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‫ﺟﻤﻌﻪ ‪ 26‬ﺗﻴﺮ ﻣﺎﻩ ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ‪ 1‬ﻣﺮﺩﺍﺩ ﻣﺎﻩ ‪1394‬ﺧﻮﺭﺷﻴﺪﻯ‬

‫ﺑﻪ ‪ 3000‬ﺧﺎﻧﻪ‪ ،‬ﻳﻚ ﻣﺤﻠﻪ ﻣﺮﻓﻪﻧﺸﻴﻦ ﺑﻮﺩ‪.‬‬ ‫ﻃﻨﺰ ﺗﻠﺦ ﺗﺒﺪﻳﻞ ﺧﺎﻧﻪ ﺍﻧﻴﺲﺍﻟﺪﻭﻟﻪ ﺑﻪ ﺳﺎﺯﻣﺎﻥ ﺍﺗﺤﺎﺩﻳﻪ‬ ‫ﺗﻬﺮﺍﻥ ﺷﻬﺮﻯ ﺍﺳﺖ ﻛﻪ ﭼﻴﺰﻫﺎﻯ ﺯﻳﺎﺩﻯ ﺑﻪ‬
‫ﺍﻣﺮﻭﺯ‪ ،‬ﺑﺎ ﺭﺍﻩ ﺭﻓﺘﻦ ﺩﺭﻛﻮﭼﻪﻫﺎﻯ ﭘﺸﺘﻰ‪،‬‬ ‫ﻗﺼﺎﺑﺎﻥ ﮔﻮﺳﻔﻨﺪ‬ ‫ﺧﺎﻃﺮ ﻣﻰﺁﻭﺭﺩ؛ ﺩﺭ ﮔﻮﺷﻪ ﻭ ﻛﻨﺎﺭ ﺁﻥ ﻣﻰﺗﻮﺍﻥ‬
‫ﻧﺸﺎﻧﻰ ﺍﺯ ﺁﻥ ﻧﻤﻰﺑﻴﻨﻴﺪ‪ .‬ﮔﻨﺒﺪﻯﻫﺎ ﻣﺮﻣﺖ‬ ‫ﺑﺮﺧﻰ ﺍﺯ ﮔﻨﺠﻴﻨﻪﻫﺎﻳﻰ ﺭﺍ ﭘﻴﺪﺍ ﻛﺮﺩ ﻛﻪ ﺑﻪ ﺁﻧﻬﺎ‬
‫ﺧﻴﺎﺑﺎﻥ ﻭﻟﻴﻌﺼﺮ ]ﭘﻬﻠﻮﻯ[ ﺑﺮﺍﻯ ﻣﺎ ﺗﻬﺮﺍﻧﻰﻫﺎ ﻳﺎﺩﺁﻭﺭ ﺧﺎﻃﺮﺍﺕ ﺯﻳﺎﺩﻯ ﺍﺯ ﮔﺬﺷﺘﮕﺎﻥ ﻣﺎﺳﺖ ﻭ ﻣﺤﻞ ﮔﺸﺖ ﻭ ﮔﺬﺍﺭ‬ ‫ﺑﻪ ﺷﺪﺕ ﺑﻰﺍﻋﺘﻨﺎﻳﻰ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺧﺎﻧﻪﻫﺎﻯ‬
‫ﺷﺪﻩﺍﻧﺪ‪ ،‬ﺍﻣﺎ ﺗﻐﻴﻴﺮ ﺷﻜﻞ ﺩﺍﺩﻩ ﻭ ﺑﻴﮕﺎﻧﻪﺍﻧﺪ‪.‬‬ ‫ﺟﻮﺍﻥﻫﺎﻳﻤﺎﻥ‪.‬ﺍﻟﺒﺘﻪ ﮔﻮﻳﺎ ﺍﻳﻦ ﺧﻴﺎﺑﺎﻥ ﺗﻨﻬﺎ ﺑﺮﺍﻯ ﻣﺎ ﺗﻬﺮﺍﻧﻰﻫﺎ ﺑﺎ ﺍﺑﻬﺖ ﻭ ﺟﺬﺑﻪ ﻧﻴﺴﺖ ﺑﻠﻜﻪ ﺑﺮﺍﻯ ﺗﻮﺭﻳﺴﺖﻫﺎﻯ ﺧﺎﺭﺟﻰ ﻫﻢ‬ ‫ﻗﺮﻥ ﻧﻮﺯﺩﻫﻤﻰ ﺩﻭﺭﺍﻥ ﻗﺎﺟﺎﺭ ﻭ ﻗﺮﻥ ﺑﻴﺴﺘﻤﻰ‬
‫ﻳﺎﺷﺎﻳﺎﻳﻰ ﺩﺭ ﺳﺨﻨﺮﺍﻧﻰ ﺩﺭﺑﺎﺭﻩ ﻛﺘﺎﺑﺶ ﺯﻳﺮ‬ ‫ﺍﮔﺮ ﮔﺎﻫﻰ ﮔﺬﺭﺷﺎﻥ ﺑﻪ ﺍﻳﻦ ﺧﻴﺎﺑﺎﻥ ﺑﻴﻔﺘﺪ ﭘﺮ ﺍﺯ ﺷﮕﻔﺘﻰ ﻭ ﺭﺍﺯﻫﺎﻯ ﻛﺸﻒ ﻧﺸﺪﻩ ﺍﺳﺖ‪.‬ﺧﻴﺎﺑﺎﻥ ﻭﻟﻴﻌﺼﺮ ﺗﻬﺮﺍﻥ ﻛﻪ ﻳﻜﻰ ﺍﺯ‬ ‫ﺩﻭﺭﺍﻥ ﭘﻬﻠﻮﻯ‪ ،‬ﺑﺎ ﻣﻌﻤﺎﺭﻯ ﻣﺘﻤﺎﻳﺰ ﻭ ﺑﺎﻍﻫﺎﻯ‬
‫ﻋﻨﻮﺍﻥ »ﻗﺼﻪﻫﺎﻯ ﻋﻮﺩﺟﺎﻻﻥ« ﻛﻪ ﺑﻪ ﺯﻭﺩﻯ‬ ‫ﻃﻮﻻﻧﻰﺗﺮﻳﻦ ﺧﻴﺎﺑﺎﻥﻫﺎﻯ ﺧﺎﻭﺭﻣﻴﺎﻧﻪ ﺍﺳﺖ ﺍﺯ ﺟﻨﻮﺏ ﺗﺎ ﺷﻤﺎﻝ ﺷﻬﺮ ﺍﻣﺘﺪﺍﺩ ﺩﺍﺭﺩ ﻭ ﺑﻪ ﺷﻤﺎ ﻳﺎﺩﺁﻭﺭﻯ ﻣﻰﻛﻨﺪ ﻛﻪ ﺗﻬﺮﺍﻥ ﺗﻘﺮﻳﺒﺎ‬
‫ﺩﺭ ﺗﻬﺮﺍﻥ ﻣﻨﺘﺸﺮ ﺧﻮﺍﻫﺪ ﺷﺪ ﻣﻰﮔﻮﻳﺪ‪:‬‬ ‫ﺗﻮﺳﻂ ﻛﻮﻩﻫﺎ ﺍﺣﺎﻃﻪ ﺷﺪﻩ ﺍﺳﺖ‪ ،‬ﻣﺎﻧﻨﺪ ﻳﻚ ﭘﺮﻧﺪﻩ ﺩﺭ ﮔﻮﺩﻯ ﻛﻒ ﺩﺳﺖ‪ ،‬ﺑﻪ ﻫﻤﺎﻥ ﺷﻜﻨﻨﺪﮔﻰ ﻭ ﻧﺎﭘﺎﻳﺪﺍﺭﻯ‪.‬ﺩﺭﺧﺘﺎﻥ ﭼﻨﺎﺭ‬ ‫ﺭﻧﮕﺎﺭﻧﮓ ﻭ ﺯﻳﺮﺯﻣﻴﻦﻫﺎﻯ ﻋﻤﻴﻖ‪.‬‬
‫»ﻣﻦ ﺯﻣﺎﻧﻰ ﺭﺍ ﻛﻪ ﺧﻴﺎﺑﺎﻥ ﭘﺮ ﺭﻭﻧﻖ ﺑﻮﺩ‪ ،‬ﺑﻪ‬ ‫ﻭ ﺟﻮﻯﻫﺎﻯ ﺁﺏ ﺩﺭ ﮔﺬﺷﺘﻪ ﺑﻪ ﺍﻳﻦ ﺧﻴﺎﺑﺎﻥ ﺟﻠﻮﻩ ﺧﺎﺻﻰ ﺩﺍﺩﻩ ﺑﻮﺩ ﻭ ﺯﻣﺎﻧﻰ ﻛﻪ ﺑﺮﻑ ﻭ ﺁﺏ ﺑﻪ ﺍﻧﺪﺍﺯﻩ ﻛﺎﻓﻰ ﻭﺟﻮﺩ ﺩﺍﺷﺖ‪،‬‬
‫ﻳﺎﺩ ﺩﺍﺭﻡ‪ .‬ﻫﻨﮕﺎﻣﻰﻛﻪ ﻣﻠﻮﻙ ﺧﺎﻧﻢ‪ ،‬ﻳﻜﻰ ﺍﺯ‬ ‫ﺩﺭ ﺗﻤﺎﻡ ﻃﻮﻝ ﺳﺎﻝ ﺁﺏ ﺧﻨﻚ ﺍﺯ ﺭﺷﺘﻪ ﻛﻮﻩ ﺍﻟﺒﺮﺯ ﺩﺭ ﺍﻳﻦ ﺟﻮﻯﻫﺎ ﺟﺎﺭﻯ ﻣﻰﺷﺪ‪.‬ﻭﻗﺘﻰ ﻛﻪ ﺍﺯ ﺟﻨﻮﺏ ﺍﻳﻦ ﺧﻴﺎﺑﺎﻥ ﺑﻪ ﺷﻤﺎﻝ‬ ‫ﺧﺎﻧﻪ ﺍﻧﻴﺲﺍﻟﺪﻭﻟﻪ‬
‫ﺯﻧﺎﻥ ﻣﺤﻠﻪ ﺩﺭ ﺧﻴﺎﺑﺎﻥ ﺭﺍﻩ ﻣﻰﺭﻓﺖ ﻭ ﺑﻪ ﻫﻤﻪ‬
‫ﺳﻼﻡ ﻣﻰﻛﺮﺩ«‪ .‬ﺍﻳﻦ ﻣﺤﻠﻪ‪ ،‬ﻣﻘﺮ ﻗﺪﻳﻤﻰﺗﺮﻳﻦ‬ ‫ﺍﻋﻴﺎﻥﻧﺸﻴﻦ ﺑﺮﻭﻳﺪ ﻣﻰﺗﻮﺍﻧﻴﺪ ﺭﺩ ﭘﺎﻯ ﺗﺎﺭﻳﺦ ﺭﺍ ﺑﺮ ﺩﺭ ﻭ ﺩﻳﻮﺍﺭ ﻭ ﭘﻨﺠﺮﻩﻫﺎ ﺣﺲ ﻛﻨﻴﺪ‪.‬‬ ‫ﺑﻪ ﻃﻮﺭ ﻧﻤﻮﻧﻪ ﺩﺭ ﺑﺨﺶ ﺟﻨﻮﺑﻰ ﺧﻴﺎﺑﺎﻥ‬
‫ﻛﻨﻴﺴﻪﻫﺎﻯ ﺗﻬﺮﺍﻥ ﻧﻴﺰ ﻫﺴﺖ ﻛﻪ ﺩﺭﻫﺎﻳﺸﺎﻥ‬ ‫ﻭﻟﻴﻌﺼﺮ‪ ،‬ﺩﺭ ﺷﻤﺎﻝ ﺧﻴﺎﺑﺎﻥ ﻣﻮﻟﻮﻯ‪ ،‬ﭘﺸﺖ‬
