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‫ﺻﻔﺤﻪ ‪ 5‬ـ ‪ Page 5‬ـ ﺷﻤﺎﺭﻩ ‪47‬‬
‫ﺟﻤﻌﻪ ‪ 19‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 25‬ﻓﻮﺭﻳﻪ ‪2016‬‬

‫ﺻﺎﺩﻕ ﻫﺪﺍﻳﺖ؛ ﻋﺼﻴﺎﻧﮕﺮﻯ ﺩﺭﻭﻧﮕﺮﺍ!‬ ‫ﺗﻦ ﺗﻦ ﻭ ﻣﻴﻠﻮ ﺩﺭ ﺗﻬﺮﺍﻥ‬

‫ﺍﺯ ﻛﺞ ﺍﻧﺪﻳﺸ ِﻰ ﺍﻧﺴﺎﻥ )ﺷﺎﻳﺪ ﺑﺮﺧﺎﺳﺘﻪ‬ ‫ﺁﻫﻮ‪ ،‬ﺻﺎﺩﻕ ﻫﺪﺍﻳﺖ‬ ‫ﻋﻠﻴﺮﺿﺎ ﺍﻛﺒﺮﻯ ‪ -‬ﺑﺪﻭﻥ ﺷﻚ ﻧﺎﻡ ﺻﺎﺩﻕ‬ ‫ﺭﺣﻤﺎﻧﺪﻭﺳﺖ ﺍﺳﺖ‪ .‬ﻳﺎ ﻣﺜﻼ ﺗﻦ ﺗﻦ‬ ‫ﻛﺎﺭﻯ ﻣﺸﺎﺑﻪ ﺭﺍ ﺍﻧﺠﺎﻡ ﺩﺍﺩﻩﺍﻧﺪ‪ ،‬ﺗﺄﻛﻴﺪ‬ ‫ﻛﺎﻣﻴﺎﺭ ﺑﻬﺮﻧﮓ‪ -‬ﺗﻦ ﺗﻦ‪ ،‬ﻣﻴﻠﻮ ﻭ‬
‫ﺍﺯ ﺍﻧﺪﻳﺸﻪﻯ ﺍﺳﻼﻡ ﺩﺭ ﻧﺠﺲ ﺩﺍﻧﺴﺘﻦ‬ ‫ﺣﻼﻝﺗﺮ ﻣﻴﺸﻪ ﻭ ﺑﺮﺍﻯ ﺁﻥ ﺩﻧﻴﺎ ﻫﻢ ﻧﻤﺎﺯ‬ ‫ﻫﺪﺍﻳﺖ ﺭﺍ ﻧﻤﻰﺗﻮﺍﻥ ﺩﺭ ﺑﺮﺭﺳﻰ ﺍﺩﺑﻴﺎ ِﺕ‬ ‫ﺩﺭ ﻛﻨﺎﺭ ﻓﺮﺵ ﭘﺮ ﻧﻘﺶ ﻭ ﻧﮕﺎﺭ ﺍﻳﺮﺍﻧﻰ‬ ‫ﻣﻰﻛﻨﺪ ﻛﻪ »ﻧﻤﻮﻧﻪ ﺍﻳﺮﺍﻧﻰ ﺁﻥ ﺭﺍ ﻫﺮﮔﺰ‬ ‫ﺩﻳﮕﺮ ﺷﺨﺼﻴﺖﻫﺎﻯ ﻣﺤﺒﻮﺑﻰ ﻛﻪ‬
‫ﺳﮓ(‪ ،‬ﭘﺨﺘﮕ ِﻰ ﻫﺪﺍﻳ ِﺖ ‪ 40‬ﺳﺎﻟﻪ ﺭﺍ‬ ‫ﻭ ﺭﻭﺯﻩ ﻭ ﺣﺞ ﺭﺍ ﻣﻴﺸﻪ ﺧﺮﻳﺪ‪ .‬ﺍﻳﻦ ﺩﻧﻴﺎ‬ ‫ﺩﺍﺳﺘﺎﻥ ﻧﻮﻳﺴ ِﻰ ﻛﻮﺗﺎ ِﻩ ﺍﻣﺮﻭﺯ ﺍﻳﺮﺍﻥ‬ ‫ﻫﻤﻴﺸﻪ ﻫﻤﺮﺍﻩ ﺁﻧﻬﺎ ﺑﻮﺩﻩﺍﻧﺪ ﺑﻪ ﺍﻳﺮﺍﻥ‬
‫ﻧﺎﺩﻳﺪﻩ ﮔﺮﻓﺖ‪ .‬ﻧﺎﻣﻰ ﻛﻪ ﺩﺭ ﻣﻌﺮﺽ‬ ‫ﻣﻰﺗﻮﺍﻧﺪ ﺟﻠﺐ ﺗﻮﺟﻪ ﻛﻨﺪ«‪.‬‬ ‫ﻧﺪﻳﺪﻩ ﺑﻮﺩﻡ«‪.‬‬ ‫ﺳﻔﺮ ﻛﺮﺩﻩﺍﻧﺪ‪ .‬ﺑﺎ ﺍﻳﻨﻜﻪ ﺍﺯ ﺍﻳﻦ ﺧﺒﺮﻧﮕﺎﺭ‬
‫ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ‪.‬‬ ‫ﻭ ﺁﻥ ﺩﻧﻴﺎ ﺭﺍ ﻫﻢ ﺩﺍﺭﻯ!‬ ‫ﺍﻧﺘﻘﺎﺩﺍﺕ ﺑﺴﻴﺎﺭ ﻭ ﺗﺸﻮﻳﻖ ﻓﺮﺍﻭﺍﻥ‬ ‫ﻣﺎﺟﺮﺍﻫﺎﻯ ﺗﻦ ﺗﻦ‪ ،‬ﺍﻳﻦ ﺷﺨﺼﻴﺖ‬ ‫ﻛﺴﺮﻯ ﺭﺯﻡﺧﻮﺍﻩ ﺩﺭ ﻣﻮﺭﺩ ﺍﻧﺘﺨﺎﺏ‬ ‫ﺟﻮﺍﻥ ﻭ ﺳﮓ ﻭﻓﺎﺩﺍﺭﺵ ‪ 24‬ﺳﺮﻯ ﺍﺯ‬
‫ﺻﺎﺩﻕ ﻫﺪﺍﻳﺖ»ﺁﻩ! ﺩﺭﺩ‪ ،‬ﺍﻧﺪﺍﻡ ﻣﺮﺍ‬ ‫ﺍﻋﺘﻘﺎﺩ ﻭ ﻣﺬﻫﺐ ﻭ ﺍﺧﻼﻕ ﻭ ﺍﻳﻦ ﺣﺮﻑﻫﺎ‬ ‫ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﻓﻴﻠﻢﻫﺎﻯ ﻣﺴﺘﻨﺪ‪،‬‬ ‫ﻣﺤﺒﻮﺏ ﻛﻮﺩﻛﺎﻥ ﻭ ﺟﻮﺍﻧﺎﻥ‪ ،‬ﺑﻪ ﺑﻴﺶ‬ ‫ﻣﺤﻞﻫﺎﻳﻰ ﻛﻪ ﻋﻜﺲﻫﺎﻯ ﺁﻧﻬﺎ‬ ‫ﻣﺎﺟﺮﺍﻫﺎﻯ ﺍﻭ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﻣﺨﺘﻠﻒ‬
‫ﻣﺮﺗﻌﺶ ﻣﻰﻛﻨﺪ‪ .‬ﺍﻳﻦ ﭘﺎﺩﺍﺵ ﺧﺪﻣﺎﺗﻰ‬ ‫ﻫﻤﻪ ﺩﻛﺎﻧﺪﺍﺭﻯ ﺍﺳﺖ‪ .‬ﺍﻣﺎ ﺑﺎﻳﺪ ﺗﻘﻴﻪ ﻛﺮﺩ‬ ‫ﻛﺘﺎﺏﻫﺎﻯ ﺧﺎﻃﺮﺍﺕ‪ ،‬ﻭ ﻧﻤﺎﻳﺶﻫﺎﻯ‬ ‫ﺍﺯ ‪ 70‬ﺯﺑﺎﻥ ﺗﺮﺟﻤﻪ ﺷﺪﻩ ﻭ ﺩﺭ ﺍﻳﺮﺍﻥ‬ ‫ﺭﺍ ﻣﻨﺘﺸﺮ ﻛﺮﺩﻩ ﮔﻔﺖ‪» :‬ﺑﻴﺸﺘﺮ‬ ‫ﻣﻨﺘﺸﺮ ﺷﺪﻩ ﺍﻣﺎ ﺍﻭ ﻫﺮﮔﺰ ﺑﻪ ﺍﻳﺮﺍﻥ ﺳﻔﺮ‬
