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‫ﺟﻤﻌﻪ ‪ 19‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 25‬ژﻭﺋﻦ ‪2015‬‬

‫ﺑﻬﻨﺎﺯ ﺷﻔﻴﻌﻰ ﺩﺧﺘﺮﻯ ﻛﻪ ﺩﺭ ﻛﺸﻮﺭ‬ ‫ﺭﺥ ﻣﻰ ﺩﻫﺪ‪ ،‬ﻭﻟﻰ ﮔﺎﻫﻰ ﻣﺸﻜﻞ‬ ‫ﻛﻨﺴﺮﺕﻫﺎﻯ ﺑﻰﺻﺪﺍ‬ ‫»ﺍﺯ ﺍﻳﻨﻜﻪ ﺍﺭﻛﺴﺘﺮ ﺳﻤﻔﻮﻧﻴﻚ ﻭ‬
‫ﻣﻤﻨﻮﻋﻴﺖﻫﺎ ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ ﻣﻰﻛﻨﺪ‬ ‫ﺍﺯ ﻛﻨﺴﺮﺕ ﻭ ﺍﺟﺮﺍ ﻧﻴﺴﺖ‪ ،‬ﺑﻠﻜﻪ‬ ‫ﺍﺭﻛﺴﺘﺮ ﻣﻠﻰ ﺑﻪ ﺗﻌﻄﻴﻠﻰ ﻛﺸﻴﺪﻩ‬
‫ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﺣﺎﺿﺮ ﺩﺭ ﺑﺮﻧﺎﻣﻪ ﻣﺸﻜﻞ‬ ‫ﺷﺪﻩ ﺍﺳﺖ‪ ،‬ﺑﺴﻴﺎﺭ ﻣﺘﺄﺳﻔﻢ ﻭ ﺣﺘﻤﺎً‬
‫ﺳﺎﺯ ﻫﺴﺘﻨﺪ«‪ .‬ﺍﻣﺎ ﻣﺸﺨﺺ ﻧﻴﺴﺖ ﻛﻪ‬ ‫ﺍﺳﺖ‪ ،‬ﺁﺧﺮﻳﻦ ﺑﺎﺭ ﭘﻨﺞ ﺳﺎﻝ ﭘﻴﺶ ﻣﻦ‬ ‫»ﻣﺘﺪﻳﻨﻴﻦ ﻭ ﻓﻌﺎﻻﻥ ﻓﺮﻫﻨﮕﻰ« ﺭﻭﺑﺮﻭ‬ ‫ﺍﻳﻦ ﺩﻭﻟﺖ ﺩﺭ ﻫﻤﻴﻦ ﻣﺎﻩ ﻫﺎﻯ ﺁﻳﻨﺪﻩ‬
‫ﺗﻤﺎﺷﺎﭼﻴﺎﻥ ﺩﺭ ﻛﻨﺴﺮﺕ ﻋﻠﻴﺮﺿﺎ ﻗﺮﺑﺎﻧﻰ‬ ‫ﺑﻪ ﺍﺷﺘﺒﺎﻩ ﺑﺎ ﭼﻨﺪ ﺷﺒﻜﻪ ﻣﺎﻫﻮﺍﺭﻩ ﺍﻯ‬ ‫ﺷﺪ‪ .‬ﺍﻳﻦ ﻛﻨﺴﺮﺕ ﺑﻨﺎ ﺑﻮﺩ ﺩﺭ »ﻣﺤﺪﻭﺩﻩ‬ ‫ﺍﻳﻨﻬﺎ ﺭﺍ ﺍﺣﻴﺎء ﺧﻮﺍﻫﺪ ﻛﺮﺩ‪ ،‬ﺍﮔﺮ ﭼﻪ‬
‫ﺩﺭ ﺷﻬﺮ ﮔﻞﺑﻬﺎﺭ ﺍﺳﺘﺎﻥ ﺧﺮﺍﺳﺎﻥ ﭼﻪ‬ ‫ﻣﺼﺎﺣﺒﻪ ﺩﺍﺷﺘﻢ‪ ،‬ﺍﻣﺎ ﻫﺮﮔﺰ ﺑﻴﺮﻭﻥ ﺍﺯ‬ ‫ﻣﻨﻄﻘﻪ ﺁﺯﺍﺩ ﺍﺭﻭﻧﺪ« ﺑﺮﮔﺰﺍﺭ ﺷﻮﺩ ﻭ ﺑﻨﺎ‬ ‫ﻣﻤﻜﻦ ﺍﺳﺖ ﻭﺯﻳﺮ ﺑﺎﺯ ﻫﻢ ﻛﺎﺭﺕ ﺯﺭﺩ‬
‫»ﻣﺸﻜﻠﻰ« ﺭﺍ ﻓﺮﺍﻫﻢ ﻣﻰ ﺳﺎﺧﺘﻪ ﺍﻧﺪ‬ ‫ﭼﺎﺭﭼﻮﺏ ﻛﻨﺴﺮﺕ ﻫﺎﻳﻢ ﺣﺮﻓﻰ ﻧﺰﺩﻡ«‪.‬‬ ‫ﺑﻪ ﻗﺎﻧﻮﻥ ﺗﻨﻬﺎ ﻧﻴﺎﺯ ﺑﻪ ﺩﺭﻳﺎﻓﺖ ﻣﺠﻮﺯ‬ ‫ﺑﮕﻴﺮﺩ‪ .‬ﺍﻳﻦ ﺩﻭﻟﺖ ﺑﻪ ﺗﻤﺎﻡ ﺗﻌﻬﺪﺍﺕ ﻭ‬
‫ﻛﻪ ﺍﻳﻦ ﻛﻨﺴﺮﺕ ﻟﻐﻮ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺩﺭ‬ ‫ﻋﻮﺽ ﺣﻴﺪﺭﭘﻮﺭ ﻋﻀﻮ ﻛﻤﻴﺴﻴﻮﻥ‬ ‫ﺍﺯ ﺳﻮﻯ ﺳﺎﺯﻣﺎﻥ ﻣﻨﻄﻘﻪ ﺁﺯﺍﺩ ﺍﺭﻭﻧﺪ‬ ‫ﻗﻮﻝﻫﺎﻳﻰ ﻛﻪ ﺩﺭ ﺩﻭﺭﺍﻥ ﺍﻧﺘﺨﺎﺑﺎﺕ ﺑﻪ‬
‫ﻋﻴﻦ ﺣﺎﻝ ﺍﻧﺘﺸﺎﺭ ﻣﺠﻮﺯ ﻛﻨﺴﺮﺕ‬ ‫ﺍﻣﻨﻴﺖ ﻣﻠﻰ ﻣﺠﻠﺲ ﺷﻮﺭﺍﻯ ﺍﺳﻼﻣﻰ ﺩﺭ‬ ‫ﺩﺍﺷﺖ‪ .‬ﺩﺭ ﻫﻤﻴﻦ ﺭﺍﺑﻄﻪ »ﻳﻚ ﻓﻌﺎﻝ‬ ‫ﻣﺮﺩﻡ ﺩﺍﺩﻩ ﺍﺳﺖ‪ ،‬ﻋﻤﻞ ﺧﻮﺍﻫﺪ ﻛﺮﺩ؛‬
‫ﻋﻠﻴﺮﺿﺎ ﻗﺮﺑﺎﻧﻰ ﺍﺯ ﺳﻮﻯ ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ‬ ‫ﻣﻮﺭﺩ ﺑﺮﮔﺰﺍﺭﻯ ﻛﻨﺴﺮﺕ ﭘﺮﻭﺍﺯ ﻫﻤﺎﻯ ﺩﺭ‬ ‫ﻓﺮﻫﻨﮕﻰ« ﺑﻪ ﺧﺒﺮﮔﺰﺍﺭﻯ ﻓﺎﺭﺱ ﮔﻔﺘﻪ‬ ‫ﻛﺎﺭﺕ ﺯﺭﺩ ﺑﺮﺍﻯ ﺍﻳﻦ ﺩﻭﻟﺖ ﻧﮕﺮﺍﻧﻰ‬
‫ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰ ﻭ ﺍﻟﺰﺍﻡ ﺑﺮﮔﺰﺍﺭﻛﻨﻨﺪﻩ‬ ‫ﺗﻬﺮﺍﻥ ﮔﻔﺘﻪ ﺑﻮﺩ‪» :‬ﻣﺎ ﺩﺭ ﻛﺸﻮﺭ ﺧﻮﺩﻣﺎﻥ‬ ‫ﺍﺳﺖ‪» :‬ﺍﺟﺎﺯﻩ ﻧﻤﻰ ﺩﻫﻴﻢ ﺑﺮﺧﻰ ﺍﻓﺮﺍﺩ‬ ‫ﻧﻴﺴﺖ‪ .‬ﺑﻪ ﺍﻣﺜﺎﻝ ﺁﻗﺎﻯ ﺟﻨﺘﻰ ﻫﺎ ﺑﻪ‬
