Page 7 - (کیهان لندن - سال سى و سوم ـ شماره ۱۶ (دوره جديد

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‫ﺟﻤﻌﻪ ‪ 10‬ﺗﺎ ﭘﻨﺠﺸﻨﺒﻪ ‪ 16‬ژﻭﺋﻴﻪ ‪2015‬‬

‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﻔﺶ ﻛﺘﺎﻧﻰ ﻭ ﻭﺭﺯﺷﻰ‬ ‫»ﻛﻤﺎﻝﺍﻟﻤﻠﻚ«‪ ،‬ﺧﺎﻟﻖ ﺗﺎﻻﺭ ﺁﻳﻨﻪ‬ ‫ﺩﺭﺧﺖ ﻫﻔﺖ ﺭﻧﮓ‪ !...‬ﺷﺎﻳﺪ ﺍﻳﻦ‬
‫ﺩﺭﺧﺖ ﺑﻪ ﻧﻈﺮ ﺷﻤﺎ ﺩﺭﺧﺘﻰ ﺧﻴﻠﻰ ﻏﻴﺮ‬
‫ﺩﺭ ﻧﻴﻮﻳﻮﺭﻙ‬ ‫ﻣﻌﻤﻮﻟﻰ ﺑﻪ ﻧﻈﺮ ﺑﻴﺎﺩ ﻭ ﻓﻜﺮ ﻛﻨﻴﺪ ﻛﻪ‬
‫ﻛﺴﻰ ﺭﻭﻯ ﺁﻥ ﺭﻧﮓ ﭘﺎﺷﻴﺪﻩ ﺍﺳﺖ‪،‬‬
‫ﺑﻮﺩﻧﺪ‪.‬‬ ‫ﺣﺪﻭﺩ ‪150‬ﻧﻮﻉ ﻛﺘﺎﻧﻰ ﻧﻮ ﻭ ﻛﻬﻨﻪ‬ ‫ﺍﻣﺎ ﺩﺭ ﻭﺍﻗﻊ ﻣﺎﺩﺭ ﻃﺒﻴﻌﺖ ﺁﻥ ﺭﺍ ﺑﺪﻳﻦ‬
‫ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﻪ ﺍﺯ ‪ 6‬ﺑﺨﺶ ﺗﺸﻜﻴﻞ‬ ‫ﺩﺭ ﻣﻮﺯﻩ ﺑﺮﻭﻛﻠﻴﻦ ﺩﺭ ﻧﻴﻮﻳﻮﺭﻙ ﺍﺯ ﺭﻭﺯ‬
‫ﺷﺪﻩ ﺍﺳﺖ ﺗﻜﺎﻣﻞ ﺗﺪﺭﻳﺠﻰ ﺗﻐﻴﻴﺮ ﺷﻜﻞ‬ ‫ﺟﻤﻌﻪ ﮔﺬﺷﺘﻪ ﺑﻪ ﻧﻤﺎﻳﺶ ﮔﺬﺍﺷﺘﻪ ﺷﺪ‬ ‫ﮔﻮﻧﻪ ﻧﻘﺎﺷﻰ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﻛﺘﺎﻧﻰ ﺭﺍ ﺍﺯ ﺍﻭﺍﻳﻞ ﻗﺮﻥ ‪ 19‬ﺍﺯ ﺑﺎﻻﺗﺮﻳﻦ‬ ‫ﻛﻪ ﺗﺎ ﭼﻬﺎﺭﻡ ﺍﻛﺘﺒﺮ ﺍﺩﺍﻣﻪ ﺧﻮﺍﻫﺪ ﺩﺍﺷﺖ‪.‬‬ ‫»ﺍﻛﺎﻟﻴﭙﺘﻮﺱ« ﺭﻧﮕﻴﻦ ﻛﻤﺎﻧﻰ ﺗﻨﻬﺎ‬
‫ﻣﺪﻝﻫﺎﻯ »ﻛﺪ ﻛﺎﻧﻮﺱ« ﺗﺎ ﻛﺘﺎﻧﻰﻫﺎﻯ‬ ‫ﻫﻤﻪ ﻣﺎ ﺑﺎﻻﺧﺮﻩ ﻳﻚ ﺟﻔﺖ ﻛﺘﺎﻧﻰ‬ ‫ﻧﻮﻉ »ﺍﻛﺎﻟﻴﭙﺘﻮﺱ« ﺍﺳﺖ ﻛﻪ ﭘﻮﺳﺖ‬
‫ﻣﺨﺼﻮﺹ ﻭﺭﺯﺷﻰ ﺳﺎﻝﻫﺎﻯ ‪1970‬‬ ‫ﺭﺍ ﺩﺭ ﻗﻔﺴﻪ ﻛﻔﺶﻫﺎﻳﻤﺎﻥ ﺩﺍﺭﻳﻢ؛‬ ‫ﺭﻧﮕﻰ ﺩﺍﺭﺩ ﻭ ﺍﻛﺜﺮﺍ ﺩﺭ ﻓﻴﻠﻴﭙﻴﻦ ﻭ‬
‫ﺩﺭ ﺑﺮﺍﺑﺮ ﺩﻳﺪ ﺑﺎﺯﺩﻳﺪ ﻛﻨﻨﺪﻩﻫﺎ ﻗﺮﺍﺭ‬ ‫ﻟﻴﺰﺍ ﺍﺳﻤﺎﻝ ﻣﺴﻮﻭﻝ ﺑﺮﮔﺰﺍﺭﻯ ﺍﻳﻦ‬ ‫ﮔﻴﻨﻪ ﺟﺪﻳﺪ ﺭﺷﺪ ﻣﻰﻛﻨﺪ ﺍﺭﺗﻔﺎﻉ ﺍﻳﻦ‬
‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﺎ ﺑﻴﺎﻥ ﺍﻳﻦ ﺟﻤﻠﻪ ﺗﺎﻛﻴﺪ‬ ‫ﺩﺭﺧﺖﺗﺎ‪ 70‬ﻣﺘﺮﻣﻰﺭﺳﺪ‪.‬ﺩﻟﻴﻞﺭﻧﮕﻲ‬
‫ﻣﻰﺩﻫﺪ‪.‬‬ ‫ﻣﻰﻛﻨﺪ‪ :‬ﺍﻣﺎ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺗﺎﺭﻳﺨﭽﻪ‬ ‫ﺑﻮﺩﻥ ﺩﺭﺧﺖ ﺭﻧﮕﻴﻦﻛﻤﺎﻧﻰ ﺍﻳﻦ ﺍﺳﺖ‬
‫ﻟﻴﺰﺍ ﺍﺳﻤﺎﻝ ﻣﻰﮔﻮﻳﺪ‪ :‬ﻣﺎ ﺩﺭ ﺍﻳﻦ‬ ‫ﻛﻪ ﭘﻮﺳﺘﻪ ﺁﻥ ﺩﺭ ﺯﻣﺎﻥﻫﺎﻱ ﻣﺘﻔﺎﻭﺗﻲ‬
‫ﺭﻳﺨﺘﻪ ﺍﺳﺖ ﻭ ﺑﺮﺍﻱ ﻫﻤﻴﻦ ﺑﺎﻋﺚ ﺷﺪﻩ‬
