻮﻣﻰ ﺩﺭ ﺑﺮﺍﺑﺮ ﺩﻳﺪ‬ ‫ﺍﻳﻦ ﻟﺒﺎﺱﻫﺎ ﭘﻨﻬﺎﻥ ﺍﺳﺖ‪.‬‬
‫ﻗﺒﻮﻝ ﺍﺻﻞ ﺑﺮﺍﺑﺮﻯ ﺑﻪ ﻋﻨﻮﺍﻥ ﺷﻬﺮﻭﻧﺪﺍﻧﻰ‬ ‫ﻣﻠﺰﻡ ﺑﻪ ﻗﺒﻮﻝ ﻣﺴﻮﻭﻟﻴﺖ ﺍﺟﺘﻤﺎﻋﻰ‪،‬‬ ‫ﺑﮕﺬﺍﺭﻧﺪﻭﺑﺎﺍﺳﺘﻔﺎﺩﻩﺍﺯﻋﻠﻢﻭﻣﻨﻄﻖﻓﻌﺎﻻﻧﻪ‬ ‫ﻃﻼﻕ ﺩﺍﺩﻧﺪ‪ .‬ﺗﻬﻴﺮﻳﺞ ﻣﻰﮔﻮﻳﺪ ﻳﻜﻰ ﺍﺯ‬ ‫ﺑﻪ ﻧﻮﺷﺘﻪ ﺭﻭﻳﺘﺮﺯ ﻫﻴﭻ ﺁﻣﺎﺭ ﻭ ﺍﺭﻗﺎﻡ‬
‫ﻛﻪﺍﺯﺣﻘﻮﻕﺑﺮﺍﺑﺮﺑﺮﺧﻮﺭﺩﺍﺭﻫﺴﺘﻨﺪﻗﻮﺍﻧﻴﻦ‬ ‫ﻣﺪﻳﺮﻳﺖ ﺩﺭﺳﺖ‪ ،‬ﻣﺸﺨﺺ ﻧﻤﻮﺩﻥ ﺍﻫﺪﺍﻑ‬ ‫ﺩﺭ ﺳﺎﺧﺘﻦ ﺟﺎﻣﻌﻪ ﻣﺪﻧﻰ ﺷﺮﻛﺖ ﻛﻨﻨﺪ‪.‬‬ ‫ﺯﻧﺎﻥ ﻛﻪ ﺩﺭ ﺯﻣﺎﻧﻰ ﻛﻪ ﻣﻮﺭﺩ ﺗﺠﺎﻭﺯ ﻗﺮﺍﺭ‬ ‫ﻫﻤﮕﺎﻥ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﻛﻪ ﺑﻴﺸﺘﺮ ﻗﻠﻤﺮﻭ‬
‫ﻭ ﺳﻨﻦ ﻣﻨﻄﻘﻰ ﺭﺍ ﻣﻌﻴﺎﺭ ﭘﻴﺸﺮﻓﺖ ﻗﺮﺍﺭ‬ ‫ﻛﻮﺗﺎﻩ ﻭ ﺩﺭﺍﺯ ﻣﺪﺕ ﺳﺎﺯﻣﺎﻧﻰ‪ ،‬ﺗﻼﺵ ﻓﻌﺎﻻﻧﻪ‬ ‫ﺍﮔﺮ ﭼﻪ ﻛﻪ ﻣﺎ ﺍﻳﺮﺍﻧﻴﺎﻥ ﺩﺭ ﻃﻰ ﺗﺎﺭﻳﺦ‬ ‫ﮔﺮﻓﺖ ﺑﭽﻪﺍﻯ ﺭﺍ ﺩﺭ ﺷﻜﻢ ﺣﻤﻞ ﻣﻰﻛﺮﺩ‬ ‫ﻃﺮﻓﺪﺍﺭﺍﻥ ﻭﺭﺯﺵﻫﺎﻯ ﻣﺮﺩﺍﻧﻪ ﺍﺳﺖ‪ .‬ﺍﺯ‬ ‫ﺩﻗﻴﻘﻰ ﺩﺭﺑﺎﺭﻩ ﺗﻌﺪﺍﺩ ﺯﻧﺎﻥ ﻭ ﺩﺧﺘﺮﺍﻧﻰ‬
‫ﻣﻰﺩﻫﻨﺪ‪ .‬ﺩﺭ ﺭﻭﻧﺪ ﭘﻴﺸﺮﻓﺖ ﺍﺟﺘﻤﺎﻋﻰ‬ ‫ﺑﺮﺍﻯ ﺭﺳﻴﺪﻥ ﺑﻪ ﺍﻫﺪﺍﻑ ﻣﺸﺘﺮﻙ‪ ،‬ﻣﺪﺍﺭﺍ‬ ‫ﻣﻌﺎﺻﺮ ﺑﺎ ﺩﺧﺎﻟﺖ ﺩﻭﻝ ﺧﺎﺭﺟﻰ ﺩﺭ ﺍﻣﻮﺭ‬ ‫ﭘﺲ ﺍﺯ ﺗﺠﺎﻭﺯ ﻫﻢ ﺑﭽﻪﺍﺵ ﺭﺍ ﺍﺯ ﺩﺳﺖ‬ ‫ﺍﻓﺮﺍﺩ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩ ﻫﻢ ﻛﻢ ﻧﻴﺴﺘﻨﺪ‬ ‫ﻛﻪ ﺩﺭ ﻃﻮﻝ ﺟﻨﮓ ﻛﻮﺯﻭﻭ ﺩﺭ ﺳﺎﻝﻫﺎﻯ‬