‫ﺑﻪ ﺭﻭﻯ ﺭﻫﮕﺬﺭﺍﻥ ﻭ ﮔﺮﺩﺷﮕﺮﺍﻥ ﺑﺴﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﺍﺯ ﺭﻣﺎﻥ ﻣﺤﺒﻮﺏ ﺍﻳﺮﺝ ﭘﺰﺷﻜﺰﺍﺩ »ﺩﺍﻳﻰ ﺟﺎﻥ‬ ‫ﺯﻥ ﻭ ﺷﻮﻫﺮ ﺩﺭ ﮔﺬﺷﺘﻨﺪ‪ ،‬ﺧﺎﻧﻪ ﺑﻪ ﻳﻚ ﺁﭘﺎﺭﺗﻤﺎﻥ‬ ‫ﺩﺭ ﻭﻧﻚ‬ ‫ﺗﺎﺑﻠﻮﻯ ﺑﺰﺭگ ﺍﺗﺤﺎﺩﻳﻪ ﻗﺼﺎﺑﺎﻥ ﮔﻮﺳﻔﻨﺪ‪ ،‬ﺧﺎﻧﻪ‬
‫ﻧﺎﭘﻠﺌﻮﻥ«‪ .‬ﺍﻣﺎ ﺍﻳﻦ ﺧﺎﻧﻪ ﺗﺎﺭﻳﺨﻰ ﻧﻴﺰ ﺩﺭ ﺣﺎﻝ‬ ‫‪ 15‬ﻃﺒﻘﻪ ﺗﺒﺪﻳﻞ ﺷﺪ‪ .‬ﺑﻪ ﮔﻔﺘﻪ ﻫﻤﺴﺎﻳﻪ‬ ‫ﺍﻧﻴﺲﺍﻟﺪﻭﻟﻪ‪ ،‬ﻫﻤﺴﺮ ﻣﻮﺭﺩ ﻋﻼﻗﻪ ﺷﺎﻩ ﻗﺎﺟﺎﺭ‪،‬‬
‫ﺧﺎﻧﻪ ﺍﺭﺑﺎﺏ ﻫﺮﻣﺰ‬ ‫ﻋﺼﺒﺎﻧﻰ ﺁﻧﻬﺎ‪» :‬ﻫﺮ ﻳﻚ ﺍﺯ ﻓﺮﺯﻧﺪﺍﻥ ﻣﻴﻠﻴﻮﻥﻫﺎ‬ ‫ﮔﺰﺍﺭﺷﮕﺮ ﮔﺎﺭﺩﻳﻦ ﻣﻰﻧﻮﻳﺴﺪ ﺩﺭ ﺍﻳﻦ ﺯﻣﻴﻨﻪ‬ ‫ﻧﺎﺻﺮ ﺍﻟﺪﻳﻦ ﺷﺎﻩ ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪ .‬ﺩﺍﺳﺘﺎﻥ ﺍﻭ ﻧﻤﻮﻧﻪ‬
‫ﻧﺎﺑﻮﺩﻯ ﺍﺳﺖ ﻭ ﻫﺮ ﺳﺎﻝ ﻭﻳﺮﺍﻥﺗﺮ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﭘﻮﻝ ﺑﻪ ﺩﺳﺖ ﺁﻭﺭﺩﻧﺪ«‪ .‬ﺍﻳﻦ ﻫﻤﺴﺎﻳﻪ ﻫﻢﭼﻨﻴﻦ‬ ‫ﺑﺎ ﻋﻠﻰ ﻭﻧﻜﻰ ﻛﻪ ﺍﺟﺪﺍﺩ ﺍﻭ ﺍﺯ ﺻﺪﻫﺎ ﺳﺎﻝ‬ ‫ﻭﺍﻗﻌﻰ ﺍﻓﺴﺎﻧﻪﻫﺎﻯ ﺍﺯ ﻓﺮﺵ ﺑﻪ ﻋﺮﺵ ﺭﺳﻴﺪﻥ‬
‫ﺧﺎﻧﻪﻫﺎﻯ ﺯﺭﺗﺸﺘﻴﺎﻥ ﺑﺮﺟﺴﺘﻪ ﻧﻴﺰ ﻳﺎﺩﺁﻭﺭﻯ‬ ‫ﻛﺎﻣﺮﺍﻥ ﺻﻔﺎﻣﻨﺶ ﻣﻌﻤﺎﺭ ﻭ ﺷﻬﺮﺳﺎﺯ ﺩﺭ ﻣﺮﺍﺳﻢ‬ ‫ﺍﺯ ﺗﺮﺍﻓﻴﻚ ﺳﻨﮕﻴﻨﻰ ﻛﻪ ﺳﺎﺧﺘﻤﺎﻥﺳﺎﺯﻯ ﺑﻪ ﺍﻳﻦ‬ ‫ﭘﻴﺶ ﺩﺭ ﺩﻩ ﻭﻧﻚ ﺯﻧﺪﮔﻰ ﻣﻰﻛﺮﺩﻧﺪ ﺻﺤﺒﺖ‬ ‫ﺍﺳﺖ؛ ﺍﻭ ﺩﺧﺘﺮ ﻳﺘﻴﻢ ﭼﻮﭘﺎﻧﻰ ﺑﻮﺩ ﻛﻪ ﺷﺎﻩ ﺍﻭ‬
‫ﺍﺯ ﮔﺬﺷﺘﻪ ﺷﻬﺮ ﺍﺳﺖ‪ :‬ﺧﺎﻧﻪ ﺍﺭﺑﺎﺏ ﻫﺮﻣﺰ ﺩﺭ‬ ‫ﺑﺰﺭﮔﺪﺍﺷﺖ ﺗﻬﺮﺍﻥ ﻗﺪﻳﻢ ﻣﻰﮔﻮﻳﺪ‪» :‬ﭼﻪ ﺍﻧﺘﻈﺎﺭﻯ‬ ‫ﻣﻨﻄﻘﻪ ﻛﻪ ﺯﻣﺎﻧﻰ ﮔﻮﺷﻪﺍﻯ ﺧﻠﻮﺕ ﺑﻮﺩ ﺑﻪ ﺍﺭﻣﻐﺎﻥ‬ ‫ﻛﺮﺩﻡ‪ .‬ﺍﻭ ﻣﻰﮔﻮﻳﺪ‪» :‬ﻣﺎ ﺩﺭ ﺍﻳﻦ ﻣﻨﻄﻘﻪ ﻗﺮﻥﻫﺎ‬ ‫ﺭﺍ ﺩﺭ ﻳﻚ ﺳﻔﺮ ﺷﻜﺎﺭ ﻣﻼﻗﺎﺕ ﻛﺮﺩ ﻭ ﺑﻪ ﺗﻬﺮﺍﻥ‬
‫ﺷﺮﻕ ﺗﻬﺮﺍﻥ ﺍﺧﻴﺮﺍ ﺑﻪ ﻋﻨﻮﺍﻥ ﻣﻮﺯﻩ ﻣﻠﻰ ﻫﻨﺮ‬ ‫ﻣﻰﺗﻮﺍﻧﻴﺪ ﺍﺯ ﺷﻬﺮﻯ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﺪ ﻛﻪ ﺣﺘﺎ‬ ‫ﻛﺸﺎﻭﺭﺯﻯ ﻣﻰﻛﺮﺩﻳﻢ‪ ،‬ﺑﻌﺪ ﺭﺿﺎﺷﺎﻩ ﺁﻣﺪ ﻭ‬ ‫ﺁﻭﺭﺩ‪ .‬ﺟﺎﻳﮕﺎﻫﺶ ﺑﻪ ﺗﺪﺭﻳﺞ ﺑﺎﻻ ﺭﻓﺖ ﺗﺎ ﺗﺒﺪﻳﻞ‬
‫ﮔﺮﺍﻓﻴﻚ ﺍﻳﺮﺍﻧﻰ ﺑﺎﺯﮔﺸﺎﻳﻰ ﺷﺪ‪ .‬ﺩﺭ ﭼﻬﺎﺭ‬ ‫ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﻣﺘﻮﻟﻴﺎﻥ ﺁﻥ ﺍﻫﻞ ﺁﻥ ﺷﻬﺮ ﻧﻴﺴﺘﻨﺪ؟«‬ ‫ﺁﻭﺭﺩﻩ ﺍﺳﺖ‪ ،‬ﻧﺎﺭﺍﺿﻰ ﺑﻮﺩ‪.‬‬ ‫ﺗﻤﺎﻡ ﺭﻭﺳﺘﺎ ﺭﺍ ﺑﻪ ﻧﺨﺴﺖ ﻭﺯﻳﺮ ﺧﻮﺩ‪ ،‬ﻣﻴﺮﺯﺍ‬ ‫ﺷﺪ ﺑﻪ ﺑﺮﺟﺴﺘﻪﺗﺮﻳﻦ ﻫﻤﺴﺮ ﻭ ﺭﻳﻴﺲ ﺍﻧﺪﺭﻭﻧﻰ‬
‫ﺭﺍﻩ ﻭﻟﻴﻌﺼﺮ ﺩﺭ ﻣﺮﻛﺰ ﺷﻬﺮ ﺗﻬﺮﺍﻥ )ﺗﻘﺎﻃﻊ‬ ‫ﺍﻭ ﺍﺷﺎﺭﻩ ﻣﻰﻛﻨﺪ ﻛﻪ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﺳﺎﻛﻨﺎﻥ ﻓﻌﻠﻰ‬ ‫ﺣﺴﻦ ﻣﺴﺘﻮﻓﻰﺍﻟﻤﻤﺎﻟﻚ ﺩﺍﺩ‪ .‬ﻣﺎ ﺣﺎﺿﺮ ﺑﻪ ﺗﺮﻙ‬
‫ﺧﻴﺎﺑﺎﻥ ﻭﻟﻴﻌﺼﺮ ]ﭘﻬﻠﻮﻯ[ ﻭ ﺧﻴﺎﺑﺎﻥ ﺍﻧﻘﻼﺏ‬ ‫ﺗﻬﺮﺍﻥ ﺑﻌﺪ ﺍﺯ ﺍﻧﻘﻼﺏ ﺍﺯ ﺭﻭﺳﺘﺎﻫﺎﻯ ﺳﺮﺍﺳﺮ ﺍﻳﺮﺍﻥ‬ ‫ﻛﺎﺥ ﺳﻠﻄﻨﺖ ﺁﺑﺎﺩ‬ ‫ﻧﺸﺪﻳﻢ‪ ،‬ﺍﻣﺎ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﺍﻳﻦ ﺧﺎﻧﻪﻫﺎ ﺣﺘﺎ ﺗﺎ ﺍﻣﺮﻭﺯ‬ ‫ﻳﻌﻨﻰ ﻫﻤﺎﻥ ﻣﺪﻳﺮ ﺍﺟﺮﺍﻳﻰ ﺣﺮﻡﺳﺮﺍ‪.‬‬