‫ﺗﺎ ﺑﺪﻧﻪ ﺁﻥ ﺩﺭ ﻫﺮ ﺯﻣﺎﻥ ﻳﻚ ﺭﻧﮓ‬
‫ﺩﺍﺷﺘﻪ ﺑﺎﺷﺪ ﺍﺑﺘﺪﺍ ﺁﺑﻲ ﺍﺳﺖ ﻭ ﺳﭙﺲ‬
‫ﺑﻪ ﺗﺮﺗﻴﺐ ﺑﻪ ﺭﻧﮓﻫﺎﻱ ﻧﺎﺭﻧﺠﻲ‪ ،‬ﺑﻨﻔﺶ‬

‫ﻭ ﻗﺮﻣﺰ ﻣﻲﺭﺳﺪ‪.‬‬

‫ﻣﻘﺒﺮﻩ ﻛﻤﺎﻝﺍﻟﻤﻠﻚ‬

‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﻔﺶﻫﺎﻳﻰ ﺩﺍﺭﻳﻢ ﻛﻪ ﻣﺜﻼ‬ ‫ﻛﺘﺎﻧﻰﻫﺎ ﻭ ﻛﻔﺶ ﻭﺭﺯﺷﻰ ﺭﺍ ﺍﺯ ﻗﺮﻥ ‪19‬‬ ‫ﻛﻤﺎﻝﺍﻟﻤﻠﻚ ﺩﺭ ﺑﺎﺯﮔﺸﺖ ﺑﻪ ﺍﻳﺮﺍﻥ‬ ‫ﻣﺤﻤﺪ ﻏﻔﺎﺭﻯ‪ ،‬ﻣﻠﻘﺐ ﺑﻪ ﻛﻤﺎﻝﺍﻟﻤﻠﻚ‪،‬‬ ‫ﺩﻭ ﺟﺎﮔﻮﺍﺭ ﻭ ﻳﻚ ﻣﺎﺩﺭ‪ !...‬ﺍﻳﻦ ﺩﻭ ﺗﻮﻟﻪ ﺟﺎﮔﻮﺍﺭ‪ ،‬ﻫﺮ ﺩﻭ ﺍﺯ ﻳﻚ ﻣﺎﺩﺭ ﺑﻪ ﺩﻧﻴﺎ‬
‫»ﻛﻴﻦ« ﺧﻮﺍﻧﻨﺪﻩ ﺭپ ﻭ ﻃﺮﺍﺡ ﻣﺪ‬ ‫ﺗﺎ ﺑﻪ ﺣﺎﻝ ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻭ ﺍﻳﻦ ﻛﻪ‬ ‫ﻣﺪﺭﺳﻪ »ﺻﻨﺎﻳﻊ ﻣﺴﺘﻈﺮﻓﻪ« ﺭﺍ ﺗﺄﺳﻴﺲ‬ ‫ﻧﻘﺎﺵ ﺷﻬﻴﺮ ﺍﻳﺮﺍﻧﻰ ﺩﺭ ﺳﺎﻝ ‪1224‬‬ ‫ﺁﻣﺪﻩﺍﻧﺪ ﺍﻣﺎ ﻛﺎﻣ ًﻼ ﺷﻜﻞ ﻭ ﺷﻤﺎﻳﻠﺸﺎﻥ ﺑﺎ ﻫﻢ ﻣﺘﻔﺎﻭﺕ ﺍﺳﺖ‪.‬‬
‫ﺁﻣﺮﻳﻜﺎﻳﻰ ﺑﺮﺍﻯ ﻛﻤﭙﺎﻧﻰ ﻟﻮﻳﻰ ﻭﺗﻮﻥ‬ ‫ﭼﮕﻮﻧﻪ ﻫﺮ ﻛﻔﺸﻰ ﻣﺘﻨﺎﺳﺐ ﺑﺎ ﻫﺮ ﭘﺎﻳﻰ‬ ‫ﻫﺠﺮﻯ ﺷﻤﺴﻰ ﺩﺭ ﻛﺎﺷﺎﻥ ﺑﻪ ﺩﻧﻴﺎ ﺁﻣﺪ‪.‬‬
‫ﻃﺮﺍﺣﻰ ﻛﺮﺩﻩ ﺍﺳﺖ ‪ .‬ﻳﺎ ﻛﺘﺎﻧﻰﻫﺎﻳﻰ‬ ‫ﻣﻰﺗﻮﺍﻧﺪ ﻣﻌﺎﻧﻰ ﻣﺨﺘﻠﻔﻰ ﺭﺍ ﺩﻧﺒﺎﻝ ﻛﻨﺪ‪.‬‬ ‫ﻛﺮﺩ ﻭ ﻣﺪﻳﺮﻳﺖ ﺁﻥ ﺭﺍ ﻋﻬﺪﻩﺩﺍﺭ ﺷﺪ‪.‬‬ ‫ﺍﻋﻀﺎﻯ ﺧﺎﻧﻮﺍﺩﻩ ﻭﻯ ﺍﻫﻞ ﻫﻨﺮ ﻭ ﻧﻘﺎﺷﻰ‬ ‫ﻣﺎﺩﺭﺷﺎﻥ »ﻛﻼﺭﺍ« ﻧﺎﻡ ﺩﺍﺭﺩ ﻭ ﻛﻮﺩﻙ ﺧﺎﻝﺧﺎﻟﻰ ﺑﻪ ﻣﺎﺩﺭﺵ ﺭﻓﺘﻪ ﺍﺳﺖ‪ .‬ﻭﻟﻰ‬
‫ﻛﻪ ﺗﻮﺳﻂ ﻛﺮﻳﺴﺘﻴﻦ ﻟﻮﺑﻮﺗﻴﻦ ﻃﺮﺍﺡ‬ ‫ﺍﺯ ﻛﻔﺶﻫﺎﻯ ﭘﻼﺳﺘﻴﻜﻰ ﺳﺎﻝﻫﺎﻯ‬ ‫ﺍﻭ ﺩﺭ ﺳﺎﻝ ‪ 1307‬ﺑﻪ ﺣﺴﻴﻦﺁﺑﺎﺩ‬ ‫ﺁﻥ ﺗﻮﻟﻪ ﺳﻴﺎﻩ ﺭﻧﮓ ﻛﻪ ﻇﺎﻫﺮﺵ ﻣﺘﻔﺎﻭﺕ ﺍﺳﺖ‪ ،‬ﻛﺎﻣ ًﻼ ﺑﻪ ﭘﺪﺭ ﺧﺎﻧﻮﺍﺩﻩ ﻛﻪ ﻳﻚ‬
‫ﻛﻔﺶ ﻓﺮﺍﻧﺴﻮﻯ ﻃﺮﺍﺣﻰ ﺷﺪﻩ ﺍﺳﺖ‬ ‫‪ 1830‬ﺗﺎ ﻛﺘﺎﻧﻰﻫﺎﻯ ﻣﺨﺼﻮﺹ‬ ‫ﻧﻴﺸﺎﺑﻮﺭ ﺭﻓﺖ ﻭ ﺩﻭﺍﺯﺩﻩ ﺳﺎﻝ ﺁﺧﺮ ﻋﻤﺮ‬ ‫ﺑﻮﺩﻧﺪ‪.‬‬
‫ﻭ ﻫﻤﻪ ﺍﻳﻨﻬﺎ ﺑﺮﺍﻯ ﺑﺎﺯﺩﻳﺪ ﻛﻨﻨﺪﮔﺎﻥ‬ ‫ﺩﻭﻳﺪﻥ ﺳﺎﻝﻫﺎﻯ ‪ 1860‬ﻭ ﻛﺘﺎﻧﻰﻫﺎﻯ‬ ‫ﺧﻮﺩ ﺭﺍ ﺩﺭ ﺍﻳﻦ ﺭﻭﺳﺘﺎ ﺩﺭ ﺍﻧﺰﻭﺍ ﮔﺬﺭﺍﻧﺪ‬ ‫ﻛﻤﺎﻝﺍﻟﻤﻠﻚ ﺩﺭ ﻧﻮﺟﻮﺍﻧﻰ ﺑﻪ ﺗﻬﺮﺍﻥ‬ ‫ﭘﻠﻨﮓ ﺳﻴﺎﻩ ﺭﻧﮓ ﻭ ﻧﺎﻣﺶ »ﺭﻭﺑﺮﺗﻮ« ﺍﺳﺖ ‪ ،‬ﺭﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﺧﻴﻠﻰ ﺟﺎﻟﺐ ﺍﺳﺖ‪ .‬ﻛﻔﺶﻫﺎﻯ ﺯﻧﺎﻧﻪ‬ ‫ﻟﻮﻛﺴﻰ ﻛﻪ ﺗﻮﺳﻂ ﻛﺮﻳﺴﺘﻴﻦ ﻟﻮﺑﻮﺗﻴﻦ‬ ‫ﻭ ﺩﺭ ﺳﺎﻝ ‪ 1319‬ﺧﻮﺭﺷﻴﺪﻯ‪ ،‬ﺩﺭ ‪95‬‬ ‫ﺭﻓﺖ ﻭ ﺩﺭ ﺳﺎﻟﻬﺎﻯ ﺍﻗﺎﻣﺘﺶ ﺩﺭ ﺗﻬﺮﺍﻥ‬ ‫ﺯﺍﻳﻤﺎﻥ »ﻛﻼﺭﺍ« ﭼﻨﺪﻯ ﭘﻴﺶ ﺩﺭ ﺑﺎﻍﻭﺣﺶ ﺷﻬﺮ ﺑﺮﻟﻴﻦ ﺍﻧﺠﺎﻡ ﮔﺮﻓﺖ ﻭ ﺍﻳﻦ‬
