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‫ﺟﻤﻌﻪ ‪ 19‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 25‬ژﻭﺋﻦ ‪2015‬‬

‫ﭘﺮﺗﺮﻩ»ﻓﺎﻃﻤﻪﻣﻌﺘﻤﺪﺁﺭﻳﺎ«ﺩﺭﮔﺎﻟﺮﻯﺳﺎﺯﻣﺎﻥﻣﻠﻞﻣﺘﺤﺪ‬                                                                                            ‫ﺭﺿﺎ ﺩﻗﺘﻰ ﺩﺭ ﮔﻔﺖ ﻭ ﮔﻮ ﺑﺎ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪:‬‬

                                                                           ‫ﻋﻜﺲ ﺑﺎﺯﻳﮕﺮ ﺳﻴﻨﻤﺎﻯ ﺍﻳﺮﺍﻥ ﺩﺭ ﻛﻨﺎﺭ‬        ‫ﺩﻭﺳﺖ ﺩﺍﺭﻡ ﺭﻭﺯﻯ ﺩﻭﺑﺎﺭﻩ ﺩﺭ ﺍﻳﺮﺍﻥ ﻋﻜﺎﺳﻰ ﻛﻨﻢ‬
                                                                           ‫ﭼﻬﺮﻩ ﺍﺩﺭﻯ ﻫﭙﺒﻮﺭﻥ ﺑﻪ ﻋﻨﻮﺍﻥ ﺣﺎﻣﻴﺎﻥ‬
                                                                                                                  ‫ﺑﻮﺩ ﻭ ﺷﻬﺮ ﺩﺭ ﻭﺿﻌﻴﺖ ﺑﺴﻴﺎﺭ ﺑﺪﻯ‬        ‫ﻛﺮﺩﻩ ﺍﺳﺖ ﺍﻓﻐﺎﻧﺴﺘﺎﻥ ﻭ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ‬   ‫ﺍﻭ ﻋﻜﺎﺱ ﺟﻨﮕﻰ ﺍﺳﺖ ﺍﻣﺎ‬
                                                                                                 ‫ﺣﻘﻮﻕ ﺑﺸﺮ‪.‬‬        ‫ﻗﺮﺍﺭ ﺩﺍﺷﺖ‪ .‬ﻓﻘﺮ ﻭ ﮔﺮﺳﻨﮕﻰ ﺩﺭ ﺷﻬﺮ‬      ‫ﺟﺎﻳﮕﺎﻫﻰ ﻭﻳﮋﻩ ﺩﺍﺭﻧﺪ‪ .‬ﺩﻭ ﻛﺸﻮﺭﻯ ﻛﻪ‬  ‫ﻋﻜﺲﻫﺎﻳﺶ ﻫﻢ ﺍﺯ ﺟﻨﮓ ﻣﻰﮔﻮﻳﻨﺪ ﻭ‬
                                                                           ‫ﻧﻘﺎﺷﻰ ﭘﺮﺗﺮﻩ »ﻓﺎﻃﻤﻪ ﻣﻌﺘﻤﺪ ﺁﺭﻳﺎ«‬         ‫ﺑﻴﺪﺍﺩ ﻣﻰﻛﺮﺩ‪ .‬ﮔﺎﻫﻰ ﺟﺴﺪﻫﺎ ﺗﺎ ﭼﻨﺪ‬      ‫ﺍﺯ ﻧﻈﺮ ﻓﺮﻫﻨﮕﻰ ﺑﻪ ﻓﺮﻫﻨﮓ ﺍﻳﺮﺍﻧﻰ ﻭ‬  ‫ﻫﻢ ﺍﺯ ﺻﻠﺢ‪ ،‬ﻫﻢ ﺍﺯ ﺩﺭﺩ ﻭ ﻫﻢ ﺍﺯ ﺁﺭﺍﻣﺶ‪،‬‬
                                                                           ‫ﺑﺎﺯﻳﮕﺮ ﺳﻴﻨﻤﺎ ﻭ ﺗﻠﻮﻳﺰﻳﻮﻥ ﺍﻳﺮﺍﻥ ﺩﺭ ﻛﻨﺎﺭ‬  ‫ﺭﻭﺯ ﺭﻭﻯ ﺯﻣﻴﻦ ﻣﻰﻣﺎﻧﺪ ﻭ ﻛﺴﻰ ﺟﺮﺍﺕ‬      ‫ﺑﻪ ﻓﺮﻫﻨﮓ ﺯﺍﺩﮔﺎﻫﺶ ﺗﺒﺮﻳﺰ ﻧﺰﺩﻳﻚ‬     ‫ﻫﻢ ﺍﺯ ﺍﻣﻴﺪ ﻭ ﻫﻢ ﺍﺯ ﻧﺎﺍﻣﻴﺪﻯ‪ ،‬ﻫﻢ ﺍﺯ‬
                                                                           ‫ﺗﺼﻮﻳﺮ ‪ 15‬ﭼﻬﺮﻩ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﺩﺭ ﮔﺎﻟﺮﻯ‬       ‫ﻧﺪﺍﺷﺖ ﺯﻳﺮ ﺗﻴﺮ ﺍﻧﺪﺍﺯﻯﻫﺎﻯ ﺻﺮﺏﻫﺎ‬       ‫ﻫﺴﺘﻨﺪ‪ .‬ﺩﻗﺘﻰ ﺩﺭ ﻃﻮﻝ ﻫﻤﻪ ﺩﻭﺭﺍﻥ‬
                                                                           ‫ﺳﺎﺯﻣﺎﻥ ﻣﻠﻞ ﻣﺘﺤﺪ ﺑﻪ ﻧﻤﺎﻳﺶ ﺩﺭ ﺁﻣﺪ‪.‬‬       ‫ﺁﻧﻬﺎ ﺭﺍ ﺟﻤﻊ ﻛﻨﺪ‪ .‬ﺩﺭ ﻳﻜﻰ ﺍﺯ ﻫﻤﻴﻦ‬     ‫ﺯﻧﺪﮔﻰﺍﺵ ﺩﺭ ﻓﺮﺍﻧﺴﻪ ﺑﺎﺭﻫﺎ ﻭ ﺑﺎﺭﻫﺎ‬               ‫ﻣﺮگ ﻭ ﻫﻢ ﺍﺯ ﺯﻧﺪﮔﻰ‪.‬‬
                                                                           ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ‪ ،‬ﺍﻳﻦ‬               ‫ﺭﻭﺯﻫﺎ ﺩﺧﺘﺮﺑﭽﻪ ﺍﻯ ﺭﺍ ﺩﻳﺪﻡ ﻛﻪ ﺩﺭ‬      ‫ﺑﻪ ﺍﻳﻦ ﺩﻭ ﻛﺸﻮﺭ ﺳﻔﺮﻛﺮﺩﻩ‪ ،‬ﺩﺭ ﺍﻳﻦ‬   ‫ﺭﺿﺎ ﺩﻗﺘﻰ ﻋﻜﺎﺱ ﺧﺒﺮﻯ ﺍﺳﺖ ﻛﻪ‬
                                                                           ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﺷﺎﻣﻞ ﻣﺠﺴﻤﻪﻫﺎﻳﻰ‬                                                                                     ‫ﺑﻴﺶ ﺍﺯ ﺳﻪ ﺩﻫﻪ ﺍﺯ ﻋﻤﺮ ﺧﻮﺩ ﺭﺍ ﺑﻪ‬
                                                                           ‫ﻫﻢﭼﻮﻥ ﭘﻮﺳﺘﻪﻫﺎﻯ ﺯﻣﻴﻦ ﻭ ﭘﺮﺗﺮﻩ‬
‫)ﭘﺎﻛﺴﺘﺎﻥ( ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﻪ ﺭﻭﻯ‬                                           ‫ﭼﻬﺮﻩﻫﺎﻯ ﺍﺛﺮﮔﺬﺍﺭ ﺟﻬﺎﻧﻰ ﺍﺳﺖ ﻛﻪ ﺑﺎ‬        ‫ﺑﺎﺯﭘﺮﺩﺍﺯﻯ ﭼﻬﺮﻩ ﻧﺪﺍ ﺁﻗﺎ ﺳﻠﻄﺎﻥ ‪ -‬ﭘﺎﺭﻳﺲ ﺟﻮﻻﻯ ‪2009‬‬
             ‫ﺩﻳﻮﺍﺭﻫﺎ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪﺍﻧﺪ‪.‬‬                                        ‫ﺣﻤﺎﻳﺖ ﻛﻤﭙﻴﻦ »ﺯﻣﺎﻥ ﺑﺮﺍﻯ ﺍﻗﺪﺍﻣﻰ‬
                                                                           ‫ﺟﻬﺎﻧﻰ« ﺩﺭ ﻣﻘﺮ ﺳﺎﺯﻣﺎﻥ ﻣﻠﻞ ﺩﺭ‬            ‫ﻋﻜﺎﺳﻰ ﺣﺮﻓﻪﺍﻯ ﻣﺸﻐﻮﻝ ﺑﻮﺩﻩ ﻭ ﺑﻪ ﺩﻭ ﺳﺮﺯﻣﻴﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﺮﮔﺰﺍﺭ ﻛﺮﺩﻩ ﻭ ﮔﻮﺷﻪﺍﻯ ﺍﻳﺴﺘﺎﺩﻩ ﻭ ﺑﻪ ﺩﻳﻮﺍﺭ ﺗﻜﻴﻪ ﺯﺩﻩ‬
‫ﻓﺎﻃﻤﻪ ﻣﻌﺘﻤﺪ ﺁﺭﻳﺎ ﻳﻜﻰ ﺍﺯ ﺑﺎﺯﻳﮕﺮﺍﻥ‬                                           ‫ﻧﻴﻮﻳﻮﺭﻙ ﺑﺎ ﺷﻌﺎﺭ ﺩﮔﺮﮔﻮﻧﻰ ﻗﺪﺭﺕ‬
‫ﺑﺮﺟﺴﺘﻪ ﺳﻴﻨﻤﺎﻯ ﺍﻳﺮﺍﻥ ﺍﺳﺖ ﻛﻪ ﺩﺭ‬                                              ‫ﻫﻨﺮ ﺑﻪ ﻧﻤﺎﻳﺶ ﮔﺬﺍﺷﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪.‬ﺍﻳﻦ‬        ‫ﮔﻔﺘﻪ ﺧﻮﺩﺵ ﻫﻤﻪ ﺍﻳﻦ ﻣﺪﺕ ﺭﺍ ﺑﺎ ﻛﺘﺎﺏﻫﺎﻯ ﻋﻜﺲ ﻣﺘﻌﺪﺩﻯ ﺩﺭﺑﺎﺭﻩ ﺍﻳﻦ ﺑﻮﺩ‪ .‬ﺩﺧﺘﺮﻙ ﻋﺮﻭﺳﻚﻫﺎﻳﻰ ﺭﺍ ﺑﺮ ﺭﻭﻯ‬
‫ﻓﻴﻠﻢﻫﺎﻯ ﻛﺎﺭﮔﺮﺩﺍﻧﺎﻥ ﻧﺎﻣﺪﺍﺭ ﺳﻴﻨﻤﺎﻯ‬                                           ‫ﻛﻤﭙﻴﻦ ﺩﺭ ﺩﺭﺟﻪ ﻧﺨﺴﺖ ﺑﻪ ﻣﻨﻈﻮﺭ‬
‫ﺍﻳﺮﺍﻥ ﭼﻮﻥ ﺑﻬﺮﺍﻡ ﺑﻴﻀﺎﻳﻰ‪ ،‬ﻣﺤﺴﻦ‬                                               ‫ﺍﻓﺰﺍﻳﺶ ﺁﮔﺎﻫﻰ ﻣﺨﺎﻃﺒﺎﻥ ﺍﺯ ﺗﻐﻴﻴﺮﺍﺕ‬        ‫ﺍﺣﺴﺎﺳﺎﺕ ﻣﺘﻀﺎﺩ ﺯﻧﺪﮔﻰ ﻛﺮﺩﻩ ﺍﺳﺖ‪ .‬ﻛﺸﻮﺭﻫﺎ ﻭ ﻣﺮﺩﻣﺎﻧﺶ ﭼﺎپ ﻧﻤﻮﺩﻩ ﺍﺳﺖ‪ .‬ﻳﻚ ﭼﻬﺎﺭﭘﺎﻳﻪ ﻗ ﺮﺍﺭ ﺩﺍﺩﻩ ﺑﻮﺩ‪ .‬ﭘﺲ ﺍﺯ‬
‫ﻣﺨﻤﻠﺒﺎﻑ‪ ،‬ﺭﺧﺸﺎﻥ ﺑﻨﻰﺍﻋﺘﻤﺎﺩ ﻭ‬                                                 ‫ﺁﺏ ﻭ ﻫﻮﺍ ﻭ ﺍﻛﻮﺳﻴﺴﺘﻢ ﺷﻜﻨﻨﺪﻩ ﺯﻣﻴﻦ‬
‫ﺑﻬﻤﻦ ﻓﺮﻣﺎﻥﺁﺭﺍ ﺑﺎﺯﻯ ﻛﺮﺩﻩ ﺍﺳﺖ‪ .‬ﺍﻳﻦ‬                                           ‫ﺗﺸﻜﻴﻞ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺩﺭ ﻭﺍﻗﻊ‪ ،‬ﻣﻮﺍﺩ ﻭ‬         ‫ﺍﻭ ﻋﻜﺎﺳﻰ ﺭﺍ ﺍﺯ ﺯﻣﺎﻧﻰ ﻛﻪ ‪ 14 -13‬ﺭﺿﺎ ﺩﻗﺘﻰ ‪ 14‬ﺳﺎﻝ ﭘﻴﺶ ﻣﺮﻛﺰ ﮔﺮﻓﺘﻦ ﻋﻜﺲ ﻧﺰﺩﻳﻚ ﺷﺪﻡ ﻭ ﭘﺮﺳﻴﺪﻡ‬
‫ﺑﺎﺯﻳﮕﺮ ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩﻫﺎﻯ ﻣﻌﺘﺒﺮﺟﻬﺎﻧﻰ‬                                            ‫ﻣﻀﻤﻮﻥ ﻣﺠﺴﻤﻪﻫﺎﻯ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ‬
‫ﺟﻮﺍﻳﺰ ﻣﺘﻌﺪﺩﻯ ﺩﺭﻳﺎﻓﺘﻪ ﻛﺮﺩﻩ ﻭ ﺑﻪ‬       ‫ﻓﺎﻃﻤﻪ ﻣﻌﺘﻤﺪ ﺁﺭﻳﺎ )ﺍﻳﺮﺍﻥ(‪ ،‬ﺍﻭﻛﻮﺕ‬       ‫ﺍﺯ ﻋﻨﺎﺻﺮ ﻃﺒﻴﻌﻰ ﺯﻣﻴﻦ ﻭ ﺍﺯ ﻃﺒﻴﻌﺖ‬         ‫ﺳﺎﻟﻪ ﺑﻮﺩ ﺷﺮﻭﻉ ﻛﺮﺩ‪ .‬ﻣﻰﮔﻮﻳﺪ ﻛﺎﻣﻼ ﺁﻣﻮﺯﺷﻰ »ﺑﻨﻴﺎﺩ ﻓﺮﻫﻨﮕﻰ ﺁﻳﻨﻪ« ﺭﺍ ﺩﺭ ﭼﻪ ﻣﻰﻛﻨﻰ؟ ﮔﻔ ﺖ ﻣﺎﺩﺭﺑﺰﺭﮔﻢ ﭼﻬﺎﺭ‬
‫ﻋﻨﻮﺍﻥ ﺩﺍﻭﺭ ﻧﻴﺰ ﺩﺭ ﺁﻧﻬﺎ ﺣﻀﻮﺭ ﺩﺍﺷﺘﻪ‬    ‫ﺑﭙﺘﻴﻚ )ﺍﻭﮔﺎﻧﺪﺍ(‪ ،‬ﺳﺎﺗﻴﺎ ﺟﻴﺖ ﺭﺍﻯ‬
‫ﺍﺳﺖ‪.‬ﻣﻌﺘﻤﺪ ﺁﺭﻳﺎ ﻛﻪ ﻓﻌﺎﻟﻴﺖﻫﺎﻳﺶ‬         ‫)ﻫﻨﺪ(‪ ،‬ﺳﺒﺎﺳﺘﻴﻮ ﺳﺎﻟﮕﺎﺩﻭ )ﺑﺮﺯﻳﻞ(‪،‬‬         ‫ﮔﻮﺷﻪ ﻭ ﻛﻨﺎﺭ ﺟﻬﺎﻥ ﮔﺮﻓﺘﻪ ﺷﺪﻩﺍﻧﺪ‪.‬‬       ‫ﺗﺼﺎﺩﻓﻰ ﻭ ﺑﺮ ﺍﺛﺮ ﻳﻚ ﺍﺗﻔﺎﻕ‪ :‬ﺩﺭ ﺁﻥ ﺍﻓﻐﺎﻧﺴﺘﺎﻥ ﺗﺎﺳﻴﺲ ﻛﺮﺩ‪ .‬ﺍﻭ ﺑﺎ ﺍﺷﺘﻴﺎﻕ ﺭﻭﺯ ﺍﺳﺖ ﻏﺬﺍ ﻧﺨﻮﺭﺩﻩ ﻭ ﮔﺮﺳﻨﻪ ﺍﺳﺖ‪،‬‬
‫ﻫﻤﻴﺸﻪ ﺣﺴﺎﺳﻴﺖ ﺑﺮﺍﻧﮕﻴﺰ ﺑﻮﺩﻩ ﺍﺳﺖ‬        ‫ﻭﻭﻝ ﺳﻮﺋﻴﻨﺴﻜﺎ )ﻧﻴﺠﺮﻳﻪ(‪ ،‬ﻧﮕﻮﻯ ﮔﻰ‬        ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻓﻮﻕ ﭼﻨﺪﻯ ﭘﻴﺶ ﺑﺎ ﭘﻴﺎﻡ‬
‫ﺑﺎﺭﻫﺎ ﺑﻪ ﺩﻻﻳﻞ ﻣﺨﺘﻠﻔﻰ ﭼﻮﻥ ﺣﻤﺎﻳﺖ‬       ‫ﻭﺍ ﺗﻴﻴﻮﻧﮕﻮ )ﻛﻨﻴﺎ(‪ ،‬ﻭ ﻣﺎﻻﻳﺎ ﻳﻮﺳﻒ ﺯﻯ‬    ‫ﺳﺎﻡ ﻛﻮﺗﻪ ﺳﺎ‪ ،‬ﺭﻳﻴﺲ ﻣﺠﻤﻊ ﻋﻤﻮﻣﻰ‬           ‫ﺳﺎﻝﻫﺎ ﻣﺸﺘﺮﻙ ﻣﺎﻫﻨﺎﻣﻪ ﻋﻠﻤﻰ ﺍﺯ ﺍﻳﻦ ﺑﻨﻴﺎﺩ ﻓﺮﻫﻨﮕﻰ ﻭ ﻓﻌﺎﻟﻴﺖﻫﺎﻳﺶ ﺁﻣﺪﻡ ﻋﺮﻭﺳﻚﻫﺎﻳﻢ ﺭﺍ ﺑﻔﺮﻭﺷﻢ ﻭ ﺑﺮﺍﻯ‬
‫ﺍﺯ ﻣﻴﺮﺣﺴﻴﻦ ﻣﻮﺳﻮﻯ ﺩﺭ ﺩﻭﺭﺍﻥ‬                                                  ‫ﺳﺎﺯﻣﺎﻥ ﻣﻠﻞ ﻣﺘﺤﺪ ﻣﺒﻨﻰ ﺑﺮ ﻧﺰﺩﻳﻜﻰ‬
‫ﺍﻧﺘﺨﺎﺑﺎﺕ ‪ 88‬ﻭ ﻋﺪﻡ ﺭﻋﺎﻳﺖ ﺣﺠﺎﺏ ﺩﺭ‬                                            ‫ﺍﻧﺴﺎﻥ ﺑﻪ ﻃﺒﻴﻌﺖ ﻭ ﻧﮕﻬﺪﺍﺭﻯ ﺍﺯ ﺯﻣﻴﻦ‬       ‫»ﺩﺍﻧﺸﻤﻨﺪ« ﺑﻮﺩﻡ‪ .‬ﻳﻚ ﺭﻭﺯ ﺩﺭ ﺳﺮﻣﻘﺎﻟﻪ ﻣﻰﮔﻮﻳﺪ‪ .‬ﺑﻨﻴﺎﺩﻯ ﻛﻪ ﺑﻪ ﮔﻔﺘﻪ ﺍﻭ ﺗﺎ ﺍﻭ ﻏﺬﺍ ﺗﻬﻴﻪ ﻛ ﻨﻢ‪ .‬ﺁﻥ ﻟﺤﻈﻪ ﺭﺍ ﻫﻴﭻ‬
‫ﺟﺸﻨﻮﺍﺭﻩﻫﺎﻯ ﺧﺎﺭﺟﻰ ﺍﺯ ﻛﺎﺭ ﻣﻤﻨﻮﻉ‬                                              ‫ﻭ ﺍﻳﺠﺎﺩ ﺯﺑﺎﻥ ﻣﺸﺘﺮﻙ ﺍﻧﺴﺎﻥ ﻭ ﻃﺒﻴﻌﺖ‬
‫ﺷﺪﻩ ﻭ ﻳﺎﻣﻤﻨﻮﻉ ﺍﻟﺨﺮﻭﺝ ﺑﻮﺩﻩ ﺍﺳﺖ‪.‬‬                                                                                    ‫ﺍﻳﻦ ﻣﺠﻠﻪ ﺧﻮﺍﻧﺪﻡ ﻛﻪ ﻧﻮﺷﺘﻪ ﺑﻮﺩ ﺩﺭ ﻛﻨﻮﻥ ﻫﺰﺍﺭﺍﻥ ﺟﻮﺍﻥ ﺍﻓﻐﺎﻥ ﺩﺭ ﺁﻧﺠﺎ ﻣﺸﻖ ﮔﺎﻩ ﻓﺮﺍﻣﻮﺵ ﻧﻤﻰﻛﻨﻢ‪ .‬ﺳﺎﺩﮔﻰ ﺩﺧﺘﺮ‬
‫ﻣﻌﺘﻤﺪ ﺁﺭﻳﺎ ﻫﻢﭼﻨﻴﻦ ﻓﻌﺎﻟﻴﺖﻫﺎﻯ‬                                                                    ‫ﺑﺎﺯﮔﺸﺎﻳﻰ ﺷﺪ‪.‬‬
‫ﺑﺸﺮﺩﻭﺳﺘﺎﻧﻪ ﻧﻴﺰ ﺩﺍﺭﺩ ﻭ ﺩﺭ ﺍﻭﺍﻳﻞ ﺳﺎﻝ‬                                         ‫‪ 16‬ﭘﺮﺗﺮﻩ ﺍﺛﺮ ﻧﻘﺎﺵ ﺍﻳﺘﺎﻟﻴﺎﻳﻰ‬            ‫ﺁﻳﻨﺪﻩ ﺑﻰ ﺳﻮﺍﺩ ﻛﺴﻰ ﺧﻮﺍﻫﺪ ﺑﻮﺩ ﻛﻪ ﺭﻭﺯﻧﺎﻣﻪﻧﮕﺎﺭﻯ‪ ،‬ﻋﻜﺎﺳﻰ ﻭ ﻓﻴﻠﻢﺑﺮﺩﺍﺭﻯ ﺑﺮﺍﻳﻢ ﺷﻴﺮﻳﻦ ﺑﻮﺩ ﻭ ﻣﺎﺟﺮﺍ ﺩﺭ ﻋﻴﻦ ﺣﺎﻝ‬
‫ﺟﺎﺭﻯ ﺧﻮﺭﺷﻴﺪﻯ ﺩﺭ ﻛﻤﭙﻴﻦ »ﺳﻴﻦ‬                                                 ‫‪ Fabrizio Ruggiero‬ﺍﺳﺖ ﻛﻪ‬
‫ﻫﺸﺘﻢ ﺳﺮﭘﻨﺎﻩ« ﺟﺎﻳﺰﻩ ﺧﻮﺩ ﺑﺮﺍﻯ ﻓﻴﻠﻢ‬                                           ‫ﺑﻪ ﻋﻨﻮﺍﻥ ﻧﻤﺎﺩ ﻣﺮﺩﻡ ﻫﻤﻪ ﻗﺎﺭﻩﻫﺎﻯ‬
‫»ﮔﻴﻼﻧﻪ«)ﺭﺧﺸﺎﻥ ﺑﻨﻰ ﺍﻋﺘﻤﺎﺩ( ﺭﺍ ﺑﺮﺍﻯ‬                                          ‫ﺟﻬﺎﻥ ﻛﻪ ﺩﺭ ﻃﻮﻝ ﻋﻤﺮ ﺧﻮﺩ ﺑﻪ ﻣﻨﺎﻓﻊ‬
‫ﺣﻤﺎﻳﺖ ﺍﺯ ﺯﻧﺎﻥ ﺑﻰ ﺳﺮﭘﻨﺎﻩ ﺑﻪ ﻓﺮﻭﺵ‬                                            ‫ﻣﺸﺘﺮﻙ ﺑﺸﺮﻳﺖ ﻳﺎﺭﻯ ﺭﺳﺎﻧﺪﻩﺍﻧﺪ‪ ،‬ﺑﻪ‬
                                                                           ‫ﻧﻤﺎﻳﺶ ﺩﺭ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬ﭘﺮﺗﺮﻩ ﭘﻴﺮ ﻛﻼﻭﺭ‬
                         ‫ﮔﺬﺍﺷﺖ‪.‬‬                                            ‫ﺁﻛﻨﺪﻧﮕﻮﻯ )ﮔﺎﺑﻦ(‪ ،‬ﻣﺎﻳﺎ ﺁﻧﺠﻠﻮ )ﺁﻣﺮﻳﻜﺎ(‪،‬‬
                                                                           ‫ﺟﻮﻥ ﺑﻴﺲ )ﺁﻣﺮﻳﻜﺎ(‪ ،‬ﺍﺩﺭﻯ ﻫﭙﺒﻮﺭﻥ‬
                                                                           ‫)ﺍﻧﮕﻠﺴﺘﺎﻥ(‪ ،‬ﻭﺍﺳﻴﻠﻰ ﻛﺎﻧﺪﻳﻨﺴﻜﻰ‬
                                                                           ‫)ﺭﻭﺳﻴﻪ(‪ ،‬ﺍﻡ ﻛﻠﺜﻮﻡ )ﻣﺼﺮ(‪ ،‬ﮔﻮﻧﮓ‬
                                                                           ‫ﻟﻰ )ﭼﻴﻦ(‪ ،‬ﻣﻴﺮﻳﺎﻡ ﻣﺎﻛﺎﺑﺎ )ﺁﻓﺮﻳﻘﺎﻯ‬
                                                                           ‫ﺟﻨﻮﺑﻰ(‪ ،‬ﺍﺩﮔﺎﺭ ﻣﻮﺭﻥ )ﻓﺮﺍﻧﺴﻪ(‪،‬‬

