Page 5 - (کیهان لندن - سال سى و سوم ـ شماره ۴ (دوره جديد

P. 5

‫ﺻﻔﺤﻪ ‪5‬ـ ‪ Page 5‬ـ ﺷﻤﺎﺭﻩ ‪4‬‬
‫ﺟﻤﻌﻪ ‪ 17‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 23‬ﺁﻭﺭﻳﻞ ‪2015‬‬

‫ﺣﺎﺷﻴﻪﻫﺎﻯ ﺳﺮﻳﺎﻝ »ﺩﺭ ﺣﺎﺷﻴﻪ«‪:‬‬ ‫ﭼﺎپ ﺗﻤﺒﺮ ﮔﺮﺍﻣﻴﺪﺍﺷﺖ »ﻛﻮﺭﻭﺵ ﻛﺒﻴﺮ« ﺩﺭ ﺍﺳﺮﺍﺋﻴﻞ‬

‫ﻓﺮﻫﻨ ِﮓ ﺳﺎﻧﺴﻮﺭ ﻭ ﺧﻮﺩﺳﺎﻧﺴﻮﺭﻯ ﺩﺭ ﺟﺎﻣﻌﻪ‬ ‫ﻫﻢﺯﻣﺎﻥ ﺑﺎ ﺭﻭﺯ ﻳﺎﺩﺑﻮﺩ ﻫﻮﻟﻮﻛﺎﺳﺖ ﺩﺭ ﺍﺳﺮﺍﺋﻴﻞ‪ ،‬ﺍﻳﻦ‬
‫ﻛﺸﻮﺭ ﻳﻚ ﺗﻤﺒﺮ ﮔﺮﺍﻣﻴﺪﺍﺷﺖ ﻛﻮﺭﻭﺵ ﻛﺒﻴﺮ‪ ،‬ﺑﻨﻴﺎﻧﮕﺬﺍﺭ‬
‫»ﺳﺘﺎﻳﺶ« ﻭ ﺍﻋﺘﺮﺍﺽ ﭘﺰﺷﻜﻰ ﻗﺎﻧﻮﻧﻰ‬ ‫ﺑﺎﺭ ﺑﻪ ﻭﺍﺳﻄﻪ ﻃﺮﺡ ﻣﻮﺿﻮﻋﺎﺕ ﺍﻧﺘﻘﺎﺩﻯ‬ ‫ﭘﺨﺶ ﺳﺮﻳﺎﻝ ﻃﻨﺰ »ﺩﺭ ﺣﺎﺷﻴﻪ« ﺗﺎﺯﻩ‬ ‫ﺷﺎﻫﻨﺸﺎﻫﻰ ﻫﺨﺎﻣﻨﺸﻰ ﻭ ﻧﺨﺴﺘﻴﻦ ﺷﺎﻫﻨﺸﺎﻩ ﺗﺎﺭﻳﺦ ﺍﻳﺮﺍﻥ‪،‬‬
‫ﺑﻪ ﺳﺮﻳﺎﻝ »ﺳﺎﺧﺘﻤﺎﻥ ‪ «85‬ﻧﻤﻮﻧﻪ ﻫﺎﻳﻰ‬ ‫ﻭ ﻳﺎ ﺣﺘﻰ ﻓﻘﻂ ﻧﻤﺎﻳﺶ ﻭﺍﻗﻌﻴﺖ‪ ،‬ﺍﺯ‬ ‫ﺗﺮﻳﻦ ﺳﺎﺧﺘﻪ ﻣﻬﺮﺍﻥ ﻣﺪﻳﺮﻯ ﺑﺎ ﻭﺍﻛﻨﺶ‬
‫ﻋﺠﻴﺐ ﺍﻣﺎ ﻭﺍﻗﻌﻰ ﺍﺯ ﺍﻧﺘﻘﺎﺩﻧﺎﭘﺬﻳﺮﻯ‬ ‫ﺳﻮﻯ ﺍﻓﺮﺍﺩ ﻭ ﺍﺻﻨﺎﻑ ﻣﺮﺑﻮﻃﻪ ﻣﻮﺭﺩ‬ ‫ﻫﺎﻯ ﺗﻨﺪ ﺟﺎﻣﻌﻪ ﭘﺰﺷﻜﻰ ﺍﻳﺮﺍﻥ ﻣﻮﺍﺟﻪ‬ ‫ﺑﻪ ﭼﺎپ ﺭﺳﺎﻧﺪ‪.‬‬
‫ﺟﺎﻣﻌﻪ ﻭ ﺗﻤﺎﻳﻞ ﺷﺪﻳﺪ ﺁﻥ ﺑﻪ ﺳﺎﻧﺴﻮ ِﺭ‬ ‫ﺣﻤﻠﻪ ﻗﺮﺍﺭ ﻣﻰﮔﻴﺮﻧﺪ‪ .‬ﺗﺎ ﺟﺎﻳﻰ ﻛﻪ‬ ‫ﺷﺪﻩ ﻭ ﺍﺯ ﺳﻮﻯ ﺳﺎﺯﻣﺎﻥ ﻧﻈﺎﻡ ﭘﺰﺷﻜﻰ‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺭﺍﺩﻳﻮ ﺍﺳﺮﺍﻳﻴﻞ ﺩﺭ ﺭﻭﺯ ﭘﻨﺞ ﺷﻨﺒﻪ‪27 ،‬‬
‫ﻧﻪ ﺗﻨﻬﺎ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺑﻠﻜﻪ ﺧﻮﺩﺵ ﺍﺳﺖ!‬ ‫ﺍﻛﻨﻮﻥ ﻛﻤﺘﺮ ﻛﺎﺭﮔﺮﺩﺍﻧﻰ ﭘﻴﺪﺍ ﻣﻰ ﺷﻮﺩ‬ ‫ﺍﻳﺮﺍﻥ ﺳﺮﻳﺎﻟﻰ »ﻫﺘﺎﻛﺎﻧﻪ« ﺧﻮﺍﻧﺪﻩ ﺷﺪﻩ‬ ‫ﻓﺮﻭﺭﺩﻳﻦ‪ ،‬ﺭﻭﻧﻤﺎﻳﻰ ﺍﺯ ﺗﻤﺒﺮ ﻛﻮﺭﻭﺵ ﻛﺒﻴﺮ‪ 14 ،‬ﺁﻭﺭﻳﻞ )‪25‬‬
‫ﻣﺸﺎﻏﻞ ﻣﺨﺘﻠﻒ‪ ،‬ﺗﺨﺼﺺ ﻫﺎ ﻭ ﺻﻨﻮﻑ‬ ‫ﻛﻪ ﺑﺎ ﺩﻳﺪ ﺍﻧﺘﻘﺎﺩﻯ ﻣﺴﺎﺋﻞ ﻣﺮﺑﻮﻁ ﺑﻪ‬ ‫ﺍﺳﺖ‪ .‬ﺍﮔﺮ ﭼﻪ ﺍﺯ ﺍﺑﺘﺪﺍﻯ ﺩﺭﺯ ﻣﻮﺿﻮﻉ‬
‫ﻧﻴﺰ ﻣﻰﺧﻮﺍﻫﻨﺪ ﺩﻳﮕﺮﺍﻥ ﻭﺍﻗﻌﻴﺖ ﺭﺍ‬ ‫ﺻﻨﻮﻑ ﻭ ﻣﺸﺎﻏﻞ ﻣﺨﺘﻠﻒ ﺭﺍ ﺩﺭ ﺍﺛﺮ‬ ‫ﺳﺮﻳﺎﻝ ﻣﻬﺮﺍﻥ ﻣﺪﻳﺮﻯ ﺯﻣﺰﻣﻪ ﻫﺎﻯ‬ ‫ﻓﺮﻭﺭﺩﻳﻦ( ﺍﻧﺠﺎﻡ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻧﺪﺍﻧﻨﺪ ﻭ ﺗﺼﻮﻳﺮﻯ ﺑﻰ ﻋﻴﺐ ﻭ ﻧﻘﺺ ﺍﺯ‬ ‫ﺧﻮﺩ ﻣﻄﺮﺡ ﻛﺮﺩﻩ ﺑﺎﺷﺪ ﻭ ﺯﻳﺮ ﻓﺸﺎﺭ‬ ‫ﻣﺨﺎﻟﻔﺖ ﻭ ﺍﻧﺘﻘﺎﺩ ﭘﺰﺷﻜﺎﻥ ﺷﻨﻴﺪﻩ ﻣﻰ‬ ‫ﺗﻤﺒﺮ ﻗﺪﺭﺩﺍﻧﻰ ﺍﺯ ﻛﻮﺭﻭﺵ ﻛﺒﻴﺮ ﺩﺭ ﭼﻨﺪ ﻧﺴﺨﻪ‪ ،‬ﺍﺯ ﺟﻤﻠﻪ‬