‫ﭘﺎﺷﻨﻪ ﺑﻠﻨﺪﻯ ﺩﺍﺭﻳﻢ ﻛﻪ ﺑﺎ ﻛﺘﺎﻧﻰﻫﺎﻯ‬ ‫ﻃﺮﺍﺣﻰ ﺷﺪﻩ ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ‬ ‫ﺑﻪ ﺳﻔﺎﺭﺵ ﻧﺎﺻﺮﺍﻟﺪﻳﻦ ﺷﺎﻩ ﭼﻨﺪﻳﻦ ﺗﺎﺑﻠﻮ‬ ‫ﺍﻭﻟﻴﻦﺑﺎﺭ ﺍﺳﺖ ﻛﻪ ﻳﻚ ﺟﺎﮔﻮﺍﺭ ﻛﻪ ﺧﻄﺮ ﺍﻧﻘﺮﺍﺿﺶ ﺷﺪﻳﺪﺍًﻭﺟﻮﺩ ﺩﺍﺭﺩ ﺩﺭ ﺍﺳﺎﺭﺕ‪،‬‬
‫ﻣﺮﺩﺍﻧﻪ ﺭﻗﺎﺑﺖ ﻣﻰﻛﻨﻨﺪ‪ .‬ﻫﻤﻴﻦ ﻃﻮﺭ‬ ‫ﺳﺎﻟﮕﻰ ﺩﺭﮔﺬﺷﺖ‪.‬‬ ‫ﻛﺸﻴﺪ‪ .‬ﺍﻭ ﭼﻨﺪ ﺳﺎﻟﻰ ﺭﺍ ﺩﺭ ﺍﺭﻭﭘﺎ ﮔﺬﺭﺍﻧﺪ ﻭ‬
‫ﻛﺎﺭﻫﺎﻳﻰ ﺍﺯ ﻛﻤﭙﺎﻧﻰﻫﺎﻯ ﺑﻨﺎﻡ ﻣﺜﻞ‬ ‫ﺧﻮﺩﻧﻤﺎﻳﻰ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﻣﻘﺒﺮﻩ ﻛﻤﺎﻝﺍﻟﻤﻠﻚ ﺩﺭ ﻛﻨﺎﺭ ﺁﺭﺍﻣﮕﺎﻩ‬ ‫ﻧﺰﺩ ﺗﻌﺪﺍﺩﻯ ﺍﺯ ﻧﻘﺎﺷﺎﻥ ﺍﺭﻭﭘﺎﻳﻰ ﺗﺤﺼﻴﻞ‬ ‫ﺗﻮﻟﻴﺪ ﻣﺜﻞ ﻣﻰﻧﻤﺎﻳﺪ‪.‬‬
‫ﭘﺮﺍﺩﺍ‪ ،‬ﻟﻮﺑﻮﺗﻴﻦ ﻭ ﺟﻴﻤﻰ ﭼﻮﻳﺲ‬ ‫ﻧﻤﺎﻳﺸﮕﺎﻩ ﻛﺘﺎﻧﻰ‪ ،‬ﻣﺤﻠﻰ ﺍﺳﺖ ﺑﺮﺍﻯ‬ ‫ﺷﻴﺦ ﻓﺮﻳﺪﺍﻟﺪﻳﻦ ﻋﻄﺎﺭ ﻧﻴﺸﺎﺑﻮﺭﻯ ﻗﺮﺍﺭ‬ ‫ﻛﺮﺩ ﻭ ﺩﺭ ﻣﻮﺯﻩﻫﺎﻯ ﻣﺨﺘﻠﻒ ﺍﺭﻭﭘﺎ ﺑﻪ‬
‫ﺩﺭ ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﻪ ﺗﻤﺎﺷﺎ ﮔﺬﺍﺷﺘﻪ‬ ‫ﻧﻤﺎﻳﺶﺭﺩﭘﺎﻯﺗﺎﺭﻳﺨﻰﻛﺘﺎﻧﻰﻫﺎﻯﻛﻬﻨﻪ‬ ‫ﺩﺍﺭﺩ‪ .‬ﺍﺯ ﺍﻭ ﺁﺛﺎﺭ ﻣﺸﻬﻮﺭﻯ ﻣﺎﻧﻨﺪ ﺗﺎﻻﺭ‬ ‫ﻣﻄﺎﻟﻌﻪ ﺁﺛﺎﺭ ﻧﻘﺎﺷﺎﻥ ﺑﺰﺭگ ﺍﺭﻭﭘﺎ ﭘﺮﺩﺍﺧﺖ‪.‬‬
‫ﻭ ﻓﺮﺳﻮﺩﻩ ﺍﺑﺘﺪﺍﻳﻰ ﺗﺎ ﻣﺪﺭﻥﺗﺮﻳﻦ ﺁﻧﻬﺎ‪.‬‬ ‫ﺁﻳﻨﻪ ﻛﺎﺥ ﮔﻠﺴﺘﺎﻥ ﺑﻪ ﺟﺎﻯ ﻣﺎﻧﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺷﺪﻩﺍﻧﺪ‪.‬‬ ‫ﺍﻓﺰﺍﻳﺶ ﻓﺮﻫﻨﮓ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻛﺘﺎﻧﻰ‬ ‫ﺍﮔﺮ ﭘﺮﻭﺍﻧﻪ ﺑﻮﺩﻡ ﻣﻰﭘﺮﻳﺪﻡ ‪!...‬‬
‫ﻣﺠﻤﻮﻋﻪﻫﺎﻯ ﺑﺮﺟﺴﺘﻪﺍﻯ ﻫﻢ ﺩﺍﺭﻳﻢ‬ ‫ﻭ ﻛﻔﺶﻫﺎﻯ ﻣﻌﺮﻭﻑ ﺑﻪ ﻭﺭﺯﺷﻰ‬ ‫ﺩﺭ ﻧﻮﻉ ﻣﺎﺩﻩ ﺁﻥ ﻗﻬﻮﻫﺎﻯ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﭘﺮﻭﺍﻧﻪ‬