‫ﺍﻣﻴﺪﻯ ﺑﻪ ﺟﻬﺎﻧﻰ ﺷﺪﻥ ﻣﻌﺒﺪ ﺁﻧﺎﻫﻴﺘﺎ ﻧﻴﺴﺖ‬                                                                              ‫ﻋﻜﺎﺳﻰ ﻧﺪﺍﻧﺪ‪ .‬ﺍﻳﻦ ﺟﻤﻠﻪ ﺑﺮﺍﻯ ﻣﻦ ﺁﻥ ﻛﺮﺩﻩﺍﻧﺪ‪.‬ﺑﻨﻴﺎﺩﻯ ﻛﻪ ﻋﻜﺎﺳﺎﻧﻰ ﺑﻨﺎﻡ ﻫﻢ ﺑﺴﻴﺎﺭ ﺗﻠﺦ‪ .‬ﺩﺭ ﻋﻜﺴﻰ ﻛﻪ ﺍﺯ ﺍﻭ ﮔﺮﻓﺘﻪﺍﻡ‬

                                                                                                                  ‫ﺭﻭﺯﻫﺎ ﺧﻴﻠﻰ ﺟﺎﻟﺐ ﺑﻮﺩ ﻭ ﺗﺎﺛﻴﺮ ﺯﻳﺎﺩﻯ ﺍﺯ ﺁﻧﺠﺎ ﻓﺎﺭﻍﺍﻟﺘﺤﺼﻴﻞ ﺷﺪﻩﺍﻧﺪ‪ .‬ﻋﻜﺎﺳﺎﻧﻰ ﻫﻢ ﻣﻰﺗﻮﺍﻥ ﺩﺭﺩ ﺭﺍ ﺩﻳﺪ ﻭ ﻫﻢ ﺯﻳﺒﺎﻳﻰ‬

