Page 5 - (کیهان لندن - سال سى و سوم ـ شماره ۲۹ (دوره جديد

‫ﺻﻔﺤﻪ ‪ 5‬ـ ‪ Page 5‬ـ ﺷﻤﺎﺭﻩ ‪29‬‬
‫ﺟﻤﻌﻪ ‪ 9‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 15‬ﺍﻛﺘﺒﺮ ‪2015‬‬

‫ﺍﻳﺮﺍﻥ ﻧﺨﺴﺘﻴﻦ ﻣﺮﻛﺰ ﻣﺒﺎﺭﺯﻩ ﺑﺎ ﺳﺮﻃﺎﻥ ﺧﺎﻭﺭﻣﻴﺎﻧﻪ ﺭﺍ‬ ‫ﻣﺎﻩ ﺍﻛﺘﺒﺮ ﺑﺎ ﻣﻮﺳﻴﻘﻰ ﻛﻼﺳﻴﻚ ﺩﺭ ﻟﻨﺪﻥ‬

‫ﺩﺭ ﺩﻭﺑﻰ ﺭﺍﻩﺍﻧﺪﺍﺯﻯ ﻛﺮﺩ‬ ‫ﺑﺮﻳﺘﺎﻧﻴﺎ ﻛﻨﺴﺮﺗﻮ ﻫﻮﺭﻥ ﻫﻤﻴﻦ ﺁﻫﻨﮕﺴﺎﺯ‬ ‫ﻓﻴﻼﺭﻣﻮﻧﻴﺎ ﻫﻢ ﺑﻪ ﻧﻮﺑﺔ ﺧﻮﺩ ﺗﺤﺖ‬ ‫ﺷﺎﺩﻯ‪ ،‬ﺷﺎﺩﻯ!‬
‫ﻭ ﺳﻤﻔﻮﻧﻰ ﺷﻤﺎﺭﺓ ‪ 6‬ﺷﻮﺳﺘﺎﻛﻮﻭﻳﭻ ﺭﺍ‬ ‫ﺭﻫﺒﺮﻯ ”ﻛﺮﻳﺴﺘﻒ ﻓﻮﻥ ﺩﻭﺩﻳﺎﻧﻴﻰ“ ﺑﺎ‬
‫ﻫﻼﻝﺍﺣﻤﺮ ﺍﻳﺮﺍﻥ ﺩﺭ ﻣﻴﺎﻥ ﺳﺎﻳﺮ‬ ‫ﻭ ﺑﻰ ﻧﻈﻴﺮ ﺍﺳﺖ‪.‬‬ ‫ﻧﺨﺴﺘﻴﻦ ﻣﺮﻛﺰ ﭘﺰﺷﻜﻰ ﻃﺐ‬ ‫ﻳﻚ ﺍﺟﺮﺍﻯ ﻋﺎﻟﻰ ﺳﻨﮓ ﺗﻤﺎﻡ ﮔﺬﺍﺷﺖ‬ ‫ﺷﺎﺩﻯ‪ ،‬ﺍﻯ ﺍﺧﮕﺮ ﺯﻳﺒﺎﻯ ﺧﺪﺍﻳﺎﻥ‪،‬‬
‫ﺟﻤﻌﻴﺖﻫﺎﻯ ﻣﻠﻰ ﺩﺭ ﺑﻴﻤﺎﺭﺳﺘﺎﻥ‬ ‫ﺿﻴﺎﺋﻰ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﺍﻳﻨﻜﻪ ﺍﻳﻦ ﻣﺮﻛﺰ‬ ‫ﭘﻴﺸﮕﻴﺮﻯ ﻭ ﻣﺒﺎﺭﺯﻩ ﺑﺎ ﺳﺮﻃﺎﻥ‬ ‫ﺍﺟﺮﺍ ﺧﻮﺍﻫﺪ ﻛﺮﺩ‪.‬‬ ‫ﻭ ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﺭﺍ ﺑﻪ ﻭﺟﺪ ﺁﻭﺭﺩ‪ .‬ﭘﺲ ﺍﺯ‬
‫ﺍﻳﺮﺍﻧﻴﺎﻥ ﻫﻼﻝﺍﺣﻤﺮ ﺩﺭ ﺩﻭﺑﻰ‬ ‫ﺑﺮﺍﻯ ﻧﺨﺴﺘﻴﻦ ﺑﺎﺭ ﺍﺳﺖ ﻛﻪ ﺍﺯ ﺳﻮﻯ‬ ‫ﺩﺭﺧﺎﻭﺭﻣﻴﺎﻧﻪ ﻭ ﺩﺭ ﺑﻴﻤﺎﺭﺳﺘﺎﻥ‬ ‫ﺍﻣﺎ ﺷﺐ ‪ 15‬ﺍﻛﺘﺒﺮ ﻳﻚ ﺑﺮﻧﺎﻣﻪ‬ ‫ﭘﺎﻳﺎﻥ ﺍﺟﺮﺍ ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﺑﺎ ﻛﻒ ﺯﺩﻥﻫﺎﻯ‬ ‫ﺍﻯ ﺩﺧﺘ ِﺮ ﺟﺰﻳﺮﻩ ﻗﺪﻳﺴﺎﻥ‪،‬‬
‫ﺭﺍﻩﺍﻧﺪﺍﺯﻯ ﺷﺪﻩ ﺍﺳﺖ‪ ،‬ﺍﻓﺰﻭﺩ‪ :‬ﺍﻣﺮﻭﺯﻩ‬ ‫ﻫﻼﻝﺍﺣﻤﺮ ﺍﻳﺮﺍﻥ ﺩﺭ ﺩﻭﺑﻰ ﺁﻏﺎﺯ ﺑﻪ ﻛﺎﺭ‬ ‫ﺍﺳﺘﺜﻨﺎﻳﻰ ﻣﺠﺪﺩﺍ ﺗﻮﺳﻂ ﺍﺭﻛﺴﺘﺮ‬ ‫ﻣﻤﺘﺪ ﺧﻮﺍﻧﻨﺪﮔﺎ ِﻥ ﺳﻮﻟﻮ ﻭ ﺭﻫﺒﺮ ﺍﺭﻛﺴﺘﺮ‬ ‫ﻣﺎ ﻣﺴﺖ ﻭ ﻣﺪﻫﻮﺵ ﺩﺭ ﺣﺮﻳﻢ‬
‫ﻋﻠﻮﻡ ژﻧﺘﻴﻚ‪ ،‬ﺗﺠﺰﻳﻪ ﻭ ﺗﺤﻠﻴﻞ ژﻧﻮﻡ‪،‬‬ ‫ﻓﻴﻼﺭﻣﻮﻧﻴﺎ ﻭﻟﻰ ﺍﻳﻦ ﺑﺎﺭ ﺗﺤﺖ ﺭﻫﺒﺮﻯ‬ ‫ﺭﺍ ﭼﻨﺪﻳﻦ ﺑﺎﺭ ﺑﻪ ﺻﺤﻨﻪ ﻛﺸﺎﻧﺪﻧﺪ ﻭ‬
‫ﺑﻪ ﻣﻨﻈﻮﺭ ﺍﻳﺠﺎﺩ ﺭﻭﺵﻫﺎﻯ ﻧﻮﻳﻦ‬ ‫ﻛﺮﺩ‪.‬‬ ‫”ﻳﺎﻛﻮﺏ ﻫﺮﻭﺳﺎ“ ﻭ ﺑﺎ ﭘﻴﺎﻧﻮﻯ “ ﺩﺍﻧﻴﻞ‬ ‫ﺁﺳﻤﺎﻧﻰ ﻭ ﻣﻘﺪﺱ ﺗﻮ ﮔﺎﻡ ﻣﻰﻧﻬﻴﻢ‪.‬‬