‫ﺁﻧﻬﺎ ﻧﺸﺎﻥ ﺩﺍﺩﻩ ﺷﻮﺩ ﺁﻥ ﻫﻢ ﺩﺭ ﺣﺎﻟﻰ‬ ‫ﻗﺮﺍﺭ ﻧﮕﺮﻓﺘﻪ ﺑﺎﺷﺪ‪ .‬ﺍﻣﺎ ﺗﺎ ﻛﻨﻮﻥ ﻫﻴﭻ‬ ‫ﺷﺪ ﻭ ﭘﻴﺶ ﻟﺮﺯﻩ ﻫﺎﻳﻰ ﭼﻮﻥ ﺗﻐﻴﻴﺮ‬ ‫ﺑﺎ ﺍﻋﻼﻣﻴﻪ ﺗﺎﺭﻳﺨﻰ ﻛﻮﺭﻭﺵ ﻛﻪ ﺑﻪ ﻣﻨﺸﻮﺭ ﻛﻮﺭﻭﺵ ﻣﺸﻬﻮﺭ‬
‫ﻛﻪ ﺍﮔﺮ ﺻﻨﻒ ﺩﻳﮕﺮﻯ ﺑﻪ ﺭﻳﺸﺨﻨﺪ ﻃﻨﺰ‬ ‫ﺻﻨﻔﻰ ﻣﺎﻧﻨﺪ ﺍﻳﻦ ﮔﺮﻭﻩ ﺍﺯ ﭘﺰﺷﻜﺎﻥ ﺧﻮﺩ‬ ‫ﻋﻨﻮﺍﻥ ﺳﺮﻳﺎﻝ ﺍﺯ »ﺍﺗﺎﻕ ﻋﻤﻞ« ﺑﻪ »ﺩﺭ‬
‫ﮔﺮﻓﺘﻪ ﺷﻮﺩ‪ ،‬ﺍﺻﻨﺎﻑ ﺩﻳﮕﺮ ﻫﻴﭻ ﺍﻳﺮﺍﺩﻯ‬ ‫ﺭﺍ ﺑﺎﻻﺗﺮ ﻭ ﺑﺮﺗﺮ ﺍﺯ ﺩﻳﮕﺮﺍﻥ ﻗﺮﺍﺭ ﻧﺪﺍﺩﻩ‬ ‫ﺣﺎﺷﻴﻪ« ﺭﺍ ﺩﺭ ﺑﺮ ﺩﺍﺷﺖ‪ ،‬ﺍﻣﺎ ﺑﻪ ﻧﻈﺮ‬ ‫ﺍﺳﺖ‪ ،‬ﺩﺭ ﺭﻧﮓﻫﺎﻯ ﺁﺑﻰ ﻭ ﻃﻼﻳﻰ ﻣﻨﺘﺸﺮ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻧﻤﻰ ﺑﻴﻨﻨﺪ! ﭼﻨﺎﻧﭽﻪ ﺩﺭ ﺳﺮﻳﺎﻝ »ﻣﺮﺩ‬ ‫ﻭ ﺷﺮﻭﻉ ﺑﻪ ﻫﺘﻚ ﺣﺮﻣﺖ ﺷﺨﺼﻰ‬ ‫ﻧﻤﻰ ﺭﺳﻴﺪ ﻛﻪ ﺍﺑﻌﺎﺩ ﮔﺴﺘﺮﺩﻩ ﺍﻯ ﺑﻴﺎﺑﺪ‪.‬‬ ‫ﺍﺩﺍﺭﻩ ﭘﺴﺖ ﺍﺳﺮﺍﺋﻴﻞ ﻧﻴﺰ ﺑﺎ ﺍﻋﻼﻡ ﺍﻧﺘﺸﺎﺭ ﺍﻳﻦ ﺗﻤﺒﺮ ﺑﻪ ﻓﺘﺢ‬
‫ﻫﺰﺍﺭﭼﻬﺮﻩ« ﺳﺎﺧﺘﻪ ﺩﻳﮕﺮﻯ ﺍﺯ ﻣﻬﺮﺍﻥ‬ ‫ﺍﻧﻌﻄﺎﻑ ﺳﺎﺯﻧﺪﮔﺎﻥ ﺍﻳﻦ ﺳﺮﻳﺎﻝ ﺩﺭ‬ ‫ﭘﺎﺩﺷﺎﻫﻰ ﺑﺎﺑِﻞ ﺑﻪ ﻭﺳﻴﻠﻪ ﻧﺨﺴﺘﻴﻦ ﭘﺎﺩﺷﺎﻩ ﺍﻳﺮﺍﻥ ﺩﺭ ﺳﺎﻝ‬
‫ﻣﺪﻳﺮﻯ‪ ،‬ﺑﺎ ﻫﺮ ﺻﻨﻔﻰ ﻛﻪ ﺷﻮﺧﻰ ﻣﻰ‬ ‫ﻫﻨﺮﻣﻨﺪﺍﻥ ﻧﻜﺮﺩﻩ ﺍﻧﺪ‪.‬‬ ‫ﺑﺮﺧﻮﺭﺩ ﺑﺎ ﻭﺍﻛﻨﺶ ﻫﺎ ﻣﻨﺠﺮ ﺑﻪ ﺗﻐﻴﻴﺮﺍﺗﻰ‬
‫ﺷﺪ‪ ،‬ﺍﻋﻀﺎﻯ ﺻﻨﻒ ﺩﻳﮕﺮ ﺧﻮﺷﻨﻮﺩ ﻣﻰ‬ ‫ﺍﻋﺘﺮﺍﺽ ﭘﺮﺳﺘﺎﺭﺍﻥ ﺑﻪ ﻓﻴﻠﻢ‬ ‫ﺩﺭ ﻓﻴﻠﻤﻨﺎﻣﻪ ﻭ ﺟﺰﺋﻴﺎﺗﻰ ﺗﺎﺯﻩ ﺷﺪ ﻛﻪ‬ ‫‪ 539‬ﻗﺒﻞ ﺍﺯ ﻣﻴﻼﺩ‪ ،‬ﺍﺷﺎﺭﻩ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺷﺪﻧﺪ ﺍﻣﺎ ﻧﻮﺑﺖ ﺑﻪ ﺧﻮﺩﺷﺎﻥ ﻛﻪ ﻣﻰ‬ ‫»ﺷﻮﻛﺮﺍﻥ« ﻭ ﻣﺠﻤﻮﻋﻪ ﻫﺎﻯ ﺗﻠﻮﻳﺰﻳﻮﻧﻰ‬ ‫ﺍﺳﺎﺳﺎ ﻏﻴﺮﻭﺍﻗﻌﻰ ﻫﻢ ﻫﺴﺘﻨﺪ‪ .‬ﺑﺮﺍﻯ‬ ‫ﺍﺩﺍﺭﻩ ﭘﺴﺖ ﺍﺳﺮﺍﺋﻴﻞ ﺩﺭ ﺗﻮﺿﻴﺢ ﺍﻳﻦ ﺗﻤﺒﺮ ﻧﻮﺷﺘﻪ ﻛﻪ‬
‫ﺭﺳﻴﺪ ﺁﻥ ﺭﺍ ﺗﻮﻫﻴﻦ ﻗﻠﻤﺪﺍﺩ ﻣﻰ ﻛﺮﺩﻧﺪ‪.‬‬ ‫»ﺑﭽﻪ ﻫﺎﻯ ﻧﺴﺒﺘﺎ ﺑﺪ« ﻭ »ﺑﺎﻍ ﻣﻈﻔﺮ«‪،‬‬ ‫ﻧﻤﻮﻧﻪ ﺩﺭ ﺳﻜﺎﻧﺲ ﻫﺎﻯ ﺍﺿﺎﻓﻪ ﺷﺪﻩ‬ ‫ﻛﻮﺭﻭﺵ ﻛﺒﻴﺮ ﭘﺲ ﺍﺯ ﻓﺘﺢ ﺑﺎﺑِﻞ‪ ،‬ﺩﺳﺘﻮﺭ ﺁﺯﺍﺩﻯ ﻳﻬﻮﺩﻳﺎﻥ ﺍﺯ‬
‫ﺍﻣﺎ ﺁﻳﺎ ﻳﻚ ﻫﻨﺮﻣﻨﺪ ﻭ ﻓﻴﻠﻤﺴﺎﺯ ﻣﻰ‬ ‫ﺍﻋﺘﺮﺍﺽ ﻭﻛﻼ ﺑﻪ ﺳﺮﻳﺎﻝ »ﺍﻭ ﻳﻚ‬ ‫ﺑﻪ ﺳﺮﻳﺎﻝ‪ ،‬ﺑﺎ ﺑﻴﻤﺎﺭﺳﺘﺎﻧﻰ ﺭﻭﺑﺮﻭ ﻣﻰ‬ ‫ﺑﺮﺩﮔﻰ ﺭﺍ ﺩﺭ ﺑﺎﺑﻞ ﺻﺎﺩﺭ ﻣﻰﻛﻨﺪ ﻭ ﺑﻪ ﺁﻧﻬﺎ ﺍﺟﺎﺯﻩ ﻣﻰﺩﻫﺪ‬
‫ﺗﻮﺍﻧﺪ ﺍﻗﺸﺎﺭ ﻭ ﺻﻨﻮﻑ ﻣﺨﺘﻠﻒ ﺟﺎﻣﻌﻪ‬ ‫ﻓﺮﺷﺘﻪ ﺑﻮﺩ«‪ ،‬ﺍﻋﺘﺮﺍﺽ ﭘﺰﺷﻜﺎﻥ ﺑﻪ‬ ‫ﺷﻮﻳﻢ ﻛﻪ ﺑﺪﻭﻥ ﺩﺭﻳﺎﻓﺖ ﻫﺰﻳﻨﻪ ﻫﺎﻯ‬ ‫ﻛﻪ ﺁﺯﺍﺩﺍﻧﻪ ﺑﻪ ﺳﺮﺯﻣﻴﻦ ﻳﻬﻮﺩﺍ ﺑﺎﺯﮔﺮﺩﻧﺪ ﻭ ﻣﻌﺒﺪ ﻣﻘﺪﺱ ﺧﻮﺩ‬