                                                                                                                  ‫ﺭﻭﻯ ﻣﻦ ﮔﺬﺍﺷﺖ‪ .‬ﻫﻤﻴﻦ ﺟﻤﻠﻪ ﻫﻢ ﻫﻢﭼﻮﻥ ﻣﺴﻌﻮﺩ ﺣﺴﻴﻨﻰ ﻛﻪ ﺗﻮﺍﻧﺴﺖ ﺍﻧﺴﺎﻧﻴﺖ ﺭﺍ‪.‬‬

‫ﮔﻮﻧﻪ ﺍﺳﺘﻌﻼﻣﻰ ﺍﺯ ﺍﺩﺍﺭﻩ ﻛﻞ ﻣﻴﺮﺍﺙ‬       ‫ﻣﻰﺧﻮﺭﻳﺪ‪ .‬ﺁﻥ ﻫﻢ ﻣﺤﻮﻃﻪﺍﻯ ﻛﻪ‬             ‫ﺳﺎﻟﻴﺎﻥ ﻃﻮﻻﻧﻰ ﺍﺳﺖ ﻛﻪ ﻫﺮ ﮔﻮﺷﻪ‬            ‫ﺭﺿﺎ ﺩﻗﺘﻰ ﺩﺭ ﻣﺎﻩ ﺁﻭﺭﻳﻞ ﺳﺎﻝ ﺟﺎﺭﻯ‬      ‫ﻣﺸﻮﻗﻢ ﺷﺪ ﺑﺮﺍﻯ ﺑﻪ ﺩﺳﺖ ﮔﺮﻓﺘﻦ ﺟﺎﻳﺰﻩ ﭘﻮﻟﻴﺘﺰﺭ ﺭﺍ ﺍﺯ ﺁﻥ ﺧﻮﺩ ﻛﻨﺪ‪.‬‬
‫ﻓﺮﻫﻨﮕﻰ ﻭ ﮔﺮﺩﺷﮕﺮﻯ ﺍﺳﺘﺎﻥ ﺗﻬﺮﺍﻥ‬         ‫ﺳﻴﻒﺍﷲ ﻛﺎﻣﺒﺨﺶﻓﺮﺩ‪ ،‬ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺱ‪،‬‬          ‫ﺍﺯ ﻣﻴﺮﺍﺙ ﭼﻨﺪﻳﻦ ﻫﺰﺍﺭ ﺳﺎﻟﻪ ﺍﻳﺮﺍﻥ‬
‫ﺍﻗﺪﺍﻡ ﺑﻪ ﺧﺎﻙﺑﺮﺩﺍﺭﻯ ﺩﺭ ﺟﻨﻮﺏ‬           ‫ﻗﺪﻣﺖ ﺁﻥ ﺭﺍ ﺑﻪ ﺳﻪ ﺩﻭﺭﻩ ﻫﺨﺎﻣﻨﺸﻰ‪،‬‬        ‫ﺩﺳﺘﺨﻮﺵ ﺗﺨﺮﻳﺐ ﻧﺎﺷﻰ ﺍﺯ ﻋﺪﻡ‬               ‫ﺑﻨﻴﺎﺩ ﺁﻳﻨﻪ ﻫﻢﭼﻨﻴﻦ ﻣﺠﻠﻪﺍﻯ ﺑﻪ ﻧﺎﻡ ﺑﺎ ﻫﻤﻜﺎﺭﻯ ﺷﺶ ﺗﻦ ﺩﻳﮕﺮ ﻛﺘﺎﺑﻰ ﺑﺎ‬        ‫ﺩﻭﺭﺑﻴﻦ ﻭ ﺩﻧﺒﺎﻝ ﻛﺮﺩﻥ ﻋﻜﺎﺳﻰ‪.‬‬
‫ﻋﺮﺻﻪ ﺗﭙﻪ ‪ -‬ﻗﻠﻌﻪ ﺑﺎﺳﺘﺎﻧﻰ »ﺳﻴﺎﺩﻩ«‬      ‫ﺍﺷﻜﺎﻧﻰ ﻭ ﺳﺎﺳﺎﻧﻰ ﻧﺴﺒﺖ ﻣﻰﺩﻫﺪ ﻭ‬          ‫ﺁﮔﺎﻫﻰ ﻣﺮﺩﻡ ﻭ ﺑﻰ ﻣﺴﺆﻭﻟﻴﺘﻰ ﻣﻘﺎﻣﺎﺕ‬
‫ﻓﻴﺮﻭﺯﻛﻮﻩ ﻛﺮﺩﻧﺪ‪ ،‬ﻛﻪ ﺑﻪ ﺩﻧﺒﺎﻝ ﮔﺰﺍﺭﺵ‬    ‫ﻣﺴﻌﻮﺩ ﺁﺫﺭﻧﻮﺵ ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺱ ﺩﻳﮕﺮ‪،‬‬         ‫ﻣﻰﺷﻮﺩ؛ ﺁﺛﺎﺭﻯ ﻛﻪ ﻫﺮﮔﺰ ﺩﻭﺑﺎﺭﻩ‬            ‫ﺭﺿﺎ ﻓﺎﺭﻍﺍﻟﺘﺤﺼﻴﻞ ﺭﺷﺘﻪ ﻣﻌﻤﺎﺭﻯ ﺍﺯ »ﭘﺮﻭﺍﺯ« ﺭﺍ ﺑﻪ ﺻﻮﺭﺕ ﺭﺍﻳﮕﺎﻥ ﺑﺮﺍﻯ ﻋﻨﻮﺍﻥ »ﺍﺳﺘﻌﺪﺍﺩﻫﺎﻳﻰ ﺑﺮﺍﻯ ﺑﺸﺮﻳﺖ‬
‫ﺩﻓﺘﺮ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﺷﻬﺮﺳﺘﺎﻥ‬            ‫ﺁﻥ ﺭﺍ ﻛﺎﺧﻰ ﻧﺎﺗﻤﺎﻡ ﺍﺯ ﺧﺴﺮﻭﭘﺮﻭﻳﺰ ﺩﺭ‬     ‫ﻧﻤﻰﺗﻮﺍﻧﻨﺪ ﺑﻨﺎ ﺷﻮﻧﺪ ﻭ ﻓﺮﻫﻨﮓ ﭼﻨﺪﻳﻦ‬       ‫ﺩﺍﻧﺸﮕﺎﻩ ﺗﻬﺮﺍﻥ ﺍﺳﺖ‪ .‬ﺍﻭ ﭘﻴﺶ ﺍﺯ ﺍﻧﻘﻼﺏ ﻛﻮﺩﻛﺎﻥ ﺍﻓﻐﺎﻥ ﭘﺨﺶ ﻣﻰﻛﻨﺪ‪ .‬ﻋﻼﻭﻩ ‪ «Talents for Humanity‬ﻣﻨﺘﺸﺮ‬
‫ﻓﻴﺮﻭﺯﻛﻮﻩ ﻭ ﺑﺎﺯﺩﻳﺪ ﻛﺎﺭﺷﻨﺎﺳﺎﻥ ﻣﺮﻛﺰ‬     ‫ﺍﻭﺍﺧﺮ ﺩﻭﺭﻩ ﺳﺎﺳﺎﻧﻰ ﻣﻰﺩﺍﻧﺪ‪ .‬ﻣﺘﺄﺳﻔﺎﻧﻪ‬    ‫ﻫﺰﺍﺭ ﺳﺎﻟﻪﺍﻯ ﻛﻪ ﺑﺨﺶﻫﺎﻳﻰ ﺍﺯ ﺁﻥ ﮔﻢ‬
‫ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﻰ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﺗﻬﺮﺍﻥ‬       ‫ﻛﺎﻭﺵﻫﺎﻯ ﺍﻳﻦ ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﺎﻥ ﻛﻪ‬                                                  ‫ﺳﺎﻝ ‪ 57‬ﺑﻴﺸﺘﺮ ﺑﻪ ﻋﻜﺎﺳﻰ ﻣﻌﻤﺎﺭﻯ ﺑﺮ ﺍﻳﻦ ﺍﻗﺪﺍﻣﺎﺕ‪ ،‬ﺗﺤﺖ ﭘﻮﺷﺶ ﺍﻳﻦ ﻛﺮﺩ‪ .‬ﻓﺼﻞ ﻣﺸﺘﺮﻙ ﻫﻔﺖ ﻧﻮﻳﺴﻨﺪﻩ‬
‫ﺑﻼﻓﺎﺻﻠﻪ ﺍﺩﺍﻣﻪ ﻛﺎﺭ ﺑﺎ ﻧﺎﻣﻪﻧﮕﺎﺭﻯﻫﺎﻯ‬    ‫ﺍﻛﻨﻮﻥ ﺩﻳﮕﺮ ﺩﺭ ﻗﻴﺪ ﺣﻴﺎﺕ ﻧﻴﺴﺘﻨﺪ‪،‬‬                                 ‫ﻣﻰﺷﻮﺩ‪.‬‬
                                                                           ‫ﺧﺒﺮﮔﺰﺍﺭﻯ ﻣﻬﺮ ﺩﺭ ﮔﺰﺍﺭﺷﻰ ﻧﻮﺷﺘﻪ‬           ‫ﻣﺸﻐﻮﻝ ﺑﻮﺩ‪ .‬ﺩﺭﮔﻴﺮﻯﻫﺎﻯ ﺳﺎﻝ ‪ 57‬ﺑﻨﻴﺎﺩ ﺭﺍﺩﻳﻮ »ﺻﺪﺍﻯ ﺯﻥ ﺍﻓﻐﺎﻥ« ﺩﺭ ﺍﻗﺪﺍﻣﺎﺕ ﺧﻴﺮﺧﻮﺍﻫﺎﻧﻪﺍﻯ ﺍﺳﺖ ﻛﻪ ﺩﺭ‬
           ‫ﺍﻧﺠﺎﻡ ﺷﺪﻩ ﻣﺘﻮﻗﻒ ﺷﺪ ‪.‬‬      ‫ﻧﺎﺗﻤﺎﻡ ﻣﺎﻧﺪﻩ ﻭ ﺩﻩ ﺳﺎﻟﻰ ﻣﻰﺷﻮﺩ ﻛﻪ‬       ‫ﺍﺳﺖ ﺍﻣﻴﺪ ﭼﻨﺪﺍﻧﻰ ﺑﻪ ﺟﻬﺎﻧﻰ ﺷﺪﻥ‬
‫ﺑﻪ ﻧﻘﻞ ﺍﺯ ﺍﻳﻦ ﻣﻘﺎﻡ ﻣﺴﻮﻭﻝ ﺍﻣﺎ‬         ‫ﻛﺴﻰ ﺭﻭﻯ ﺍﻳﻦ ﻣﺤﻮﻃﻪ ﺗﺎﺭﻳﺨﻰ ﻛﺎﺭ‬          ‫ﻣﻌﺒﺪ ﺗﺎﺭﻳﺨﻰ ﺁﻧﺎﻫﻴﺘﺎ ﻧﻴﺴﺖ ﺩﺭ ﺣﺎﻟﻰ‬       ‫ﺍﻣﺎ ﺭﺿﺎ ﺭﺍ ﺑﻪ ﺳﻤﺖ ﻋﻜﺎﺳﻰ ﺧﺒﺮﻯ ﺍﻓﻐﺎﻧﺴﺘﺎﻥ ﻧﻴﺰ ﺗﺎﺳﻴﺲ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻛﻨﺎﺭ ﺣﺮﻓﻪ ﺍﺻﻠﻰ ﺧﻮﺩ ﺍﻧﺠﺎﻡ ﺩﺍﺩﻩﺍﻧﺪ‪.‬‬
‫ﻣﺘﺎﺳﻔﺎﻧﻪ ﻣﺠﺮﻳﺎﻥ ﻃﺮﺡ ﺑﺎ ﺁﮔﺎﻫﻰ‬                                               ‫ﻛﻪ ﺑﺮﺧﻰ ﺍﺯ ﺳﻨﮓﻫﺎﻯ ﺍﻳﻦ ﻣﻌﺒﺪ ﺩﺭ‬          ‫ﻛﺸﺎﻧﺪ‪ .‬ﻭﻯ ﭘﺲ ﺍﺯ ﺗﻐﻴﻴﺮ ﺭژﻳﻢ ﺷﺮﻭﻉ ﻫﻤﻴﻦ ﺭﺍﺩﻳﻮ ﺩﺭ ﺭﺍﻡﺍﷲ ﺑﻪ ﻧﺎﻡ ‪ NISSA‬ﺍﻭ ﺩﺭﺑﺎﺭﻩ ﻣﺎﺟﺮﺍﻯ ﻧﻮﺷﺘﻦ ﺍﻳﻦ ﻛﺘﺎﺏ‬
‫ﻛﺎﻣﻞ ﺍﺯ ﺑﺎﺳﺘﺎﻧﻰﺑﻮﺩﻥ ﻣﺴﻴﺮ ﻃﺮﺡ‪ ،‬ﺍﺯ‬                           ‫ﻧﻜﺮﺩﻩ ﺍﺳﺖ‪.‬‬      ‫ﻛﻨﮕﺎﻭﺭ ﺑﻪ ﺩﻟﻴﻞ ﺁﺗﺶ ﮔﺮﻓﺘﻦ ﻋﻠﻒﻫﺎﻯ‬                                                  ‫ﻛﺮﺩ ﺑﻪ ﻋﻜﺎﺳﻰ ﺍﺯ ﺣﻮﺍﺩﺙ ﻣﺨﺘﻠﻔﻰ ﻛﻪ ‪ FM‬ﺷﻨﻴﺪﻩ ﻣﻰﺷﻮﺩ‪.‬‬