‫ﺟﻠﻮﮔﻴﺮﻯ ﻭ ﺑﻬﺒﻮﺩ ﺍﻣﻮﺭ ﺗﺸﺨﻴﺼﻰ‬ ‫ﺩﻛﺘﺮ ﺳﻴﺪ ﺍﻣﻴﺮﻣﺤﺴﻦ ﺿﻴﺎﺋﻰ‬ ‫ﺗﺮﻳﻔﻮﻧﻮﻭ“ ﭘﻴﺎﻧﻴﺴﺖ ﺟﻮﺍﻧﻦ ﻭ ﻧﺎﺑﻐﺔ‬ ‫ﺷﺪﻳﺪﺍًﺗﺸﻮﻳﻖﺷﺎﻥ ﻛﺮﺩﻧﺪ‪.‬‬
‫ﻭ ﺩﺭﻣﺎﻥ ﺑﻴﻤﺎﺭﻯﻫﺎﻯ ﺳﺮﻃﺎﻧﻰ ﻭ‬ ‫ﺩﺭ ﮔﻔﺘﮕﻮ ﺑﺎ ﺧﺒﺮﮔﺰﺍﺭﻯ ﻣﻬﺮ‪،‬‬ ‫ﺑﺎﺭ ﺩﮔﺮ ﻓﺴﻮﻥ ﺗﻮ ﭘﻴﻮﻧﺪ ﻣﻰﺩﻫﺪ‬
‫ﻏﻴﺮ ﺳﺮﻃﺎﻧﻰ ﺍﺯ ﺍﻫﻤﻴﺖ ﺑﺴﻴﺎﺭﺑﺎﻻﻳﻰ‬ ‫ﺑﻪ ﺟﺰﺋﻴﺎﺕ ﺭﺍﻩﺍﻧﺪﺍﺯﻯ ﺍﻳﻦ ﻣﺮﻛﺰ‬ ‫ﺭﻭﻳﺎﻝ ﻓﺴﺘﻴﻮﺍﻝ ﻫﺎﻝ‬ ‫ﺩﺭ ﺿﻤﻦ ﺍﻳﻦ ﻛﻨﺴﺮﺕ ﺳﺮ ﺁﻏﺎﺯ ﻓﺼﻞ‬
‫ﭘﺰﺷﻜﻰ ﺍﺷﺎﺭﻩ ﻛﺮﺩ ﻭ ﮔﻔﺖ‪:‬‬ ‫ﻣﻮﺳﻴﻘﻰ ﻛﻼﺳﻴﻚ ﺭﻭﻳﺎﻝ ﻓﺴﺘﻴﻮﺍﻝ‬ ‫ﺁﻧﭽﻪﺭﻭﺯﮔﺎﺭﺑﻪﺳﺨﺘﻰﺍﺯﻫﻢﮔﺴﺴﺖ‬
‫ﺑﺮﺧﻮﺭﺩﺍﺭ ﺍﺳﺖ‪.‬‬ ‫ﻣﺮﻛﺰ ﭘﺰﺷﻜﻰ ﻃﺐ ﭘﻴﺸﮕﻴﺮﻯ ﻭ‬ ‫ﺭﻭﺱ ﺍﺟﺮﺍ ﺧﻮﺍﻫﺪ ﻛﺮﺩ ﻛﻪ ﺷﺎﻣﻞ‬ ‫ﻫﺎﻝ ﺑﻮﺩ ﻛﻪ ﺷﻤﻪﺍﻯ ﺍﺯ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻣﺎﻩ‬
‫ﺭﺋﻴﺲ ﺟﻤﻌﻴﺖ ﻫﻼﻝﺍﺣﻤﺮ ﺗﺼﺮﻳﺢ‬ ‫ﻣﺒﺎﺭﺯﻩ ﺑﺎ ﺳﺮﻃﺎﻥ ﺑﺎ ﻫﺪﻑ ﺍﺭﺯﻳﺎﺑﻰ‬ ‫ﻳﻜﻰ ﺍﺯ ﺍﻭﺭﺗﻮﺭﻫﺎﻯ ”ﺑﺮﺩﺭﻳﺦ ﺳﻤﺘﺎﻧﺎ“‪،‬‬ ‫ﺍﻛﺘﺒﺮ ﺁﻥ ﺭﺍ ﺩﺭ ﺯﻳﺮ ﻣﻰﺧﻮﺍﻧﻴﺪ‪ .‬ﺩﺭ ﺍﺭﻭﭘﺎ‬ ‫ﻫﻤﻪ ﺍﻧﺴﺎﻥﻫﺎ ﺑﺮﺍﺩﺭ ﻳﻜﺪﻳﮕﺮ‬
‫ﻛﺮﺩ‪ :‬ﺗﻮﺍﻧﺎﻳﻰ ﻋﻠﻤﻰ ﺍﻳﻦ ﻣﺮﻛﺰ‬ ‫ﺳﻼﻣﺖ ﺍﻓﺮﺍﺩ‪ ،‬ﺍﺯ ﻃﺮﻳﻖ ﺑﺮﺭﺳﻰ ﻭ‬ ‫ﻛﻨﺴﺮﺗﻮ ﭘﻴﺎﻧﻮ ﺷﻤﺎﺭﻩ ‪” 2‬ﺳﺮﮔﻴﻰ‬ ‫ﺭﺍﻳﺞ ﺍﺳﺖ ﻛﻪ ﺷﻤﺎﺭ ﻗﺎﺑﻞ ﺗﻮﺟﻬﻰ ﺍﺯ‬
‫ﺩﺭ ﺯﻣﻴﻨﻪ ﺍﻳﺠﺎﺩ ﻭ ﺍﺟﺮﺍﻯ ﺩﻗﻴﻖ‬ ‫ﺗﺤﻠﻴﻞ ﻛﺎﻣﻞ ﻛﺮﻭﻣﻮﺯﻭﻡﻫﺎ ﻭ ژﻧﻮﻡ‪،‬‬ ‫ﺭﺍﺧﻤﺎﻧﻴﻨﻒ“ ﻭ ﺳﻤﻔﻮﻧﻰ ﺷﻤﺎﺭﻩ ‪7‬‬ ‫ﻫﻨﺮﺩﻭﺳﺘﺎﻥ ﺑﺮﺍﻯ ﺣﻀﻮﺭ ﺩﺭ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ‬ ‫ﻣﻰﺷﻮﻧﺪ‬
‫ﭘﺮﻭژﻩﻫﺎﻯ ﺗﺤﻘﻴﻘﺎﺗﻰ ﺩﺭ ﺩﻭ ﺯﻣﻴﻨﻪ‬ ‫ﻫﻨﺮﻯ ﺧﺎﺹ ﻣﺮﺯﻫﺎﻯ ﺟﻐﺮﺍﻓﻴﺎﻳﻰ ﺭﺍ‬
‫ﺑﺴﻴﺎﺭ ﻣﻬﻢ ﺍﻣﻮﺭ ﭘﺰﺷﻜﻰ ﻭ ﺑﺎﻟﻴﻨﻰ‬ ‫ﺭﺍﻩﺍﻧﺪﺍﺯﻯ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫”ﺁﻧﺘﻮﺍﻥ ﺩﻭﺭژﺍﻙ“ ﺧﻮﺍﻫﺪ ﺑﻮﺩ‪.‬‬ ‫ﺩﺭ ﻣﻰﻧﻮﺭﺩﻧﺪ ﻭ ﺭﻧﺞ ﺳﻔﺮ ﺭﺍ ﺑﺮ ﺧﻮﺩ‬ ‫ﻫﺮ ﺁﻧﺠﺎ ﻛﻪ ﺑﺎﻝ ﻋﻄﻮﻓﺖ ﺗﻮ‬