‫ﺍﺳﺖ ﻛﻪ ﺑﺮﺍﻯ ﻳﻚ ﺟﺎﻧﻮﺭ ﺩﻭ ﭘﺎﻯ ﺑﻰ‬ ‫ﭼﻮﻥ ﺩﺭ ﻧﻈﺮ ﻋﻮﺍﻡ ﻣﻬﻤﻪ‪ .‬ﺑﺮﺍﻯ ﻣﺮﺩﻡ‬ ‫ﺑﺮﮔﺮﻓﺘﻪ ﺍﺯ ﺁﺛﺎﺭ ﻭﻯ ﺍﺯ ﺭﻭﺯ ﺩﺭﮔﺬﺷﺖ‬ ‫ﺑﺮﺍﻯ ﺍﻭﻟﻴﻦ ﺑﺎﺭ ﺩﺭ ﺳﺎﻝ ‪ 1350‬ﻣﻨﺘﺸﺮ‬ ‫ﻋﻼﻗﻤﻨﺪ ﺑﻪ ﺁﺛﺎﺭ ﻓﺮﻧﮕﻰ ﻭ ﻫﻨﺮﻯ ﻣﺜﻞ‬
‫ﻣﺮ ّﻭ ِﺕ ﺳﺘﻤﮕﺮ ﻛﺸﻴﺪﻩﺍﻡ‪ .‬ﺍﻣﺮﻭﺯ ﺁﺧﺮﻳﻦ‬ ‫ﺍﻋﺘﻘﺎﺩ ﻻﺯﻣﻪ‪ .‬ﺑﺎﻳﺪ ﺑﻪ ﺁﻧﻬﺎ ﭘﻮﺯﻩﺑﻨﺪ ﺯﺩ‬ ‫ﻫﺪﺍﻳﺖ ﺗﺎ ﺍﻣﺮﻭﺯ‪ ،‬ﺧﺒﺮ ﺍﺯ ﺷﺨﺼﻴﺖ‬ ‫ﺷﺪ ﻭ ﻛﺎﺭﺗﻮﻥ ﺩﻭﺑﻠﻪ ﺷﺪﻩﺍﺵ ﺩﺭ ﺑﺮﻧﺎﻣﻪ‬ ‫ﻣﻌﻤﺎﺭﻯﻫﺎﻯ ﻣﺨﺘﻠﻒ ﻫﺴﺘﻢ ﻭ ﺩﺭ‬ ‫ﻧﻜﺮﺩ‪.‬‬
‫ﺭﻭ ِﺯ ﻣﻨﺴﺖ ﻭ ﻫﻤﻴﻦ ﻗﻠﺒﻢ ﺭﺍ ﺗﺴﻠّﻰ‬ ‫ﻭﮔﺮﻧﻪ ﺍﺟﺘﻤﺎﻉ ﻳﻚ ﻻﻧﻪﻯ ﺍﻓﻌﻰ ﺍﺳﺖ‪،‬‬ ‫ﭘﻴﭽﻴﺪﻩ ﻭ ﻗﻠﻢ ﻣﺘﻔﺎﻭﺕ ﺍﻳﻦ ﻧﻮﻳﺴﻨﺪﻩﻯ‬ ‫ﻛﻮﺩﻙ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺑﻪ ﻧﻤﺎﻳﺶ‬ ‫ﻋﻜﺲﻫﺎﻳﻢ ﺳﻌﻰ ﻛﺮﺩﻡ ﻛﻪ ﺗﻦ ﺗﻦ‬ ‫ﺣﺎﻻ ﺑﺎ ﺍﺑﺘﻜﺎﺭ ﻛﺴﺮﻯ ﺭﺯﻣﺨﻮﺍﻩ‪،‬‬
‫ﻣﻰﺩﻫﺪ! ﺑﻌﺪ ﺍﺯ ﻃ ِﻰ ﻳﻚ ﺯﻧﺪﮔﺎﻧﻰ ﭘﺮ‬ ‫ﻫﺮ ﻛﺠﺎ ﺩﺳﺖ ﺑﮕﺬﺍﺭﻯ ﻣﻰﮔﺰﻧﺪ‪ .‬ﺑﺎﻳﺪ‬ ‫ﺩﺭ ﺁﻣﺪ‪ .‬ﺑﺎ ﭘﻴﺮﻭﺯﻯ ﺍﻧﻘﻼﺏ ‪ 57‬ﺗﺮﺟﻤﻪ‬ ‫ﺭﺍ ﺩﺭ ﻣﺤﻞﻫﺎﻯ ﺩﻳﺪﻧﻰ ﺩﺭ ﺁﻥ ﻣﻨﻄﻘﻪ‬ ‫ﺁﻧﻬﺎ ﺩﻭﺭﻯ ﻫﻢ ﺩﺭ ﺍﻳﺮﺍﻥ ﺯﺩﻩ‪ ،‬ﺟﻮﺟﻪ‬
‫ﺍﺯ ﻣﺮﺍﺭﺕ ﻭ ﻣﺸﻘﺖ ﻭ ﺗﺤﻤﻞ ﺑﺎﺭﻫﺎﻯ‬ ‫ﻣﺮﺩﻡ ﻣﻄﻴﻊ ﻭ ﻣﻌﺘﻘﺪ ﺑﻪ ﻗﻀﺎ ﻭ ﻗﺪﺭ‬ ‫ﻣﻌﺎﺻﺮ ﺍﻳﺮﺍﻧﻰ ﺩﺍﺭﺩ‪.‬‬ ‫ﻭ ﻧﺸﺮ ﺍﻳﻦ ﻛﺘﺎﺏ ﻣﺘﻮﻗﻒ ﺷﺪ ﺍﻣﺎ‬ ‫ﻗﺮﺍﺭ ﺩﻫﻢ‪ .‬ﻋﻜﺲﻫﺎﻯ ﺗﻦ ﺗﻦ ﺩﺭ ﺍﻳﺮﺍﻥ‬ ‫ﻛﺒﺎﺏ ﻭ ﺍﻧﺎﺭ ﺧﻮﺭﺩﻧﺪ‪ ،‬ﺍﺯ ﺩﺍﻧﺸﮕﺎﻩ‬
‫ﻃﺎﻗﺖ ﻓﺮﺳﺎ‪ ،‬ﺿﺮﺑﺎﺕ ﭘﻰ ﺩﺭ ﭘﻰ ﭼﻮﺏ‬ ‫ﺑﺎﺷﻨﺪ ﺗﺎ ﺍﻃﻤﻴﻨﺎﻥ ﺑﺸﻪ ﺍﺯ ُﮔﺮﺩﻩﻯ ﺁﻧﻬﺎ‬ ‫ﻓﺎﺭﻍ ﺍﺯ ﺍﻓﺖ ﻭ ﺧﻴ ِﺰ ﺯﻧﺪﮔﻰ ﻫﺪﺍﻳﺖ‬ ‫ﻧﺴﺨﻪﻫﺎﻯ ﻛﭙﻰ ﺷﺪﻩﻯ ﺁﻥ ﺭﺍ ﺳﺎﻝﻫﺎ‬ ‫ﺑﺮﺍﻯ ﻛﺎﺭﺑﺮﺍﻥ ﺍﻳﺮﺍﻧﻰ ﻋﻼﻭﻩ ﺑﺮ ﻳﺎﺩﺁﻭﺭﻯ‬ ‫ﺗﻬﺮﺍﻥ ﻭ ﻛﺎﺥ ﮔﻠﺴﺘﺎﻥ ﺩﻳﺪﻥ ﻛﺮﺩﻧﺪ‬
‫ﻭ ﺯﻧﺠﻴﺮ ﻭ ﺩﺷﻨﺎﻡ ﻋﺎﺑﺮﻳﻦ‪ ،‬ﻫﻤﻴﻦ ﻗﺪﺭ‬ ‫ﻛﺎﺭ ﻛﺸﻴﺪ‪ .‬ﭼﻴﺰﻯ ﻛﻪ ﻣﻬﻤﻪ ﻃﺮﺯ ﻏﺬﺍ‬ ‫ﻧﻈﻴﺮ ﭘﻴﺸﻴﻨﻪﻯ ﺧﺎﻧﻮﺍﺩﮔﻰ‪ ،‬ﺗﺤﺼﻴﻼﺕ‪،‬‬ ‫ﺑﻌﺪ ﺩﺭ ﺑﺎﺯﺍﺭ ﻣﻰﺷﺪ ﭘﻴﺪﺍ ﻛﺮﺩ ﺗﺎ ﺍﻳﻨﻜﻪ‬ ‫ﺧﺎﻃﺮﺍﺕ ﺷﻴﺮﻳﻦ ﻛﻮﺩﻛﻰﺷﺎﻥ‪ ،‬ﺑﺎﻋﺚ‬ ‫ﻭ ﺑﺎ ﺗﻨﺪﻳﺲ »ﻫﻴﭻ« ﺍﺯ ﭘﺮﻭﻳﺰ ﺗﻨﺎﻭﻟﻰ‬
‫ﺟﺎﻯ ﺷﻜﺮﺵ ﺑﺎﻗﻰ ﺍﺳﺖ ﻛﻪ ﺍﻳﻦ‬ ‫ﺧﻮﺭﺩﻥ‪ ،‬ﺳﻼﻡ ﻭ ﺗﻌﺎﺭﻑ ﻭ ﻣﻌﺎﺷﺮﺕ‪،‬‬ ‫ﺷﻐﻞ‪ ،‬ﮔﺮﺍﻳﺶ ﻋﺎﻃﻔﻰ‪ ،‬ﺁﺷﻨﺎﻳﻰ ﺑﺎ‬
‫ﺣﻴﺎﺕ ﻣﻬﻴﺐ ﺭﺍ ﻭﺩﺍﻉ ﺧﻮﺍﻫﻢ ﮔﻔﺖ‪.‬‬ ‫ﻻﺱ ﺯﺩﻥ ﺑﺎ ﺯﻥ ﻣﺮﺩﻡ‪ ،‬ﺭﻗﺼﻴﺪﻥ‪،‬‬ ‫ﺍﻓﺮﺍﺩ ﻣﺨﺘﻠﻒ ﻭ ﺗﺄﺛﻴﺮ ﺁﻧﻬﺎ ﺑﺮ ﺯﻧﺪﮔﻰ‬ ‫ﻋﻜﺲ ﻳﺎﺩﮔﺎﺭﻯ ﮔﺮﻓﺘﻪﺍﻧﺪ‪.‬‬
‫ﺍﻳﻦ ﺟﺎ ﺧﻴﺎﺑﺎﻥ ﺷﻤﻴﺮﺍﻥ ﺍﺳﺖ‪ .‬ﺍﻣﺮﻭﺯ‬ ‫ﻭ ﻣﺴﺎﻓﺮﺕ‪ ،‬ﺷﺎﻳﺪ ﻣﻬﻢﺗﺮﻳﻦ ﺩﻟﻴﻞ ﺍﺑﺮﺍﺯ‬ ‫ﻛﺴﺮﻯ ﺭﺯﻣﺨﻮﺍﻩ ﺟﻮﺍﻥ ﺍﻳﺮﺍﻧﻰ ﻛﻪ‬