‫ﺍﻳﻦ ﻛﻨﺴﺮﺕ ﺑﻪ ﺭﻋﺎﻳﺖ ‪ 16‬ﻣﻮﺭﺩ‬ ‫ﻋﻨﻮﺍﻥ ﻣﺪﺍﻓﻊ ﺍﺯ ﺣﻘﻮﻕ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻭ‬
‫ﻭ ﻧﺨﺴﺘﻴﻦ ﻣﻌﺎﻭﻥ ﺭﻳﻴﺲ ﺟﻤﻬﻮﺭﻯ‬ ‫ﺑﻬﻨﺎﺯ ﺷﻔﻴﻌﻰ ﺩﺧﺘﺮ ﻣﻮﺗﻮﺭﺳﻮﺍﺭ ﺍﻳﺮﺍﻧﻰ‬ ‫ﻧﻜﺎﺕ ﻣﻬﻤﻰ ﺭﺍ ﺩﺭ ﺑﺮ ﺩﺍﺭﺩ‪ .‬ﺍﺯ ﺟﻤﻠﻪ‬ ‫ﻫﻨﺮﻣﻨﺪ ﺧﻮﺏ ﻛﻢ ﻧﺪﺍﺭﻳﻢ ﺁﻥ ﻭﻗﺖ‬ ‫ﺑﺨﻮﺍﻫﻨﺪ ﺑﺎ ﺳﻮء ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻣﻮﺿﻮﻉ‬
‫ﺁﻣﺮﻳﻜﺎ ﺩﺭ ﺍﻧﺠﻤﻦ ﺑﻴﻦ ﺍﻟﻤﻠﻠﻰ ﺯﻧﺎﻥ‬ ‫ﺑﺎ ﻭﺟﻮﺩ ﺗﻤﺎﻣﻰﻣﺤﺪﻭﺩﻳﺖﻫﺎﻯ ﻗﺎﻧﻮﻧﻰ‬ ‫ﺍﻳﻦ ﺍﻟﺰﺍﻣﺎﺕ؛ »ﻗﺒﻮﻝ ﻫﺮﮔﻮﻧﻪ ﻋﻮﺍﻗﺐ‬ ‫ﺟﺎﻟﺐ ﺍﺳﺖ ﻣﺴﺌﻮﻻﻥ ﻭﺯﺍﺭﺕ ﺍﺭﺷﺎﺩ‬ ‫ﻧﺸﺎﻁ ﺩﺭ ﻣﻨﻄﻘﻪ ﺑﺮﺍﻯ ﺩﺳﺘﻴﺎﺑﻰ ﺑﻪ‬ ‫ﺁﺯﺍﺩﻯ ﺍﻓﺘﺨﺎﺭ ﻣﻰ ﻛﻨﻴﻢ«‪.‬‬
‫ﻣﻮﺗﻮﺭﺳﻮﺍﺭ ﺷﺪ‪ .‬ﺗﺮﺯﺍ ﭘﻴﺸﮕﺎﻡ ﺯﻧﺎﻥ‬ ‫ﺩﻭﭼﺮﺧﻪﺳﻮﺍﺭﻯ ﻭ ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ ﺑﺮﺍﻯ‬ ‫ﺳﻮء ﺍﺯ ﺳﻮﻯ ﻣﺪﻳﺮ ﻋﺎﻣﻞ ﻣﻮﺳﺴﻪ‪،‬‬ ‫ﺑﻪ ﺩﻧﺒﺎﻝ ﺧﻮﺍﻧﻨﺪﻩﻫﺎﻯ ﺿﺪ ﺍﻧﻘﻼﺏ‬ ‫ﺍﻣﻴﺎﻝ ﻣﺎﺩﻯ ﺧﻮﺩ ﻗﺎﻧﻮﻥ ﺭﺍ ﺩﻭﺭ ﺯﺩﻩ ﻭ‬ ‫ﺍﻳﻦ ﺑﺨﺸﻰ ﺍﺯ ﺻﺤﺒﺖ ﻫﺎﻯ ﺣﺠﺖ‬
‫ﺯﻧﺎﻥ ﺩﺭ ﺍﻳﺮﺍﻥ ‪ 15‬ﺳﺎﻝ ﺍﺳﺖ ﻛﻪ ﻧﻪ ﺑﻪ‬ ‫ﻋﺪﻡ ﺗﺒﻠﻴﻎ ﺭﺳﺎﻧﻪ ﺍﻯ‪ ،‬ﺭﻋﺎﻳﺖ ﺍﻭﻗﺎﺕ‬ ‫ﻫﺴﺘﻨﺪ‪ ،‬ﻣﺎ ﺑﻪ ﺁﻗﺎﻳﺎﻥ ﺗﺬﻛﺮ ﻣﻰﺩﻫﻴﻢ‬ ‫ﺑﺎﻋﺚ ﺟﺮﻳﺤﻪﺩﺍﺭ ﻛﺮﺩﻥ ﺧﺎﻃﺮ ﻣﻮﻣﻨﻴﻦ‬ ‫ﺍﻻﺳﻼﻡ ﺭﻭﺣﺎﻧﻰ ﺩﺭ ﺣﻀﻮﺭ ﺟﻤﻌﻰ‬
‫ﻣﻮﺗﻮﺭﺳﻮﺍﺭ ﺩﺭ ﺑﺮﻳﺘﺎﻧﻴﺎ ﻭ ﺁﻣﺮﻳﻜﺎ ﺑﻮﺩ‪.‬‬ ‫ﺻﻮﺭﺕ ﺁﻣﺎﺗﻮﺭ ﺑﻠﻜﻪ ﺑﻪ ﺻﻮﺭﺕ ﺣﺮﻓﻪﺍﻯ‬ ‫ﺷﺮﻋﻰ ﺑﻪ ﻭﻳﮋﻩ ﻭﻗﺖ ﺍﺫﺍﻥ‪ ،‬ﺗﻔﻜﻴﻚ‬ ‫ﻛﻪ ﺩﺭ ﺭﺍﺳﺘﺎﻯ ﺍﺭﺯﺵﻫﺎ ﻭ ﺁﺭﻣﺎﻥﻫﺎﻯ‬ ‫ﻭ ﻣﺘﺪﻳﻨﻴﻦ ﻣﻨﻄﻘﻪ ﺷﻮﻧﺪ«‪ .‬ﻧﻜﺘﻪ ﻣﻬﻢ‬ ‫ﺍﺯ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻭ ﺍﻋﻀﺎﻯ ﺗﺸﻜﻞ ﻫﺎﻯ‬
‫ﺗﺮﺯﺍ ﺩﺭ ﺳﺎﻝ ‪ 1977‬ﺩﺭ ﻣﺼﺎﺣﺒﻪﺍﻯ‬ ‫ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ ﻣﻰﻛﻨﺪ ﺗﺎ ﺟﺎﻳﻰ ﻛﻪ ﻫﻢ‬ ‫ﻣﺤﻞ ﺍﺳﺘﻘﺮﺍﺭ ﺍﻓﺮﺍﺩ ﻣﺠﺮﺩ ﺍﺯ ﺧﺎﻧﻮﺍﺩﻩ‬ ‫ﻟﻐﻮ ﺍﻳﻦ ﻛﻨﺴﺮﺕ ﺣﻀﻮﺭ ﻋﻠﻰ ﺷﻤﺨﺎﻧﻰ‬ ‫ﻓﺮﻫﻨﮕﻰ ﻭ ﻫﻨﺮﻯ ﺩﺭ ﺗﺎﻻﺭ ﻭﺣﺪﺕ ﺩﺭ‬
‫ﮔﻔﺘﻪ ﺑﻮﺩ‪:‬ﺯﻣﺎﻧﻰ ﻛﻪ ﺑﺮﺍﻯ ﻧﺨﺴﺘﻴﻦ‬ ‫ﺭﺍﻧﺪﻥ ﺍﻭ ﻭ ﻫﻢ ﺣﺮﻛﺎﺕ ﻧﻤﺎﻳﺸﻰﺍﺵ‬ ‫ﻫﺎ ﻭ ﻋﺪﻡ ﺍﻧﺠﺎﻡ ﺗﺒﻠﻴﻎ ﻭ ﺍﺭﺳﺎﻝ ﭘﻴﺎﻣﻚ‬ ‫ﻧﻈﺎﻡ ﻭ ﺍﻧﻘﻼﺏ ﮔﺎﻡ ﺑﺮﺩﺍﺭﻧﺪ«‪.‬‬ ‫ﺩﺑﻴﺮ ﺷﻮﺭﺍﻯ ﻋﺎﻟﻰ ﺍﻣﻨﻴﺖ ﻣﻠﻰ‬
‫ﺑﺎﺭ ﻣﻮﺗﻮﺭﺳﻴﻜﻠﺘﻰ ﺭﺍ ﺩﻳﺪﻡ ﺍﺣﺴﺎﺱ‬ ‫ﺩﺭ ﺷﻬﺮ ﻣﺸﻬﺪ« ﺍﺳﺖ‪ .‬ﺍﻣﺎ ﺑﺎ ﺭﻋﺎﻳﺖ‬ ‫ﺩﺭ ﻫﻤﻴﻦ ﺣﺎﻝ ﺭﻭﺯﻧﺎﻣﻪ ﺟﻮﺍﻥ ﺍﺯ‬ ‫ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ ﺩﺭ ﻫﻴﺎﺕ ﻣﺪﻳﺮﻩ‬ ‫ﺩﻳﻤﺎﻩ ﺳﺎﻝ ‪ 1392‬ﺑﻮﺩ‪.‬‬