‫ﺭﺍ ﺑﻪ ﺩﻟﻴﻞ ﺟﻠﻮﮔﻴﺮﻯ ﺍﺯ ﻭﺍﻛﻨﺶ ﻫﺎﻯ‬ ‫ﺳﺮﻳﺎﻝ ﻫﺎﻯ»ﺍﻏﻤﺎ«‪» ،‬ﺣﻠﻘﻪ ﺳﺒﺰ«‪،‬‬ ‫ﺩﺭﻣﺎﻥ‪ ،‬ﺑﻴﻤﺎﺭ ﺭﺍ ﻣﻰ ﭘﺬﻳﺮﻧﺪ! ﺩﺭ ﺣﺎﻟﻰ‬
‫ﺍﺣﺘﻤﺎﻟﻰ ﺁﻧﻬﺎ ﺍﺯ ﺁﺛﺎﺭ ﺣﺬﻑ ﻛﻨﺪ؟ ﺁﻳﺎ‬ ‫»ﺳﺎﺧﺘﻤﺎﻥ ﭘﺰﺷﻜﺎﻥ« ﻭ »ﺩﺭ ﺣﺎﺷﻴﻪ«‪،‬‬ ‫ﻛﻪ ﻣﺨﺎﻃﺒﺎﻥ ﺁﺷﻨﺎ ﺑﻪ ﺑﻴﻤﺎﺭﺳﺘﺎﻥ ﻫﺎﻯ‬ ‫ﺭﺍ ﺩﺭ ﺍﻭﺭﺷﻠﻴﻢ ﺍﺯ ﻧﻮ ﺑﻨﺎ ﻛﻨﻨﺪ‪.‬‬
‫ﺑﺮﺍﻯ ﻧﻤﺎﻳﺶ ﻳﻚ ﺟﺎﻣﻌﻪ ﻭﺍﻗﻌﻰ‪ ،‬ﻧﻴﺎﺯﻯ‬ ‫ﺍﻋﺘﺮﺍﺽ ﻛﺎﺭﻣﻨﺪﺍﻥ ﺍﺩﺍﺭﻩ ﺛﺒﺖ ﺍﺣﻮﺍﻝ‬ ‫ﺍﻳﺮﺍﻥ ﺍﮔﺮ ﻫﻢ ﻃﻌﻢ ﺗﻠﺦ ﺑﺮﺧﻮﺭﺩﻫﺎﻯ‬ ‫ﺑﺮ ﺭﻭﻯ ﺗﻤﺒﺮ ﮔﺮﺍﻣﻴﺪﺍﺷﺖ ﻛﻮﺭﻭﺵ ﻛﺒﻴﺮ‪ ،‬ﺑﻪ ﺳﻪ ﺯﺑﺎﻥ‬
‫ﺑﻪ ﺻﻨﻮﻑ ﻭ ﻣﺸﺎﻏﻞ ﻧﻴﺴﺖ؟ ﺁﻳﺎ ﺍﻳﻦ‬ ‫ﺑﻪ ﻣﺠﻤﻮﻋﻪ »ﻣﺮﺩ ﻫﺰﺍﺭ ﭼﻬﺮﻩ« ﻭ‬ ‫ﺻﻨﺪﻭﻗﺪﺍﺭﺍﻥ ﺭﺍ ﻧﭽﺸﻴﺪﻩ ﺑﺎﺷﻨﺪ ﻭﻟﻰ ﺍﺯ‬ ‫ﻋﺒﺮﻯ‪ ،‬ﺍﻧﮕﻠﻴﺴﻰ ﻭ ﻓﺎﺭﺳﻰ ﺟﻤﻼﺗﻰ ﻧﻮﺷﺘﻪ ﺷﺪﻩ ﻭ ﺍﺯ‬
‫ﺍﻋﺘﺮﺍﺿﺎﺕ ﺑﺮﺍﻯ ﺟﻠﻮﮔﻴﺮﻯ ﺍﺯ ﻭﺭﻭﺩ‬ ‫ﺍﻋﺘﺮﺍﺽ ﺳﺎﺯﻣﺎﻥ ﺑﻬﺰﻳﺴﺘﻰ ﺑﻪ ﻓﻴﻠﻢ‬ ‫ﻣﺮگ ﻭ ﻣﻴﺮ ﺑﻴﻤﺎﺭﺍﻥ ﻓﻘﻴﺮ ﻳﺎ ﺭﻫﺎ ﻛﺮﺩﻥ‬ ‫ﺟﻤﻠﻪ ﺍﻳﻦ ﻋﺒﺎﺭﺕ ﺑﻪ ﻧﻘﻞ ﺍﺯ ﺍﻭ ﻭ ﺧﻄﺎﺏ ﺑﻪ ﻳﻬﻮﺩﻳﺎﻥ ﺩﺭ‬
‫ﻫﻨﺮﻣﻨﺪﺍﻥ ﺑﻪ ﺣﺮﻳﻢ »ﺣﺮﻓﻪ ﻫﺎﻯ‬ ‫»ﺧﺪﺍﺣﺎﻓﻆ ﺑﭽﻪ«‪ ،‬ﺍﻋﺘﺮﺍﺽ ﭘﻠﻴﺲ ﻫﺎ‬ ‫ﻛﺘﺎﺏ ﻣﻘﺪﺱ ﺁﻣﺪﻩ ﺍﺳﺖ‪» :‬ﺧﺪﺍﻭﻧﺪ ﺑﺎ ﻫﻤﻪ ﺷﻤﺎ ﻛﻪ ﻗﻮﻡ‬
‫ﻣﻘﺪﺱ« ﭼﻴﺰﻯ ﺟﺰ ﺳﺎﻧﺴﻮﺭ ﻭ ﻭﺍﺩﺍﺭ‬ ‫ﺑﻪ ﻓﻴﻠﻢ ﺁژﺍﻧﺲ ﺷﻴﺸﻪ ﺍﻯ«‪ ،‬ﺍﻋﺘﺮﺍﺽ‬ ‫ﺑﻴﻤﺎﺭ ﺍﻭﺭژﺍﻧﺴﻰ ﺩﺭ ﺑﻴﺎﺑﺎﻥ ﺧﺒﺮ ﺩﺍﺭﻧﺪ!‬ ‫ﺍﻭ ﻫﺴﺘﻴﺪ‪ ،‬ﻫﻤﺮﺍﻩ ﺍﺳﺖ‪ .‬ﺷﻤﺎ ﺍﺟﺎﺯﻩ ﺩﺍﺭﻳﺪ ﻛﻪ ﺑﻪ ﺍﻭﺭﺷﻠﻴﻢ‬
‫ﻛﺮﺩﻥ ﻫﻨﺮﻣﻨﺪﺍﻥ ﺑﻪ ﺧﻮﺩﺳﺎﻧﺴﻮﺭﻯ‬ ‫ﻓﻮﺗﺒﺎﻟﻴﺴﺖ ﻫﺎ ﺑﻪ ﺳﺮﻳﺎﻝ »ﭘﮋﻣﺎﻥ«‪،‬‬ ‫ﺍﻣﺎ ﮔﻮﻳﻰ ﺑﺮﺧﻰ ﭘﺰﺷﻜﺎﻥ ﺍﻳﻦ‬
‫ﺍﻋﺘﺮﺍﺽ ﺑﺎﺭﻓﺮﻭﺷﺎﻥ ﺑﻪ ﺳﺮﻳﺎﻝ »ﺯﻣﺎﻧﻪ«‬ ‫ﻭﺿﻌﻴﺖ ﻏﻴﺮﺍﻧﺴﺎﻧﻰ ﻭ ﭘﺮﻭﻧﺪﻩ ﻫﺎﻯ‬ ‫ﺑﺎﺯﮔﺮﺩﻳﺪ«‪.‬‬
‫ﻧﺎﻡ ﺩﺍﺭﺩ؟‬ ‫ﻭ ﺍﻋﺘﺮﺍﺽ ﺳﺮﺩﻓﺘﺮﺩﺍﺭﺍﻥ ﺑﻪ ﺳﺮﻳﺎﻝ‬ ‫ﺳﻴﺎﻩ ﺭﺍ ﺯﻳﺮ ﺳﺮ ﻳﻚ ﺳﺮﻳﺎﻝ ﻃﻨﺰ ﻣﻰ‬ ‫ﻛﻮﺭﻭﺵ ﻛﺒﻴﺮ ﺗﻨﻬﺎ ﭘﺎﺩﺷﺎﻫﻰ ﺍﺳﺖ ﻛﻪ ﻧﺎﻡ ﺍﻭ ﺩﺭ ﺗﻮﺭﺍﺕ‪،‬‬
‫ﺩﺍﻧﻨﺪ ﻭ ﻧﻪ ﺍﻳﻨﻜﻪ ﺳﺮﻳﺎﻝ‪ ،‬ﻃﻨﺰ ﺧﻮﺩ ﺭﺍ‬ ‫ﺁﻥ ﻫﻢ ﺑﻪ ﻧﻴﻜﻰ‪ ،‬ﺁﻭﺭﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﭘﻴﺮﻭﺍﻥ ﺩﻳﻦ ﻳﻬﻮﺩ‬
‫ﺍﺯ ﻭﺍﻗﻌﻴﺖ ﮔﺮﻓﺘﻪ ﺍﺳﺖ! ﺍﻳﻦ ﭘﺰﺷﻜﺎﻥ ﺑﻪ‬ ‫ﺍﺣﺘﺮﺍﻡ ﺯﻳﺎﺩﻯ ﺑﺮﺍﻯ ﻧﺨﺴﺘﻴﻦ ﺷﺎﻫﻨﺸﺎﻩ ﺍﻳﺮﺍﻥ ﻗﺎﺋﻞﺍﻧﺪ ﻭ‬