‫ﺑﻪ ﻭﺍﺳﻄﻪﻯ ﺑﻰ ﻣﺒﺎﻻﺗ ِﻰ ﺻﺎﺣﺒﻢ‪،‬‬ ‫ﺧﻨﺪﻩﻫﺎﻯ ﺗﻮﺩﻝ ﺑﺮﻭ ﻭ ﻣﺨﺼﻮﺻﺎ ﭘﺮ‬ ‫ﻋﻼﻗﻤﻨﺪﻯ ﻧﮕﺎﺭﻧﺪﻩ ﺑﻪ ﻧﻮﺷﺘﻪﻫﺎﻯ ﺍﻭ‪،‬‬ ‫ﺩﻛﺘﺮﺍﻯ ﺧﻮﺩ ﺭﺍ ﺩﺭ ﺭﺷﺘﻪ ﺷﻴﻤﻰ ﺍﺯ‬
‫ﺍﺗﻮﻣﺒﻴﻠﻰ ﭘﺎﻫﺎﻯ ﻣﺮﺍ ﺷﻜﺴﺖ ﻭ ﺑﻪ‬ ‫ﺭﻭﻳﻰ ﺭﺍ ﻳﺎﺩ ﺑﮕﻴﺮ‪.‬‬ ‫ﻣﻤﻨﻮﻋﻴ ِﺖ ﺧﻮﺍﻧﺪﻥ ﻧﺎﺷﻰ ﺍﺯ ﺧﻮﺩﻛﺸ ِﻰ‬ ‫ﺑﺮﻳﺘﺎﻧﻴﺎ ﺩﺭﻳﺎﻓﺖ ﻛﺮﺩﻩ ﺍﺳﺖ ﺩﺭ ﻳﻚ‬
‫ﺍﻳﻦ ﺭﻭﺯ ﺍﻓﺘﺎﺩﻡ‪ .‬ﺑﻌﺪ ﺍﺯ ﺿﺮﺏ ﻭ ﺷﺘﻢ‪،‬‬ ‫ﻭﻯ ﺑﻮﺩﻩ ﺍﺳﺖ؛ ﺑﺪﻳﻦ ﻣﻌﻨﻰ ﻛﻪ‬ ‫ﺣﺮﻛﺖ ﺍﺑﺘﻜﺎﺭﻯ ﻋﺮﻭﺳﻚﻫﺎﻯ ﺗﻦ‬
‫ﺟﺴﺪ ﻣﺮﺍ ﺩﺭ ﻛﻨﺎﺭ ﺍﻳﻦ ﺟﺎﺩﻩ ﻛﺸﻴﺪﻧﺪ‬ ‫ﻓﻠﺴﻔﻪﻣﺎﻥ ﻣﺒﺎﺣﺜﻪ ﺩﺭ ﺷ ّﻜﻴﺎﺕ ﻭ‬ ‫ﺍﻓﻜﺎ ِﺭ ﺳﻴﺎﻩ‪ ،‬ﻣﺄﻳﻮﺱ ﻛﻨﻨﺪﻩ‪ ،‬ﺑﺪﺑﻴﻦ‪،‬‬ ‫ﺗﻦ‪ ،‬ﻣﻴﻠﻮ‪ ،‬ﻛﺎﭘﻴﺘﺎﻥ ﻫﺎﺩﻭﻙ‪ ،‬ﭘﺮﻓﺴﻮﺭ‬
‫ﻭ ﺑﻪ ﺣﺎﻝ ﺧﻮﺩ ﮔﺬﺍﺷﺘﻨﺪ‪ .‬ﻣﻤﻜﻦ ﺍﺳﺖ‬ ‫ﺳﻬﻮﻳﺎﺕ ﺍﺳﺖ‪ .‬ﻫﻤﻪﺍﺵ ﺩﺯﺩﻯ ﻭ ﺭﻭﺿﻪ‬ ‫ﺑﻴﺎ ِﻥ ﺍﻓﻜﺎ ِﺭ ﻫﻨﺠﺎﺭﺷﻜﻦ‪ ،‬ﮔﺮﺍﻳﺶ ﺑﻪ‬ ‫ﺗﻮﺭﻧﺴﻞ‪ ،‬ﺩﻭﭘﻮﻧﺖ ﻭ ﺩﻭﭘﻮﻧﻂ ﺭﺍ ﺩﺭ‬
‫ﻓﺮﺍﻣﻮﺵ ﻛﺮﺩﻩ ﺑﺎﺷﻨﺪ ﻛﻪ ﻫﻨﻮﺯ ﺍﺯ ﻧﻌﻞ‬ ‫ﻣﺘﺎﻓﻴﺰﻳﻚ‪ ،‬ﺍﻧﺪﻳﺸﻪﻯ ﻋﺼﻴﺎﻧﮕﺮ‪ ،‬ﺍﻧﺘﻘﺎ ِﺩ‬ ‫ﻧﻘﺎﻁ ﻣﺨﺘﻠﻔﻰ ﺍﺯ ﺗﻬﺮﺍﻥ ﻗﺮﺍﺭ ﺩﺍﺩﻩ ﻭ ﺍﺯ‬
‫ﻭ ﭘﻮﺳﺖ ﻣﻦ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺍﺳﺘﻔﺎﺩﻩ ﻛﻨﻨﺪ!‬ ‫ﺧﻮﺍﻧﻰ!« )ﺣﺎﺟﻰ ﺁﻗﺎ(‬ ‫ﺗُﻨﺪ ﺍﺯ ﻣﺬﻫﺐ‪ ،‬ﺑﻪ ُﺳﺨﺮﻩ ﮔﺮﻓﺘ ِﻦ‬
‫ﺁﻩ! ﺩﺭﺩ ﺯﺧﻢﻫﺎ ﺭﻭ ﺑﻪ ﺷﺪﺕ ﮔﺬﺍﺷﺘﻪ ﻭ‬ ‫»ﺩﺭ ﺍﻳﻦ ﺻﻮﺭﺕ‪ ،‬ﺭﻗﺺ ﻫﻢ ﺑﻪ ﻣﺼﺪﺍﻕ‬ ‫ﻓﺮﻣﺎﻥﻓﺮﻣﺎﻳﻰ‪ ،‬ﺟﺎﺩﻭﮔﺮﻯ‪ ،‬ﻫﻤﺰﺍ ِﺩ ﻣﺮگ‬ ‫ﺁﻧﻬﺎ ﻋﻜﺲ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﺁﻳﻪﻯ ﺷﺮﻳﻔﻪ ﻯ ”ﻛﻮﻧﻮﺍ ﻗِ ّﺮﺩﻩ ﺧﺎ ِﺳﺌﻴﻦ“‬ ‫ﺑﻮﺩﻥ‪ ،‬ﺍﺣﺘﺮﺍﻡ ﺑﻪ »ﺣ ّﻖ ﺣﻴﻮﺍﻧﺎﺕ« ﻭ‬ ‫ﺑﺎ ﺍﻭ ﺑﻪ ﮔﻔﺘﮕﻮ ﻧﺸﺴﺘﻢ ﺗﺎ ﺍﺯ ﺩﻻﻳﻞ‬
‫ﺧﻮﻥ ﺍﺯ ﺁﻧﻬﺎ ﺟﺎﺭﻯ ﺍﺳﺖ‪.‬‬ ‫ﺟﺎﻳﺰ ﺍﺳﺖ‪ ،‬ﭼﻪ ﺣﻖ ﺗﻌﺎﻟﻰ ﺧﻮﺩ‬ ‫ﻓﻮﺍﻳﺪ »ﮔﻴﺎﻩﺧﻮﺍﺭﻯ« ﺩﺭ ﺍﻳﺮﺍ ِﻥ ﻫﺸﺘﺎﺩ‬ ‫ﺍﻳﻦ ﻃﺮﺡ ﺑﻴﺸﺘﺮ ﺑﺪﺍﻧﻢ‪ .‬ﺍﻭ ﺗﺎﻛﻴﺪ‬
‫ﺩﻳﮕﺮﻯ ﮔﻔﺘﻪ‪ :‬ﺍﻳﻦ ﻳﻚ ﺗﻔﺮﻳﺢ ﺍﺳﺖ‬ ‫ﻣﻰﻓﺮﻣﺎﻳﺪ ﻛﻪ ﻗِﺮ ﺑﺪﻫﻴﺪ ﻛﻪ ﺧﺎﺻﻴﺖ‬ ‫ﺳﺎﻝ ﭘﻴﺶ‪ ،‬ﻣﻰﺗﻮﺍﻧﺪ ﺩﺳ ِﺖ ﺗﻘﺪﻳﺮ ﻭ‬ ‫ﻣﻰﻛﻨﺪ ﺑﺎ ﺍﻳﻨﻜﻪ ﺭﺷﺘﻪ ﺗﺨﺼﺼﻰﺍﺵ‪،‬‬
‫ﺑﺮﺍﻯ ﻣﺎﺩﺭﺍﻥ ﻛﻪ ﺑ ّﭽﻪﻯ ﺧﻮﺩ ﺭﺍ ﺑﺒﻴﻨﻨﺪ‬ ‫ﺩﺍﺭﺩ‪ .‬ﻭﺍﻧﮕﻬﻰ ﺍﺯ ﻛﻮﺭﻯ ﭼﺸﻢ ﻛﻔﺎﺭ‪،‬‬ ‫ﺗﻨﺒﻴﻪ ﺍﻟﻬﻰ ﺭﺍ ﺑﺮ ﺳ ِﺮ ﻳﺎﻏﻰ ﻓﺮﻭﺩ ﺁ َﻭﺭﺩ ﻭ‬ ‫ﺷﻴﻤﻰ ﺍﺳﺖ ﺍﻣﺎ ﺑﻪ ﻫﻨﺮ ﻭ ﮔﺮﺩﺷﮕﺮﻯ‬
‫ﻛﻪ ﮔﺮﺩﻥ ﻳﻚ ﭘﺮﻧﺪﻩ ﺭﺍ ﻣﻰ َﻛ َﻨﺪ ﻭ ﺳﮓ‬ ‫ﺍﺳﻼﻡ ﻣﺬﻫﺐ ﻣﺘﺠﺪﺩﻯ ﺍﺳﺖ‪ .‬ﻣﮕﺮ‬ ‫ﺍﻭ ﺭﺍ ﺑﻪ ﻋﺬﺍ ِﺏ »ﺧﻮﺩ ُﻛﺸﻰ« ﺑﻪ ﻋﻨﻮﺍﻥ‬