‫ﻣﺜﻼ ﻳﻜﻰ ﺷﺎﻣﻞ ‪ 23‬ﺟﻔﺖ ﻛﺘﺎﻧﻰ ﺍﺯ‬ ‫ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﻛﻪ ﭼﻄﻮﺭ ﻛﻔﺶﻫﺎﻯ‬ ‫ﺍﺯ ﺧﺎﻧﻮﺍﺩﻩ »‪ «Lycaenidae‬ﺑﺎ ﻧﺎﻡ ﻋﻠﻤﻰ‬ ‫ﭘﺮﻭﺍﻧﻪﻫﺎ ﺑﺮﺍﻯ ﺍﻳﺮﺍﻧﻴﺎﻥ ﻧﻤﺎﺩ ﻋﺸﻖ‬
‫ﻣﺪﻝ ﺍﻳﺮ ﺟﺮﺩﻥ ﻛﻪ ﻛﻤﭙﺎﻧﻰ ﻧﺎﻳﻚ ﺁﻥ‬ ‫ﺭﺍﺣﺖ ﺩﺭ ﻃﻮﻝ ﻣﺪﺕ ﺯﻣﺎﻧﻰ‬ ‫»‪ «Cyaniris Semiargus‬ﺍﺳﺖ ﻛﻪ‬ ‫ﻭ ﻗﺎﺑﻞ ﺍﺣﺘﺮﺍﻣﻨﺪ‪ .‬ﻣﻬﻢﺗﺮﻳﻦ ﺯﻳﺴﺘﮕﺎﻩ‬
‫ﺭﺍ ﺑﺮﺍﻯ ﻣﺎﻳﻜﻞ ﺟﻮﺭﺩﻥ ﺑﺴﻜﺘﺒﺎﻟﻴﺴﺖ‬ ‫ﻛﻪ ﺍﻭﻗﺎﺕ ﻓﺮﺍﻏﺖ ﻣﺮﺩﻡ ﺍﻓﺰﺍﻳﺶ‬ ‫ﺑﺠﺰ ﺍﺯ ﺍﻳﺮﺍﻥ ﺩﺭ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﻣﻨﺎﻃﻖ‬ ‫ﺭﻭﺯﭘﺮﻙﻫﺎﻯ ﺑﻮﻣﻰ ﺍﻳﺮﺍﻥ ﺭﺍ ﻣﻰﺗﻮﺍﻧﻴﺪ‬
‫ﺍﺭﻭﭘﺎ ﻭ ﺁﺳﻴﺎﻯ ﻣﻴﺎﻧﻪ ﻫﻢ ﭘﺮﺍﻛﻨﺶ ﺩﺍﺭﺩ‪.‬‬ ‫ﺩﺭ ﻣﻨﺎﻃﻖ ﻛﻮﻫﺴﺘﺎﻧﻰ ﺯﺍﮔﺮﺱ ﻭ ﺍﻟﺒﺮﺯ‬
‫ﺑﺒﻴﻨﻴﺪ‪ .‬ﺍﻳﻦ ﭘﺮﻭﺍﻧﻪﻫﺎﻯ ﻛﻮﭼﻚ ﻫﻢ ﻛﻪ‬
‫ﺩﺭ ﺣﺎﻝ ﺯﺍﺩﺁﻭﺭﻯ ﻫﺴﺘﻨﺪ‪ ،‬ﺩﺭ ﻣﻨﺎﻃﻖ‬
‫ﻣﺮﻃﻮﺏ ﺍﻟﺒﺮﺯ‪ ،‬ﺯﺍﮔﺮﺱ ﻭ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ‬

‫ﻳﺎﻓﺖ ﻣﻰﺷﻮﻧﺪ‪.‬‬
‫ﺗﻔﺎﻭﺕ ﻧﺮ ﻭ ﻣﺎﺩﻩ ﺁﻧﻬﺎ ﺩﺭ ﺭﻧﮓ ﺑﺎﻟﺸﺎﻥ‬
‫ﺍﺳﺖ‪ .‬ﺭﻧﮓ ﺑﺎﻝ ﺩﺭ ﻧﻮﻉ ﺍﻳﻦ ﭘﺮﻭﺍﻧﻪ‪ ،‬ﺁﺑﻰ ﻭ‬

‫ﺁﺛﺎﺭ ﺑﺎﺳﺘﺎﻧﻰ ﺧﻮﺯﺳﺘﺎﻥ ﻭ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ ﭘﺘﺎﻧﺴﻴﻞ ﺑﺎﻟﻘﻮﻩ ﺑﺮﺍﻯ ﺟﺬﺏ ﺗﻮﺭﻳﺴﻢ‬

‫ﺍﻳﻦ ﺍﻭﺍﺧﺮ ﻧﻴﺰ ﺍﺯ ﺍﻳﻦ ﻛﻔﺶﻫﺎ ﻛﻪ ﺁﺩﻡ ﺭﺍ ﺑﻪ ﻳﺎﺩ ﺩﻭﺯﻳﺴﺘﺎﻥ ﻣﻰﺍﻧﺪﺍﺯﺩ ﻣﺪ‬ ‫ﺍﺳﺘﺎﻥ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ ﻭ ﺧﻮﺯﺳﺘﺎﻥ‬
‫ﺷﺪﻩ‪ :‬ﭘﺎﺷﻨﻪ ﺑﻠﻨﺪ ﻭ ﻇﺎﻫﺮ ﻭﺭﺯﺷﻰ‬ ‫ﺩﻭ ﺍﺳﺘﺎﻧﻰ ﻫﺴﺘﻨﺪ ﻛﻪ ﺍﺯ ﻟﺤﺎﻅ ﺁﺛﺎﺭ‬
‫ﺑﺎﺳﺘﺎﻧﻰ ﺑﺴﻴﺎﺭﻏﻨﻰ ﻭ ﭘﺘﺎﻧﺴﻴﻞ ﺑﺎﻻﻳﻰ‬
‫ﻣﻌﺮﻭﻑ ﻃﺮﺍﺣﻰ ﻛﺮﺩ ﻭ ﻳﺎ ﺁﺩﻳﺪﺍﺱﻫﺎﻳﻰ‬ ‫ﭘﻴﺪﺍ ﻛﺮﺩ ﻭ ﻭﺭﺯﺵ ﺩﺭ ﺑﻴﻦ ﺁﻧﻬﺎ‬ ‫ﺑﺮﺍﻯ ﺟﺬﺏ ﮔﺮﺩﺷﮕﺮ ﺩﺍﺭﻧﺪ ﻭ ﺑﻪ‬
‫ﻛﻪ ﮔﺮﻭﻩ ﺭپ »ﺭﺍﻥ ﺩﻯ ﺍﻡ ﺳﻰ« ﺁﻧﻬﺎ ﺭﺍ‬ ‫ﻣﺤﺒﻮﺑﻴﺖ ﻳﺎﻓﺖ ﺗﻮﺳﻌﻪ ﭘﻴﺪﺍ ﻛﺮﺩ‪.‬‬ ‫ﺗﺎﺯﮔﻰ ﺷﻤﺎﺭ ﺑﺴﻴﺎﺭﻯ ﺍﺯ ﺍﻳﻦ ﺁﺛﺎﺭ ﺩﺭ‬
‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺭﻭﻳﺘﺮﺯ ‪150‬ﻧﻮﻉ ﻛﺘﺎﻧﻰ ﺑﻪ‬ ‫ﻓﻬﺮﺳﺖ ﺟﻬﺎﻧﻰ ﻳﻮﻧﺴﻜﻮ ﺛﺒﺖ ﺷﺪﻩ‬