‫]ﺷﺎﻫﺮﺿﺎ[( ﻳﻚ ﺑﻨﺎﻯ ﺗﺎﺭﻳﺨﻰ ﺩﺭﺧﺸﺎﻥ ﺑﻪ‬ ‫ﺑﻪ ﺷﻬﺮﻫﺎ ﺁﻣﺪﻧﺪ‪ ،‬ﻭ ﻫﻴﭻ ﺩﺭﻙ ﺩﺭﺳﺘﻰ ﺍﺯ ﺷﻬﺮﻫﺎ‪،‬‬ ‫ﺩﺭ ﺣﺎﻟﻰ ﻛﻪ ﺍﻳﻦ ﺧﺎﻧﻪ ﺑﻪ ﻋﻨﻮﺍﻥ ﻳﻚ ﺍﺛﺮ ﻣﻠﻰ‬
‫ﭼﺸﻢ ﻣﻰﺧﻮﺭﺩ‪ :‬ﺧﺎﻧﻪ ﺩﻭﺭﺍﻥ ﻗﺎﺟﺎﺭ ﺭﺳﺘﻢ‬ ‫ﺗﺎﺭﻳﺦ ﻭ ﺩﺍﺳﺘﺎﻥﻫﺎﻯ ﺁﻧﻬﺎ ﻧﺪﺍﺭﻧﺪ‪ .‬ﺻﻔﺎﻣﻨﺶ‬ ‫ﺩﺭ ﺷﻤﺎﻝ ﺗﻬﺮﺍﻥ‪ ،‬ﺑﻪ ﺟﺰ ﭼﻨﺪ ﺧﺎﻧﻪ ﺳﺎﻟﻢ‬ ‫ﺍﺳﻨﺎﺩ ﻣﺎﻟﻜﻴﺖ ﺩﺭﺳﺖ ﻭ ﺣﺴﺎﺑﻰ ﻧﺪﺍﺭﻧﺪ‪«.‬‬ ‫ﺩﺭ ﺳﺎﻝ ‪ 2002‬ﺛﺒﺖ ﺷﺪ‪ ،‬ﺍﻣﺎ ﻫﻨﻮﺯ ﻫﻢ ﻣﻘﺮ‬
‫ﮔﻴﻮﻯ‪ ،‬ﻧﻤﺎﻳﻨﺪﻩ ﺯﺭﺗﺸﺘﻴﺎﻥ ﺩﺭ ﻣﺠﻠﺲ ﺷﻮﺭﺍﻯ‬ ‫ﻣﻰﮔﻮﻳﺪ‪» :‬ﺧﺎﻃﺮﺍﺕ ﺷﻬﺮ ﻫﻮﻳﺖ ﺁﻥ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﻛﻪ ﺣﺎﻻ ﻣﻮﺯﻩ ﺷﺪﻩﺍﻧﺪ‪ ،‬ﺗﻘﺮﻳﺒﺎ ﻫﻴﭻ ﭼﻴﺰ‬ ‫ﻭ ﺳﺮﺍﻧﺠﺎﻡ ﺗﻤﺎﻡ ﺯﻳﺒﺎﻳﻰﻫﺎﻯ ﺷﻤﺮﺩﻩ ﺷﺪﻩ ﺗﻬﺮﺍﻥ‬ ‫ﺍﺗﺤﺎﺩﻳﻪ ﻗﺼﺎﺑﺎﻥ ﮔﻮﺳﻔﻨﺪ ﺍﺳﺖ‪ ،‬ﻛﻪ ﺍﻟﺒﺘﻪ ﻟﺰﻭﻣﺎ‬
‫ﻣﻠﻰ ﻭ ﻳﻜﻴﻚ ﺍﺯ ﺻﻨﻌﺘﮕﺮﺍﻥ ﺍﻳﺮﺍﻥ ﻛﻪ ﺭﻫﺒﺮﻯ‬ ‫ﺍﮔﺮ ﺁﻧﻬﺎ ﺭﺍ ﭘﺎﻙ ﻛﻨﻴﺪ ﻫﻴﭻ ﭼﻴﺰ ﺑﺎﻗﻰ ﻧﻤﻰﻣﺎﻧﺪ‪«.‬‬ ‫ﺩﺳﺖ ﻧﺨﻮﺭﺩﻩ ﺑﺎﻗﻰ ﻧﻤﺎﻧﺪﻩ ﺍﺳﺖ‪ .‬ﺧﺎﻧﻪﻫﺎﻳﻰ‬ ‫ﻗﺪﻳﻢ ﺩﺭ ﺭﻭﻧﺪ ﻣﺪﺭﻥﺳﺎﺯﻯ ﺗﻐﻴﻴﺮ ﻛﺮﺩ ﻭ ﺗﻘﺮﻳﺒﺎ‬ ‫ﭼﻴﺰ ﺑﺪﻯ ﻧﻴﺴﺖ ﻭ ﺣﺪﺍﻗﻞ ﺗﻀﻤﻴﻨﻰ ﺍﺳﺖ‬
‫ﺍﻧﺠﻤﻦ ﺯﺭﺗﺸﺘﻴﺎﻥ ﺭﺍ ﻧﻴﺰ ﺗﺎ ﭘﻴﺶ ﺍﺯ ﻣﺮگ‬ ‫ﻛﻪ ﺩﺭﺳﺖ ﭘﺲ ﺍﺯ ﺍﻧﻘﻼﺏ ﻣﺼﺎﺩﺭﻩ ﺷﺪ ﻧﻴﺰ‬ ‫ﻫﻴﭻ ﺑﻨﺎﻳﻰ ﺑﻪ ﻃﻤﻊ ﻗﻴﻤﺖ ﺍﻣﻼﻙ ﺩﺳﺖ ﻧﺨﻮﺭﺩﻩ‬ ‫ﺑﺮﺍﻯ ﺳﺮ ﭘﺎ ﻣﺎﻧﺪﻥ ﻭ ﺣﻔﻆ ﺍﻳﻦ ﺍﺛﺮ ﺗﺎﺭﻳﺨﻰ‪.‬‬
‫ﺧﻮﺩ ﺩﺭ ﺳﺎﻝ ‪ 1980‬ﺑﻪ ﻋﻬﺪﻩ ﺩﺍﺷﺖ‪.‬ﺩﺭ ﺯﻣﺎﻥ‬ ‫ﺧﺎﻧﻪ ﺍﺳﺘﺎﺩ ﺑﻬﺰﺍﺩ‬ ‫ﺑﻪ ﺍﻳﻦ ﺳﺮﺩﺭﮔﻤﻰﺍﻓﺰﻭﺩﻩ ﺷﺪﻧﺪ ﺑﻪ ﻃﻮﺭﻯ ﻛﻪ‬ ‫ﺑﺎﻗﻰ ﻧﻤﺎﻧﺪ‪ .‬ﺑﺴﺎﺯ ﻭ ﺑﻔﺮﻭﺵﻫﺎ ﺑﺮﺍﻯ ﺳﻮﺩﻫﺎﻯ‬ ‫ﮔﺰﺍﺭﺷﮕﺮ ﮔﺎﺭﺩﻳﻦ ﺩﺭﺗﻬﺮﺍﻥ ﺩﺭ ﺗﻮﺻﻴﻒ ﺍﻳﻦ‬
‫ﺭﻳﺎﺳﺖ ﺟﻤﻬﻮﺭﻯ ﻣﺤﻤﺪ ﺧﺎﺗﻤﻰ‪ ،‬ﺍﻳﻦ ﺧﺎﻧﻪ‬ ‫ﺍﻳﻦ ﺧﺎﻧﻪﻫﺎ ﺍﺯ ﺳﻮﻯ ﺳﺎﺯﻣﺎﻥﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺑﻴﻦ‬ ‫ﺳﺮﺳﺎﻡﺁﻭﺭ‪ ،‬ﻫﻤﻪ ﭼﻴﺰ ﺭﺍ ﺍﺯ ﺑﺎﻍﻫﺎﻯ ﻣﻴﻮﻩ ﺗﺎ ﺑﻨﺎﻫﺎﻯ‬ ‫ﺑﻨﺎﻯ ﺗﺎﺭﻳﺨﻰ ﻣﻰﮔﻮﻳﺪ‪ :‬ﺧﺎﻧﻪ ﺍﻧﻴﺲﺍﻟﺪﻭﻟﻪ‬
‫ﺗﻮﺳﻂ ﺟﻬﺎﺩ ﺩﺍﻧﺸﮕﺎﻫﻰ ﻛﻪ ﻳﻚ ﺳﺎﺯﻣﺎﻥ‬ ‫ﻳﻜﻰ ﺍﺯ ﭘﺮﻣﻨﺎﻗﺸﻪﺗﺮﻳﻦ ﺧﺎﻧﻪﻫﺎﻯ ﻗﺪﻳﻤﻰﺗﻬﺮﺍﻥ‪،‬‬ ‫ﺑﺴﺎﺯ ﻭ ﺑﻔﺮﻭﺵﻫﺎ ﻳﻜﻰ ﭘﺲ ﺍﺯ ﺩﻳﮕﺮﻯ ﺩﺳﺖ ﺑﻪ‬ ‫ﻣﻌﻤﺎﺭﻯ ﻗﺮﻥ ‪ 19‬ﺍﻳﻦ ﭘﺎﻳﺘﺨﺖ‪ ،‬ﺟﺎﺭﻭ ﻛﺮﺩﻧﺪ‪.‬‬ ‫ﭼﻨﺪﺍﻥ ﺑﺰﺭگ ﻧﻴﺴﺖ‪ ،‬ﺍﻣﺎ ﮔﻠﮕﻮﻥ ﻭ ﺩﻟﻨﺸﻴﻦ‬
‫ﺁﻣﻮﺯﺷﻰ ﺍﺳﺖ‪ ،‬ﺧﺮﻳﺪﺍﺭﻯ ﺷﺪ‪ ،‬ﻭ ﺗﻮﺳﻂ‬ ‫ﺍﺳﺖ‪ .‬ﺗﺼﻮﻳﺮ ﺩﺭﺧﺘﺎﻥ ﻭ ﻛﻨﺪﻩﻛﺎﺭﻯ ﺩﻳﻮﺍﺭﻫﺎ ﻭ‬
‫ﺳﺎﺯﻣﺎﻥ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﺑﺎﺯﺳﺎﺯﻯ ﮔﺸﺖ‪.‬‬ ‫ﻫﻢﭼﻨﻴﻦ ﺳﺎﺧﺘﻤﺎﻥ ﺯﺷﺖ ﺳﻪ ﻃﺒﻘﻪ ﻫﻤﺴﺎﻳﻪ‬
‫ﺩﺭ ﺣﺎﻝ ﺣﺎﺿﺮ ﺍﺯ ﺗﻤﺎﻡ ﺳﺎﺧﺘﻤﺎﻥ ﺑﻪ ﻋﻨﻮﺍﻥ‬ ‫ﺩﺭ ﺍﺳﺘﺨﺮ ﺁﺑﻰﺭﻧﮓ ﻭ ﮔﺮﺩ ﻭ ﺑﺰﺭگ ﺑﺎﻍ ﻣﻨﻌﻜﺲ‬