‫ﻳﺎ ﮔﺮﺑﻪ ﺭﺍ ﺩﺭ ﺑﺎﺯﻯ ﻣﺠﺮﻭﺡ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﺧﻮ ِﺩ ﺣﻀﺮﺕ ﺩﺭ ‪ 1300‬ﺳﺎﻝ ﭘﻴﺶ‪،‬‬ ‫ﻳﻜﻰ ﺍﺯ ﺑﺰﺭگﺗﺮﻳﻦ ﻣﻌﺼﻴﺖﻫﺎﻯ ﺍﺳﻼﻡ‬ ‫ﺩﺭ ﺳﺎﻝ ‪ 1379‬ﺑﺎ ﺗﻐﻴﻴﺮﺍﺕ ﺑﺴﻴﺎﺭﻯ‬ ‫ﺯﻧﺪﻩ ﺷﺪﻥ ﺧﺎﻃﺮﺍﺕﺷﺎﻥ ﺩﺭ ﺁﻥ‬ ‫ﺑﺴﻴﺎﺭ ﻋﻼﻗﻪ ﺩﺍﺭﺩ‪ .‬ﺭﺷﺘﻪ ﺗﺨﺼﺼﻰ ﺍﻭ‬
‫ﺍﻳﻨﻬﺎ ﺭﻳﺸﻪ ﻯ ﻓﺴﺎﺩ ﺍﺳﺖ ﻭ ﺑﻨﻴﺎﺩ‬ ‫ﺩﻭﺭ ﺳﻨﮓ »ﺣﺠﺮ ﺍﻻﺳﻔﺪ« ﺭﻗﺺ ُﻓﻜﺲ‬ ‫ﺩﭼﺎﺭ ﻛﻨﺪ ﺗﺎ ﺭﻭﺣﻰ ﺳﺮﮔﺮﺩﺍﻥ ﺑﻪ ﻗﻴﺎﻣﺖ‬ ‫ﺩﺭ ﻣﺘﻦ ﻭ ﺑﺮﺧﻰ ﺗﺼﻮﻳﺮﻫﺎ ﻧﺴﺨﻪﻫﺎﻯ‬ ‫ﻣﻜﺎﻥﻫﺎﻯ ﺧﺎﺹ ﻫﻢ ﻣﻰﺷﻮﺩ‪ .‬ﺍﺯ‬ ‫»ﻃﻴﻒ ﺳﻨﺠﻰ« ﺍﺳﺖ ﻛﻪ ﺑﻪ ﻧﻮﻋﻰ ﺑﺎ‬
‫ﺳﻨﮓﺩﻟﻰ ﻭ ﺧﺒﺎﺛﺖ ﺍﺳﺖ‪ .‬ﺍﻓﺴﻮﺱ‬ ‫ﺗِﺮﻭﺕ ﻧﻜﺮﺩ؟ ﺍﺯ ﻓﺮﺍﻳﺾ ﺍﻳﻦ ﺟﻤﻌﻴﺖ‬ ‫ﺩﺍﺷﺘﻪ ﺑﺎﺷﺪ‪ .‬ﺗﻬﺪﻳﺪﻯ ﻛﻪ ﺑﺎﺭﻫﺎ ﺩﺭ‬ ‫ﺟﺪﻳﺪ ﺍﺯ »ﻣﺎﺟﺮﺍﻫﺎﻯ ﺗﻦ ﺗﻦ ﻭ ﻣﻴﻠﻮ«‬ ‫ﺳﻮﻳﻰ ﺩﻳﮕﺮ ﺑﺮﺍﻯ ﻛﺎﺭﺑﺮﻫﺎﻯ ﻏﻴﺮﺍﻳﺮﺍﻧﻰ‬ ‫ﻋﻜﺲﺑﺮﺩﺍﺭﻯ‪ ،‬ﺍﻟﺒﺘﻪ ﺩﺭ ﻓﻀﺎﻳﻰ ﻛﺎﻣﻼ‬
‫ﺍﺳﺖ ﺳﺎﺧﺘﻦ ﺣﻤﺎﻡﻫﺎ ﻭ ﺑﻴﺖ ﺍﻟﺨﻼءﻫﺎ‬ ‫ﺩﻭﺭﺍﻥ ﺗﺤﺼﻴﻞ‪ ،‬ﮔﺮﻳﺒﺎﻥ ﻣﺮﺍ ﮔﺮﻓﺖ‪.‬‬ ‫ﺭﻭﺍﻧﻪ ﺑﺎﺯﺍﺭ ﺍﻳﺮﺍﻥ ﺷﺪ ﻭ ﻛﺎﺭﺗﻮﻥ ﺑﺮﺧﻰ ﺍﺯ‬ ‫ﻫﻢ ﻣﻰﺗﻮﺍﻧﺪ ﻳﻚ ﺭﺳﺎﻧﻪ ﺑﺮﺍﻯ ﻧﺸﺎﻥ‬ ‫ﻣﺘﻔﺎﻭﺕ‪ ،‬ﺍﺭﺗﺒﺎﻁ ﺩﺍﺭﺩ‪ .‬ﻛﺴﺮﻯ ﺭﺯﻣﺨﻮﺍﻩ‬
‫ﻛﻪ ﻣﺎ ﻧﻤﻰﺗﻮﺍﻧﻴﻢ ﺣﺮﻑ ﺑﺰﻧﻴﻢ ﻭ ﻫﻤﻴﻦ‬ ‫ﺑﻪ ﻃﺮﺯ ﺍﺳﻼﻣﻰ ﻭ ﭼﻨﺎﻧﻜﻪ ﺩﺭ ﻛﺘﺎﺏ‬ ‫ﻭﻟﻰ ﺑﻪ ﻣﺼﺪﺍﻕ ﺯﺑﺎﻧﺰ ِﺩ ﻣﻌﺮﻭﻑ ﻓﺎﺭﺳﻰ‬ ‫ﺳﻔﺮﻫﺎﻯ ﭘﺮ ﻣﺎﺟﺮﺍﻳﺶ ﺑﺎ ﺗﻐﻴﻴﺮﺍﺗﻰ ﺩﺭ‬ ‫ﺩﺍﺩﻥ ﺟﺎﺫﺑﻪﻫﺎﻯ ﮔﺮﺩﺷﮕﺮﻯ ﺍﻳﺮﺍﻥ‬ ‫ﺩﺭﺑﺎﺭﻩ ﺩﻻﻳﻞ ﺍﺟﺮﺍﻯ ﺍﻳﻦ ﭘﺮﻭژﻩ‬
‫ﺍﺳﺒﺎﺏ ﺑﺪﺑﺨﺘﻰ ﻣﺎ ﺭﺍ ﻓﺮﺍﻫﻢ ﺁﻭﺭﺩﻩ‪.‬‬ ‫»ﺯﺑﺪﻩ ﺍﻟﻨﺠﺎﺳﺎﺕ« ﺁﻣﺪﻩ ﺍﻟﺒﺘﻪ ﻣﺴﺘﺤﺐ‬ ‫ﻛﻪ »ﺟﻮﻳﻨﺪﻩ‪ ،‬ﻳﺎﺑﻨﺪﻩ ﺍﺳﺖ«‪ ،‬ﺑﺎﻻﺧﺮﻩ‬ ‫ﺩﻭﺑﻠﻪ ﺩﺭ ﺗﻠﻮﻳﺰﻳﻮﻥ ﻧﻤﺎﻳﺶ ﺩﺍﺩﻩ ﺷﺪ‪.‬‬ ‫ﮔﻔﺖ‪» :‬ﺗﻦ ﺗﻦ ﻳﻜﻰ ﺍﺯ ﺷﺨﺼﻴﺖﻫﺎﻯ‬
‫ﻓﻘﻂ ﺍﺭﺳﻄﻮ ﺑﻪ ﺣﻘﻴﻘ ِﺖ ﺯﻧﺪﮔﺎﻧﻰ ﻣﺎ ﭘﻰ‬ ‫ﺍﺳﺖ ﻛﻪ ﻧﺠﺎﺳﺖ ﺑﻪ ﻋﻴﻦ ﺩﻳﺪﻩ ﺷﻮﺩ‪«.‬‬ ‫ﺍﻣﻜﺎﻥ ﺑﺮﻗﺮﺍﺭﻯ ﺍﺭﺗﺒﺎﻁ ﺑﺎ ﺑﺮﺍﺩﺭﺯﺍﺩﻩﻯ‬ ‫ﺳﻔﺮﻫﺎﻳﻰ ﻛﻪ ﺩﺭ ﺁﻥ ﺩﻳﮕﺮ ﻛﺎﭘﻴﺘﺎﻥ‬ ‫ﺑﺎﺷﺪ«‪.‬‬ ‫ﻛﺎﺭﺗﻮﻧﻰ ﻣﻮﺭﺩ ﻋﻼﻗﻪ ﻣﻦ ﺩﺭ ﻛﻮﺩﻛﻰﺍﻡ‬
‫ﺑﺮﺩﻩ ﻭ ﻣﻰﮔﻮﻳﺪ‪» :‬ﺍﻧﺴﺎﻥ‪ ،‬ﺣﻴﻮﺍ ِﻥ ﻧﺎﻃﻖ‬ ‫ﺻﺎﺩﻕ ﻫﺪﺍﻳﺖ ﺩﺭ ﺗﻬﺮﺍﻥ ﻓﺮﺍﻫﻢ ﺷﺪ؛‬ ‫ﻛﺴﺮﻯ ﺭﺯﻣﺨﻮﺍﻩ ﻛﻪ ﺧﻮﺩ ﺳﺎﻝﻫﺎ‬
‫ﺍﺳﺖ‪ «.‬ﺑﻪ ﻭﺍﺳﻄﻪﻯ ﻫﻤﻴﻦ ﻧﻄﻖ ﺍﺳﺖ‬ ‫)ﻛﺎﺭﻭﺍﻥ ﺍﺳﻼﻡ(‬ ‫ﻓﺮﺻﺘﻰ ﻃﻼﻳﻰ ﺑﺮﺍﻯ ﺁﺷﻨﺎﻳﻰ ﺑﺎ ﺭﻭ ِﻯ‬