‫ﺍﻣﻀﺎ ﻭ ﺍﻫﺪﺍ ﻛﺮﺩﻩﺍﻧﺪ‪.‬‬ ‫ﻧﻤﺎﻳﺶ ﮔﺬﺍﺷﺘﻪ ﺷﺪﻩ ﺁﺭﺷﻴﻮﻯ ﺍﺳﺖ ﺍﺯ‬
‫ﺑﺎﺯﺩﻳﺪ ﻛﻨﻨﺪﻩﻫﺎ ﻫﻢﭼﻨﻴﻦ ﺩﺭ ﺣﺎﺷﻴﻪ‬ ‫ﻣﻮﺯﻩﻫﺎ ﻛﻪ ﺗﻮﺳﻂ ﻛﺎﺭﺧﺎﻧﻪﻫﺎﻯ ﺗﻮﻟﻴﺪ‬ ‫ﺍﺳﺖ‪.‬‬
‫ﺍﻳﻦ ﻧﻤﺎﻳﺸﮕﺎﻩ ﺑﺎ ﺩﺍﺳﺘﺎﻥ ﻛﻔﺶ ﻭﺭﺯﺷﻰ‬ ‫ﻛﻨﻨﺪﻩ ﻭ ﻛﻠﻜﺴﻴﻮﻧﺮﻫﺎﻯ ﺷﺨﺼﻰ ﺍﺯ‬ ‫ﺛﺒﺖ ﺁﺛﺎﺭﺑﺎﺳﺘﺎﻧﻰ ﺩﺭ ﻓﻬﺮﺳﺖ ﺟﻬﺎﻧﻰ‬
‫ﺁﺩﻳﺪﺍﺱ ﺩﻭﻧﺪﻩ ﻣﻌﺮﻭﻑ »ﺍﺩﻯ ﺩﺍﺳﻠﺮ«‬ ‫ﺑﺮﻧﺪﻫﺎﻯ ﻣﺨﺘﻠﻒ ﻣﺎﻧﻨﺪ ﺁﺩﻳﺪﺍﺱ‪،‬‬ ‫ﻳﻮﻧﺴﻜﻮ ﺑﻪ ﺷﻨﺎﺧﺘﻪ ﺷﺪﻥ ﺭﺍﺯﻫﺎﻯ‬
‫ﺍﺷﻨﺎ ﻣﻰﺷﻮﻧﺪ ﻛﻪ ﺍﻭ ﺍﻳﻦ ﻛﺘﺎﻧﻰ ﺭﺍ ﺑﻪ‬ ‫ﻧﺎﻳﻚ‪ ،‬ﻛﺎﻧﻮﺭﺱ‪ ،‬ﭘﻮﻣﺎ ﻭ ﺭﻳﺒﻮﻙ‬ ‫ﻛﻬﻦ ﺑﺎﺳﺘﺎﻥ ﺍﻳﺮﺍﻥ ﺩﺭ ﺩﻧﻴﺎ ﻛﻤﻚ‬
‫ﻗﻬﺮﻣﺎﻥ ﺍﻟﻤﭙﻴﻚ ﺑﻪ ﻧﺎﻡ »ﺟﺲ ﺁﻭﻧﺮ«‬ ‫ﻣﻰ ﻛﻨﺪ ﺑﻪ ﻃﻮﺭﻯ ﻛﻪ ﺍﺧﻴﺮﺍ ﺗﻼﺵ‬
‫ﻫﺪﻳﻪ ﻛﺮﺩ ﻛﻪ ﺩﺭ ﺣﺎﻝ ﺗﻤﺮﻳﻦ ﺑﺮﺍﻯ‬ ‫ﺟﻤﻊﺁﻭﺭﻯ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﻫﺎﻯ ﺍﺭﺯﺷﻤﻨﺪﻯ ﺍﺯ ﻃﺮﻑ ﻛﺎﺭﺷﻨﺎﺳﺎﻥ‬
‫ﺍﻟﻤﭙﻴﻚ ﺳﺎﻝ ‪ 1936‬ﺩﺭ ﺑﺮﻟﻴﻦ ﺑﻮﺩ‪.‬‬ ‫ﺑﺎﻳﺪ ﻳﺎﺩﺁﻭﺭﻯ ﻛﺮﺩ ﻛﻪ ﻛﺘﺎﻧﻰﻫﺎﻳﻰ‬ ‫ﺑﺎﺳﺘﺎﻥ ﺷﻨﺎﺳﻰ ﻭ ﺳﺎﺯﻣﺎﻥ ﻣﻴﺮﺍﺙ‬
‫ﺍﻟﻤﭙﻴﻜﻰ ﻛﻪ ﺩﺭ ﺣﻀﻮﺭ ﻫﻴﺘﻠﺮ ﺑﺮﮔﺰﺍﺭ‬ ‫ﻛﻪ ﺍﻣﺮﻭﺯﻩ ﭼﻬﺮﻩ ﻭﺭﺯﺷﻰ ﺩﺍﺭﻧﺪ ﺩﺭ ﺁﻥ‬ ‫ﻓﺮﻫﻨﮕﻰ ﺍﻳﺮﺍﻥ ﺩﺭ ﻫﻤﻴﻦ ﺯﻣﻴﻨﻪ‬
‫ﺯﻣﺎﻥ ﻧﻤﺎﻳﺎﻧﮕﺮ ﺷﺨﺼﻴﺖ ﻭ ﺭﺗﺒﻪ ﺁﺩﻡﻫﺎ‬
‫ﺷﺪ‪.‬‬ ‫ﺻﻮﺭﺕ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﻛﺸﻒ ﮔﻮﺭﻫﺎﻯ ‪ 7000‬ﺳﺎﻟﻪ ﺩﺭ‬
‫ﺑﺎ ﻛﺎﺭﺗﻮﻥﻫﺎﻯ ﺑﺎﺑﻚ ﻣﻌﺼﻮﻣﻰ‬ ‫ﺁﺑﺸﺎﺭﻫﺎﻱ ﺷﻮﺷﺘﺮ‬ ‫ﺁﺛﺎﺭ ﺗﺎﺭﻳﺨﻰ ﺩﺭ ﻳﻚ ﺍﺳﺘﺎﻥ ﺭﻭﻯ‬ ‫ﺩﺭ ﻓﻬﺮﺳﺖ ﺁﺛﺎﺭ ﻣﻠﻰ ﺑﻪ ﺛﺒﺖ ﺭﺳﻴﺪﻩ‬ ‫ﻣﺤﻮﻃﻪ ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﻰ ﺗﻞ ﭼﮕﺎ‬
‫ﻣﻴﺰﺍﻥ ﺩﺭﺧﻮﺍﺳﺖ ﺍﻋﺘﺒﺎﺭ‪ ،‬ﻧﻴﺮﻭﻯ ﻛﺎﺭ‬ ‫ﺍﺳﺖ‪.‬‬ ‫ﺳﻔﻠﻰ ﺍﺯ ﻧﻤﻮﻧﻪﻫﺎﻳﻰ ﺍﺳﺖ ﻛﻪ ﺑﻪ‬
‫ﺗﻮﺭﻳﺴﺘﻰ ﻣﺎﻧﻨﺪ ﺗﺮﻛﻴﻪ ﭘﻴﺸﻰ ﮔﺮﻓﺘﻪ‬ ‫ﻭ ﺑﺮﻧﺎﻣﻪﻫﺎﻳﻰ ﻛﻪ ﺑﺎﻳﺪ ﺑﺮﺍﻯ ﺁﻳﻨﺪﻩ ﻫﺮ‬ ‫ﺣﻔﻆ ﺍﻳﻦ ﻣﻴﺮﺍﺙ ﺑﺎ ﺍﺭﺯﺵ ﻓﺮﻫﻨﮕﻰ‬
‫ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻣﻮﺿﻮﻉ ﺧﻮﺩﺑﻪ ﺧﻮﺩ ﺍﺯ‬ ‫ﻳﻚ ﺍﺯ ﺁﺛﺎﺭ ﺗﺎﺭﻳﺨﻰ ﭘﻴﺶﺑﻴﻨﻰ ﺷﻮﺩ‪،‬‬ ‫ﺩﺭ ﻫﻤﻴﻦ ﺯﻣﻴﻨﻪ ﺍﺳﺘﺎﻥ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ‬ ‫ﻛﻤﻚ ﺧﻮﺍﻫﺪ ﻛﺮﺩ‪ .‬ﺍﻳﻦ ﻣﺤﻮﻃﻪ ﻛﻪ‬