‫ﺷﺎﻣﻞ ﻃﺐ ﭘﻴﺸﮕﻴﺮﻯ ﻭ ﺩﺭﻣﺎﻥ ﻭﻳﮋﻩ‬ ‫ﻭﻯ ﺍﻓﺰﻭﺩ‪ :‬ﺍﻳﻦ ﻣﺮﻛﺰ ﭘﺰﺷﻜﻰ‪ ،‬ﺑﻪ‬ ‫ﺗﺤﺖ ﺭﻫﺒﺮﻯ ”ﻧﻴﻜﻼﺱ ﻛﻮﻟﻮﻥ“‪،‬‬ ‫ﻫﻤﻮﺍﺭ ﻛﻨﻨﺪ‪ .‬ﻛﻨﺴﺮﺗﻰ ﻛﻪ ﻭﺻﻒ ﺁﻥ‬
‫ﺑﻴﻤﺎﺭﺍﻥ ﺳﺮﻃﺎﻧﻰ ﻭ ﻏﻴﺮ ﺳﺮﻃﺎﻧﻰ‬ ‫ﺩﻟﻴﻞ ﻣﺠﻬﺰ ﺑﻮﺩﻥ ﺑﻪ ﺟﺪﻳﺪﺗﺮﻳﻦ‬ ‫ﺍﺭﻛﺴﺘﺮ ﻓﻴﻼﺭﻣﻮﻧﻴﺎ ﺩﺭ ﺷﺐ ‪22‬‬ ‫ﺷﺪ ﺩﺭ ﺍﻳﻦ ﺭﺩﻩ ﺑﻮﺩ ﻭ ﻋﻼﻗﻤﻨﺪﺍﻥ ﺍﺯ‬ ‫ﻣﻰﮔﺴﺘﺮﺩ‬
‫ﺍﺯ ﺟﻤﻠﻪ ﺑﻴﻤﺎﺭﻯﻫﺎﻯ ﺍﺭﺛﻰ ﺩﺍﺭﺍﻯ‬ ‫ﺗﺠﻬﻴﺰﺍﺕ ﻭ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺭﻭﺵﻫﺎﻯ‬ ‫ﺍﻛﺘﺒﺮ ﺑﺎ ﺑﺮﻧﺎﻣﻪﺍﻯ ﺷﺎﻣﻞ ﺁﺛﺎﺭﻯ ﺍﺯ‬ ‫ﺷﻬﺮﻫﺎ ﻭ ﻛﺸﻮﺭﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺩﺭ ﺁﻥ‬
‫ﻣﺮﺑﻮﻁ ﺑﻪ ﺗﺤﻘﻴﻘﺎﺕ ژﻧﺘﻴﻚ ﺳﻠﻮﻟﻰ‪،‬‬ ‫”ﺍﺳﺘﺮﺍﻭﻳﻨﺴﻜﻰ“ ﺑﻪ ﻧﺎﻡ ”ﺁﺗﺶﺑﺎﺯﻯ“‬ ‫ﻣﻮﻭﻣﺎﻥ ﺁﺧﺮ ﻳﺎ ﭼﻬﺎﺭﻡ ﺳﻤﻔﻮﻧﻰ‬
‫ﺍﻫﻤﻴﺖ ﺍﺳﺖ‪.‬‬ ‫ﺗﺠﺰﻳﻪ ﻭ ﺗﺤﻠﻴﻞ ژﻧﻮﻡ‪ ،‬ﻣﻨﺤﺼﺮ ﺑﻪ ﻓﺮﺩ‬ ‫ﻭ ﻗﻄﻌﺎﺗﻰ ﺍﺯ ﺍﭘﺮﺍﻯ “ ﺗﺮﻳﺴﺘﻴﺎﻥ ﻭ‬ ‫ﺣﻀﻮﺭ ﺩﺍﺷﺘﻨﺪ‪.‬‬ ‫ﺷﻤﺎﺭﺓ ‪ 9‬ﺑﺘﻬﻮﻭﻥ ﺑﺎ ﺍﻳﻦ ﻛﻼﻡ ﺍﺯ ”ﺳﺮﻭﺩ‬
‫ﺍﻳﺰﻭﻟﺪﻩ“ ﺍﺯ ﺭﻳﺸﺎﺭﺩ ﻭﺍﮔﻨﺮ ﻭ ﻛﻨﺴﺮﺗﻮ‬ ‫ﺷﺐ ﺍﻭﻝ ﺍﻛﺘﺒﺮ‪ ،‬ﻫﻤﻴﻦ ﺍﺭﻛﺴﺘﺮ‬ ‫ﺷﺎﺩﻯ“ ﺍﺛﺮ ﺷﺎﻋﺮ ﺑﺰﺭگ ﺁﻟﻤﺎﻧﻰ ﺷﻴﻠﻠﺮ‬
‫ﺭﺍﻩﺩﺷﻮﺍﺭﺯﺑﺎﻥﻓﺎﺭﺳﻰ‪:‬ﺑﺎﻻﺧﺮﻩﺩﺭﺳﺖﺑﻨﻮﻳﺴﻴﻢﻳﺎﻏﻠﻂ؟!‬ ‫ﻛﻼﺭﻳﻨﺖ ”ﺍﻭﻧﺴﻮﻙ ﭼﻴﻦ“ ﺭﻭﻯ ﺻﺤﻨﻪ‬ ‫ﺑﺎ ﺭﻫﺒﺮﻯ ﻛﺮﻳﺴﺘﻒ ﻓﻮﻥ ﺩﻭﺩﻳﺎﻧﻴﻰ‬ ‫ﺁﻏﺎﺯ ﻣﻰﺷﻮﺩ‪ .‬ﺑﺘﻬﻮﻭﻥ ﺩﺭ ﻃﻮﻝ ﻋﻤﺮ‬
‫ﺍﺛﺮﻯ ﻣﺪﺭﻥ ﺩﺭ ﻓﺮﻣﻰ ﻧﺎﻣﺘﻌﺎﺭﻑ ﺍﺛﺮ‬ ‫ﻫﻨﺮﻯ ﺧﻮﺩ‪ ،‬ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﻓﺮﻡﻫﺎﻯ‬
‫ﻛﻠﻤﺎﺕ ﻣﺸﻜﻞ ﺑﺰﺭگ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ‬ ‫ﺍﻫﻞ ﻗﻠﻢ ﺭﺍ ﺍﻟﮕﻮ ﻗﺮﺍﺭ ﺩﺍﺩ‪.‬‬ ‫ﻫﻤﻪ ﺯﺑﺎﻥﻫﺎﻯ ﺯﻧﺪﻩ ﺩﻧﻴﺎ ﺍﺯ ﺳﺎﺩﻩﺗﺮﻳﻦ‬ ‫ﺧﻮﺍﻫﺪ ﺭﻓﺖ‪.‬‬ ‫”ﭼﺎﺭﻟﺰ ﺍﻳﻮﺯ“ ﺁﻫﻨﮕﺴﺎﺯ ﻣﻌﺎﺻﺮ ﻭ ﻣﺪﺭﻥ‬ ‫ﻣﻮﺳﻴﻘﻰ ﻛﻼﺳﻴﻚ ﺭﺍ ﺩﮔﺮﮔﻮﻥ‬
‫ﺍﺳﺖ ﻛﻪ ﺗﺎ ﺑﻪ ﺣﺎﻝ ﻛﺴﻰ ﻧﺘﻮﺍﻧﺴﺘﻪ‬ ‫ﺍﻭ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﻛﺘﺎﺏ »ﻏﻠﻂ ﻧﻨﻮﻳﺴﻴﻢ«‬ ‫ﺗﺎ ﭘﻴﭽﻴﺪﻩﺗﺮﻳﻦ ﺁﻥ ﺩﺭ ﺣﺎﻝ ﺗﻐﻴﻴﺮ ﻭ‬ ‫‪ 23‬ﺍﻛﺘﺒﺮ ﺍﺭﻛﺴﺘﺮ ﻓﻴﻼﺭﻣﻮﻧﻴﻚ‬ ‫ﺁﻣﺮﻳﻜﺎﻳﻰ ﻭ ﻧﻴﺰ ﻛﻨﺴﺮﺗﻮ ﻭﻳﻮﻟﻦ ﺁﻟﺒﺎﻥ‬ ‫ﺳﺎﺧﺖ ﻭ ﻣﻮﺳﻴﻘﻰ ﻛﻤﻰ ﻣﻘﺮﺭﺍﺗﻰ ﻭ‬