‫ﺟﺎﻯ ﺍﻳﻨﻜﻪ ﺑﻪ ﻋﻨﻮﺍﻥ ﻣﻨﺘﻘﺪﺍﻥ ﻭﺿﻌﻴﺖ‬
‫ﺑﻴﻤﺎﺭﺳﺘﺎﻥﻫﺎ ﻭ ﺗﺄﻣﻴﻦ ﺍﺟﺘﻤﺎﻋﻰ ﺩﺭ‬ ‫ﺧﻴﺎﺑﺎﻧﻰ ﻧﻴﺰ ﺩﺭ ﺍﻭﺭﺷﻠﻴﻢ ﺑﻪ ﻧﺎﻡ ﻛﻮﺭﻭﺵ ﻭﺟﻮﺩ ﺩﺍﺭﺩ‪.‬‬
‫ﻛﻨﺎﺭ ﺑﻴﻤﺎﺭﺍﻥ ﺑﺒﻴﻨﺪ‪ ،‬ﻇﺎﻫﺮﺍ ﺗﺮﺟﻴﺢ‬ ‫ﺑﻪ ﺟﺮﻳﺎﻥ ﺍﻓﺘﺎﺩﻥ ﺗﻤﺒﺮ ﮔﺮﺍﻣﻴﺪﺍﺷﺖ ﻛﻮﺭﻭﺵ ﻛﺒﻴﺮ ﺍﺯ‬
‫ﺩﺍﺩﻧﺪ ﺩﺭ ﭘﺎﺳﺦ ﺑﻪ ﺍﻧﻌﻄﺎﻑ ﺳﺎﺯﻧﺪﮔﺎﻥ‬ ‫ﺳﻮﻯ ﺍﺩﺍﺭﻩ ﭘﺴﺖ ﺍﺳﺮﺍﺋﻴﻞ ﺩﺭ ﺍﻭﺝ ﺗﻨﺶﻫﺎ ﻣﻴﺎﻥ ﺍﻳﻦ ﻛﺸﻮﺭ‬
‫ﺳﺮﻳﺎﻝ »ﺩﺭ ﺣﺎﺷﻴﻪ« ﻭﺍﻛﻨﺶ ﺗﻼﻓﻰ‬ ‫ﻭ ﺟﻤﻬﻮﺭﻯ ﺍﺳﻼﻣﻰ ﺑﺮ ﺳﺮ ﺑﺮﻧﺎﻣﻪ ﻫﺴﺘﻪﺍﻯ ﺍﻳﺮﺍﻥ ﺻﻮﺭﺕ‬
‫ﺟﻮﻳﺎﻧﻪ ﻧﺸﺎﻥ ﺑﺪﻫﻨﺪ ﻭ ﺩﺭ ﻳﻚ ﺍﻗﺪﺍﻡ‬
‫ﻛﺎﻣﻼ ﻏﻴﺮﻋﺎﺩﻯ ﻭ ﺑﺮ ﺧﻼﻑ ﻭﺟﺪﺍﻥ‬ ‫ﻣﻰﮔﻴﺮﺩ‪.‬‬
‫ﭘﺰﺷﻜﻰ ﻭ ﺣﻔﻆ ﺍﺳﺮﺍﺭ ﺑﻴﻤﺎﺭ‪ ،‬ﭘﺮﻭﻧﺪﻩ‬
‫ﭘﺰﺷﻜﻰ ﺗﻌﺪﺍﺩﻯ ﺍﺯ ﺩﺳﺖ ﺩﺭ ﻛﺎﺭﺍﻥ ﺍﻳﻦ‬ ‫ﻣﺨﺎﻟﻔﺖ ﺑﺎ ﺍﺟﺮﺍﻯ ﺍﭘﺮﺍﻯ ﻋﺮﻭﺳﻜﻰ ﺳﻌﺪﻯ‬
‫ﺳﺮﻳﺎﻝ ﺭﺍ ﻓﺎﺵ ﻛﺮﺩﻩ ﺍﻧﺪ! ﺑﺮﺧﻰ ﺍﺯ ﺍﻳﻦ‬
‫ﭘﺰﺷﻜﺎﻥ ﺣﺘﻰ ﻣﺪﻋﻰ ﺷﺪﻧﺪ ﻛﻪ ﻫﺪﻑ‬ ‫ﺑﻪ ﺧﺎﻃﺮ ﺁﻭﺍﻯ ﺯﻥ‬
‫ﺍﺯ ﺳﺎﺧﺖ ﺍﻳﻦ ﺳﺮﻳﺎﻝ‪ ،‬ﻋﻘﺪﻩ ﮔﺸﺎﻳﻰ‬
‫ﺳﺎﺯﻧﺪﮔﺎﻧﺶ ﺍﺳﺖ ﭼﻮﻥ ﺍﺯ ﺍﻳﻨﻜﻪ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻥ ﺍﭘﺮﺍﻯ »ﺳﻌﺪﻯ« ﻣﻌﺎﻭﻧﺖ‬
‫ﺧﻮﺩﺷﺎﻥ ﺯﺷﻚ ﻧﻴﺴﺘﻨﺪ‪ ،‬ﺍﺣﺴﺎﺱ‬
‫ﺍﻣﻮﺭ ﻫﻨﺮﻯ ﻭﺯﺍﺭﺕ ﺍﺭﺷﺎﺩ ﺭﺍ ﻣﺴﺌﻮﻝ‬
‫ﺣﻘﺎﺭﺕ ﻣﻰﻛﻨﻨﺪ!‬
‫ﺍﻳﻦ ﺩﺭ ﺣﺎﻟﻴﺴﺖ ﻛﻪ ﺻﺪﻫﺎ ﺳﺮﻳﺎﻝ ﻃﻨﺰ‬ ‫ﺻﺎﺩﺭ ﻧﺸﺪﻥ ﻣﺠﻮﺯ ﺍﺟﺮﺍﻯ ﺍﻳﻦ ﻧﻤﺎﻳﺶ‬
‫ﻭ ﺟﺪﻯ ﺩﺭﺑﺎﺭﻩ ﺣﺮﻓﻪﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺍﺯ‬
‫ﺟﻤﻠﻪ ﭘﺰﺷﻜﺎﻥ ﻭ ﻭﺿﻌﻴﺖ ﺑﻴﻤﺎﺭﺳﺘﺎﻥﻫﺎ‬ ‫ﻣﻌﺮﻓﻰ ﻣﻰﻛﻨﺪ‪ .‬ﺑﺪﻋﺘﻰ ﻛﻪ ﻣﻮﺟﻮﺩﻳﺖ‬
‫ﺩﺭ ﺳﺮﺍﺳﺮ ﺟﻬﺎﻥ ﺳﺎﺧﺘﻪ ﺷﺪﻩ ﻭ ﻫﻴﭻ‬
‫ﭘﺰﺷﻜﻰ ﺑﻪ ﺍﻳﻦ ﻓﻜﺮ ﻧﻴﻔﺘﺎﺩﻩ ﻛﻪ ﻣﺎﻧﻨﺪ‬ ‫ﺍﭘﺮﺍﻯ ﻋﺮﻭﺳﻜﻰ ﺩﺭ ﺍﻳﺮﺍﻥ ﺭﺍ ﻣﻮﺭﺩ‬
‫ﺍﻳﻦ ﭘﺰﺷﻜﺎﻥ ﺩﺭ ﺍﻳﺮﺍﻥ ﺑﻪ ﺳﺎﺯﻧﺪﮔﺎﻥ‬
‫ﺳﺮﻳﺎﻝ ﺍﻋﺘﺮﺍﺽ ﻭ ﺁﻧﻬﺎ ﺭﺍ ﻣﺘﻬﻢ ﻛﻨﺪ‪.‬‬ ‫ﺗﻬﺪﻳﺪ ﻗﺮﺍﺭ ﻣﻰﺩﻫﺪ‪.‬‬
‫ﻇﺎﻫﺮﺍ ﺍﻳﻦ ﺗﻨﻬﺎ ﻣﻘﺎﻣﺎﺕ ﺣﻜﻮﻣﺘﻰ ﻭ‬
‫ﺗﺎﺑﻮﻫﺎﻯ ﺩﻳﻨﻰ ﻭ ﻣﺬﻫﺒﻰ ﻧﻴﺴﺘﻨﺪ ﻛﻪ‬ ‫ﺑﻬﺮﻭﺯ ﻏﺮﻳﺐﭘﻮﺭ ﻛﺎﺭﮔﺮﺩﺍﻥ ﺍﭘﺮﺍﻯ‬
‫ﺣﺮﻳﻢ »ﻣﻘﺪﺱ« ﺩﺍﺭﻧﺪ ﻭ ﻧﺒﺎﻳﺪ ﺁﻧﻬﺎ ﺭﺍ ﺑﻪ‬
‫ﭘﺮﺳﺶ ﻛﺸﻴﺪ! ﺩﺭ ﺍﻳﺮﺍﻥ‪ ،‬ﺁﺛﺎﺭ ﺳﻴﻨﻤﺎﻳﻰ‬ ‫ﺳﻌﺪﻯ ﻣﻰﮔﻮﻳﺪ‪ :‬ﺍﺷﺎﺭﻩ ﺑﻪ ﻳﻚ ﺳﺎﺑﻘﻪ‬
‫ﻭ ﺗﻠﻮﻳﺰﻳﻮﻧﻰ ﺑﺴﻴﺎﺭﻯ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﻛﻪ ﻫﺮ‬
‫ﺗﺎﺭﻳﺨﻰ ﺑﺮﺍﻯ ﺗﺸﺮﻳﺢ ﻣﺴﺎﻟﻪ ﺿﺮﻭﺭﻯ‬