‫ﻋﺠﻴﺒﻰ ﺩﺍﺷﺘﻢ‪ .‬ﺍﺯ ﺁﻥ ﺍﺣﺴﺎﺱﻫﺎ ﻛﻪ‬ ‫ﺧﻴﻠﻰﻫﺎ ﺭﺍ ﻣﺘﻌﺠﺐ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﻫﻤﻪ ﺍﻳﻦ ﻣﻮﺍﺭﺩ ﻭ ﺣﺘﻰ ﺣﺬﻑ ﻫﻤﺴﺮ‬ ‫ﺭﺳﺎﻧﻪ ﻫﺎﻯ ﻧﺰﺩﻳﻚ ﺑﻪ ﺳﭙﺎﻩ ﭘﺎﺳﺪﺍﺭﺍﻥ‬ ‫ﻣﺤﺪﻭﺩﻩ ﻣﻨﻄﻘﻪ ﺁﺯﺍﺩ ﺍﺭﻭﻧﺪ ﺍﺳﺖ‪ .‬ﺩﺭ‬ ‫ﺳﺮﺍﻧﺠﺎﻡ ﺩﺭ ﺍﺳﻔﻨﺪ ‪ 1393‬ﻭ ﭘﺲ ﺍﺯ‬
‫ﺍﺷﻚ ﺁﺩﻡ ﺭﺍ ﺩﺭ ﻣﻰﺁﻭﺭﺩ‪ .‬ﻣﺜﻞ ﺍﻳﻨﻜﻪ‬ ‫ﺑﻬﻨﺎﺯ ﺷﻔﻴﻌﻴﻮﺑﺴﺎﻳﺖ ﺑﻰ ﺑﻰ ﺳﻰ‬ ‫ﻋﻠﻴﺮﺿﺎ ﻗﺮﺑﺎﻧﻰ ﺍﺯ ﮔﺮﻭﻩ ﻫﻢ ﺁﻭﺍﻳﺎﻥ‪،‬‬ ‫ﻧﻮﺷﺘﻪ ﺍﺳﺖ‪» :‬ﭼﺮﺍ ﻣﺴﺌﻮﻻﻧﻰ ﻛﻪ ﻣﺠﻮﺯ‬ ‫ﻭﺍﻗﻊ ﺯﻣﺎﻧﻰ ﻛﻪ ﺩﺑﻴﺮ ﺷﻮﺭﺍﻯ ﻋﺎﻟﻰ‬ ‫ﻭﻗﻔﻪ ﺍﻯ ‪ 25‬ﻣﺎﻫﻪ ﺍﺭﻛﺴﺘﺮ ﺳﻤﻔﻮﻧﻴﻚ‬
‫ﺩﺍﺭﻳﺪ ﻳﻚ ﻗﻄﻌﻪ ﻣﻮﺳﻴﻘﻰ ﻣﻰﺷﻨﻮﻳﺪ‬ ‫ﺍﻧﮕﻠﻴﺴﻰ ﺩﺭ ﮔﺰﺍﺭﺷﻰ ﺑﻪ ﺍﻳﻦ ﺩﺧﺘﺮ‬ ‫ﺩﺍﺩﺳﺘﺎﻥ ﻋﻤﻮﻣﻰ ﻭ ﺍﻧﻘﻼﺏ ﺷﻬﺮﺳﺘﺎﻥ‬ ‫ﺍﺟﺮﺍﻯ ﻛﻨﺴﺮﺕ ﺑﻪ ﺍﻳﻦ ﻓﺮﺩ ﺭﺍ ﺩﺍﺩﻩ ﺍﻧﺪ‬ ‫ﺍﻣﻨﻴﺖ ﻣﻠﻰ ﻳﻚ ﻛﺸﻮﺭ ﻧﺘﻮﺍﻧﺪ ﻣﺼﻮﺑﻪ‬ ‫ﺗﻬﺮﺍﻥ ﺑﻪ ﺭﻫﺒﺮﻯ ﻋﻠﻰ ﺭﻫﺒﺮﻯ ﺩﺭ‬
‫ﻳﺎ ﺩﺭ ﺑﺮﺍﺑﺮ ﻳﻚ ﺍﺛﺮ ﻫﻨﺮﻯ ﺍﻳﺴﺘﺎﺩﻩﺍﻳﺪ‬ ‫ﭼﻨﺎﺭﺍﻥ ﺩﺭ ﻧﺎﻣﻪ ﺍﻯ ﺧﻄﺎﺏ ﺑﻪ ﺭﻳﺎﺳﺖ‬ ‫ﺧﻮﺩﺷﺎﻥ ﺭﺍ ﭘﺸﺖ ﻧﻬﺎﺩﻫﺎﻯ ﺍﻣﻨﻴﺘﻰ‬ ‫ﻫﻴﺎﺗﻰ ﺭﺍ ﻛﻪ ﻋﻀﻮ ﺁﻥ ﺍﺳﺖ ﺑﻪ ﺍﺟﺮﺍ‬ ‫ﺍﺟﺮﺍﻳﻰ ﺧﺼﻮﺻﻰ ﺑﻪ ﺭﻭﻯ ﺻﺤﻨﻪ ﺭﻓﺖ‪.‬‬
‫ﻛﻪ ﺑﻪ ﺷﺪﺕ ﺷﻤﺎ ﺭﺍ ﺗﺤﺖ ﺗﺎﺛﻴﺮ ﻗﺮﺍﺭ‬ ‫ﻣﻮﺗﻮﺭﺳﻮﺍﺭ ﭘﺮﺩﺍﺧﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﺍﺩﺍﺭﻩ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰ ﺍﻳﻦ‬ ‫ﻛﻪ ﻣﻤﻜﻦ ﺍﺳﺖ ﺍﺯ ﺍﻳﻦ ﻣﺠﻮﺯ ﺍﻃﻼﻋﻰ‬ ‫ﺩﺭ ﺍﻳﻦ ﻣﺪﺕ ﺻﺤﺒﺘﻬﺎﻯ ﺑﺴﻴﺎﺭﻯ ﺩﺭ‬
‫ﺑﻬﻨﺎﺯ ‪ 26‬ﺳﺎﻟﻪ ﺍﺳﺖ‪ .‬ﺑﺎ ﺣﺠﺎﺏ‬ ‫ﺷﻬﺮﺳﺘﺎﻥ ﻧﻮﺷﺘﻪ ﺍﺳﺖ‪» :‬ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ‬ ‫ﻣﻮﺭﺩ ﺍﺩﻏﺎﻡ ﺍﺭﻛﺴﺘﺮ ﺳﻤﻔﻮﻧﻴﻚ ﺗﻬﺮﺍﻥ‬
‫ﺩﺍﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﺯﻳﺮ ﻛﻼﻩ ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻳﺶ ﺍﺯ ﺩﻭﺭ ﺑﻪ‬ ‫ﺍﻋﺘﺮﺍﺽ ﺍﻣﺖ ﺣﺰﺏ ﺍﻟﻪ ﻭ ﺩﻏﺪﻏﻪ ﻫﺎ‬ ‫ﻭ ﺍﺭﻛﺴﺘﺮ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﻣﻄﺮﺡ ﺷﺪﻩ ﺑﻮﺩ‪.‬‬
‫ﺑﻰ ﺑﻰ ﺳﻰ ﺍﻧﮕﻠﻴﺴﻰ ﻣﻰﻧﻮﻳﺴﺪ ﻫﻢ‬ ‫ﻧﻈﺮ ﻣﻰﺭﺳﺪ ﻛﻪ ﭘﺴﺮﻯ ﺩﺭ ﺣﺎﻝ‬ ‫ﻭ ﻣﺨﺎﻟﻔﺖ ﻫﺎﻯ ﺍﻣﺎﻡ ﺟﻤﻌﻪ ﻣﺤﺘﺮﻡ‬ ‫ﺍﺩﻏﺎﻡ ﺍﺭﻛﺴﺘﺮ ﺳﻤﻔﻮﻧﻴﻚ ﺗﻬﺮﺍﻥ ﻛﻪ‬
‫ﺷﻬﺮ ﮔﻞﺑﻬﺎﺭ ﻭ ﺍﻳﻦ ﻛﻪ ﺍﺟﺮﺍﻯ ﻛﻨﺴﺮﺕ‬ ‫ﺑﺎ ﺳﺎﺯﻫﺎﻯ ﻏﺮﺑﻰ‪ ،‬ﺑﻪ ﺍﺟﺮﺍﻯ ﻣﻮﺳﻴﻘﻰ‬