‫ﺧﺮﺍﻓﺎﺕ ﻣﺬﻫﺒﻰ ﻫﻤﺮﺍﻩ ﺑﺎ ﻗﻮﺍﻧﻴﻦ ﻭ ﺳﻨﻦ‬ ‫ﻭ ﺗﺴﺎﻫﻞ‪ ،‬ﺗﻼﺵ ﺩﺭ ﻣﺴﻴﺮ ﻫﻤﻜﺎﺭﻯ ﺑﺎ‬ ‫ﻛﺸﻮﺭﻣﺎﻥ ﺗﺠﺮﺑﻪ ﺧﻮﺑﻰ ﺍﺯ ﺩﻧﻴﺎﻯ ﺳﻴﺎﺳﺖ‬ ‫ﺩﺍﺩ ﻭ ﻫﻢ ﻫﻤﺴﺮﺵ ﺍﻭ ﺭﺍ ﻃﻼﻕ ﺩﺍﺩ‪.‬‬ ‫ﻛﺴﺎﻧﻰ ﻛﻪ ﻟﺒﺎﺳﻰ ﺭﺍ ﺑﻪ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺍﻫﺪﺍ‬ ‫‪ 1998‬ﻭ ‪ 1999‬ﻣﻮﺭﺩ ﺗﺠﺎﻭﺯ ﻭ ﺧﺸﻮﻧﺖ‬
‫ﻧﺎﻣﻨﺎﺳﺐ ﺑﺎ ﻣﻨﻄﻖ ﺩﺭ ﻋﺼﺮ ﺧﺮﺩﮔﺮﺍﻳﻰ ﻭ‬ ‫ﺩﻳﮕﺮ ﺍﻧﺪﻳﺸﺎﻥ‪ ،‬ﺍﺭﺯﺷﻴﺎﺑﻰ ﭘﻴﺸﺮﻓﺖ ﻛﺎﺭ‪،‬‬ ‫ﻧﺪﺍﺷﺘﻪﺍﻳﻢ‪ ،‬ﻭ ﻫﻤﻪ ﻣﺎ ﺑﻪ ﻧﺤﻮﻯ ﺩﺭ ﻧﺘﻴﺠﻪ‬ ‫ﺑﻪ ﻧﻮﺷﺘﻪ ﺭﻭﻳﺘﺮﺯ ﻫﻨﻮﺯ ﺣﻤﺎﻳﺖ‬ ‫ﻛﺮﺩﻩﺍﻧﺪ‪.‬ﻋﺎﻃﻔﻪ ﺟﺎﻫﺠﺎﮔﺎ ﻧﺨﺴﺘﻴﻦ‬ ‫ﺟﻨﺴﻰ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪﺍﻧﺪ ﻭﺟﻮﺩ ﻧﺪﺍﺭﺩ ﺍﻣﺎ‬
‫ﺭﻭﺷﻨﮕﺮﻯ ﻣﻮﺭﺩ ﺳﻮﺍﻝ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﻭ ﺭﺩ‬ ‫ﺷﻨﺎﺳﺎﻳﻰ ﻭ ﺁﻣﺎﺩﻩ ﺳﺎﺯﻯ ﻧﺴﻞ ﺑﻌﺪﻯ‬ ‫ﺁﻥﻣﻘﺼﺮﻳﻢ‪.‬ﺿﻌﻒﺳﻴﺎﺳﺘﻤﺪﺍﺭﺍﻥﮔﺬﺷﺘﻪ‬ ‫ﻗﺎﻧﻮﻧﻰ ﺧﺎﺻﻰ ﺍﺯ ﺍﻳﻦ ﺯﻧﺎﻥ ﺻﻮﺭﺕ‬ ‫ﺭﻳﻴﺲ ﺟﻤﻬﻮﺭﻯ ﺯﻥ ﻛﻮﺯﻭﻭ ﻳﻜﻰ ﺍﺯ‬ ‫ﺳﺎﺯﻣﺎﻥﻫﺎﻯ ﻏﻴﺮ ﺩﻭﻟﺘﻰ ﻣﻰﮔﻮﻳﻨﺪ‬
‫ﻣﻰﺷﻮﺩ‪ .‬ﺩﺭﻭﺍﻗﻊﺍﺻﻮﻝﺳﻴﺎﺳﺖﺑﻪﻋﻨﻮﺍﻥ‬ ‫ﺑﺮﺍﻯ ﻗﺒﻮﻝ ﻣﺴﻮﻟﻴﺖﻫﺎﻯ ﺭﻫﺒﺮﻯ ﺍﺳﺖ‪.‬‬ ‫ﻭ ﺣﺎﻝ ﺩﺭ ﺩﻭﺭﺍﻧﺪﻳﺸﻰ ﺑﺎﺯﻯ ﺳﻴﺎﺳﺖ ﺭﺍ ﺑﻪ‬ ‫ﻧﮕﺮﻓﺘﻪ ﺍﺳﺖ ‪ .‬ﺳﺎﻝ ﮔﺬﺷﺘﻪ ﺑﻮﺩ ﻛﻪ‬ ‫ﻟﺒﺎﺱﻫﺎﻯ ﺧﻮﺩ ﺭﺍ ﺑﻪ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ‬ ‫ﻣﻤﻜﻦ ﺍﺳﺖ ﺍﻳﻦ ﺭﻗﻢ ﺑﻪ ﻫﺰﺍﺭﺍﻥ ﻣﻮﺭﺩ‬