‫ﺍﺑﻮﺍﻟﺤﺴﻦ ﻧﺠﻔﻰ ﻭ ﻳﺎ ﻛﺘﺎﺑﻰ ﻛﻪ ﺳﻴﺪ‬ ‫ﺗﺤﻮﻝ ﻫﺴﺘﻨﺪ‪ .‬ﺗﻐﻴﻴﺮ ﻭ ﺗﺤﻮﻝ ﺭﺍ‬ ‫ﻟﻨﺪﻥ‪ ،‬ﺗﺤﺖ ﺭﻫﺒﺮﻯ ”ﺗﺮﻯ ﻓﻴﺸﺮ“‬ ‫ﺑﺮگ ﻭ ﺳﻤﻔﻮﻧﻰ ﻧﻬﻢ ﺷﻮﺑﺮﺕ ﺭﺍ ﺍﺟﺮﺍ‬ ‫ﻣﺤﺎﻓﻈﻪﻛﺎ ِﺭ ﺩﻭﺭﺓ ﻛﻼﺳﻴﺴﻴﺴﻢ ﺭﺍ ﻳﻚ‬
‫ﺍﺳﺖ ﺁﻥ ﺭﺍ ﺣﻞ ﻛﻨﺪ‪.‬‬ ‫ﺣﺴﻦ ﻧﺼﺮ ﺑﻪ ﻫﻤﺮﺍﻩ ﭼﻨﺪ ﻧﻔﺮ ﺩﻳﮕﺮ‬ ‫ﺷﺐ ﻣﻮﺳﻴﻘﻰ ﻓﺮﺍﻧﺴﻮﻯ ﺧﻮﺍﻫﺪ‬ ‫ﺗﻨﻪ ﻭﺍﺭﺩ ﺩﻧﻴﺎﻯ ﭘﺮ ﺗﺐ ﻭ ﺗﺎﺏ ﻭ ﺗﻮﻓﺎﻧﻰ‬
‫ﺑﻪ ﮔﻔﺘﻪ ﺍﻭ ﻧﻤﻰﺗﻮﺍﻥ ﺑﺮﺍﻯ ﺯﺑﺎﻥ‬ ‫ﭘﻴﺶ ﺍﺯ ﺁﻥ ﺩﺭ ﺯﻣﻴﻨﻪ ﺩﺭﺳﺖﻧﻮﻳﺴﻰ‬ ‫ﻧﺸﺎﻧﻪﺍﻯ ﺍﺯ ﭘﻮﻳﺎﻳﻰ ﺯﺑﺎﻥ ﻣﻰﺩﺍﻧﻨﺪ‪.‬‬ ‫ﺩﺍﺷﺖ‪ .‬ﺑﺮﻧﺎﻣﻪ ﻋﺒﺎﺭﺕ ﺍﺳﺖ ﺍﺯ‪ :‬ﺍﺑﺘﺪﺍ‬ ‫ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﺭﻣﺎﻧﺘﻴﻚ ﻛﺮﺩ‪ .‬ﺍﻭ ﺑﺮﺍﻯ ﻧﺨﺴﺘﻴﻦ ﺑﺎﺭ ﺑﺎ‬
‫ﻓﺎﺭﺳﻰ ﻗﺎﻧﻮﻥ ﺗﻌﻴﻴﻦ ﻛﺮﺩ ﺍﻣﺎ ﺍﻛﻨﻮﻥ‬ ‫ﻧﻮﺷﺘﻪﺍﻧﺪ ﺍﺿﺎﻓﻪ ﻣﻰﻛﻨﺪ ﺑﻪ ﺩﻟﻴﻠﻰ ﻛﻪ‬ ‫ﺩﺭ ﻣﻮﺭﺩ ﺧﻂ ﻭ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ ﻫﻤﻴﺸﻪ‬ ‫ﻳﻚ ﺳﻤﻔﻮﻧﻰ ﺍﺯ “ ژﺭژ ﺑﻴﺰﻩ“ ﺁﻫﻨﮕﺴﺎﺯ‬ ‫ﺩﺭ ﺷﺐ ﺳﻮﻡ ﺍﻛﺘﺒﺮ‪ ،‬ﺍﺭﻛﺴﺘﺮ‬ ‫ﺁﻭﺭﺩﻥ ﻛﻼﻡ ﺑﻪ ﻋﺮﺻﺔ ﺳﻤﻔﻮﻧﻰ ﻧﻴﺰ‬
‫ﻧﻤﻰﺷﻮﺩ ﺑﻪ ﺯﺑﺎﻥ ﻧﮕﺎﻩ ﺩﺳﺘﻮﺭﻯ ﺩﺍﺷﺖ‬ ‫ﺍﺧﺘﻼﻑ ﻧﻈﺮ ﻭﺟﻮﺩ ﺩﺍﺷﺘﻪ ﺍﺳﺖ ﻭ ﺧﻂ‬ ‫ﻗﻄﻌﻪ ﻣﻌﺮﻭﻑ »ﻛﺎﺭﻣﻦ« ﻭ ﺳﭙﺲ‬ ‫ﻓﻴﻼﺭﻣﻮﻧﻴﻚ ﻟﻨﺪﻥ ﺑﻪ ﺭﻫﺒﺮﻯ ”ﻭﻻﺩﻳﻤﻴﺮ‬ ‫ﺗﺤﻮﻟﻰ ﺑﺰﺭگ ﺩﺭ ﺍﻳﻦ ﻓﺮﻡ ﺍﺯ ﻣﻮﺳﻴﻘﻰ‬
‫ﺟﺪﺍﻧﻮﻳﺴﻰ ﻣﺮﺳﻮﻡ ﺍﺳﺖ‪.‬‬ ‫ﻣﺤﻤﺪ ﺭﺿﺎ ﺑﺎﻃﺒﻰ ﻛﺘﺎﺏ »ﺍﺟﺎﺯﻩ ﺑﺪﻫﻴﺪ‬ ‫ﻭ ﺩﺳﺘﻮﺭ ﺯﺑﺎﻧﻰ ﻫﻢ ﻛﻪ ﻓﺮﻫﻨﮕﺴﺘﺎﻥ ﺯﺑﺎﻥ‬ ‫ﻛﻨﺴﺮﺗﻮ ﭘﻴﺎﻧﻮﻳﻰ ﺍﺯ ﻣﻮﺭﻳﺲ ﺭﺍﻭﻝ ﺑﺎ‬ ‫ﻳﺎﺭﻭﻭﺳﻜﻰ“ ﺭﻫﺒﺮ ﺟﻮﺍﻥ ﺍﻳﻦ ﺍﺭﻛﺴﺘﺮ‪،‬‬ ‫ﺑﻪ ﻭﺟﻮﺩ ﺁﻭﺭﺩ ﺗﺎ ﺁﻥ ﺭﺍ ﺑﻪ ﺑﻴﺎﻥ ﺁﻣﺎﻝ‬
‫ﺍﻟﺒﺘﻪ ﻣﺨﺎﻟﻔﺎﻥ ﻧﻈﺮ ﺍﻳﻦ ﺍﺳﺘﺎﺩ‬ ‫ﻭ ﺍﺩﺏ ﻓﺎﺭﺳﻰ ﺗﻌﺮﻳﻒ ﻛﺮﺩﻩ ﻣﻮﺭﺩ ﺗﻮﺍﻓﻖ‬ ‫ﭘﻴﺎﻧﻮﻯ ”ﺑﻨﺠﺎﻣﻴﻦ ﮔﺮﻭﻧﺮ“ ﻭ ﺩﺭ ﭘﺎﻳﺎﻥ‬ ‫ﺑﺮﻧﺎﻣﻪﺍﻯ ﺩﺭ ﻣﻌﺮﻓﻰ ﺩﻧﻴﺎﻯ ﺭﻧﮕﺎﺭﻧﮓ‬ ‫ﻭ ﺁﺭﺯﻭﻫﺎ ِﻯ ﺳﺘﺮگﺍﺵ ﺑﺮﺍﻯ ﺍﻧﺴﺎﻥ ﻭ‬