‫ﺍﺳﺖ‪ .‬ﻧﺰﺩﻳﻚ ﺑﻪ ‪ 500‬ﺳﺎﻝ ﺍﺳﺖ ﺗﻌﺰﻳﻪ‬

‫ﺩﺍﺭﻳﻢ‪ .‬ﺑﺮﮔﺰﺍﺭﻛﻨﻨﺪﮔﺎﻥ ﺗﻌﺰﻳﻪ ﺩﺭ ﺩﻭﺭﻩ‬

‫ﺻﻔﻮﻳﻪ ﺑﺎ ﺍﻳﻨﻜﻪ ﺍﺯ ﻋﻮﺍﻡ ﺑﻮﺩﻧﺪ ﻭ ﺷﻨﺎﺧﺖ‬

‫ﻋﻠﻤﻰ ﻭ ﺁﻛﺎﺩﻣﻴﻚ ﻧﺴﺒﺖ ﺑﻪ ﻣﺴﺎﺋﻞ‬

‫ﻫﻨﺮﻯ ﻧﺪﺍﺷﺘﻨﺪ ﺑﻪ ﺍﻳﻦ ﺩﺭﺟﻪ ﺍﺯ ﺷﻌﻮﺭ‬

‫ﻭ ﺁﮔﺎﻫﻰ ﺭﺳﻴﺪﻩ ﺑﻮﺩﻧﺪ ﻛﻪ ﻧﻤﻰﺷﻮﺩ‬

‫ﺑﻬﺮﻭﺯ ﻏﺮﻳﺐ ﭘﻮﺭ ﻭ ﻋﺮﻭﺳﻚ ﻫﺎﻯ ﻫﻨﺮﻣﻨﺪﺵ‬ ‫ﻧﻤﺎﻳﺸﻰ ﺩﺭﺑﺎﺭﻩ ﻭﺍﻗﻌﻪ ﻛﺮﺑﻼ ﻧﻮﺷﺖ‬

‫ﻛﻪ ﺯﻥ ﺩﺭ ﺁﻥ ﺣﻀﻮﺭ ﻧﺪﺍﺷﺘﻪ ﺑﺎﺷﺪ‪.‬‬

‫ﺁﻧﻬﺎ ﺑﺮ ﻫﻤﻴﻦ ﺍﺳﺎﺱ ﺑﻪ ﺗﺪﺑﻴﺮﻯ ﻏﺮﻳﺐﭘﻮﺭ ﻛﻪ ﭘﻴﺶ ﺍﺯ ﺍﻳﻦ ﺍﭘﺮﺍﻯ ﺭﺳﺘﻢ ﺍﻣﻜﺎﻥ ﺭﺷﺪ ﻭ ﻓﻌﺎﻟﻴﺖ ﻧﺪﺍﺷﺘﻨﺪ ﺧﻮﺩ ﺭﺍ‬
‫ﺭﺳﻴﺪﻧﺪ ﻛﻪ ﺳﺎﻳﻪ ﺁﻥ ﻫﻢﭼﻨﺎﻥ ﺑﺮ ﻭ ﺳﻬﺮﺍﺏ ﺭﺍ ﺭﻭﻯ ﺻﺤﻨﻪ ﺑﺮﺩﻩ ﺑﻮﺩ ﮔﻔﺘﻪ‪ :‬ﺩﺭ ﺩﺍﺧﻞ ﻭ ﺧﺎﺭﺝ ﺍﺯ ﻛﺸﻮﺭ ﺑﻪ ﺍﺛﺒﺎﺕ‬
‫ﺳﺮ ﻣﻮﺳﻴﻘﻰ ﻣﺎ ﺣﻀﻮﺭ ﺩﺍﺭﺩ‪ .‬ﺍﻳﻨﻜﻪ ﻣﺎ ﺍﺟﺮﺍﻯ ﺍﭘﺮﺍﻫﺎﻯ ﻋﺮﻭﺳﻜﻰ »ﻣﻜﺒﺚ«‪ ،‬ﺑﺮﺳﺎﻧﺪ ﺍﻣﺎ ﺩﺭ ﺩﻭﻟﺘﻰ ﺑﺎ ﺷﻌﺎﺭ ﻓﺮﺍﻫﻢ‬
‫ﺧﻮﺍﻧﻨﺪﻩﻫﺎﻳﻰ ﺑﻪ ﺍﺻﻄﻼﺡ ﭼﭗﻛﻮﻙ »ﻋﺎﺷﻮﺭﺍ«‪» ،‬ﻣﻮﻟﻮﻯ«‪» ،‬ﺣﺎﻓﻆ«‪» ،‬ﻟﻴﻠﻰ ﺁﻭﺭﺩ ِﻥ ﺷﺮﺍﻳﻂ ﻣﺜﺒﺖ ﺑﺮﺍﻯ ﻫﻨﺮﻣﻨﺪﺍﻥ‬
‫ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﻢ ﻛﻪ ﻣﻰﺗﻮﺍﻧﻨﺪ ﺻﺪﺍﻯ ﺯﻳﺮ ﻭ ﻣﺠﻨﻮﻥ« ﻭ ﺍﺧﻴﺮﺍ ﻫﻢ »ﺳﻌﺪﻯ« ﺑﺎ ﭼﻨﻴﻦ ﻣﺴﺎﻟﻪﺍﻯ ﻣﻮﺍﺟﻪ ﺷﻮﺩ؟‬
‫ﻋﺎﻃﻔﻪﻯ »ﺩﻳﻠﻢ« ُﻭ »ﮔﻴﻞ« ‪ -‬ﺭﺿﺎ ﻣﻘﺼﺪﻯ‬ ‫ﺷﺒﻴﻪ ﺑﻪ ﺯﻥ ﺭﺍ ﺍﺟﺮﺍ ﻛﻨﻨﺪ ﻭ ﺣﻀﻮﺭ ﺑﻪ ﻛﻠﻰ ﺑﺎ ﻫﻤﻴﻦ ﺭﻭﺵ ﭘﻴﺶ ﺭﻓﺖ ﻭ ﻭﻯ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﮔﻔﺘﮕﻮﻯ ﺩﻭ ﻫﻔﺘﻪ‬
‫»ﺯﻳﻨﺐﺧﻮﺍﻥ« ﻭ »ﻋﻠﻰﺍﺻﻐﺮ ﺧﻮﺍﻥ«ﻳﺎ ﺁﻧﭽﻪ ﺩﺭ ﻧﻤﺎﻳﺶ ﺍﺧﻴﺮ ﻣﺎ ﺍﺗﻔﺎﻕ ﺍﻓﺘﺎﺩﻩ ﻗﺒﻞ ﺧﻮﺩ ﺑﺎ ﻋﻠﻰ ﻣﺮﺍﺩﺧﺎﻧﻰ‪ ،‬ﻣﻌﺎﻭﻥ‬
‫»ﺑﭽﻪﺧﻮﺍﻥ« ﺩﺭ ﺗﻌﺰﻳﻪ ﺍﺯ ﻫﻤﻴﻦ ﺟﺎ ﺑﻪ ﻫﻴﭻ ﻭﺟﻪ ﺧﺎﺭﻕﺍﻟﻌﺎﺩﻩ ﻧﻴﺴﺖ‪ .‬ﺑﻠﻜﻪ ﺍﻣﻮﺭ ﻫﻨﺮﻯ ﻭﺯﺍﺭﺕ ﺍﺭﺷﺎﺩ ﺍﻇﻬﺎﺭ ﻛﺮﺩ‪:‬‬
‫ﺩﻭﺳﺖ ﺷﻮﺭﺍﻧﮕﻴﺰﻡ ﻓﺮﻳﺪﻭﻥ ﭘﻮﺭﺭﺿﺎ‬ ‫ﻧﺸﺎﺕ ﻣﻰﮔﻴﺮﺩ‪ .‬ﺑﻨﺎﺑﺮﺍﻳﻦ ﻣﺎ ﺑﺪﻭﻥ ﺗﻮﺟﻪ ﻳﻚ ﺭﻭﻧﺪ ‪ 10‬ﺳﺎﻟﻪ ﺍﺳﺖ ﻛﻪ ﺑﺎ ﻣﺠﻮﺯ ﺑﻨﺎﺑﺮ ﺣﺴﻦ ﻧﻴﺖ ﻭ ﺑﺮﺍﻯ ﺍﻳﻨﻜﻪ ﺑﻌﺪﺍ‬
‫ﺍﺯ ﺍﺳﺘﺎﺩﺍﻥ ﺑﺮﺟﺴﺘﻪ ﻣﻮﺳﻴﻘﻰ ﺁﻭﺍﺯﻯ‬ ‫ﺑﻪ ﺍﭘﺮﺍﻯ ﻏﺮﺑﻰ ﺑﺎﻳﺪ ﺑﻪ ﺩﺳﺘﺎﻭﺭﺩﻫﺎﻯ ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﻰ ﺩﺭ ﻋﻨﻮﺍﻥ ﻧﺸﻮﺩ ﻓﻼﻧﻰ ﺧﻮﺍﺳﺖ ﺷﻴﻄﻨﺖ‬
‫ﺍﻳﺮﺍﻥ‪ ،‬ﺳﻪ ﺳﺎﻝ ﭘﻴﺶ ﺩﺭ ﭼﻨﻴﻦ‬ ‫ﻓﺮﻫﻨﮕﻰ ﻭ ﻫﻨﺮﻯ ﺧﻮﺩ ﺗﻮﺟﻪ ﻛﻨﻴﻢ‪ .‬ﺗﻤﺎﻡ ﺍﺟﺮﺍﻫﺎﻯ ﺍﻳﺮﺍﻥ ﻭ ﺟﻬﺎﻥ ﮔﺮﻭﻩ ﺁﺭﺍﻥ ﻛﻨﺪ ﻭ ﺣﺎﺷﻴﻪﺳﺎﺯﻯﻫﺎﻯ ﺩﻳﮕﺮ ﺑﻪ‬