‫ﻳﻚ ﺑﺎﺯﻯ ﺑﺪﻭﻥ ﺑﺎﺯﻧﺪﻩ )ﺑﻪ ﻣﻌﻨﺎﻯ ”ﺑﺮﺩ –‬ ‫ﺩﺭ ﭼﻨﻴﻦ ﺷﺮﺍﻳﻄﻰ ﻫﺮ ﻳﻚ ﺍﺯ ﺍﻓﺮﺍﺩ ﺟﺎﻣﻌﻪ‬ ‫ﺑﺮﺩﻭﺑﺎﺧﺖﺧﻼﺻﻪﻛﺮﺩﻩﺍﺳﺖ‪ .‬ﺍﻳﻦﺩﻗﻴﻘﺎ‬ ‫ﻗﺎﻧﻮﻥﮔﺬﺍﺭﺍﻥ ﻛﺸﻮﺭ ﻗﺎﻧﻮﻧﻰ ﺭﺍ ﺗﺼﻮﻳﺐ‬
‫ﺑﺮﺩ“ ﺑﺮﺍﻯ ﺍﻋﻀﺎﻯ ﺟﺎﻣﻌﻪ( ﺩﺭ ﭼﻬﺎﺭﭼﻮﺏ‬ ‫ﺩﺭ ﺳﺎﺯﻣﺎﻧﺪﻫﻰ ﻧﻬﺎﺩﻫﺎﻯ ﺟﺎﻣﻌﻪ ﻧﻘﺸﻰ‬ ‫ﻳﻚﺍﺷﺘﺒﺎﻩﺍﺳﺖﺯﻳﺮﺍﻛﻪﺑﺎﺳﺎﺧﺘﺎﺭﺩﺭﺳﺖ‬ ‫ﻛﺮﺩﻧﺪ ﺗﺎ ﺍﻣﻜﺎﻧﺎﺕ ﺭﻓﺎﻫﻰ ﺧﺎﺻﻰ ﺑﺮﺍﻯ‬ ‫ﻫﻢ ﺑﺮﺳﺪ‪.‬‬
‫ﻋﺼﺮ ﺧﺮﺩﮔﺮﺍﻳﻰ ﻭ ﻭ ﺭﻭﺷﻨﮕﺮﻯ ﺑﻨﻴﺎﻥ‬ ‫ﻣﻔﻴﺪ ﺍﻳﻔﺎ ﺧﻮﺍﻫﻨﺪ ﻛﺮﺩ ﻭ ﺣﺮﻛﺖ ﻫﺎﻯ‬ ‫ﺟﺎﻣﻌﻪ ﻣﺪﻧﻰ ﻫﻤﻪ ﺍﻓﺮﺍﺩ ﻧﻘﺸﻰ ﻣﺜﺒﺖ ﺩﺭ‬ ‫ﺍﻯ ﺯﻧﺎﻥ ﻓﺮﺍﻫﻢ ﺷﻮﺩ ﻗﺎﻧﻮﻧﻰ ﻛﻪ ﻫﻨﻮﺯ‬
‫ﺳﻴﺎﺳﻰﺍﺯﻣﺮﺣﻠﻪ ﻓﺮﺩﻯﺑﻪ ﻧﻬﺎﺩﻯﺗﺒﺪﻳﻞ‬ ‫ﺩﻭﻟﺖ ﺩﺭ ﻣﻮﺭﺩ ﻣﻴﺰﺍﻥ ﺍﺣﺘﻤﺎﻟﻰ ﺍﻣﻜﺎﻧﺎﺕ‬
‫ﻧﻬﺎﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﺟﺎﻣﻌﻪﺧﻮﺍﻫﻨﺪﺩﺍﺷﺖ‪.‬‬
‫ﺩﺭ ﻳﻚ ﺟﺎﻣﻌﻪ ﻣﺘﺮﻗﻰ ﺗﻀﻤﻴﻦ ﺣﻘﻮﻕ‬ ‫ﺭﻓﺎﻫﻰ ﺑﻪ ﻧﺘﻴﺠﻪ ﻧﺮﺳﻴﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻛﻮﺯﻭﻭ ﺗﺎ ﺳﺎﻝ ‪ 1999‬ﻳﻜﻰ ﺍﺯ‬
‫‪745‬ﺟﻔﺖﻛﻔﺶﻗﺮﻣﺰﺯﻧﺎﻧﻪﺩﺭﺍﻋﺘﺮﺍﺽﺑﻪﺧﺸﻮﻧﺖﺟﻨﺴﻰ‬ ‫ﺍﻳﺎﻟﺖﻫﺎﻯ ﺻﺮﺑﺴﺘﺎﻥ ﻣﺤﺴﻮﺏ ﻣﻰﺷﺪ‪.‬‬
‫ﺣﺪﻭﺩ ‪ 90‬ﺩﺭﺻﺪ ﺟﻤﻌﻴﺖ ﻛﻮﺯﻭﻭ ﺭﺍ‬
‫ﻫﻨﺮﻣﻨﺪ ﻣﻜﺰﻳﻜﻰ ﺩﺭ ﺍﻋﺘﺮﺍﺽ ﻧﻤﺎﺩﻳﻦ‬ ‫ﻫﻢ ﺩﺭ ﻣﻴﺎﻥ ‪ 745‬ﺟﻔﺖ ﻛﻔﺶ ﻗﺮﻣﺰ‬ ‫ﺩﺭ ﻳﻜﻰ ﺍﺯ ﻋﻜﺲﻫﺎﻯ ﺭﻭﻳﺘﺮﺯ ﻣﺮﺩﻡ‬ ‫ﺁﻟﺒﺎﻧﻴﺎﻳﻰﺗﺒﺎﺭﻫﺎ ﺗﺸﻜﻴﻞ ﻣﻰﺩﻫﻨﺪ‪.‬‬