‫ﻣﻰﺷﻮﺩ‪ .‬ﻃﺒﻘﻪ ﺍﻭﻝ ﺑﻪ ﻋﻨﻮﺍﻥ ﻓﻀﺎﻯ ﺍﻧﺒﺎﺭ ﻗﻔﻞ‬
‫ﻛﻼﺱ ﺩﺭﺱ ﺍﺳﺘﻔﺎﺩﻩ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺷﺪﻩ ﺍﺳﺖ ﻭ ﺩﻭﻣﻴﻦ ﻃﺒﻘﻪ ﻳﻌﻨﻰ ﻃﺒﻘﻪ ﺍﺻﻠﻰ‬
‫ﺳﺎﺧﺘﻤﺎﻥ‪ ،‬ﺩﻓﺎﺗﺮ ﺍﺗﺤﺎﺩﻳﻪ ﺍﺳﺖ ‪ .‬ﺁﻧﻬﺎ ﺑﺎ ﻣﻬﺮﺑﺎﻧﻰ‬
‫ﺧﺎﻧﻪ ﺣﺴﻦ ﭘﻴﺮﻧﻴﺎ‬ ‫ﺑﻪ ﻣﻦ ﺍﺟﺎﺯﻩ ﻣﻰﺩﻫﻨﺪ ﺩﺍﺧﻞ ﺍﻳﻦ ﺑﻨﺎﻯ ﺗﺎﺭﻳﺨﻰ‬
‫ﺯﻳﺒﺎ ﺷﻮﻡ‪ .‬ﻛﻨﺪﻩﻛﺎﺭﻯﻫﺎﻯ ﻇﺮﻳﻒ ﻭ ﺭﻧﮕﺎﺭﻧﮓ ﮔﻞ‬
‫ﻫﻤﻪ ﺧﺎﻧﻪﻫﺎ ﺍﻟﺒﺘﻪ ﭼﻨﻴﻦ ﺳﺮﻧﻮﺷﺘﻰ ﻧﺪﺍﺷﺘﻨﺪ‪.‬‬ ‫ﻭ ﻣﺮﻍ ﺩﺭ ﻫﺮ ﺍﺗﺎﻕ‪ .‬ﺻﺪﺍﻯ ﺑﺮﻧﺎﻣﻪ ﺣﺮﺍﺝ ﮔﻮﺳﻔﻨﺪ‬
‫ﺧﺎﻧﻪ ﺣﺴﻦ ﭘﻴﺮﻧﻴﺎ ﻳﻜﻰ ﺍﺯ ﺷﮕﻔﺘﻰﻫﺎﻯ‬ ‫ﻭ ﻗﻴﻤﺖ ﻛﺸﺘﺎﺭﮔﺎﻩ ﻭ ﺻﺪﺍﻯ ﻛﺴﺎﻧﻰ ﻛﻪ ﺩﺭ ﺁﻧﺠﺎ‬
‫ﻣﻌﻤﺎﺭﻯ ﺩﻭﺭﻩ ﻗﺎﺟﺎﺭ ﺍﺳﺖ‪ ،‬ﺍﻣﺎ ﻧﺸﺴﺘﻪ ﺩﺭ‬ ‫ﺑﺎ ﺗﻠﻔﻦ ﻛﺎﺭ ﻣﻰﻛﻨﻨﺪ ﻓﻀﺎﻯ ﺯﻳﺒﺎﻯ ﺍﻳﻦ ﺑﻨﺎ ﺭﺍ ﺑﺎ‬
‫ﻭﻳﺮﺍﻧﻪ‪ ،‬ﻭ ﺩﺭ ﺍﻧﺘﻈﺎﺭ ﺳﺎﺧﺖ ﻳﻚ ﻣﺮﻛﺰ ﺧﺮﻳﺪ‬
‫ﻛﻪ ﺑﺮﺧﻰ ﺍﺯ ﻛﻨﺪﻩﻛﺎﺭﻯﻫﺎﻯ ﺁﻥ ﻏﺎﺭﺕ ﺷﺪﻩ‬ ‫ﺯﻣﺨﺘﻰ ﺗﻤﺎﻡ ﺁﻛﻨﺪﻩ ﺍﺳﺖ‪.‬ﺧﺎﻧﻪ ﺍﻧﻴﺲﺍﻟﺪﻭﻟﻪ‬
‫ﺍﻧﺪ‪ .‬ﭘﻴﺮﻧﻴﺎ ﻗﺎﻧﻮﻧﮕﺬﺍﺭ‪ ،‬ﻣﻮﺭﺥ ﻭ ﻧﺨﺴﺖ ﻭﺯﻳﺮ‬ ‫ﺳﻘﻒ ﺁﻟﻮﻣﻴﻨﻴﻮﻣﻰ ﺑﻠﻨﺪ ﻭ ﻫﺮﻣﻰ ﺷﻜﻞ‬
‫ﺍﻭﺍﺧﺮ ﺩﻭﺭﻩ ﻗﺎﺟﺎﺭ ﺑﻮﺩ‪ .‬ﺍﻳﻦ ﺧﺎﻧﻪ ﻓﻘﻂ ﻳﻚ‬ ‫ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻪ ﺩﺭ ﮔﺬﺷﺘﻪ ﻧﻪ ﭼﻨﺪﺍﻥ ﺩﻭﺭ‪،‬‬
‫ﺑﻨﺎﻯ ﻗﺪﻳﻤﻰﻧﻴﺴﺖ‪ .‬ﺩﺭ ﻣﻴﺎﻥ ﺩﻳﻮﺍﺭﻫﺎﻯ‬ ‫ﺑﺮﻑﻫﺎﻯ ﺳﻨﮕﻴﻨﻰ ﺍﻳﻨﺠﺎ ﻣﻰﺑﺎﺭﻳﺪﻩ ‪ .‬ﺍﻳﻦ‬
‫ﺁﻥ‪ ،‬ﻳﻜﻰ ﺍﺯ ﻣﻬﻢﺗﺮﻳﻦ ﻭﻗﺎﻳﻊ ﻗﺮﻥ ﺑﻴﺴﺘﻢ‬ ‫ﺭﻭﺯﻫﺎ ﺁﺩﻡ ﻓﺮﺍﻣﻮﺵ ﻣﻰﻛﻨﺪ ﻛﻪ ﺣﺘﺎ ﺗﺎ ﻫﻤﻴﻦ‬
‫ﺍﻳﺮﺍﻥ ﺻﻮﺭﺕ ﮔﺮﻓﺖ‪ :‬ﻧﻮﺷﺘﻦ ﻗﺎﻧﻮﻥ ﺍﺳﺎﺳﻰ‬ ‫ﺩﻩ ﺳﺎﻝ ﭘﻴﺶ ﻧﻴﺰ ﭼﻬﺮﻩ ﺗﻬﺮﺍﻥ ﺯﻣﺴﺘﺎﻥﻫﺎ ﺑﺎ‬
‫ﭘﺲ ﺍﺯ ﺍﻧﻘﻼﺏ ﻣﺸﺮﻭﻃﻪ ﺩﺭ ﺳﺎﻝ ‪1906‬‬
‫ﺍﻳﻦ ﺑﻨﺎﻫﺎ ﺭﺷﺘﻪ ﭘﻴﻮﻧﺪ ﺣﺎﻓﻈﻪ ﺗﻬﺮﺍﻥ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺑﺮﻑ ﭘﻮﺷﻴﺪﻩ ﻣﻰﺷﺪ‪.‬‬
‫ﻗﻮﺍﻡ ﻗﺎﻧﻮﻥ ﺭﺍ ﻧﻮﺷﺖ‪ ،‬ﭘﻴﺮﻧﻴﺎ ﻣﻜﺎﻥ ﺭﺍ ﺍﺭﺍﺋﻪ ﺩﺍﺩ‪.‬‬ ‫ﺍﺯ ﻃﺮﻓﻰ ﺗﻬﺮﺍﻥ ﺗﺎﺭﻳﺦ ﻛﻬﻨﻰ ﻧﺪﺍﺭﺩ ؛ ﺍﻓﻜﺎﺭ‬
‫ﻗﺎﻧﻮﻥ ﺍﺳﺎﺳﻰ ﻭ ﺧﺎﻧﻪ ﻫﺮ ﺩﻭ ﺩﭼﺎﺭ ﺳﺮﻧﻮﺷﺘﻰ‬ ‫ﻋﻤﻮﻣﻰ ﺁﻥ ﺭﺍ ﺷﻬﺮﻯ ﺍﺯ ﺯﻣﺎﻥ ﻗﺎﺟﺎﺭ ﻭ ﭘﻬﻠﻮﻯ‬
‫ﻣﻰﺷﻨﺎﺳﻨﺪ‪ .‬ﺍﻣﺎ ﺍﺯ ﻃﺮﻑ ﺩﻳﮕﺮ ﻛﺎﻭﺵﻫﺎﻯ‬
‫ﻣﺸﺎﺑﻪ ﺷﺪﻧﺪ‪ :‬ﻭﻳﺮﺍﻧﻪﺍﻯ ﺯﻳﺮ ﺁﻭﺍﺭ‪.‬‬ ‫ﺍﺧﻴﺮ ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ‪ ،‬ﺗﻬﺮﺍﻥ ‪ 7000‬ﺳﺎﻝ ﭘﻴﺶ‬
‫ﺑﻨﺎ ﻧﻬﺎﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺑﺎ ﺍﻳﻦ ﺣﺎﻝ‪ ،‬ﺩﺭ ﺩﻭﺭﺍﻥ‬
‫ﻋﻤﺎﺭﺕ ﻣﺴﻌﻮﺩﻳﻪ‬ ‫ﻗﺎﺟﺎﺭ ﻭ ﺍﻭﺍﻳﻞ ﺩﻭﺭﺍﻥ ﭘﻬﻠﻮﻯ ﺑﻮﺩ ﻛﻪ ﺗﻬﺮﺍﻥ‬

‫ﻋﻤﺎﺭﺕ ﻣﺴﻌﻮﺩﻳﻪ‪ ،‬ﻳﻜﻰ ﺩﻳﮕﺮ ﺍﺯ ﺍﻳﻦ‬ ‫ﻣﺪﺭﻥ ﺑﺎ ﺍﻳﻦ ﻣﻌﻤﺎﺭﻯ ﻣﺘﻤﺎﻳﺰ ﺷﻜﻞ ﮔﺮﻓﺖ‪.‬‬
‫ﺑﻨﺎﻫﺎﺳﺖ‪ .‬ﻛﺎﺥ ﻣﺴﻌﻮﺩﻳﻪ‪ ،‬ﺑﻪ ﺩﺳﺘﻮﺭ‬ ‫ﺭﻭﺯﮔﺎﺭﻯ ﻫﺮ ﺷﻬﺮﻯ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺳﺎﺧﺘﺎﺭ‬

‫ﺑﺎﻍ ﻓﺮﺩﻭﺱ‬ ‫ﻛﺎﺥ ﺳﻠﻄﻨﺖ ﺁﺑﺎﺩ‬ ‫ﺧﺎﻧﻪ ﻗﻮﺍﻡﺍﻟﺴﻠﻄﻨﻪ‬ ‫ﺧﺎﻧﻪ ﺍﺗﺤﺎﺩﻳﻪ‬ ‫ﻋﻤﺎﺭﺕ ﻣﺴﻌﻮﺩﻳﻪ‬

‫ﻇﻞﺍﻟﺴﻠﻄﺎﻥ‪ ،‬ﻓﺮﺯﻧﺪ ﻧﺎﺻﺮﺍﻟﺪﻳﻦ ﺷﺎﻩ‪ ،‬ﻣﻴﺎﻥ‬ ‫ﺧﺎﻧﻪ ﺍﺳﺘﺎﺩ ﺑﻬﺰﺍﺩ‪ ،‬ﻣﻴﻨﻴﺎﺗﻮﺭ ﺑﺮﺟﺴﺘﻪ ﻗﺮﻥ ﺑﻴﺴﺘﻢ‬ ‫ﺩﺳﺖ ﺷﺪﻩ ﺍﺳﺖ ﺑﻪ ﺣﺪﻯ ﻛﻪ ﻣﺎﻟﻜﺎﻥ ﻗﺒﻠﻰ ﺁﻧﻬﺎ‬ ‫ﻧﻮﺍﺩﮔﺎﻥ ﻣﺴﺘﻮﻓﻰﺍﻟﻤﻤﺎﻟﻚ‪ ،‬ﺩﺭ ﻭﻧﻚ‪ ،‬ﺑﺮﺧﻰ‬ ‫ﺁﺏ ﻭ ﻫﻮﺍﻳﻰ ﻭ ﺻﻨﻌﺘﮕﺮﺍﻥ ﺁﻥ ﺳﺎﺧﺘﻪ ﻣﻰﺷﺪ‪.‬‬
‫ﭘﻨﺞ ﻫﻜﺘﺎﺭ ﺑﺎﻍ ﺳﺎﺧﺘﻪ ﺷﺪﻩ ﺑﻮﺩ‪ .‬ﺍﻳﻦ‬ ‫ﺍﺳﺖ‪ .‬ﺍﮔﺮ ﭼﻪ ﺑﻪ ﻗﺪﻣﺖ ﺑﺴﻴﺎﺭﻯ ﺩﻳﮕﺮ ﺍﺯ ﺧﺎﻧﻪﻫﺎ‬ ‫ﺩﻳﮕﺮ ﻗﺎﺑﻞ ﺭﺩﻳﺎﺑﻰ ﻧﻴﺴﺘﻨﺪ‪.‬‬ ‫ﺍﺯ ﺗﻨﻬﺎ ﺑﺎﺯﻣﺎﻧﺪﮔﺎﻥ ﺧﺎﻧﻮﺍﺩﻩﻫﺎﻯ ﺳﻠﻄﻨﺘﻰ‬ ‫ﺍﻣﺎ ﺍﻣﺮﻭﺯﻩ ﺳﺎﺧﺖ ﻭ ﺳﺎﺯﻫﺎﻯ ﺑﻰ ﺭﻭﻳﻪ ﻭ ﺑﻰ‬
‫ﺳﺎﺧﺘﻤﺎﻥ ﻧﻤﺎ ﻭ ﻛﻨﺪﻩﻛﺎﺭﻯﻫﺎﻳﻰ ﻓﻮﻕﺍﻟﻌﺎﺩﻩ ﻭ‬ ‫ﻧﻴﺴﺖ ﺍﻣﺎ ﺟﺎﻳﻰ ﺍﺳﺖ ﻛﻪ ﺭﻭﺯﮔﺎﺭﻯ ﺑﺮﺧﻰ ﺍﺯ‬ ‫ﻗﺪﻳﻤﻰﻫﺴﺘﻨﺪ ﻛﻪ ﻫﻨﻮﺯ ﺩﺭ ﺑﺎﻍﻫﺎﻯ ﭘﺪﺭﺑﺰﺭگ‬ ‫ﺍﺻﻮﻝ ﭼﻬﺮﻩ ﺷﻬﺮﻫﺎﻯ ﺍﻳﺮﺍﻥ ﻭ ﺍﺯ ﺟﻤﻠﻪ ﺗﻬﺮﺍﻥ‬
‫ﺑﺎﻭﺭ ﻧﻜﺮﺩﻧﻰ ﺩﺍﺭﺩ‪ .‬ﻭﻟﻰ ﻭﺍﻗﻌﻴﺖ ﺁﻥ ﺍﺳﺖ ﻛﻪ‬ ‫ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩﺗﺮﻳﻦ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻭ ﺭﻭﺷﻨﻔﻜﺮﺍﻥ‬ ‫ﺑﺎﻍ ﻓﺮﺩﻭﺱ‬ ‫ﺧﻮﺩ ﻭ ﺧﺎﻧﻪ ﺩﻭﺭﺍﻥ ﻗﺎﺟﺎﺭ ﺯﻧﺪﮔﻰ ﻣﻰﻛﻨﻨﺪ‪.‬‬
‫ﺍﻳﻦ ﺧﺎﻧﻪﻫﺎ ﭘﺸﺖ ﺩﻳﻮﺍﺭﻫﺎﻯ ﺁﺟﺮﻯ ﺑﻠﻨﺪ‬ ‫ﺍﻣﺮﻭﺯﻯ ﺭﺍ ﺯﺷﺖ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺍﺯ ﺩﺍﺧﻞ ﺩﺭ ﺣﺎﻝ ﻓﺮﻭ ﺭﻳﺨﺘﻦ ﺍﺳﺖ‪.‬‬ ‫ﻗﺮﻥ ﮔﺬﺷﺘﻪ ﺗﻬﺮﺍﻥ ﺩﺭ ﺁﻥ ﺟﻤﻊ ﻣﻰﺷﺪﻧﺪ‪.‬‬ ‫ﻳﻜﻰ ﺍﺯ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩﺗﺮﻳﻦ ﺧﺎﻧﻪﻫﺎﻯ ﺷﻤﺎﻝ‬ ‫ﭘﻨﻬﺎﻥ ﺷﺪﻩ‪ ،‬ﺍﻣﺎ ﺑﺮﺍﻯ ﻋﻜﺲ ﻋﺮﻭﺳﻰ ﺩﺭ ﺍﺯﺍﻯ‬ ‫ﺩﺭ ﻗﺮﻥﻫﺎﻯ ﺍﺧﻴﺮ ﺧﺎﻧﻪﻫﺎ ﺩﺭ ﺗﻬﺮﺍﻥ ﺑﺎ ﻣﻌﻤﺎﺭﻯ‬
‫ﺗﻨﻬﺎ ﻓﺮﺯﻧﺪ ﺑﻬﺰﺍﺩ ﺧﺎﻧﻪ ﺭﺍ ﺩﺭ ﺗﻮﺍﻓﻘﻰ ﻛﻪ‬ ‫ﺗﻬﺮﺍﻥ‪ ،‬ﺑﺎﻍ ﻓﺮﺩﻭﺱ ﻳﺎ ﻗﺼﺮ ﻣﺤﻤﺪﻳﻪ‪ ،‬ﺍﺳﺖ‬ ‫ﻣﺒﺎﻟﻎ ﺳﺮﺳﺎﻡﺁﻭﺭ ﻛﺮﺍﻳﻪ ﺩﺍﺩﻩ ﻣﻰﺷﻮﺩ‪ .‬ﺗﻨﻬﺎ ﺍﺯ‬ ‫ﺍﺳﺘﺎﺩﺍﻧﻪﺍﻯ ﺳﺎﺧﺘﻪ ﻣﻰﺷﺪ ﺑﻪ ﻃﻮﺭﻯ ﻛﻪ ﻫﻤﻪ‬
‫ﻭ ﺳﺎﻛﻨﺎﻥ ﺷﻬﺮ‪...‬‬ ‫ﺁﻥ ﺧﺎﻧﻪ ﺗﺒﺪﻳﻞ ﺑﻪ ﻣﻮﺯﻩ ﺷﻮﺩ ﺑﻪ ﺳﺎﺯﻣﺎﻥ‬ ‫ﻛﻪ ﺩﺭ ﺣﺎﻝ ﺣﺎﺿﺮﺑﻪ ﻣﻮﺯﻩ ﺳﻴﻨﻤﺎ ﺗﺒﺪﻳﻞ ﺷﺪﻩ‬ ‫ﺩﺭﺧﺘﺎﻧﻰ ﻛﻪ ﺍﺯ ﭘﺸﺖ ﺩﻳﻮﺍﺭﻫﺎ ﺳﺮﻙ ﻛﺸﻴﺪﻩﺍﻧﺪ‪،‬‬ ‫ﺧﺎﻧﻪﻫﺎ ﺩﺍﺭﺍﻯ ﺯﻳﺮﺯﻣﻴﻦ ﻭ ﺁﺏﺍﻧﺒﺎﺭ ﺑﻮﺩﻧﺪ ﻭ‬
‫ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﺍﻳﺮﺍﻥ ﻭﺍﮔﺬﺍﺭ ﻛﺮﺩ‪ .‬ﺍﻣﺎ ﭘﺲ ﺍﺯ‬ ‫ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﺑﻨﺎ ﺩﺭ ﺷﻤﻴﺮﺍﻥ ﺩﺭ ﻧﺰﺩﻳﻜﻰ ﻣﻴﺪﺍﻥ‬ ‫ﻣﻰﺗﻮﺍﻥ ﺍﺯ ﺗﺎﺭﻳﺦ ﺍﻳﻦ ﻣﻜﺎﻥ ﺷﮕﻔﺖﺯﺩﻩ ﺷﺪ‪.‬‬ ‫ﺍﺻﻼ ﻣﻬﻢ ﻧﺒﻮﺩ ﻛﻪ ﺧﺎﻧﻪﺍﻯ ﻛﻪ ﺳﺎﺧﺘﻪ ﻣﻰﺷﺪ‬