‫ﺭﻭﺯﻫﺎﻳﻰ ﻧﺎﮔﻬﺎﻥ ﻣﺎ ﺭﺍ ﺩﺭ ﻣﻴﺎﻥ‬ ‫ﻏﺮﻳﺐﭘﻮﺭ ﺍﺯ ﺗﻼﺵﻫﺎﻯ ﺑﺴﻴﺎﺭ ﺑﺮﺍﻯ ﺗﺠﺮﺑﻪ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻭ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺍﻳﻨﻜﻪ ﻣﻌﺎﻭﻥ ﺍﻣﻮﺭ ﻫﻨﺮﻯ ﮔﻔﺘﻢ ﻣﺎ ﺩﺭ ﻧﻤﺎﻳﺶ‬
‫ﺷﻜﻞﮔﻴﺮﻯ ﺍﭘﺮﺍﻯ ﻋﺮﻭﺳﻜﻰ ﺩﺭ ﺍﻳﺮﺍﻥ ﺳﺎﻝﻫﺎﻯ ﺯﻳﺎﺩﻯ ﺍﺳﺖ ﺑﺮﺍﻯ ﺧﻠﻖ ﺍﻳﻦ ﺻﺪﺍﻯ ﺯﻥ ﺩﺍﺭﻳﻢ ﺍﻣﺎ ﺍﻳﻦ ﺑﻪ ﻣﻌﻨﺎﻯ‬
‫ﺍﻳﻦﻫﻤﻪ ﺗﻨﻬﺎﻳﻰ‪ ،‬ﺗﻨﻬﺎ ﮔﺬﺍﺷﺖ‪.‬‬ ‫ﺻﺤﺒﺖ ﻛﺮﺩﻩ ﻭ ﮔﻔﺘﻪ ﺍﺳﺖ‪ :‬ﺯﻣﺎﻥ ﺷﺮﻭﻉ ﺍﭘﺮﺍ ﺗﻼﺵ ﺻﻮﺭﺕ ﮔﺮﻓﺘﻪ ﺑﻪ ﻫﻴﭻ ﻭﺟﻪ ﻣﺘﻌﺎﺭﻑ ﻳﻌﻨﻰ »ﺧﻮﺍﻧﻨﺪﮔﻰ« ﻧﻴﺴﺖ‪.‬‬
‫ﺍﻭ ﺑﻴﺶ ﺍﺯ ﻧﻴﻢ ﻗﺮﻥ ﺩﺭ ﺷﺎﺩﻯﻫﺎﻯ‬ ‫ﻛﺎﺭ ﺑﺎﻳﺪ ﻓﻜﺮ ﺍﻳﻦ ﺭﺍ ﻣﻰﻛﺮﺩﻡ ﻛﻪ ﺧﻠﻖ ﺩﺳﺖ ﺑﻪ ﻋﻤﻠﻰ ﻧﺰﺩﻩ ﻭ ﻧﺨﻮﺍﻫﻢ ﺯﺩ ﻛﻪ ﺑﻠﻜﻪ ﻛﺎﻣﻼ ﺑﺎﺯﻳﮕﺮﻯ ﻣﺤﺴﻮﺏ ﻣﻰﺷﺪ‬
‫ﺷﻮﺭﺁﻓﺮﻳﻦ ُﻭ ﺯﻳﺒﺎ ﻭ ﻟﺤﻈﻪﻫﺎﻯ‬ ‫ﺍﭘﺮﺍﻫﺎ ﺑﺎ ﻭﺟﻮﺩ ﺧﻄﻮﻁ ﻗﺮﻣﺰ ﺑﻪ ﺷﻴﻮﻩﺍﻯ ﻣﻮﺟﺐ ﺗﻮﻗﻴﻒ ﻧﻤﺎﻳﺶ ﺷﻮﺩ‪ .‬ﻣﻌﺘﻘﺪﻡ ﻭ ﺗﺎﻛﻴﺪ ﻛﺮﺩﻡ ﺑﻪ ﺍﻳﻦ ﺩﻟﻴﻞ ﻛﻪ ﭼﻨﻴﻦ‬
‫ﻏﻤﮕﻴﻦ ُﻭ ﺟﺎﻥﻓﺮﺳﺎ ﺑﺎ ﺩﻝ ُﻭ ﺟﺎﻥ‬ ‫ﭘﻴﺶ ﺑﺮﻭﺩ ﻛﻪ ﺣﻴﺎﺕ ﻓﻌﺎﻟﻴﺖﻫﺎﻯ ﮔﺮﻭﻩ ﻳﻚ ﻧﻔﺮ ﺑﺎﻳﺪ ﺑﻴﻤﺎﺭ ﺑﺎﺷﺪ ﻛﻪ ﺗﻼﺵﻫﺎﻯ ﺷﻴﻮﻩﺍﻯ ﻗﺒﻼ ﻛﻤﺘﺮ ﺩﺭ ﺁﺛﺎﺭ ﻧﻤﺎﻳﺸﻰ‬
‫ﻣﺮﺩ ِﻡ »ﮔﻴﻞ« ُﻭ »ﺩﻳﻠﻢ«‪ ،‬ﭘﻴﻮﻧﺪﻯ‬ ‫ﻣﺴﺘﻤﺮ ﺑﺎﺷﺪ ﻭ ﺑﺎ ﻣﺸﻜﻞ ﻣﻮﺍﺟﻪ ﻧﺸﻮﻳﻢ‪ .‬ﺷﺒﺎﻧﻪﺭﻭﺯﻯ ‪ 70 - 60‬ﻋﻀﻮ ﮔﺮﻭﻩ ﺭﺍ ﺑﺎ ﺳﺎﺑﻘﻪ ﺩﺍﺷﺘﻪ ﻣﻦ ﻭﺍژﻩ ﺁﻭﺍﮔﺮ )ﺧﻮﺍﻧﻨﺪﻩ‬
‫ﺣﺬﻑ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﺯﻧﺪﻩ ﺍﺯ ﺭﻭﻯ ﺻﺤﻨﻪ ﻳﻚ ﺑﻰﺗﺪﺑﻴﺮﻯ ﺑﻪ ﻣﺨﺎﻃﺮﻩ ﺑﻴﻨﺪﺍﺯﺩ‪ .‬ـ ﺑﺎﺯﻳﮕﺮ( ﺭﺍ ﺟﺎﻳﮕﺰﻳﻦ ﻛﺮﺩﻩﺍﻡ ﭼﻮﻥ‬
‫ﻋﺎﺷﻘﺎﻧﻪ ﺩﺍﺷﺖ‪.‬‬ ‫ﻭ ﺿﺒﻂ ﺻﺪﺍﻯ ﺁﻧﻬﺎ ﺩﺭ ﺍﺳﺘﻮﺩﻳﻮ ﺑﺮﺍﻯ ﻣﻦ ﺗﺼﻮﺭ ﻣﻰﻛﻨﻢ ﺁﻗﺎﻳﺎﻥ ﺑﺪﻭﻥ ﺩﺭﻧﻈﺮ ﻋﻨﻮﺍﻥ ﺧﻮﺍﻧﻨﺪﻩ ﺻﺤﻴﺢ ﻧﻴﺴﺖ‪.‬‬
‫ﺷﺎﺩﺍ ﺍﻭ ﻛﻪ ﺁﻭﺍ ِﺯ ﺯﻻﻝ ﺯﻳﺒﺎﻯ ﺟﺎﻧﺶ‬ ‫ﭘﺨﺶ ﻫﻨﮕﺎﻡ ﺍﺟﺮﺍ ﺑﺮ ﻫﻤﻴﻦ ﺍﺳﺎﺱ ﮔﺮﻓﺘﻦ ﺳﺎﺑﻘﻪ ﻣﻮﺿﻮﻉ ﺩﺳﺖ ﺑﻪ ﭼﻨﻴﻦ ﺍﻭ ﺗﻮﺿﻴﺢ ﺩﺍﺩ ﻛﻪ ﮔﺮﻭﻩ ﺑﺎﺯﺑﻴﻨﻰ ﺭﻭﺯ‬
‫ﺭﺍ ﺩﺭ ﺯﻣﺎﻥ ُﻭ ﺯﻣﺎﻧﻪ‪ ،‬ﺑﻪ ﻳﺎﺩﮔﺎﺭ‬ ‫ﺍﺗﻔﺎﻕ ﺍﻓﺘﺎﺩ ﻭ ﺧﻮﺷﺒﺨﺘﺎﻧﻪ ﻃﻰ ﺩﻩ ﻛﺎﺭﻯ ﺯﺩﻩﺍﻧﺪ‪ .‬ﭼﻄﻮﺭ ﻣﻰﺷﻮﺩ ﻳﻚ ﺷﻴﻮﻩ ﮔﺬﺷﺘﻪ ﻭ ﺑﻌﺪ ﺍﺯ ﺗﻤﺎﺷﺎﻯ ﺍﭘﺮﺍﻯ ﺳﻌﺪﻯ‬
‫ﺳﺎﻝ ﮔﺬﺷﺘﻪ ﺍﻳﻦ ﺗﺪﺑﻴﺮ ﺑﺎ ﻣﻘﺒﻮﻟﻴﺖ ﺍﺟﺮﺍﻳﻰ ﻛﻪ ﻃﻰ ‪ 10‬ﺳﺎﻝ ﮔﺬﺷﺘﻪ ﻭ ﺩﺭ ﺿﻤﻦ ﺍﺳﺘﻘﺒﺎﻝ ﺍﺯ ﺍﺟﺮﺍ ﺑﺎ ﺷﺠﺎﻋﺖ ﻭ‬
‫ﮔﺬﺍﺷﺖ‪.‬‬
‫ﺩﺭﻳﻐﺎ ﻣﺎ ﻛﻪ ﺳﻮﮔﻮﺍﺭ ﭘﻮﺭﺭﺿﺎﻯ ﺩﻝ‬