‫ﻋﻠﻴﻪ ﺧﺸﻮﻧﺖ ﺟﻨﺴﻰ ﻛﻪ ﻫﻔﺘﻪ‬ ‫ﺯﻧﺎﻧﻪ‪.‬ﺍﻳﻦ ﻫﻨﺮ ﺗﺠﺴﻤﻰ ﻳﺎ ﺍﻳﻨﺴﺘﻠﻴﺸﻦ‬ ‫ﺑﻪ ﺍﻳﻦ ﭼﻴﺪﻣﺎﻥ ﻫﻨﺮﻯ )ﺍﻳﻨﺴﺘﻠﻴﺸﻦ(‬ ‫ﻛﻮﺯﻭﻭ ﺩﺭ ﺳﺎﻝ ‪ 2008‬ﺍﺯ ﺻﺮﺑﺴﺘﺎﻥ‬
‫ﮔﺬﺷﺘﻪ ﺩﺭ ﻣﻴﺪﺍﻥ ﻻﻛﺎﻧﺴﺘﻴﺘﻮﺳﻴﻮﻥ‬ ‫ﻛﻪ ﺑﻪ ﻓﺎﺭﺳﻰ »ﻫﻨﺮ ﭼﻴﺪﻣﺎﻥ« ﺗﺮﺟﻤﻪ‬ ‫ﻧﮕﺎﻩ ﻣﻰﻛﻨﻨﺪ ﻛﻪ ﺩﺭ ﺁﻥ ﺯﻧﻰ ﺗﻼﺵ‬ ‫ﺍﻋﻼﻡ ﺍﺳﺘﻘﻼﻝ ﻛﺮﺩ ﻭ ﺍﻳﻦ ﺍﺳﺘﻘﻠﻼﻝ‬
‫ﺷﻬﺮ ﻣﺎﻻﮔﺎ ﺩﺭ ﺟﻨﻮﺏ ﺍﺳﭙﺎﻧﻴﺎ ﺑﺮﭘﺎ ﺷﺪ‪.‬‬ ‫ﺷﺪﻩ ﺍﺳﺖ ﻛﺎﺭﻯ ﺍﺳﺖ ﺍﺯ ﺍﻟﻴﻨﺎ ﭼﺎﻭﺕ‬ ‫ﻣﻰﻛﻨﺪ ﺩﺳﺘﺶ ﺑﻪ ﺑﺎﺩﻛﻨﻜﻰ ﺑﺮﺳﺪ‪ ،‬ﺁﻥ‬ ‫ﺑﻪ ﻭﺳﻴﻠﻪ ﺑﻴﺶ ﺍﺯ ‪ 100‬ﻛﺸﻮﺭ ﺩﻧﻴﺎ ﺑﻪ‬
‫ﺭﺳﻤﻴﺖ ﺷﻨﺎﺧﺘﻪ ﺷﺪ ﺍﻣﺎ ﺻﺮﺑﺴﺘﺎﻥ‬

‫ﺍﻳﻦ ﻛﺸﻮﺭ ﺭﺍ ﺑﻪ ﺭﺳﻤﻴﺖ ﻧﺸﻨﺎﺧﺖ‪.‬‬

‫ﻛﺮﺩﻳﻢ ﻧﻪ ﺗﻨﻬﺎ ﺍﻳﻦ ﻛﺎﺭ ﺭﺍ ﺍﻧﺠﺎﻡ ﺩﻫﺪ ﺑﻠﻜﻪ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ‬ ‫ﻭﻯ ﺳﺎﻛﻦ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺩﺭ ﺳﺎﻝ ‪ 1390‬ﺁﺭﻳﺎ ﺍﺯ ﺍﻧﺪﻭﻧﺰﻯ ﺑﺎ ﺑﺨﺶ »ﻧﻈﺮ ﺷﻤﺎ ﺑﺮﺍﻯ‬ ‫ﺳﺮﻭﺭﻗﻰ ﺯﻧﺪﻩ ﺯﻧﺪﮔﻰ‬
‫ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺭﺍ ﺗﺎ ﭘﺎﻳﺎﻥ ﺍﻳﻨﻜﻪ ﻣﺎﺟﺮﺍﻯ ﻣﻬﺎﺟﺮﺗﺶ ﺑﻪ‬ ‫ﺧﻮﺍﻧﻨﺪﻩ ﺩﻳﮕﺮﻯ ﺍﻳﻦ ﻳﺎﺩﺩﺍﺷﺖ ﺁﺭﻳﺎ ﺭﺍ ﺧﻮﺍﻧﺪ ﻭ ﺣﺎﺿﺮ‬ ‫ﻣﺎ ﻣﻬﻢ ﺍﺳﺖ« ﺳﺎﻳﺖ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪ ،‬ﻛﻴﻬﺎﻥ ﺁﻧﻼﻳﻦ‪ ،‬ﺗﻤﺎﺱ‬ ‫ﻣﺎﺟﺮﺍﻳﻰ ﺍﺯ ﻧﺴﻞ ﺗﺎﺯﻩ ﻣﻮﺝ ﻣﻬﺎﺟﺮﺕ ﺍﻳﺮﺍﻧﻴﺎﻥ‬