‫ﺍﻛﻨﻮﻥ ﺗﺨﻤﻴﻦ ﺯﺩﻩ ﻣﻰﺷﻮﺩ ﻛﻪ ﺑﻴﺶ ﺍﺯ‬ ‫ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ ﺍﺳﺖ ﺍﻣﺎ ﺯﻣﺎﻧﻰ ﻛﻪ ﻛﻼﻩ‬ ‫ﻣﻮﺳﻴﻘﻰ ﺑﺎ ﻓﺮﻫﻨﮓ ﻋﻤﻮﻣﻰ ﻭ ﺍﺻﻴﻞ‬ ‫ﻧﺪﺍﺷﺘﻪ ﺑﺎﺷﻨﺪ ﭘﻨﻬﺎﻥ ﻣﻰ ﻛﻨﻨﺪ ﻭ ﺑﺎ‬ ‫ﺑﮕﺬﺍﺭﺩ ﻭ ﺩﺭ ﻣﻘﺎﺑﻞ ﻓﺸﺎﺭ ﻋﺪﻩ ﺍﻯ ﻃﻼﺏ‬ ‫ﻛﻼﺳﻴﻚ ﺍﻗﺪﺍﻡ ﻣﻰ ﻛﻨﺪ ﻭ ﺍﺭﻛﺴﺘﺮ‬
‫‪ 500‬ﻫﺰﺍﺭ ﺯﻥ ﺩﺭ ﺑﺮﻳﺘﺎﻧﻴﺎ ﮔﻮﺍﻫﻰ ﻧﺎﻣﻪ‬ ‫ﺭﺍ ﺍﺯ ﺳﺮﺵ ﺑﺮﻣﻰﺩﺍﺭﺩ ﺧﻴﻠﻰﻫﺎ ﺭﺍ‬ ‫ﺍﻳﻦ ﺧﻄﻪ ﺍﺯ ﻣﻴﻬﻦ ﺍﺳﻼﻣﻰ ﻣﻐﺎﻳﺮﺕ‬ ‫ﭼﻨﻴﻦ ﺍﻇﻬﺎﺭﺍﺕ ﺑﻌﻴﺪﻯ ﺳﻌﻰ ﺩﺍﺭﻧﺪ‬ ‫ﻭ ﺑﺴﻴﺠﻴﺎﻥ ﻳﻚ ﺷﻬﺮ ﻛﻮﺗﺎﻩ ﻣﻴﺂﻳﺪ ﭼﻪ‬ ‫ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﻛﻪ ﺑﺎ ﺳﺎﺯﻫﺎﻯ ﺍﻳﺮﺍﻧﻰ ﺑﻪ‬
‫ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻨﺪ‪ .‬ﺍﻳﻦ ﺩﺭ‬ ‫ﺩﺍﺭﺩ‪ ...‬ﺍﻳﻦ ﺟﺎﻧﺐ ﺑﻪ ﻋﻨﻮﺍﻥ ﺩﺍﺩﺳﺘﺎﻥ‬ ‫ﺗﺎ ﻓﻀﺎﻯ ﻓﺮﻫﻨﮕﻰ ﻭ ﻫﻨﺮﻯ ﻛﺸﻮﺭﻣﺎﻥ‬ ‫ﺍﻧﺘﻈﺎﺭﻯ ﻣﻰﺗﻮﺍﻥ ﺍﺯ ﺩﻳﮕﺮ ﺷﻬﺮﻫﺎ ﻭ‬ ‫ﺭﻭﻯ ﻣﻮﺳﻴﻘﻰ ﺳﻨﺘﻰ ﻣﺘﻤﺮﻛﺰ ﺍﺳﺖ‪،‬‬
‫ﺗﻀﺎﺩ ﻛﺎﻣﻞ ﺑﺎ ﺍﻳﺮﺍﻥ ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪ ،‬ﻛﺸﻮﺭﻯ‬ ‫ﺷﮕﻔﺖﺯﺩﻩ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﻋﻤﻮﻣﻰ ﻭ ﺍﻧﻘﻼﺏ ﭼﻨﺎﺭﺍﻥ ﻣﺨﺎﻟﻔﺖ‬ ‫ﺭﺍ ﺍﻣﻨﻴﺘﻰ ﺟﻠﻮﻩ ﺩﺍﺩﻩ ﻭ ﻓﻀﺎ ﺭﺍ ﺑﺮﺍﻯ‬ ‫ﺍﺯ ﻫﻤﺎﻥ ﺍﺑﺘﺪﺍ ﺑﺎ ﻣﺨﺎﻟﻔﻴﻨﻰ ﺍﺯ ﺟﻤﻠﻪ‬
‫ﻛﻪ ﺷﻔﻴﻌﻰ ﺑﻪ ﻫﻤﺮﺍﻩ ‪ 6‬ﺯﻥ ﻣﻮﺗﻮﺭﺳﻮﺍﺭ‬ ‫ﺑﻰ ﺑﻰ ﺳﻰ ﺍﻧﮕﻠﻴﺴﻰ ﻧﻮﺷﺘﻪ ﺩﺭ‬ ‫ﺷﺪﻳﺪ ﺧﻮﺩ ﺭﺍ ﺑﺎ ﺍﺟﺮﺍﻯ ﻛﻨﺴﺮﺕ‬ ‫ﺍﻧﮓ ﺯﺩﻥ ﺭﺳﺎﻧﻪ ﻫﺎﻯ ﺿﺪﺍﻧﻘﻼﺑﻰ ﻭ‬ ‫ﻛﻨﺴﺮﺕﻫﺎﻯ ﻟﻐﻮ ﺷﺪﻩ ﺩﺍﺷﺖ؟‬ ‫ﻓﺮﻫﺎﺩ ﻓﺨﺮﺍﻟﺪﻳﻨﻰ ﻣﺪﻳﺮ ﺍﺭﻛﺴﺘﺮ ﻣﻠﻰ‬
‫ﺩﻳﮕﺮ ﺗﻨﻬﺎ ﺯﻧﺎﻧﻰ ﻫﺴﺘﻨﺪ ﻛﻪ ﺍﺟﺎﺯﻩ‬ ‫ﻛﺸﻮﺭﻯ ﻛﻪ ﺗﻌﺪﺍﺩﻯ ﺍﺯ ﺭﻭﺣﺎﻧﻴﻮﻥ‬ ‫ﻣﻮﺳﻴﻘﻰ ﻣﺬﻛﻮﺭ ﻭ ﻫﺮ ﻧﻮﻉ ﻛﻨﺴﺮﺕ‬ ‫ﻣﻌﺎﻧﺪ ﻓﺮﺍﻫﻢ ﻣﻰ ﻛﻨﻨﺪ؟! ﺣﺎﻝ ﺑﺎ ﺗﻤﺎﻡ‬
‫ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ ﺩﺭ ﭘﻴﺴﺖﻫﺎﻯ ﺁﻣﺎﺗﻮﺭ ﺭﺍ‬ ‫ﻣﺤﺎﻓﻈﻪﻛﺎﺭ ﺣﻀﻮﺭ ﺯﻧﺎﻥ ﺩﺭ ﻭﺭﺯﺷﮕﺎﻩﻫﺎ‬ ‫ﻣﻮﺳﻴﻘﻰ ﺩﻳﮕﺮ ﺍﻋﻢ ﺍﺯ ﭘﺎپ ﻭ ﺳﻨﺘﻰ‬ ‫ﺍﻳﻦ ﺗﻔﺎﺳﻴﺮ ﻣﻮﺿﻮﻉ ﺑﺮﮔﺰﺍﺭﻯ ﻛﻨﺴﺮﺕ‬ ‫ﺍﻣﻨﻴﺖ ﻣﻠﻰ ﻭ ﻧُﺖ ﻫﺎﻯ‬ ‫ﺍﻳﺮﺍﻥ ﺭﻭﺑﺮﻭ ﺷﺪﻩ ﺑﻮﺩ‪.‬‬
‫ﺭﺍ ﺑﺮﺍﻯ ﺗﻤﺎﺷﺎﻯ ﻣﺴﺎﺑﻘﺎﺕ ﻣﺮﺩﺍﻥ‬ ‫ﺍﻋﻼﻡ ﻣﻰ ﺩﺍﺭﺩ«‪ .‬ﺑﺎ ﺍﻳﻦ ﺣﺴﺎﺏ ﺁﻳﺎ ﻋﻠﻰ‬ ‫ﺗﻮﺳﻂ ﺳﻌﻴﺪ ﺟﻌﻔﺮﺯﺍﺩﻩ ﺳﺮﮔﻮﺭﺍﺑﻰ‬ ‫ﻫﻨﺠﺎﺭﺷﻜﻦ‬ ‫ﺳﺮﺍﻧﺠﺎﻡ ﺩﺭ ‪ 20‬ﺧﺮﺩﺍﺩ ‪1394‬‬
‫ﺑﻪ ﺩﺳﺖ ﺁﻭﺭﺩﻩﺍﻧﺪ‪.‬‬ ‫ﻧﻜﻮﻫﺶ ﻣﻰﻛﻨﻨﺪ ﺣﺮﻛﺖ ﺑﻬﻨﺎﺯ‬ ‫ﺟﻨﺘﻰ ﺑﺎ ﻭﺟﻮﺩ ﻣﺨﺎﻟﻔﺖ ﺩﺍﺩﺳﺘﺎﻧﻰ ﻛﻪ‬ ‫]ﭘﺮﻭﺍﺯ ﻫﻤﺎﻯ[ ﻭ ﺍﺩﻋﺎﻯ ﺗﺄﻳﻴﺪ ﺁﻥ ﺍﺯ‬ ‫ﺍﺭﻛﺴﺘﺮ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﺑﻪ ﺭﻫﺒﺮﻯ‬