‫ِﺧﻮﻳﺸﻴﻢ‪.‬‬

‫ﺑﻪ ﻗﻮﻝ »ﺳﺎﻳﻪ«‪:‬‬ ‫ﺷﺮﺍﻳﻄﻰ ﻛﻪ ﺑﻪ ﺯﻋﻢ ﻋﺪﻩﺍﻯ‪ ،‬ﻫﻨﺮﻣﻨﺪﺍﻥ ﺷﺮﺍﻓﺖ ﺍﻋﻼﻡ ﻛﺮﺩﻧﺪ‪» ،‬ﺍﻳﻦ ﻧﻤﺎﻳﺶ ﺍﺯ‬ ‫ﻣﺨﺎﻃﺒﺎﻥ ﻧﻴﺰ ﻣﻮﺍﺟﻪ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻣﺎ ﺳﭙﺲ ﻣﺎﻧﺪﮔﺎ ِﻥ ﻗﺎﻓﻠﻪﺍﻳﻢ‬
‫ﻓﺮﻳﺪﻭﻥ ﭘﻮﺭﺭﺿﺎ ﻭ ﺭﺿﺎ ﻣﻘﺼﺪﻯ‬ ‫ﺍﻭ ﺑﻪ ﻣﻨﺰﻝ ﺭﺳﻴﺪ ُﻭ ﺑﺎﺭ ﮔﺬﺍﺷﺖ‪.‬‬ ‫ﻧﻈﺮ ﻣﺎ ﻫﻴﭻ ﻣﺸﻜﻠﻰ ﻧﺪﺍﺭﺩ ﺍﻣﺎ ﺑﺮﺍﻯ‬

‫ﺍﻣﺎ‬ ‫ﮔﻮﻳﻴﺎ ﺑﺮﻑ ﻧﺒﺎﺭﻳﺪﻩ‪ ،‬ﻣﺮﺍ ﺑﺮ ﺩﻝ‬ ‫»ﻧﺎﻡ ُﻭ ﻳﺎﺩﺵ« ﺯﻣﺰﻣﺔ ﻧﻴﻤﻪﺷ ِﺐ‬ ‫ﺷﻤﺎ ﺣﺎﻣﻞ ﭘﻴﺎﻣﻰ ﻫﺴﺘﻴﻢ! ﺍﻳﻨﻜﻪ‬ ‫ﺩﺍﺭﺍﻟﺘﺮﺟﻤﻪ ﺑﻴﻦ ﺍﻟﻤﻠﻠﻰ ﻓـﺮﻳـﺲ‬
‫ﺑﺮ ﺩﻟﺖ‪ ،‬ﺩﺍ ِﻍ ﻛﺪﺍﻣﻴﻦ‪ ،‬ﺑﺎﻍ ﺍﺳﺖ؟‬ ‫ﮔﻮﻳﻴﺎ ﺳﺮﺩ ِﻯ ﺳﺮﺳﺨ ِﺖ ﺯﻣﺴﺘﺎﻧﻰ‬ ‫ﻣﺴﺘﺎﻥ ﺑﺎﺩ‪.‬‬ ‫ﺻﺪﺍﻯ ﺯﻥ ﺩﺭ ﺍﻳﻦ ﺍﭘﺮﺍ ﺍﻳﺠﺎﺩ ﻣﺸﻜﻞ‬