‫ﺍﺳﺘﺮﺍﻟﻴﺎ ﺑﻪ ﻛﺠﺎ ﺧﻮﺍﻫﺪ ﺭﺳﻴﺪ‪ ،‬ﺑﺎ ﺧﻮﺩ ﻫﻤﺮﺍﻩ ﻛﻨﺪ‪.‬‬ ‫ﺷﺪ ﻫﺰﻳﻨﻪ ﺍﺷﺘﺮﺍﻙ ﻛﻴﻬﺎﻥ ﺭﺍ ﺑﺮﺍﻯ ﺁﺭﻳﺎ ﻭ ﺩﻳﮕﺮ ﺍﻳﺮﺍﻧﻴﺎﻥ‬ ‫ﮔﺮﻓﺖ ﻭ ﭘﺲ ﺍﺯ ﺍﺑﺮﺍﺯ ﻣﻬﺮ ﻭ ﻋﻼﻗﻪ ﺑﻪ ﺍﻳﻦ ﺭﻭﺯﻧﺎﻣﻪ‪ ،‬ﺧﻮﺍﻫﺶ‬
‫ﺣﺎﻝ ﺑﺎ ﺍﻧﺘﺸﺎﺭ ﻧﺴﺨﻪ ﭘﻰ ﺩﻯ ﺍﻑ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪ ،‬ﻫﺮ ﻫﻔﺘﻪ‬ ‫ﻛﺮﺩ ﻣﻄﺎﻟﺐ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺩﺭ ﻓﺮﻣﺎﺗﻰ ﺑﺮﺍﻳﺶ ﻓﺮﺳﺘﺎﺩﻩ ﺷﻮﺩ‬ ‫ﺍﻭﻝ ﺑﺎ ﻣﻦ ﺑﻪ ﺟﺎﻛﺎﺭﺗﺎ ﺑﻴﺎﻳﻴﺪ!‬
‫ﺑﺨﺸﻰ ﺍﺯ ﻣﺎﺟﺮﺍﻯ ﻣﻬﺎﺟﺮﺕ ﺁﺭﻳﺎ ﻭ ﺧﺎﻧﻮﺍﺩﻩﺍﺵ ﺑﻪ ﺍﺳﺘﺮﺍﻟﻴﺎ‬ ‫ﻛﻤﭗ ﭘﻨﺎﻫﺠﻮﻳﺎﻥ ﺩﺭ ﺍﻧﺪﻭﻧﺰﻯ ﺑﭙﺮﺩﺍﺯﺩ‪.‬‬ ‫ﻛﻪ ﺑﺘﻮﺍﻧﺪ ﺑﺎ ﺍﻣﻜﺎﻧﺎﺕ ﺍﻧﺪﻛﻰ ﻛﻪ ﺩﺭ ﺁﻧﺠﺎ ﺩﺍﺭﺩ ﺑﺨﻮﺍﻧﺪ ﻭ ﺩﺭ‬
‫ﺿﻤﻨﺎﺁﺭﻳﺎﺍﺑﺮﺍﺯﻋﻼﻗﻪﻛﺮﺩﻣﺎﺟﺮﺍﻫﺎﻳﻰﺭﺍﻛﻪﺍﺯﺳﺮﮔﺬﺭﺍﻧﺪﻩ‬ ‫ﺍﺧﺘﻴﺎﺭ ﺩﻳﮕﺮ ﭘﻨﺎﻩﺟﻮﻳﺎﻥ ﺍﻳﺮﺍﻧﻰ ﻗﺮﺍﺭ ﺩﻫﺪ ﻛﻪ ﺩﺭ ﻛﻤﭗ‬
‫ﺭﺍ ﺑﻪ ﻫﻤﺎﻥ ﺯﺑﺎﻧﻰ ﻛﻪ ﺧﻮﺩﺵ ﺑﻴﺎﻥ ﻣﻰﻛﺮﺩ‪ ،‬ﻣﻰﺧﻮﺍﻧﻴﺪ‪:‬‬ ‫ﺑﺎ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﻛﻴﻬﺎﻥ ﺩﺭ ﻣﻴﺎﻥ ﺑﮕﺬﺍﺭﺩ‪ .‬ﻣﺎ ﺍﺯ ﺍﻭ ﺧﻮﺍﻫﺶ‬

‫ﻫﻤﻴﻦ ﻃﻮﺭﺷﺪﻳﺪ ﻣﻰﺑﺎﺭﻳﺪ‪ .‬ﻳﻪ ﺳﻪ ﭼﺮﺧﻪ‬ ‫ﺧﻴﺎﺑﻮﻥ ﺑﻮﺩ‪ .‬ﺭﻓﺘﻴﻢ ﺗﻮﻯ ﻣﻐﺎﺯﻩ ﻭ ﭼﻨﺪ ﺗﺎ‬ ‫ﮔﻔﺘﻢ ﺟﻤﻊ ﻭ ﺟﻮﺭ ﻛﻨﻴﺪ ﻛﻪ ﺑﺎﻳﺪ ﺑﺮﻳﻢ‪.‬‬ ‫ﻛﺠﺎ ﺍﻭﻣﺪﻳﺪ ﻭ ﻛﺠﺎ ﻣﻴﺮﻳﺪ‪ .‬ﮔﻔﺘﻢ ﺗﻮﺭﻳﺴﺖ‬ ‫ﺑﺨﺶ ﺳﻴﺰﺩﻫﻢ‪:‬‬