‫ﺳﻬﻢ ﺁﺷﻜﺎﺭ ﺍﻳﺮﺍﻥ ﺩﺭ ﻣﻴﺮﺍﺙ ﺟﻬﺎﻧﻰ‬ ‫ﺑﺴﺘﮕﻰ ﺩﺍﺭﺩ‪ .‬ﺍﻳﻦ ﺩﺭ ﺣﺎﻟﻴﺴﺖ ﻛﻪ ﺑﻪ‬ ‫ﺷﺮﻗﻰ ﻧﻴﺰ ﺗﺎ ﭘﺎﻳﺎﻥ ﺳﺎﻝ ‪ ،92‬ﺗﻌﺪﺍﺩ‬ ‫ﻳﻜﻰ ﺍﺯ ﻭﺳﻴﻊﺗﺮﻳﻦ ﻣﺤﻮﻃﻪﻫﺎﻯ‬
‫ﺣﻜﺎﻳﺖ ﻣﻰﻛﻨﺪ‪ ،‬ﺍﻣﺎ ﺑﺎﻳﺪ ﺗﻮﺟﻪ ﻛﺮﺩ‬ ‫ﻧﻈﺮ ﻣﻰﺭﺳﺪ ﻣﺪﻳﺮ ﺍﺳﺘﺎﻥ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ‬ ‫ﻫﺰﺍﺭ ﻭ ‪ 711‬ﺍﺛﺮ ﺧﻮﺩ ﺭﺍ ﺩﺭ ﻓﻬﺮﺳﺖ‬ ‫ﭘﻴﺶﺗﺎﺭﻳﺨﻰ ﺧﻮﺯﺳﺘﺎﻥ ﺍﺳﺖ ﺩﺭ ﻧﻴﻢ‬
‫ﻛﻪ ﺍﮔﺮ ﻣﺤﺪﻭﺩﻳﺖﻫﺎﻯ ﻣﺪﻳﺮﻳﺘﻰ‬ ‫ﺷﺮﻗﻰ ﺣﺪﻭﺩ ‪ 600‬ﺍﺛﺮ ﺭﺍ ﻧﺎﺩﻳﺪﻩ‬ ‫ﺁﺛﺎﺭ ﻣﻠﻰ ﺑﻪ ﺛﺒﺖ ﺭﺳﺎﻧﺪﻩ ﺍﺳﺖ‪،‬‬ ‫ﻗﺮﻥ ﺍﺧﻴﺮ ﻫﻤﻮﺍﺭﻩ ﺩﺭ ﺧﻄﺮ ﺗﻌﺮﺽ‬
‫ﻛﻤﻴﺘﻪ ﻣﻴﺮﺍﺙ ﺟﻬﺎﻧﻰ ﻧﺒﻮﺩ ﻣﺎ ﺑﻪ‬ ‫ﺍﺳﺘﺎﻧﻰ ﻛﻪ ﺍﺯ ﻧﻈﺮ ﺗﻌﺪﺍﺩ ﺁﺛﺎﺭ ﺛﺒﺖ‬
‫ﺍﻧﺪﺍﺯﻩ ﺗﻤﺎﻡ ﻧﻤﻮﻧﻪﻫﺎﻯ ﺛﺒﺖ ﺷﺪﻩ‬ ‫ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﺷﺪﻩ ﺩﺭ ﺳﻄﺢ ﻛﺸﻮﺭ‪ ،‬ﺭﺗﺒﻪ ‪ 4‬ﺭﺍ ﺩﺍﺭﺩ‪.‬‬ ‫ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﻛﻨﻮﻧﻰ ﺩﺭ ﺁﻥ ﻓﻬﺮﺳﺖ‪ ،‬ﺁﺛﺎﺭﻯ ﻓﺎﺧﺮ ﻭ‬ ‫ﻭﻯ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﺍﻳﻨﻜﻪ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ‬ ‫ﺍﻣﺎ ﺗﻔﺎﻭﺕ ﻓﺎﺣﺸﻰ ﺑﻴﻦ ﺁﻣﺎﺭ ﻭ‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺧﺒﺮ ﺁﻧﻼﻳﻦ ﻋﺒﺎﺱ ﻣﻘﺪﻡ‬
‫ﺷﺮﻗﻰ ﺗﺎ ﭘﺎﻳﺎﻥ ﺳﺎﻝ ‪ ،92‬ﻳﻚ ﻫﺰﺍﺭ‬ ‫ﺍﺭﻗﺎﻡ ﺁﺛﺎﺭ ﺛﺒﺖ ﺷﺪﻩ ﻭﺟﻮﺩ ﺩﺍﺭﺩ ﺑﻪ‬ ‫ﺳﺮﭘﺮﺳﺖ ﻫﻴﺎﺕ ﺑﺎﺳﺘﺎﻥﺷﻨﺎﺳﻰ ﺗﻞ‬
‫ﺑﺎ ﺍﺭﺯﺵ ﺑﺮﺍﻯ ﻋﺮﺿﻪ ﺩﺍﺷﺘﻴﻢ‪.‬‬ ‫ﻭ ‪ 711‬ﺍﺛﺮ ﺭﺍ ﺩﺭ ﻓﻬﺮﺳﺖ ﺁﺛﺎﺭ ﻣﻠﻰ‬ ‫ﻃﻮﺭﻯ ﻛﻪ ﻣﺪﻳﺮ ﻛﻞ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‬ ‫ﭼﮕﺎ ﺳﻔﻠﻰ ﺩﺭ ﺍﻳﻦ ﺯﻣﻴﻨﻪ ﮔﻔﺖ‪،‬‬
‫ﻭﻯ ﺑﺎ ﺍﺷﺎﺭﻩ ﺑﻪ ﻣﻌﺮﻓﻰ ﺁﺛﺎﺭ ﻓﺎﺧﺮ‬ ‫ﺑﻪ ﺛﺒﺖ ﺭﺳﺎﻧﺪﻩ ﻭ ﺍﺯ ﺍﻳﻦ ﺗﻌﺪﺍﺩ ﻓﻘﻂ‬ ‫ﻭ ﮔﺮﺩﺷﮕﺮﻯ ﺍﻳﻦ ﺍﺳﺘﺎﻥ ﺗﻌﺪﺍﺩ‬ ‫ﺍﻳﻦ ﮔﻮﺭﺳﺘﺎﻥﻫﺎ ﻛﻪ ﺑﺮﺧﻰ ﺍﺯ ﺁﻧﻬﺎ ﺑﺮ‬