‫ﺗﻌﻄﻴﻼﺕ ‪14 ،13‬ﻭ ‪ 15‬ﺧﺮﺩﺍﺩ ﻣﺎﻩ‬          ‫ﻣﺸﻜﻞ ﺩﻳﮕﺮ ﺍﻳﻦ ﻣﺤﻮﻃﻪ ﺗﺎﺭﻳﺨﻰ‬            ‫ﺍﻃﺮﺍﻑ‪ ،‬ﺳﻴﺎﻩ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺳﺘﻮﻥﻫﺎ ﻭ‬          ‫ﻣﻰﮔﻮﻳﺪ‪ :‬ﭼﻨﺪ ﺳﺎﻝ ﭘﻴﺶ ﻓﺮﺩﻯ ﺑﻪ ﻧﺎﻡ‬
‫ﺍﻣﺴﺎﻝ ﺍﺳﺘﻔﺎﺩﻩ ﻛﺮﺩﻩ ﻭ ﻛﺎﺭ ﺧﻮﺩ ﺭﺍ‬      ‫ﺭﻓﻊ ﻣﻌﺎﺭﺿﺎﺕ ﺁﻥ ﺍﺳﺖ‪ .‬ﻭﺟﻮﺩ ﻣﻠﻚ‬          ‫ﺳﻨﮓﻫﺎﻯ ﺍﻳﻦ ﻣﻌﺒﺪ ﺑﺰﺭگ ﺭﺍ ﻣﻰﺗﻮﺍﻥ‬
‫ﺍﺩﺍﻣﻪ ﺩﺍﺩﻧﺪ ﻛﻪ ﺩﺭ ﺧﺎﻙﺑﺮﺩﺍﺭﻯﻫﺎﻯ‬       ‫ﻫﺎﻯ ﺷﺨﺼﻰ ﺩﺭ ﺍﻳﻦ ﻣﺤﻮﻃﻪ ﻳﻜﻰ‬             ‫ﺩﺭ ﻫﺮ ﺟﺎﻳﻰ ﺍﺯ ﺁﻥ ﻣﺸﺎﻫﺪﻩ ﻛﺮﺩ‬            ‫ﺩﺭ ﻛﺸﻮﺭ ﺩﺭ ﺟﺮﻳﺎﻥ ﺑﻮﺩ‪ ،‬ﺍﺯ ﺗﺮﻛﻤﻦﻫﺎ ﺭﺿﺎ ﺩﻗﺘﻰ ﺍﻳﻦ ﺭﻭﺯﻫﺎ ﺧﻮﺩ ﺭﺍ ﺑﺮﺍﻯ ﺗﻴﻮﺭﻯ ﺳﺎﻧﭽﺰ ﻛﻪ ﺑﺮﺍﻯ ﻳﻚ ﻣﻮﺳﺴﻪ‬
‫ﻣﺠﺪﺩ ﻧﻴﺰ ﺁﺛﺎﺭ ﺗﺎﺭﻳﺨﻰ ﺷﺎﻣﻞ ﮔﻮﺭﻫﺎﻯ‬     ‫ﺍﺯ ﻣﺸﻜﻼﺕ ﻣﻬﻢ ﺍﻳﻦ ﻣﻌﺒﺪ ﺍﺳﺖ‪ .‬ﺑﻪ‬         ‫ﺑﺪﻭﻥ ﻫﻴﭻ ﺗﻮﺟﻴﻬﻰ ﻭ ﻳﺎ ﺗﻮﺿﻴﺤﻰ‪.‬‬
‫ﺳﺮﺩﺍﺑﻪﺍﻯ ﺑﻪ ﻫﻤﺮﺍﻩ ﻗﻄﻌﺎﺕ ﺯﻳﺎﺩﻯ‬        ‫ﻫﻤﻴﻦ ﻣﻨﻈﻮﺭ‪ ،‬ﺍﻋﺘﺒﺎﺭ ﻳﻚ ﻣﻴﻠﻴﺎﺭﺩ‬         ‫ﺍﻣﺎ ﻇﺎﻫﺮﺍ ﻣﺪﻳﺮ ﻛﻞ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‬         ‫ﻭ ﺍﺯ ﺩﺭﮔﻴﺮﻯﻫﺎﻯ ﻛﺮﺩﺳﺘﺎﻥ‪ .‬ﺣﻜﻮﻣﺖ ﺑﺮﮔﺰﺍﺭﻯ ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﺩﺭ ﭘﺎﺭﻳﺲ ﺁﻣﺎﺩﻩ ﺧﻴﺮﻳﻪ ﺑﻪ ﻫﻤﻴﻦ ﻧﺎﻡ ﺩﺭ ﺁﻣﺮﻳﻜﺎ ﻛﺎﺭ‬
‫ﺳﻔﺎﻝ‪ ،‬ﺍﺳﺘﺨﻮﺍﻥ ﻭ ﺳﺎﻳﺮ ﻣﻮﺍﺩ ﻓﺮﻫﻨﮕﻰ‬     ‫ﺗﻮﻣﺎﻧﻰ ﺑﺮﺍﻯ ﺧﺮﻳﺪ ﺍﻳﻦ ﻣﻠﻚﻫﺎ‬            ‫ﺍﺳﺘﺎﻥ ﻛﺮﻣﺎﻧﺸﺎﻩ ﺍﺯ ﺍﻳﻦ ﺍﺗﻔﺎﻗﺎﺕ ﺩﺭ‬
                                     ‫ﺗﺎﻣﻴﻦ ﺷﺪ ﺍﻣﺎ ﺑﻪ ﺩﻟﻴﻞ ﺍﺧﺘﻼﻑ ﻧﻈﺮ‬        ‫ﻣﻌﺒﺪ ﺁﻧﺎﻫﻴﺘﺎ ﺑﻰ ﺧﺒﺮ ﺍﺳﺖ‪ .‬ﻭﻯ ﮔﻔﺘﻪ‬       ‫ﺍﻣﺎ ﺗﺎﺏ ﺗﺤﻤﻞ ﺁﻧﭽﻪ ﺭﺍ ﺍﻭ ﺑﻪ ﺗﺼﻮﻳﺮ ﻣﻰﻛﻨﺪ‪ .‬ﺩﻳﻮﺍﺭﻯ ﺭﻭﻯ ﺭﻭﺩﺧﺎﻧﻪ ﺳﻦ ﺩﺭ ﻣﻰﻛﻨﺪ ﻧﺰﺩ ﻣﻦ ﺁﻣﺪ ﻭ ﭘﻴﺸﻨﻬﺎﺩ ﻧﻮﺷﺘﻦ‬
          ‫ﺩﻳﮕﺮ ﺑﻪ ﺩﺳﺖ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬      ‫ﺑﺎ ﺍﺳﺘﺎﻧﺪﺍﺭﻯ ﺍﻳﻦ ﺍﻋﺘﺒﺎﺭ ﺩﺭ ﺟﺎﻳﻰ ﺩﻳﮕﺮ‬  ‫ﺍﺳﺖ ﺩﺭ ﺍﻳﻦ ﻣﺤﻮﻃﻪ ﺗﺎﺭﻳﺨﻰ ﺑﺎﻍﻫﺎﻯ‬
‫ﻣﺪﻳﺮ ﻣﺮﻛﺰ ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﻰ ﻣﻴﺮﺍﺙ‬          ‫ﺑﻪ ﺟﺰ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﻣﻮﺭﺩ ﺍﺳﺘﻔﺎﺩﻩ‬       ‫ﺷﺨﺼﻰ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻛﻪ ﺑﺎﻳﺪ ﺗﻮﺳﻂ‬            ‫ﻣﻰﻛﺸﻴﺪ ﻧﺪﺍﺷﺖ‪ .‬ﻋﺮﺻﻪ ﺑﺮ ﺭﺿﺎ ﺗﻨﮓ ﻛﻨﺎﺭ ﻣﻮﺯﻩ ﻟﻮﻭﺭ ﻫﺴﺖ ﻛﻪ ‪ 350‬ﻣﺘﺮ ﻛﺘﺎﺑﻰ ﺩﺭﺑﺎﺭﻩ ﻓﻌﺎﻟﻴﺖﻫﺎﻳﻢ ﺭﺍ ﺩﺍﺩ‪ .‬ﻣﻦ ﺍﻣﺎ‬
‫ﻓﺮﻫﻨﮕﻰ ﺍﺿﺎﻓﻪ ﻛﺮﺩ‪ :‬ﺑﺎ ﺍﻳﻦ ﺍﻗﺪﺍﻡ‬                                             ‫ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﺧﺮﻳﺪﺍﺭﻯ ﺷﻮﺩ ﻭ‬
‫ﺑﺨﺶﻫﺎﻳﻰ ﺍﺯ ﺍﻳﻦ ﻣﺤﻮﻃﻪ ﺗﺨﺮﻳﺐ ﻭ‬                               ‫ﻗﺮﺍﺭ ﮔﺮﻓﺖ‪.‬‬      ‫ﺍﻳﻦ ﺁﺗﺶﺳﻮﺯﻯﻫﺎ ﻣﻰﺗﻮﺍﻧﺪ ﻣﺮﺑﻮﻁ ﺑﻪ‬         ‫ﻭ ﺗﻨﮓﺗﺮ ﺷﺪ ﺗﺎ ﺟﺎﻳﻰ ﻛﻪ ﺩﻳﮕﺮ ﺍﺟﺎﺯﻩ ﻃﻮﻝ ﻭ ﻫﻔﺖ ﻣﺘﺮ ﻋﺮﺽ ﺩﺍﺭﺩ‪ .‬ﻭﻯ ﺩﺭﺑﺎﺭﻩ ﺩﺭ ﭘﺎﺳﺦ ﮔﻔﺘﻢ ﻣﻦ ﺗﻨﻬﺎ ﻛﺴﻰ ﻧﻴﺴﺘﻢ‬
‫ﺩﺭ ﭼﻨﺪ ﻧﻘﻄﻪ ﺩﺭ ﻣﺴﻴﺮ ﻛﺎﻧﺎﻝ ﺣﻔﺮ‬        ‫ﻫﻤﻪ ﺍﻳﻦ ﻣﺎﺟﺮﺍﻫﺎ ﺑﺮ ﺳﺮ ﻣﻌﺒﺪ ﺁﻧﺎﻫﻴﺘﺎ‬
‫ﺷﺪﻩ ﺣﻔﺎﺭﻯﻫﺎﻯ ﻏﻴﺮ ﻣﺠﺎﺯ ﺑﺮﺍﻯ‬           ‫ﺩﺭﺣﺎﻟﻰ ﺭﺥ ﻣﻰﺩﻫﺪ ﻛﻪ ﭘﺮﻭﻧﺪﻩ ﺍﻳﻦ‬                     ‫ﻣﺎﻟﻜﺎﻥ ﺍﻳﻦ ﺑﺎﻍﻫﺎ ﺑﺎﺷﺪ‪.‬‬     ‫ﻧﺪﺍﺷﺖ ﺑﺎ ﺩﻭﺭﺑﻴﻦ ﺍﺯ ﺧﺎﻧﻪ ﺧﺎﺭﺝ ﺷﻮﺩ‪ .‬ﺑﻪ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺗﻮﺿﻴﺢ ﻣﻰﺩﻫﺪ‪ :‬ﺍﺯ ﻣﺎﻩ ﻛﻪ ﻋﻼﻭﻩ ﺑﺮ ﻓﻌﺎﻟﻴﺖ ﺣﺮﻓﻪﺍﻯ ﺍﻗﺪﺍﻣﺎﺕ‬
‫ﺩﺳﺘﻴﺎﺑﻰ ﺑﻪ ﺍﺷﻴﺎﻯ ﺗﺎﺭﻳﺨﻰ ﺻﻮﺭﺕ‬         ‫ﻣﺤﻮﻃﻪ ﺑﺎﺳﺘﺎﻧﻰ ‪ 27‬ﺳﺎﻝ ﭘﻴﺶ ﺩﺭ‬           ‫ﻣﻌﺒﺪ ﺁﻧﺎﻫﻴﺘﺎﻯ ﻛﻨﮕﺎﻭﺭ ﺑﺎﺯﻣﺎﻧﺪﻩ‬
                                     ‫ﻓﻬﺮﺳﺖ ﻣﻴﺮﺍﺙ ﻣﻮﻗﺖ ﺟﻬﺎﻧﻰ ﻳﻮﻧﺴﻜﻮ‬         ‫ﺍﺯ ﺩﻭﺭﻩ ﺗﺎﺭﻳﺨﻰ ﺍﺷﻜﺎﻧﻰ ﺩﺭ ‪411‬‬           ‫ﺍﻳﻦ ﻧﻘﻄﻪ ﻛﻪ ﺭﺳﻴﺪ ﺩﻳﮕﺮ ﻓﺸﺎﺭﻫﺎ ﺭﺍ ﺗﺎﺏ ﺟﻮﻻﻯ ﺑﻪ ﻣﺪﺕ ﺳﻪ ﻣﺎﻩ ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﺑﺸﺮﺩﻭﺳﺘﺎﻧﻪ ﻫﻢ ﺍﻧﺠﺎﻡ ﻣﻰﺩﻫﻢ ﻭ ﺑﻨﺎ ﺑﺮ‬
                     ‫ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬      ‫ﻗﺮﺍﺭ ﮔﺮﻓﺖ ﻭ ﻳﻜﻰ ﺍﺯ ﮔﺰﻳﻨﻪﻫﺎﻯ ﺛﺒﺖ‬       ‫ﻛﻴﻠﻮﻣﺘﺮﻯ ﺗﻬﺮﺍﻥ ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪ .‬ﺍﻳﻦ‬