‫ﺩﺍﻧﺸﮕﺎﻩ ﻫﻢ ﻛﻢ ﻧﻴﺴﺘﻨﺪ‪ .‬ﺑﻪ ﺍﻋﺘﻘﺎﺩ‬ ‫ﻏﻠﻂ ﺑﻨﻮﻳﺴﻴﻢ« ﺭﺍ ﻣﻨﺘﺸﺮ ﻛﺮﺩ‪.‬‬ ‫ﻫﻤﮕﺎﻥ ﻧﻴﺴﺖ‪ .‬ﺩﺭ ﻭﺍﻗﻊ ﻫﺮ ﻛﺴﻰ ﺳﺎﺯ‬ ‫ﺳﻤﻔﻮﻧﻰ ﻋﻈﻴﻢ ﺷﻤﺎﺭﺓ ‪” 3‬ﻛﺎﻣﻴﻞ‬ ‫ﻣﻮﺳﻴﻘﻰ ”ﺍﺳﻜﺮﻳﺎﺑﻦ“ ﺁﻫﻨﮕﺴﺎﺯ ﺭﻭﺱ‬ ‫ﺍﻧﺴﺎﻧﻴﺖ ﺩﺭ ﻓﺮﺍﺳﻮﻯ ﺯﻣﺎﻧﺔ ﺧﻮﺩﺵ‬
‫ﺑﺴﻴﺎﺭﻯ ﻫﻤﭽﻮﻥ ﺍﺑﻮﺍﻟﺤﺴﻦ ﻧﺠﻔﻰ‬ ‫ﺍﻳﻦ ﺍﺳﺘﺎﺩ ﺩﺍﻧﺸﮕﺎﻩ ﺑﺎ ﺣﻤﺎﻳﺖ ﺍﺯ‬ ‫ﺧﻮﺩ ﺭﺍ ﻣﻰﺯﻧﺪ ﻭ ﺩﺭ ﺳﺎﻝﻫﺎﻯ ﺍﺧﻴﺮ ﺑﺎ‬ ‫ﺳﻦ ﺳﺎﻧﺲ“ )ﻛﻪ ﺑﻪ ﺳﻨﻔﻮﻧﻰ ﺍﺭگ ﻧﻴﺰ‬ ‫ﺭﺍ ﺍﺭﺍﻳﻪ ﺧﻮﺍﻫﺪ ﺩﺍﺩ‪ .‬ﺑﺮﻧﺎﻣﻪ ﺷﺎﻣﻞ ﺍﺛﺮﻯ‬
‫ﺯﺑﺎﻥﺷﻨﺎﺱ ﻭ ﻣﺘﺮﺟﻢ ﺑﺎﻳﺪ ﺑﺮﺍﻯ ﺣﻔﻆ‬ ‫ﻧﮕﺎﻩ ﻣﺤﻤﺪ ﺭﺿﺎ ﺑﺎﻃﺒﻰ ﺑﻪ ﺯﺑﺎﻥ ﮔﻔﺘﻪ‬ ‫ﮔﺴﺘﺮﺵﺍﻳﻨﺘﺮﻧﺖ‪،‬ﻛﺎﺭﺑﺮﺍﻥﻓﻀﺎﻯﻣﺠﺎﺯﻯ‬ ‫ﻣﻌﺮﻭﻑ ﺍﺳﺖ( ﺑﺎ ﺍﺭگﻧﻮﺍﺯﻯ ”ﺟﻴﻤﺰ‬ ‫ﺍﺯ ”ﻛﻨﺴﻴﻦ“ ﺁﻫﻨﮕﺴﺎﺯﺭﻭﺱ‪ ،‬ﻭﻳﻠﻦ‬ ‫ﺗﺒﺪﻳﻞ ﻛﻨﺪ‪.‬‬
‫ﻭ ﺳﻼﻣﺖ ﺯﺑﺎﻥ ﻓﺎﺭﺳﻰ ﺗﻼﺵ ﻛﺮﺩ ﻭ‬ ‫ﺍﺳﺖ ﺑﺮ ﺧﻼﻑ ﻧﺠﻔﻰ ﻛﻪ ﻗﺎﻧﻮﻥ ﺻﺎﺩﺭ‬ ‫ﻧﻴﺰ ﺑﺎ ﺷﻴﻮﻩ ﻧﮕﺎﺭﺵ ﻭ ﻏﻠﻂﻧﻮﻳﺴﻰﻫﺎﻯ‬ ‫ﻛﻨﺴﺮﺗﻮﻯ ”ﺳﻴﺒﻠﻴﻮﺱ“ ﻭ ﺳﻤﻔﻮﻧﻰ‬ ‫ﺍﻣﺎ ﻧﻮﺁﻭﺭﻯﻫﺎﻯ ﺑﺘﻬﻮﻭﻥ ﺩﺭ ﺳﻤﻔﻮﻧﻰ‬
‫ﻣﻌﻴﺎﺭﻯ ﺑﺮﺍﻯ ﺗﺸﺨﻴﺺ ﻏﻠﻂ ﺍﺯ ﺩﺭﺳﺖ‬ ‫ﻣﻰﻛﻨﺪ ﺑﺎﻃﺒﻰ ﺑﻪ ﺩﺭﺳﺘﻰ ﻣﻰﮔﻮﻳﺪ‬ ‫ﺷﺮﻻﻙ“‪.‬‬ ‫ﻧﻬﻢ ﺗﻨﻬﺎ ﻣﺤﺪﻭﺩ ﺑﻪ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻛﻼﻡ‬
‫ﺍﺟﺎﺯﻩ ﺑﺪﻫﻴﺪ ﻏﻠﻂ ﺑﻨﻮﻳﺴﻴﻢ ﺗﺎ ﺑﺎ ﺯﺑﺎﻥ‬ ‫ﺧﻮﺩ ﺑﺮ ﺍﻳﻦ ﻣﻌﻀﻞ ﺍﻓﺰﻭﺩﻩﺍﻧﺪ‪.‬‬ ‫‪ 25‬ﺍﻛﺘﺒﺮ ﺍﺭﻛﺴﺘﺮ ﻓﻴﻼﺭﻣﻮﻧﻴﺎ ﺑﺎ‬ ‫ﺳﻮﻡ ”ﺍﺳﻜﺮﻳﺎﺑﻴﻦ“ ﺍﺳﺖ‪.‬‬ ‫ﺩﺭ ﻣﻮﻭﻣﺎﻥ ﭼﻬﺎﺭﻡ ﻧﻴﺴﺖ‪ .‬ﺍﻣﺮﻭﺯﻩ ﻫﻢ‬
‫ﻭﺟﻮﺩ ﺩﺍﺷﺘﻪ ﺑﺎﺷﺪ‪.‬‬ ‫ﺩﺭ ﻫﻤﻴﻦ ﺯﻣﻴﻨﻪ‪ ،‬ﺑﻬﺮﺍﻡ ﻣﻘﺪﺍﺩﻯ‬ ‫ﻣﻮﺳﻴﻘﻰ ﻓﻴﻠﻢﻫﺎﻯ ﺟﻴﻤﺰ ﺑﺎﻧﺪ ﺩﺭ‬ ‫ﺩﺭ ﺷﺐ ﭼﻬﺎﺭﻡ ﺍﻛﺘﺒﺮ‪ ،‬ﺍﺭﻛﺴﺘﺮ‬ ‫ﻭﻗﺘﻰ ﺑﻪ ﺍﻳﻦ ﻗﻄﻌﻪ ﮔﻮﺵ ﻣﻰﺩﻫﻴﻢ‬
‫ﺑﺮ ﺍﺳﺎﺱ ﺁﻧﭽﻪ ﺍﻭ ﺩﺭ ﭘﻴﺶﮔﻔﺘﺎﺭ‬ ‫ﺧﺸﻚ ﻭ ﺩﺳﺘﻮﺭﻯ ﺑﺮﺧﻮﺭﺩ ﻧﺸﻮﺩ‪.‬‬ ‫ﺍﺳﺘﺎﺩ ﺩﺍﻧﺸﮕﺎﻩ ﻭ ﻣﺘﺮﺟﻢ ﺩﺭ ﮔﻔﺖ‬ ‫ﺭﻭﻳﺎﻝ ﻓﺴﺘﻴﻮﺍﻝ ﻫﺎﻝ ﺭﻭﻯ ﺻﺤﻨﻪ‬ ‫ﻓﻴﻼﺭﻣﻮﻧﻴﺎ ﺍﻳﻦ ﺑﺎﺭ ﺗﺤﺖ ﺭﻫﺒﺮﻯ‬ ‫ﺗﻤﺎﻡ ﭼﻬﺎﺭ ﻣﻮﻭﻣﺎﻥ ﺁﻥ ﻏﻴﺮ ﻣﺘﻌﺎﺭﻑ‪،‬‬