‫ﺍﻣﺎ ﺳﺎﻛﻨﺎﻥ ﺷﻬﺮ ﺭﺍ ﻧﻴﺰ ﻧﺒﺎﻳﺪ ﻓﺮﺍﻣﻮﺵ ﻛﻨﻴﻢ‪.‬‬ ‫ﺍﻣﻀﺎﻯ ﺍﺳﻨﺎﺩ‪ ،‬ﺑﻪ ﻧﻈﺮ ﻣﻰﺭﺳﺪ ﺳﺎﺯﻣﺎﻥ ﻣﻴﺮﺍﺙ‬ ‫ﺗﺠﺮﻳﺶ ﺩﺭ ﺍﻭﺍﺳﻂ ﻗﺮﻥ ‪ 19‬ﺳﺎﺧﺘﻪ ﺷﺪ ‪ ،‬ﺍﻣﺎ‬ ‫ﻣﺴﺘﻮﻓﻰﺍﻟﻤﻤﺎﻟﻚ ﺑﺨﺸﻰ ﺍﺯ ﺯﻣﻴﻦﻫﺎﻯ ﺭﻭﺳﺘﺎ ﺭﺍ‬ ‫ﭼﻘﺪﺭ ﺍﺷﺮﺍﻓﻰ ﻭ ﻳﺎ ﺳﺎﺩﻩ ﺑﻮﺩ‪ ،‬ﺍﻣﺎ ﺗﻘﺮﻳﺒﺎ ﻫﻤﻴﺸﻪ‬
‫ﺣﻀﻮﺭ ﻣﺎ ﻧﻴﺰ ﺷﻜﻞ ﻭ ﻇﺎﻫﺮ ﺍﻳﻦ ﺷﻬﺮ ﺭﺍ ﺗﻐﻴﻴﺮ‬ ‫ﻓﺮﻫﻨﮕﻰ ﻫﺪﻑ ﻣﻌﺎﻣﻠﻪ ﺭﺍ ﻓﺮﺍﻣﻮﺵ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﭘﺲ ﺍﺯ ﺍﻧﻘﻼﺏ ‪ ،‬ﻗﺒﻞ ﺍﺯ ﺍﻳﻦ ﻛﻪ ﺩﺭ ﺍﺧﺘﻴﺎﺭ ﻭﺯﺍﺭﺕ‬ ‫ﺑﻪ ﻣﻴﻠﻴﻮﻧﺮ ﺻﻨﻌﺘﮕﺮ ﮔﺸﺘﺎﺳﺐ ﻓﻴﺮﻭﺯﮔﺮ ﻓﺮﻭﺧﺖ‪،‬‬ ‫ﺍﺳﺘﺨﺮﻯ ﺩﺭ ﺣﻴﺎﻁ ﺩﺍﺷﺘﻨﺪ ﻛﻪ ﺍﻃﺮﺍﻓﺶ‬
‫ﺩﺍﺩﻩ ﺍﺳﺖ‪ ،‬ﺟﻤﻌﻴﺖ ﺷﻬﺮ ﺍﺯ ‪ 15000‬ﺳﻜﻨﻪ‬ ‫ﺍﻣﺮﻭﺯ ﺧﺎﻧﻪ ﺑﻪ ﻋﻨﻮﺍﻥ ﻛﺘﺎﺑﺨﺎﻧﻪ ﻭ ﺍﻧﺒﺎﺭ ﺍﻧﻰ‬ ‫ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰﻗﺮﺍﺭ ﺑﮕﻴﺮﺩ‪ ،‬ﭼﻨﺪ ﺑﺎﺭ‬ ‫ﻛﻪ ﺍﻭ ﻧﻴﺰ ﺁﻧﻬﺎ ﺭﺍ ﺑﻪ ﺷﻬﺮﺩﺍﺭﻯ ﺗﻬﺮﺍﻥ ﻓﺮﻭﺧﺖ‪.‬‬ ‫ﺩﺭﺧﺘﺎﻥ ﻣﻴﻮﻩ ﻣﻰﻛﺎﺷﺘﻨﺪ‪ .‬ﭘﻨﺠﺮﻩﻫﺎ ﻭ ﺩﺭﻫﺎ‬
‫ﺩﺭ ﺯﻣﺎﻥ ﻗﺎﺟﺎﺭ ﺑﻪ ﺑﻴﺶ ﺍﺯ ‪ 8‬ﻣﻴﻠﻴﻮﻥ ﺩﺭ ﺣﺎﻝ‬ ‫ﺳﺎﺯﻣﺎﻥ ﻋﻤﻞ ﻣﻰﻛﻨﺪ‪ -‬ﺟﺎﻳﻰ ﺑﺮﺍﻯ ﺧﺎﻧﻢﻫﺎﻯ‬ ‫ﺗﻐﻴﻴﺮﻛﺮﺩ‪.‬ﻣﺤﻘﻖ ﺍﻳﺮﺍﻧﻰ ﻣﺤﻤﻮﺩ ﺍﻓﺸﺎﺭ ﻣﻨﺎﻃﻖ‬ ‫ﺍﺻﻞ ﻭ ﻧﺴﺐ ﻣﺴﺘﻮﻓﻰﺍﻟﻤﻤﺎﻟﻚ ﺍﺯ ﺯﻣﻴﻨﺪﺍﺭﺍﻥ ﻭ‬ ‫ﭼﻮﺑﻰ ﺑﻮﺩ‪ ،‬ﻭ ﺩﻳﻮﺍﺭﻫﺎ ﭘﻮﺷﻴﺪﻩ ﺍﺯ ﻛﻨﺪﻩﻛﺎﺭﻯ ﻛﻪ‬
‫ﺣﺎﺿﺮ ﺍﻓﺰﺍﻳﺶ ﻳﺎﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺍﻳﻨﻜﻪ ﻣﻮﺵﻫﺎﻯ‬ ‫ﻣﻴﺎﻧﺴﺎﻝ ﺧﻮﺍﺏﺁﻟﻮﺩ ﺩﺭ ﻟﺒﺎﺱ ﺍﺩﺍﺭﻯ ﻛﻪ ﺍﻃﺮﺍﻑ‬ ‫ﻭﺳﻴﻌﻰ ﺍﺯ ﺯﻣﻴﻦﻫﺎﻯ ﺍﻃﺮﺍﻑ ﺑﺎﻍ ﺭﺍ ﺧﺮﻳﺪﺍﺭﻯ‬ ‫ﺧﺰﺍﻧﻪﺩﺍﺭﺍﻥ ﺩﻭﻟﺖ ﺑﻮﺩ‪ ،‬ﺑﻪ ﻃﻮﺭﻯ ﻛﻪ ﺍﻳﻦ ﻋﻨﻮﺍﻥ‬ ‫ﭘﻴﭽﻴﺪﮔﻰ ﺍﻟﮕﻮﻫﺎﻯ ﺁﻥ ﺑﺎ ﺑﺎﻻ ﺭﻓﺘﻦ ﻣﻮﻗﻌﻴﺖ‬
‫ﺗﻬﺮﺍﻥ ﺗﻘﺮﻳﺒﺎ ﺑﻪ ﺑﺰﺭﮔﻰ ﮔﺮﺑﻪ ﻫﺴﺘﻨﺪ ﻧﻪ ﺗﻨﻬﺎ‬ ‫ﺁﻥ ﺑﻨﺸﻴﻨﻨﺪ ﻭ ﭼﺎﻯ ﺑﺎ ﺑﻴﺴﻜﻮﻳﺖ ﺑﺨﻮﺭﻧﺪ‪.‬‬ ‫ﻛﺮﺩ‪ ،‬ﻭ ﺳﭙﺲ ﺁﻧﻬﺎ ﺭﺍ ﺑﺮﺍﻯ ﻣﺼﺎﺭﻑ ﺁﻣﻮﺯﺷﻰ‬ ‫ﻳﻚ ﻗﺮﻥ ﻗﺒﻞ ﺍﺯ ﺗﻮﻟﺪ ﺍﻭ ﺑﻪ ﺁﻧﻬﺎ ﺩﺍﺩﻩ ﺷﺪﻩ ﺑﻮﺩ‪.‬‬ ‫ﻣﺎﻟﻰ ﺻﺎﺣﺒﺨﺎﻧﻪ ﺑﻴﺸﺘﺮ ﻣﻰﺷﺪ‪ .‬ﺍﻣﺎ ﺍﻓﺴﻮﺱ‬
‫ﻧﺸﺎﻧﻪ ﺣﺮﺹ ﻭ ﻃﻤﻊ ﺗﻮﺳﻌﻪﺩﻫﻨﺪﮔﺎﻥ ﺍﻳﻦ‬ ‫ﻛﺎﺷﻰﻫﺎﻯ ﻗﺪﻳﻤﻰ ﺧﻠﻖ ﺷﺪﻩ ﺗﻮﺳﻂ ﺍﺳﺘﺎﺩ‬ ‫ﺍﻫﺪﺍ ﻧﻤﻮﺩ )ﻣﺎﻧﻨﺪ ﻣﻮﺳﺴﻪ ﺁﻣﻮﺯﺵ ﺯﺑﺎﻥ ﺩﻫﺨﺪﺍ(‬ ‫ﺯﻣﺎﻧﻰ ﺑﺨﺶ ﻋﻤﺪﻩﺍﻯ ﺍﺯ ﺗﻬﺮﺍﻥ ﺑﻪ »ﺧﻮﻧﻪ‬ ‫ﻛﻪ ﺍﻣﺮﻭﺯﻩ ﺗﻌﺪﺍﺩ ﻛﻤﻰ ﺍﺯ ﺍﻳﻦ ﺑﻨﺎﻫﺎﻯ ﺯﻳﺒﺎ‬
‫ﻛﻼﻥﺷﻬﺮ ﺍﺳﺖ‪ ،‬ﺑﻠﻜﻪ ﻣﻰﺗﻮﺍﻧﺪ ﻧﻤﺎﺩ ﺷﻜﻞ‬ ‫ﺑﺮﺩﺍﺷﺘﻪ ﺷﺪﻩﺍﻧﺪ‪ ،‬ﺣﺘﻰ ﺧﻴﺎﺑﺎﻧﻰ ﻛﻪ ﺧﺎﻧﻪ ﺩﺭ ﺁﻥ‬ ‫ﺑﺎﻏﻰ« ﻣﻮﺳﻮﻡ ﺑﻮﺩ‪) .‬ﺧﺎﻧﻪ ﺩﺭ ﺑﺎﻍﻫﺎﻯ ﻣﻴﻮﻩ(‬ ‫ﺑﺎﻗﻰ ﻣﺎﻧﺪﻩﺍﻧﺪ‪ ،‬ﻭ ﮔﺎﻫﻰ ﺑﻌﻀﻰ ﺍﺯ ﺁﻧﻬﺎ ﺑﺎﺯﺳﺎﺯﻯ‬
‫ﺷﻬﺮﻫﺎ ﺩﺭ ﻗﺮﻥ ‪ 21‬ﻧﻴﺰ ﺑﺎﺷﺪ‪ .‬ﻣﻬﺎﺟﺮﺕ ﮔﺮﻭﻫﻰ‬ ‫ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪ ،‬ﻭ ﺩﺭ ﮔﺬﺷﺘﻪ »ﺑﻬﺰﺍﺩ« ﻧﺎﻡ ﺩﺍﺷﺖ‪ ،‬ﺣﺎﻝ‬ ‫ﻛﻪ ﺗﺎ ﺑﻪ ﺍﻣﺮﻭﺯﻧﻴﺰ ﺑﺎﻗﻰ ﻣﺎﻧﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﻛﻪ ﺩﺭﺧﺘﺎﻥ ﺑﺎﻗﻰ ﻣﺎﻧﺪﻩ ﺩﺭ ﺩﻩ ﻭﻧﻚ ﻭ‬ ‫ﺷﺪﻩﺍﻧﺪ؛ ﻭ ﺁﻧﻬﺎﻳﻰ ﻛﻪ ﺧﻮﺵﺷﺎﻧﺲﺗﺮ ﺑﻮﺩﻩﺍﻧﺪ‬