‫ﻧﻌﻤﺘﻰ ﻫﻢﭼﻨﻴﻦ ﮔﻔﺖ‪ :‬ﻧﻤﻮﻧﻪ‬              ‫ﺟﻬﺎﻧﻰ ﺑﻪ ﺷﻤﺎﺭ ﻣﻰﺁﻳﺪ ﺍﻣﺎ ﺑﻪ ﻧﻈﺮ‬        ‫ﻣﻌﺒﺪ ﻣﻨﺴﻮﺏ ﺑﻪ ﺍﻳﺰﺩﺑﺎﻧﻮﻯ ﺁﺏ ﻳﺎ‬          ‫ﻧﻴﺎﻭﺭﺩ ﻭ ﺭﺍﻫﻰ ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ ﺷﺪ‪ .‬ﺑﺎ ﺍﺯ ﭘﺮﺗﺮﻩ ﭘﻨﺎﻫﻨﺪﮔﺎﻥ ﺩﻧﻴﺎ ﺑﺮ ﺭﻭﻯ ﺍﻳﻦ ﺍﻳﻦ ﺑﻬﺘﺮ ﺍﺳﺖ ﻛﺘﺎﺏ ﺩﺭﺑﺎﺭﻩ ﺗﻌﺪﺍﺩﻯ ﺍﺯ‬
‫ﮔﻮﺭﻫﺎﻯ ﻛﺸﻒ ﺷﺪﻩ ﺩﺭ ﺍﻳﻦ ﻣﺤﻮﻃﻪ‬          ‫ﻣﻰﺭﺳﺪ ﺑﺎ ﺍﻳﻦ ﺑﻰ ﺗﻮﺟﻬﻰﻫﺎ ﺍﻣﻴﺪﻯ‬         ‫ﻫﻤﺎﻥ ﺁﻧﺎﻫﻴﺘﺎﺳﺖ‪ .‬ﺩﺭ ﺣﺎﻝ ﺣﺎﺿﺮ‬
‫ﻗﺎﺑﻞ ﻣﻘﺎﻳﺴﻪ ﺑﺎ ﮔﻮﺭﻫﺎﻯ ﺑﻪ ﺩﺳﺖ‬                                               ‫ﻭﻗﺘﻰ ﻭﺍﺭﺩ ﺍﻳﻦ ﻣﺤﻮﻃﻪ ﺑﺎﺳﺘﺎﻧﻰ‬            ‫ﺍﻳﻦ ﺣﺎﻝ ﺫﻫﻦ ﻭ ﻓﻜﺮ ﺍﻭ ﺩﺭﮔﻴﺮ ﺍﻳﺮﺍﻥ ﺑﻮﺩ‪ .‬ﺩﻳﻮﺍﺭﻩ ﺑﻪ ﻧﻤﺎﻳﺶ ﺧﻮﺍﻫﻢ ﮔﺬﺍﺷﺖ‪ .‬ﺍﻳﻦ ﺍﻓﺮﺍﺩ ﺑﺎﺷﺪ‪ .‬ﺁﻗﺎﻯ ﺳﺎﻧﭽﺰ ﻣﺎﺟﺮﺍ ﺭﺍ‬
‫ﺁﻣﺪﻩ ﺩﺭ ﻛﺎﻭﺵﻫﺎﻯ ﺳﺎﻝ ‪ 1385‬ﺩﺭ‬                   ‫ﺑﻪ ﺟﻬﺎﻧﻰ ﺷﺪﻥ ﺁﻥ ﻧﺒﺎﺷﺪ‪.‬‬       ‫ﻣﻰﺷﻮﻳﺪ ﻫﺮ ﭼﻴﺰﻯ ﺩﺭ ﺁﻥ ﻣﻰ ﺑﻴﻨﻴﺪ‬
‫ﻣﺤﻮﻃﻪﻯ »ﻭﻟﻴﺮﺍﻥ« ﺩﻣﺎﻭﻧﺪ ﻫﺴﺘﻨﺪ‬         ‫ﺩﺭ ﺍﻳﻦ ﻣﻴﺎﻥ ﺧﺒﺮﮔﺰﺍﺭﻯ ﺍﻳﺴﻨﺎ‬            ‫ﺟﺰ ﺁﻧﭽﻪ ﺑﻪ ﻫﻮﻳﺖ ﺍﻳﻦ ﺍﺛﺮ ﺗﺎﺭﻳﺨﻰ‬         ‫ﺭﺿﺎ ﺑﻪ ﺑﻴﺶ ﺍﺯ ﺻﺪ ﻛﺸﻮﺭ ﺩﻧﻴﺎ ﺳﻔﺮ ﺩﺭ ﻛﻨﺎﺭ ﺁﻥ‪ ،‬ﺗﻌﺪﺍﺩﻯ ﺍﺯ ﻋﻜﺲﻫﺎﻳﻰ ﺩﻧﺒﺎﻝ ﻛﺮﺩ ﻭ ﺩﺭ ﻧﻬﺎﻳﺖ ﮔﺮﻭﻫﻰ ‪ 7‬ﻧﻔﺮﻩ‬
‫ﻛﻪ ﻫﺮ ﻳﻚ ﺍﺯ ﺁﻧﻬﺎ ﺩﺍﺭﺍﻯ ﺍﺷﻴﺎﻯ ﺯﻳﺎﺩ ﻭ‬  ‫ﻧﻴﺰ ﺑﻪ ﻧﻘﻞ ﺍﺯ ﻧﻌﻤﺘﻰ ﻣﺪﻳﺮ ﻣﺮﻛﺰ‬
                                     ‫ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﻰ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﺍﻳﺮﺍﻥ‬                            ‫ﻣﺮﺑﻮﻁ ﺍﺳﺖ‪.‬‬         ‫ﺭﺍ ﺷﻜﻞ ﺩﺍﺩ‪.‬‬
                  ‫ﺑﺎ ﺍﺭﺯﺷﻰ ﺑﻮﺩﻧﺪ‪.‬‬    ‫ﻫﻢﭼﻨﻴﻦ ﺧﺒﺮ ﺍﺯ ﻧﺎﺑﻮﺩﻯ ﺗﭙﻪ‪ -‬ﻗﻠﻌﻪ‬        ‫ﺭﻓﺖﻭﺁﻣﺪ ﻣﻌﺘﺎﺩﺍﻥ ﺩﺭ ﺍﻳﻦ ﻣﺤﻮﻃﻪ‬
‫ﺑﺎ ﺧﺒﺮﻫﺎﻳﻰ ﻛﻪ ﻫﺮ ﺭﻭﺯ ﺍﺯ ﭼﻨﻴﻦ‬         ‫ﺑﺎﺳﺘﺎﻧﻰ ﺳﻴﺎﺩﻩ ﻣﻰﺩﻫﺪ‪ .‬ﻭﻯ ﻣﻰﮔﻮﻳﺪ‪:‬‬       ‫ﺗﺎﺭﻳﺨﻰ ﻭ ﺁﺗﺶ ﺯﺩﻥ ﻋﻠﻒﻫﺎ ﺗﻮﺳﻂ‬            ‫ﺭﺿﺎ ﺑﻴﺶ ﺍﺯ ﺳﻪ ﺩﻫﻪ ﺍﺳﺖ ﻛﻪ ﺑﻪ‬
‫ﺗﺨﺮﻳﺐﻫﺎﻳﻰ ﺑﻪ ﮔﻮﺵ ﻣﻰﺭﺳﺪ ﺑﻪ‬            ‫ﻣﺠﺮﻳﺎﻥ ﻃﺮﺡ ﺧﻂ ﻓﻴﺒﺮ ﻧﻮﺭﻯ ﺳﻤﻨﺎﻥ‬         ‫ﺍﻳﻦ ﺍﻓﺮﺍﺩ ﺑﻪ ﻭﺿﻮﺡ ﻗﺎﺑﻞ ﻣﺸﺎﻫﺪﻩ ﺍﺳﺖ‬
‫ﻧﻈﺮ ﻧﻤﻰﺭﺳﺪ ﺑﺘﻮﺍﻥ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﺁﺛﺎﺭ‬      ‫ﺑﻪ ﻓﻴﺮﻭﺯﻛﻮﻩ )ﮔﺮﻭﻩ ﺗﺨﺼﺼﻰ ﺳﻤﺎﻭﺍﺕ‬        ‫ﺍﻳﻦ ﺩﺭ ﺣﺎﻟﻴﺴﺖ ﻛﻪ ﺳﺎﻝ ﮔﺬﺷﺘﻪ‬             ‫ﺻﻮﺭﺕ ﻣﺪﺍﻭﻡ ﺩﺭ ﺳﻔﺮ ﺍﺳﺖ ﻭ ﻋﻜﺎﺳﻰ‬
‫ﻓﺮﻫﻨﮕﻰ ﻭ ﺗﺎﺭﻳﺨﻰ ﺭﺍ ﺑﺮﺍﻯ ﻧﺴﻞﻫﺎﻯ‬       ‫ﻗﺮﺍﺭﮔﺎﻩ ﺳﺎﺯﻧﺪﮔﻰ ﺧﺎﺗﻢ ﺍﻻﻧﺒﻴﺎ( ﺩﺭ‬       ‫ﺣﺪﻭﺩ ‪ 154‬ﻣﻴﻠﻴﻮﻥ ﺗﻮﻣﺎﻥ ﻫﺰﻳﻨﻪ‬
                                     ‫ﺑﻬﻤﻦ ﻣﺎﻩ ﺳﺎﻝ ﮔﺬﺷﺘﻪ ﺑﺪﻭﻥ ﻫﻴﭻ‬           ‫ﺣﺼﺎﺭﻛﺸﻰ ﻭ ﮔﺴﺘﺮﺵ ﺣﺼﺎﺭﻫﺎﻯ ﺍﻳﻦ‬            ‫ﻣﻰﻛﻨﺪ ‪.‬ﺍﺯ ﻣﺠﻤﻮﻋﻪ ﻋﻜﺲﻫﺎﻯ ﺍﻭ‬
            ‫ﺁﻳﻨﺪﻩ ﻛﺸﻮﺭ ﺣﻔﻆ ﻛﺮﺩ‪.‬‬
                                                                                     ‫ﻣﺤﻮﻃﻪ ﺗﺎﺭﻳﺨﻰ ﺷﺪﻩ ﺑﻮﺩ‪.‬‬        ‫ﺑﻴﺶ ﺍﺯ ‪ 30‬ﻛﺘﺎﺏ ﺑﻪ ﭼﺎپ ﺭﺳﻴﺪﻩ‬
                                                                           ‫ﻳﺎﺩﮔﺎﺭﻯ ﻧﻮﺷﺘﻦ ﺭﻭﻯ ﺁﺛﺎﺭ ﺗﺎﺭﻳﺨﻰ ﺭﺍ‬
                                                                           ‫ﻫﻢ ﻛﻪ ﺩﺭ ﻫﻤﻪ ﺟﺎﻯ ﺍﻳﺮﺍﻥ ﻣﻰﺗﻮﺍﻥ‬          ‫ﺍﺳﺖ‪» .‬ﺁﺫﺭﺑﺎﻳﺠﺎﻥ؛ﺟﻠﻮﻩ ﮔﺎﻩ ﺁﺗﺶ«‪،‬‬
                                                                           ‫ﻣﺸﺎﻫﺪﻩ ﻛﺮﺩ ﺍﺯ ﺟﻤﻠﻪ ﺭﻭﻯ ﺳﻨﮓﻫﺎﻯ‬
                                                                           ‫ﺗﺎﺭﻳﺨﻰ ﺍﻳﻦ ﻣﻌﺒﺪ‪ .‬ﺍﻳﻦ ﻳﺎﺩﮔﺎﺭﻯ‬           ‫»ﺁﺫﺭﺑﺎﻳﺠﺎﻥ؛ ﻛﺸﺘﺎﺭ ﻣﺮﺩﻡ ﺑﻰ ﮔﻨﺎﻩ«‪،‬‬
                                                                           ‫ﻧﻮﺷﺘﻦﻫﺎ ﺭﻭﻯ ﺳﻨﮓ ﺭﺍ ﻳﺎ ﺑﻪ ﺳﺨﺘﻰ‬
                                                                           ‫ﻣﻰﺗﻮﺍﻥ ﭘﺎﻙ ﻛﺮﺩ ﻭ ﻳﺎ ﺍﺻﻼ ﻏﻴﺮ ﻗﺎﺑﻞ‬       ‫»ﺳﻨﺪﺑﺎﺩ«‪» ،‬ﺟﻨﮓ ﻭ ﺻﻠﺢ«‪» ،‬ﻳﺎﻏﻰ‬