‫ﻛﻪ ﻣﺎ ﺩﺳﺘﺨﻮﺵ ﻫﻮﻯ ﻭ ﻫﻮﺱ ﻳﻚ‬ ‫ﻧﮕﺮﺍﻧﻰ ﺍﺯ ﺣﻘﻮﻕ ﺣﻴﻮﺍﻧﺎﺕ ﺷﺎﻳﺪ ﺩﻏﺪﻏﻪ‬ ‫ﺩﻳﮕ ِﺮ ﭘﻨﻬﺎ ِﻥ ﺯﻧﺪﮔﻰ ﻭ ﺍﻧﺪﻳﺸﻪﻫﺎﻯ‬ ‫ﻫﺎﺩﻭﻙ ﻣﺴﺖ ﻧﻤﻰﻛﺮﺩ ﻭ ﺧﺎﻧﻢ ﻛﺎﺳﺘﺎ‬ ‫ﺩﺭ ﺑﺮﻳﺘﺎﻧﻴﺎ ﺯﻧﺪﮔﻰ ﻛﺮﺩﻩ ﺍﺳﺖ ﺗﺎﻛﻴﺪ‬ ‫ﺑﻮﺩ ﻭ ﺧﺎﻃﺮﺍﺕ ﺯﻳﺎﺩﻯ ﺑﺎ ﻛﺘﺎﺏﻫﺎﻯ‬
‫ﻋﺪﻩ ﺟﺎﻧﻮ ِﺭ ﻃ ّﻤﺎ ِﻉ ﺧﻮﺩﭘﺴﻨﺪ ﺷﺪﻩﺍﻳﻢ‪«.‬‬ ‫ﻫﻤﻪ ﻧﺒﺎﺷﺪ‪ ،‬ﻭﻟﻰ ﺍﻳﻦ ﺁﺷﻔﺘﮕﻰ ﺍﺯ ﺗﻀﻴﻴﻊ‬ ‫ﻓﻴﻮﺭﻩ ﺁﻭﺍﺯ ﻧﻤﻰﺧﻮﺍﻧﺪ‪.‬‬ ‫ﻣﻰﻛﻨﺪ‪» :‬ﺯﻧﺪﮔﻰ ﺩﺭ ﺑﺮﻳﺘﺎﻧﻴﺎ ﺑﻪ ﻣﻦ‬ ‫ﻣﺼﻮﺭ ﻭ ﺳﺮﻯ ﻛﺎﺭﺗﻮﻥﻫﺎﻯ ﺁﻥ ﺩﺍﺭﻡ‪.‬‬
‫ﺣ ّﻖ ﻣﻮﺟﻮﺩﻯ ﻛﻪ ﺑﻪ ﺯﺑﺎﻥ ﺑﺸﺮ ﺳﺨﻦ‬ ‫ﺻﺎﺩﻕ ﺧﺎﻥ‪ ،‬ﻛﻪ ﺗﺎ ﺍﻣﺮﻭﺯ ﺍﺩﺍﻣﻪ ﺩﺍﺭﺩ‪.‬‬ ‫ﻛﻤﻚ ﻛﺮﺩ ﺗﺎ ﺑﺎ ﺍﻧﺴﺎﻥﻫﺎ ﻭ ﺳﻠﻴﻘﻪﻫﺎﻯ‬ ‫ﺩﺭ ﻃﻮﻝ ﺳﻔﺮﻯ ﻋﻠﻤﻰ ﻛﻪ ﺑﻪ ﻳﻜﻰ ﺍﺯ‬
‫)ﺷﺮﺡ ﺣﺎﻝ ﻳﻚ ﺍﻻﻍ ﻫﻨﮕﺎﻡ ﻣﺮگ(‬ ‫ﻣﻦ ﺩﺭ ﺍﻳﻦ ﻧﻮﺷﺘﺎ ِﺭ ﻛﻮﺗﺎﻩ ﺑﻪ ﻣﻨﺎﺳﺒﺖ‬ ‫ﻛﺴﺮﻯ ﺭﺯﻣﺨﻮﺍﻩ ﺩﺭ ﺍﺩﺍﻣﻪﻯ ﮔﻔﺘﮕﻮ‬ ‫ﮔﻮﻧﺎﮔﻮﻥ ﺁﺷﻨﺎ ﺷﻮﻡ ﻭ ﺣﺎﻻ ﺑﻴﺸﺘﺮ‬ ‫ﺷﻬﺮﻫﺎﻯ ﺩﺍﻧﻤﺎﺭﻙ ﺩﺭ ﺳﺎﻝ ﮔﺬﺷﺘﻪ‬
‫»ﺩﺭﻣﻘﺎﺑﻞ ﺍﻳﻦ ﻫﻤﻪ ﺍﻋﻤﺎﻝ ﺷﻨﻴﻊ‪،‬‬ ‫ﻣﺴﺦ‪ ،‬ﺻﺎﺩﻕ ﻫﺪﺍﻳﺖ‬ ‫ﺯﺍﺩﺭﻭﺯ ﺻﺎﺩﻕ ﻫﺪﺍﻳﺖ‪ 28 ،‬ﺑﻬﻤﻦ‬ ‫ﺑﺎ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﺩﺭ ﻣﻮﺭﺩ ﺳﻔﺮ ﺗﻦ ﺗﻦ‬ ‫ﻋﻜﺲﻫﺎﻳﻰ ﻛﻪ ﻣﻰﮔﻴﺮﻡ ﺑﺮﺍﻯ ﺳﻠﻴﻘﻪ‬ ‫ﺩﺍﺷﺘﻢ‪ ،‬ﺑﻪ ﻃﻮﺭ ﺍﺗﻔﺎﻗﻰ ﻣﺘﻮﺟﻪ ﻳﻚ‬
‫ﺳﺒﻌﻴﺖ‪ ،‬ﭘﺴﺘﻰ‪ ،‬ﺑﻰ ﺍﺧﺘﻴﺎﺭ ﻣﺠﺒﻮﺭ‬ ‫ﻧﻤﻰﮔﻮﻳﺪ ﺭﺍ ﻣﻰﺗﻮﺍﻥ ﺩﺭ ﺭﻭﺡ ﻟﻄﻴﻒ‬ ‫‪ ،1281‬ﺑﺎ ﺍﺳﺘﻨﺎﺩ ﺑﻪ ﺁﺛﺎﺭ ﻭﻯ )ﻣﻮﺭﺩ‬ ‫ﺑﻪ ﺍﻳﺮﺍﻥ ﻭ ﻭﺍﻛﻨﺶ ﻣﺮﺩﻡ ﺩﺭ ﺯﻣﺎﻥ‬ ‫ﻏﻴﺮﺍﻳﺮﺍﻧﻰ ﻫﻢ ﺟﺬﺍﺏ ﺍﺳﺖ‪ .‬ﺗﻦ ﺗﻦ ﺑﻪ‬ ‫ﻓﻴﮕﻮﺭ ﻛﻮﭼﻚ ﺗﻦ ﺗﻦ ﺩﺭ ﻣﻐﺎﺯﻩﺍﻯ‬
‫ﻣﻰﺷﻮﻳﻢ ﺍﻗﺮﺍﺭ ﻧﻤﺎﻳﻴﻢ ﻛﻪ ﺍﻧﺴﺎﻥ ﻳﻚ‬ ‫ﻫﺪﺍﻳ ِﺖ ﺟﻮﺍﻥ ﺩﻧﺒﺎﻝ ﻛﺮﺩ‪ .‬ﺩﻭ ﻧﻤﻮﻧﻪﻯ‬ ‫ﺗﺄﻳﻴﺪ ﺟﻬﺎﻧﮕﻴﺮﺧﺎﻥ ﻫﺪﺍﻳﺖ(‪ ،‬ﺗﻼﺵ‬ ‫ﻋﻜﺲﺑﺮﺩﺍﺭﻯ ﻭ ﺍﻧﺘﺸﺎﺭ ﺁﻧﻬﺎ ﮔﻔﺖ‪» :‬ﺩﺭ‬ ‫ﻋﻨﻮﺍﻥ ﻳﻚ ﺷﺨﺼﻴﺖ ﻛﺎﺭﺗﻮﻧﻰ ﻏﺮﺑﻰ‬ ‫ﺷﺪﻡ ﻛﻪ ﺧﺎﻃﺮﺍﺕ ﮔﺬﺷﺘﻪ ﺭﺍ ﺩﺭ‬
‫ﺟﺎﻧﻮﺭ ﭘﺴﺖ ﻓﺎﺳﺪﻯ ﺍﺳﺖ‪) «.‬ﺍﻧﺴﺎﻥ‬ ‫ﺑﺎﺭﺯ ﺭﺍ ﺩﺭ »ﺷﺮﺡ ﺣﺎﻝ ﻳﻚ ﺍﻻﻍ ﻫﻨﮕﺎﻡ‬ ‫ﻣﻰﻛﻨﻢ ﺑﻪ ﺩﻭ ﺟﻨﺒﻪ ﺍﺯ ﺍﻧﺪﻳﺸﻪﻫﺎﻯ‬ ‫ﺍﻳﺮﺍﻥ ﻣﺘﻮﺟﻪ ﻭﺍﻛﻨﺶ ﺧﺎﺻﻰ ﻧﺸﺪﻡ‪،‬‬ ‫ﺩﺭ ﻳﻚ ﻣﺤﻴﻂ ﺷﺮﻗﻰ ﻣﺜﻞ ﺍﻳﺮﺍﻥ‬ ‫ﻣﻦ ﺯﻧﺪﻩ ﻛﺮﺩ‪ .‬ﺍﻭﻟﻴﻦ ﻋﻜﺲ ﺭﺍ ﺩﺭ‬
‫ﻣﺮگ« ﻭ »ﺍﻧﺴﺎﻥ ﻭ ﺣﻴﻮﺍﻥ« ﻣﺮﺑﻮﻁ ﺑﻪ‬ ‫ﺍﺯ ﺟﻨ ِﺲ ﺩﻳﮕﺮﺵ ﺍﺷﺎﺭﻩ ﻛﻨﻢ؛‬ ‫ﮔﺎﻫﻰ ﺑﺎ ﻟﺒﺨﻨﺪ ﺍﺯ ﻛﻨﺎﺭﻡ ﺭﺩ ﻣﻰﺷﺪﻧﺪ‪.‬‬ ‫ﻣﻰﺗﻮﺍﻧﺪ ﺩﺍﺳﺘﺎﻥﻫﺎﻯ ﺟﺎﻟﺒﻰ ﺑﺮﺍﻯ‬ ‫ﺁﺯﻣﺎﻳﺸﮕﺎﻫﻰ ﻛﻪ ﻛﺎﺭ ﻣﻰﻛﺮﺩﻡ ﮔﺮﻓﺘﻢ‬
‫ﻭ ﺣﻴﻮﺍﻥ(‬ ‫ﺳﺎﻝ ‪ 1303‬ﻣﻰﺑﻴﻨﻴﻢ ﻛﻪ ﻫﺪﺍﻳﺖ ﺩﺭ ﺁﻥ‬ ‫»ﭘﺮﺧﺎﺷﮕﺮﻯ ﺍﺯ ﻣﺬﻫﺐ« ﻭ »ﺣﻴﻮﺍﻥ‬ ‫ﺍﻣﺎ ﺩﺭ ﺧﺎﺭﺝ ﺍﺯ ﺍﻳﺮﺍﻥ ﺑﺎﺭﻫﺎ ﺍﺗﻔﺎﻕ ﺍﻓﺘﺎﺩ‬ ‫ﺗﺎ ﺑﻪ ﺩﻭﺳﺘﺎﻧﻢ ﻧﺸﺎﻥ ﺩﻫﻢ ﻛﺠﺎ ﺩﺍﺭﻡ‬