‫ﻛﻪ »ﻫﻤﺎﻳﻮﻥ «ﻫﺎﻳﺖ‬ ‫ﺑﺮ ﮔﺬﺭﮔﺎ ِﻩ ُﮔﻠﻢ‪ ،‬ﻧﻨﺸﺴﺖ‪.‬‬ ‫ﻋﺎﻃﻔﻪﻯ »ﺩﻳﻠﻢ« ُﻭ »ﮔﻴﻞ«‬ ‫ﻣﻰﻛﻨﺪ‪ .‬ﭘﺮﺳﺶ ﻣﻦ ﺍﻳﻦ ﺑﻮﺩ ﻛﻪ ﻣﮕﺮ‬
‫ﺭﻧ ِﮓ»ﺩﺷﺘﻰ« ﺩﺍﺭﺩ ‪.‬‬
‫ﻭﻗﺘﻰﺍﺯﺷﺎﺩﺗﺮﻳﻦ‪،‬ﺷﺒﻨﻢﻣﻰﺧﻮﺍﻧﻰ‬ ‫ﺑﺎ ﻛﻪ ﺑﺎﻳﺪ ﮔﻔﺖ؟‪:‬‬ ‫ﻣﻰﺷﻮﺩ ﺩﺭﺑﺎﺭﻩ ﺍﺟﺰﺍﻯ ﻳﻚ ﻧﻤﺎﻳﺶ‬ ‫ﺯﻳﺮ ﻧﻈﺮ ﻭ ﺑﺎ ﻣﺴﺌﻮﻟﻴﺖ ﺩﻛﺘﺮﻧﺎﺻﺮ ﺭﺣﻴﻤﻰ‬
‫ﺷﻮ ِﺭ ﺷﻔﺎﻑﺗﺮﻳﻦ ﻋﺎﻃﻔﺔ »ﺩﻳﻠﻢ«‬ ‫ﺯﺧﻢ ِ ﺑﻰ ﺭﺣ ِﻢ ﺗﺒﺮ‪ ،‬ﺍﻧﮕﺎﺭ‬ ‫ﺟﺎﻧﻢ ﺍﺯ ﺁﻣﺪ ِﻥ ﺳﺒﺰ ِ ﺗﻮ‬
‫ُﻭ »ﮔﻴﻞ«!‬ ‫ﺑﺮ ﻛﻤﺮﮔﺎ ِﻩ ُﮔﻠﻢ‪ ،‬ﻧﻨﺸﺴﺖ‪.‬‬ ‫ﻗﺒﻞ ﺍﺯ ﺗﻤﺎﺷﺎﻯ ﺍﺛﺮ‪ ،‬ﻧﻈﺮ ﺟﺪﺍﮔﺎﻧﻪ ﺻﺎﺩﺭ‬ ‫) ﺍﺳﺘﺎﺩ ﺩﺍﻧﺸﮕﺎﻩ (‬
‫ﺳﺮﻣﺴﺖﺳﺖ‬
‫ﺗﺎ ُﮔﻬﺮ ﺍﺯ ﺻﺪ ِﻑ ﺣﺮ ِﻑ ﺗﻮ ﺑﺮ ﮔﻴﺮﻡ‬ ‫ﺑﻪ ﺗﻤﺎﺷﺎﻯ ﺗﭙﺶﻫﺎﻯ ﺩ ِﻝ‬ ‫ﺩﺳ ِﺖ ﺑﺎﺭﺍﻥ ﺯﺩﻩﺍﺕ ﺍﻯ ﺩﻭﺳﺖ!‬ ‫ﻛﺮﺩ‪.‬‬ ‫ﺗﺮﺟﻤﻪ ﺭﺳﻤﻰ ﺷﻨﺎﺳﻨﺎﻣﻪ‪ ،‬ﻗﺒﺎﻟﻪ ﺍﺯﺩﻭﺍﺝ ﻭ ﻃﻼﻕ‪ ،‬ﻣﺪﺍﺭﻙ ﺣﻘﻮﻗﻰ‪ ،‬ﺗﺠﺎﺭﻯ‪،‬‬
‫ﻫﻢﭼﻨﺎﻥ‪ ،‬ﺷﻴﻔﺘﺔ ﺩﺭﻳﺎﻳﻢ ‪.‬‬ ‫»ﺭﻋﻨﺎ«*ﻳﺖ‬ ‫ﺍﺯ ﺳﻮﻯ ﺩﻳﮕﺮ ﺭﺿﺎ ﺩﺍﺩﻭﻳﻰ‪ ،‬ﺭﺋﻴﺲ‬
‫ﺷﻌﺮ ِ ﺷﺎﺩﺍﺏﺗﺮﻳﻦ‪ ،‬ﺷﺎﺧﻪﻯ‬ ‫ﺷﻮﺭﺍﻯ ﺍﺭﺯﺷﻴﺎﺑﻰ ﻭ ﻧﻈﺎﺭﺕ ﺍﺩﺍﺭﻩ ﻛﻞ‬ ‫ﻃﺒﻰ‪ ،‬ﺗﺤﺼﻴﻠﻰ ﻭ ﻣﺪﺍﺭﻙ ﻣﺮﺑﻮﻁ ﺑﻪ ﺗﻘﺎﺿﺎﻯ ﭘﻨﺎﻫﻨﺪﮔﻰ‬
‫ﺁﻯ‪ ...‬ﺍﻯ ﺣﻨﺠﺮﻩﻯ ﺁﺑﻰ !‬ ‫ﻧﺮﻡ ُﻭ ﺑﺎﺭﺍﻥ‪ ،‬ﺑﺮ ﺩﻭﺵ‬ ‫ﺍﻧﮕﻮﺭﺕ ﺭﺍ‬ ‫ﻫﻨﺮﻫﺎﻯ ﻧﻤﺎﻳﺸﻰ ﺩﺭﺑﺎﺭﻩ ﺻﺪﻭﺭ ﻣﺠﻮﺯ‬
‫ﺍﻳﻦ ﭼﻨﻴﻦﺳﺖ »ﻏﺰﻟﺨﻮﺍﻥ ُﻭ‬ ‫ﭼﺸﻤﻪ ﺩﺭ ﭼﺸﻤﻪ‪ ،‬ﮔﺬﺭ ﻛﺮﺩﻡ‬ ‫ﺑﺮﺍﻯ ﺍﭘﺮﺍﻯ ﻋﺮﻭﺳﻜﻰ »ﺳﻌﺪﻯ« ﮔﻔﺖ‪:‬‬ ‫ﺗﻠﻔــﻦ‪:‬‬
‫ﺑﻪ ﺗﻤﻨﺎﻯ ﺳﺒﺪﻫﺎﻯ ﺩﻟﻢ‬ ‫ﮔﺮﻭﻩ ﺑﺎﺯﺑﻴﻨﻰ ﺭﻭﺯ ﮔﺬﺷﺘﻪ ﺑﻪ ﺗﻤﺎﺷﺎﻯ‬
‫ُﺻﺮﺍﺣﻰ ﺩﺭ ﺩﺳﺖ«‬ ‫ﺗﺎ ﻛﻪ ﺩﺍﻧﺴﺘﻢ‪:‬‬ ‫ﻣﻰﺑﺨﺸﺪ‪.‬‬ ‫ﺍﻳﻦ ﻧﻤﺎﻳﺶ ﻧﺸﺴﺘﻨﺪ ﻭ ﺍﺯ ﻧﻈﺮ ﻣﺎ ﻫﻴﭻ‬ ‫‪020-8735 6500 / 020-8222 8884 / 020-8222 8831‬‬
‫ﺳﻮﻯ ﺁﻭﺍ ِﺯ ﺗﻮ ﻣﻰ ﺁﻳﻢ‪.‬‬ ‫ﺭﺍ ِﺯ ﺷﻴﺪﺍﻳﻰ‪ ،‬ﺩﺭ ﺯﻳﺒﺎﻳﻰﺳﺖ‪.‬‬ ‫ﻣﺸﻜﻠﻰ ﻭﺟﻮﺩ ﻧﺪﺍﺭﺩ‪ .‬ﻳﻌﻨﻰ ﺍﻳﻦ ﺍﭘﺮﺍ ﺍﺯ‬ ‫ﻓﻜــﺲ‪020-7760 7160 :‬‬
‫ﺩﺳﺖ ﺩﺭ ﺩﺳ ِﺖ ﺗﻮ ﺑﺎ ﻧﺎﺏﺗﺮﻳﻦ‪،‬‬
‫ﺧﺎﻃﺮﻩﻫﺎ ﻫﻤﺴﻔﺮﻡ‬ ‫‪www.assot.co.uk‬‬

‫‪Email: [email protected]‬‬

‫*ﺍﺯ ﺗﺮﺍﻧﻪﻫﺎﻯ ﺷﻮﺭﺍﻧﮕﻴﺰ ﮔﻴﻼﻥ‬ ‫ﻧﻈﺮ ﻧﻤﺎﻳﺸﻰ ﻫﻴﭻ ﻣﺸﻜﻞ ﻧﺪﺍﺭﺩ ﻭ ﻓﻘﻂ‬ ‫‪Suite 611 , Britannia House , 11 Glenthorne Road‬‬
‫ﺁﻟﻤﺎﻥ؛ﻛﻠﻦ؛ﺷﻬﺮﻳﻮﺭ‪1380‬ﺧﻮﺭﺷﻴﺪﻯ‬ ‫ﻣﻨﺘﻈﺮ ﺻﺪﻭﺭ ﻣﺠﻮﺯﻫﺎﻯ ﻻﺯﻡ ﺍﺯ ﺳﻮﻯ‬ ‫‪Hammersmith , London W6 0LH‬‬
‫ﺩﻓﺘﺮ ﻣﻮﺳﻴﻘﻰ ﻣﻌﺎﻭﻧﺖ ﺍﻣﻮﺭ ﻫﻨﺮﻯ‬
‫ﭼﻴ ِﻦ ﭘﻴﺸﺎﻧ ِﻰ ﺗﻮ ﺭﻧ ِﺞ‬
‫ﺷﻘﺎﻳﻖﻫﺎﺳﺖ‪ ،‬ﻣﻰﺩﺍﻧﻢ‬ ‫ﺑﺮﺍﻯ ﺑﺨﺶ ﻣﻮﺳﻴﻘﻰ ﻛﺎﺭ ﻫﺴﺘﻴﻢ‪.‬‬ ‫ﺩﻭﺷﻨﺒﻪ ﺗﺎ ﺟﻤﻌﻪ ‪ 10‬ﺻﺒﺢ ﺗﺎ ‪ 5‬ﺑﻌﺪﺍﺯ ﻇﻬﺮ‬

1 2 3 4 5 6 7 8 9 10