‫ﺍﻳﺮﺍﻥ ﺑﻪ ﺟﻬﺎﻥ ﺍﻓﺰﻭﺩ‪ ،‬ﺁﺛﺎﺭ ﺍﺭﺯﺷﻤﻨﺪ‬ ‫‪ 43‬ﺍﺛﺮ ﺗﻌﻴﻴﻦ ﺣﺮﻳﻢ ﺷﺪﻩﺍﻧﺪ‪ ،‬ﺍﻇﻬﺎﺭ‬ ‫ﺁﺛﺎﺭ ﺛﺒﺘﻰ ﺧﻮﺩ ﺭﺍ ‪ 1116‬ﺍﺛﺮ ﺍﻋﻼﻡ‬ ‫ﻣﺒﻨﺎﻯ ﺗﻐﻴﻴﺮﺍﺕ ﺳﻄﺤﻰ ﻧﻤﺎﻳﺎﻥ ﺷﺪﻩ‬
‫ﻣﻴﺮﺍﺙ ﺑﺸﺮﻯ ﺑﺎﻳﺪ ﺷﻨﺎﺧﺘﻪ ﻭ ﺛﺒﺖ ﻭ‬ ‫ﻣﻰﻛﻨﺪ‪ :‬ﺍﻳﻦ ﺍﺳﺘﺎﻥ ﺑﻪ ﺩﻟﻴﻞ ﺩﺍﺷﺘﻦ‬ ‫ﻣﻰﻛﻨﺪ! ﻳﻌﻨﻰ ﻳﻚ ﺗﻔﺎﻭﺕ ﻓﺎﺣﺶ‬ ‫ﺑﻮﺩﻧﺪ‪ ،‬ﺷﻮﺍﻫﺪﻯ ﺍﺭﺍﻳﻪ ﻛﺮﺩﻩﺍﻧﺪ ﻛﻪ‬
‫ﺿﺒﻂ ﺷﻮﺩ‪ .‬ﺑﺪﻳﻦ ﺗﺮﺗﻴﺐ ﻫﺮ ﻛﺸﻮﺭﻯ‬ ‫ﺁﺛﺎﺭﻯ ﻣﺎﻧﻨﺪ »ﻣﺴﺠﺪ ﺟﺎﻣﻊ ﺗﺒﺮﻳﺰ«‪،‬‬ ‫ﺩﺭ ﺍﻋﻼﻡ ﺍﺭﻗﺎﻡ ﻭ ﻛﺎﻫﺶ ‪ 595‬ﺍﺛﺮ‬ ‫ﻧﺸﺎﻥ ﻣﻰﺩﻫﺪ ﺗﺎﺭﻳﺨﻰ ﺑﺮﺍﺑﺮ ﺑﺎ ﺍﻭﺍﺧﺮ‬
‫ﻛﻪ ﺩﺭ ﺍﻳﻦ ﻓﻬﺮﺳﺖ ﺍﺛﺮﻯ ﺭﺍ ﺛﺒﺖ‬ ‫»ﻣﺴﺠﺪ ﻛﺒﻮﺩ«‪» ،‬ﮔﻨﺒﺪ ﻛﺒﻮﺩ«‪،‬‬ ‫ﺗﺎﺭﻳﺨﻰ‪ ،‬ﺁﺛﺎﺭﻯ ﻛﻪ ﺑﻪ ﻧﻈﺮ ﻣﻰﺭﺳﺪ ﺩﺭ‬
‫ﻣﻰﻛﻨﺪ‪ ،‬ﺷﺎﺧﺼﻪﺍﻯ ﺟﻬﺎﻥﺷﻤﻮﻝ‬ ‫»ﺧﺮﺍﺑﻪﻫﺎﻯ ﺍﺭگ ﻋﻠﻴﺸﺎﻩ«‪» ،‬ﮔﻨﺒﺪ‬ ‫ﺳﻄﺢ ﺍﺳﺘﺎﻥ ﺩﻳﺪﻩ ﻧﺸﺪﻩﺍﻧﺪ ﻳﺎ ﺍﺻﻼ‬ ‫ﻫﺰﺍﺭﻩ ﭘﻨﺠﻢ ﭘﻴﺶ ﺍﺯ ﻣﻴﻼﺩ ﺩﺍﺭﻧﺪ‪.‬‬
‫ﻭ ﻫﻤﻪ ﻓﻬﻢ ﺑﺮﺍﻯ ﺁﺷﻜﺎﺭﻛﺮﺩﻥ‬ ‫ﺳﺮﺥ« ﻭ »ﭘﻞ ﺩﺧﺘﺮ«‪ ،‬ﺣﺪﻭﺩ ‪ 10‬ﺍﺛﺮ‬ ‫ﺗﻞﭼﮕﺎ ﺳﻔﻠﻰ ﺩﺭ ﺩﻫﻪ ‪1970‬‬
‫ﺳﻬ ِﻢ ﺁﻭﺭﺩﻩﻫﺎﻯ ﺗﺎﺭﻳﺨﻰ ﻭ ﻃﺒﻴﻌﻰ‬ ‫ﺍﺭﺯﺷﻤﻨﺪ ﺧﻮﺩ ﺭﺍ ﺩﺭ ﺳﺎﻝ ‪ 1310‬ﺩﺭ‬ ‫ﺷﺎﻳﺪ ﺗﺨﺮﻳﺐ ﺷﺪﻩ ﺑﺎﺷﻨﺪ‪.‬‬ ‫ﻣﻴﻼﺩﻯ ﺗﻮﺳﻂ ﻫﻴﺄﺗﻰ ﺑﻪ ﺳﺮﭘﺮﺳﺘﻰ‬
‫ﺳﺮﺯﻣﻴﻦ ﺧﻮﺩ ﺩﺭ ﻣﻴﺮﺍﺙ ﺟﻬﺎﻧﻰ ﺩﺭ‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺍﻳﺴﻨﺎ‪ ،‬ﻓﺮﺯﻳﻦ ﺣﻖﭘﺮﺳﺖ‪،‬‬ ‫ﻫﺎﻧﺲ ﻧﻴﺴﻦ‪ ،‬ﺍﺯ ﻣﺆﺳﺴﻪ ﺷﺮﻕﺷﻨﺎﺳﻰ‬
‫ﺩﺳﺖ ﺧﻮﺍﻫﺪ ﺩﺍﺷﺖ‪ .‬ﺑﻪ ﻃﻮﺭ ﻃﺒﻴﻌﻰ‬ ‫ﻓﻬﺮﺳﺖ ﺁﺛﺎﺭ ﻣﻠﻰ ﺑﻪ ﺛﺒﺖ ﺭﺳﺎﻧﺪ‪.‬‬ ‫ﺗﻌﺪﺍﺩ ﺁﺛﺎﺭ ﺛﺒﺖ ﺷﺪﻩ ﺍﻳﻦ ﺍﺳﺘﺎﻥ ﺭﺍ‬ ‫ﺩﺍﻧﺸﮕﺎﻩ ﺷﻴﻜﺎﮔﻮ‪ ،‬ﺷﻨﺎﺳﺎﻳﻰ ﺷﺪ‪.‬‬
‫ﻫﺮﭼﻪ ﺗﻌﺪﺍﺩ ﺁﺛﺎﺭ ﺑﻴﺸﺘﺮ ﻭ ﻛﻴﻔﻴﺖ ﺁﻧﻬﺎ‬ ‫ﺑﻪ ﮔﺰﺍﺭﺵ ﺭﻭﺯﻧﺎﻣﻪ ﺷﺮﻕ ﺳﻴﺪﻣﺤﻤﺪ‬ ‫»ﺗﺎ ﻛﻨﻮﻥ ﻫﺰﺍﺭ ﻭ ‪ 156‬ﺍﺛﺮ ﺩﺭ ﺣﻮﺯﻩ‬ ‫ﺑﻌﺪﻫﺎ‪ ،‬ﺭﻳﻨﻬﺎﺭﺩ ﺩﻳﺘﻤﻦ‪ ،‬ﺑﻪ ﺗﻔﺼﻴﻞ‬
‫ﺩﺭﺧﺸﺎﻥﺗﺮ ﺑﺎﺷﺪ‪ ،‬ﻣﻮﻗﻌﻴﺖ ﺑﻬﺘﺮﻯ‬ ‫ﺑﻬﺸﺘﻰ ﺭﺋﻴﺲ ﭘﮋﻭﻫﺸﮕﺎﻩ ﻣﻴﺮﺍﺙ‬ ‫ﻣﻴﺮﺍﺙ ﻏﻴﺮﻣﻨﻘﻮﻝ‪ ،‬ﻧﺎﻣﻠﻤﻮﺱ ﻭ‬ ‫ﺑﻪ ﺍﻟﮕﻮﻫﺎﻯ ﺯﻳﺴﺘﮕﺎﻫﻰ ﺩﺷﺖﻫﺎﻯ‬
‫ﺑﺮﺍﻯ ﺁﻥ ﻛﺸﻮﺭ ﺟﻬﺖ ﻣﻌﺮﻓﻰ ﻭ ﺗﺒﻠﻴﻎ‬ ‫ﻓﺮﻫﻨﮕﻰ ﺍﻳﺮﺍﻥ ﻧﻴﺰ ﭼﻨﺪﻯ ﭘﻴﺶ‬ ‫ﺑﻬﺒﻬﺎﻥ ﻭ ﺯﻫﺮﻩ ﭘﺮﺩﺍﺧﺖ‪ .‬ﺩﺭ ﺍﻟﮕﻮﻫﺎﻯ‬