‫ﻛﺘﺎﺏ »ﻏﻠﻂ ﻧﻨﻮﻳﺴﻴﻢ« ﻧﻮﺷﺘﻪ ﺍﺳﺖ‬ ‫ﺑﻬﺮﺍﻡ ﻣﻘﺪﺍﺩﻯ ﻳﻜﻰ ﺍﺯ ﻣﺸﻜﻼﺕ ﺯﺑﺎﻥ‬ ‫ﻭﮔﻮ ﺑﺎ ﺧﺒﺮﮔﺰﺍﺭﻯ ﺍﻳﺴﻨﺎ ﮔﻔﺘﻪ ﺍﺳﺖ‬ ‫ﺧﻮﺍﻫﺪ ﺭﻓﺖ‪ .‬ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﻫﻢﺯﻣﺎﻥ‬ ‫”ﻳﻮﺭﻯ ﺗﻤﻴﺮﻛﺎﻧﻒ“ ﻭ ﭘﻴﺎﻧﻮﻯ ”ﺩﻧﻴﺲ‬ ‫ﺍﻧﻘﻼﺑﻰ ﻭ ﻣﺪﺭﻥ ﺑﻪ ﻧﻈﺮ ﻣﻰﺭﺳﻨﺪ ‪ .‬ﺑﻪ‬
‫ﻛﺴﻰ ﻣﻨﻜﺮ ﺗﺤﻮﻝ ﻧﻴﺴﺖ ﺍﻣﺎ ﻫﺮ‬ ‫ﻓﺎﺭﺳﻰ ﺭﺍ ﻛﻠﻤﺎﺕ ﺩﻭﻧﻮﺷﺘﺎﺭﻯ ﺩﺍﻧﺴﺖ‬ ‫ﻧﻤﻰﺷﻮﺩ ﺑﻪ ﺯﺑﺎﻥ ﻧﮕﺎﻩ ﺩﺳﺘﻮﺭﻯ ﺩﺍﺷﺖ‬ ‫ﺍﺳﺖ ﺑﺎ ﺁﻏﺎﺯ ﻧﻤﺎﻳﺶ ﺑﺨﺶ ﺍﻭﻝ ﻓﻴﻠﻢ‬ ‫ﻣﺎﺗﺴﻴﻮ“ ﻛﻨﺴﺮﺗﻮ ﭘﻴﺎﻧﻮﻯ ﺷﻤﺎﺭﺓ ﻳﻚ‬ ‫ﻳﺎﺩ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﻢ ﻛﻪ ﺍﻳﻦ ﺍﺛﺮ ﺣﺪﻭﺩ‬
‫ﺗﻐﻴﻴﺮﻯ ﺭﺍ ﻫﻢ ﻧﻤﻰﺗﻮﺍﻥ ﺟﺰﻭ ﺗﺤﻮﻝ‬ ‫ﻭ ﮔﻔﺖ ﭼﻨﺪﻧﻮﺷﺘﺎﺭﻯ ﺑﻮﺩﻥ ﺑﺮﺧﻰ‬ ‫ﻭ ﺑﺮﺍﻯ ﺭﻓﻊ ﻣﺸﻜﻼﺕ ﺯﺑﺎﻧﻰ ﺑﺎﻳﺪ ﻧﻮﺷﺘﺎﺭ‬ ‫ﭼﺎﻳﻜﻮﻓﺴﻜﻰ ﻭ ﺳﻤﻔﻮﻧﻰ ﺷﻤﺎﺭﺓ ‪4‬‬ ‫‪ 200‬ﺳﺎﻝ ﭘﻴﺶ ﻧﮕﺎﺷﺘﻪ ﺷﺪﻩ ﻳﻌﻨﻰ‬
‫”ﺳﭙﻜﺘﺮ“ ﺟﻴﻤﺰ ﺑﺎﻧﺪ ﺩﺭ ﺑﺮﻳﺘﺎﻧﻴﺎ‪.‬‬ ‫ﺩﺭ ﺳﺎﻝ ‪ 1824‬ﭘﺎﻳﺎﻥ ﻳﺎﻓﺘﻪ ﻭ ﺑﺮﺍﻯ‬
‫ﻃﺒﻴﻌﻰ ﺯﺑﺎﻥ ﺑﻪ ﺷﻤﺎﺭ ﺁﻭﺭﺩ‪.‬‬ ‫ﺷﺐ ‪ 28‬ﺍﻛﺘﺒﺮ ﺍﺭﻛﺴﺘﺮ ﻓﻴﻼﺭﻣﻮﻧﻴﻚ‬ ‫ﻳﻮﻫﺎﻧﺲ ﺑﺮﺍﻣﺲ ﺭﺍ ﺍﺟﺮﺍ ﺧﻮﺍﻫﺪ ﻛﺮﺩ‪.‬‬ ‫ﻧﺨﺴﺘﻴﻦ ﺑﺎﺭ ﺩﺭ ﻭﻳﻦ ﺑﻪ ﺍﺟﺮﺍ ﺩﺭ ﺁﻣﺪﻩ‬
‫ﻟﻨﺪﻥ ﺑﺎ ﺳﻤﻔﻮﻧﻰ ﻳﻚ ﺑﺘﻬﻮﻭﻥ‪ ،‬ﻗﻄﻌﻪ‬ ‫ﺩﺭ ﺷﺐ ‪ 6‬ﺍﻛﺘﺒﺮ ﭘﻴﺎﻧﻴﺴﺖ ”ﺁﻧﺠﻼ‬ ‫ﺍﺳﺖ ﻛﻪ ﺍﺯ ﻗﻀﺎ ﻣﻮﺭﺩ ﺍﺳﺘﻘﺒﺎﻝ ﻓﺮﺍﻭﺍﻥ‬
‫”ﺳﺘﺎﻳﺶ ﺑﻬﺎﺭ“ ”ﺍﻳﮕﻮﺭ ﺍﺳﺘﺮﺍﻭﻳﻨﺴﻜﻰ“‬ ‫ﺍﻳﻮﺕ“ ﺁﺛﺎﺭﻯ ﺍﺯ ﺑﺎﺥ‪ ،‬ﺍﺳﻜﺎﺭﻻﺗﻰ‪،‬‬ ‫ﻋﻼﻗﻤﻨﺪﺍﻥ ﻣﻮﺳﻴﻘﻰ ﻧﻴﺰ ﻭﺍﻗﻊ ﺷﺪ‪.‬‬
‫ﻭ ﻛﻨﺴﺮﺗﻮ ﻭﻳﻠﻦ ”ﺗﻮﻣﺎﺱ ﻻﺭﭼﺮ“ ﺑﻪ‬ ‫ﺑﺘﻬﻮﻭﻥ ﻭ ﻓﺮﺍﻧﺘﺲ ﻟﻴﺴﺖ ﺭﺍ ﺗﻚﻧﻮﺍﺯﻯ‬ ‫ﺑﮕﺬﺍﺭﻳﺪ ﺩﺭ ﺟﺰﺋﻴﺎﺕ ﺩﻳﮕﺮ ﺍﻳﻦ ﺣﻜﺎﻳ ِﺖ‬
‫ﺻﺤﻨﻪ ﺧﻮﺍﻫﺪ ﺭﻓﺖ‪ .‬ﻭ ﺑﺎﻻﺧﺮﻩ ﺩﺭ‬ ‫ﺩﺭﺩﺁﻭﺭ ﻭﺍﺭﺩ ﻧﺸﻮﻳﻢ ﻛﻪ ﻧﺎﺷﻨﻮﺍﻳﻰ‬
‫‪ 31‬ﺍﻛﺘﺒﺮ ﻣﺠﺪﺩﺍً ﻫﻤﻴﻦ ﺍﺭﻛﺴﺘﺮ ﺑﺎ‬ ‫ﺧﻮﺍﻫﺪ ﻛﺮﺩ‪.‬‬ ‫ﺑﺘﻬﻮﻭﻥ ﺑﺎﻋﺚ ﺷﺪ ﺍﻭ ﭘﺲ ﺍﺯ ﺍﺗﻤﺎﻡ‬
‫ﺭﻫﺒﺮﻯ“ﺍﺳﺘﺎﻧﻴﺴﻼﻭ ﺍﺳﺮﻭﻭﺯﺳﻜﻰ“‬ ‫ﺩﺭ ﺷﺐ ‪ 14‬ﺍﻛﺘﺒﺮ ﺍﺭﻛﺴﺘﺮ‬ ‫ﻗﻄﻌﻪ ﻣﺘﻮﺟﺔ ﺍﺑﺮﺍﺯ ﺍﺣﺴﺎﺳﺎﺕ ﺷﺪﻳﺪ‬