                                                                                           ‫ﭘﺎﻙ ﺷﺪﻥ ﻫﺴﺘﻨﺪ‪.‬‬         ‫ﺩﻻﻥ ﻣﺴﻌﻮﺩ«‪» ،‬ﺍﺯ ﺭﻭﺳﻴﻪ ﺗﺎ ﻃﺎﻟﺒﺎﻥ«‬
                                                                           ‫ﺑﺎ ﺍﻳﻦ ﺣﺎﻝ ﻭﻗﺘﻰ ﺩﺭ ﻣﻌﺒﺪ ﺁﻧﺎﻫﻴﺘﺎ‬
                                                                           ‫ﺩﻭﺭﻯ ﻣﻰﺯﻧﻴﺪ ﺗﺎ ﻳﻜﻰ ﺍﺯ ﻣﻬﻢﺗﺮﻳﻦ ﺁﺛﺎﺭ‬     ‫ﻭ »ﭘﺮﻭﺍﺯ« ) ﺑﺎ ﺍﻗﺘﺒﺎﺱ ﺍﺯ ﻣﻨﻄﻖﺍﻟﻄﻴﺮ‬
                                                                           ‫ﺑﺎﺳﺘﺎﻧﻰ ﺭﺍ ﺑﺎﺯﺩﻳﺪ ﻛﺮﺩﻩ ﺑﺎﺷﻴﺪ ﺍﺯ ﺍﻳﻨﻜﻪ‬
                                                                           ‫ﭼﻄﻮﺭ ﮔﺮﺩﺷﮕﺮﺍﻥ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺑﻪ ﺭﺍﺣﺘﻰ‬        ‫ﻋﻄﺎﺭ( ﺍﺯ ﺟﻤﻠﻪ ﺍﻳﻦ ﻛﺘﺎﺏﻫﺎ ﻫﺴﺘﻨﺪ‪.‬‬
                                                                           ‫ﻭﺍﺭﺩ ﺍﻳﻦ ﻣﺤﻮﻃﻪ ﺷﺪﻩ ﻭ ﺳﭙﺲ ﺑﺪﻭﻥ‬
                                                                           ‫ﻫﻴﭻ ﻧﻈﺎﺭﺗﻰ ﺧﺎﺭﺝ ﺷﻮﻧﺪ ﺍﻓﺴﻮﺱ‬             ‫ﺍﻭ ﻫﻢﭼﻨﻴﻦ ﻣﻮﻓﻖ ﺑﻪ ﺩﺭﻳﺎﻓﺖ ﺟﻮﺍﻳﺰ‬