‫»ﺩﻭ ﭼﺸﻢ ﻣﻴﺸﻰ ﭘﺮ ﺍﺯ ﺩﺭﺩ ﻭ ﺯﺟﺮ ﻭ‬ ‫ﺯﻣﺎﻥ ﺗﻨﻬﺎ ‪ 22‬ﺳﺎﻝ ﺩﺍﺭﺩ‪ .‬ﺷﺎﻳﺪ ﻧﮕﺮﺵ‬ ‫ﻛﻪ ﺩﺭ ﺣﻴﻦ ﻋﻜﺲﺑﺮﺩﺍﺭﻯ ﺍﺯ ﻣﻦ‬ ‫ﮔﻔﺘﻦ ﺩﺍﺷﺘﻪ ﺑﺎﺷﺪ«‪.‬‬ ‫ﻛﺎﺭ ﻣﻰﻛﻨﻢ ‪ .‬ﺑﺎ ﺩﻳﺪﻥ ﺍﻳﻦ ﻋﻜﺲ‬
‫ﺍﻧﺘﻈﺎﺭ ﻛﻪ ﻓﻘﻂ ﺩﺭ ﭘﻮﺯﻩﻯ ﻳﻚ ﺳﮓ‬ ‫ﺣﻴﻮﺍﻥﺩﻭﺳﺘﺎﻧﻪﻯ ﺍﻭ‪ ،‬ﺑﻬﺎﻧﻪﺍﻯ ﺑﺮﺍﻯ‬ ‫ﺭﻧﺞ ﺩﻳﺪﻩ«‪.‬‬ ‫ﻋﻜﺲ ﮔﺮﻓﺘﻪ ﺷﺪ‪ .‬ﺩﺭ ﺷﺒﻜﻪﻫﺎﻯ‬ ‫ﺍﻭ ﺍﺯ ﺍﻳﻦ ﺣﺮﻑﻫﺎﻯ ﻧﺎﮔﻔﺘﻪ ﺗﻦ ﺗﻦ‬ ‫ﻭ ﻭﺍﻛﻨﺶ ﺩﻭﺳﺘﺎﻥ ﻓﻴﺲﺑﻮﻛﻰﺍﻡ‬
‫ﺳﺮﮔﺮﺩﺍﻥ ﻣﻤﻜﻦ ﺍﺳﺖ ﺩﻳﺪﻩ ﺷﻮﺩ‪.‬‬ ‫ﻧﻮﺷﺘﻦ »ﻓﻮﺍﻳﺪ ﮔﻴﺎﻩﺧﻮﺍﺭﻯ« ﻭ ﺗﺄﻛﻴﺪ‬ ‫ﺍﻣﻜﺎ ِﻥ ﺩﺭ ِﻙ ﻧﻬﺎ ِﻥ ﻫﺪﺍﻳﺖ ﺍﺯ ﻣﻘﻮﻟﻪﻯ‬ ‫ﺍﺟﺘﻤﺎﻋﻰ ﺍﻣﺎ ﻛﺎﺭﺑﺮﻫﺎﻯ ﺍﻳﺮﺍﻧﻰ‬ ‫ﺩﺭ ﺍﻳﺮﺍﻥ ﻋﻜﺴﻰ ﺭﺍ ﻧﻤﻮﻧﻪ ﻣﻰﺁﻭﺭﺩ ﻛﻪ‬ ‫ﺑﻪ ﺍﻳﻦ ﻓﻜﺮ ﺍﻓﺘﺎﺩﻡ ﻛﻪ ﺍﺯ ﻫﺮ ﻣﻜﺎﻧﻰ‬
‫ﻭﻟﻰ ﺑﻪ ﻧﻈﺮ ﻣﻰﺁﻣﺪ ﻧﮕﺎﻩﻫﺎﻯ ﺩﺭﺩﻧﺎﻙ‬ ‫ﺑﺮ ﭘﺮﻫﻴﺰ ﺍﺯ ﺧﻮﺭﺩﻥ ﮔﻮﺷﺖ ﺣﻴﻮﺍﻧﺎﺕ‬ ‫ﻣﺬﻫﺐ ﻭ ﺩﻳﻦ ﺑﺮ ﻛﺴﻰ ﻭﺟﻮﺩ ﻧﺪﺍﺭﺩ‪.‬‬ ‫ﺗﻌﺠﺐﺷﻮﻥ ﺭﻭ ﺍﺯ ﺣﻀﻮﺭ ﺗﻦ ﺗﻦ ﺩﺭ‬ ‫ﺗﻦ ﺗﻦ ﺩﺭ ﻣﻴﺎﻥ ﻇﺮﻓﻰ ﭘﺮ ﺍﺯ ﺩﺍﻧﻪﻫﺎﻯ‬ ‫ﻛﻪ ﺧﻮﺍﺳﺘﻢ ﻋﻜﺲ ﺑﮕﻴﺮﻡ ﺗﻦ ﺗﻦ ﺭﺍ‬
‫ﭘﺮ ﺍﺯ ﺍﻟﺘﻤﺎ ِﺱ ﺍﻭ ﺭﺍ ﻛﺴﻰ ﻧﻤﻰﺩﻳﺪ ﻭ‬ ‫ﺑﺎﺷﺪ‪» .‬ﺳ ِﮓ ﻭﻟﮕﺮﺩ« ﺷﺎﻫﻜﺎ ِﺭ ﺩﻳﮕﺮ ﺍﻭ‬ ‫ﺷﺎﻳﺪ ﺍﻭ ﺩﺭ ﺑﺎﻃﻦ ﺧﻮﺩ‪ ،‬ﻓﺮﺩﻯ ﺑﺴﻴﺎﺭ‬ ‫ﺍﻳﺮﺍﻥ ﺑﻪ ﺷﻜﻞﻫﺎﻯ ﮔﻮﻧﺎﮔﻮﻥ ﻧﺸﺎﻥ‬ ‫ﺍﻧﺎﺭ ﺍﻳﺴﺘﺎﺩﻩ ﺍﺳﺖ ﻭ ﺍﺿﺎﻓﻪ ﻛﺮﺩ‪» :‬ﺟﺎﻳﻰ‬ ‫ﻫﻢ ﺩﺭ ﮔﻮﺷﻪﺍﻯ ﺍﺯ ﺗﺼﻮﻳﺮ ﻗﺮﺍﺭ ﺩﻫﻢ‬
‫ﻧﻤﻰﻓﻬﻤﻴﺪ! ﺟﻠﻮ ﺩﻛﺎﻥ ﻧﺎﻧﻮﺍﻳﻰ‪ ،‬ﭘﺎﺩﻭ ﺍﻭ‬ ‫ﺩﺭ ﺑﻴﺎﻥ ﺷﺮﺡ ﺣﺎﻝ ﺳﮕﻰ ﺗﻴﭙﺎﺧﻮﺭﺩﻩ‬ ‫ﻣﺬﻫﺐﺍﻧﺪﻳﺶ ﺑﻮﺩﻩ ﻭﻟﻰ ﺑﻪ ﻃﻮﺭ ﻗﻄﻊ‬ ‫ﻛﻪ ﺍﻛﺜﺮ ﻣﺮﺩﻡ ﺁﺷﻨﺎﻳﻰ ﭼﻨﺪﺍﻧﻰ ﺑﺎ ﺍﻧﺎﺭ‬ ‫ﻭ ﺑﺎ ﺍﻧﺘﺨﺎﺏ ﻣﻮﺿﻮﻉ ﺑﻪ ﺍﻭ ﺗﺼﻮﻳﺮ‬
‫ﺭﺍ ﻛﺘﻚ ﻣﻰﺯﺩ‪ .‬ﺟﻠﻮ ﻗﺼﺎﺑﻰ ﺷﺎﮔﺮﺩﺵ‬ ‫ﻭ ﻳﻘﻴﻦ ﺑﺎ ﺑﻬﺮﻩﺑﺮﺩﺍﺭﻯ ﺩﻳﻨﻰ ﻭ ﺑﻪ‬ ‫ﻣﻰﺩﺍﺩﻧﺪ«‪.‬‬ ‫ﻧﺪﺍﺭﻧﺪ ﻳﺎ ﺑﺎﻳﺪ ﻫﺰﻳﻨﻪ ﺯﻳﺎﺩﻯ ﺭﺍ ﺑﺮﺍﻯ‬ ‫ﺩﺍﺳﺘﺎﻧﻰ ﺑﺪﻫﻢ‪ .‬ﺍﺯ ﺍﻳﻨﺠﺎ ﺑﻮﺩ ﻛﻪ ﺗﻦ‬
‫ﺑﻪ ﺍﻭ ﺳﻨﮓ ﻣﻰﭘﺮﺍﻧﺪ‪ .‬ﺍﮔﺮ ﺯﻳﺮ ﺳﺎﻳﻪﻯ‬ ‫ﺍﺻﻄﻼﺡ »ﻛﻼﻩ ﺷﺮﻋﻰ« ﻣﺨﺎﻟﻒ ﺑﻮﺩﻩ‬ ‫ﺗﻦ ﺗﻦ ﺑﺮﺍﻯ ﭼﻨﺪ ﻧﺴﻞ ﺧﺎﻃﺮﻩ ﺍﺳﺖ‬ ‫ﺗﻬﻴﻪ ﺁﻥ ﺑﭙﺮﺩﺍﺯﻧﺪ‪ ،‬ﺗﻦ ﺗﻦ ﺩﺭ ﻳﻜﻰ ﺍﺯ‬ ‫ﺗﻦ ﺩﺭ ﺳﻔﺮﻫﺎﻯ ﻣﺨﺘﻠﻔﻰ ﻛﻪ ﺩﺍﺷﺘﻢ‬
‫ﺍﺗﻮﻣﺒﻴﻞ ﭘﻨﺎﻩ ﻣﻰﺑﺮﺩ‪ ،‬ﻟﮕﺪ ﺳﻨﮕﻴ ِﻦ‬ ‫ﺍﺳﺖ‪ .‬ﺩﻟﻴ ِﻞ ﻃﻌﻨﻪ ﺯﺩﻥ ﺑﻪ ﺍﺻﻮﻝ ﺩﻳﻦ ﺭﺍ‬ ‫ﻭ ﻫﻤﭽﻨﺎﻥ ﺷﺨﺼﻴﺖ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩﺍﻯ‬ ‫ﻋﻜﺲﻫﺎ ﺍﺯ ﺩﺍﺧﻞ ﻳﻚ ﻛﺎﺳﻪ ﭘﺮ ﺍﺯ ﺍﻧﺎﺭ‬ ‫ﺑﺎ ﻣﻦ ﻫﻤﺮﺍﻩ ﺷﺪ‪ .‬ﺍﺯ ﺍﻭ ﻋﻜﺲﻫﺎﻳﻰ ﺩﺭ‬