‫ﺩﺭ ﺍﻳﺮﺍﻥ ﺯﻧﺎﻥ ﻫﻨﻮﺯ ﺍﺟﺎﺯﻩ‬ ‫ﺑﺎ ﺍﺟﺮﺍﻯ »ﻫﺮ ﻧﻮﻉ ﻛﻨﺴﺮﺕ« ﻣﺨﺎﻟﻔﺖ‬ ‫ﺳﻮﻯ ﻧﻬﺎﺩﻫﺎﻯ ﺍﻣﻨﻴﺘﻰ‪ ،‬ﺗﺎﺯﻩ ﺗﺮﻳﻦ‬ ‫ﻋﺪﻡ ﺻﺪﻭﺭ ﻣﺠﻮﺯ ﻛﻨﺴﺮﺕ ﺑﺮﺍﻯ‬ ‫ﻓﺨﺮﺍﻟﺪﻳﻨﻰ ﺩﺭ ﺗﺎﻻﺭ ﻭﺣﺪﺕ ﺑﻪ ﺭﻭﻯ‬
‫ﺩﻭﭼﺮﺧﻪﺳﻮﺍﺭﻯ ﻭ ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ ﺩﺭ‬ ‫ﺷﺠﺎﻋﺎﻧﻪ ﺑﻪ ﻧﻈﺮ ﻣﻰﺭﺳﺪ‪.‬‬ ‫ﻣﻰ ﻛﻨﺪ ﺑﺎﺯ ﻫﻢ ﺗﻤﺎﺷﺎﭼﻴﺎﻥ ﺭﺍ ﻣﻘﺼﺮ‬ ‫ﻧﻤﻮﻧﻪ ﺍﺯ ﮔﺎﻑ ﻫﺎ ﻭ ﺿﺪﺍﻧﻘﻼﺏ ﻧﻮﺍﺯﻯ‬ ‫ﻣﺤﻤﺪﺭﺿﺎ ﺷﺠﺮﻳﺎﻥ ﺗﻨﻬﺎ ﻧﻤﻮﻧﻪ ﺍﻯ‬ ‫ﺻﺤﻨﻪ ﺭﻓﺖ ﺗﺎ ﭘﺲ ﺍﺯ ﻧﺰﺩﻳﻚ ﺑﻪ ﺩﻭ‬
‫ﺧﻴﺎﺑﺎﻥﻫﺎﻯ ﺷﻬﺮ ﺭﺍ ﻧﺪﺍﺭﻧﺪ ﻭ ﺩﺭﻫﺎﻯ‬ ‫ﺑﻬﻨﺎﺯ ﺩﺭ ﻓﺮﺻﺘﻰ ﻛﻪ ﺣﻴﻦ‬ ‫ﻣﻰ ﺩﺍﻧﺪ ﻭ ﺑﻪ ﺟﺎﻯ ﺣﻞ ﻣﺴﺎﻟﻪ ﻣﺎﻧﻨﺪ‬ ‫ﻣﺴﺌﻮﻻﻥ ﻓﺮﻫﻨﮕﻲ ﻭ ﻫﻨﺮﻯ ﺍﺳﺖ ﻛﻪ‬ ‫ﻧﻴﺴﺖ ﻛﻪ »ﺍﻣﻨﻴﺖ ﻣﻠﻰ« ﻭ ﻣﺴﺎﺋﻠﻰ‬ ‫ﺳﺎﻝ ﻭ ﻧﻴﻢ ﺍﻳﻦ ﺍﺭﻛﺴﺘﺮ ﻧﻴﺰ ﺍﺣﻴﺎء‬
‫ﭘﻴﺴﺖ ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ ﺍﺳﺘﺎﺩﻳﻮﻡ ﺁﺯﺍﺩﻯ‬ ‫ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ ﺩﺭ ﺣﻮﻣﻪ ﺗﻬﺮﺍﻥ ﺑﻪ‬ ‫ﺑﺴﻴﺎﺭ ﻣﻮﺍﺭﺩ ﺩﻳﮕﺮ ﺩﺭ ﻧﻈﺎﻡ ﺟﻤﻬﻮﺭﻯ‬ ‫ﺍﻣﻴﺪﻭﺍﺭﻳﻢ ﺑﺮﺍﻯ ﺍﺩﻋﺎﻫﺎ ﻭ ﭼﺮﺍﻳﻰ ﻓﺮﺻﺖ‬ ‫ﺍﺯ ﺍﻳﻦ ﺩﺳﺖ ﺭﺍ ﺑﻪ ﺑﺮﮔﺰﺍﺭﻯ ﻛﻨﺴﺮﺗﻬﺎ‬ ‫ﺷﻮﺩ‪ .‬ﺩﺭ ﺍﺑﺘﺪﺍﻯ ﺍﻳﻦ ﻣﺮﺍﺳﻢ ﻛﻠﻴﭙﻰ ﺍﺯ‬
‫ﺩﺳﺖ ﻣﻰﺁﻳﺪ ﻣﻰﮔﻮﻳﺪ‪ :‬ﻭﻗﺘﻰ ﺩﻭ ﺭﻭﺯ‬ ‫ﺍﺳﻼﻣﻰ ﺑﻪ ﺩﻧﺒﺎﻝ ﭘﺎﻙ ﻛﺮﺩﻥ ﺻﻮﺭﺕ‬ ‫ﻣﺘﺼﻞ ﻣﻰ ﻛﻨﺪ‪ .‬ﭘﺮﻭﺍﺯ ﻫﻤﺎﻯ ﭘﺲ ﺍﺯ‬ ‫ﺳﺨﻨﺮﺍﻧﻰ ﺭﻳﻴﺲ ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ‬
‫ﺗﻬﺮﺍﻥ ﻧﻴﺰ ﺑﻪ ﺭﻭﻯ ﺁﻧﻬﺎ ﺑﺴﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﻣﻰﮔﺬﺭﺩ ﻭ ﻣﻦ ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ ﻧﻤﻰﻛﻨﻢ‬ ‫‪ 8‬ﺳﺎﻝ ﻣﺠﻮﺯ ﺑﺮﮔﺰﺍﺭﻯ ﻛﻨﺴﺮﺗﻰ ﺭﺍ‬ ‫ﺩﺭ ﺟﻤﻊ ﻫﻨﺮﻣﻨﺪﺍﻥ ﭘﺨﺶ ﺷﺪ ﺗﺎ ﺁﻥ‬
‫ﻧﺘﻴﺠﻪ ﻫﻤﻪ ﺍﻳﻦ ﻣﻤﻨﻮﻋﻴﺖﻫﺎ ﺑﺮﺍﻯ‬ ‫ﺍﺣﺴﺎﺱ ﻣﻰﻛﻨﻢ ﻣﺮﻳﺾ ﺷﺪﻩﺍﻡ‪.‬ﺣﺘﻰ‬ ‫ﻣﺴﺎﻟﻪ ﺧﻮﺍﻫﺪ ﺑﻮﺩ؟‬ ‫ﺭﺍ ﺑﻪ ﻟﻴﺴﺖ »ﻭﻋﺪﻩﻫﺎﻯ« ﻋﻤﻞ ﺷﺪﻩ‬
‫ﺑﻬﻨﺎﺯ ﻛﻪ ﻫﻔﺘﻪﺍﻯ ﺳﻪ ﺑﺎﺭ ﺗﻤﺮﻳﻦ‬ ‫ﺯﻣﺎﻧﻰ ﻛﻪ ﺑﻪ ﺍﻳﻦ ﻓﻜﺮ ﻣﻰﻛﻨﻢ ﻣﻤﻜﻦ‬
‫ﻣﻰﻛﻨﺪ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﺗﻤﺮﻳﻦﻫﺎﻯ ﺧﻮﺩ‬ ‫ﺍﺳﺖ ﺭﻭﺯﻯ ﻣﻮﺗﻮﺭﺳﻴﻜﻠﺘﻢ ﺭﺍ ﻧﺪﺍﺷﺘﻪ‬ ‫ﺍﺯ ﺟﺎﻳﻰ ﺩﻳﮕﺮ ﻧﺎﺭﺍﺣﺘﻰ‪،‬‬ ‫ﺭﻭﺣﺎﻧﻰ ﺍﺿﺎﻓﻪ ﻛﻨﺪ‪.‬‬
‫ﺭﺍ ﺑﻪ ﺣﻮﻣﻪ ﭘﺎﻳﺘﺨﺖ ﺑﺒﺮﺩ ﺟﺎﻳﻰ ﺩﻭﺭ‬ ‫ﺑﺎﺷﻢ ﺍﺣﺴﺎﺱ ﺑﺴﻴﺎﺭ ﺑﺪﻯ ﺑﻪ ﻣﻦ ﺩﺳﺖ‬