                                                                                                                  ‫ﻣﻌﺘﺒﺮ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻫﻢ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺟﺎﻳﺰﻩ‬

                                                                                                                  ‫ﺭﺿﺎ ﺩﻗﺘﻰ ﺑﻬﺘﺮﻳﻦ ﻋﻜﺲ ﻣﻄﺒﻮﻋﺎﺗﻰ ﺩﻧﻴﺎ ‪،‬ﺟﺎﻳﺰﻩ‬
                                                                                                                  ‫ﻟﻮﺳﻰ‪ ،‬ﻧﺸﺎﻥ ﺷﻮﺍﻟﻴﻪ ﻣﻠﻰ ﻟﻴﺎﻗﺖ ﺩﺭ‬

                                                                                                                  ‫ﻛﺮﺩﻩ ﺍﺳﺖ؛ ﺍﺯ ﻛﺮﺩﺳﺘﺎﻥ ﺗﺎ ﺍﻓﻐﺎﻧﺴﺘﺎﻥ‪ ،‬ﻛﻪ ﻛﻮﺩﻛﺎﻥ ‪ 12‬ﺗﺎ ‪ 15‬ﺳﺎﻟﻪ ﺳﻮﺭﻯ ﻓﺮﺍﻧﺴﻪ ﻭ ﻫﻢﭼﻨﻴﻦ ﺩﺭﻳﺎﻓﺖ ﺟﺎﻳﺰﻩ ﺍﺯ‬

                                                                                                                  ‫ﺍﺯ ﻟﺒﻨﺎﻥ ﺗﺎ ﺗﺮﻛﻴﻪ‪ ،‬ﺍﺯ ﭘﺎﻛﺴﺘﺎﻥ ﺗﺎ ﭼﻴﻦ ﮔﺮﻓﺘﻪﺍﻧﺪ ﺩﺭ ﻣﻌﺮﺽ ﺩﻳﺪ ﻗﺮﺍﺭ ﺧﻮﺍﻫﺪ ﻣﺮﻛﺰ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﻋﻜﺎﺳﻰ ﺍﺯ ﺟﻤﻠﻪ ﺍﻳﻦ‬

                                                                                                                  ‫ﻭ ﺍﺯ ﺳﺎﺭﺍﻳﻮﻭ ﺗﺎ ﻗﺎﻫﺮﻩ‪ .‬ﺑﺎ ﺍﻳﻦ ﺣﺎﻝ ﮔﺮﻓﺖ‪.‬ﻛﻮﺩﻛﺎﻧﻰ ﻛﻪ ﺑﻴﺶ ﺍﺯ ﻳﻚ ﺳﺎﻝ ﺍﻓﺘﺨﺎﺭﺍﺕ ﺍﺳﺖ‪.‬‬

                                                                                                                  ‫ﺑﺮﺍﻯ ﺍﻳﺮﺍﻥ ﺩﻏﺪﻏﻪﺍﻯ ﻭﻳﮋﻩ ﺩﺍﺭﺩ‪ .‬ﺩﺭ ﻭ ﻧﻴﻢ ﺍﺳﺖ ﺩﺭ ﻋﺮﺍﻕ ﺗﻮﺳﻂ ﺭﺿﺎ ﻭ ﺭﺿﺎ ﻫﻢ ﺍﻛﻨﻮﻥ ﻋﻜﺎﺱ ﻣﺠﻠﻪ ﻣﻌﺮﻭﻑ‬