‫ﻛﻔﺶ ﻣﻴﺦﺩﺍ ِﺭ ﺷﻮﻓﺮ ﺍﺯ ﺍﻭ ﭘﺬﻳﺮﺍﻳﻰ‬ ‫ﻧﻴﺰ ﻣﻰﺗﻮﺍﻥ ﺩﺭ ﺗﺄﺛﻴﺮ ﺧﺮﺍﻓﺎﺕ ﺑﺮ ﺯﻧﺪﮔﻰ‬ ‫ﺩﺭ ﺟﻬﺎﻥ ﺑﻪ ﺷﻤﺎﺭ ﻣﻰﺭﻭﺩ‪ .‬ﺩﺭ ﺳﺎﻝ‬ ‫ﺳﺮﺥ ﺍﻳﺮﺍﻧﻰ ﺳﺮ ﺩﺭ ﺁﻭﺭﺩﻩ‪ .‬ﺍﻳﻦ ﻋﻜﺲ‬ ‫ﺩﺍﻧﻤﺎﺭﻙ‪ ،‬ﺍﻧﮕﻠﺴﺘﺎﻥ‪ ،‬ﺁﻣﺮﻳﻜﺎ‪ ،‬ﻣﺎﻟﺰﻯ ﻭ‬
‫ﻣﻰﻛﺮﺩ‪ .‬ﻫﻤﻪ ﻣﺤﺾ ﺭﺿﺎﻯ ﺧﺪﺍ ﺍﻭ ﺭﺍ‬ ‫ﻋﺎﺩﻯ ﻭ ﺟﻠﻮﮔﻴﺮﻯ ﺍﺯ ﺭﺷﺪ ﻓﻜﺮﻯ ﺻﺎﺩﻕ‬ ‫‪ 2011‬ﻓﻴﻠﻢ ﺳﻴﻨﻤﺎﻳﻰ »ﻣﺎﺟﺮﺍﻫﺎﻯ ﺗﻦ‬ ‫ﺑﺮﺍﻯ ﻣﺨﺎﻃﻠﺐ ﺍﻳﺮﺍﻧﻰ ﻳﻚ ﻣﻌﻨﻰ ﺩﻳﮕﺮ‬
‫ﻣﻰﺯﺩﻧﺪ ﻭ ﺑﻪ ﻧﻈﺮﺷﺎﻥ ﺧﻴﻠﻰ ﻃﺒﻴﻌﻰ‬ ‫ﻫﺪﺍﻳﺘﻤﺮﺩﻡ‪ ،‬ﺟﺴﺘﺠﻮ ﻛﺮﺩ‪ .‬ﺩﺭ ﺍﺩﺍﻣﻪ‪،‬‬ ‫ﺗﻦ« ﻛﻪ ﻳﻚ ﺍﻧﻴﻤﻴﺸﻦ ﻛﺎﻣﭙﻴﻮﺗﺮﻯ ﻭ‬ ‫ﺩﺍﺭﺩ‪ .‬ﺍﻧﺎﺭ ﻭ ﺗﻦ ﺗﻦ ﺑﺮﺍﻯ ﺑﻴﻨﻨﺪﻩﻫﺎﻯ‬ ‫ﺩﺭ ﺍﻳﺮﺍﻥ ﮔﺮﻓﺘﻪﺍﻡ«‪.‬‬
‫ﺑﻮﺩ ﺳﮓ ﻧﺠﺴﻰ ﺭﺍ ﻛﻪ ﻣﺬﻫﺐ ﻧﻔﺮﻳﻦ‬ ‫ﭼﻨﺪ ﻧﻤﻮﻧﻪ ﺍﺯ ﻧﻮﺷﺘﻪﻫﺎﻯ ﻫﺪﺍﻳﺖ ﺩﺭ‬ ‫ﺳﻪ ﺑﻌﺪﻯ ﺍﺳﺖ ﺑﺎ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﺍﺳﺘﻴﻮﻥ‬ ‫ﺍﻳﺮﺍﻧﻰ ﻳﺎﺩﺁﻭﺭ ﺷﺐ ﻳﻠﺪﺍ ﻭ ﺷﻌﺮ‬ ‫ﺍﻭ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﺍﻳﻨﻜﻪ ﺑﻌﺪﻫﺎ ﻣﺘﻮﺟﻪ‬
‫ﻛﺮﺩﻩ ﻭ ﻫﻔﺖ ﺗﺎ ﺟﺎﻥ ﺩﺍﺭﺩ ﺑﺮﺍﻯ ﺛﻮﺍﺏ‬ ‫ﺍﻳﻦ ﺯﻣﻴﻨﻪ ﺍﺭﺍﺋﻪ ﺷﺪﻩ ﺍﺳﺖ ﻛﻪ ﺑﻪ ﺧﻮﺑﻰ‬ ‫ﺍﺳﭙﻴﻠﺒﺮگ‪ ،‬ﻛﺎﺭﮔﺮﺩﺍﻥ ﻣﺸﻬﻮﺭ‪ ،‬ﺑﻪ ﺭﻭﻯ‬ ‫ﻧﻮﺳﺘﺎﻟﮋﻳﻚ »ﺻﺪ ﺩﺍﻧﻪ ﻳﺎﻗﻮﺕ« ﺍﺳﺘﺎﺩ‬ ‫ﺷﺪ ﻛﻪ ﺍﻓﺮﺍﺩ ﺯﻳﺎﺩﻯ ﺩﺭ ﺳﺮﺍﺳﺮ ﺩﻧﻴﺎ‬
‫ﺗﺴ ّﻠ ِﻂ ﻭﻯ ﺭﺍ ﺩﺭ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺍﺻﻄﻼﺣﺎﺕ‬
‫ﺑﭽﺰﺍﻧﻨﺪ!« )ﺳﮓ ﻭﻟﮕﺮﺩ(‬ ‫ﭘﺮﺩﻩﻯ ﺳﻴﻨﻤﺎﻫﺎ ﺭﻓﺖ‪.‬‬
‫ﺩﺭ ﭘﺎﻳﺎﻥ‪ ،‬ﻫﺪﺍﻳﺖ ﺷﺎﻳﺪ ﺑﺎ ﺍﻧﺘﺨﺎﺏ‬ ‫ﺷﺮﻋﻰ ﺑﻪ ُﺭﺥ ﻣﻰﻛﺸﺪ‪.‬‬
‫ﻋﻨﺎﻭﻳﻦ »ﺯﻧﺪﻩ ﺑﻪ ﮔﻮﺭ« ﻭ »ﻣﺮگ«‬ ‫»ﻳﻜﻰ ﺑﻮﺩ ﻳﻜﻰ ﻧﺒﻮﺩ‪ ،‬ﻏﻴﺮ ﺍﺯ ﺧﺪﺍ‬ ‫ﻭﻳﺪﺋﻮ ﻭﻳﺪﺋﻮ‬
‫ﺗﻼﺵ ﻣﻰﻛﺮﺩ ﺟﻨﺒﻪﻯ ﺩﻳﮕﺮﻯ ﺍﺯ‬ ‫ﻫﻴﺸﻜﻰ ﻧﺒﻮﺩ! ﻳﻚ ﺯﻣﻴﻨﻰ ﺑﻮﺩ ﺗﻮﻯ‬
‫ﺯﻧﺪﮔﻰ ﺭﺍ ﻧﺸﺎﻥ ﺩﻫﺪ؛ ﺭﻭ ِﻯ ﺩﻳﮕ ِﺮ‬ ‫ﻣﻨﻈﻮﻣﻪﻯﺷﻤﺴ ِﻰﺧﻮﺩﻣﺎﻥ َﺩ َﺭﻧﺪﺷﺖﻭ‬ ‫ﻣﺎﺟﺮﺍﻫﺎﻯ »ﺗﻦ ﺗﻦ ﻭ ﻣﻴﻠﻮ« ﺑﻪ ﻓﺎﺭﺳﻰ‬ ‫ﭘﻴﺶﭘﺮﺩﻩﻯﺍﻧﻴﻤﻴﺸﻦﺳﻪﺑﻌﺪﻯ»ﻣﺎﺟﺮﺍﻫﺎﻯﺗﻦﺗﻦ«‬
‫ﺳ ّﻜﻪﻯ ﺁﻓﺮﻳﻨﺶ ﻛﻪ ﻫﻤﺎﻥ ﭘﺎﻳﺎﻥ‬ ‫ﺑﻴﺎﺑﺎﻥ‪ ،‬ﻛﻪ ﺭﻭﻳﺶ ﻧﻪ ﺁﺏ ﺑﻮﺩ ﻧﻪ ﺁﺑﺎﺩﺍﻧﻰ‬
‫ﺯﻧﺪﮔﻰ ﺩﻧﻴﻮﻯ ﻭ ﺷﺮﻭﻉ ﺣﻴﺎﺕ ﺍﺧﺮﻭﻯ‬ ‫ﻭ ﻧﻪ ﮔﻠﺒﺎﻧﮓ ﻣﺴﻠﻤﺎﻧﻰ‪) «.‬ﻗﻀﻴﻪﻯ ﺯﻳﺮ‬ ‫»ﺑﺮﺍﻯ ﺩﻳﺪﻥ ﻭﻳﺪﺋﻮ ‪ ،‬ﺭﻭﻯ ﻋﻜﺲ ﻛﻠﻴﻚ ﻧﻤﻮﺩﻩ ﻭ ﻳﺎ ﺑﻪﺳﺎﻳﺖ ﻛﻴﻬﺎﻥ ﻟﻨﺪﻥ ﻣﺮﺍﺟﻌﻪ ﻧﻤﺎﻳﻴﺪ‪«.‬‬