‫ﺍﺯ ﻧﮕﺎﻩ ﺧﻴﺮﻩ ﻣﺮﺩﻡ ﻭ ﭘﻨﻬﺎﻥ ﺯﻳﺮ ﻛﻼﻩ‬ ‫ﻣﻰﺩﻫﺪ‪ .‬ﺑﻌﻀﻰ ﻭﻗﺖﻫﺎ ﺑﺎ ﺧﻮﺩﻡ ﻓﻜﺮ‬ ‫ﺧﺒﺮﻧﮕﺎﺭ ﺭﺍ ﻛﺘﻚ ﻣﻴﺰﻧﻰ؟‬ ‫ﻭﻋﺪﻩ ﻫﺎﻯ ﻫﻤﻴﺸﮕﻰ‪،‬‬
‫ﻣﻰﻛﻨﻢ ﭼﮕﻮﻧﻪ ﻣﺮﺩﻡ ﺩﺭ ﮔﺬﺷﺘﻪ ﺑﺪﻭﻥ‬ ‫ﻋﻤﻞ ﻫﺎﻯ ﻳﻚ ﺑﺎﺭ ﻣﺼﺮﻑ‬
‫ﻣﻮﺗﻮﺭﺳﻮﺍﺭﻯ‪.‬‬ ‫ﺣﺴﻴﻦ ﻧﻮﺵ ﺁﺑﺎﺩﻯ ﺩﺭﺑﺎﺭﻩ ﻟﻐﻮ‬
‫ﺑﻰ ﺑﻰ ﺳﻰ ﺍﻧﮕﻠﻴﺴﻰ ﺩﺭ ﭘﺎﻳﺎﻥ‬ ‫ﻣﻮﺗﻮﺭﺳﻴﻜﻠﺖ ﺯﻧﺪﮔﻰ ﻣﻰﻛﺮﺩﻧﺪ‪.‬‬ ‫ﻛﻨﺴﺮﺕ ﻫﺎﻳﻰ ﻛﻪ ﻣﺠﻮﺯ ﺍﺭﺷﺎﺩ ﺭﺍ‬ ‫ﺑﺎ ﺍﻳﻨﻜﻪ ﺍﺭﻛﺴﺘﺮ ﻣﻠﻰ ﺩﺭ ﺣﻀﻮﺭ‬
‫ﻣﻰﻧﻮﻳﺴﺪ ﺷﻔﻴﻌﻰ ﺑﻪ ﺍﻧﺪﻛﻰ ﺷﺠﺎﻋﺖ‬ ‫ﺑﻬﻨﺎﺯ ﺷﻔﻴﻌﻴﻨﻮﻳﺴﻨﺪﻩ ﺑﻰ ﺑﻰ ﺳﻰ‬ ‫ﺩﺭﻳﺎﻓﺖ ﻛﺮﺩﻩ ﺍﻧﺪ‪ ،‬ﮔﻔﺘﻪ ﺍﺳﺖ‪» :‬ﻣﺎ‬ ‫ﻣﺤﻤﺪﺑﺎﻗﺮ ﻧﻮﺑﺨﺖ‪ ،‬ﺣﺴﺎﻡ ﺍﻟﺪﻳﻦ ﺁﺷﻨﺎ‪،‬‬
‫ﻧﻴﺎﺯ ﺩﺍﺭﺩ ﺗﺎ ﺑﻪ ﻫﺪﻓﺶ ﺑﺮﺳﺪ ﻭ ﺍﻟﻬﺎﻡ‬ ‫ﺍﻧﮕﻠﻴﺴﻰ ﻧﻈﺮﺍﺕ ﺷﻔﻴﻌﻰ ﺭﺍ ﺑﺎ ﺍﻇﻬﺎﺭﺍﺕ‬ ‫ﺑﻪ ﻧﻴﺮﻭﻯ ﺍﻧﺘﻈﺎﻣﻰ ﺑﻪ ﻋﻨﻮﺍﻥ ﻧﻬﺎﺩﻯ‬ ‫ﻋﻠﻰ ﺟﻨﺘﻰ‪ ،‬ﻣﺤﻤﺪ ﺟﻮﺍﺩ ﻇﺮﻳﻒ‪،‬‬
‫ﺑﺨﺶ ﺯﻧﺎﻥ ﺩﻳﮕﺮ ﺷﻮﺩ ﻭ ﻗﻔﻞ ﺑﺴﺘﻪ ﺭﺍ‬ ‫ﺗﺮﺯﺍ ﻭﺍﻟﻚ ﻣﻘﺎﻳﺴﻪ ﻣﻰﻛﻨﺪ‪ .‬ﺯﻧﻰ ﻛﻪ‬ ‫ﺍﻣﻨﻴﺘﻰ ﻭ ﻫﻢﭼﻨﻴﻦ ﻧﻬﺎﺩﻯ ﻗﻀﺎﻳﻰ‬ ‫ﻛﻤﺎﻝ ﺧﺮﺍﺯﻯ ﻭ ﺗﻌﺪﺍﺩﻯ ﺍﺯ ﻫﻨﺮﻣﻨﺪﺍﻥ‬
‫ﺩﺭ ﺳﺎﻝ ‪ 1909‬ﺩﺭ ﻟﻨﺪﻥ ﻣﺘﻮﻟﺪ ﺷﺪ‬ ‫ﻧﻴﺎﺯﻣﻨﺪﻳﻢ ﻭ ﺑﻪ ﺁﻧﻬﺎ ﺍﺣﺘﺮﺍﻡ ﻣﻴﮕﺬﺍﺭﻳﻢ‪.‬‬ ‫ﺑﻪ ﻧﺎﻡ ﻋﺮﺻﻪ ﻣﻮﺳﻴﻘﻰ ﻫﻢﭼﻮﻥ‬
‫ﺑﺮﺍﻯ ﻧﺴﻞﻫﺎﻯ ﺑﻌﺪ ﺑﮕﺸﺎﻳﺪ‪.‬‬ ‫ﺍﻣﺎ ﮔﺎﻫﻰ ﺍﻳﻦ ﺳﻮﺍﻝ ﺑﻪ ﻭﺟﻮﺩ ﻣﻰ ﺁﻳﺪ‬ ‫ﻟﻮﺭﻳﺲ ﭼﻜﻨﺎﻭﺍﺭﻳﺎﻥ ﻭ ﺻﺪﻳﻖ ﺗﻌﺮﻳﻒ‬
‫ﻛﻪ ﺁﻳﺎ ﺁﻧﻬﺎ ﻣﺴﺌﻮﻝ ﻟﻐﻮ ﻳﺎ ﺻﺪﻭﺭ ﻣﺠﻮﺯ‬ ‫ﺑﺮﻧﺎﻣﻪ ﺍﺟﺮﺍ ﻛﺮﺩﻩ ﺍﺳﺖ ﺍﻣﺎ ﻛﻨﺴﺮﺕ‬
‫‪ 3000‬ﺑﻠﻴﻂ ﻣﺴﺎﺑﻘﻪ ﻭﺍﻟﻴﺒﺎﻝ ﺍﻳﺮﺍﻥ ﻭ‬ ‫ﻫﺎﻯ ﻣﻮﺳﻴﻘﻰ ﺩﻳﮕﺮ ﻳﻚ ﺑﻪ ﻳﻚ ﻟﻐﻮ‬
‫ﺁﻣﺮﻳﻜﺎ ﺩﺭ ﺳﻪ ﺩﻗﻴﻘﻪ ﻓﺮﻭﺵ ﺭﻓﺖ‬ ‫ﻫﺴﺘﻨﺪ ﻛﻪ ﺑﺎﻳﺪ ﺑﮕﻮﻳﻢ ﺧﻴﺮ«‪.‬‬ ‫ﺷﺪﻩ ﺍﻧﺪ‪ .‬ﺍﺟﺮﺍﻯ ﺍﻳﻦ ﻛﻨﺴﺮﺕ ﻫﺎ ﺩﺭ‬
‫ﺍﻣﺎ ﺣﺴﻴﻦ ﺍﺷﺘﺮﻯ ﻓﺮﻣﺎﻧﺪﻩ‬ ‫ﺣﺎﻟﻰ ﺑﺎ ﻣﺎﻧﻊ ﺭﻭﺑﺮ ﺷﺪ ﻛﻪ ﺑﻌﺪ ﺍﺯ ﻟﻐﻮ‬
‫ﺭﻳﻴﺲ ﻓﻴﻔﺎ ﺍﺯ ﺩﻭﻟﺖ ﺍﻳﺮﺍﻥ ﺧﻮﺍﺳﺖ ﺩﺭﻫﺎﻯ ﻭﺭﺯﺷﮕﺎﻩ ﻫﺎ ﺭﺍ ﺑﻪ ﺭﻭﻯ ﺯﻧﺎﻥ ﺑﺎﺯ ﻛﻨﺪ‬ ‫ﻧﻴﺮﻭﻯ ﺍﻧﺘﻈﺎﻣﻰ ﺩﺭ ﺍﻳﻦ ﻣﻮﺭﺩ ﻧﻈﺮ‬ ‫ﺩﺍﺩﻥ ﺑﻪ ﭼﻨﻴﻦ ﺍﻓﺮﺍﺩﻯ ﭘﺎﺳﺨﮕﻮ ﺑﺎﺷﻨﺪ‬ ‫ﺩﺭ ﺗﺎﻻﺭ ﻭﺯﺍﺭﺕ ﻛﺸﻮﺭ ﺑﻪ ﺩﺳﺖ ﻣﻰ‬ ‫ﻧﺰﺩﻳﻚ ﺑﻪ ‪ 20‬ﻛﻨﺴﺮﺕ ﺩﺭ ﺳﺮﺍﺳﺮ‬
‫ﺩﻳﮕﺮﻯ ﺩﺍﺭﺩ ﻭ ﮔﻔﺘﻪ ﺍﺳﺖ‪» :‬ﺍﮔﺮ‬ ‫ﻧﻪ ﺍﻳﻨﻜﻪ ﻣﺴﺌﻠﻪ ﺭﺍ ﺑﻪ ﺁﻳﻨﺪﻩ ﻭ ﺑﻌﺪ ﺑﻪ‬ ‫ﺁﻭﺭﺩ ﺍﻣﺎ ﺗﻨﻬﺎ ﺳﺎﻋﺎﺗﻰ ﭘﻴﺶ ﺍﺯ ﺷﺮﻭﻉ‬ ‫ﻛﺸﻮﺭ ﺣﺴﻴﻦ ﻧﻮﺵ ﺁﺑﺎﺩﻯ ﻣﻌﺎﻭﻥ ﻋﻠﻰ‬
‫ﻧﺨﺴﺖ ﺍﻳﺮﺍﻥ ﻭ ﺁﻣﺮﻳﻜﺎ ﺳﻴﺴﺘﻢﻫﺎﻯ ﭘﺮ‬ ‫ﻓﺮﻭﺵ ﺑﻠﻴﻂ ﺍﻳﻨﺘﺮﻧﺘﻰ ﻣﺴﺎﺑﻘﺎﺕ‬ ‫ﻣﻤﺎﻧﻌﺘﻰ ﺍﺯ ﺣﻀﻮﺭ ﺩﺭ ﻛﻨﺴﺮﺕﻫﺎ ﻭ‬ ‫ﺑﺮﻧﺎﻣﻪ ﺍﻋﻼﻡ ﻣﻴﺸﻮﺩ »ﺍﻳﻦ ﻛﻨﺴﺮﺕ‬ ‫ﺟﻨﺘﻰ ﻭ ﺳﺨﻨﮕﻮﻯ ﻭﺯﺍﺭﺕ ﺍﺭﺷﺎﺩ »ﺍﺑﺮﺍﺯ‬