‫ﺧﻮﺩ ﺍﺯ ﺑُﻌﺪ ﻓﺮﻫﻨﮕﻰ ﻭ ﻓﺎﺧﺮ ﻓﺮﺍﻫﻢ‬ ‫ﮔﻔﺖ‪ ،‬ﺑﺎ ﺍﻓﺰﻭﺩﻩ ﺷﺪﻥ ﺩﻭ ﺍﺛﺮ ﺗﺎﺭﻳﺨﻰ‬ ‫ﻃﺒﻴﻌﻰ« ﻣﻰﺩﺍﻧﺪ‪.‬‬ ‫ﺯﻳﺴﺘﮕﺎﻫﻰﺍﻯ ﻛﻪ ﺩﻳﺘﻤﻦ ﺍﺭﺍﺋﻪ ﻛﺮﺩﻩ‬
‫ـ ﻓﺮﻫﻨﮕﻰ »ﺷﻮﺵ« ﻭ »ﻣﻴﻤﻨﺪ«‪،‬‬ ‫ﺍﻳﻦ ﺩﺭ ﺣﺎﻟﻴﺴﺖ ﻛﻪ ﻣﺤﻤﺪ ﺳﭙﻨﺠﻰ‪،‬‬ ‫ﺍﺳﺖ‪ ،‬ﺍﺯ ﺗﻞﭼﮕﺎ ﺳﻔﻠﻰ ﺑﻪﻋﻨﻮﺍﻥ ﻳﻜﻰ‬
‫ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺑﻪ ﻓﻬﺮﺳﺖ ﺟﻬﺎﻧﻰ ﺗﻌﺪﺍﺩ ﺁﺛﺎﺭ ﺍﻳﺮﺍﻥ‬ ‫ﺍﺯ ﻛﺎﺭﺷﻨﺎﺳﺎﻥ ﺳﺎﺑﻖ ﺩﻓﺘﺮ ﺛﺒﺖ ﻭ‬ ‫ﺍﺯ ﻛﺎﻧﻮﻥﻫﺎﻯ ﻣﻬﻢ ﺯﻳﺴﺘﮕﺎﻫﻰ ﺩﺭ‬
‫ﺑﺎﻳﺪ ﺩﻳﺪ ﺁﻳﺎ ﺑﺎﻻﺧﺮﻩ ﺭﻭﺯﻯ ﺧﻮﺍﻫﺪ‬ ‫ﺩﺭ ﻓﻬﺮﺳﺖ ﻣﻴﺮﺍﺙ ﺟﻬﺎﻧﻰ ﺑﻪ ‪19‬‬ ‫ﺣﺮﻳﻢ ﺁﺛﺎﺭ ﺗﺎﺭﻳﺨﻰ ﻛﻪ ﻫﻤﻪ ﺍﻃﻼﻋﺎﺕ‬ ‫ﺍﻭﺍﺧﺮ ﻫﺰﺍﺭﻩ ﭘﻨﺠﻢ ﭘﻴﺶ ﺍﺯ ﻣﻴﻼﺩ ﻧﺎﻡ‬
‫ﺭﺳﻴﺪ ﻛﻪ ﻣﺴﻮﻻﻥ ﮔﺮﺩﺷﮕﺮﻯ ﻭ‬ ‫ﺍﺛﺮ ﺭﺳﻴﺪﻩ ﺍﺳﺖ ﻭ ﺭﺗﺒﻪ ﺍﻳﺮﺍﻥ ﺩﺭ‬ ‫ﺗﺎﺭﻳﺨﻰ ﻣﺘﻌﻠﻖ ﺑﻪ ﺍﺳﺘﺎﻥﻫﺎﻯ ﻛﺸﻮﺭ‬
‫ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ ﺍﺯ ﺍﻳﻦ ﻓﺮﺻﺖ ﻭ‬ ‫ﺟﻬﺎﻥ ﺑﻪ ﭘﻠﻪ ﻫﺸﺘﻢ ﺍﺭﺗﻘﺎ ﻳﺎﻓﺘﻪ ﻭ ﺍﺯ‬ ‫ﺗﺎ ﺳﺎﻝ ‪ 92‬ﺭﺍ ﮔﺮﺩﺁﻭﺭﻯ ﻛﺮﺩﻩ ﺍﺳﺖ‪،‬‬ ‫ﺑﺮﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﭘﺘﺎﻧﺴﻴﻞ ﺍﺭﺯﺷﻤﻨﺪ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻰ‬ ‫ﻛﺸﻮﺭﻫﺎﻯ ﻛﻬﻨﻰ ﻣﺎﻧﻨﺪ ﻳﻮﻧﺎﻥ ﻭ ﻛﺸﻮﺭ‬ ‫ﺑﻪ ﺁﻣﺎﺭ ﺍﺭﺍﺋﻪ ﺷﺪﻩ ﺗﻮﺳﻂ ﻣﺪﻳﺮ ﺍﻳﻦ‬ ‫ﺩﺭ ﺳﺎﻝ ‪ 1388‬ﺷﻤﺴﻰ‪ ،‬ﻛﺎﻣﻴﺎﺭ‬
‫ﺍﻳﺮﺍﻥ ﺟﻬﺖ ﺟﺬﺏ ﮔﺮﺩﺷﮕﺮﺍﻥ ﻭ‬ ‫ﺛﺮﻭﺗﻤﻨﺪﻯ ﻣﺎﻧﻨﺪ ﺁﻣﺮﻳﻜﺎ ﻭ ﻛﺸﻮﺭﻯ‬ ‫ﺍﺩﺍﺭﻩ ﻛﻞ ﺍﻋﺘﺮﺍﺽ ﻣﻰﻛﻨﺪ ﻭ ﻣﻰﮔﻮﻳﺪ‪:‬‬ ‫ﻋﺒﺪﻯ ﺩﺭ ﻳﻚ ﺑﺮﻧﺎﻣﻪ ﺑﺮﺭﺳﻰ ﻭ‬
‫ﺗﻮﺭﻳﺴﻢ ﺧﺎﺭﺟﻰ ﺑﻪ ﻛﺸﻮﺭ ﺍﺳﺘﻔﺎﺩﻩ‬ ‫ﺍﻃﻼﻉ ﻛﺎﻓﻰ ﻧﺪﺍﺷﺘﻦ ﺩﺭﺑﺎﺭﻩ ﺗﻌﺪﺍﺩ‬ ‫ﺷﻨﺎﺳﺎﻳﻰ ﺁﺛﺎﺭ ﺷﻬﺮﺳﺘﺎﻥ ﺑﻬﺒﻬﺎﻥ‪ ،‬ﺍﺯ‬
‫ﺁﺛﺎﺭﻯ ﻛﻪ ﺩﻳﺘﻤﻦ ﺷﻨﺎﺳﺎﻳﻰ ﻛﺮﺩﻩ ﺑﻮﺩ‪،‬‬
‫ﻛﻨﻨﺪ؟‬ ‫ﺑﺎﺯﺩﻳﺪ ﻛﺮﺩ ﻭ ﭘﺲ ﺍﺯ ﺁﻥ ﻣﺘﻌﺎﻗﺒﺎ‪ ،‬ﺑﻪ‬
‫ﻫﻤﺖ ﺯﻧﺪﻩﻳﺎﺩ ﮔﻨﺠﻰ‪ ،‬ﺗﻞﭼﮕﺎ ﺳﻔﻠﻰ‬
‫ﺩﺭﺳﺎﻝ ‪ 1388‬ﺑﻪ ﺷﻤﺎﺭﻩ ‪،28822‬‬

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