‫ﺑﺮﺍﻣﻮﻥ ﮔﺮﻓﺖ ﻭ ﺳﻮﺍﺭ ﺷﺪﻳﻢ‪ .‬ﻋﻠﻰ ﺭﻭ ﻫﻢ ﺭﻭ‬ ‫ﺑﻴﺴﻜﻮﻳﺖ ﺑﺎ ﺁﺏ ﻣﻴﻮﻩ ﺧﺮﻳﺪﻳﻢ‪ .‬ﻣﻰﺧﻮﺍﺳﺘﻴﻢ‬ ‫ﺳﺮﻳﻊ ﺍﻭﻣﺪﻳﻢ ﭘﺎﻳﻴﻦ ﻭ ﺍﺯ ﻫﺘﻞ ﺧﺎﺭﺝ ﺷﺪﻳﻢ‪.‬‬ ‫ﻫﺴﺘﻴﻢ ﻣﻰﺧﻮﺍﺳﺘﻴﻢ ﺑﺮﻳﻢ ﺳﻮﺭﺍﺑﺎﻳﺎ ﻭﻟﻰ‬
‫ﻣﻮﺗﻮﺭ ﺧﻮﺩﺵ ﺳﻮﺍﺭ ﻛﺮﺩ ﻭ ﻳﻪ ﭘﻼﺳﺘﻴﻚ ﺭﻭ‬ ‫ﻭﻗﺖ ﺗﻠﻒ ﺑﺸﻪ‪ .‬ﺑﻪ ﻳﻚ ﻧﻔﺮ ﺧﻮﺩﻣﻮﻥ ﺭﻭ ﺗﺮﻙ‬ ‫ﭘﻨﺠﺎﻩ ﻣﺘﺮ ﺍﻭﻥ ﻃﺮﻑ‪ ،‬ﻳﻪ ﮔﻮﺷﻪ ﺍﻳﺴﺘﺎﺩﻳﻢ‪.‬‬ ‫ﮔﻢ ﺷﺪﻳﻢ‪ .‬ﺧﻼﺻﻪ‪ ،‬ﺑﺎ ﻣﺎﺷﻴﻦ ﺭﻓﺘﻴﻢ ﻃﺮﻑ‬ ‫ﺑﺎﺯ ﺩﺭ ﺑﻪ ﺩﺭﻯ‪...‬‬
‫ﺻﻮﺭﺕ ﻣﺎ ﻛﺸﻴﺪ ﻛﻪ ﺧﻴﺲ ﻧﺸﻴﻢ ﻫﻤﻮﻥ ﻫﻢ‬ ‫ﻣﻌﺮﻓﻰ ﻛﺮﺩﻳﻢ ﻭ ﮔﻔﺘﻴﻢ ﻳﻪ ﺗﺎﻛﺴﻰ ﻣﻰﺧﻮﺍﻳﻢ‬ ‫ﺩﻳﺪﻡ ﻣﺎﺷﻴﻦ ﺍﻳﻤﻴﮕﺮﻳﺸﻦ ﺑﺎ ﺳﺮﻋﺖ ﺭﻓﺖ‬ ‫ﺷﻬﺮ ﺩﻳﺪﻡ ﺩﻡ ﻭﺭﻭﺩﻯ ﺷﻬﺮ ﺍﻳﺴﺖ ﺑﺎﺯﺭﺳﻰ‬
‫ﺯﺩﻧﺪ‪ .‬ﮔﻔﺘﻢ ﺩﻳﮕﻪ ﺣﺘﻤﺎ ﮔﻴﺮ ﺍﻓﺘﺎﺩﻳﻢ ﻭﻟﻰ ﺍﺯ‬ ‫ﺣﺪﻭﺩ ﺻﺪ ﻣﺘﺮ ﺣﺮﻛﺖ ﻛﺮﺩﻳﻢ‪ .‬ﺍﺯ ﺗﻮ‬
‫ﺍﺳﺘﺘﺎﺭ ﺧﻮﺑﻰ ﺑﻮﺩ‪.‬‬ ‫ﺗﺎ ﺟﺎﻛﺎﺭﺗﺎ‪ .‬ﮔﻔﺖ ﺍﻳﻦ ﺷﻬﺮ ﺍﺻﻼ ﺗﺎﻛﺴﻰ ﻧﺪﺍﺭﻩ‬ ‫ﺩﺍﺧﻞ ﻫﺘﻞ‪ .‬ﺍﻳﻦ ﺷﻬﺮ ﻟﻌﻨﺘﻰ ﺗﺎﻛﺴﻰ ﻧﺪﺍﺭﻩ‪.‬‬ ‫ﺭﻭﺑﺮﻭﺷﻮﻥ ﺭﺩ ﺷﺪﻳﻢ ﻭ ﻧﺪﻳﺪﻧﻤﻮﻥ ﭼﻮﻥ ﺍﻭﻧﺎ‬ ‫ﺗﺎﺭﻳﻜﻰ ﭘﻠﻴﺲﻫﺎ ﺭﻭ ﻣﻰﺩﻳﺪﻳﻢ ﻛﻪ ﺩﻧﺒﺎﻟﻤﻮﻥ‬
‫ﺑﺎ ﺍﻳﻨﻜﻪ ﺭﻓﺘﻦ ﺑﻪ ﺗﺮﻣﻴﻨﺎﻝ ﺍﺷﺘﺒﺎﻩ ﺑﻮﺩ ﻭﻟﻰ‬ ‫ﻭ ﺳﻪ ﭼﺮﺧﻪﻫﺎ ﻫﻤﻮﻥ ﺗﺎﻛﺴﻰ ﻫﺴﺘﻨﺪ‪ .‬ﺑﺎﺭﻭﻥ‬ ‫ﺑﺎﺭﻭﻥ ﻫﻢ ﻣﻰﺍﻭﻣﺪ‪ .‬ﻳﻪ ﻣﻐﺎﺯﻩ ﺑﺰﺭگ ﻛﻨﺎﺭ‬ ‫ﻣﺎﺷﻴﻦﻫﺎﻳﻰ ﺭﻭ ﻛﻪ ﺍﺯ ﺷﻬﺮ ﺧﺎﺭﺝ ﻣﻰ ﺷﺪﻧﺪ‬ ‫ﻣﻰﮔﺸﺘﻨﺪ‪ .‬ﺑﻪ ﭼﻨﺪ ﺗﺎ ﺧﻮﻧﻪ ﺭﺳﻴﺪﻳﻢ‪ .‬ﺍﺣﺸﺎﻡ‬