‫ﺳﺮﻋﺖ ﻓﺮﻭﺵ ﺑﻠﻴﻂ ﺍﺳﺖ‪ .‬ﻭﻯ ﺍﻓﺰﻭﺩ‬ ‫ﻭﺍﻟﻴﺒﺎﻝ ﺗﻴﻢﻫﺎﻯ ﻣﻠﻰ ﺍﻳﺮﺍﻥ ﻭ ﺁﻣﺮﻳﻜﺎ‬ ‫ﻭﺭﺯﺷﮕﺎﻩﻫﺎ ﺍﻧﺠﺎﻡ ﻣﻰﺩﻫﻴﻢ ﺑﺮ ﺍﺳﺎﺱ‬ ‫ﺧﺎﻃﺮﻩ ﻫﺎ ﺣﻮﺍﻟﻪ ﺑﺪﻫﻨﺪ«‪.‬‬ ‫ﺑﻨﺎ ﺑﻪ ﺩﺳﺘﻮﺭ ﻣﻘﺎﻡ ﻣﺤﺘﺮﻡ ﻗﻀﺎﻳﻰ ﺗﺎ‬ ‫ﺍﻣﻴﺪﻭﺍﺭﻯ« ﻛﺮﺩﻩ ﺑﻮﺩ ﺩﺭ ﺳﺎﻝ ‪94‬‬
‫ﻣﺘﺄﺳﻔﺎﻧﻪ ﻛﺴﺎﻧﻰ ﻛﻪ ﺩﺳﺘﺮﺳﻰ ﺑﻪ‬ ‫ﻛﻪ ﺍﺯ ﺭﻭﺯ ﭼﻬﺎﺭﺷﻨﺒﻪ ﺷﺮﻭﻉ ﺷﺪﻩ‬ ‫ﻭﻇﻴﻔﻪ ﺫﺍﺗﻰ ﻭ ﺷﺮﻋﻰ ﻣﺎﺳﺖ‪ ،‬ﭼﺮﺍ‬ ‫ﺍﻃﻼﻉ ﺛﺎﻧﻮﻯ ﻟﻐﻮ ﺷﺪﻩ ﺍﺳﺖ«‪ .‬ﺑﻌﺪ‬ ‫ﭼﻨﻴﻦ ﺍﺗﻔﺎﻗﺎﺗﻰ ﺭﺥ ﻧﺪﻫﺪ‪ .‬ﻧﻮﺷﺂﺑﺎﺩﻯ‬
‫ﺍﻳﻨﺘﺮﻧﺖ ﻧﺪﺍﺭﻧﺪ ﻧﻤﻰﺗﻮﺍﻧﻨﺪ ﺑﺮﺍﻯ ﺗﻬﻴﻪ‬ ‫ﺍﺳﺖ ﺗﻨﻬﺎ ﺩﺭ ﺳﻪ ﺩﻗﻴﻘﻪ ﺍﻭﻝ ﺑﻪ ﺳﻪ‬ ‫ﻛﻪ ﺩﺭ ﻛﺸﻮﺭﻯ ﺍﺳﻼﻣﻰ ﻫﺴﺘﻴﻢ ﻭ‬ ‫ﺗﻤﺎﺷﺎﭼﻴﺎﻥ ﻣﺸﻜﻞ ﺳﺎﺯ‬ ‫ﺍﺯ ﺍﻳﻦ ﺑﻮﺩ ﻛﻪ ﭘﺮﻭﺍﺯ ﻫﻤﺎﻯ ﺑﺎ ﺍﻧﺘﺸﺎﺭ‬ ‫ﺩﺭ ﮔﻔﺘﮕﻮﻯ ﺟﺪﺍﮔﺎﻧﻪ ﻭ ﭘﺲ ﺍﺯ ﺍﺩﺍﻣﻪ‬
‫ﺑﻠﻴﻂ ﺑﻪ ﺳﺎﻟﻦ ﻣﺴﺎﺑﻘﻪ ﻣﺮﺍﺟﻌﻪ ﻛﻨﻨﺪ‪.‬‬ ‫ﻫﺰﺍﺭ ﺑﻠﻴﻂ ﺭﺳﻴﺪ‪.‬ﻣﺮﺗﻀﻰ ﺍﻓﺠﻪﺍﻯ ﺍﺯ‬ ‫ﭘﺎﺳﺪﺍﺭﻯ ﺍﺯ ﺍﺭﺯﺵﻫﺎ ﻭﻇﻴﻔﻪ ﺫﺍﺗﻰ ﻣﺎ‬ ‫ﻳﺎﺩﺩﺍﺷﺘﻰ ﺑﺨﺸﻰ ﺍﺯ »ﺩﻻﻳﻞ« ﻟﻐﻮ‬ ‫ﻣﺎﺟﺮﺍﻯ ﻟﻐﻮ ﻛﻨﺴﺮﺕ ﻫﺎ ﮔﻔﺘﻪ ﺍﺳﺖ‪:‬‬
‫ﺗﻴﻢﻫﺎﻯ ﻭﺍﻟﻴﺒﺎﻝ ﺍﻳﺮﺍﻥ ﻭ ﺁﻣﺮﻳﻜﺎ‬ ‫ﻣﺴﻮﻭﻻﻥ ﻓﺪﺭﺍﺳﻴﻮﻥ ﻭﺍﻟﻴﺒﺎﻝ ﺍﻳﺮﺍﻥ‬ ‫ﺑﺮﺷﻤﺮﺩﻩ ﻣﻰﺷﻮﺩ«‪ .‬ﺩﺭ ﻫﻤﻴﻦ ﺣﺎﻝ‬ ‫ﻋﻠﻰ ﺟﻨﺘﻰ ﻭﺯﻳﺮ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ‬ ‫ﻛﻨﺴﺮﺕﺍﺵ ﺭﺍ ﻣﺸﺨﺺ ﻛﺮﺩ‪ .‬ﺍﻭ ﺩﺭ ﺍﻳﻦ‬ ‫»ﻣﻄﻤﺌﻦ ﺑﺎﺷﻴﺪ ﻛﻪ ﺩﺭ ﺑﺮﮔﺰﺍﺭﻯ ﻳﻚ‬
‫ﺭﻭﺯﻫﺎﻯ ﺟﻤﻌﻪ ﻭ ﻳﻚﺷﻨﺒﻪ ‪ 29‬ﻭ ‪31‬‬ ‫ﮔﻔﺖ ﺍﮔﺮ ‪ 20‬ﻫﺰﺍﺭ ﺑﻠﻴﻂ ﻫﻢ ﺍﻣﺮﻭﺯ ﺍﺭﺍﺋﻪ‬ ‫ﺳﻌﻴﺪ ﻣﻨﺘﻈﺮﺍﻟﻤﻬﺪﻯ ﺳﺨﻨﮕﻮﻯ‬ ‫ﺍﺳﻼﻣﻰ ﻛﻪ ﻭﻋﺪﻩ ﻫﺎﻳﺶ ﺑﺮﺍﻯ ﺑﺮﮔﺰﺍﺭﻯ‬ ‫ﻳﺎﺩﺩﺍﺷﺖ ﻧﻮﺷﺘﻪ‪» :‬ﻧﺎﺣﻖ ﺑﻪ ﻣﻦ ﺗﻬﻤﺖ‬ ‫ﻛﻨﺴﺮﺕ ﻭ ﺻﺪﻭﺭ ﻣﺠﻮﺯ ﺁﻥ‪ ،‬ﺗﻤﺎﻣﻰ‬
‫ﺧﺮﺩﺍﺩ ﺩﺭ ﺳﺎﻟﻦ ‪ 12‬ﻫﺰﺍﺭ ﻧﻔﺮﻯ ﺗﻬﺮﺍﻥ‬ ‫ﻣﻰﺷﺪ ﺑﺎﺯ ﻫﻢ ﻛﺎﻓﻰ ﻧﺒﻮﺩ‪.‬ﺍﻭ ﮔﻔﺖ ﺍﺯ‬ ‫ﻧﻴﺮﻭﻯ ﺍﻧﺘﻈﺎﻣﻰ ﻧﻴﺰ ﺁﺏ ﭘﺎﻛﻰ ﺭﺍ ﺑﻪ‬ ‫ﻛﻨﺴﺮﺗﻬﺎﻯ ﺩﺍﺭﺍﻯ ﻣﺠﻮﺯ ﺍﻳﻦ ﻭﺯﺍﺭﺗﺨﺎﻧﻪ‬ ‫ﺿﺪ ﺍﻧﻘﻼﺏ ﻣﻰ ﺯﻧﻴﺪ؟ ﻣﻦ ﻓﺮﺯﻧﺪ ﺍﻳﻦ‬ ‫ﺟﻮﺍﻧﺐ ﻣﻮﺭﺩ ﺑﺮﺭﺳﻰ ﻗﺮﺍﺭ ﻣﻰ ﮔﻴﺮﺩ ﻭ‬
‫ﺩﻻﻳﻞ ﻓﺮﻭﺵ ﻓﻮﺭﻯ ﺑﻠﻴﻂ ﻫﺎﻯ ﺩﻳﺪﺍﺭ‬ ‫ﺭﻭﻯ ﺩﺳﺖ ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ‬ ‫ﻋﻤﻠﻰ ﻧﺸﺪﻩ ﺍﺳﺖ‪ ،‬ﺩﺭﺍﻳﻦ ﻣﻴﺎﻥ ﻣﺸﻜﻞ‬ ‫ﺍﻧﻘﻼﺏ ﻫﺴﺘﻢ ﻭ ﺗﺎ ﺯﻧﺪﻩ ﺍﻡ ﻭﻓﺎﺩﺍﺭ ﺑﻪ‬ ‫ﻣﺎ ﻫﻴﭻ ﮔﺎﻩ ﺣﺎﺿﺮ ﻧﻴﺴﺘﻴﻢ ﻛﻪ ﺑﺮﺍﻯ‬
‫ﺩﻳﺪﺍﺭ ﻣﻰﻛﻨﻨﺪ‪.‬‬ ‫ﺍﺳﻼﻣﻰ ﺭﻳﺨﺘﻪ ﻭ ﮔﻔﺘﻪ ﺍﺳﺖ‪» :‬ﻟﻐﻮ‬ ‫ﻋﺪﻡ ﺑﺮﮔﺰﺍﺭﻯ ﻛﻨﺴﺮﺗﻬﺎ ﺭﺍ ﺑﻪ ﮔﺮﺩﻥ‬ ‫ﺍﻳﻦ ﺳﺮﺯﻣﻴﻦ ﺧﻮﺍﻫﻢ ﻣﺎﻧﺪ‪ .‬ﺩﺭﺳﺖ‬ ‫ﺑﺮﮔﺰﺍﺭﻯ ﻳﻚ ﻛﻨﺴﺮﺕ‪ ،‬ﺍﻣﻨﻴﺖ ﻛﺸﻮﺭ‬