‫ﺍﺯ ﺭﻭﺳﺘﺎﻫﺎ ﻭ ﺷﻬﺮﻫﺎﻯ ﻛﻮﭼﻚ ﺑﻪ ﺷﻬﺮﻫﺎﻯ‬ ‫ﺳﺎﻝﻫﺎﺳﺖ ﻛﻪ ﺑﻪ »ﻧﻮﻓﻼﺡ« ﺗﻐﻴﻴﺮ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﺧﻴﺎﺑﺎﻥ ﻭﻟﻴﻌﺼﺮ ﻳﺎﺩﺁﻭﺭ ﻛﻮﭼﻜﻰ ﺍﺯ ﺁﻥ ﺩﻭﺭﻩ‬ ‫ﺑﻪ ﻣﻮﺯﻩ ﻭ ﺧﺎﻧﻪﻫﺎﻯ ﻫﻨﺮ ﺗﺒﺪﻳﻞ ﺷﺪﻩﺍﻧﺪ‪ .‬ﺑﻘﻴﻪ‬
‫ﺑﺰﺭگ ﻣﻨﺠﺮ ﺑﻪ ﺳﺎﺧﺘﻦ ﺁﭘﺎﺭﺗﻤﺎﻥﻫﺎﻯ ﺑﻴﺸﺘﺮ‪،‬‬ ‫ﺧﺎﻧﻪ ﻗﻮﺍﻡﺍﻟﺴﻠﻄﻨﻪ ﻭ ﺍﺗﺤﺎﺩﻳﻪ‬ ‫ﻫﺴﺘﻨﺪ‪ .‬ﺍﻣﺎ ﺍﻣﺮﻭﺯﻩ ﻫﻤﻪ ﺁﻥ ﺑﺎﻍﻫﺎ ﺑﻪ ﻣﻨﻈﻮﺭ‬ ‫ﺍﻣﺎ ﺑﻪ ﻭﺭﻃﻪ ﻭﻳﺮﺍﻧﻰ ﻛﺸﻴﺪﻩ ﺷﺪﻧﺪ‪ .‬ﭼﻨﺪ ﺧﺎﻧﻪ‬
‫ﺯﺑﺎﻟﻪ ﺑﻴﺸﺘﺮ‪ ،‬ﻭ ﻫﻤﻪ ﭘﻴﺎﻣﺪﻫﺎﻯ ﺯﻧﺪﮔﻰ ﺩﺭ ﻳﻚ‬ ‫ﺩﺭ ﻋﻮﺩﻻﺟﺎﻥ‬ ‫ﺳﺎﺧﺘﻤﺎﻥﺳﺎﺯﻯ ﺧﺸﻚ ﺷﺪﻩﺍﻧﺪ ﺑﺎ ﺍﻳﻨﻜﻪ ﺑﺮ‬ ‫ﻣﺎﻧﻨﺪ ﺧﺎﻧﻪ ﺍﻧﻴﺲﺍﻟﺪﻭﻟﻪ ﻧﻴﺰ ﺳﺮﻧﻮﺷﺖ ﻋﺠﻴﺐ‬
‫ﺷﻬﺮ ﺑﺰﺭگ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻫﻤﻪ ﺷﻬﺮ ﺭﺍ ﺑﻪ‬ ‫ﺩﺭ ﻣﺮﻛﺰ ﺷﻬﺮ ﺗﻬﺮﺍﻥ‪ ،‬ﺧﺎﻧﻪ ﻗﻮﺍﻡﺍﻟﺴﻠﻄﻨﻪ‪،‬‬ ‫ﺍﺳﺎﺱ ﻗﻮﺍﻧﻴﻦ ﺷﻬﺮﺩﺍﺭﻯ ﺗﻬﺮﺍﻥ‪ ،‬ﺗﺨﺮﻳﺐ ﺑﺎﻍﻫﺎ‬ ‫ﻭ ﻏﺮﻳﺒﻰ ﭘﻴﺪﺍ ﻛﺮﺩﻧﺪ‪ .‬ﺁﻧﻬﺎ ﺑﺎ ﺍﻳﻦ ﻛﻪ ﺩﺳﺖ‬
‫ﺷﻬﺮﻯ ﺑﺪﻭﻥ ﺣﺎﻓﻈﻪ ﺗﺒﺪﻳﻞ ﻣﻰﻛﻨﺪ ﻛﻪ ﺍﺯ‬ ‫ﺧﺎﻧﻪﻫﺎﻯ ﻗﺪﻳﻤﻰﺗﻬﺮﺍﻥ ﻧﻪ ﺗﻨﻬﺎ ﻳﺎﺩﺁﻭﺭ ﻫﻨﺮ‬ ‫ﻧﺨﺴﺖ ﻭﺯﻳﺮ ﻗﺎﺟﺎﺭ ﻭ ﭘﻬﻠﻮﻯ ﻧﻴﺰ ﺧﺎﻧﻪﺍﻯ ﺍﺳﺖ‬ ‫ﻭ ﺗﺒﺪﻳﻞ ﺁﻧﻬﺎ ﺑﻪ ﺧﺎﻧﻪ ﻭ ﺳﺎﺧﺘﻤﺎﻥ ﻣﻤﻨﻮﻉ ﺍﺳﺖ‬ ‫ﻧﺨﻮﺭﺩﻩ ﺑﺎﻗﻰ ﻣﺎﻧﺪﻩﺍﻧﺪ ﺍﻣﺎ ﺑﻪ ﺳﺎﺯﻣﺎﻧﻰ ﻛﺎﻣﻼ ﺑﻰ‬
‫ﮔﺬﺷﺘﻪ ﺑﻠﻜﻪ ﻧﺸﺎﻧﻪ ﻫﻤﺰﻳﺴﺘﻰ ﮔﺬﺷﺘﻪ ﻧﻴﺰ‬ ‫ﻛﻪ ﻧﺴﺒﺘﺎ ﺑﻪ ﺧﻮﺑﻰ ﺍﺯ ﺁﻥ ﻧﮕﻬﺪﺍﺭﻯ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﻭﻟﻰ ﺑﺴﺎﺯ ﻭ ﺑﻔﺮﻭﺵﻫﺎ ﺍﻭﻝ ﺩﺭﺧﺘﺎﻥ ﺭﺍ ﺧﺸﻚ‬
‫ﺩﺳﺖ ﻣﻰﺭﻭﺩ‪.‬‬ ‫ﻫﺴﺖ‪ .‬ﺩﺭ ﺍﻳﻦ ﺯﻣﻴﻨﻪ ﻫﺎﺭﻭﻥ ﻳﺎﺷﺎﻳﺎﻳﻰ ﻧﻮﻳﺴﻨﺪﻩ‬ ‫ﺧﺎﻧﻪ ﻗﻮﺍﻡ ﻣﻮﺯﻩ ﺁﺑﮕﻴﻨﻪ ﺍﺳﺖ‪ ،‬ﻣﻮﺯﻩ ﺷﻴﺸﻪ‬ ‫ﻣﻰﻛﻨﻨﺪ ﻭ ﺳﭙﺲ ﺩﺭﺧﻮﺍﺳﺖ ﻣﺠﻮﺯ ﺳﺎﺧﺘﻤﺎﻥ‬ ‫ﺭﺑﻂ ﺳﭙﺮﺩﻩ ﺷﺪﻩﺍﻧﺪ‪.‬‬
‫ﺍﻣﺎ ﭼﻴﺰﻯ ﻛﻪ ﺑﺎﻋﺚ ﻣﻰﺷﻮﺩ ﺩﺍﺳﺘﺎﻥ ﺗﻬﺮﺍﻥ‬ ‫ﻳﻬﻮﺩﻯ ﺍﻳﺮﺍﻧﻰ ﭼﻨﺪ ﺳﺎﻝ ﺍﺧﻴﺮ ﺭﺍ ﺻﺮﻑ ﻧﻮﺷﺘﻦ‬ ‫ﻭ ﺳﻔﺎﻝ ﻛﻪ ‪ 7000‬ﻣﺘﺮ ﻣﺮﺑﻊ ﻣﺴﺎﺣﺖ ﺩﺍﺭﺩ‪.‬‬ ‫ﻣﻰﺩﻫﻨﺪ‪ .‬ﺍﻳﻦ ﮔﻮﻧﻪ ﺍﺳﺖ ﻛﻪ ﺗﺎﺭﻳﺦ ﺷﻬﺮﺳﺘﺎﻥ‬ ‫ﻧﻤﻮﻧﻪ ﺑﺎﺭﺯ ﺩﻳﮕﺮﻯ ﺍﺯ ﺍﻳﻦ ﺗﻨﺎﻗﺾ ﺩﻩ ﻭﻧﻚ ﺩﺭ‬
‫ﺑﻴﻦ ﻏﻢﺍﻧﮕﻴﺰ ﻭ ﻧﺸﺎﻁﺑﺨﺶ ﺩﺭ ﻧﻮﺳﺎﻥ ﺑﺎﺷﺪ‬ ‫ﺩﺭﺑﺎﺭﻩ ﻣﺤﻠﻪ »ﻋﻮﺩﻻﺟﺎﻥ« ﻛﺮﺩﻩ ﻛﻪ ﺩﺭ ﮔﺬﺷﺘﻪ‬ ‫ﭘﻨﺠﺮﻩﻫﺎﻯ ﭼﻮﺑﻰ‪ ،‬ﺭﺍﻩﭘﻠﻪﻫﺎﻯ ﭼﻮﺑﻰ ﻃﻮﻻﻧﻰ ﻭ‬ ‫ﺷﻤﺎﻝ ﺗﻬﺮﺍﻥ ﺍﺳﺖ ﻛﻪ ﺗﻘﺮﻳﺒﺎ ﺗﺎ ﺩﻫﻪ ‪1930‬‬
‫ﻓﻘﻂ ﺁﻧﭽﻪ ﺍﺯ ﺩﺳﺖ ﺭﻓﺘﻪ ﻳﺎ ﻣﻰﺭﻭﺩ ﻧﻴﺴﺖ‬ ‫ﻣﺤﻠﻪﺍﻯ ﻋﻤﺪﺗﺎ ﻳﻬﻮﺩﻯ ﻧﺸﻴﻦ ﺩﺭ ﻧﺰﺩﻳﻜﻰ‬ ‫ﻛﻨﺪﻩ ﻛﺎﺭﻯﻫﺎﻯ ﻇﺮﻳﻒ‪ ،‬ﺳﺎﺧﺘﻤﺎﻧﻰ ﺭﺍ ﺁﺭﺍﺳﺘﻪﺍﻧﺪ‬ ‫ﻭﻧﻚ ﺑﺎ ﺧﺸﻜﺎﻧﺪﻥ ﺩﺭﺧﺘﺎﻥ ﭘﺎﻙ ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﻳﻚ ﺑﺨﺶ ﻛﺸﺎﻭﺭﺯﻯ ﺩﺭ ﺣﺎﺷﻴﻪ ﺷﻬﺮ ﺑﻮﺩ‪.‬‬