‫ﺍﺳﺖ‪ .‬ﺍ ّﻣﺎ ﺷﻴﻮﻩﻯ ﺑﻴﺎ ِﻥ ﺍﻭ ﺑﺎ ﺗﻌﺎﻟﻴﻢ‬
‫ﺁﺳﻤﺎﻧﻰ ﻣﺘﻔﺎﻭﺕ ﺍﺳﺖ‪ ،‬ﻭ ﺍﺯﺍﻳﻦ‬ ‫ﺑﺘﻪ‪ ،‬ﺍﺯ ﻣﺠﻤﻮﻋﻪﻯ ِﻭﻟِﻨﮕﺎﺭﻯ(‬
‫ﺭﻭﺳﺖ ﻛﻪ ﻣﻮﺭﺩ ﺷﻤﺎﺗﺖ ﻗﺸﺮﻳ ّﻮﻥ‬ ‫»ﺗﺎﺯﻩ ﻣﺴﻠﻤﺎ ِﻥ ﻣﺆﻣ ِﻦ ﺩﻭ ﺁﺗﺸﻪ‪ ،‬ﻛﺴﻰ‬
‫ﻗﺮﺍﺭ ﻣﻰﮔﻴﺮﺩ‪ .‬ﻭ ﺍﮔﺮ ﺍﺯ ﻧﺎﺍﻣﻴﺪﻯ ﻭ ﻳﺄﺱ‬ ‫ﺍﺳﺖ ﻛﻪ ﺑﻪ ﺍﻣﻴﺪ ﻟﺬﺕﻫﺎﻯ ﻣﻮﻫﻮﻡ‬
‫ﺳﺨﻦ ﻣﻰﮔﻮﻳﺪ‪ ،‬ﻓﺮﻳﺎ ِﺩ ﺩﺭ ِﺩ ﻣﺸﺘﺮﻛﻰ‬ ‫ﺷﻬﻮﺍﻧﻰ ﻭ ﺷﻜﻢﭘﺮﺳﺘ ِﻰ ﺁﻥ ﺩﻧﻴﺎ‪ ،‬ﺑﺎ‬
‫ﺍﺯ ﺍﻧﺴﺎﻥﻫﺎ ﺍﺳﺖ‪ ،‬ﺑﺎ ﺍﻳﻦ ﺗﻔﺎﻭﺕ ﻛﻪ‬ ‫ﻓﻘﺮ ﻭ ﻓﻼﻛﺖ ﻭ ﺑﺪﺑﺨﺘﻰ ﻋﻤﺮ ﺭﺍ ﺑﻪ ﺳﺮ‬
‫ﺩﻳﮕﺮﺍﻥ ﺟﺮﺃ ِﺕ ﮔﻔﺘ ِﻦ ﺍﻳﻦ ﺩﺭﺩ ﺭﺍ‬ ‫ﺑﺮﺩ ﻭ ﻭﺳﺎﺋﻞ ﻋﻴﺶ ﻭ ﻧﻮﺵ ﻧﻤﺎﻳﻨﺪﮔﺎﻥ‬
‫ﻣﺬﻫﺒﺶ ﺭﺍ ﻓﺮﺍﻫﻢ ﺑﻴﺎﻭﺭﺩ‪ .‬ﻫﻤﻪﺍﺵ ﺯﻳﺮ‬
‫ﻧﺪﺍﺭﻧﺪ ﻭﻟﻰ ﺍﺯ ﺁﻥ ﺭﻧﺞ ﻣﻰﺑﺮﻧﺪ‪.‬‬ ‫ﺳﻠﻄﻪﻯ ﺍﻣﻮﺍﺕ ﺯﻧﺪﮔﻰ ﻣﻰﻛﻨﻨﺪ ﻭ‬
‫ﻭ ﻣﻦ‪ ،‬ﺑﻪ ﮔﻮﺍﻫ ِﻰ ﺁﺛﺎﺭ ﺑﻪ ﺟﺎ ﻣﺎﻧﺪﻩ‬ ‫ﻣﺮﺩﻣﺎ ِﻥ ﺯﻧﺪﻩ ﺍﻣﺮﻭﺯ ﺍﺯ ﻗﻮﺍﻧﻴﻦ ﺷﻮﻡ ﻫﺰﺍﺭ‬
‫ﺍﺯ ﻫﺪﺍﻳﺖ‪ ،‬ﺍﻭ ﺭﺍ ﻣﻴﻬﻦﺩﻭﺳﺖ‪ ،‬ﺩﻝ‬ ‫ﺳﺎﻝ ﭘﻴﺶ ﺗﺒﻌﻴﺖ ﻣﻰﻧﻤﺎﻳﻨﺪ‪ ،‬ﻛﺎﺭﻯ ﻛﻪ‬
‫ﺭﺣﻢ‪ ،‬ﻣﻬﺮﺑﺎﻥ‪ ،‬ﻃﺮﻓﺪﺍﺭ ﻣﻮﺳﻴﻘﻰ‪،‬‬ ‫ﭘﺴﺖﺗﺮﻳﻦ ﺟﺎﻧﻮﺭ ﻧﻤﻰﻛﻨﺪ‪ .‬ﻋﻮﺽ ﺍﻳﻨﻜﻪ‬
‫ﻋﻼﻗﻤﻨﺪ ﺑﻪ ﺭﺳﻮﻡ ﻛﻬﻦ ﺍﻳﺮﺍﻧﻰ‪،‬‬ ‫ﺑﻪ ﻣﺴﺎﺋﻞ ﻓﻜﺮﻯ ﻭ ﻓﻠﺴﻔﻰ ﻭ ﻫﻨﺮﻯ‬
‫ﺩ ﻭ ﺳﺘﺪ ﺍ ﺭ ﻃﺒﻴﻌﺖ ‪ ،‬ﻧﻮ ﻳﺴﻨﺪ ﻩ ﻭ‬ ‫ﺑﭙﺮﺩﺍﺯﻧﺪ‪ ،‬ﻛﺎﺭﺷﺎﻥ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﺻﺒﺢ‬
‫ﻣﺘﺮﺟﻤﻰﻋﺼﻴﺎﻧﮕﺮ ﻭ ﺩﺭﻭﻧﮕﺮﺍ ﻣﻰﺩﺍﻧﻢ؛‬ ‫ﺗﺎ ﺷﺎﻡ ﺭﺍﺟﻊ ﺑﻪ ﺷ ّﻚ ﻣﻴﺎ ِﻥ ﺩﻭ ﻭ ﺳﻪ‬
‫ﻓﻀﻴﻠﺖﻫﺎﻳﻰ ﻛﻪ ﺑﻪ ﺍﺣﺘﺮﺍﻡﺷﺎﻥ‪ ،‬ﺑﺎﻳﺪ‬ ‫ﺍﺳﺘﺤﺎﺿﻪﻯ ﻗﻠﻴﻠﻪ ﻭ ﻛﺜﻴﺮﻩ ﻭ ﻣﺘﻮﺳﻂ‬
‫ﺑﺤﺚ ﻛﻨﻨﺪ! ﺷﻴﺦ ﭘﺸﻢﺍﻟﺪﻳﻦ ﻛﺘﺎﺑﻰ ﺩﺭ‬
‫ﻛﻼﻩ ﺍﺯ ﺳﺮ ﺑﺮﺩﺍﺷﺖ‪.‬‬ ‫ﻧﺠﺎﺳﺎﺕ ﺗﺄﻟﻴﻒ ﻛﺮﺩ ﻛﻪ ﺣﺎﻭﻯ ﻫﺰﺍﺭ ﻭ‬
‫ﭘﺎﻧﺼﺪ ﻣﺴﺄﻟﻪ ﺩﺭ ﺑﺎﺏ ﺁﺩﺍﺏ ﺧﻸ ﺭﻓﺘﻦ ﻭ‬
‫ﻛﻮﻥﺷﻮﻳﻰ ﻭ ﺧﻮﺍﺹ ﺁﺏ ُﻛﺮ ﻭ ﻣﻀﺎﻑ ﻭ‬
‫ﺟﻠﻮ ﮔﺬﺍﺷﺘﻦ ﭘﺎﻯ ﭼﭗ ﻫﻨﮕﺎﻡ ﻭﺭﻭﺩ ﺑﻪ‬

‫ﻣﺤﻞ ﺗﺨﻠﻴﻪ ﺑﻮﺩ!‬
‫ﺧﻼﺻﻪ‪ ،‬ﺑﺎﺯﺍﺭ ﺩﻋﺎﻧﻮﻳﺲ ﻭ ﺟﻦﮔﻴﺮ ﻭ‬
‫ﺷﺎﺥ ﺣﺴﻴﻨﻰ ﻭ ﺟﻴﮕﺮﻛﻰ ﻭ ﻣﺤﻠﻞ‬
‫ﺭﻭﻧﻖ ﺑﺴﺰﺍ ﮔﺮﻓﺖ‪ .‬ﻣﺘﺨﺼﺼﻴﻦ ﺭﻭﺿﻪ ﻭ‬
‫ﮔﺮﻳﻪ‪ ،‬ﺗﻤﺎﻡ ﻟﺬﺕﻫﺎﻯ ﺍﻳﻦ ﺩﻧﻴﺎ ﺭﺍ ﺣﻮﺍﻟﻪ‬
‫ﺑﻪ ﺩﻧﻴﺎﻯ ﺩﻳﮕﺮ ﻣﻰﻛﺮﺩﻧﺪ ﻭ ﻣﺮﺩﻡ ﺭﺍ‬
‫ﻭﺍﺩﺍﺭ ﺑﻪ ﺯﻭﺯﻩ ﻭ ﺭﻭﺯﻩ ﻭ ﮔﺮﻳﻪ ﻭ ﭼﺴﻨﺎﻟﻪ‬

‫ﻣﻰﻧﻤﻮﺩﻧﺪ‪) «.‬ﺗﻮپ ُﻣﺮﻭﺍﺭﻯ(‬
‫»ﭘﻮﻝ‪ ،‬ﺳ ّﺘﺎﺭﺍﻟﻌﻴﻮﺑﻪ‪ .‬ﺍﮔﺮ ﭘﻮﻝ‪ ،‬ﺩﺯﺩﻯ ﺑﻮﺩ‬
‫ﻣﻰﺗﻮﻧﻰ ﺣﻼﻟﺶ ﺑﻜﻨﻰ ﻭ ﺍﺯ ﺷﻴ ِﺮ ﻣﺎﺩﺭ‬

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