‫ﺳﻤﻔﻮﻧﻰ ﺷﻤﺎﺭﻩ ‪ 5‬ﺁﻧﺘﻮﻥ ﺑﺮﻭﻛﻨﺮ ﺭﺍ‬ ‫ﻓﻴﻼﺭﻣﻮﻧﻴﻚ ﻟﻨﺪﻥ ﺗﺤﺖ ﺭﻫﺒﺮﻯ‬ ‫ﺗﻤﺎﺷﺎﮔﺮﺍﻥ ﻧﺸﻮﺩ ﺗﺎ ﺯﻣﺎﻧﻰ ﻛﻪ ﻳﻜﻰ‬
‫ﺍﺟﺮﺍ ﺧﻮﺍﻫﺪ ﻛﺮﺩ ﻭ ﺑﺮﻧﺎﻣﻪﻫﺎﻯ ﻣﻮﺳﻴﻘﻰ‬ ‫”ﻛﺮﻳﺴﺘﻒ ﭘﻨﺪﺭﺳﻜﻰ“ ﺁﻫﻨﮕﺴﺎﺯ‬ ‫ﺍﺯﺍﻋﻀﺎﻯ ﺍﺭﻛﺴﺘﺮ ﺍﻭ ﺭﺍ ﺑﻪ ﻃﺮﻑ ﺳﺎﻟﻦ‬
‫ﻛﻼﺳﻴﻚ ﻣﺎﻩ ﺍﻛﺘﺒﺮ ﺍﻳﻦ ﺳﺎﻟﻦ ﺭﺍ ﺑﻪ‬ ‫ﻣﻌﺮﻭﻑ ﻟﻬﺴﺘﺎﻧﻰ ﺑﺮﺍﻯ ﻧﺨﺴﺘﻴﻦ ﺑﺎﺭ ﺩﺭ‬ ‫ﺑﺮ ﮔﺮﺩﺍﻧﺪ‪ .‬ﺍﻧﺴﺎﻥ ﺩﺭ ﺣﻴﺮﺕ ﻣﻰﻣﺎﻧﺪ ﺍﺯ‬
‫ﻗﺪﺭﺕ ﻓﻮﻕﺍﻟﻌﺎﺩﺓ ﺍﻳﻦ ﺁﻫﻨﮕﺴﺎﺯ ﺑﺰﺭگ‬
‫ﭘﺎﻳﺎﻥ ﺧﻮﺍﻫﺪ ﺭﺳﺎﻧﺪ‪.‬‬ ‫ﻛﻪ ﭼﮕﻮﻧﻪ ﭼﻨﻴﻦ ﺍﺛﺮﻯ ﺭﺍ ﺁﻓﺮﻳﺪ ﺑﺪﻭﻥ‬
‫ﺁﻧﻜﻪ ﺑﺘﻮﺍﻧﺪ ﻧﻮﺍﻳﻰ ﺍﺯ ﺁﻥ ﺭﺍ ﺑﺸﻨﻮﺩ‪.‬‬
‫ﺷﺐ ‪ 27‬ﺳﭙﺘﺎﻣﺒﺮ ‪ ،2015‬ﺩﺭ ﺳﺎﻟﻦ‬
‫ﺑﺰﺭگ ﺭﻭﻳﺎﻝ ﻓﺴﺘﻴﻮﺍﻝ ﻫﺎﻝ ﻟﻨﺪﻥ‬
‫ﺳﻤﻔﻮﻧﻰ ﺷﻤﺎﺭﺓ ‪ 9‬ﺑﺘﻬﻮﻭﻥ ﺗﻮﺳﻂ‬
‫ﺍﺭﻛﺴﺘﺮ ﻓﻴﻼﺭﻣﻮﻧﻴﺎ ﺑﻪ ﺭﻫﺒﺮﻯ ”ﻛﺮﻳﺴﺘﻒ‬
‫ﻓﻮﻥ ﺩﻭﺩﻳﺎﻧﻴﻰ“ ﻭ ﺑﺎ ﻫﻤﺮﺍﻫﻰ ُﻛﺮ‬
‫”ﺭﻭﺩﻟﻔﻮﺱ“ ﺍﺟﺮﺍ ﺷﺪ‪ .‬ﺭﻭﻳﺎﻝ ﻓﺴﺘﻴﻮﺍﻝ‬
‫ﻫﺎﻝ ﻣﻘﺮ ﺍﻳﻦ ﺍﺭﻛﺴﺘﺮ ﻭ ﻳﺎ ﺑﻪ ﻋﺒﺎﺭﺕ‬
‫ﺩﻳﮕﺮ‪ ،‬ﻣﺤﻞ ﺍﺟﺮﺍﻯ ﺑﻴﺸﺘﺮ ﻛﻨﺴﺮﺕﻫﺎﻯ‬
‫ﺍﻳﻦ ﺍﺭﻛﺴﺘﺮ ﻗﺪﻳﻤﻰ ﻭ ﻣﻌﺘﺒﺮ ﺍﻧﮕﻠﻴﺲ‬
‫ﺍﺳﺖ‪ .‬ﺩﺭ ﺷﺐ ﺍﻳﻦ ﺍﺟﺮﺍﻯ ﺳﻤﻔﻮﻧﻰ ‪9‬‬
‫ﻧﻴﺰ ﺳﺎﻟﻦ ﺑﺰﺭ ِگ ﻓﻴﻼﺭﻣﻮﻧﻴﺎ ﺑﺎ ﻇﺮﻓﻴﺖ‬
‫ﺑﻴﺶ ﺍﺯ ﺩﻭ ﻫﺰﺍﺭ ﻧﻔﺮ ﻣﻤﻠﻮ ﺍﺯ ﻋﻼﻗﻤﻨﺪﺍﻥ‬
‫ﻣﻮﺳﻴﻘﻰ ﺑﻮﺩ ﻛﻪ ﺁﻣﺪﻩ ﺑﻮﺩﻧﺪ ﺑﺎ ﺷﻨﻴﺪﻥ‬
‫ﻛﻨﺴﺮﺗﻮ ﭘﻴﺎﻧﻮﻯ ﺭﻭﺑﺮﺕ ﺷﻮﻣﺎﻥ ﻭ ﻭ‬
‫ﻣﻮﺳﻴﻘﻰ ﻟﻮﺩﻭﻳﻚ ﻭﺍﻥ ﺑﺘﻬﻮﻭﻥ ﺩﺭ‬
‫‪70‬ﺍﻣﻴﻦ ﺳﺎﻟﮕﺮﺩ ﺗﺎﺳﻴﺲ ﺍﻳﻦ ﺍﺭﻛﺴﺘﺮ‬
‫ﻧﺎﻡﺁﻭﺭ ﺣﻀﻮﺭ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻨﺪ‪ .‬ﺍﺭﻛﺴﺘﺮ‬

‫‪ 100‬ﺍﻋﻼﻥ ﻭ ﺍﻋﻼﻣﻴﻪ ﺍﺯ ﺩﻭﺭﻩ ﻗﺎﺟﺎﺭ ﻭ ﭘﻬﻠﻮﻯ‬

‫‪Powell House‬‬ ‫ﻫﺠﺮﻯ ﺷﻤﺴﻰ ﺗﺎ ‪ 1330‬ﺭﺍ ﺩﺭ‬ ‫ﺭﻭﺯﻫﺎﻯ ﺗﺎﺑﺴﺘﺎﻥ ﺳﺎﻝ ﺟﺎﺭﻯ ﺍﺯ‬ ‫ﻛﺘﺎﺏ »‪ 100‬ﺍﻋﻼﻥ ﻭ ﺍﻋﻼﻣﻴﻪ ﺍﺯ ﺩﻭﺭﻩ‬
‫ﺑﺮ ﻣﻰﮔﻴﺮﺩ‪ .‬ﻧﻤﻮﻧﻪﻫﺎﻯ ﺍﻋﻼﻥﻫﺎﻯ‬ ‫ﺍﻧﺘﺸﺎﺭﺍﺕ ﺍﻳﺪﻩ ﺭﻭﺍﻧﻪ ﺑﺎﺯﺍﺭ ﺷﺪ‪.‬‬ ‫ﻗﺎﺟﺎﺭ ﻭ ﭘﻬﻠﻮﻯ« ﺍﺯ ﻣﺠﻤﻮﻋﻪ ﻛﺘﺎﺏﻫﺎﻯ‬