‫ﻛﻨﺴﺮﺕ ﻣﻮﺭﺩ ﺍﺷﺎﺭﻩ ﻧﻴﺰ ﺑﺎ ﺣﻜﻢ‬ ‫ﺗﻤﺎﺷﺎﭼﻴﺎﻥ ﺍﻧﺪﺍﺧﺘﻪ ﻭ ﮔﻔﺘﻪ ﺍﺳﺖ‪:‬‬
‫ﻗﻀﺎﻳﻰ ﺍﻧﺠﺎﻡ ﻭ ﻧﺎﺟﺎ ﺑﻪ ﻭﻇﻴﻔﻪ ﺫﺍﺗﻰ‬ ‫»ﺍﻟﺒﺘﻪ ﺩﺭ ﺑﺮﺧﻰ ﻣﻮﺍﺭﺩ ﺧﻄﺎﻫﺎﻳﻰ ﻧﻴﺰ‬ ‫ﺭﺍ ﺑﻪ ﺧﻄﺮ ﺑﻴﺎﻧﺪﺍﺯﻳﻢ«‪.‬‬
‫ﺧﻮﺩ ﻋﻤﻞ ﻧﻤﻮﺩﻩ ﻭ ﺣﺘﻤﺎَ ﺑﺮﺍﻯ ﺍﻧﺠﺎﻡ‬ ‫ﺍﻣﺎ ﻭﻯ ﻣﺸﺨﺺ ﻧﻤﻰ ﻛﻨﺪ ﺍﻣﻨﻴﺖ‬
‫ﻣﺎﻣﻮﺭﻳﺘﻬﺎﻯ ﺧﻮﺩ ﻣﺼﻠﺤﺖﺍﻧﺪﻳﺸﻰ ﻭ‬
‫ﻛﺸﻮﺭ ﻭ ﺑﺮﮔﺰﺍﺭﻯ ﻳﻚ ﻛﻨﺴﺮﺕ‬
‫ﺳﻴﺎﺳﻰ ﻛﺎﺭﻯ ﻧﺨﻮﺍﻫﺪ ﻛﺮﺩ«‪.‬‬ ‫ﻣﻮﺳﻴﻘﻰ ﭼﻪ ﺭﺍﺑﻄﻪ ﺍﻯ ﺑﺎ ﻳﻜﺪﻳﮕﺮ‬
‫ﺑﻪ ﻧﻈﺮ ﻣﻰ ﺭﺳﺪ ﺣﺎﻝ ﻛﻪ ﻭﻋﺪﻩ ﻫﺎﻯ‬ ‫ﺩﺍﺭﻧﺪ‪ .‬ﺍﺗﻔﺎﻗﺎ ﻫﻤﻮ ﺩﺭ ﺟﺎﻳﻰ ﺩﻳﮕﺮ‬
‫ﺁﻗﺎﻯ ﻭﺯﻳﺮ ﻋﻤﻠﻰ ﻧﺸﺪﻩ‪،‬ﻋﺼﺒﺎﻧﻰ ﺍﺳﺖ‬ ‫ﺑﺮﺍﻯ ﻣﺜﺎﻝ ﺩﺭ ﻣﻮﺭﺩ ﻋﺪﻡ ﺻﺪﻭﺭ ﻣﺠﻮﺯ‬
‫ﻭ ﺗﻼﻓﻰ ﺁﻥ ﺭﺍ ﺑﻪ ﻭﺳﻴﻠﻪ ﻣﺤﺎﻓﻆﺍﺵ‬ ‫ﻛﻨﺴﺮﺕ ﺑﺮﺍﻯ ﻣﺤﻤﺪﺭﺿﺎ ﺷﺠﺮﻳﺎﻥ ﺩﺭ‬
‫ﺑﺮ ﺳﺮ ﻋﻜﺎﺳﺎﻥ ﺣﺎﺿﺮ ﺩﺭ ﻣﺮﺍﺳﻢ‬ ‫ﺍﻳﺮﺍﻥ ﮔﻔﺘﻪ ﺑﻮﺩ‪» :‬ﺍﻳﺸﺎﻥ ﻣﺤﺪﻭﺩﻳﺖ‬
‫ﺍﻓﺘﺘﺎﺡ ﺍﺭﻛﺴﺘﺮ ﻣﻠﻰ ﺧﺎﻟﻰ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﻫﺎﻳﻰ ﺩﺍﺭﻧﺪ ﻛﻪ ﺗﻮﺳﻂ ﻧﻬﺎﺩﻫﺎﻯ‬
‫ﻋﻜﺎﺱ ﺧﺒﺮﮔﺰﺍﺭﻯ ﺍﻳﻠﻨﺎ ﻛﻪ ﻳﻜﻰ ﺍﺯ‬ ‫ﺩﻳﮕﺮ ﻗﺮﺍﺭ ﺩﺍﺩﻩ ﺷﺪﻩ ﺍﺳﺖ ﻭ ﺩﺳﺖ‬
‫ﺍﻓﺮﺍﺩﻯ ﺍﺳﺖ ﻛﻪ ﻣﻮﺭﺩ ﺿﺮﺏ ﻭ ﺷﺘﻢ‬
‫ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﺩﺭ ﺍﻳﻦ ﻣﻮﺭﺩ ﮔﻔﺘﻪ ﺍﺳﺖ‪:‬‬ ‫ﻣﺎ ﻧﻴﺴﺖ«‪.‬‬
‫»ﺩﺭ ﺍﺑﺘﺪﺍ ﻣﺤﻤﺪﺟﻮﺍﺩ ﻇﺮﻳﻒ ﺑﻪ ﺳﺎﻟﻦ‬ ‫ﻳﻜﻰ ﺍﺯ ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﻫﺎﻯ ﻟﻐﻮ ﺷﺪﻩ‪،‬‬
‫ﺁﻣﺪ ﻛﻪ ﻣﺤﺎﻓﻈﺎﻥ ﻭ ﻣﺴﺌﻮﻻﻥ ﺳﺎﻟﻦ‬ ‫ﻛﻨﺴﺮﺕ ﺍﺣﺴﺎﻥ ﺧﻮﺍﺟﻪ ﺍﻣﻴﺮﻯ ﺩﺭ‬
‫ﺑﺮﺧﻮﺭﺩ ﺧﻮﺑﻰ ﺩﺍﺷﺘﻨﺪ ﺍﻣﺎ ﺑﺎ ﻭﺭﻭﺩ‬ ‫ﺁﺑﺎﺩﺍﻥ ﺑﻮﺩ ﻛﻪ ﺑﺮﮔﺰﺍﺭﻯ ﺁﻥ ﺑﺎ ﻣﺨﺎﻟﻔﺖ‬
‫ﻋﻠﻰ ﺟﻨﺘﻰ ﻭ ﻣﺤﺎﻓﻆ ﺍﻭ‪ ،‬ﺑﺮﺧﻮﺭﺩﻫﺎﻯ‬
‫ﺗﻮﻫﻴﻦ ﺁﻣﻴﺰ ﺁﻏﺎﺯ ﺷﺪ‪ .‬ﺑﺮﺧﻮﺭﺩ ﻣﺤﺎﻓﻆ‬
‫ﺟﻨﺘﻰ ﺑﻪ ﺣﺪﻯ ﺑﻮﺩ ﻛﻪ ﺿﺮﺑﻪ ﺍﻳﻦ‬
‫ﻣﺤﺎﻓﻆ ﺑﻪ ﺻﻮﺭﺕ ﺧﺒﺮﻧﮕﺎﺭ ﺍﻳﺴﻨﺎ‬
‫ﻣﻮﺟﺐ ﺧﻮﻧﺮﻳﺰﻯ ﺑﻴﻨﻰ ﺍﻭ ﺷﺪ‪ .‬ﻣﺤﺎﻓﻆ‬
‫ﻭﺯﻳﺮ ﺑﺮﺍﻯ ﺍﻳﻨﻜﻪ ﻣﺎﻧﻊ ﻋﻜﺎﺳﻰ ﻣﺎ ﺷﻮﺩ‪،‬‬
‫ﺑﻪ ﭘﻬﻠﻮﻯ ﻣﻦ ﻟﮕﺪ ﺯﺩ ﻭ ﭘﻬﻠﻮﻯ ﻣﻦ‬
‫ﻛﺒﻮﺩ ﺷﺪﻩ ﺍﺳﺖ«‪ .‬ﺍﻳﻦ ﻣﻮﺿﻮﻉ ﺭﺍ‬
‫ﻭﺯﺍﺭﺕ ﺍﺭﺷﺎﺩ ﺗﻜﺬﻳﺐ ﻛﺮﺩﻩ ﻭ ﺍﻋﻼﻡ‬
‫ﻧﻤﻮﺩﻩ ﺍﺳﺖ‪» :‬ﻓﺮﺩ ﻣﻮﺭﺩ ﺍﺩﻋﺎﻯ ﺭﺳﺎﻧﻪ‬
‫ﻫﺎ ﻛﻪ ﻋﻜﺎﺳﺎﻥ ﺭﺍ ﻣﻮﺭﺩ ﺿﺮﺏ ﻭ ﺷﺘﻢ‬
‫ﻗﺮﺍﺭ ﺩﺍﺩﻩ ﺍﺳﺖ‪ ،‬ﺟﺰﻭ ﻣﺤﺎﻓﻈﺎﻥ ﻭﺯﻳﺮ‬
‫ﻣﺤﺘﺮﻡ ﻧﻴﺴﺖ ﻭ ﻳﻜﻰ ﺍﺯ ﻛﺎﺭﻛﻨﺎﻥ‬
‫ﻭﺯﺍﺭﺕ ﻣﺘﺒﻮﻉ ﻣﻰ ﺑﺎﺷﺪ« ﺍﻧﮕﺎﺭ ﺍﻳﻦ‬
‫ﻣﻮﺿﻮﻉ ﺍﺻﻞ ﻗﻀﻴﻪ ﺭﺍ ﺗﻮﺟﻴﻪ ﻣﻰﻛﻨﺪ!‬

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