‫ﺑﻠﻜﻪ ﺁﻧﭽﻪ ﻧﺠﺎﺕ ﺩﺍﺩﻩ ﺷﺪﻩ‪ ،‬ﻣﺮﻣﺖ ﺷﺪﻩ‪ ،‬ﻭ‬ ‫ﻛﻪ ﺧﺎﻧﻪ ﻗﻮﺍﻡ ﻭ ﺩﻓﺘﺮ ﻛﺎﺭ ﺍﻭ ﺑﻮﺩ‪ .‬ﻓﻀﺎﻯ ﻣﻮﺯﻩ‬ ‫ﺍﻣﺎ ﺍﻣﺮﻭﺯﻩ‪ ،‬ﺍﻳﻦ ﻣﻴﺪﺍﻥ ﺑﻪ ﻳﻜﻰ ﺍﺯ ﻣﻨﺎﻃﻖ‬
‫ﻳﺎ ﺑﻪ ﻧﺤﻮﻯ ﺣﻔﻆ ﺷﺪﻩ ﻭ ﻣﻰﺷﻮﺩ ﻧﻴﺰ ﻫﺴﺖ‪.‬‬ ‫ﺑﺎﺯﺍﺭﺑﻮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﺩﺍﺧﻞ ﺳﺎﺧﺘﻤﺎﻥ ﺗﻮﺳﻂ ﻣﻌﻤﺎﺭ ﺍﺗﺮﻳﺸﻰ‬ ‫ﺩﺭ ﺳﻠﻄﻨﺖﺁﺑﺎﺩ )ﭘﺎﺳﺪﺍﺭﺍﻥ ﻓﻌﻠﻰ(‬ ‫ﭘﺮ ﺍﺯﺩﺣﺎﻡ ﺷﻬﺮ ﺗﺒﺪﻳﻞ ﺷﺪﻩ ﺍﺳﺖ ﺑﺎ ﺍﻳﻦ‬
‫ﺑﺨﺸﻰ ﺍﺯ ﺩﺍﺳﺘﺎﻥ ﺗﻬﺮﺍﻥ ﺩﺭ ﺍﻳﻦ ﺗﻘﺎﺑﻞﻫﺎ‪ ،‬ﺩﺭ‬ ‫ﻋﻮﺩﻻﺟﺎﻥ‪ ،‬ﺑﻪ ﻫﻤﺮﺍﻩ ﺳﻨﮕﻠﺞ‪ ،‬ﺍﺭگ‪ ،‬ﺩﻭﻟﺖ‪،‬‬ ‫ﺳﺮﺷﻨﺎﺱ‪،‬ﻫﺎﻧﺲ ﻫﻮﻟﻴﻦ ﻃﺮﺍﺣﻰ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﺗﻔﺎﻭﺕ ﻛﻪ ﻫﻨﮕﺎﻣﻰ ﻛﻪ ﺑﻪ ﺳﻤﺖ ﺩﻩ ﻭﻧﻚ ﺭﺍﻩ‬
‫ﻧﺒﺮﺩ ﻧﻴﺮﻭﻫﺎﻯ ﻣﺨﺎﻟﻒ ﻭ ﻣﺘﻀﺎﺩ ﺷﻜﻞ ﻣﻰﮔﻴﺮﺩ‪.‬‬ ‫ﺑﺎﺯﺍﺭ ﻭ ﭼﺎﻟﻪﻣﻴﺪﺍﻥ ﻣﺤﻠﻪﻫﺎﻳﻰ ﺑﻮﺩﻧﺪ ﻛﻪ ﺗﻬﺮﺍﻥ‬ ‫ﻣﺮﺍﻗﺒﺖﻫﺎﻯ ﺩﺭ ﻧﻈﺮ ﮔﺮﻓﺘﻪ ﺷﺪﻩ ﺑﺮﺍﻯ ﺧﺎﻧﻪ ﻗﻮﺍﻡ‬ ‫ﻳﻜﻰ ﺍﺯ ﺳﺎﻛﻨﺎﻥ ﺗﻬﺮﺍﻥ ﻣﻰﮔﻮﻳﺪ ﺩﺭ‬ ‫ﻣﻰﺍﻓﺘﻴﺪ‪ ،‬ﻫﻨﻮﺯ ﻫﻢ ﺧﺎﻧﻪﻫﺎﻯ ﺳﺎﺧﺘﻪ ﺷﺪﻩ‬
‫ﺣﻘﻴﻘﺖ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﺗﻬﺮﺍﻥ ﺷﻬﺮﻯ ﺩﺍﺭﺍﻯ‬ ‫ﻋﺼﺮ ﻧﺎﺻﺮﻯ ﺭﺍ ﺳﺎﺧﺘﻨﺪ‪ ،‬ﺗﻬﺮﺍﻧﻰ ﻛﻪ ﺩﺭ ﺯﻣﺎﻥ‬ ‫ﺩﺭ ﺗﻀﺎﺩ ﻛﺎﻣﻞ ﺑﺎ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﺟﺎﻫﺎﻯ ﺩﻳﮕﺮ ﺍﺳﺖ‪.‬‬ ‫ﻛﻨﺎﺭ ﺩﺑﻴﺮﺳﺘﺎﻥ ﻣﺎ ﺩﺭ ﺧﻴﺎﺑﺎﻥ ﭘﺎﺳﺪﺍﺭﺍﻥ‬ ‫ﺩﺭ ﺩﻫﻪﻫﺎﻯ ‪ 1920‬ﻭ ‪ 1930‬ﻭ ﺣﺘﻰ ﭘﻴﺶ‬
‫ﮔﺬﺷﺘﻪ ﺍﺳﺖ ﻭ ﻫﻨﻮﺯ ﺩﻳﻮﺍﺭﻫﺎ‪ ،‬ﺧﺎﻧﻪﻫﺎ ﻭ ﺣﺘﻰ‬ ‫ﺳﻠﻄﻨﺖ ﻧﺎﺻﺮ ﺍﻟﺪﻳﻦ ﺷﺎﻩ ﺳﺎﺧﺘﻪ ﺷﺪ‪ .‬ﺍﻧﮕﺎﺭ‬ ‫ﺍﺯ ﺩﻳﮕﺮ ﺑﻨﺎﻫﺎﻯ ﺗﺎﺭﻳﺨﻰ ﻋﺼﺮ ﻗﺎﺟﺎﺭ ﺩﺭ ﻣﺮﻛﺰ‬ ‫]ﺳﻠﻄﻨﺖﺁﺑﺎﺩ[ ﺧﺎﻧﻪﺍﻯ ﺑﻮﺩ ﻛﻪ ﺳﺎﻛﻨﺎﻧﺶ ﻳﻚ‬ ‫ﺍﺯ ﺁﻥ ﺭﺍ ﭘﻴﺪﺍ ﺧﻮﺍﻫﻴﺪ ﻛﺮﺩ‪ .‬ﺟﺎﻯ ﺗﻌﺠﺐ ﺩﺍﺭﺩ‬
‫ﺍﻓﺮﺍﺩﻯ ﺍﻳﻨﺠﺎ ﻫﺴﺘﻨﺪ ﻛﻪ ﺩﺭ ﭘﺲ ﻣﺮﺍﻛﺰ ﺧﺮﻳﺪ‬ ‫ﮔﺮﺩ ﻭ ﻏﺒﺎﺭ ﺍﺯ ﭼﻬﺮﻩ ﺧﺴﺘﻪ ﻭ ﺧﻮﺍﺏﺁﻟﻮﺩ ﺷﻬﺮ‬ ‫ﺷﻬﺮ‪ ،‬ﺧﺎﻧﻪ ﺍﺗﺤﺎﺩﻳﻪ ﺭﺍ ﻣﻰﺗﻮﺍﻥ ﻧﺎﻡ ﺑﺮﺩ‪ .‬ﻋﻤﻮﻡ‬ ‫ﺯﻥ ﻭ ﺷﻮﻫﺮ ﻣﺴﻦ ﺑﻮﺩﻧﺪ ﻛﻪ ﭼﻬﺎﺭ ﻓﺮﺯﻧﺪ ﺁﻧﻬﺎ ﺩﺭ‬ ‫ﻛﻪ ﭼﺮﺍ ﺁﻧﻬﺎ ﺩﺭ ﺍﻳﻦ ﺟﻨﻮﻥ ﺧﺎﻧﻪﺳﺎﺯﻯ ﺑﻪ‬
‫ﻭ ﻣﻐﺎﺯﻩﻫﺎﻯ ﻗﺼﺎﺑﻰ ﺁﻥ ﺭﺍ ﺑﻪ ﺷﻤﺎ ﻳﺎﺩﺁﻭﺭﻯ‬ ‫ﺑﺮﭼﻴﺪﻩ ﻣﻰﺷﺪ ﺗﺎ ﺑﻪ ﺟﻬﺎﻧﻰ ﺟﺪﻳﺪ ﻭ ﻧﺎﺁﺷﻨﺎ‬ ‫ﻣﺮﺩﻡ ﺁﻥ ﺭﺍ ﺑﻪ ﻋﻨﻮﺍﻥ »ﺧﺎﻧﻪ ﺩﺍﻳﻰ ﺟﺎﻥ«‬ ‫ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ ﺯﻧﺪﮔﻰ ﻣﻰﻛﺮﺩﻧﺪ؛ ﻫﻨﮕﺎﻣﻰﻛﻪ‬
‫ﺗﺒﺪﻳﻞ ﺷﻮﺩ‪ .‬ﺩﺭ ﺁﻥ ﺯﻣﺎﻥ‪ ،‬ﻋﻮﺩﻻﺟﺎﻥ ﺑﺎ ﻧﺰﺩﻳﻚ‬ ‫ﻣﻰﺷﻨﺎﺳﻨﺪ ﻛﻪ ﻳﻚ ﺳﺮﻳﺎﻝ ﺗﻠﻮﻳﺰﻳﻮﻧﻰ ﺍﺳﺖ‬ ‫ﻣﺠﺘﻤﻊﻫﺎﻯ ﺁﭘﺎﺭﺗﻤﺎﻧﻰ ﺗﺒﺪﻳﻞ ﻧﺸﺪﻩﺍﻧﺪ‪.‬‬
‫ﻣﻰﻛﻨﻨﺪ‪ ،‬ﺍﮔﺮ ﻛﻪ ﺑﻪ ﺩﻗﺖ ﻧﮕﺎﻩ ﻛﻨﻴﺪ‪.‬‬

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