‫‪Saturday, 17th October 2015‬‬ ‫ﻓﺮﻣﺎﻳﺸﻰ ﺷﺎﻫﻰ ﻭ ﻧﻤﻮﻧﻪﻫﺎﻯ ﺍﺣﻜﺎﻡ‬ ‫»‪ «100‬ﻛﻪ ﺩﺭ ﺭﺍﺳﺘﺎﻯ ﻓﻘﺮﺯﺩﺍﻳﻰ ﺍﺯ‬
‫ﺩﻳﻨﻰ ﺑﻴﺸﺘﺮﻳﻦ ﺍﺳﻨﺎﺩ ﺍﻳﻦ ﻣﺠﻤﻮﻋﻪ ﺭﺍ‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺍﻳﻠﻨﺎ‪ ،‬ﻛﺘﺎﺏ ﺣﺎﺿﺮ ﺍﺯ ﺍﻳﻦ‬ ‫ﺁﺭﺷﻴﻮﺳﺎﺯﻯ ﺩﺭ ﺍﻳﺮﺍﻥ ﺷﻜﻞ ﮔﺮﻓﺘﻪ‬
‫‪Baden – Powell House-65/67 Queen’s Gate,London SW7 5JS‬‬ ‫ﺩﺭ ﺑﺮ ﻣﻰﮔﻴﺮﺩ ﻭ ﺳﻌﻰ ﺷﺪﻩ ﺯﻣﻴﻨﻪ ﺗﻮﺭﻕ‬ ‫ﺟﻬﺖ ﺩﺍﺭﺍﻯ ﺍﻫﻤﻴﺖ ﺍﺳﺖ ﻛﻪ ﮔﺰﻳﺪﻩﺍﻯ‬
‫ﺑﺨﺶ ﻣﻬﻤﻰ ﺍﺯ ﺗﺎﺭﻳﺦ ﻣﻌﺎﺻﺮ ﺍﻳﺮﺍﻥ ﺭﺍ‬ ‫ﺍﺯ ﺍﻋﻼﻥﻫﺎ ﻭ ﺍﻋﻼﻣﻴﻪﻫﺎﻯ ﺩﻭﺭﻩ ﻗﺎﺟﺎﺭ ﻭ‬ ‫ﺍﺳﺖ‪ ،‬ﺑﻪ ﺗﺎﺯﮔﻰ ﻣﻨﺘﺸﺮ ﺷﺪ‪.‬‬
‫‪Time : 19:00‬‬ ‫‪Ticket : £25 , £35‬‬ ‫ﭘﻬﻠﻮﻯ ﺍﺳﺖ ﻭﻫﻤﺰﻣﺎﻥ ﺑﺎ ﺭﻭﻳﻜﺮﺩﻫﺎﻯ‬ ‫ﺍﻳﻦ ﻛﺘﺎﺏ ﺍﺯ ﻣﺠﻤﻮﻋﻪ ﺷﺨﺼﻰ‬
‫ﭘﻴﺶ ﺭﻭﻯ ﭘﮋﻭﻫﺸﮕﺮﺍﻥ ﻗﺮﺍﺭ ﺩﻫﺪ‪.‬‬
‫‪Contact : 07738995405‬‬ ‫ﻛﺘﺎﺏ »‪ 100‬ﺍﻋﻼﻥ ﻭ ﺍﻋﻼﻣﻴﻪ« ﺑﺎ‬ ‫ﺗﺠﺪﺩﺧﻮﺍﻫﻰ ﺩﺭ ﺍﻳﺮﺍﻥ ﻭ ﺭﻭﻳﻜﺮﺩﻫﺎﻯ‬ ‫ﻧﺎﺻﺮﺍﻟﺪﻳﻦ ﺣﺴﻦ ﺯﺍﺩﻩ ﺍﺳﺖ ﻛﻪ ﺑﺎ‬
‫‪www.kodoom.com‬‬ ‫ﺭﻭﺷﻦ ﻛﺮﺩﻥ ﻣﺮﺍﺣﻞ ﺍﻭﻟﻴﻪ ﺗﻜﻮﻳﻦ‬ ‫ﻣﺮﺩﻡﺳﺎﻻﺭﻯ‪ ،‬ﻃﻰ ﺳﺎﻝﻫﺎﻯ ‪1290‬‬ ‫ﻣﻘﺪﻣﻪ ﺁﻳﺪﻳﻦ ﺁﻏﺪﺍﺷﻠﻮ ﺩﺭ ﺁﺧﺮﻳﻦ‬
‫ﮔﺮﺍﻓﻴﻚ ﻣﻌﺎﺻﺮ ﺍﻳﺮﺍﻥ‪ ،‬ﻣﻰﺗﻮﺍﻧﺪ‬
‫ﺭﺍﻫﻨﻤﺎﻯ ﻣﻨﺎﺳﺒﻰ ﺑﺮﺍﻯ ﺍﻫﻞ ﺗﺤﻘﻴﻖ‬
‫ﺑﺎﺷﺪ ﻭ ﺑﺎ ﺩﺍﻧﺴﺘﻦ ﺍﻳﻦ ﻣﻬﻢ ﻛﻪ ﺑﺎﺯﻳﺎﺑﻰ‬
‫ﻣﻨﺎﺑﻊ ﺷﻜﻞﮔﻴﺮﻯ ﮔﺮﺍﻓﻴﻚ ﻳﻚﺻﺪ‬
‫ﺳﺎﻝ ﮔﺬﺷﺘﻪ ﺍﻳﺮﺍﻥ ﭼﻘﺪﺭ ﺩﺷﻮﺍﺭ ﻭ‬
‫ﻣﺘﻮﻥ ﭼﺎپ ﺷﺪﻩ ﺩﺭ ﺍﻳﻦ ﺯﻣﻴﻨﻪ ﺍﻧﺪﻙ‬
‫ﺍﺳﺖ‪ ،‬ﺍﺭﺯﺵ ﺍﻳﻦ ﻛﺘﺎﺏ ﺭﺍ ﺩﻭ ﭼﻨﺪﺍﻥ‬

‫ﻣﻰ ﻛﻨﺪ‪.‬‬
‫ﻛﺘﺎﺏ ”‪ 100‬ﺍﻋﻼﻥ ﻭ ﺍﻋﻼﻣﻴﻪ“ ﺩﺭ‬
‫‪ 176‬ﺻﻔﺤﻪ ﻭ ﺑﺎ ﻗﻴﻤﺖ ‪ 50‬ﻫﺰﺍﺭ ﺗﻮﻣﺎﻥ‪،‬‬

‫ﺑﻪ ﺑﺎﺯﺍﺭ ﻧﺸﺮ ﻋﺮﺿﻪ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﮔﻔﺘﻨﻰ ﺍﺳﺖ‪ ،‬ﺍﻳﻦ ﻛﺘﺎﺏ ﺳﻮﻣﻴﻦ‬
‫ﻣﺠﻤﻮﻋﻪ ﺍﺯ ﻣﺠﻤﻮﻋﻪ ﻛﺘﺎﺏﻫﺎﻯ »‪«100‬‬
‫ﺍﺳﺖ ﻭ ﺩﺭ ﺍﻳﻦ ﺭﺍﺳﺘﺎ ﺗﺎ ﻛﻨﻮﻥ ﻛﺘﺎﺏﻫﺎﻯ‬
‫»‪ 100‬ﺁﮔﻬﻰ ﻣﻄﺒﻮﻋﺎﺕ ﺍﻳﺮﺍﻥ« ﻭ »‪100‬‬
‫ﭘﺮﺗﺮﻩ ﺟﻬﺎﻥ ﭘﻬﻠﻮﺍﻥ ﺗﺨﺘﻰ« ﺑﻪ ﭼﺎپ‬

‫ﺭﺳﻴﺪﻩ ﺍﺳﺖ‪.‬‬