                                                                                                                  ‫ﻧﺎﺁﺭﺍﻣﻰﻫﺎﻯ ﭘﺲ ﺍﺯ ﺍﻧﺘﺨﺎﺑﺎﺕ ﺭﻳﺎﺳﺖ ﺍﻓﺮﺍﺩﻯ ﺩﺭ ﻛﻤﭗ ﺁﻣﻮﺯﺵ ﺩﻳﺪﻩﺍﻧﺪ‪ .‬ﺭﺿﺎ ﻧﺸﻨﺎﻝ ﺟﺌﻮﮔﺮﺍﻓﻰ ﺍﺳﺖ ﻭ ﭘﻴﺶ ﺍﺯ ﺍﻳﻦ‬

                                                                                                                  ‫ﺟﻤﻬﻮﺭﻯ ﺳﺎﻝ ‪ 88‬ﻭ ﻛﺸﺘﻪ ﺷﺪﻥ ﺩﺭ ﭼﻨﺪ ﺳﻔﺮ ﺧﻮﺩ ﺑﻪ ﻛﻤﭗ ﻛﻮﺩﻛﺎﻥ ﻫﻢ ﺑﺎ ﻧﺸﺮﻳﺎﺕ ﻣﻌﺘﺒﺮﻯ ﻫﻢﭼﻮﻥ ﻫﻔﺘﻪ‬

                                                                                                                  ‫ﻧﺪﺍ ﺁﻗﺎ ﺳﻠﻄﺎﻥ‪ ،‬ﻳﻜﻰ ﺍﺯ ﻋﻜﺲﻫﺎﻯ ﺭﺍ ﺁﻣﻮﺯﺵ ﺩﺍﺩ‪ .‬ﺩﺭﺁﻣﺪ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻧﺎﻣﻪ ﺁﻣﺮﻳﻜﺎﻳﻰ ﺗﺎﻳﻢ‪ ،‬ﻣﺠﻠﻪ ﻓﺮﺍﻧﺴﻮﻯ‬

                                                                                                                  ‫ﻧﺪﺍ ﺗﻮﺳﻂ ﺭﺿﺎ ﺑﺎﺯﭘﺮﺩﺍﺯﻯ ﺷﺪ ﻭ ‪ 500‬ﻧﻴﺰ ﺑﻪ ﺳﺎﺯﻣﺎﻥ ﺑﻴﻦﺍﻟﻤﻠﻠﻰ ﭘﻨﺎﻫﻨﺪﮔﺎﻥ ﭘﺎﺭﻯ ﻣﺎچ ﻭ ﻣﺠﻠﻪ ﺁﻣﺮﻳﻜﺎﻳﻰ ﻧﻴﻮﺯﻭﻳﻚ‬

                                                                                                                  ‫ﻧﻔﺮ ﺩﺭ ﻛﻨﺎﺭ ﺑﺮﺝ ﺍﻳﻔﻞ ﺩﺭ ﭘﺎﺭﻳﺲ ﻭ ﻛﻪ ﺗﺤﺖ ﭘﻮﺷﺶ ﺳﺎﺯﻣﺎﻥ ﻣﻠﻞ ﻓﻌﺎﻟﻴﺖ ﻫﻤﻜﺎﺭﻯ ﺩﺍﺷﺘﻪ ﺍﺳﺖ‪ .‬ﺑﺎ ﺍﻳﻦ ﺣﺎﻝ‬

                                                                                                                  ‫ﻣﻰﮔﻮﻳﺪ ﻓﻬﺮﺳﺖ ﻛﺎﺭﻫﺎﻯ ﻧﻜﺮﺩﻩﺍﻯ‬         ‫ﻫﻢﭼﻨﻴﻦ ﺭﻭﺑﺮﻭﻯ ﻛﺎﺥ ﺳﻔﻴﺪ ﺩﺭ ﻣﻰﻛﻨﺪ ﺍﺧﺘﺼﺎﺹ ﺧﻮﺍﻫﺪ ﻳﺎﻓﺖ‪.‬‬

                                                                                                                  ‫ﻭﺍﺷﻨﮕﺘﻦ ﺍﻳﻦ ﻋﻜﺲ ﺭﺍ ﺑﺮ ﺻﻮﺭﺕ ﺧﻮﺩ ﺩﻗﺘﻰ ﻋﻼﻭﻩ ﺑﺮ ﺍﻳﻦ‪ ،‬ﺩﺭ ﻣﺎﻩ ﺳﭙﺘﺎﻣﺒﺮ ﻛﻪ ﺑﺮﺍﻯ ﺧﻮﺩﺵ ﺩﺭ ﺩﻓﺘﺮ ﻳﺎﺩﺩﺍﺷﺖﺍﺵ‬

                                                                                                                  ‫ﻧﻬﺎﺩﻩ ﻭ ﺧﻮﺩ »ﻧﺪﺍ« ﺷﺪﻧﺪ ﻭ ﺗﺎﺑﻠﻮﻳﻰ ﺍﺯ ‪ 2015‬ﺩﺭ ﺷﻬﺮﺩﺍﺭﻯ ﻣﻨﻄﻘﻪ ‪ 1‬ﭘﺎﺭﻳﺲ ﻧﻮﺷﺘﻪ ﺑﻴﺸﺘﺮ ﺍﺯ ﻛﺎﺭﻫﺎﻳﻰ ﺍﺳﺖ ﻛﻪ ﺗﺎ‬

                                                                                                                  ‫ﻧﻤﺎﻳﺸﮕﺎﻫﻰ ﺩﺭﺑ ﺎﺭﻩ ﻛﺸﻮﺭ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ ﺍﻣﺮﻭﺯ ﺍﻧﺠﺎﻡ ﺩﺍﺩﻩ ﺍﺳﺖ‪.‬‬               ‫ﭼﻬﺮﻩ ﻧﺪﺍ ﺑﻪ ﻧﻤﺎﻳﺶ ﮔﺬﺍﺷﺘﻨﺪ‪.‬‬

                                                                                                                  ‫ﺍﻭ ﺩﺭ ﺗﻮﺿﻴﺢ ﺩﻏﺪﻏﻪﻫﺎﻳﺶ ﺩﺭﺑﺎﺭﻩ ﺑﺮﮔﺰﺍﺭ ﺧﻮﺍﻫﺪ ﻛﺮﺩ‪.‬ﺍﺯ ﺭﺿﺎ ﺩﺭﺑﺎﺭﻩ ﺯﻣﺎﻧﻰ ﻛﻪ ﺍﺯ ﻧﺨﺴﺘﻴﻦ ﺳﻮژﻩ ﻓﻬﺮﺳﺖ‬

                                                                                                                  ‫ﺍﻳﺮﺍﻥ ﻣﻰﮔﻮﻳﺪ‪ :‬ﺗﺎ ﺭﻳﺸﻪ ﺩﺭ ﺁﺏ ﺍﺳﺖ ﻣﻬﻢﺗﺮﻳﻦ ﺧﺎﻃ ﺮﻩ ﺗﻠﺦ ﻭ ﺷﻴﺮﻳﻨﻰ ﺑﻠﻨﺪﺵ ﻣﻰﭘﺮﺳﻢ‪ ،‬ﺳﻮژﻩﺍﻯ ﻛﻪ ﺩﻭﺳﺖ‬

                                                                                                                  ‫ﺍﻣﻴﺪ ﺛﻤﺮﻯ ﻫﺴﺖ‪ .‬ﻣﻦ ﻫﻴﭻ ﮔﺎﻩ ﻣﻰﭘﺮﺳﻢ ﻛﻪ ﺩﺭ ﻫﻤﻪ ﺳﺎﻝﻫﺎﻯ ﻓﻌﺎﻟﻴﺖ ﺩﺍﺭﺩ ﺍﻧﺠﺎﻡ ﺩﻫﺪ ﺑﺎ ﺧﻨﺪﻩ ﻣﻰﮔﻮﻳﺪ‪ :‬ﻭﺍﻗﻌﺎ‬

                                                                                                                  ‫ﺩﻟﻢ ﻣﻰﺧﻮﺍﻫﺪ ﺭﻭﺯﻯ ﺑﻪ ﺍﻳﺮﺍﻥ ﺁﺯﺍﺩ‬      ‫ﻛﺎﺭﻯﺍﺵ ﺗﺠﺮﺑﻪ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬           ‫ﺭﻳﺸﻪﺍﻡ ﺭﺍ ﻓﺮﺍﻣﻮﺵ ﻧﻜﺮﺩﻩﺍﻡ‪.‬‬

                                                                                                                  ‫ﺷﺎﻳﺪ ﺑﻪ ﺩﻟﻴﻞ ﻫﻤﻴﻦ ﺩﻏﺪﻏﻪ ﺍﺳﺖ ﻣﻰﮔﻮﻳﺪ‪ :‬ﺑﻪ ﻋ ﻨﻮﺍﻥ ﻋﻜﺎﺱ ﺧﺒﺮﻯ ﺑﺮﮔﺮﺩﻡ‪ ،‬ﺑﻪ ﻛﺸﻮﺭﻯ ﻛﻪ ﺩﻣﻮﻛﺮﺍﺳﻰ ﺑﺮ‬

                                                                                                                  ‫ﻛﻪ ﺩﺭ ﻣﻴﺎﻥ ﻛﺸﻮﺭﻫﺎﻯ ﻣﺨﺘﻠﻔﻰ ﻛﻪ ﺍﻭ ﺑﻪ ﺳﺎﺭﺍﻳﻮﻭ ﺭﻓ ﺘﻪ ﺑﻮﺩﻡ‪ .‬ﺩﺭ ﺭﻭﺯﻫﺎﻳﻰ ﺁﻥ ﺣﺎﻛﻢ ﺑﺎﺷﺪ ﻭ ﺑﺘﻮﺍﻧﻢ ﺩﻭﺑﺎﺭﻩ ﺩﺭ ﺁﻧﺠﺎ‬

                                                                                                                  ‫ﺑﻪ ﺁﻧﻬﺎ ﺳﻔﺮ ﻛﺮﺩﻩ ﻭ ﺍﺯ ﺁﻧﺠﺎ ﻋﻜﺎﺳﻰ ﻛﻪ ﺍﻳﻦ ﺷﻬﺮ ﺗﺤﺖ ﻣﺤﺎﺻﺮﻩ ﺻﺮﺏﻫﺎ ﻋﻜﺎﺳﻰ ﻛﻨﻢ‪.‬‬
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