‫ﭼﺎﺭﻩﺍﻯ ﻧﺪﺍﺷﺘﻴﻢ‪ .‬ﺗﻮ ﺗﺮﻣﻴﻨﺎﻝ ﻫﻤﻪ ﺑﻪ ﻣﺎ‬ ‫ﭼﻚ ﻣﻰﻛﺮﺩﻧﺪ ﻭ ﻣﺎ ﺩﻭﺑﺎﺭﻩ ﺩﺍﺷﺘﻴﻢ ﺑﻪ ﻃﺮﻑ‬ ‫ﺧﺎﻧﮕﻰ ﺭﻭﺳﺘﺎﻳﻰﻫﺎ ﻣﺘﻮﺟﻪ ﻣﺎ ﺷﺪﻩ ﺑﻮﺩﻧﺪ‪.‬‬
‫ﻧﮕﺎﻩ ﻣﻲﻛﺮﺩﻧﺪ‪ .‬ﺣﺲ ﺧﻮﺑﻰ ﻧﺪﺍﺷﺘﻢ‪ .‬ﺳﻮﺍﺭ‬ ‫ﻓﻘﻂ ﺧﺪﺍﺧﺪﺍ ﻣﻰﻛﺮﺩﻳﻢ ﻛﻪ ﺳﮓ ﺗﻮﺷﻮﻥ‬
‫ﺍﺗﻮﺑﻮﺱ ﻛﻪ ﺷﺪﻳﻢ ﺩﻳﺪﻡ ﻣﺎﺷﻴﻦ ﺍﻳﻤﻴﮕﺮﻳﺸﻦ‬ ‫ﺷﻬﺮ ﺑﺮ ﻣﻰﮔﺸﺘﻴﻢ‪.‬‬ ‫ﻧﺒﺎﺷﻪ ﻭ ﺧﻮﺷﺒﺨﺘﺎﻧﻪ ﻧﺒﻮﺩ‪ .‬ﺑﻪ ﻣﻮﺍﺯﺍﺕ ﺟﺎﺩﻩ ﺑﺎ‬
‫ﺍﻭﻣﺪ ﺗﻮ ﺗﺮﻣﻴﻨﺎﻝ‪ .‬ﺳﺮﻣﻮﻥ ﺭﻭ ﭘﺎﻳﻴﻦ ﮔﺮﻓﺘﻴﻢ‪.‬‬ ‫ﺣﺎﻟﻤﻮﻥ ﺧﻴﻠﻰ ﮔﺮﻓﺘﻪ ﺷﺪ‪ .‬ﺑﻪ ﻣﻴﺰﺑﺎﻧﻤﻮﻥ‬ ‫ﺻﺪ ﻣﺘﺮ ﻓﺎﺻﻠﻪ ﺣﺮﻛﺖ ﻣﻰﻛﺮﺩﻳﻢ ﺗﺎ ﺍﻳﻨﻜﻪ‬
‫ﺯﻳﺮﭼﺸﻢ ﺩﻳﺪﻡ ﺩﻭﺭﻯ ﺯﺩﻧﺪ ﻭ ﺭﻓﺘﻨﺪ‪ .‬ﻛﻤﻰ‬ ‫ﮔﻔﺘﻴﻢ ﻣﻴﺮﻳﻢ ﻫﺘﻞ ﻭ ﺍﺯﺵ ﺗﺸﻜﺮ ﻛﺮﺩﻳﻢ‪ .‬ﺩﺭ‬ ‫ﺩﺭ ﺣﻴﺎﻁ ﻳﻪ ﺧﻮﻧﻪ ﺗﻮﻧﺴﺘﻴﻢ ﻣﺨﻔﻰ ﺑﺸﻴﻢ‪ .‬ﺍﺯ‬
‫ﺁﺭﻭﻡ ﺷﺪﻳﻢ ﺗﺎ ﺍﺗﻮﺑﻮﺱ ﺣﺮﻛﺖ ﻛﺮﺩ‪ .‬ﺍﺯ ﺷﻴﺸﻪ‬ ‫ﻫﺘﻞ ﻳﻪ ﺍﺗﺎﻕ ﮔﺮﻓﺘﻴﻢ ﺗﺎ ﺁﺏﻫﺎ ﺍﺯ ﺁﺳﻴﺎﺏ ﺑﻴﻔﺘﻪ‪.‬‬ ‫ﺍﻭﻧﺠﺎ ﭼﻨﺪ ﻣﺎﺷﻴﻦ ﺭﻭ ﺩﻳﺪﻳﻢ ﻛﻪ ﺑﺎ ﺳﺮﻋﺖ‬
‫ﺍﺗﻮﺑﻮﺱ ﻣﺘﻮﺟﻪ ﭼﻨﺪ ﻧﻔﺮ ﺷﺪﻡ ﻛﻪ ﺑﻪ ﺍﺗﻮﺑﻮﺱ‬ ‫ﺧﻴﻠﻰ ﺧﺴﺘﻪ ﺑﻮﺩﻳﻢ ﺑﻪ ﺣﺪﻯ ﻛﻪ ﭼﺸﻤﺎﻣﻮﻥ‬ ‫ﺑﺎﻻ ﻭ ﭘﺎﻳﻴﻦ ﻣﻰﺭﻓﺘﻨﺪ‪ .‬ﻧﻤﻰﺩﻭﻧﺴﺘﻴﻢ ﭼﻪ ﻛﺎﺭ‬
‫ﺍﺷﺎﺭﻩ ﻣﻰﻛﻨﻨﺪ ﻭ ﺩﺍﺭﻧﺪ ﺑﺎ ﮔﻮﺷﻰ ﺯﻧﮓ‬ ‫ﻣﺜﻞ ﺧﻮﻥ ﻗﺮﻣﺰ ﺷﺪﻩ ﺑﻮﺩ‪ .‬ﻣﺜﻞ ﺟﻨﺎﺯﻩ‬ ‫ﻛﻨﻴﻢ‪ .‬ﺩﻡ ﺩﻣﺎﻯ ﺻﺒﺢ ﺑﻮﺩ ﻛﻪ ﺩﺭ ﻳﻪ ﺧﻮﻧﻪ ﺭﻭ‬
‫ﻣﻰﺯﻧﻨﺪ‪ .‬ﺧﻼﺻﻪ ﺻﺪ ﻣﺘﺮ ﺟﻠﻮﺗﺮ ﺍﺗﻮﺑﻮﺱ ﺭﻭ‬ ‫ﺩﺭﺍﺯ ﻛﺸﻴﺪﻳﻢ‪ .‬ﭘﻮﺭﻳﺎ ﻣﺪﺍﻡ ﮔﺮﻳﻪ ﻣﻰﻛﺮﺩ ﻭ‬ ‫ﺯﺩﻡ ﻭ ﮔﻔﺘﻢ ﻳﻪ ﻭﻳﻼ ﻣﻰﺧﻮﺍﻫﻴﻢ ﮔﻔﺖ ﻭﻳﻼ‬
‫ﻣﻰﮔﻔﺖ ﮔﺮﺳﻨﻤﻪ‪ .‬ﻣﺎ ﻫﻢ ﺑﺎﻳﺪ ﻛﻤﺘﺮ ﺗﺮﺩﺩ‬ ‫ﻧﺪﺍﺭﻳﻢ ﺑﻌﺪ ﮔﻔﺖ ﺍﺗﺎﻕ ﺧﺎﻟﻰ ﺩﺍﺭﻳﻢ ﮔﻔﺘﻢ ﺍﮔﻪ‬
‫ﻧﮕﻪ ﺩﺍﺷﺘﻨﺪ ﻭ ﮔﻔﺘﻨﺪ ﺑﻴﺎﻳﻴﺪ ﭘﺎﻳﻴﻦ!‬ ‫ﻣﻰﻛﺮﺩﻳﻢ‪ .‬ﺑﺎﻻﺧﺮﻩ ﺭﻓﺘﻢ ﭘﺎﻳﻴﻦ ﺑﺮﺍﺵ ﭼﺎﻯ‬
‫ﺳﺎﻋﺖ ﺣﺪﻭﺩ ﻳﻚ ﺑﻌﺪ ﺍﺯ ﻇﻬﺮ ﺑﻮﺩ‪ .‬ﺍﻋﺼﺎﺑﻢ‬ ‫ﺑﺎ ﺑﻴﺴﻜﻮﻳﺖ ﺁﻭﺭﺩﻡ‪ .‬ﺩﻭ ﺳﺎﻋﺘﻰ ﺍﺳﺘﺮﺍﺣﺖ‬ ‫ﭘﻮﻝ ﻣﻴﮕﻴﺮﻯ ﺗﺎ ﺻﺒﺢ ﻣﻰﻣﻮﻧﻴﻢ‪.‬‬
‫ﺩﺍﻏﻮﻥ ﺷﺪﻩ ﺑﻮﺩ‪ .‬ﺍﻧﮕﺎﺭ ﺑﺨﺖ ﻣﺎ ﺯﻳﺮ ﻳﻪ ﺳﻨﮓ‬ ‫ﻛﺮﺩﻳﻢ ﻛﻪ ﺩﻳﺪﻡ ﺩﺭ ﻣﻲﺯﻧﻨﺪ‪ .‬ﺧﺴﺘﻪ ﺑﻮﺩﻡ‪ ،‬ﺩﺭ‬ ‫ﺧﺎﻧﻮﺍﺩﻩ ﻣﻬﺮﺑﻮﻧﻰ ﺑﻮﺩﻧﺪ ﻭ ﺍﺯﻣﻮﻥ ﭘﻮﻝ‬
‫ﮔﻴﺮ ﻛﺮﺩﻩ ﻭ ﺩﺭ ﻧﻤﻴﺎﺩ‪ .‬ﺑﺮﺩﻧﻤﻮﻥ ﺍﺩﺍﺭﻩ ﭘﻠﻴﺲ‬ ‫ﺭﻭ ﺑﺎﺯ ﻛﺮﺩﻡ ﺩﻳﺪﻡ ﺩﻭ ﻧﻔﺮ ﺷﺨﺼﻰ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﻧﮕﺮﻓﺘﻨﺪ‪ .‬ﺍﻭﻟﻴﻦ ﺍﻧﺪﻭﻧﺰﻳﺎﻳﻰﻫﺎﻳﻰ ﺑﻮﺩﻧﺪ‬
‫ﻛﻪ ﺩﻳﺪﻡ ﻧﺰﺩﻳﻚ ﺑﻴﺴﺖ ﻧﻔﺮ ﺍﺯ ﺑﭽﻪﻫﺎ ﺍﻭﻧﺠﺎ‬ ‫ﮔﻔﺘﻨﺪ ﺷﻤﺎ ﺍﻳﺮﺍﻧﻰ ﻫﺴﺘﻴﺪ؟ ﮔﻔﺘﻢ ﻧﻪ ﺗﺮﻙ‬ ‫ﻛﻪ ﺗﻮ ﺍﻳﻦ ﻣﺪﺕ ﺩﻳﺪﻳﻢ ﻣﻬﺮﺑﻮﻧﻨﺪ‪ .‬ﺻﺒﺢ‬
‫ﻫﺴﺘﻴﻢ‪ .‬ﺍﻭﻧﻬﺎ ﻫﻢ ﺭﻓﺘﻨﺪ‪ .‬ﺑﻪ ﻫﻤﺴﺮﻡ ﻭ ﻋﻠﻰ‬ ‫ﺍﺯﺵ ﺧﻮﺍﻫﺶ ﻛﺮﺩﻡ ﻳﻪ ﻣﺎﺷﻴﻦ ﺑﻴﺎﺭﻩ ﻭ ﻣﺎ‬
‫ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺭﻭ ﺑﻪ ﻳﻪ ﺷﻬﺮ ﺑﺮﺳﻮﻧﻪ‪ .‬ﻣﺪﺍﻡ ﻣﻰﮔﻔﺖ ﺍﺯ‬
‫ﺍﺩﺍﻣﻪ ﺩﺍﺭﺩ‬